Search results for trini sex
Results 1-14 of about 14 (Found in 0.091s)
4,
04:41,
2009-08-05 16:37:34
Description: Tell Me Again from the Trinidian Singer Kuttit....From the album Soca,Sex And Alcohol...
Channel: youtube
111,
00:00,
2009-11-22 20:50:07
Description: Sex story young girls trini naked girls porn free japan school girls sex girls pornosexbest Similar pages Best of the best adult mpegs Hot free adult chat Beautiful orgy teen girls brat girls (More) Sex story young girls trini naked girls porn free japan school girls sex girls pornosexbest Similar pages Best of the best adult mpegs Hot free adult chat Beautiful orgy teen girls brat girls powerpuff girls items miracle girls retarded girls highschool g (Less) Channel: slutload
12,
01:54,
2009-02-07 04:07:29
Description: Looks really don't matter.
Copyright infringement was not intended. All rights belong to the production company of Whose Line.
Channel: youtube
2291,
03:38,
2008-04-02 16:15:08
Description: Pedofiler got busted for chatting online and being sexually suggestive towards a "14 year old." little do online retards know wtf they are doing.
Channel: youtube
43,
04:28,
2008-04-02 16:18:54
Description: Akon and 15 year year old onstage romp discussed. Photos courtesy www.triniscene.com www.trinisceneNY.com
Channel: youtube
783,
03:38,
2006-05-26 21:38:42
Description: Pedofiler got busted for chatting online and being sexually suggestive towards a "14 year old." little do online retards know wtf they are doing.
Channel: youtube
309,
02:30,
2008-03-07 11:26:15
Description: this gotta be one of the sexiest parties with 'normal' people you'll ever witness!!
Channel: youtube
15,
09:29,
2008-01-06 07:58:04
Description: EVERYWHERE AND NOWHERE: MAZZELLA'S ADVENTURES
The need for physical presence is abolished - no longer necessary. Marcello Mazzella does not need to situate his work in any place or gallery. As (More) EVERYWHERE AND NOWHERE: MAZZELLA'S ADVENTURES
The need for physical presence is abolished - no longer necessary. Marcello Mazzella does not need to situate his work in any place or gallery. As it's said in America, the works are "just a few clicks away." After a few elementary commands to a computer the works are immediately available to anybody - from the North Pole to Australia. The needed key on the Internet is the command http://www.marcello.mazzella.info
Alas, let's not forget that the images suffer from the familiar limitations: a short wait, modest dimensions and definition dictated by the computer's screen or modem. It should be no surprise that large-format images--digital, first printed photographically, are far more gratifying to the eye. In the digital arena, manipulation and elaborations create "electronic meta-landscapes of human body fragment transformed in artificial paradises" says Mazzella. Nevertheless nature still dominates, luckily. In this pantheistic universe, human beings keep playing major roles.
Marcello Mazzella is a multimedia artist. "Multimedia language is just at its beginning," is the opening line of an essay by the critic Tommaso Trini in a catalogue of Mazzella's work. For this writer, the term may have insulting undertones, as "an egg-making artist." Mazzella has a distinguished production: sculpture, photography, dance, theatre, video and digital works. Confusion of tongues? For the perplexed or confused, we suggest to question theoreticians such as Peter Weibel or Derrick De Kerckhove. Or to listen to the Italian singer Carmen Consoli belting "Confusa e Felice." Mazzella himself declares that "our daily reality is increasingly confused and difficult to understand. Where is the distinction between what is true or false?" Willingly, Mazzella displays constant contrast and unbalance between Natural and Artificial; always clashing and never reduced to coincide.
Artificiality is stalked in order to exorcise it; nature is nostalgia of lost paradises that in our frenzied running we have passed and left behind. Duality is a life choice to face at every step. In various images, Mazzella repeats the theme of human skin, the one we love and caress. We long for "a natural skin covering material flesh." We may have anything in cyberspace. But not our own flesh. More often, it is a daily reality. Artificial bones in titanium or magnesium, mechanical hearts (already old), bio-engineering, clonations, implants and transplants. As a close friend of Mazzella, I never asked him what he thinks of William Gibson. And I have avoided to ask his opinion about a French woman artist who has repeatedly endured plastic surgeries with the result of increasing ugliness. Idle questions.
