Search results for virtual guitarist 2
24, 
03:00, 
2008-11-19 05:20:44 Description: High quality, stereo:
http://www.youtube.com/watch?v=B3Io0saJy58&fmt=18
I made this way back in April, but I just noticed I never published it to YouTube! I didn't have any good footage (More) High quality, stereo:
http://www.youtube.com/watch?v=B3Io0saJy58&fmt=18
I made this way back in April, but I just noticed I never published it to YouTube! I didn't have any good footage to use, so I just inserted some random Battle Revolution recording I made a while back.
This song was made with Cubase SX, Virtual Guitarist 2, Virtual Bassist, and Airfont 380.
Download from Newgrounds:
http://www.newgrounds.com/audio/listen/140304
Check out my site: http://buizel.net (Less)
Channel: youtubeTags: Battle Diamond DP DPP DS Elite Four Gym Leader Lite Mario Metal Nintendo Paint PBR Pearl Platinum Pokémon Rock Trainer
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103, 06:24, 2008-01-28 17:13:40 Description: Listen in original cubase quality: http://www.sascha-gruenwaldt.de/youtube/shine_it_cubase.mp3
back to rock music ;o)
Maarja - Shine it on
played & recoreded by hearing the original and (More) Listen in original cubase quality: http://www.sascha-gruenwaldt.de/youtube/shine_it_cubase.mp3
back to rock music ;o)
Maarja - Shine it on
played & recoreded by hearing the original and doing the cubase... as I always do. *laugh
I had hard work with compressors in cubase. I wanted the output as loud and powerful as possible. the gain is as loud as possible without distortion. listen to the mp3!
the connection between the begin and the chorus is not yet finished and the tempo BPM might not be right yet. but still, listen! Even though there are mistakes...
too sad that I havent got anyone who could sing over my stuff. ;o) I guess that be a great cover haha...
Used Steinberg tools:
Cubase SX
Hypersonc 2
Virtual guitarist E & Ac.
Virtual bassist
Groove Agent 2 (drumline)
Played in with:
Yamaha PDP-100 e-piano with midi interface. really old thing from 1994... no money for a new one!
I am making music since i was a child. I "play by hearing". I first started with keyboard later e-piano and guitar. All these three things work quite well. I hear a song and after a short while I am able to play it.
More text info in the other music stuff I have uploaded! (Less)
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75, 09:52, 2008-04-21 21:20:12 Description: Listen in original Cubase quality here, please note, this are just short parts of the whole song! Although I could offer the complete mp3... you may ask me first! Click here: (More) Listen in original Cubase quality here, please note, this are just short parts of the whole song! Although I could offer the complete mp3... you may ask me first! Click here: http://www.sascha-gruenwaldt.de/youtube/tana_yona_taivaaseen_demo.mp3 Two downmix versions I have: First the one with the singer as lead. The second one would be full karaoke. I had uploaded 6 months ago already the intro only here. Well, I decided to show you the complete song that I have recorded in Cubase as cover version. Some things I have changed from the old intro part I had uploaded here. But just listen. Later on I'll show the setup in the video! As always, made by hearing the original then doing the cubase. NO NOTES Used Steinberg Tools: Cubase SX Virtual Bassist Virtual Guitarist Virtual Guitarist E-Edition Hypersonic 2 Groove Agent 2 tracks recorded with: Yamaha PDP-100 E-Piano keyboard on Midi interface. People... hehe... I must say: I am reading here again and again I am awesome or stuff like that. First of all thank you all for that. The second thing I hear is: Why don't you write music on your own. People (even important ones) say it again and again. Today I got the question if I give cubase lessons. Hey! I am not a professional... I am just a guy with a PC and a E-Piano and studiotools, I even didn't read the handbooks I just tried and tried. lol! My answer is: I never planned to upload music at youtube! That I upped a cubase song I made was just a stupid idea of me to show my other hobby the music. But with amazing success in the end. It's like crazy... producers, little studios, singers (german idol) etc. are responding. And I don't know how I got on the artist dictionary of lastfm... sometimes I am just sitting here laughing like: "what the hell did i do?" So I never wrote own songs. But who knows, maybe later I don't plan that I never force that. For me it was alwas like: I hear a song I like and I NEED to play it. It is like a tickling in the fingers... ;o) Again I didn't start my acount here at youtube cause of music! (Less)
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16, 06:03, 2009-01-11 04:38:54 Description: In this VTC MasterClass! course, audio expert and Producer Kenneth Braithwaite, teaches commonly used VST Instruments & Effects.
