Search results for p. six let me know lyrics
25, 
04:10, 
2009-01-02 07:29:51 Description: This is a remix I did of Eminem's Without Me off of The Eminem Show album. Let me know what you think!
P.S. My video making skills are poor at best so please excuse.
www.myspace.com/kemoswaby
(More) This is a remix I did of Eminem's Without Me off of The Eminem Show album. Let me know what you think!
P.S. My video making skills are poor at best so please excuse.
www.myspace.com/kemoswaby
Verse One: Eminem]
I've created a monster, cause nobody wants to see Marshall no more
They want Shady, I'm chopped liver (huh?)
Well if you want Shady, this is what I'll give ya
A little bit of weed mixed with some hard liquor
Some vodka that'll jump start my heart quicker
than a shock when I get shocked at the hospital
by the doctor when I'm not co-operating
When I'm rockin the table while he's operating (hey!!)
You waited this long, now stop debating
Cause I'm back, I'm on the rag and ovu-lating
I know that you got a job Ms. Cheney
but your husband's heart problem's complicating
So the FCC won't let me be
or let me be me, so let me see
They try to shut me down on MTV
But it feels so empty, without me
So, come on and dip, bum on your lips
Fuck that, cum on your lips, and some on your tits
And get ready, cause this shit's about to get heavy
I just settled all my lawsuits, FUCK YOU DEBBIE!
[Chorus: Eminem]
Now this looks like a job for me
So everybody, just follow me
Cause we need a little, controversy
Cause it feels so empty, without me
I said this looks like a job for me
So everybody, just follow me
Cause we need a little, controversy
Cause it feels so empty, without me
[Verse Two: Eminem]
Little Hellions, kids feelin rebellious
Embarrassed their parents still listen to Elvis
They start feelin like prisoners helpless
'til someone comes along on a mission and yells BITCH!!!
A visionary, vision of scary
Could start a revolution, pollutin the airwaves
A rebel, so just let me revel and bask
in the fact that I got everyone kissin my ass {*smak*
And it's a disaster, such a catastrophe
for you to see so damn much of my ass; you asked for me?
Well I'm back, na-na-na-na-na-na-na-na-na-na
{*bzzt* Fix your bent antenna tune it in and then I'm gonna
enter in, endin up under your skin like a splinter
The center of attention, back for the winter
I'm interesting, the best thing since wrestling
Infesting in your kid's ears and nesting
{*bzzt* Testing, attention please
Feel the tension, soon as someone mentions me
Here's my ten cents, my two cents is free
A nuisance, who sent? You sent for me?
[Chorus]
[Verse Three: Eminem]
A-tisket a-tasket, I go tit for tat with
anybody who's talkin this shit, that shit
Chris Kirkpatrick, you can get your ass kicked
worse than them little Limp Bizkit bastards
And Moby? You can get stomped by Obie
You thirty-six year old baldheaded fag, blow me
You don't know me, you're too old, let go
It's over, nobody listen to techno
Now let's go, just gimme the signal
I'll be there with a whole list full of new insults
I been dope, suspenseful with a pencil
ever since Prince turned himself into a symbol {*knife slices*
But sometimes the shit just seems
everybody only wants to discuss me
So this must mean I'm dis-gus-ting
But it's just me, I'm just obscene
No I'm not the first king of controversy
I am the worst thing since Elvis Presley
to do black music so selfishly
and used it to get myself wealthy
(Hey!!) There's a concept that works
Twenty million other white rappers emerge
But no matter how many fish in the sea
It'll be so empty, without me
[Chorus]
{*Eminem sings this twice:
"Chem-hie-la-la-la, la-la-la-la-la
La-la-la-la-la, la-la-la-la"*
(Less)
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35, 01:59, 2008-04-17 15:10:50 Description: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the (More) The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records, and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called "The Tyrtles", the intentional misspelling inspired by The Byrds. However, the trendy spelling did not survive long. As with the Byrds, the Turtles achieved breakthrough success with a Bob Dylan cover. "It Ain't Me Babe" reached the Billboard Top Ten in the late summer of 1965 (see 1965 in music) and was the title track to the bands first album. Their second single, "Let Me Be" (written by P.F. Sloan), cracked the top 30 in the autumn. Their third hit, "You Baby" (P.F. Sloan and Steve Barri), charted in the top 20 in early 1966. However, their second album You Baby never entered Billboard's Top LPs chart, and of several singles released in 1966 only two the Rolling Stones-like "Grim Reaper of Love" and the adorable "Can I Get to Know You Better" entered the Billboard Hot 100. The album You Baby includes the frenetic pop-rock nugget "Outside Chance", written by Glenn Crocker and Warren Zevon. At the start of 1967 a heavy touring schedule combined with a lack of recent chart success convinced drummer Don Murray and then bassist Chuck Portz to quit the group. They were replaced by Joel Larson then John Barbata on drums and Chip Douglas on bass. It occurred to the band that for eight months they had been performing a certain song on stage that, while moderately popular with the fans, had yet to be recorded. The first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, "Happy Together" seemed almost a parody of itself, and had already been rejected by countless performers. Their biggest hit and surely their signature song, "Happy Together" signalled a turning point for the Turtles and for Chip Douglas, who provided the arrangement. With its tongue-in-cheek tone, incessant and infectious guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, "Happy Together" is perhaps the quintessential example of fresh, feel-good 1960s American pop. The single replaced the the Beatles' "Penny Lane" at number one on the Billboard Hot 100 in the spring of 1967. Their only number one, it remained at the top for three weeks. An album of the same name followed and peaked at number 25. Impressed by Chip Douglas's studio arrangements, Monkee Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' new producer, as the band wanted to break out of their "manufactured" studio mould. Douglas accepted, left the Turtles, and was replaced by bassist/singer Jim Pons. 1967 proved to be the Turtles' most successful year in the charts. "She'd Rather Be With Me" reached number 3 on the US charts in late spring, and actually out-charted "Happy Together" overseas. Two successive top-15 gems followed: the singularly lush and pretty ballad "You Know What I Mean" and the playfully psychedelic and gleefully adolescent "She's My Girl". Both 45s signalled a certain shift in the bands style. Golden Hits was released later that year, charting in the top 10. (The album covers for Golden Hits and its follow up Golden Hits Vol 2 were designed by Dean Torrence of Jan & Dean fame and his company, Kittyhawk Graphics.) 