In "Elicon Silicon", created in 1994 with Claudio Prati and the group "Avventure in Elicottero" with choreographer Ariella Vidach, sex and language are bypassed. Three women, looking like mannequins fly through metaphysical and artificial landscapes. Some messages inform us that "Women trapped in male bodies search for female companions." Among transgressions there are also androginy and transexuality. If one must/wants to abandon the physical body why not get rid of sexual gender altogether? Conversely, one thinks of the project by the photographers Inez Van Lamsweerde and Vinoodh Matidin, with the designer Veronique Leroy, seen in Artforum (February 1996). Extremely attractive young women, with very long limbs and faces, were simply too much to be real. Indeed, they were totally synthetic. Drawn by computer. From silicone enhanced beauties to silicium women. At least, the latter don't have to fear in-flight explosions as the one suffered by the enhancements of an Italian actress in an airplane.
Few are the great artists who in this century have trespassed expressive forms and media should not be named in vain. They did it not for the sake of transgression or to overstep boundaries but because they needed a larger field of action, beyond the conventions of the past. Multimedia: Natura Non Fecit Saltus, we used to believe. Many confront contradictions in the same mined path chosen by Marcello Mazzella. Simulation, with its diabolical simulacra is at the center of his investigation. Another example is evident in some earlier work: odd-looking blots that, when seen in a cylindrical mirror reveal conventional images, the well-known anamorphic images. Soon, human beings will push to explore --at an ant's pace-- interplanetary spaces. The negation of the human body is the dream of mystics and hermits, who pursued only the affirmation of the spirit. Mazzella stresses that "the human body is no longer confined in a small, restricted space, but it has become a kind of 'planetary body,' with no more limits." With exemplary engagement, he keeps pushing forward. An example to follow...
Gianfranco Mantegna
New York City, 1998 (Less) Channel: youtube
16,
09:29,
2008-04-21 20:57:29
Description: EVERYWHERE AND NOWHERE: MAZZELLA'S ADVENTURES The need for physical presence is abolished - no longer necessary. Marcello Mazzella does not need to situate his work in any place or gallery. As (More) EVERYWHERE AND NOWHERE: MAZZELLA'S ADVENTURES The need for physical presence is abolished - no longer necessary. Marcello Mazzella does not need to situate his work in any place or gallery. As it's said in America, the works are "just a few clicks away." After a few elementary commands to a computer the works are immediately available to anybody - from the North Pole to Australia. The needed key on the Internet is the command http://www.marcello.mazzella.info Alas, let's not forget that the images suffer from the familiar limitations: a short wait, modest dimensions and definition dictated by the computer's screen or modem. It should be no surprise that large-format images--digital, first printed photographically, are far more gratifying to the eye. In the digital arena, manipulation and elaborations create "electronic meta-landscapes of human body fragment transformed in artificial paradises" says Mazzella. Nevertheless nature still dominates, luckily. In this pantheistic universe, human beings keep playing major roles. Marcello Mazzella is a multimedia artist. "Multimedia language is just at its beginning," is the opening line of an essay by the critic Tommaso Trini in a catalogue of Mazzella's work. For this writer, the term may have insulting undertones, as "an egg-making artist." Mazzella has a distinguished production: sculpture, photography, dance, theatre, video and digital works. Confusion of tongues? For the perplexed or confused, we suggest to question theoreticians such as Peter Weibel or Derrick De Kerckhove. Or to listen to the Italian singer Carmen Consoli belting "Confusa e Felice." Mazzella himself declares that "our daily reality is increasingly confused and difficult to understand. Where is the distinction