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163, 03:19, 2008-03-03 22:50:39 Description: Lovewhip is dance music. The Boston Globe exclaims "Lovewhip has a celebratory and upbeat feel that has kept crowds dancing everywhere they play!" Part of Boston's underground but (More) Lovewhip is dance music. The Boston Globe exclaims "Lovewhip has a celebratory and upbeat feel that has kept crowds dancing everywhere they play!" Part of Boston's underground but up-and-coming electro scene, Lovewhip creates a live show that is rooted in fun with the passionate vocals and dance moves of the "soulful electro-rock diva" (says the Boston Phoenix) Erin Harpe a.k.a. Empress Erin. Able to get any room going by shaking her infamous booty (see their myspace page), she also rips out screaming electric guitar riffs as she taunts and teases the crowd. Building on influences as diverse as Blondie, Beck, Sean Paul, Missy Elliot, the B52's and the Cars, Lovewhip has created a sound that people go crazy for.
The project of frontwoman/guitarist/singer Erin Harpe and bassist Jim Countryman, Lovewhip has been making eclectic dance music since their first release Whip It, Baby! in 2000. Lovewhip's multicultural influences have ranged from Jamaican reggae and dancehall to Nigerian soukous and highlife, afrobeat, and more recently retro 80's electro. "The overall concept has always been to lift people out of their daily drudgery and get them dancing and feeling good," says Harpe. And that's just what they've done, touring regularly around the country to great reactions and dancing crowds.
LOVEWHIP's fourth CD, Virtual Booty Machine, mixes electropop with dancehall reggae, funk, and rock to create a distinctive sound that begs the listener to shake it. Virtual Booty Machine takes the listener to a bright new future, weaving the sexy soulful vocals of Empress Erin with crunchy rock guitar lines, electro-pop synth lines and a dance beat. The CD was independently produced by Lovewhip with the help of Darron Burke (Makeshift Studio). It includes remixes by Boston scenesters Jeff Czejak (Plunge into Death), MicL PTVN (Lovewhip, Cassette, Campaign for Real Time), and Reggie Burrows (Radio Dread, Trumystic, High Fidelity Dub Sessions #3) and the notorious DJ Monk One from Brooklyn (Turntable Lab Magazine).
"Virtual Booty Machine" is just the tip of the iceburg for LOVEWHIP, whose sound is gives the masses exactly what they need: pure, unadulterated, high-energy dance music. Quickly becoming dance club favs, Lovewhip has already become a sensation from Boston, MA to Los Angeles, CA and from Portland, ME to Miami, FL and received radio play throughout the country. Lovewhip constantly tours around the country year-round, so look for them coming to your town soon!
The band has recently released their new single "GIMME THAT," as a two song single that includes a special remix by Boston's DJ Mark E. Moon. It is also available for download. Click here to hear samples. The band recently completed filming for their first music video for "Gimme That," look for it soon here on the site and on YouTube!
The "Gimme That" video was produced by Mystic Mirada Productions, directed by Carlos Villamil and with cinematography by Alex Gomez.