1968 started without a bang. The first two singles, "Sound Asleep" and "The Story of Rock and Roll", stalled somewhere in the middle of the top 100. The band's fortunes changed when now hugely successful Monkees producer Chip Douglas returned to work with them in the studio. Late in 1968 the Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands (with names like 'The Bigg Brothers', 'Nature's Children', 'The US Teens featuring Raoul', and 'The Fabulous Dawgs'), each with a song in a different genre. The album yielded two distinctive singles: "Elenore" and "You Showed Me" (both peaking at number six). The blissful-sounding "Elenore" may be the only Top Ten single to contain et cetera in its lyrics, and allegedly was the band's tongue-in-cheek response to White Whale's demands for more songs like "Happy Together". (Howard Kaylan confirmed this account in a live interview on XM Radio's 60s channel on March 3, 2007.) The breathy-trippy 1969 hit "You Showed Me" was written by Byrds members Gene Clark and Roger (then James) McGuinn in 1964. Television appearances in 1968 include a February 26 visit to The Mike Douglas Show, to which they returned in April 1969. Kaylan and Volman rebelled against White Whale's attempts to push the Turtles towards factory-like studio chicanery (including firing the rest of the band, and recording and touring with hired musicians, and putting their vocals tapes already recorded in Memphis ).The label's pressure did force the band to record a single called "Who Would Ever Think That I Would Ever Marry Margaret" ( which the band totally disowned after its release ) The result was the 1969 release Turtle Soup, a critically well-received LP produced by Ray Davies of The Kinks. Inspired by the revered 1968 concept album The Kinks Are the Village Green Preservation Society, this was Daviess only ever production work for another band. Kaylan and Volman insisted the whole band share in the writing and singing. Notable tracks include the ethereal and introspective "Somewhere Friday Nite" and the rather failed single "Love in the City". In spite of Turtle Soup's critical acclaim, commercial success was marginal and the band soon began disintegrating. The Turtles wound down their career with a B-sides and rarities album, Wooden Head (1969), and a second compilation album, More Golden Hits (1970). With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and ceased operation. (Less)
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35, 06:01, 2007-12-12 13:10:15 Description: Uh uh uh uh uh uh uh oh
Uh uh uh uh uh uh uh oh
Check it out
Going out
On the late night
Looking tight
Feeling nice
It's a cock fight
I can tell
I just know
That it's going down (More) Uh uh uh uh uh uh uh oh
Uh uh uh uh uh uh uh oh
Check it out
Going out
On the late night
Looking tight
Feeling nice
It's a cock fight
I can tell
I just know
That it's going down
Tonight
At the door we don't wait 'cause we know them
At the bar six shots just beginning
That's when dickhead put his hands on me
But you see
I'm not here for your entertainment
You don't really wanna mess with me tonight
Just stop and take a second
I was fine before you walked into my life
Cause you know it's over
Before it began
Keep your drink, just gimme the money
It's just you and your hand tonight
Uh uh uh uh uh uh uh oh
Uh uh uh uh uh uh uh oh
Midnight
I'm drunk
I don't give a fuck
Wanna dance
By myself
Guess you're outta luck
Don't touch
Back up
I'm not the one
By-bye
Listen up, it's just not happening
You can say what you want to your boyfriends Instant Song Lyrics
Just let me have my fun tonight-aight
I'm not here for your entertainment
You don't really wanna mess with me tonight
Just stop and take a second
I was fine before you walked into my life
Cause you know it's over
Before it began
Keep your drink, just gimme the money
It's just you and your hand tonight
Uh uh uh uh uh uh uh oh
Break break break
Break it down
In the corner with your boys you bet up five bucks
To get at the girl that just walked in but she thinks you suck
We didn't get all dressed up just for you to see
So quit spilling your drinks on me yeah
You know who you are
High five and talkin' shit, but you're going home alone arentcha?
'Cause I'm not here for your entertainment (no)
You don't really want to mess with me tonight
Just stop and take a second (just stop and take a second)
I was fine before you walked into my life
Cause you know it's over (know it's over)
Before it began
Keep your drink just give me the money
It's just you and your hand tonight (it's just you and your hand)
I'm not here for your entertainment (no no no)
You don't really want to mess with me tonight
Just stop and take a second (just take a second)
I was fine before you walked into my life
Cause you know it's over
Before it began
Keep your drink just gimme the money
It's just you and your hand tonight (Less)
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43, 05:31, 2008-05-25 13:38:50 Description: Can only put top 4 lyrics because theres too many words
4.It was written: The message-Fake thug, no love, you get the slug, CB4 Gusto
Your luck low, I didn't know til I was drunk though
You (More) Can only put top 4 lyrics because theres too many words
4.It was written: The message-Fake thug, no love, you get the slug, CB4 Gusto
Your luck low, I didn't know til I was drunk though
You freak niggaz played out, get fucked and ate out
Prostitute turned bitch, I got the gauge out
96 ways I made out, Montana way
The Good-F-E-L-L-A, verbal AK spray
Dipped attache, jumped out the Range, empty out the ashtray
A glass of 'ze make a man Cassius Clay
Red dot plots, murder schemes, thirty-two shotguns
Regulate wit my Dunn's, 17 rocks gleam from one ring
Yo let me let y'all niggaz know one thing
There's one life, one love, so there can only be one King
The highlights of livin, Vegas style roll dice in linen
Antera spinnin on Milleniums, twenty G bets I'm winnin them
Threats I'm sendin them, Lex with TV sets the minimum
Ill sex adrenaline
Party with villians, a case of Demi-Sec to chase the Henny
Wet any clique, with the semi-tech who want it
Diamonds I flaunt it, chickenheads flock I lace em
Fried broiled with basil, taste em, crack the legs
way out of formation, it's horizontal how I have em
fuckin me in the Benz wagon
Can it be Vanity from Last Dragon
Grab your gun it's on though
Shit is grimy, real niggaz buck in broad daylight
with the broke Mac it won't spray right
Don't give a fuck who they hit, as long as the drama's lit
Yo, overnight thugs, bug cause they ain't promised shit
Hungry-ass hooligans stay on that piranha shit
3:I am NY state of mind 2
Broken glass in the hallway, bloodstained floors
Neighbors, look at every bag you bring through your doors
Lock the top lock, momma shoulda cuffed me to the radiator
Why not? It might've saved later from my block
N.Y. cops, hookers crawlin off the stroll, coughin
stitches in they head, stinkin and I dread thinkin they be snitchin
But who else, could it be, shook at these, unmarked vans
Parked in the dark -- NARC's, where's your heart?