between what is true or false?" Willingly, Mazzella displays constant contrast and unbalance between Natural and Artificial; always clashing and never reduced to coincide. Artificiality is stalked in order to exorcise it; nature is nostalgia of lost paradises that in our frenzied running we have passed and left behind. Duality is a life choice to face at every step. In various images, Mazzella repeats the theme of human skin, the one we love and caress. We long for "a natural skin covering material flesh." We may have anything in cyberspace. But not our own flesh. More often, it is a daily reality. Artificial bones in titanium or magnesium, mechanical hearts (already old), bio-engineering, clonations, implants and transplants. As a close friend of Mazzella, I never asked him what he thinks of William Gibson. And I have avoided to ask his opinion about a French woman artist who has repeatedly endured plastic surgeries with the result of increasing ugliness. Idle questions. In "Elicon Silicon", created in 1994 with Claudio Prati and the group "Avventure in Elicottero" with choreographer Ariella Vidach, sex and language are bypassed. Three women, looking like mannequins fly through metaphysical and artificial landscapes. Some messages inform us that "Women trapped in male bodies search for female companions." Among transgressions there are also androginy and transexuality. If one must/wants to abandon the physical body why not get rid of sexual gender altogether? Conversely, one thinks of the project by the photographers Inez Van Lamsweerde and Vinoodh Matidin, with the designer Veronique Leroy, seen in Artforum (February 1996). Extremely attractive young women, with very long limbs and faces, were simply too much to be real. Indeed, they were totally synthetic. Drawn by computer. From silicone enhanced beauties to silicium women. At least, the latter don't have to fear in-flight explosions as the one suffered by the enhancements of an Italian actress in an airplane. Few are the great artists who in this century have trespassed expressive forms and media should not be named in vain. They did it not for the sake of transgression or to overstep boundaries but because they needed a larger field of action, beyond the conventions of the past. Multimedia: Natura Non Fecit Saltus, we used to believe. Many confront contradictions in the same mined path chosen by Marcello Mazzella. Simulation, with its diabolical simulacra is at the center of his investigation. Another example is evident in some earlier work: odd-looking blots that, when seen in a cylindrical mirror reveal conventional images, the well-known anamorphic images. Soon, human beings will push to explore --at an ant's pace-- interplanetary spaces. The negation of the human body is the dream of mystics and hermits, who pursued only the affirmation of the spirit. Mazzella stresses that "the human body is no longer confined in a small, restricted space, but it has become a kind of 'planetary body,' with no more limits." With exemplary engagement, he keeps pushing forward. An example to follow... Gianfranco Mantegna New York City, 1998 (Less) Channel: youtube
79,
04:39,
2008-04-21 21:22:20
Description: Me-This weekend I wanted to be with Maica and Sonia, but I have to study. E-Me too. My grandfather continues to tell me that I have to study for exams for the selection. M-Is it that bad? E-Yes (More) Me-This weekend I wanted to be with Maica and Sonia, but I have to study. E-Me too. My grandfather continues to tell me that I have to study for exams for the selection. M-Is it that bad? E-Yes Me-You should have taken good notes, no? M-I studied like a fool. And now even more. Me-I am going to look for another bag of potatoes. Do you want something? M-E: No thanks. E-This afternoon we could go watch a movie in your home. M-I was going with some friends from the university to the movies and get a beer. E-Then nothing. M-Come. E-No, no ... M-Why not? We will meet at the centre of the city, do not worry, we will not see anyone and I will not hold your hand. E-Okay, I want to be with you. F (Merce's father, Fidel): I did not know that your former boyfriend