http://www.mysticmirada.com
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22, 03:19, 2009-09-06 00:56:45 Description: Small Faces was een Britse rockgroep uit de jaren 60 van de 20e eeuw. De leden waren Steve Marriott, Ronnie Lane, Kenny Jones en Jimmy Winston. Hun debuutsingle, "What'cha Gonna Do About (More) Small Faces was een Britse rockgroep uit de jaren 60 van de 20e eeuw. De leden waren Steve Marriott, Ronnie Lane, Kenny Jones en Jimmy Winston. Hun debuutsingle, "What'cha Gonna Do About It", geschreven door Ian Samwell, kwam uit in 1965, en was een kleine hit in hun eigen land. Hun volgende single, "I've Got Mine", haalde de hitparades niet, en Winston verliet de band. Ian McLagan nam zijn plaats in, en ze kregen een grote hit in Engeland met het nummer "Sha-La-La-La-Lee". Het hoogtepunt van hun populariteit was in augustus 1966 toen "All Or Nothing" de top van de UK-hitlijsten haalde, achteraf hun enige nummer 1-hit. Hun eerste album was "Small Faces", en bleek erg succesvol te zijn. Na verhuisd te zijn naar het Immediate Records label van Rolling Stones' producer Andrew 'Loog' Oldham werd het nummer uitgebracht waar ze nog steeds bekend om zijn: "Itchycoo Park". In 1968 kwam hun inmiddels vierde album uit, Ogdens' Nut Gone Flake, waarvan een kant was gebaseerd op een sprookje. Het album kreeg zeer goede kritieken en in Engeland behaalde het de eerste plaats. Op het album kwam ook de eerder al succesvolle hitsingle "Lazy Sunday" te staan. De zin "Lazy sunday afternoon... I've got no mind to worry, close my eyes and drift away...." geeft een beeld van de flower power-periode. De elpee was gestoken in een ronde hoes. Deze hoes kon worden opengeslagen en gaf dan de binnenkant van een tabaksdoos te zien, compleet met een pakje vloeitjes. Verder uitgevouwen werden vier zwart-wit foto's zichtbaar van de afzonderlijke groepsleden, die enigszins schuil gingen achter een gordijn van sigarettenrook. Hoes Toen Marriot plotseling de band verliet in 1969 en Humble Pie oprichtte, probeerden de rest van de leden Small Faces voort te zetten, en rekruteerden Rod Stewart en Ron Wood. Kort daarna veranderden ze hun naam naar The Faces. Voor meer informatie, zie dat lemma. In 1977 komen Small Faces voor korte tijd weer bij elkaar, zonder Ronnie Lane, maar met Rick Wills op bas. The Small Faces is ook de naam van een Britse film. De film heeft geen connecties met de band. Lane and Marriott met in 1965 while Marriott was working at the J60 Music Bar in Manor Park, London. Lane came in with his father Stan to buy a bass guitar, struck up a conversation with Marriott, bought the bass and went back to Marriott's house after work to listen to records. They recruited friends Kenney Jones and Jimmy Winston (born James Langwith, 20 April 1945, in Stratford, London), who switched from guitar to the organ. They rapidly progressed from rehearsals at The Ruskin Arms public house (which was owned by Winston's parents) in Manor Park, London, to ramshackle pub gigs, to semi-professional club dates. Marriott's unique and powerful voice attracted rising attention. Singer Elkie Brooks was struck by Marriott's vocal prowess and stage presence, and recommended them to a local club owner, Maurice King. Impressed, King began finding them work in London and beyond. The band's early song set included R&B/soul classics such as "Jump Back", James Brown's "Please Please Please", Smokey Robinson's "You've Really Got a Hold on Me" and Ben E. King's "Stand by Me". The band also performed two Marriott/Lane original compositions, a fast and loud "Come on Children" and the "speed enhanced" song "E too D", in which Marriott would display his considerable vocal abilities in the style of his heroes and role models, Otis Redding and Bobby Bland. "E too D", which appears on their first album, Small Faces, is named after the guitar chord structure. On US compilation albums the track is titled "Running Wild".[7] They were kicked out of their first out-of-town gig, a tough working men's club in Sheffield, after only three songs. The crowd at that concert was mainly made up of Teddy boys and hard-drinking workers. Despondent, they literally walked into the mod-oriented King Mojo Club nearby (then owned by a young Peter Stringfellow) and offered to perform for free. They played a set that left the local mods wanting more and started a strong buzz. During a crucial residency at Leicester Square's Cavern Club, they were strongly supported by Sonny & Cher, who were living in London at the time and had first seen them perform in Sheffield. [edit] The Decca years They signed a management contract with management impresario Don Arden, and they were in turn signed to Decca Records for recording. They released a string of high-energy mod/soul singles on the label. Their debut single was in 1965 with "Whatcha Gonna Do About It", a Top 15 UK singles chart hit. Marriott and Lane are credited with creating the instrumental to the song, "borrowing" the guitar riff from the Solomon Burke record "Everybody Needs Somebody To Love". The lyrics were written by The Shadows band member Ian Samwell (who arguably wrote the first British rock 'n' roll record, "Move It").