Hustlers starve; they bust a U-e I jog
to my building -- come out later wearin camouflage
See the sergeant and the captain -- strangle men
Niggaz gaspin for air; til they move no more and just stare
with dead eyes -- tired of riots, shit is quiet
Simple-minded fools infiltrate grimy crews
Overcrowded cribs, uncles home from bids, sister's pregnant
father's on drugs, moms is smokin, beds is piss-infested
Had eight partners growin up, eight turned to seven
Seven turned to six niggaz, got two in heaven
Six of us, holdin it, now it's five rollin thick
The sixth one's parole flipped; five niggaz, went to fo' quick
when he went O.T., college life, converted into gangbangin
Four niggaz still hangin, years passed and slang changin
Three of us now, fourth nigga ain't around
We all thought he was real -- he did the snake shit
Fake shit -- beat his ass down, yo his mouth
could've got us all wasted, what a fuckin clown
All I got left in the end is two of my best friends
And we all goin out, to the death for these ends, WHAT?
2: Nas Illmatic : the world is yours
sip the Dom P, watchin Gandhi til I'm charged
Then writin in my book of rhymes, all the words pass the margin
To hold the mic I'm throbbin, mechanical movement
Understandable smooth shit that murderers move wit
The thief's theme, play me at night, they won't act right
The fiend of hip-hop has got me stuck like a crack pipe
The mind activation, react like I'm facin time like
Perry Mason with pens I'm embracin
Wipe the sweat off my dome, spit the phlegm on the streets
Suede Timb's on my feets, makes my cypher, complete
Whether crusin in a six-cab, or Montero Jeep
I can't call it, the beats make me fallin asleep
I keep fallin, but never fallin six feet deep
I'm out for presidents to represent me (Say what?)
I'm out for presidents to represent me (Say what?)
I'm out for dead presidents to represent me
1:Only built for cuban linx Verbal intercourse (1st verse)
Through the lights cameras and action, glamour glitters and gold
I unfold the scroll, plant seeds to stampede the globe
When I'm deceased, by then the beast arise like yeast
to conquer peace leaving savages to roam in the streets
Live on the run, police paying me to give in my gun
Trick my Wisdom, with the system that imprisoned my son
Smoke a gold leaf I hold heat, nonchalantly
I'm grungy, but things I do is real it never haunts me
while, funny style niggaz roll in the pile
Rooster heads profile on a bus to Riker's Isle
Holdin weed inside they pussy with they minds on the
pretty things in life, props is a true thug's wife
It's like a cycle, niggaz come home, some'll go in
Do a bullet, come back, do the same shit again
From the womb to the tomb, presume the unpredictable
Guns salute life, rapidly, that's the ritual (Less)
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![Three Six Mafia - I'd Rather[UNCENSORED + LYRICS]](http://img.youtube.com/vi/nhwo75z0bs0/1.jpg "Three Six Mafia - I'd Rather[UNCENSORED + LYRICS]")
44, 04:16, 2008-04-21 22:07:50 Description: I said I love havin sex But I'd rather get some head, but I'd rather get some head, but I'd rather get some head Hypnotized Minds Three 6 Mafia, and Ya boy DJ montay And this another (More) I said I love havin sex But I'd rather get some head, but I'd rather get some head, but I'd rather get some head Hypnotized Minds Three 6 Mafia, and Ya boy DJ montay And this another oomp camp production I said I love havin sex But I'd rather get some head, but I'd rather get some head, but I'd rather get some head I said I'd rather get some head Ridin down the street man I'm in my big car I scoped a lil sexy lil bad mixed broad she made my dick stand like kareem abdul jabar I hit the brakes so hard man I droped my cigar pussy pretty fat like cash in a wallet I'm lookin like damn baby girl don't stop n I'm a take u to my crib girl and screw u like a fraud or maybe get some head while I'm ridin in the car either way it go man a nigga gotta bust sumthin wit my dollar a nigga got dust sumthin high as the moon I'm a goon like plies spray like big oomp spray it dead in a eyes in ya eyes I'm the one who supply that d I'm the that keep? with me I'm the one that be ridin clean that be on the scene with that texas tea I'm the dude that took yo girl I'm the fool that changed her world I'm the man with the 12 inches she love to like and it make her urll always fresh when I'm at the club sippin goose or playin keep a buzz from the hood so I throw it the other side don't mess with us I love a girl that do it right make my toes like curly fries in the bathroom or in the car or behind the bar she dynomite Give me head: In the dormroom make me ass out make me dead Give me head: Wake me up then put me back to sleep I ain't scared Hold on hold on hoe let me stop let me borrow yo lips that s what I told her girl got that aquafina with a good head on her shoulders she whispered boy I'm hungry so I told her she could come and I didn't feed her nothin but some dick and bubble gum she want more I give her some I keep them magnums I'm straped and if she tired lay down just place yo head in my lap ay big oomp records on the map we keep that mouth wide open I clearance card that throat from the east to west I'm strokin comin down to the I'm pokin everytime it's a hit it get greater two choices that she gotta make she can chew me now or later I'm bout that p-p-paper but see ilove havin sex and the more p-p-paper I know that head is the best yea (Less)