was so friendly with Max. Me- It is that Eric wants to study medicine. What? F-Nothing, it is just that when you were together, you said that things were just not working ... with sex, I mean. Me-Yes, I understand you. F-I thought he was gay, in fact I have always thought that. Me-So, you have good eyesight. F-Aha, and now he is going out with Max? Me-Yes. They make good couple. F-Do You could told me, no? Me-Aye dad, at that time he still was not sure. Besides, only his family knows, so watch what you say, eh? M-You do not need to wear the jacket, it's hot. G-That is what I said, you wear the coat and then you sweat and afterwards have a cold of the devil. What are you going to do now? M-Go to the movies. G-And after studying, I suppose? M-E-Yes, yes. G-What about you? How are you doing by the University? E-Grandfather, do not interrogate him, please. M- I don't mind. Well, I am still lack some exams, but at the moment I can not complain. G-My son also is a physician and the few hours that I saw him studying I could not understand he could finish that career. Ring G-It must be Trini, she forgot something and wants to it to be brought down. Hello Montse! Mo-(Montse, Enric's mother) - Hello E-What are you doing here? Mo-Next week is your cousin's wedding. E-Yes I know. And? Mo-I suppose you will go? G-Of course we will, and I hope it is a good restaurant. With the gift that we gave I do want a good meal at least. Mo-We should go to look for a suit. E-Mama I have no desire to go to the wedding. Mo-What will people think if you do not come? Do you not care what they say? E-No Mo-Your father and I are not at fault. You have to come, whether you like or not! Have this, buy yourself a suit or whatever you want, but you are not going to be an idiot, you understand me. E-No, you do not understand. Mo-Do you will not pretend to bring him? E-Are you ashamed of me? Mo-No, but people are not aware of it, nor is there any need to give explanations. E-Look, if he does not come neither will I. M-Some classmates who have seen it say it's okay. And if not, we will be fucked because the theater does not return your money. Sometimes you watch such movies ... I have left the theater twice. E-One moment, wait. M-What's wrong now? Come, we are just in time. E-No, I do not want to go. M-Do not tell me this now. E-No, no ... M-I already said that you would. Surely they have bought the entry for you. E-Look, if it is the money I will return it to you, but I do not want to go with them. M-Why not? They are my friends, they will like you, you will see. E-Yes, but they will know that we are together, Max. M-So what? They have no problem Enric. Come on, do not be silly. You will see nothing will happen. E-No. M-Fuck Enric! I do not understand! E-I am going home. M-But...wait, wait a moment! It took a great deal to get here. You promised me that you say it to the whole world. E-Yes, I will do when I am ready! M-You have promised me Enric! You said that when your family knew you would tell your friends. E-Well, I have not! M-Have you not been able? E-No! M-Well I did and Edu has been angry at me a lot you know? But for me the most important thing is you E-I do not want people to know. You have seen my mother, she does not want to tell anyone. M- And this is good for you as well, no? This way you do not have to tell the truth and you can continue hiding. The film is about to start. Are you coming or not? E-No, I can not Max. (Less) Channel: youtube
84,
05:01,
2008-04-22 09:11:25
Description: The Women of 1980's PUNK, Part 1! Still more 70's, plus many 80's disciples up to the dawn of Riot Grrrl. First is VIVIENNE WESTWOOD, co-instigator behind the Sex Pistols; JORDAN, (More) The Women of 1980's PUNK, Part 1! Still more 70's, plus many 80's disciples up to the dawn of Riot Grrrl. First is VIVIENNE WESTWOOD, co-instigator behind the Sex Pistols; JORDAN, her SEX shop runner, and SOO CATWOMAN who set the radical styles of the future ('76, London); DESTROY ALL MONSTERS, w/ artist Niagara (73, Detroit); THE REZILLOS/REVILLOS, w/ Fay Fife and Gale Warning (77, Edinburgh); GINGER COYOTE, creator of fanzine PUNK GLOBE (77, San