series 40 theme studio 2 2 Videos - FilesTube Video Search

Search results for series 40 theme studio 2 2

Results 1-4 of about 4 (Found in 0.006s)

Sort by: Rate Date Views

View:

Related searches : nokia series 40 theme studio 2 2 nokia series 40 theme studio 1 2

Ray_Stevens_Bridget_the_midget

22,

03:40,

2009-09-06 01:48:06

Description: Ray Stevens (geboren Harold Ray Ragsdale, januari 24, 1939) is een Amerikaanse land muziek en pop singer-songwriter bekend voor zijn nieuwheid nummers alsook meer ernstig werken. He was born in (More) Ray Stevens (geboren Harold Ray Ragsdale, januari 24, 1939) is een Amerikaanse land muziek en pop singer-songwriter bekend voor zijn nieuwheid nummers alsook meer ernstig werken. He was born in Clarkdale , Georgia , a small town west of Atlanta . Hij werd geboren in Clarkdale, Georgië, een kleine stad ten westen van Atlanta. Contents Inhoud [show] * 1 Style 1 Stijl * 2 Career 2 Carrière o 2.1 Early career 2.1 Vroege carrière o 2.2 1970s 2.2 1970 o 2.3 1980s and after 2-3 jaren 1980 en na o 2.4 Videos 2.4 Video's * 3 Awards 3 Awards * 4 Discography 4 Discografie * 5 Awards 5 Awards * 6 References 6 Referenties * 7 External links 7 Externe links Style Stijl Stevens music seems to be mostly influenced by traditional country western and gospel music. Stevens muziek lijkt vooral beïnvloed door de traditionele westerse land en gospel muziek. He has done a few satire songs using other styles such as Surfing USSR. Hij heeft een paar liedjes satire met andere stijlen zoals surfen USSR. Many of his novelty songs include long sections of dialog between two people both played by Stevens, such as in the Streak, or between him and an unheard character over the telephone, such as in the Shriner Convention or It's Me Again Margret. Veel van zijn novelty songs bevatten lange gedeelten van dialoog tussen twee mensen beide gespeeld door Stevens, zoals in de streak, of tussen hem en een ongehoorde karakter via de telefoon, zoals in het Verdrag of Shriner It's Me Again Margret. Unlike most novelty Artists, such as "Weird Al" Yankovic , Stevens has also had several successful serious songs. In tegenstelling tot de meeste nieuwheid Artiesten, zoals "Weird Al" Yankovic, Stevens heeft ook een aantal succesvolle serieuze liedjes. Career Loopbaan Early career Vroege carrière Stevens' recording career began in the mid-1950s with two singles released on Prep Records . Stevens' opname carrière begon in het midden van 1950 met twee singles uitgebracht op Prep Records. He then signed a contract with Capitol Records with the help of Atlanta, Georgia music maven Bill Lowery . Hij ondertekende een contract bij Capitol Records met de hulp van Atlanta, Georgia muziek Maven Bill Lowery. In 1958, Stevens joined Lowery's National Recording Corporation (NRC), playing numerous instruments, arranging music, and performing background vocals for its band. In 1958, Stevens trad Lowery Nationale Recording Corporation (NRC), spelen tal van instrumenten, het regelen van de muziek, en het uitvoeren van de achtergrond vocalen voor zijn band. After NRC filed for bankruptcy, he signed with Mercury Records with whom Stevens recorded a series of hit records in the 1960s that included songs such as " Ahab the Arab ", "Harry the Hairy Ape", "Funny Man", the original recording of "Santa Claus is Watching You", and " Jeremiah Peabody's Polyunsaturated Quick-Dissolving, Fast-Acting Pleasant-Tasting Green and Purple Pills ". Na NVO faillissement, hij ondertekende met Mercury Records met wie Stevens boekte een reeks hit records in de jaren 1960 die opgenomen nummers zoals "Ahab de Arabische", "Harry de Hairy Ape", "Funny Man", de originele opname van "Santa Claus is watching you", en "Jeremiah Peabody's poly Quick-Oplossen, Fast-Acting Pleasant-Degustatie Green en Purple Pills". Stevens often employed canned laugh tracks in his comedic novelty songs, such as " The Streak ", "Harry the Hairy Ape", "It's Me Again, Margaret" and others, which contributed to his success in the 60s and 70s (during a time when canned laughter was used to "punch up" TV sitcoms). Stevens vaak werkzaam in blik lachen tracks in zijn comedic novelty songs, zoals "De streak", "Harry de Hairy Ape", "It's Me Again, Margaret" en anderen, die hebben bijgedragen aan zijn succes in de jaren'60 en'70 (in een tijd wanneer ingeblikte gelach werd gebruikt om "punch-up" TV sitcoms). Stevens continues to use canned laugh tracks in recent recordings. Stevens blijft gebruiken ingeblikte lach tracks in recente opnames. In 1968, Stevens signed with Monument Records and started to release serious material such as "Mr. Businessman" in 1968, a Top 30 pop hit, and "Have A Little Talk With Myself" and the original version of " Sunday Morning Coming Down " in 1969, which became Ray's first two singles to reach the country music charts; Johnny Cash 's recording of "Sunday Morning Coming Down" was a hit in 1970. In 1968, Stevens ondertekend met Monument Records en begon om ernstige materiële zoals "Mr Zakenman" in 1968, een Top 30 pop hit, en "Have A Little Talk with Myself" en de originele versie van "Sunday Morning Coming Down" in 1969, die werd Ray's eerste twee singles te bereiken het land muziek charts; Johnny Cash 's opname van "Sunday Morning Coming Down" werd een hit in 1970. Stevens continued releasing novelty songs, and in 1969 he had a million-selling Top 10 pop hit with " Gitarzan ". Stevens bleef vrijgeven nieuwheid nummers, en in 1969 had hij een miljoen verkochte Top 10 pop hit met "Gitarzan". Stevens also became a regular on The Andy Williams Show during the 19691970 season, and even hosted his own summer show ( The Ray Stevens Show ) in 1970. Stevens werd ook regelmatig op The Andy Williams Show tijdens het seizoen 1969-1970, en zelfs zijn eigen gehoste zomer show (De Ray Stevens Show) in 1970. 