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43, 06:01, 2008-04-22 09:11:23 Description: Uh uh uh uh uh uh uh oh Uh uh uh uh uh uh uh oh Check it out Going out On the late night Looking tight Feeling nice It's a cock fight I can tell I just know That it's going down Tonight At (More) Uh uh uh uh uh uh uh oh Uh uh uh uh uh uh uh oh Check it out Going out On the late night Looking tight Feeling nice It's a cock fight I can tell I just know That it's going down Tonight At the door we don't wait 'cause we know them At the bar six shots just beginning That's when dickhead put his hands on me But you see I'm not here for your entertainment You don't really wanna mess with me tonight Just stop and take a second I was fine before you walked into my life Cause you know it's over Before it began Keep your drink, just gimme the money It's just you and your hand tonight Uh uh uh uh uh uh uh oh Uh uh uh uh uh uh uh oh Midnight I'm drunk I don't give a fuck Wanna dance By myself Guess you're outta luck Don't touch Back up I'm not the one By-bye Listen up, it's just not happening You can say what you want to your boyfriends Instant Song Lyrics Just let me have my fun tonight-aight I'm not here for your entertainment You don't really wanna mess with me tonight Just stop and take a second I was fine before you walked into my life Cause you know it's over Before it began Keep your drink, just gimme the money It's just you and your hand tonight Uh uh uh uh uh uh uh oh Break break break Break it down In the corner with your boys you bet up five bucks To get at the girl that just walked in but she thinks you suck We didn't get all dressed up just for you to see So quit spilling your drinks on me yeah You know who you are High five and talkin' shit, but you're going home alone arentcha? 'Cause I'm not here for your entertainment (no) You don't really want to mess with me tonight Just stop and take a second (just stop and take a second) I was fine before you walked into my life Cause you know it's over (know it's over) Before it began Keep your drink just give me the money It's just you and your hand tonight (it's just you and your hand) I'm not here for your entertainment (no no no) You don't really want to mess with me tonight Just stop and take a second (just take a second) I was fine before you walked into my life Cause you know it's over Before it began Keep your drink just gimme the money It's just you and your hand tonight (Less)
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23, 03:30, 2008-04-17 13:30:43 Description: Fat Joe featuring Nelly - Get It Poppin' (Official Music Video) Download the ringtone at http://SuperDrifting.com Fat Joe featuring Nelly - Get It Poppin' Lyrics [Fat Joe] Crack! (More) Fat Joe featuring Nelly - Get It Poppin' (Official Music Video) Download the ringtone at http://SuperDrifting.com Fat Joe featuring Nelly - Get It Poppin' Lyrics [Fat Joe] Crack! Yeah, Scott Storch y'all Dirty, Crack! C'mon [Chorus One: Nelly] It's two up in the mornin girl, and the DJ playin that song Now what'chu gon' do? (Gonna get get get it poppin) Now what'chu gon' do? (Gonna get get get it poppin) I said it's two up in the mornin girl, and the DJ playin that song Now what'chu gon' do? (Gonna get get get it poppin) Now what'chu gon' do? (Gonna get get get it poppin) [Fat Joe] I got that plat no limit American Express card Mami you can get whatever you like Plus I got that all-black Phantom it's tinted on four sides Go 'head kiss it, they can't see us inside Mami tell me do you like - it, I know you like - it It's written all over your face don't fight - it You like - it, more than I like - it So put it all over your face don't bite - it From rags to riches, club packed with bitches Had to bag them digits, her head game was vicious (muah) And we can get it poppin in the bathroom Don't be selfish ma, go ahead and pass it to him f**k you bitch Then we can all f**k It's like a million on my neck, got all of these bitches all struck Aowww! We pissy drunk off of Seraphim I'm up in V.I.P. and these bitches are screamin let me in [Nelly] Uh, uh, uh, uh [Chorus Two: Nelly] It's two up in the mornin girl, and the DJ playin that song Now what'chu gon' do? (Gonna get get get it poppin) Now what'chu gon' do? (Gonna get get get it poppin) It's two up in the mornin now, and I'm tryin to go home wit'chu Now what'chu gon' do? (Gonna get get get it poppin) Now what'chu gon' do? (Gonna get get get it poppin) [Fat Joe] Ha ha, yeah, uhh, yo, uh Get it poppin, go 'head and drop it It's written all over your face, don't stop it Just drop it, more like it's hot miss Kick in the do' with the fo-fo messin with Joe Now this chick got an ass so fat in fact I put a drink on it and I came right back She would never talk to a lame like that In my ear screamin how you got a name like Crack Crack - similar to Mike Jones Hear my name enough, then I'm takin you home Aowwwwww! You know I walk with I talk with I sleep with the chrome, one squeeze and you're gone What I look like, not takin at least three to six women out the club with me Now we back to the f**k pad, call it the f**k pad Cause all these bitches f**kin with me, talk to 'em dirty [Nelly] Uh, uh, uh, uh [Chorus Three: Nelly, Fat Joe] It's two up in the mornin girl, and the DJ playin that song Now what'chu gon' do? (Gonna get get get it poppin) Now what'chu gon' do? (Gonna get get get it poppin) Well it's two up in the mornin and, them niggaz try'n hate on your crew Nigga what'chu gon' do? (I'ma get get get it poppin) Yeah what'chu gon' do? (I'ma get get get it poppin) [Fat Joe] Now when them doors swing open with that awkward motion What'chu call it - suicide, it's a suicide And if them niggaz talk shit cause they drunk off that potion They commitin - suicide, it's a suicide Let's get it poppin my niggaz (Cook, yo) I got a shotty my niggaz (oh, Lord) I feel sorry for your mudda, give a f**k what you say Spin your head back, promote you on a videotape [Chorus Four: Nelly] It's two up in the mornin girl, and the DJ playin that song Now what'chu gon' do? (Gonna get get get it poppin) Now what'chu gon' do? (Gonna get get get it poppin) It's four up in the mornin now, and I'm tryin to go home wit'chu Girl what'chu gon' do? (Gonna get get get it poppin) What'chu gon' do? (Gonna get get get it poppin) C'mon [Fat Joe] Yeah, it's Crack! (What'chu gon' do) Cafe {?}, all my people in there partyin All the party people across the world Ladies, "Things of that Nature" Aowwww! (Less)
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7, 04:40, 2008-04-16 16:02:50 Description: Bone Thugs-N-Harmony-Thuggish Ruggish Bone
"Thuggish Ruggish Bone"
(feat. Shatasha Williams)
[Intro]
We're not against rap
We're not against rappers
But we are against (More) Bone Thugs-N-Harmony-Thuggish Ruggish Bone
"Thuggish Ruggish Bone"
(feat. Shatasha Williams)
[Intro]
We're not against rap
We're not against rappers
But we are against those thugs (thugs thugs)
[Shatasha Williams]