[8] The group failed to capitalize on the success of their first single with the follow-up which was written by Marriott/Lane, the hard-edged mod number "I've Got Mine". The band appeared as themselves in a 1965 crime film titled Dateline Diamonds starring Kenneth Cope as the band's manager. It featured them playing their second single release, "I've Got Mine". Arden thought the band's song would receive publicity by the film; however, the film's UK release was delayed, and "I've Got Mine" subsequently failed to chart.[9] Shortly thereafter, Jimmy Winston was released from the band. The most common explanations for his dismissal are a clash of personalities with Marriott or a lack of musical talent, though rumours persist he was released at least in part because he compromised the band's integrity of image by being too tall, since the others all stood around 5' 4". (Indeed, the group took their name from a remark by a female friend of Marriott's, who noted that the band members all had "small faces". The name stuck in part because of the mod slang usage of the word "face" to mean a popular, trendsetting individual.) In a 2000 interview, Kenney Jones stated the reason Winston was fired from the band was because "He (Winston) got above his station and tried to compete with Steve Marriott."[10] Winston was replaced by Ian McLagan, whose keyboard talents and diminutive stature fit with the groove of the band perfectly. The new Small Faces line-up hit the charts with their third single, "Sha-La-La-La-Lee", released on 28 January 1966. It was written for the group by Mort Shuman (who wrote many of Elvis Presley's biggest singles, including "Viva Las Vegas") and popular English entertainer and singer Kenny Lynch. The song was a big hit in Britain, peaking at number three in the UK singles chart. Their first album, Small Faces, released on 11 May 1966, was also a considerable success. They rapidly rose in popularity with each chart success, becoming regulars on British pop TV shows such as Ready Steady Go! and Top of The Pops, and toured incessantly in the UK and Europe. Their popularity peaked in August 1966, when "All Or Nothing", their fifth single, hit the top of the UK charts. According to Marriott's mother Kay, he is said to have written the song about his breakup with his ex-fiancee Susan Oliver. On the success of "All or Nothing" they were set to tour America with The Lovin' Spoonful and The Mamas and the Papas; however, these plans had to be shelved by Don Arden after details of Ian McLagan's recent drug conviction were leaked.[11] By 1966, despite being one of the highest-grossing live acts in the country and scoring many successful singles, including four UK Top 10 chart hits, financially the band had nothing to show for their efforts. After a messy confrontation with the notorious Arden (who tried to face down the boys' parents by claiming that the whole band were addicted to heroin), they broke with both Arden and Decca. [edit] The Immediate years They were almost straight away offered a deal with the newly established Immediate label, formed by ex-Rolling Stones manager Andrew Loog Oldham. Given a virtual open account at Olympic Studios in Barnes, London, the band progressed rapidly, working closely with engineer Glyn Johns. Their first Immediate single was the daring "Here Come the Nice", which was clearly influenced by their drug use, and managed to escape censorship despite the fact that it openly referred to speed (amphetamines). A second self-titled Immediate album, Small Faces, followed, which, if not a major seller, was very highly regarded by other musicians and would exert a strong influence on a number of bands both at home and abroad. At the same time, their old label Decca released a spoiler album called From The Beginning, combining old hits with a number of previously unreleased recordings. It included earlier versions of songs they re-recorded for Immediate, including "My Way Of Giving", which they had demoed for Chris Farlowe, and "(Tell Me) Have You Ever Seen Me", which they had given to Apostolic Intervention. The album also featured their stage favourite "Baby, Don't You Do It", featuring Jimmy Winston on lead vocals and guitar. Their mid-1967 single "Itchycoo Park" is one of Small Faces' best-remembered songs and was also the first of the band's only two charting singles in the United States, reaching No. 16. "Itchycoo Park" was the first British record to use flanging, the technique of playing two identical master tapes simultaneously but altering the speed of one of them very slightly by touching the "flange" of one tape reel, which yielded a distinctive comb-filtering effect; it was an effect developed by Olympic Studios engineer George Chkiantz in 1966. "Itchycoo Park" was followed by "Tin Soldier" (originally written by Marriott for American singer P.P. Arnold, who can be heard clearly on backing vocals); it remains one