1970s 1970 Starting in the 1970s, Stevens became a producer and well-known studio musician on the Nashville scene. Vanaf de jaren 1970, Stevens is een producent en bekende studio muzikant op de Nashville-scene. He recorded hits for Barnaby Records and Warner Brothers during 19701979. Hij heeft hits voor Barnaby Records en Warner Brothers gedurende 1970-1979. Stevens' biggest hit in the US was his gospel-inflected single " Everything Is Beautiful " (1970), a plea for love and tolerance. Stevens grootste hit in de VS was zijn evangelie-verbogen single "Everything Is Beautiful" (1970), een pleidooi voor de liefde en tolerantie. The single won a Grammy, was the theme song for his summer 1970 TV show, and marked his first time in the Top 40 on the country charts, peaking at #39. De single won een Grammy, werd de theme song voor de zomer van 1970 zijn tv-show, en gemarkeerd zijn eerste keer in de Top 40 over het land charts, met een piek op # 39. His other 1970 singles were "America, Communicate With Me" and "Unwind", both minor pop successes. Zijn andere 1970 singles waren "Amerika, communiceren With Me" en "Ontspan", beide kleine pop successen. His novelty song "Bridget the Midget (The Queen of The Blues)" made #2 on the UK chart in 1971, but in the US it only reached #50. Zijn nieuw lied "Bridget de Midget (The Queen van The Blues)" made # 2 op de Britse chart in 1971, maar in de VS alleen bereikt # 50. Ray had a gospel/country hit single in early 1972 with " Turn Your Radio On ", reaching the country Top 20. Ray had een gospel / land hit single in begin 1972 met "Turn Your Radio On", het bereiken van het land Top 20. Two more of Ray's songs in 1972 were also minor pop hits, "A Mama and a Papa" and "All My Trials", but both crossed over to the Top 40 Adult-Contemporary lists. Twee meer van Ray's songs in 1972 werden ook kleine pop hits, "Een mama en een papa" en "All My Trials', maar beide overgestoken naar de Top 40 Adult Contemporary-lijsten. In 1973, Stevens had a top 40 country hit with the title track of his album "Nashville". In 1973, Stevens had een top 40 land hit met het titelnummer van zijn album "Nashville". In 1974, Stevens recorded perhaps his most famous hit, " The Streak ", which poked fun at the early-1970s fad of running nude in public, known as " streaking ". In 1974, Stevens geregistreerd wellicht zijn bekendste hit, "The streak", die poked plezier op de vroege jaren 1970 bevlieging van stromend naakt in het openbaar, bekend als "strepen". It made No. 1 in both the UK and the USA and No. 3 on the country chart. Het maakte nummer 1 in zowel het Verenigd Koninkrijk en de Verenigde Staten en nr. 3 op het land grafiek. Ray's tenure with Barnaby came to an end in early 1976, after he had racked up several more hit singles; " The Moonlight Special " is a spoof of the TV program "The Midnight Special". Ray's tenure met Barnaby kwam een einde in het begin van 1976, nadat hij was geïnstalleerd, een aantal meer hit singles "The Moonlight Special" is een spoof van de TV-programma "The Midnight Special". In 1975, he released the Grammy-winning " Misty ", which became his biggest country hit (reaching #3 on the country charts and #14 on the pop charts); he also hit the country Top 40 with a doo-wop version of " Indian Love Call ", " Everybody Needs a Rainbow ", and a ballad version of " Young Love " in early 1976. In 1975 bracht hij de Grammy-winnende "Misty", dat werd zijn grootste hit land (het bereiken # 3 van het land, grafieken en # 14 op de hitlijsten), hij moet ook het land getroffen Top 40 met een doo-Spaghettivreter versie van "Indian Love Call", "Everybody Needs a Rainbow", en een ballad-versie van "Young Love" in het begin van 1976. In the spring of 1976, Stevens joined Warner Brothers, where his debut was a strong showing with three hit singles in a row. In het voorjaar van 1976, Stevens trad Warner Brothers, waar zijn debuut was een sterke blijkt met drie hit singles op een rij. The first was the up-tempo version of " You Are So Beautiful ", which reached the country Top 20, then " Honky Tonk Waltz ", which reached the Top 30. De eerste was de up-tempo versie van "You Are So Beautiful", die op het land Top 20, dan "Honky Tonk Waltz", die tot de Top 30. He then released a novelty single, billing himself as a choir of chickens: under the pseudonym "Henhouse Five Plus Too", Stevens recorded a version of Glenn Miller 's " In The Mood " in the style of a clucking chicken; it became a Top 40 hit in the US and UK in early 1977. Hij vervolgens vrijgegeven een noviteit enkel, facturering zichzelf als een koor van kippen: onder het pseudoniem "kippenhok Vijf Plus Too", Stevens boekte een versie van Glenn Miller 's "In The Mood" in de stijl van een clucking kip; werd een Top 40 hit in de VS en het Verenigd Koninkrijk in het begin van 1977. Ray never made it to the Top 40 throughout the rest of 1977 on either the pop or country charts. Ray nooit naar de Top 40 in de rest van 1977 op de pop of land charts. In 1978 he had a hit with " Be Your Own Best Friend " on the country charts, and in 1979 he had his final hit, as of 2007 [update] , on the Hot 100 pop chart with the novelty " I Need Your Help, Barry Manilow ". In 1978 had hij een hit met "Be Your Own Best Friend" op het land grafieken, en in 1979 had hij zijn laatste hit, met ingang van 2007 [update], op de Hot 100 pop chart met de nieuwheid "Ik heb je hulp nodig, Barry Manilow. He joined RCA in late 1979, releasing new material in 1980. Hij trad RCA eind 1979, waarbij het nieuwe materiaal in 1980. 1980s and after Jaren 1980 en na After joining RCA in 1980, Ray continued having hit singles with somewhat less success than in the previous decade. Na toetreding tot RCA in 1980, Ray voortgezet met hit singles met iets minder succes dan in het vorige decennium. His debut single, the Top 10 " Shriner's Convention " and then the Top 20 love ballad " Night Games " performed relatively well on the charts. Zijn debuut single de Top 10 "Shriner het Verdrag" en daarna de Top 20 love ballad "Night Games" uitgevoerd relatief goed op de hitlijsten. In 1981, only one single made the charts, the Top 40 hit "One More Last Chance". In 1981, slechts een enkele maakte de kaarten, de Top 40 hit "One More Last Chance". In 1982 a few more singles were released, notably the Top 40 "Written Down in My Heart". In 1982 nog een paar singles werden uitgebracht, met name de Top 40 "opgeschreven in mijn hart". Stevens left RCA and returned to Mercury Records, the label that made him a star in the early 1960s. Stevens links RCA en keerde terug naar Mercury Records, het label dat maakte hem tot een ster in de vroege jaren 1960. This resulted in only one album, the 1983 project "Me", and only one chart hit, "My Dad", in early 1984. Dit resulteerde in slechts een album, het 1983-project "Me", en alleen een grafiek hit, "Mijn vader", in het begin van 1984. Ray then joined MCA in 