Fran); THE LILLETTES with Barb Dwyer (Brighton); THE CURSE, Canada's first female Punk band (77, Toronto); THE INNOCENTS toured with The Slits (77, London); THE CICHLIDS' raw rocking pop (79, Florida); ESSENTIAL LOGIC w/ Lora Logic (78, London); AUNT SALLY, No Wave w/ singer Phew (78, Japan); KLEENEX, greats who become the greater LiLiPUT (79, Zurich); MARTHA HULL & THE STEADY JOBS (82, Wash. DC); PostPunkers GIRLS AT OUR BEST w/ Judy Evans (79, Leeds); anarchopunks CRASS w/ Eve Libertine and Joy De Vivre (77, Essex) and comrades POISON GIRLS w/ Vi Subversa (76, Brighton); L.A.'s led in by VIOLENCE GIRL, w/ Alice Bag (77), THE CONTROLLERS w/ drummer Mad Dog (77), their buddies THE GERMS w/ Pat Smear (Nirvana) and Lorna Doom; revolutionaries UXA w/ De De Troit (78), psychobillies THE CRAMPS w/ guitarist Poison Ivy (76) deathrock's 45 GRAVE w/ Dinah Cancer (79), LEGAL WEAPON w/ belter Kat Arthur (81) and omni-punk PATRICIA MORRISON, who graced The Bags, The Gun Club, Sisters Of Mercy, and The Damned!; Romi Mori replaced her in deathrockers GUN CLUB (81); San Francisco's VKTMS w/ Nyna Napalm (77), Penelope Houston and THE AVENGERS (77), VS. w/ Olga DeVolga (77), garage trio THE CONTRACTIONS (79); performance artist JOANNA WENT w/ Kerry McBride's guitars (paint) (81); then hardcore with RED SCARE's Bobbi Brat (83, LA); Oi from THE GYMSLIPS (82, London) and Jo Ball's THE EXPELLED (81, Leeds); hard punk Helen Hill and THE VIOLATORS (79, Manchester); Kira Roessler of BLACK FLAG (77, LA); Beki Bondage commands VICE SQUAD (78, Bristol); Wendy O. Williams chainsaws cars with THE PLASMATICS (77, New York); small films exposed Punk to the world, like Trini Alvorado and Robin Johnson in TIMES SQUARE (80); Hazel O'Connor in BREAKING GLASS (80) clearly inspired Pris (Daryl Hannah) in BLADE RUNNER (82); Diane Lane's female trio rocked LADIES AND GENTLEMEN...THE FABULOUS STAINS (81); Penelope Spheeris' SUBURBIA (84); Susan Seidelman's SMITHEREEENS (81); supervillain Ursa (Sarah Douglas) put the kink in SUPERMAN II (filmed in London during Siouxsie's rise) (81); X-MEN's Storm punked out (83); lovers Maggie and Hopey rocked indie comic LOVE & ROCKETS (81); TANK GIRL invaded '88; global punk with Germany's XMAL DEUTSCHLAND (80) and HANS-A-PLAST (78); Spain's LAS VULPESS (83) and S/M sex trio DESECHABLES w/ singer Tere (81); snotty ACTION PACT w/ George Cheex (81, London); perfect pop punk SHONEN KNIFE (81, Tokyo); Kim Gordon's No Wave SONIC YOUTH (81, NY); PUSSY GALORE's Julia Cafritz (86, NY); fun theatre HOLY SISTERS OF THE GAGA DADA (86, LA); sharp Indie MECCA NORMAL w/ Jean Smith (85, Vancouver); BARBIE ARMY (Chicago, 87); Lydia Lunch trysted in STINKFIST (87, NY), then with Kim Gordon in trio HARRY CREWS (89); fanzine activism by FIFTH COLUMN inspired both Queercore and Grrrl (85,Toronto); hardcore FIRE PARTY (86, Wash. DC); raw trio SCRAWL (85, Columbus); Jarboe corroded THE SWANS' (86,NY); crucial Grrrl pioneers FRIGHTWIG, whose T-shirt Cobain wore at "Nirvana Unplugged" (84, SF); and ANTI-SCRUNTI FACTION (84, Boulder), whose Leslie Mah (spikes) went on to forge Queercore with TRIBE 8 . These women paved the present for Bikini Kill, Riot Grrrl, K Records, Breeders, L7, Tribe 8, Queercore, Hothead Paisan, Babes In Toyland, Hole, PJ Harvey, Diamanda Galas, Lords Of Acid, Genitorturers, Aeon Flux, Elastica, Skunk Anansie, Afro Punk, LadyFest, Donnas, Yeah Yeah Yeahs, Sahara Hotnights, Kills, HorrorPops, Suicide Girls, Girl Monster, and half the young women on MySpace! All of KLEENEX / LiLiPUT's music is on a cheap double CD!: http://www.buyolympia.com/killrockstars/Item=krs373 Check out: Women of 1970's Punk http://www.comnet.ca/~rina/ http://www.geocities.com/punkettes80s/ http://www.punk77.co.uk/punkettes/features.htm http://www.alicebag.com/mainindex.html http://www.panx.net/punkgirl/ http://www.myspace.com/girlsongprimerradio AFRO-PUNK http://youtube.com/watch?v=5uXCvbIcg58 http://youtube.com/watch?v=WYgqzWjkuWA (All rights reserved by the copyright owners. Fan-made video to promote the artists.) tym stevens (Less) Channel: youtube
288,
05:01,
2008-02-10 00:52:09
Description: The Women of 1980's PUNK, Part 1!
