Search results for sandy fantasy
Results 1-15 of about 92 (Found in 0.099s)
22,
06:54,
2008-04-03 01:59:17
Description: Sandy Badlands soundtrack from the game
Channel: youtube
22,
05:33,
2008-04-03 01:59:17
Description: The "Sandy Badlands" music from Final Fantasy VII. Played at the Corel prison. Music and game are copyright of Square Enix.
Channel: youtube
8,
03:45,
2008-04-03 01:59:17
Description: This is the Doremi Piano Arrangement of the theme Sandy Badlands from Final Fantasy VII. I apologize for any mistakes in advance =). Thanks for watching!
Channel: youtube
20,
03:16,
2008-04-03 11:31:42
Description: Finally got time to record my Chocobo travels. If you don't know, my "Chocobo Tour" videos are just to show off the environments in Final Fantasy XI, it is not for entertainment (More) Finally got time to record my Chocobo travels. If you don't know, my "Chocobo Tour" videos are just to show off the environments in Final Fantasy XI, it is not for entertainment purposes and especiall (Less) Channel: youtube
198,
02:55,
2008-03-02 14:03:47
Description: First and foremost, I didn't make this. I got this copy from Nico Nico Douga: http://www.nicovideo.jp/watch/sm2479135
From what I understand, original creator goes by the name of Hyadain and (More) First and foremost, I didn't make this. I got this copy from Nico Nico Douga: http://www.nicovideo.jp/watch/sm2479135
From what I understand, original creator goes by the name of Hyadain and he/she occasionally posts music videos using BGMs from popular classic games, like so. This song was pretty win, so I felt I had to share it here. On Nico Nico, it's a popular video, hitting more than 120,000 views and being 1st place in daily views for a while.
I thought it was so awesome, I translated it based on the Nico Nico comments. I translate as a hobby, so I can't guarantee 100% accuracy. So if your moonspeak abilities are moar advanced, feel free to email, comment, wutevahs. Likewise, if you want to do something with the lyrics or something, please tell me first and give credit where credit is due. Thanks and enjoy.
Final Fantasy 4, Appearance of Golbez's Four Lords of the Elements (Hyadain)
Scarmiglione!
Smelling rotten, smelling rotten, poison gas, spreading a putrid stench
Zombie, zombie, underlings are all falling apart
Falling off the bridge, back attack, special scenes, none in particular
Next, Cagnazzo!
Tsunami, tsunami, Cagnazzo the Tsunami, turtle man
Get jealous of my blue body, Commander Dessler
My indecent head, sparkling, today it's wet with water too
Ah, it's wet, that it is
We are the Four Lords of the Elements, Earth, Water, rise up
I'm called Scarmiglione of Earth, but I thought I was Scarmiglione of Poison?
Haha
Barbariccia!
Tornado, tornado, the woman that calls storms, totally naked
Lovin' girls, lovin' girls, interest in guys is a NO NO
Cindy, Mindy, Sandy, what kind of girls am I up against today?
Next, Rubicante!
Ah, Rubicante, Rubicante, Rubicante the Flame, bad with water
Gentleman, gentleman, matches are at best dignified and honorable
My bare leg, charming, fluttering, and tapping with the rhythm
Shall I show you what's in my mantle...?
We are the Four Lords of the Elements, Wind, Fire, rise up
Among the Four Lords, I think I'm the sexiest...
Yeah, probably...
I, Scarmiglione of Earth have come from death, taste my dreadful power and die!
To defeat someone such as I
But I'm a lonely being
Oh ho ho ho!
To inflict a wound on Golbez-sama...
We underestimated you!
Now, shall I heal you?
Come at us with all your strength!
Me? Fine then!
Golby, Golby, Cecil's real brother, Lunarian
Brainwashed, confined、(----) to release
All for the sake of Zemus-sama's world
As long as Golbez-sama wills it
Go forth! My all powerful Four Lords of the Elements!