1984 as a "country comedy" act and thereafter released only novelty song albums. Ray vervolgens trad MCA in 1984 als een "land komedie" daad en daarna pas vrijgegeven nieuwheid song albums. Ray's first two albums for MCA were both hugely successful, both hitting sales of over half a million. Ray's eerste twee albums voor MCA waren beide enorm succes, zowel raakt de verkoop van meer dan een half miljoen. His next series of albums were high sellers as well. Zijn volgende reeks albums waren hoog verkopers ook. The fan-voted Music City News awards named Stevens Comedian of the Year annually for 9 consecutive years from 1986 to 1994. De fan-gestemd Music City News Award vernoemd Stevens Cabaretier van het Jaar jaarlijks voor 9 achtereenvolgende jaren 1986 tot 1994. Ray's singles were no longer making the Top 40 charts as they were comedy/novelty and country radio resisted playing songs that weren't serious. Ray's singles werden niet meer maken van de Top 40 hitlijsten als zij waren komedie / nieuwheid en land radio weerstaan spelen songs die waren niet ernstig. Even though it meant little airplay, the sales and overall popularity Ray was enjoying during the 1980s and into the 1990s because of the switch to all-comedy was a runaway success. Ook al betekende weinig airplay, de verkoop en de algemene populariteit Ray was genieten tijdens de jaren 1980 en in de jaren 1990 als gevolg van de overstap naar all-comedy was een succes. His newer and younger fans bought many of the greatest hits albums MCA and other record labels had released during the 1980s. Zijn nieuwere en jongere fans kochten veel van de grootste hits albums MCA en andere platenmaatschappijen hadden vrijgegeven tijdens de jaren 1980. A few of Ray's commercial singles charted on the Single Sales charts during this time, but only one single actually made it to the radio-dominated Top 40, "Mississippi Squirrel Revival" reached the Top 20, making that Ray's final single to hit the Top-40 portion of the country chart. Een paar van Ray's commerciële singles in kaart gebracht op de interne Sales grafieken in deze tijd, maar slechts een daadwerkelijk gemaakt naar de radio gedomineerde Top 40, "Mississippi Squirrel Revival" bereikte de Top 20, waardoor deze Ray definitieve enkel te raken de Top -40 gedeelte van het land grafiek. "Would Jesus Wear a Rolex" is the only single during his 1984-1989 stint on MCA that came close to reaching the Top 40, stalling at #41 in 1987. "Zou Jezus Draag een Rolex" is het slechts enkele tijdens zijn 1984-1989 bekrimpen op MCA dat kwam dicht bij het bereiken van de Top 40, blokkering op # 41 in 1987. Second to that, the other single close to hitting the Top 40 on the country chart was the #45 hit "The Haircut Song". Tweede tot en dat, de andere enkel dichtbij raken de Top 40 over het land was de grafiek # 45 hit "Het surpluspercentage Song". Ray left MCA in 1989 for Curb/Capitol in 1990. Ray links MCA in 1989 voor Curb / Capitol in 1990. The two labels split apart after a few years joined together and Ray continued with Curb Records afterwards. De twee labels gesplitst afgezien na een paar jaar samen en Ray voortgezet met Curb Records achteraf. Ray's last chart record on the country charts came in 2002 with "Osama Yo' Mama" which made the Top 50 and became Ray's first gold record since " The Streak " in 1974. Ray's laatste grafiek record op het land charts kwam in 2002 met "Osama Yo 'Mama" die de Top 50 en werd Ray's eerste gouden plaat sinds "De streak" in 1974. Videos Video's Stevens' songs have been showcased in several videos. Stevens' songs zijn tentoongesteld in verschillende video's. " Gitarzan " was featured on Disc 1 of the Dr. "Gitarzan" was featured on Disc 1 van de dr. Demento 20th Anniversary Collection. Demento 20th Anniversary Collection. Ray Stevens videos were frequently offered via television commercials. Ray Stevens video's werden vaak aangeboden via de televisie commercials. 1992's "Comedy Video Classics" contained 8 music videos, winning the Home Video of the Year in 1993 as well as other awards. 1992's "Humor Videobeschrijving Classics" bevatte 8 muziek video's, het winnen van de Home Video van het Jaar in 1993 en andere prijzen. Two videos filmed at his Branson, Missouri theatre "Ray Stevens Live!" Twee video's gefilmd op zijn Branson, Missouri theater "Ray Stevens Live!" and "More Ray Stevens Live!!" en "Meer Ray Stevens Live!" were released in 1993, although the second collection was only available to fan club members at the time. zijn uitgebracht in 1993, hoewel de tweede collectie is alleen beschikbaar voor fanclub leden op dat moment. In 1995 he released a movie Get Serious!! which contained 10 music videos inserted at appropriate times throughout the spoken dialogue. In 1995 bracht hij een film Get Serious! Waarin 10 muziek video's geplaatst op de juiste momenten van de gesproken dialoog. The video collection Latest and Greatest was released in 1996. De video collectie nieuwste en beste werd uitgebracht in 1996. In 2000 he released Funniest Video Characters including the video to his 1985 song "The Ballad of the Blue Cyclone". In 2000 is hij vrijgelaten Funniest Video tekens inclusief de video op zijn 1985 nummer "The Ballad of the Blue Cyclone". In 2004 Greatest Video Characters was released; this was a large collection of 1990s Ray Stevens music videos including three newer ones, "Osama Yo' Mama", "Hello Mama", and "Thank You". In 2004 Greatest Video Personages werd uitgebracht, dit was een grote collectie 1990 Ray Stevens muziekvideo's, waaronder drie nieuwere zijn, "Osama Yo 'Mama", "Hallo Mama" en "Thank You". Ray's video albums are released by mail order on his own label, Clyde Records. Ray's video albums worden uitgebracht per post bestellen op zijn eigen label, Clyde Records. Curb Records also offers retail distribution. Curb Records biedt ook de detailhandel. Awards Awards Stevens has won two Grammy Awards : one for "Everything Is Beautiful" and one for the arrangement of his country and western version of the jazz standard " Misty " (1975). Stevens won twee Grammy Awards: een voor 'Everything is beautiful "en een voor de regeling van zijn land-en West-versie van de jazz-norm" Misty "(1975). Ray Stevens was inducted into the Nashville Songwriters Hall of Fame in 1980. Ray Stevens werd inducted in de Nashville Songwriters Hall of Fame in 1980. (Less)