It's the Thuggish Ruggish Bone [x4]
[Layzie Bone]
Your feelin' the strength of the rump
Step up, hear the funk of the jump that the thugstas feel
Just be thuggin, straight buzzin, lovin yo peoples cause we so real
Chill, better bring yo weapon, when steppin
Bring on that ammunition, trippin' on sip
Not to mention, never knew no competition
But i gotta get mine, so scream out, mo, and let me hear ya holla
Not about that mighty dollar
Roll with the bone, mo' thugs will follow
Chain gang, remains the same
Flamin my dank and drinkin brew
Thinkin about hangin, clockin my bank, and thuggin trues, foo's
[Shatasha Williams]
It's the Thuggish Ruggish Bone [x4]
[Wish Bone]
Get ready for the bone and the mo thug, bustas
You know me as a hustla
Try to creep and get beat, maybe six feet, peep, gotta put them under
Straight jackets, gotta make that money, man
It's still the same now, bailin in my black trench vest
You gotta be down to bang bang
Come and get this teachin, ya soldiers how thugstas must slack
Me drinkin me brew till me skull crack, when we on our way back
[Shatasha Williams]
It's the Thuggish Ruggish Bone [x4]
[Krayzie Bone]
Now follow me now, roll, stroll off deep in the land
Well, creep if you can, take another swig to the brain (whoa)
Loc'in, steady chokin off that potent smoke
and runnin from the po-po now
Gotta get up with my thugstas, right turn to the double glock
Pull to the curb, smoke with my hustlas
Puff, puff puff to the brain shot
Love P.O.D.ed and tweeded, gotta get another case for my trunk
Old English, really don't need it, but in case my trues wanna get drunk
They pump bone, so leave 'em alone
You don't wanna get shut down
Thug runnin the nine-quad,
and you better beleive they be wantin this thug style
So what now? see the bone thug claim,
thug never gonna change, so flame up
Sit back and just smoke the same cut,
Leatherface on the creep, I came up
[Shatasha Williams]
It's the Thuggish Ruggish Bone [x4]
[Bizzy Bone]
Gotta give it on up to the glock glock
Pop pop, better drop when them buckshot blow
The bone in me never no ho, so no creepin up outta the ziplock
So sin, sip gin, and lil' mo heart run up, nut up
And flipped in, than slipped the clip in, mistakin' the bloody victims
Ever if ya test nuts, to the chest and put em to rest
And, but I won't test bucks, put a hole up into me vest
And gotta get through my soul,
but they won't budge, mud, drug me victim
The blood in me runnin' my mental, the thug in me, stuck in me
Keepin' it simple, the bone in me runnin with thugs so
To the temple, buck when you duck to the thuggish ruggish T's
St. Claire P's to appeal to the G's
And a buck to all my enemies
[Shatasha Williams]
It's the Thuggish Ruggish Bone [x5]
We got Layzie and
We got Krayzie
Bizzy's in the house
Wish is in the house
And Flesh
And Tasha
Cleveland's definiteley in the house
It's the Thuggish Ruggish Bone [x6] (Less)
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893, 04:41, 2009-01-13 09:07:23 Description: http://www.myspace.com/vick2hotdareala
(704)837-0629
FREE DOWNLOAD LINK
http://www.zshare.net/audio/54057454ef4ba1d1/
GUCCI MANE SOULJA BOY TELL EM BOWWOW BRITNEY SPEARS
*UNSIGNED ARTIST* (More) http://www.myspace.com/vick2hotdareala
(704)837-0629
FREE DOWNLOAD LINK
http://www.zshare.net/audio/54057454ef4ba1d1/
GUCCI MANE SOULJA BOY TELL EM BOWWOW BRITNEY SPEARS
*UNSIGNED ARTIST*
VICK2HOT ft. TY - My Shawty (NEW SONG 2009)
Produced by: VYBE BEATZ
*HIT US UP N LET US KNOW WHAT U THINK*
(704)837-0629
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47, 01:51, 2008-04-17 15:09:42 Description: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With (More) The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records, and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called "The Tyrtles", the intentional misspelling inspired by The Byrds. However, the trendy spelling did not survive long. As with the Byrds, the Turtles achieved breakthrough success with a Bob Dylan cover. "It Ain't Me Babe" reached the Billboard Top Ten in the late summer of 1965 (see 1965 in music) and was the title track to the bands first album. Their second single, "Let Me Be" (written by P.F. Sloan), cracked the top 30 in the autumn. Their third hit, "You Baby" (P.F. Sloan and Steve Barri), charted in the top 20 in early 1966. However, their second album You Baby never entered Billboard's Top LPs chart, and of several singles released in 1966 only two the Rolling Stones-like "Grim Reaper of Love" and the adorable "Can I Get to Know You Better" entered the Billboard Hot 100. The album You Baby includes the frenetic pop-rock nugget "Outside Chance", written by Glenn Crocker and Warren Zevon. At the start of 1967 a heavy touring schedule combined with a lack of recent chart success convinced drummer Don Murray and then bassist Chuck Portz to quit the group. They were replaced by Joel Larson then John Barbata on drums and Chip Douglas on bass. It occurred to the band that for eight months they had been performing a certain song on stage that, while moderately popular with the fans, had yet to be recorded. The first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, "Happy Together" seemed almost a parody of itself, and had already been rejected by countless performers. Their biggest hit and surely their signature song, "Happy Together" signalled a turning point for the Turtles and for Chip Douglas, who provided the arrangement. With its tongue-in-cheek tone, incessant and infectious guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, "Happy Together" is perhaps the quintessential example of fresh, feel-good 1960s American pop. The single replaced the the Beatles' "Penny Lane" at number one on the Billboard Hot 100 in the spring of 1967. Their only number one, it remained at the top for three weeks. An album of the same name followed and peaked at number 25. Impressed by Chip Douglas's studio arrangements, Monkee Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' new producer, as the band wanted to break out of their "manufactured" studio mould. Douglas accepted, left the Turtles, and was replaced by bassist/singer Jim Pons. 1967 proved to be the Turtles' most successful year in the charts. "She'd Rather Be With Me" reached number 3 on the US charts in late spring, and actually out-charted "Happy Together" overseas. Two successive top-15 gems followed: the singularly lush and pretty ballad "You Know What I Mean" and the playfully psychedelic and gleefully adolescent "She's My Girl". Both 45s signalled a certain shift in the bands style. Golden Hits was released later that year, charting in the top 10. (The album covers for Golden Hits and its follow up Golden Hits Vol 2 were designed by Dean Torrence of Jan & Dean fame and his company, Kittyhawk Graphics.) 