Still more 70's, plus many 80's disciples up to the dawn of Riot Grrrl.
First is VIVIENNE WESTWOOD, co-instigator behind the Sex Pistols; (More) The Women of 1980's PUNK, Part 1!
Still more 70's, plus many 80's disciples up to the dawn of Riot Grrrl.
First is VIVIENNE WESTWOOD, co-instigator behind the Sex Pistols; JORDAN, her SEX shop runner, and SOO CATWOMAN who set the radical styles of the future ('76, London); DESTROY ALL MONSTERS, w/ artist Niagara (73, Detroit); THE REZILLOS/REVILLOS, w/ Fay Fife and Gale Warning (77, Edinburgh); GINGER COYOTE, creator of fanzine PUNK GLOBE (77, San Fran); THE LILLETTES with Barb Dwyer (Brighton); THE CURSE, Canada's first female Punk band (77, Toronto); THE INNOCENTS toured with The Slits (77, London); THE CICHLIDS' raw rocking pop (79, Florida); ESSENTIAL LOGIC w/ Lora Logic (78, London); AUNT SALLY, No Wave w/ singer Phew (78, Japan); KLEENEX, greats who become the greater LiLiPUT (79, Zurich); MARTHA HULL & THE STEADY JOBS (82, Wash. DC); PostPunkers GIRLS AT OUR BEST w/ Judy Evans (79, Leeds); anarchopunks CRASS w/ Eve Libertine and Joy De Vivre (77, Essex) and comrades POISON GIRLS w/ Vi Subversa (76, Brighton); L.A.'s led in by VIOLENCE GIRL, w/ Alice Bag (77), THE CONTROLLERS w/ drummer Mad Dog (77), their buddies THE GERMS w/ Pat Smear (Nirvana) and Lorna Doom; revolutionaries UXA w/ De De Troit (78), psychobillies THE CRAMPS w/ guitarist Poison Ivy (76) deathrock's 45 GRAVE w/ Dinah Cancer (79), LEGAL WEAPON w/ belter Kat Arthur (81) and omni-punk PATRICIA MORRISON, who graced The Bags, The Gun Club, Sisters Of Mercy, and The Damned!; Romi Mori replaced her in deathrockers GUN CLUB (81); San Francisco's VKTMS w/ Nyna Napalm (77), Penelope Houston and THE AVENGERS (77), VS. w/ Olga DeVolga (77), garage trio THE CONTRACTIONS (79); performance artist JOANNA WENT w/ Kerry McBride's guitars (paint) (81); then hardcore with RED SCARE's Bobbi Brat (83, LA); Oi from THE GYMSLIPS (82, London) and Jo Ball's THE EXPELLED (81, Leeds); hard punk Helen Hill and THE VIOLATORS (79, Manchester); Kira Roessler of BLACK FLAG (77, LA); Beki Bondage commands VICE SQUAD (78, Bristol); Wendy O. Williams chainsaws cars with THE PLASMATICS (77, New York); small films exposed Punk to the world, like Trini Alvorado and Robin Johnson in TIMES SQUARE (80); Hazel O'Connor in BREAKING GLASS (80) clearly inspired Pris (Daryl Hannah) in BLADE RUNNER (82); Diane Lane's female trio rocked LADIES AND GENTLEMEN...THE FABULOUS STAINS (81); Penelope Spheeris' SUBURBIA (84); Susan Seidelman's SMITHEREEENS (81); supervillain Ursa (Sarah Douglas) put the kink in SUPERMAN II (filmed in London during Siouxsie's rise) (81); X-MEN's Storm punked out (83); lovers Maggie and Hopey rocked