Channel: 123video

Tags: the Stevens midget Bridget Ray

Rate:

Add to quicklist

Watch here

Weird Al Yankovich (Video no longer available)

Description: Alfred Matthew "Weird Al" Yankovic (IPA pronunciation: [ˈjŋ.kəˌvɪk]; born October 23, 1959) is an American singer, musician, satirist,...

1418,

02:41,

2008-04-17 15:09:58

Channel: 123video

MR BUNGLE on CAPITAL CHAOS TV 1999

741,

05:44,

2007-04-20 17:36:01

Description: http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential (More) http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential avant-progressive experimental rock group formed in Northern California in 1985. Created while the members were still in high school and named after a children's educational film, they released four demo tapes in the mid to late 1980s, before being signed to Warner Bros. Records, who subsequently released three full-length studio albums between 1991 and 1999. Mr. Bungle have not been active since touring in 2000 to support their last album, and a recent media interview has confirmed the group is now disbanded.[1] While early in their career Mr. Bungle went through several line up changes, the bands most long serving members were vocalist Mike Patton, guitarist Trey Spruance, bassist Trevor Dunn, drummer Danny Heifetz, and Clinton "Bär" McKinnon on saxophone and other woodwind instruments. Mr. Bungle were known for their distinctive musical traits, often blending and cycling through several musical genres within the course of a single song and fusing radically different musical styles together. Many of their songs had a non-conventional structure and utilized a wide array of instruments and samples. Distinguished by their live shows, which often featured members dressing up and an array of unlikely cover songs, their style has influenced many recent funk metal bands. During the course of their career the band also had an ongoing feud with Red Hot Chili Peppers frontman Anthony Kiedis, which escalated in the late 90s with Kiedis having Mr. Bungle removed from a number of large music festivals in Europe and Australasia where the Chili Peppers were headlining. Although signed to a major record label, Mr. Bungle never had significant commercial success and only released one music video. They did, however, gain a reasonable amount of worldwide popularity due to a large cult following. Mr. Bungle formed in 1985 in Eureka, California while the members were still in high school; initially consisting of Trevor Dunn, Mike Patton, Trey Spruance, Theo Lengyel, and Jed Watts. Watts was subsequently replaced by Hans Wagner, and he by Danny Heifetz, while Clinton "Bär" McKinnon joined in 1989.[2] The band's name was taken from a children's educational film devised to teach children good manners and hygiene, which was featured in a Pee Wee Herman HBO special in the early '80s. A puppet named Mr. Bungle was the main character, used to represent the kind of person no clean, polite child would wish to be. In 1989 Faith No More bassist Billy Gould told Patton about a pornographic video called Sharon's Sex Party, which also starred a character known as Mr. Bungle.[2] Soon after forming, the band's first demo, The Raging Wrath of the Easter Bunny, was recorded during Easter of 1986. It generally featured a fast, low-fi, death metal style, though it also utilized a trainwhistle, a saxophone, bongos, and a kazoo. The Raging Wrath of the Easter Bunny was followed by the demo Bowel of Chiley in 1987; this recording featured a completely different style incorporating the sounds of ska, swing, and funk. In 1988 Mr. Bungle released their third demo, Goddammit I Love America!, which was musically similar to Bowel of Chiley. Their final demo tape was OU818, released in 1989; this recording was the first to feature tenor sax player Clinton "Bär" McKinnon and drummer Danny Heifetz. OU818 combined songs from the earlier demos along with some new tracks having a heavier overall sound than the previous releases.[3][4] In 1989 Mike Patton landed the lead vocalist slot with San Francisco's Faith No More, getting the job after Jim Martin of Faith No More heard him on a Mr. Bungle demo.[5] Patton decided not to break up Mr. Bungle, and continued to be a member of both bands simultaneously. Having established a strong following in Northern California, Mr. Bungle was signed to Warner Bros., who released their self-titled debut in 1991. Their debut, Mr. Bungle, was recorded a year after Mike Patton was recruited into Faith No More and was produced by jazz experimentalist John Zorn. Released on August 13, 1991 the album contained several new songs but overall the sound was in a similar style as OU818. The record mixed metal, funk, ska, carnival music, and free jazz, but was normally described as "funk metal" by music critics.[3] The content is, however, very hard to pin down using specific genres, and the structure and musical style of any single track frequently changes dramatically.[6] Critic Steve Huey wrote in All Music Guide "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song."[7] The album featured numerous samples, including Kentucky Fried Chicken commercial outtakes, items from the videogames "Super Mario Bros", "Smash TV", and "RBI Baseball", the movies Blue Velvet and Sharon's Sex Party, and the pinball games "Cyclone," "Earthshaker," and "Haunted House." Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold.[2] The first track on the self-titled recording was originally called "Travolta"(sample (help·info)); however, the actor John Travolta took issue with this title and threatened legal action. With the encouragement of Warner Bros. the song name was changed and on later pressings of the album was called "Quote Unquote", which is also the title of an unauthorized John Travolta biography by Bob McCabe.[2] They created a video for "Travolta" and submitted it to MTV. However, the station refused to air the video because of images of bodies dangling on meat hooks.[6] The album sold well despite MTV refusing to air their video and a lack of radio airplay. It received mostly positive reviews with Journalist Bill Pahnelas calling it "an incredible musical tour de force, and hands down the best alternative rock record of the year so far".[8] Following the release of the album the band toured North America successfully building a large and loyal cult following. Their popularity was partly due to unique stage shows where they often performed with masks to hide their identities and played unlikely covers during their set such as Billy Squier's "The Stroke," "The Star Wars Theme", and John Sebastian's "Welcome Back". Due to artwork delays and the band members' many side-projects, it was another 4 years before Disco Volante was released in October 1995.[3] This, their second major release, has a completely different tone and style to earlier Mr. Bungle recordings.[9] While the self-titled album was described as "funk metal", with Disco Volante this was replaced with the label "avant-garde" or "experimental."