1968 started without a bang. The first two singles, "Sound Asleep" and "The Story of Rock and Roll", stalled somewhere in the middle of the top 100. The band's fortunes changed when now hugely successful Monkees producer Chip Douglas returned to work with them in the studio. Late in 1968 the Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands (with names like 'The Bigg Brothers', 'Nature's Children', 'The US Teens featuring Raoul', and 'The Fabulous Dawgs'), each with a song in a different genre. The album yielded two distinctive singles: "Elenore" and "You Showed Me" (both peaking at number six). The blissful-sounding "Elenore" may be the only Top Ten single to contain et cetera in its lyrics, and allegedly was the band's tongue-in-cheek response to White Whale's demands for more songs like "Happy Together". (Howard Kaylan confirmed this account in a live interview on XM Radio's 60s channel on March 3, 2007.) The breathy-trippy 1969 hit "You Showed Me" was written by Byrds members Gene Clark and Roger (then James) McGuinn in 1964. Television appearances in 1968 include a February 26 visit to The Mike Douglas Show, to which they returned in April 1969. Kaylan and Volman rebelled against White Whale's attempts to push the Turtles towards factory-like studio chicanery (including firing the rest of the band, and recording and touring with hired musicians, and putting their vocals tapes already recorded in Memphis ).The label's pressure did force the band to record a single called "Who Would Ever Think That I Would Ever Marry Margaret" ( which the band totally disowned after its release ) The result was the 1969 release Turtle Soup, a critically well-received LP produced by Ray Davies of The Kinks. Inspired by the revered 1968 concept album The Kinks Are the Village Green Preservation Society, this was Daviess only ever production work for another band. Kaylan and Volman insisted the whole band share in the writing and singing. Notable tracks include the ethereal and introspective "Somewhere Friday Nite" and the rather failed single "Love in the City". In spite of Turtle Soup's critical acclaim, commercial success was marginal and the band soon began disintegrating. The Turtles wound down their career with a B-sides and rarities album, Wooden Head (1969), and a second compilation album, More Golden Hits (1970). With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and ceased operation. (Less)
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32, 02:27, 2008-04-17 15:09:42 Description: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With (More) The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records, and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called "The Tyrtles", the intentional misspelling inspired by The Byrds. However, the trendy spelling did not survive long. As with the Byrds, the Turtles achieved breakthrough success with a Bob Dylan cover. "It Ain't Me Babe" reached the Billboard Top Ten in the late summer of 1965 (see 1965 in music) and was the title track to the bands first album. Their second single, "Let Me Be" (written by P.F. Sloan), cracked the top 30 in the autumn. Their third hit, "You Baby" (P.F. Sloan and Steve Barri), charted in the top 20 in early 1966. However, their second album You Baby never entered Billboard's Top LPs chart, and of several singles released in 1966 only two the Rolling Stones-like "Grim Reaper of Love" and the adorable "Can I Get to Know You Better" entered the Billboard Hot 100. The album You Baby includes the frenetic pop-rock nugget "Outside Chance", written by Glenn Crocker and Warren Zevon. At the start of 1967 a heavy touring schedule combined with a lack of recent chart success convinced drummer Don Murray and then bassist Chuck Portz to quit the group. They were replaced by Joel Larson then John Barbata on drums and Chip Douglas on bass. It occurred to the band that for eight months they had been performing a certain song on stage that, while moderately popular with the fans, had yet to be recorded. The first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, "Happy Together" seemed almost a parody of itself, and had already been rejected by countless performers. Their biggest hit and surely their signature song, "Happy Together" signalled a turning point for the Turtles and for Chip Douglas, who provided the arrangement. With its tongue-in-cheek tone, incessant and infectious guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, "Happy Together" is perhaps the quintessential example of fresh, feel-good 1960s American pop. The single replaced the the Beatles' "Penny Lane" at number one on the Billboard Hot 100 in the spring of 1967. Their only number one, it remained at the top for three weeks. An album of the same name followed and peaked at number 25. Impressed by Chip Douglas's studio arrangements, Monkee Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' new producer, as the band wanted to break out of their "manufactured" studio mould. Douglas accepted, left the Turtles, and was replaced by bassist/singer Jim Pons. 1967 proved to be the Turtles' most successful year in the charts. "She'd Rather Be With Me" reached number 3 on the US charts in late spring, and actually out-charted "Happy Together" overseas. Two successive top-15 gems followed: the singularly lush and pretty ballad "You Know What I Mean" and the playfully psychedelic and gleefully adolescent "She's My Girl". Both 45s signalled a certain shift in the bands style. Golden Hits was released later that year, charting in the top 10. (The album covers for Golden Hits and its follow up Golden Hits Vol 2 were designed by Dean Torrence of Jan & Dean fame and his company, Kittyhawk Graphics.) 