of their best-known singles. However, when the song only reached No. 73 on the US Hot 100 chart, Immediate Records was said to have abandoned its short-lived effort to establish the act in America. "Lazy Sunday", released in 1968, was a Cockney music-hall style song released by Immediate against the band's wishes. It was written by Steve Marriott as a joke because he was always getting thrown out of his rented accommodation by neighbours complaining about the noise he made. The single reached number 2 in the British charts, but the band continued to resent the fact that their sound was being represented by what they saw as a novelty single. Many years later, "Lazy Sunday" was to inspire Blur's hit song "Parklife" in 1994. The final official song release during the band's career was folksy sounding " The Universal" in the summer of 1968. The song was recorded by adding studio over-dubs to a basic track that Marriott cut live in his back garden in Essex with an acoustic guitar, taped on a home cassette recorder, complete with his dogs heard barking in the background.[12] The single's subsequent lack of success in the charts (it reached number 16 in the UK Top 40 singles chart), and critical panning in the UK music press, devastated Marriott, who then refused to write music for the next few months. [edit] Ogdens' Nut Gone Flake At home in England, their career reached an all-time high with the release of their classic psychedelic influenced album Ogdens' Nut Gone Flake on 24 May 1968. It is widely regarded today as a classic album, and featured an innovative round cover, the first of its kind, designed to resemble an antique tobacco tin. It stayed at number one in the UK Albums Chart for six weeks (it reached #159 in the US). The two-act concept album consisted of five original songs on side one and a whimsical psychedelic fairy tale on side two relating the adventures of "Happiness Stan" and his need to find out where the moon went when it waned. It was narrated by Stanley Unwin, though original plans to have Spike Milligan narrating the album were dashed when he turned them down. Critics raved, and the album sold well, but the band were confronted by the practical problem that they had created a studio masterpiece which was virtually impossible to recreate on the road. Ogdens' was performed as a whole just once, and memorably, live in the studio on the BBC's television programme, Colour Me Pop. [edit] Breakup After several months of breakup rumours in the British press, Marriott officially quit the band at the beginning of 1969, walking off stage during a live New Year's Eve gig. Citing frustration at their failure to break out of their pop image and their inability to reproduce the more sophisticated material properly on stage, Steve was already looking ahead to a new band, Humble Pie, with Peter Frampton. On the subject of the group's breakup, Kenney Jones, in an interview with John Hellier (2001), said: I wish we had been a little bit more grown up at the time, if we had played Ogdens live it would have boosted our confidence so much, we were labelled as a pop band, which definitely got up Steves nose more than we realised. I wish we had been more like The Who in the fact that when they have problems they stick together until theyve overcome them, Steve just thought well how do we top Ogdens and he was off. Ogdens was a masterpiece if we had played it live we would have gone on to even greater things, I reckon we were on the verge of crossing the great divide and becoming a heavier band. [13] A posthumous album, The Autumn Stone, was released later in the year, and included the major Immediate recordings, a rare live concert performance, and a number of previously unreleased tracks, including the classic Swinging Sixties instrumental "Wide Eyed Girl on the Wall" and "Donkey Rides, A Penny, A Glass", co-written by Ian McLagan. The final single, "Afterglow (Of Your Love)", was released in 1969 after the band had ceased to exist. Since there was no one to promote it, it only reached the UK Singles Chart Top 40. [edit] Post-breakup projects, reunion and legacy Marriott's next venture was with the rock group Humble Pie, formed with ex-Herd member Peter Frampton. The group was a huge hit in the U.S., though not in the UK. Humble Pie split in 1975 due to financial problems and 'musical differences', and Marriott later formed Packet of Three. After Small Faces split, Lane, Jones and McLagan floundered briefly before joining forces with former members of the Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. They released one album as Small Faces before becoming simply Faces and later Rod Stewart and The Faces. Following the breakup of Faces in 1975, the original Small Faces line-up reformed briefly to film videos miming to the reissued "Itchycoo Park" (a Top 10 hit for the second time) and "Lazy Sunday" (which went Top 40). The group tried recording together again but Lane left after an argument. Unknown to the others, he was just beginning to show the symptoms of multiple