[6] The music was complex and unpredictable with the band continuing with their extreme shifts of musical style during songs. Some the tracks were in foreign languages and would radically change genres mid-song, arguably making it Mr. Bungle's most difficult and inaccessible release.[6] Featuring lyrics about death, suicide, and child abuse,[ along with plodding death metal, deranged children's songs, and a Middle Eastern techno number, music critic Greg Prato described the album as having "a totally original and new musical style that sounds like nothing that currently exists". Not all critics were impressed with the album, with The Washington Post describing it as "an album of cheesy synthesizers, mangled disco beats, virtuosic playing and juvenile noises", calling it "self-indulgent" and adding that "Mr. Bungle musicians like to show off their classical, jazz and world-beat influences in fast, difficult passages which are technically impressive but never seem to go anywhere". Disco Volante included influences from contemporary classical music, avant-garde jazz, electronic music pioneer Pierre Henry, Edgar Allan Poe, John Zorn, Frank Zappa, Penderecki, and European film music of the 1960s and 1970s such as those composed by Ennio Morricone and Peter Thomas. The album notes also contained an invitation to participate in an "unusual scam" - if $2 was sent to the bands address, participants would receive additional artwork, lyrics to the songs "Ma Meeshka Mow Skwoz" and "Chemical Marriage", and some stickers. Mr. Bungle supported this record with extensive tours through the United States, Europe, and Australia during '95 and '96, with the tours successfully widening the groups fan base. In 1996 Theo Lengyel retired as Bungle's original sax player and keyboardist due to creative differences. After another 4 year break between albums, the band's third album, California, was released on July 13 1999.[16] California is said to be Mr. Bungles most accessible[17][18] and while the genre shifts are still present, they are less frequent, with succinct song formats giving the album a less chaotic and more stable feel.[19] This resulted in what All Music Guide described as "their most concise album to date; and while the song structures are far from traditional, they're edging more in that direction and that greatly helps the listener in making sense of the often random-sounding juxtapositions of musical genres".[20] California continues the bands musical, lyrical, and thematic experimentation, although it has a much lighter tone.[21] On the different style of this album, Mike Patton explained that to the band "the record is pop-y", before adding "but to some fucking No Doubt fan in Ohio, they're not going to swallow that."[22] The album was generally well received with music critic Robert Everett-Green stating "The band's newest and greatest album does not reveal itself quickly, but once the bug bites, there is no cure. The best disc of the year, by a length."[23] Additionally, the recording process for California became much more complex. The group chose to record the disc on analog rather than digitally[24] and some songs required several 24-track machines while utilizing more than 50 analog tracks.[19] As a result each song contains detailed layers of original samples, keyboards, percussion, and melodies.[6] Mr Bungle live in 1999 Mr Bungle live in 1999 The album displays numerous influences, including exotica, Burt Bacharach, and The Beach Boys, while blending lounge, pop, jazz, funk, thrash-metal, Hawaiian, Middle Eastern, kecak, and avant-garde soundscapes.[17][18][21][25][20] The band did 5 tours to support this record. For the most part, perhaps with the exception of the Sno-Core 2000 tour where they were often booed, the band did have success attracting an audience. Following the 2000 tour the band again went on hiatus. Rumors circulated that the band had dissolved, with some members stating that the band was "over" while others insisted it was just "in limbo".[3] In 2003 Patton alluded to the fact that the band would probably not record any more albums stating "I think it is over. The guys are spread all over the world and we don't talk to each other. I have not spoken to a couple of the guys since the last tour, years ago."[28] While no official break-up announcement ever materialized, a 2004 Rolling Stone interview with Patton confirmed Mr. Bungle had disbanded with him revealing "We could have probably squeezed out a couple more records but the collective personality of this group became so dysfunctional, this band was poisoned by one person's petty jealousy and insecurity, and it led us to a slow, unnatural death. And I'm at peace with that, because I know I tried all I could."[1] When asked about a possible reunion, Mike Patton said, "It could happen, but I won't be singing. Some bridges have definitely been burned. It was a fun time and sometimes you just have to move on. I've got a lot on my plate now."[29] Trevor Dunn adds, on his website, "Bungle is dead and I'm happy about it" and that "the members of Mr. Bungle will never work together as such again".[30] Spruance,[31] Heifetz, and McKinnon[32] have been more optimistic; to quote Spruance, in response to the standard 'Mr. Bungle regrouping' question: "I hope so because that band could take over the fucking world if it wanted to."[31] After the dissolution of Mr. Bungle the members have gone on to numerous different projects. Mike Patton co-founded the record label Ipecac Recordings[33] and is involved with several other ventures, most notably the bands Fantômas,[34] Tomahawk,[35] and Peeping Tom.[36] He also acted in the motion picture Firecracker.[37] Trey Spruance is involved with various bands, including Secret Chiefs 3 and Faxed Head. Trevor Dunn joined Patton in Fantômas as well as forming his own jazz band, Trevor Dunn's Trio Convulsant; he also occasionally played bass with Secret Chiefs 3.[6][38] Danny Heifetz's projects included playing with Secret Chiefs 3 and in a country/punk band called Dieselhed;[6] he now resides in Sydney, Australia, and plays in outfits such as The Tango Saloon and The Fantastic Terrific Munkle.[39][40] Clinton McKinnon also played with Secret Chiefs 3; he now lives in Melbourne, Australia, and plays with The Ribbon Device. Mr. Bungle were generally regarded as an experimental rock or avant-progressive rock group. All Music described Mr. Bungles music as a "unique mix of the experimental, the abstract, and the absurd",[4] while The Seattle Times characterized their music as "harsh, grating, unstructured, blasting, squeaky, speedy, slow, eerie and strangely compelling".[10] Distinctive features of the music were the utilization of numerous different instruments, unique vocals, and the use of unpredictable song formats and a number of different musical genres. Along with the normal instruments of a rock band, Mr. Bungle would also incorporate additions such as bongos, woodblocks, tenor sax, Jews harp, xylophone, glockenspeil, clarinet, piano, and organ.