1968 started without a bang. The first two singles, "Sound Asleep" and "The Story of Rock and Roll", stalled somewhere in the middle of the top 100. The band's fortunes changed when now hugely successful Monkees producer Chip Douglas returned to work with them in the studio. Late in 1968 the Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands (with names like 'The Bigg Brothers', 'Nature's Children', 'The US Teens featuring Raoul', and 'The Fabulous Dawgs'), each with a song in a different genre. The album yielded two distinctive singles: "Elenore" and "You Showed Me" (both peaking at number six). The blissful-sounding "Elenore" may be the only Top Ten single to contain et cetera in its lyrics, and allegedly was the band's tongue-in-cheek response to White Whale's demands for more songs like "Happy Together". (Howard Kaylan confirmed this account in a live interview on XM Radio's 60s channel on March 3, 2007.) The breathy-trippy 1969 hit "You Showed Me" was written by Byrds members Gene Clark and Roger (then James) McGuinn in 1964. Television appearances in 1968 include a February 26 visit to The Mike Douglas Show, to which they returned in April 1969. Kaylan and Volman rebelled against White Whale's attempts to push the Turtles towards factory-like studio chicanery (including firing the rest of the band, and recording and touring with hired musicians, and putting their vocals tapes already recorded in Memphis ).The label's pressure did force the band to record a single called "Who Would Ever Think That I Would Ever Marry Margaret" ( which the band totally disowned after its release ) The result was the 1969 release Turtle Soup, a critically well-received LP produced by Ray Davies of The Kinks. Inspired by the revered 1968 concept album The Kinks Are the Village Green Preservation Society, this was Daviess only ever production work for another band. Kaylan and Volman insisted the whole band share in the writing and singing. Notable tracks include the ethereal and introspective "Somewhere Friday Nite" and the rather failed single "Love in the City". In spite of Turtle Soup's critical acclaim, commercial success was marginal and the band soon began disintegrating. The Turtles wound down their career with a B-sides and rarities album, Wooden Head (1969), and a second compilation album, More Golden Hits (1970). With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and ceased operation. (Less)
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20, 02:29, 2008-04-17 15:09:52 Description: Omschrijving: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark (More) Omschrijving: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records, and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called "The Tyrtles", the intentional misspelling inspired by The Byrds. However, the trendy spelling did not survive long. As with the Byrds, the Turtles achieved breakthrough success with a Bob Dylan cover. "It Ain't Me Babe" reached the Billboard Top Ten in the late summer of 1965 (see 1965 in music) and was the title track to the bands first album. Their second single, "Let Me Be" (written by P.F. Sloan), cracked the top 30 in the autumn. Their third hit, "You Baby" (P.F. Sloan and Steve Barri), charted in the top 20 in early 1966. However, their second album You Baby never entered Billboard's Top LPs chart, and of several singles released in 1966 only two the Rolling Stones-like "Grim Reaper of Love" and the adorable "Can I Get to Know You Better" entered the Billboard Hot 100. The album You Baby includes the frenetic pop-rock nugget "Outside Chance", written by Glenn Crocker and Warren Zevon. At the start of 1967 a heavy touring schedule combined with a lack of recent chart success convinced drummer Don Murray and then bassist Chuck Portz to quit the group. They were replaced by Joel Larson then John Barbata on drums and Chip Douglas on bass. It occurred to the band that for eight months they had been performing a certain song on stage that, while moderately popular with the fans, had yet to be recorded. The first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, "Happy Together" seemed almost a parody of itself, and had already been rejected by countless performers. Their biggest hit and surely their signature song, "Happy Together" signalled a turning point for the Turtles and for Chip Douglas, who provided the arrangement. With its tongue-in-cheek tone, incessant and infectious guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, "Happy Together" is perhaps the quintessential example of fresh, feel-good 1960s American pop. The single replaced the the Beatles' "Penny Lane" at number one on the Billboard Hot 100 in the spring of 1967. Their only number one, it remained at the top for three weeks. An album of the same name followed and peaked at number 25. Impressed by Chip Douglas's studio arrangements, Monkee Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' new producer, as the band wanted to break out of their "manufactured" studio mould. Douglas accepted, left the Turtles, and was replaced by bassist/singer Jim Pons. 1967 proved to be the Turtles' most successful year in the charts. "She'd Rather Be With Me" reached number 3 on the US charts in late spring, and actually out-charted "Happy Together" overseas. Two successive top-15 gems followed: the singularly lush and pretty ballad "You Know What I Mean" and the playfully psychedelic and gleefully adolescent "She's My Girl". Both 45s signalled a certain shift in the bands style. Golden Hits was released later that year, charting in the top 10. (The album covers for Golden Hits and its follow up Golden Hits Vol 2 were designed by Dean Torrence of Jan & Dean fame and his company, Kittyhawk Graphics.) 