indie comic LOVE & ROCKETS (81); TANK GIRL invaded '88; global punk with Germany's XMAL DEUTSCHLAND (80) and HANS-A-PLAST (78); Spain's LAS VULPESS (83) and S/M sex trio DESECHABLES w/ singer Tere (81); snotty ACTION PACT w/ George Cheex (81, London); perfect pop punk SHONEN KNIFE (81, Tokyo); Kim Gordon's No Wave SONIC YOUTH (81, NY); PUSSY GALORE's Julia Cafritz (86, NY); fun theatre HOLY SISTERS OF THE GAGA DADA (86, LA); sharp Indie MECCA NORMAL w/ Jean Smith (85, Vancouver); BARBIE ARMY (Chicago, 87); Lydia Lunch trysted in STINKFIST (87, NY), then with Kim Gordon in trio HARRY CREWS (89); fanzine activism by FIFTH COLUMN inspired both Queercore and Grrrl (85,Toronto); hardcore FIRE PARTY (86, Wash. DC); raw trio SCRAWL (85, Columbus); Jarboe corroded THE SWANS' (86,NY); crucial Grrrl pioneers FRIGHTWIG, whose T-shirt Cobain wore at "Nirvana Unplugged" (84, SF); and ANTI-SCRUNTI FACTION (84, Boulder), whose Leslie Mah (spikes) went on to forge Queercore with TRIBE 8 .
These women paved the present for Bikini Kill, Riot Grrrl, K Records, Breeders, L7, Tribe 8, Queercore, Hothead Paisan, Babes In Toyland, Hole, PJ Harvey, Diamanda Galas, Lords Of Acid, Genitorturers, Aeon Flux, Elastica, Skunk Anansie, Afro Punk, LadyFest, Donnas, Yeah Yeah Yeahs, Sahara Hotnights, Kills, HorrorPops, Suicide Girls, Girl Monster, and half the young women on MySpace!
All of KLEENEX / LiLiPUT's music is on a cheap double CD!:
http://www.buyolympia.com/killrockstars/Item=krs373
Check out:
Women of 1970's Punk
http://www.comnet.ca/~rina/
http://www.geocities.com/punkettes80s/
http://www.punk77.co.uk/punkettes/features.htm
http://www.alicebag.com/mainindex.html
http://www.panx.net/punkgirl/
http://www.myspace.com/girlsongprimerradio
AFRO-PUNK
http://youtube.com/watch?v=5uXCvbIcg58
http://youtube.com/watch?v=WYgqzWjkuWA
(All rights reserved by the copyright owners. Fan-made video to promote the artists.)
tym stevens (Less) Channel: youtube
93,
04:39,
2008-04-12 07:17:06
Description: Me-This weekend I wanted to be with Maica and Sonia, but I have to study.
E-Me too. My grandfather continues to tell me that I have to study for exams for the selection.
M-Is it that bad?
E-Yes
(More) Me-This weekend I wanted to be with Maica and Sonia, but I have to study.
E-Me too. My grandfather continues to tell me that I have to study for exams for the selection.
M-Is it that bad?
E-Yes
Me-You should have taken good notes, no?
M-I studied like a fool. And now even more.
Me-I am going to look for another bag of potatoes. Do you want something?
M-E: No thanks.
E-This afternoon we could go watch a movie in your home.
M-I was going with some friends from the university to the movies and get a beer.
E-Then nothing.
M-Come.
E-No, no ...