[14] Journalist John Serba commented that the instrumentation "sounded kind of like drunken jazz punctuated with Italian accordions and the occasional Bavarian march, giant power chord, or feedback noise thrown in"[42] Overlaying this was Mike Patton's vocals, who often used death metal growls, crooning, screeching, gurgling, or simply whispering. The arrangement of their songs was also unique, normally displaying a total lack of any structured song format and rotating through different genres ranging from slow melodies to thrash-metal.[19] Critic Patrick Macdonald commented "In the middle of hard-to-follow, indecipherable noise, a relatively normal, funky jazz organ solo will suddenly drift in, it doesn't seem to fit but you can't stop listening to it".[10] Similarly New York Times journalist Jon Pareles described it as music that "leaps from tempo to tempo, key to key, style to style, all without warning".[43] Some of the notable genres they utilized include heavy metal,[20] funk,[20] free jazz,[20] surf rock,[17] punk,[43] klezmer music,[43] ska,[6] kecak,[25] avant-jazz,[21] folk music,[44] pop,[20] doo-wop,[44] funk metal,[25] electronica,[45] swing music,[20] space age pop,[20] death metal,[20][44] rockabilly,[20][25] bossa nova,[20] progressive rock,[18] country and western,[20] circus music [20] and even video game and cartoon music.[25] Critic Greg Prato stated they "may be the most talented rock instrumentalists today, as they skip musical genres effortlessly, while Mike Patton illustrates why many consider him to be the best singer in rock".[11] Mr. Bungle's style has influenced many recent funk and metal chart-toppers, most notably Korn, whose guitarists utilize what they've dubbed the "Mr. Bungle chord".[1] Brandon Boyd of Incubus also cited Mr. Bungle as an influence.[46] Although, Patton has stated that he considers it an insult when people cite him as a forefather of Korn and Limp Bizkit, stating "I feel no responsibility for that, it's their mothers' fault, not mine." Mr. Bungle were well-known for their stage shows, where all of the band members would dress up in outrageous costumes and masks, often wearing a uniform of mechanic's jumpsuits along with masks such as Madonna, Nixon, Darth Vader, an executioner's hood, or plastic clown or gimp masks.[13] Bassist Trevor Dunn explained that initially the reason for the masks and dressing up was to assure anonymity.[48] The shows for the California tours, while still involving various members in costumes, were largely devoid of the trademark masks and outfits due to the increased demands of the music.[19][49] Often the theme was related to California with palm tree props and the band members wearing beach party outfits including Hawaiian shirts and khaki pants.[19][50] Occasionally, the band would simply appear in black suits with white dress shirts or dress up in chef costumes, cowboy suits, or as the Village People.[42][51] Throughout their career Mr. Bungle also performed numerous covers in their live shows, ranging from tiny snippets to whole songs. The covers were by a wide variety of artists and genres encompassing movie scores by Ennio Morricone, Henry Mancini, and John Williams, pop songs by Elton John and Jennifer Lopez, hip hop by Public Enemy and Ol' Dirty Bastard, to punk and metal songs by the Dead Kennedys, Metallica, and Slayer.Mr. Bungle is known to have had a bad relationship with the Red Hot Chili Peppers' frontman Anthony Kiedis.[2] The feud began when Kiedis saw singer Mike Patton performing with Faith No More and accused him of imitating his style. Stating "Yeah I watch that 'Epic' video, and I see him jumping up and down, rapping, and it looked like I was looking in the mirror. The thing is, I had no problem with him personally. I mean, I love 'The Real Thing,' and I liked his vocals on that record. I mean, when I heard the record I noticed subtle similarities, but when I saw that video it was like, 'Wait a second here, what the fuck?".[2] Mike Patton and Mr. Bungle took offense to Kiedis' comment, sarcastically threatening Kiedis in the press. In the early nineties, Patton met with Kiedis; the two were polite to each other and the feud seemed to have ended.[2] However, in 1999 Mr. Bungle's album California was scheduled to be released on June 8, but their label, Warner Bros. Records, pushed it back so as not to coincide with the Red Hot Chili Peppers similarly titled album, Californication, which was to be released on the same day. This appeared to reignite the old feud with Kiedis having Mr. Bungle removed from a series of summer festivals in Europe; as the headlining act at the festivals The Chili Peppers had final word on the bands that would appear.[2][28] Patton stated "Our agent was in the process of booking these festivals, and it was becoming apparent that we'd landed some pretty good ones—one in France, another one in Holland, some big-name festivals. Turns out someone's holding a grudge! We were booted off several bills, including a really big festival in Australia, specifically because Anthony Kiedis did not want us on the bill. He threatened to pull the Chili Peppers if Mr. Bungle was on the bill. Now, rationalize that one! That's so fucking pathetic! I mean, this guy's selling a million records! We are not even a speck of dust on this guy's ass! What's the fucking problem?"[52] Trey Spruance added "We were booked, months in advance, to do eleven festival dates in Europe. Come Summer, we get a call from the three biggest of those festivals, all of them the same day, saying that we can't play, because the headlining band retains the right to hire and fire whomever they wish. We found out it was the Red Hot Chili Peppers, so our manager called their manager to find out what the hell was going on, and their manager was very apologetic, and said, 'We're really sorry, we want you to know this doesn't reflect the management's position, or the band's for that matter, it's Anthony Kiedis who wants this.'"[53] As a result, Mr. Bungle parodied the Red Hot Chili Peppers in Detroit, Michigan on Halloween of 1999. Patton introduced each Mr. Bungle band member with the name of one of the Red Hot Chili Peppers before covering the songs Give It Away, Around The World, Under the Bridge and Scar Tissue, with Patton deliberately using incorrect lyrics. Mr. Bungle also satirized many of the mannerisms of the band, mocking their frequent heroin injections and on-stage antics. Kiedis responded by having them removed from the 2000 Big Day Out festival in Australia and New Zealand,[2][28] stating "I would not have given two fucks if they played with us there, but after I heard about some Halloween show where they mocked us and read another interview where Patton talked shit about us, and I was like, you know what, fuck him and fuck the whole band." (Less)