sclerosis, and his behaviour was misinterpreted by Marriott and the others as a drunken tantrum. Nevertheless, McLagan, Jones and Marriott stayed together long enough, with ex-Humble Pie bassist Rick Wills taking Lane's place, to create two albums: Playmates in 1977 and 78 in the shade in 1978, released on Atlantic Records. Guitarist Jimmy McCulloch also briefly joined the line-up after leaving Wings. Paul McCartney, who had found McCulloch increasingly difficult to work with, allegedly phoned Marriott and said, "You can have him." The absence of Lane's bass playing and songwriting, however, was all too noticeable, and mainstream music in Britain was rapidly changing direction, punk rock having been established around this time. The reunion albums, as a result, were both critical and commercial failures. Kenney Jones became the drummer in The Who after Keith Moon's death in 1978.[14] Ian McLagan went on to perform with artists such as Bonnie Raitt, the Rolling Stones, David Lindley and El Rayo-X, and most recently Billy Bragg. In 1998 he published his autobiography, All the Rage. He now lives in the small town of Manor (pronounced 'Maynor') just outside Austin, Texas. On Saturday, 20 April 1991, Steve Marriott died in his sleep when a fire, caused by a cigarette, swept through his home in Essex, England.[15] His death came just a few days after he had begun work on a new album in America with his former Humble Pie bandmate, Peter Frampton. Ronnie Lane died at his home in Trinidad, Colorado, on 4 June 1997, after battling multiple sclerosis for nearly 20 years. [edit] Commemorative plaque On 4 September 2007, a Small Faces and Don Arden commemorative plaque, issued by the London Borough of Westminster,[16] was unveiled in their memory in Carnaby Street. An emotional Kenney Jones attended the ceremony and said in a BBC television interview, "To honour the Small Faces after all these years is a terrific achievement. I only wish that Steve Marriott, Ronnie Lane and the late Don Arden were here to enjoy this moment with me". (Less)
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2, 02:52, 2008-04-21 22:03:42 Description: The first-land program allowed noobs to buy 512m of land for below market price. Unfortunately, the program catered to sleazy land barons out to flip the land for profit. Linden Labs has responded (More) The first-land program allowed noobs to buy 512m of land for below market price. Unfortunately, the program catered to sleazy land barons out to flip the land for profit. Linden Labs has responded by discontinuing the program. Some fear that this will accelerate the number of homeless noobs. However, analysts predict this will have no effect at all, since the only thing you can really build on 512m of land is...an outhouse. This Saturday at Club Egret - guests were delighted with the music of celebrated jazz guitarist George Golla and the sultry sounds of acclaimed Australian singer Leonie Smith. The formal event was a smashing success for jazz lovers and cool cats alike! Second Life has recently implemented a mandatory orientation for noobs.For those of you seeking spiritual solitude off the grid...on the grid- come join us at the newly opened monastery of Felix Meritis, masterfully created by Man Monett. (Noob screams) Here you can stop by the Italian Renaissance chapel for a virtual chat with god. NOOB: I feel as though there's an unseen hand, like, controlling my every move. SKYLA: Dear virtual god - I've always wanted to know...(phone rings) would you excuse me please...I have to take that... TRENT: Stop me if you heard this one, Lord. A priest, a rabbi and a sheep walk into a bar... Or, for you homeless noobs with no equity - you can rent a one room cell for $200L a week where you can contemplate the true meaning of virtual earthly goods. (Chanting) Agnis deus amat. Agnis deus amat. (Less)
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3, 03:51, 2008-04-22 09:28:46 Description: i think i'll do another post of this song from the band "the police",first the cam is not great and can't film more for 4 minutes whereas the song last about 4'30...and i can (More) i think i'll do another post of this song from the band "the police",first the cam is not great and can't film more for 4 minutes whereas the song last about 4'30...and i can perform this song much better but i didn't want to do this all the evening,so hope you'll enjoy.i recorded rythm guitar 1 and voice live ,on a playback i did with 2 other guitars (also telecaster) and a P bass,i wrote drums part on a virtual program,it was very interesting to do this,stew copeland is a great drummer,one of my favourite with ringo,keith moon,nick mason and john bonham.Andy summers is a fabulous guitarist too,and sting ..well..everybody knows his talents of songwriter and singer,bassist,guitarist and luthenist lol. (Less)
Channel: youtubeTags: a amnezik andy beatles bottle copeland in julien live message police stewart sting summers tastet telecaster the walie
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