FF 4で、ゴルベーザ四天王登場！【ヒャダイン】
スカルミルヨーネ！
フシュルル フシュルル 毒ガス 腐敗臭 撒き散らす
ゾンビ ゾンビ 手下は みな ドロドロ
橋から転落 バックアタック 見せ場特にはナシ
次 カイナッツぉ！
津波 TSUNAMI 津波のカイナッツォ カメ男
青い ボディ 憧れ デスラー総統
卑猥な 頭のテカテカ 今日も水でビショビショ
ああ、ビショビショだわ、これ
われらが 四天王 土 水 舞い上がれ
俺さー、 土のスカルリョーネっつーか毒のスカルリョーネだと思うんだけど。。。？
ハハッ
バルバリシア！
トルネド トルネド 嵐を呼ぶ女 ほぼ全裸
Lovin' Girls Lovin' Girls 男に興味はNO NO
ドグ マグ ラグ 今日のお相手 どの娘にしようかしら？
次ルビカンテ！
ああ ルビカン ルビカン 炎のルビカンテ 水苦手
Gentleman Gentleman 試合は 精々堂々
生足 なまめかしく チラチラチラとチラリズム
マントの中。。。 見せてやろうか。。。？
われらが 四天王 風 炎 舞い上がれ
し、四天王の中で私が一番セクシーだと思うんだが。。。
うん そうかもね。。。
死してなお恐ろしい土のスカルミルヨーネ様の恐ろしさ、ゆっくりと味わって氏ね！
この俺様を倒すとはな
だが俺はさびしがり屋だ
おっほっほっほ！
ゴルベーザ様に手傷を負わせるとは。。。
お前達を見くびっていたようね！
さぁ回復してやろうか。。。！
全力でかかってくるがよい！！
わたしか？ いいですとも！
ゴルビー ゴルビー セシルの実の兄 月の民
洗脳 監禁 手口は キム （----)
全てはゼムス様の世界の為
ゴルべーザ様の意のままに
いざゆけ！ 最強の四天王！ (Less) Channel: youtube
38,
01:38,
2008-04-16 10:28:44
Description: So nun das Opening von Sandy
Girl in the Wind: Jeanie with the Light Brown Hair
Jeannie (German)
Le rêve de Jeannie (French)
أبنتي العزيزة .. راوية (Arabic)
Milmo/Mirumo (More) So nun das Opening von Sandy
Girl in the Wind: Jeanie with the Light Brown Hair
Jeannie (German)
Le rêve de Jeannie (French)
أبنتي العزيزة .. راوية (Arabic)
Milmo/Mirumo de Pon/Zibang
わがまま☆フェアリー ミルモでポン！ わんだほう
わがまま☆フェアリーミルモでポン！
わがまま☆フェアリーミルモでポン！ ちゃあみんぐ
わがままフェアリーミルモでポン！ごおるでん
Pichi Pichi Pitch
マーメイドメロディー ぴちぴちピッチ (Japanese)
マーメイドメロディーぴちぴちピッチピュア (Japanese)
Crocus (French)
La Magia de Titila (Spanish)
La pequeña Memole (Spanish)
Little Memole
Little Mimi
Memoru in the Pointed Hat
Skrzaty z Wyspy Li (Polish)
Wee Wendy
ميمي الصغيرة (Arabic)
As Super Gatinhas (Portuguese)
Miau Miau Power (Spanish)
טוקיו מיו מיו
베리베리 뮤우뮤우 (Korean)
Cosmo Warrior Zero
Zero, el Guerrero Cósmico (Spanish)
Zero, O Guerreiro Cósmico (Portuguese)
المحارب الكوني (Arabic)
Bishoujo Senshi Sailor Moon (Japanese)
Czarodziejka z Księżyca (Polish)
Navegantes da Lua (Portuguese)
Pretty Soldier Sailor Moon
Sailor Moon - Das Mädchen mit den Zauberkräften (German)
Sailor Moon: Luna v matroske (Russian)
Сейлор Мун: Луна в матроске (Russian)
بحار القمر (Arabic)
세일러문 (Korean)
Die Macht des Zaubersteins (German)
El misterio de la piedra azul (Spanish)
Fushigi no Umi no Nadia (Japanese)
Nadia et le secret de l'eau bleue (French)
Nadia of the Mysterious Seas
الماسة الزرقاء (Arabic)
Bola de Drac Z
Bola de Dragón Z (Spanish)
DBZ
Dragon Ball Z Uncut
Z دراجون بول (Arabic)
Dragonball Z
Maho no Idol Pastel Yumi
Suzy aux fleurs magiques (French)
Daddy-Long-Legs
Das Geheimnis von Daddy Langbein (German)
My Daddy Longlegs
Papa longues jambes (French)
Papá piernas largas (Spanish)
Tajemniczy Opiekun (Polish)
صاحب الظل الطويل (Arabic)
Child's Toy
Kodocha (Japanese)
こどちゃ (Japanese)
아이들의 장난감 (Korean)
La familia crece
Detektiv Conan (German)
Detetive Conan (Portuguese)
El Detective Conan (Spanish)
المحقق كونان (Arabic)
Flower of the Mountain زهرة الجبل (Arabic)
Julie et Stephane (French)