Channel: youtube

Tags: faith metal mike more mrbungle no patton rock

Rate:

Add to quicklist

Watch here

Aaron_Neville_Tell_it_like_it_is

03:05,

2009-09-06 01:39:00

Description: Als je wilt dat iets om te spelen met Ga en vind je een stuk speelgoed Baby mijn tijd is te duur En ik ben geen kleine jongen Als u ernstige Niet spelen met mijn hart Het maakt me woedend Maar als je (More) Als je wilt dat iets om te spelen met Ga en vind je een stuk speelgoed Baby mijn tijd is te duur En ik ben geen kleine jongen Als u ernstige Niet spelen met mijn hart Het maakt me woedend Maar als je wilt dat ik van je hou Dan zal ik een baby, meisje je weet dat ik zal Tell it like it is Wees niet beschaamd te laten uw geweten worden uw gids Maar ik weet diep in mij Ik denk dat je van me houdt, vergeet je dwaze trots Het leven is te kort om zijn verdriet U kan hier vandaag en morgen verdwenen U mgiht evenals krijgen wat je wilt Dus gaan wonen, baby gaan wonen Tell it like it is Ik ben niets te spelen met Ga en vind je een stuk speelgoed Maar I. .. Tell it like it is Mijn tijd is te duur en ik ben niet je kleine jongen Aaron Neville (geboren 24 januari 1941 in New Orleans, Louisiana) is een Amerikaanse soul en R & B zangeres. He made his debut in 1966 with the hit single " Tell It Like It Is ", a Number One hit on the Billboard R&B charts. Hij debuteerde in 1966 met de hit single "Tell It Like It Is', een nummer een hit op de Billboard R & B charts. Neville did not chart again, however, until 1989, when he collaborated with Linda Ronstadt on three consecutive duets: " Don't Know Much ", " All My Life ", and " When Something Is Wrong with My Baby ", of which the first two reached Number One on the Adult Contemporary charts. Neville niet grafiek weer, maar tot 1989, toen hij samen met Linda Ronstadt op drie opeenvolgende duetten: "Don't Know Much", "All My Life" en "Wanneer er iets mis is met My Baby", waarvan de eerste twee bereikt Number One op de Adult Contemporary charts. Neville has released more than twenty singles, including three Number Ones on the Adult Contemporary format, and a fourth on the R&B format. Neville heeft meer dan twintig singles, waaronder drie Number Ones op de Adult Contemporary format, en een vierde op de R & B-formaat. Contents Inhoud [show] * 1 Career 1 Carrière * 2 Spiritual life 2 Geestelijk leven * 3 Discography 3 Discografie o 3.1 Studio albums 3.1 Studio albums o 3.2 Singles 3.2 Singles * 4 Studio albums 4 Studio albums * 5 See also 5 Zie ook o 5.1 Band members 5.1 Bandleden o 5.2 References 5.2 Referenties * 6 External links 6 Externe links [ edit ] Career [Bewerk] Carrière Aaron Neville has had a career as a solo artist and as one of The Neville Brothers . Aaron Neville heeft een carrière als solo-artiest en als een van de Neville Brothers. Of mixed African American and Native American heritage, his music also features Cajun influence. Van gemengde African American en Native Amerikaanse erfgoed, zijn muziek ook Cajun invloed. With his solo career, Neville is best known for his Grammy -winning 1989 duets with Linda Ronstadt , " Don't Know Much " and "All My Life," as well as his very first hit, 1966's " Tell It Like It Is ," which was covered by Heart in 1980, and by Country Music Star Billy Joe Royal . Met zijn solo-carrière, Neville is het best bekend voor zijn Grammy-winnende 1989 duetten met Linda Ronstadt, "Don't Know Much" en "All My Life", evenals zijn eerste hit, 1966's "Tell It Like It Is, ", dat werd gedekt door Hart in 1980, en door de Country Music Star Billy Joe Royal. His other hits have included " Everybody Plays the Fool ", his successful 1991 cover of the 1972 Main Ingredient soul classic, that reached #8 on the Hot 100 ; "Don't Take Away My Heaven", "Hercules" and "Can't Stop My Heart From Loving You (The Rain Song)." Zijn andere hits waren "Iedereen Speelt de Fool", zijn succesvolle 1991 cover van de 1972 belangrijkste ingrediënt ziel klassieker, dat bereikt # 8 op de Hot 100; "Don't Take Away My Heaven", "Hercules" en "Kan" t Stop My Heart Van Loving You (The Rain Song). " Neville's biggest solo successes have been on the Adult Contemporary chart, where "Don't Know Much," "All My Life," and "Everybody Plays the Fool" all reached Number One. Neville's grootste solo successen zijn op de Adult Contemporary chart, waar "Don't Know Much", "All My Life 'en' Iedereen Speelt de Fool" alle bereikt Number One. In August 2005 his home in Eastern New Orleans was destroyed by Hurricane Katrina ; he evacuated to Memphis, Tennessee before the hurricane hit. In augustus 2005 zijn woning in het oosten van New Orleans werd verwoest door de orkaan Katrina; hij geëvacueerd naar Memphis, Tennessee voordat de orkaan getroffen. He moved to Nashville after the storm, [ 1 ] and had yet to return to the city as of early 2008, causing the New Orleans Jazz and Heritage Festival to temporarily change its tradition of having the Neville Brothers close the festival. Hij verhuisde naar Nashville na de storm [1], en had nog om terug te keren naar de stad als van begin 2008, waardoor de New Orleans Jazz and Heritage Festival tijdelijk haar traditie van de Neville Brothers sluit het festival. However, the Neville Brothers, including Aaron, returned for the 2008 Jazzfest, which returned to its traditional seven-day format for the first time since Katrina. [ 1 ] Neville is in the process of moving back to the New Orleans area, namely the North Shore city of Covington . [ 1 ] Neville performed Randy Newman 's " Louisiana 1927 " during NBC 's A Concert for Hurricane Relief on September 2, 2005. Echter, de Neville Brothers, met inbegrip van Aäron, die voor