M-Why not? We will meet at the centre of the city, do not worry, we will not see anyone and I will not hold your hand.
E-Okay, I want to be with you.
F (Merce's father, Fidel): I did not know that your former boyfriend was so friendly with Max.
Me- It is that Eric wants to study medicine. What?
F-Nothing, it is just that when you were together, you said that things were just not working ... with sex, I mean.
Me-Yes, I understand you.
F-I thought he was gay, in fact I have always thought that.
Me-So, you have good eyesight.
F-Aha, and now he is going out with Max?
Me-Yes. They make good couple.
F-Do You could told me, no?
Me-Aye dad, at that time he still was not sure. Besides, only his family knows, so watch what you say, eh?
M-You do not need to wear the jacket, it's hot.
G-That is what I said, you wear the coat and then you sweat and afterwards have a cold of the devil. What are you going to do now?
M-Go to the movies.
G-And after studying, I suppose?
M-E-Yes, yes.
G-What about you? How are you doing by the University?
E-Grandfather, do not interrogate him, please.
M- I don't mind. Well, I am still lack some exams, but at the moment I can not complain.
G-My son also is a physician and the few hours that I saw him studying I could not understand he could finish that career.
Ring
G-It must be Trini, she forgot something and wants to it to be brought down. Hello Montse!
Mo-(Montse, Enric's mother) - Hello
E-What are you doing here?
Mo-Next week is your cousin's wedding.
E-Yes I know. And?
Mo-I suppose you will go?
G-Of course we will, and I hope it is a good restaurant. With the gift that we gave I do want a good meal at least.
Mo-We should go to look for a suit.
E-Mama I have no desire to go to the wedding.
Mo-What will people think if you do not come? Do you not care what they say?
E-No
Mo-Your father and I are not at fault. You have to come, whether you like or not! Have this, buy yourself a suit or whatever you want, but you are not going to be an idiot, you understand me.
E-No, you do not understand.
Mo-Do you will not pretend to bring him?
E-Are you ashamed of me?
Mo-No, but people are not aware of it, nor is there any need to give explanations.
E-Look, if he does not come neither will I.
M-Some classmates who have seen it say it's okay. And if not, we will be fucked because the theater does not return your money. Sometimes you watch such movies ... I have left the theater twice.
E-One moment, wait.
M-What's wrong now? Come, we are just in time.
E-No, I do not want to go.
M-Do not tell me this now.
E-No, no ...
M-I already said that you would. Surely they have bought the entry for you.
E-Look, if it is the money I will return it to you, but I do not want to go with them.
M-Why not? They are my friends, they will like you, you will see.
E-Yes, but they will know that we are together, Max.
M-So what? They have no problem Enric. Come on, do not be silly. You will see nothing will happen.
E-No.
M-Fuck Enric! I do not understand!
E-I am going home.
M-But...wait, wait a moment! It took a great deal to get here. You promised me that you say it to the whole world.
E-Yes, I will do when I am ready!
M-You have promised me Enric! You said that when your family knew you would tell your friends.
E-Well, I have not!
M-Have you not been able?
E-No!
M-Well I did and Edu has been angry at me a lot you know? But for me the most important thing is you
E-I do not want people to know. You have seen my mother, she does not want to tell anyone.
M- And this is good for you as well, no? This way you do not have to tell the truth and you can continue hiding. The film is about to start. Are you coming or not?
E-No, I can not Max. (Less) Channel: youtube
12,
01:03,
2009-02-05 00:14:19
Description: ASF proudly presents the leader of asf TriniC
early that day i fell down stairs laugh if u must -.-
and i couldnt really walk, i was in tremoendous pain
when i madee this video soo sorry if it (More) ASF proudly presents the leader of asf TriniC
early that day i fell down stairs laugh if u must -.-
and i couldnt really walk, i was in tremoendous pain
when i madee this video soo sorry if it suckss
but here it is anyways
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i dont not intend any copyright i do not own this song in anyway
all rights go to unknown...? i lovee you youtube
soo dont takee down my video =D (Less) Channel: youtube
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