Zahrat Al-Jabal Flower of the Mountain (Arabic)
Keroro Gunsou
Sergeant Sgt. Frog
Сержант Кероро (Russian)
ケロロ軍曹 (Japanese)
Czarodziejskie Zwierciadełko (Polish)
Caroline
Los Secretos de Julie (Spanish)
Secret Akko-chan
The Magic Mirror
Alice au pays des merveilles (French)
Alice im Wunderland (German)
Alice's Adventures In Wonderland
Alicja w Krainie Czarów (Polish)
Alice in Wonderland
أليس في بلاد العجائب (Arabic)
Cuentilandia
Les contes les plus célèbres
Embrasse-moi Lucile, Lucile Amour et Rock'n Roll (French)
Love in Rock 'n Roll
Love Me Night
Rock 'n Roll Kids
Other cartoon voices: Debora Magnaghi, Pietro Ubaldi, Four, Ambrogio, Uan, Five, Paolo Bonolis, Manuela Blanchard, Uan (Giancarlo Muratori) & Il piccolo Coro dell'Antoniano, Alessandra Valeri Manera, Cristina D'Avena, Carmelo Carucci, Gianfranco Fasano, Emanuela Pacotto, Davide Garbolino, Daniele Demma, Roberto Ceriotti, Carlotta Pisoni Brambilla, Carlo Sacchetti, Manuela Blanchard, Paola Tovaglia, I Cavalieri del Re, Riccardo Zara, Rocking Horse, Superobots, Douglas Meakin, Georgia Lepore, Oliver Onions, De Angelis, Nico Fidenco.
Natalie, Katori, katoli, Katri, Katy, Kathy
Age rating: Teenagers (May contain bloody violence, bad language, nudity)
Genres: Adventure, Comedy, Drama, Fantasy, Magical Girl, Mecha, Romance, Shoujo (mehr) ( (Less) Channel: youtube
25,
09:59,
2007-04-27 04:43:13
Description: http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, (More) http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, feminist, gay, lesbian, legal and social issues, vagina monologues, sex, coming out and giving a sneak preview of her most recent theater project . Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2006.
Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age.
In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists.
The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2007 (Less) Channel: youtube
22,
09:52,
2007-04-27 03:47:24
Description: http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, (More) http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, feminist, gay, lesbian, legal and social issues, vagina monologues, sex, coming out and giving a sneak preview of her most recent theater project . Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2006.
Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age.
In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists.
The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2007 (Less) Channel: youtube
22,
09:59,
2007-04-26 15:44:41
Description: http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, (More) http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, feminist, gay, lesbian, legal and social issues, vagina monologues, sex, coming out and giving a sneak preview of her most recent theater project . Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2006.
Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age.
In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists.
The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2007 (Less) Channel: youtube
23,
09:53,
2007-04-26 05:12:41
Description: http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, (More) http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, feminist, gay, lesbian, legal and social issues, vagina monologues, sex, coming out and giving a sneak preview of her most recent theater project . Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2006.
Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age.
In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists.
The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2007 (Less) Channel: youtube
15,
09:55,
2007-04-25 18:50:32
Description: http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, (More) http://www.egs.edu/ Allucquére Rosanne Sandy Stone, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about transgender, feminist, gay, lesbian, legal and social issues, vagina monologues, sex, coming out and giving a sneak preview of her most recent theater project . Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2006.
Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age.
In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists.
The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2007 (Less) Channel: youtube
13,
09:54,
2007-10-09 04:45:10
Description: http://www.egs.edu/ Allucquére Rosanne Sandy Stone, anthroposopher, philosopher of the body and transsexual performance artist, talking about flesh and technology, dns and gender, genes and (More) http://www.egs.edu/ Allucquére Rosanne Sandy Stone, anthroposopher, philosopher of the body and transsexual performance artist, talking about flesh and technology, dns and gender, genes and beloging, the meaning of identity and discourse, truth, fiction, failures of discourse and communication, theater, art, science, technology, transgender, feminism, transsexuality, process and operation, donna haraway, male female transsexual, the irony distortion field and the museum of jurassic technology. Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2007.
Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age.
In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists.
The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2003 (Less) Channel: youtube
17,
09:59,
2007-10-09 03:05:35
Description: http://www.egs.edu/ Allucquére Rosanne Sandy Stone, anthroposopher, philosopher of the body and transsexual performance artist, talking about flesh and technology, dns and gender, genes and (More) http://www.egs.edu/ Allucquére Rosanne Sandy Stone, anthroposopher, philosopher of the body and transsexual performance artist, talking about flesh and technology, dns and gender, genes and beloging, the meaning of identity and discourse, truth, fiction, failures of discourse and communication, theater, art, science, technology, transgender, feminism, transsexuality, process and operation, donna haraway, male female transsexual, the irony distortion field and the museum of jurassic technology. Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2007.
Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age.
In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists.
The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2003 (Less) Channel: youtube
28,
06:43,
2008-04-21 20:40:34
Description: (Done on Final Fantasy IV SNES, Hardtype, using the translation patch.) Quick Notes, I don't show my equipment until the end of the video, and yes I fought the enemy for the Fire Sword. No one (More) (Done on Final Fantasy IV SNES, Hardtype, using the translation patch.) Quick Notes, I don't show my equipment until the end of the video, and yes I fought the enemy for the Fire Sword. No one levelled from that though. The reason I don't show the equipment until the end is because of how annoying this fight is... Dog! Mag! Rag! Together we are the Magus Sisters!! And together we fall. I got really lucky with this one, I didn't expect Mag to fall so quickly (after 9 battles of failing to hit her and hitting Dog/Rag twice in a row). The Confuse parts are just lol, I really wasn't paying attention. Shell is there to reduce healing on my party, Mag is the only one who uses physical attacks which are all really pathetic in damage terms dealing at most ~40 damage. The main strategy is: - Cecil, Yang and Cid attack the whole time. Unless a party member falls, then the first one uses a Phoenix Down. Delta attack is slow, you should have the time to revive them. - Tella uses Shell on everyone, then casts a "3" spell (Ice 3 is the closest on the menu) on a Reflected member when their delta attack starts again. Osmose if you need MP and you WILL need MP unless both 3 spells hit Mag. After that Dog and Rag are a simple "3" spell away from death. They're ridiculously weak and cast worse spells than ever. (Less) Channel: youtube
5,
03:00,
2008-07-09 05:46:37
Description: Final Fantasy 10-2 vid...Diary of Jane (acustic) by breaking benjamin...if you like it please comment me...thanks and enjoy....:3
Channel: youtube
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