de 2008 Jazzfest, die terug naar zijn traditionele zeven dagen voor de eerste keer sinds Katrina. [1] Neville is in het proces van de verhuizing naar de New Orleans gebied, namelijk de North Shore stad Covington [1]. Neville uitgevoerd Randy Newman 's "Louisiana 1927" tijdens NBC is een concert voor Hurricane Relief op 2 september 2005. Aaron signed to SonyBMG 's new Burgundy Records label in late 2005 and recorded an album of great classic soul songs by Otis Redding , Marvin Gaye , Curtis Mayfield , Sam Cooke and others for Bring It on HomeThe Soul Classics , released on September 19th, 2006. Aaron ondertekend bij SonyBMG 's nieuwe Burgundy Records label in het najaar van 2005 en opgenomen in een album van grote klassieke soul nummers van Otis Redding, Marvin Gaye, Curtis Mayfield, Sam Cooke en anderen voor Bring it on Home ... The Soul Classics, vrijgegeven op 19 september , 2006. The album, produced by Stewart Levine , features collaborations between Aaron and Chaka Khan , Mavis Staples , Chris Botti , David Sanborn , Art Neville , and others. Het album, geproduceerd door Stewart Levine, kenmerken samenwerkingen tussen Aaron en Chaka Khan, Mavis Staples, Chris Botti, David Sanborn, Art Neville, en anderen. The album's first single was a remake of The Impressions ' 1963 classic "It's All Right." Het album van de eerste single is een remake van The Impressions' 1963 classic "It's All Right". Aaron Neville in 1990. Aaron Neville in 1990. Neville's career has included work for television, movies and sporting events. Neville's carrière heeft het werk voor televisie, films en sportevenementen. Neville sang the US National Anthem in the movie The Fan starring Robert DeNiro and Wesley Snipes. Neville zong het Amerikaanse National Anthem in de film de ventilator met Robert DeNiro en Wesley Snipes. He also sang the anthem at the WWF 's SummerSlam 1993 and at WCW Spring Stampede in 1994. Hij zong het volkslied tijdens het WWF is SummerSlam 1993 en op WCW Stampede Lente in 1994. Neville sang the theme music to the children's TV series Fisher-Price Little People . Neville zong het thema muziek aan de kinderen van de tv-serie Fisher-Price Little People. He also sang a new version of "Cotton," for Cotton, Inc. which was introduced during the 1992 Summer Olympics . Hij zong ook een nieuwe versie van "Katoen," voor katoen, Inc, die werd geïntroduceerd tijdens de Olympische Zomerspelen 1992. In 1988 he recorded Mickey Mouse March for Stay Awake: Various Interpretations of Music from Vintage Disney Films , one of Various Artists . In 1988 werd hij opgenomen Mickey Mouse maart voor Stay Awake: verschillende interpretaties van de muziek uit Vintage Disney Films, een van Various Artists. In 2006, Neville sang " The Star-Spangled Banner ", alongside singer Aretha Franklin and Dr John on keyboard at Super Bowl XL in Detroit . In 2006, Neville zong "The Star-Spangled Banner", naast de zangeres Aretha Franklin en Dr John op het toetsenbord op Super Bowl XL in Detroit. In addition, Aaron (along with Art and Cyril) did background vocals for the songs "Great Heart", "Bring Back the Magic", "Homemade Music", "My Barracuda", and "Smart Woman (in a Real Short Skirt)" on Jimmy Buffett's Hot Water, released in 1988. Bovendien, Aaron (samen met Kunst en Cyril) deed achtergrond vocalen voor de songs "Great Heart", "Bring Back The Magic", "Homemade Music", "Mijn Barracuda" en "Smart Woman (in een echte Korte Rok) "on Jimmy Buffett's Hot Water, uitgegeven in 1988. On October 27, 2006, Neville made a guest appearance on an episode of the soap opera The Young and the Restless . [ 2 ] He sang the classic hits " Stand By Me " and " Ain't No Sunshine ", from his new album, Bring It on HomeThe Soul Classics .Next is Gold'album(2008),which includes 2CDs with a list of old successful songs.In September he feats in the album 'Heat' of Michael Lington singing 'That's when you save me' by claude kelly. Op 27 oktober 2006, Neville maakte een gastoptreden in een aflevering van de soap The Young and Restless de [2]. Hij zong de klassieke hits "Stand By Me" en "is geen" Sunshine ", van zijn nieuwe album , Kom maar op ... De Home Soul Classics. Vervolgens wordt Gold'album (2008), waarin 2CDs met een lijst van oude succesvolle songs.In september feats hij in het album "Heat" van Michael Lington singing 'Dat is bij het opslaan van mij "door Claude Kelly. Neville's son Ivan Neville is also a musician and released an album, If My Ancestors Could See Me Now, in 1988, which yielded a Top 40 hit with "Not Just Another Girl." Neville's zoon Ivan Neville is ook een muzikant en een album uitgebracht, Als mijn voorouders Could See Me Now, in 1988, die resulteerde in een Top 40 hit met "Not Just Another Girl." Ivan has also performed with the Rolling Stones and Bonnie Raitt , and played bass for Keith Richards on his first solo tour. Ivan is ook uitgevoerd met de Rolling Stones en Bonnie Raitt, en speelde bas voor Keith Richards op zijn eerste solo-tour. Neville is an inductee of the Delta Music Museum Hall of Fame in Ferriday . Neville is een van de opgeroepene Delta Music Museum Hall of Fame in Ferriday. [ edit ] Spiritual life [Edit] spiritueel leven Neville is a Roman Catholic with a devotion to St. Neville is een rooms-katholiek met een toewijding aan St. Jude , to whom he has credited his success and survival. Judas, aan wie hij heeft gecrediteerd zijn succes en overleving. He wears a St. Jude Medal as a left earring. [ 3 ] Hij draagt een St. Jude medaille als een oorbel links [3]. > Nederlands omdraaien Vertaal (Less)

Channel: 123video

Tags: Neville like is it Aaron Tell

Rate:

Add to quicklist

Watch here