1968 started without a bang. The first two singles, "Sound Asleep" and "The Story of Rock and Roll", stalled somewhere in the middle of the top 100. The band's fortunes changed when now hugely successful Monkees producer Chip Douglas returned to work with them in the studio. Late in 1968 the Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands (with names like 'The Bigg Brothers', 'Nature's Children', 'The US Teens featuring Raoul', and 'The Fabulous Dawgs'), each with a song in a different genre. The album yielded two distinctive singles: "Elenore" and "You Showed Me" (both peaking at number six). The blissful-sounding "Elenore" may be the only Top Ten single to contain et cetera in its lyrics, and allegedly was the band's tongue-in-cheek response to White Whale's demands for more songs like "Happy Together". (Howard Kaylan confirmed this account in a live interview on XM Radio's 60s channel on March 3, 2007.) The breathy-trippy 1969 hit "You Showed Me" was written by Byrds members Gene Clark and Roger (then James) McGuinn in 1964. Television appearances in 1968 include a February 26 visit to The Mike Douglas Show, to which they returned in April 1969. Kaylan and Volman rebelled against White Whale's attempts to push the Turtles towards factory-like studio chicanery (including firing the rest of the band, and recording and touring with hired musicians, and putting their vocals tapes already recorded in Memphis ).The label's pressure did force the band to record a single called "Who Would Ever Think That I Would Ever Marry Margaret" ( which the band totally disowned after its release ) The result was the 1969 release Turtle Soup, a critically well-received LP produced by Ray Davies of The Kinks. Inspired by the revered 1968 concept album The Kinks Are the Village Green Preservation Society, this was Daviess only ever production work for another band. Kaylan and Volman insisted the whole band share in the writing and singing. Notable tracks include the ethereal and introspective "Somewhere Friday Nite" and the rather failed single "Love in the City". In spite of Turtle Soup's critical acclaim, commercial success was marginal and the band soon began disintegrating. The Turtles wound down their career with a B-sides and rarities album, Wooden Head (1969), and a second compilation album, More Golden Hits (1970). With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and ceased operation. (Less)
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24, 02:04, 2008-04-17 15:09:52 Description: Omschrijving: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark (More) Omschrijving: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records, and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called "The Tyrtles", the intentional misspelling inspired by The Byrds. However, the trendy spelling did not survive long. As with the Byrds, the Turtles achieved breakthrough success with a Bob Dylan cover. "It Ain't Me Babe" reached the Billboard Top Ten in the late summer of 1965 (see 1965 in music) and was the title track to the bands first album. Their second single, "Let Me Be" (written by P.F. Sloan), cracked the top 30 in the autumn. Their third hit, "You Baby" (P.F. Sloan and Steve Barri), charted in the top 20 in early 1966. However, their second album You Baby never entered Billboard's Top LPs chart, and of several singles released in 1966 only two the Rolling Stones-like "Grim Reaper of Love" and the adorable "Can I Get to Know You Better" entered the Billboard Hot 100. The album You Baby includes the frenetic pop-rock nugget "Outside Chance", written by Glenn Crocker and Warren Zevon. At the start of 1967 a heavy touring schedule combined with a lack of recent chart success convinced drummer Don Murray and then bassist Chuck Portz to quit the group. They were replaced by Joel Larson then John Barbata on drums and Chip Douglas on bass. It occurred to the band that for eight months they had been performing a certain song on stage that, while moderately popular with the fans, had yet to be recorded. The first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, "Happy Together" seemed almost a parody of itself, and had already been rejected by countless performers. Their biggest hit and surely their signature song, "Happy Together" signalled a turning point for the Turtles and for Chip Douglas, who provided the arrangement. With its tongue-in-cheek tone, incessant and infectious guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, "Happy Together" is perhaps the quintessential example of fresh, feel-good 1960s American pop. The single replaced the the Beatles' "Penny Lane" at number one on the Billboard Hot 100 in the spring of 1967. Their only number one, it remained at the top for three weeks. An album of the same name followed and peaked at number 25. Impressed by Chip Douglas's studio arrangements, Monkee Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' new producer, as the band wanted to break out of their "manufactured" studio mould. Douglas accepted, left the Turtles, and was replaced by bassist/singer Jim Pons. 1967 proved to be the Turtles' most successful year in the charts. "She'd Rather Be With Me" reached number 3 on the US charts in late spring, and actually out-charted "Happy Together" overseas. Two successive top-15 gems followed: the singularly lush and pretty ballad "You Know What I Mean" and the playfully psychedelic and gleefully adolescent "She's My Girl". Both 45s signalled a certain shift in the bands style. Golden Hits was released later that year, charting in the top 10. (The album covers for Golden Hits and its follow up Golden Hits Vol 2 were designed by Dean Torrence of Jan & Dean fame and his company, Kittyhawk Graphics.) 1968 started without a bang. The first two singles, "Sound Asleep" and "The Story of Rock and Roll", stalled somewhere in the middle of the top 100. The band's fortunes changed when now hugely successful Monkees producer Chip Douglas returned to work with them in the studio. Late in 1968 the Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands (with names like 'The Bigg Brothers', 'Nature's Children', 'The US Teens featuring Raoul', and 'The Fabulous Dawgs'), each with a song in a different genre. The album yielded two distinctive singles: "Elenore" and "You Showed Me" (both peaking at number six). The blissful-sounding "Elenore" may be the only Top Ten single to contain et cetera in its lyrics, and allegedly was the band's tongue-in-cheek response to White Whale's demands for more songs like "Happy Together". (Howard Kaylan confirmed this account in a live interview on XM Radio's 60s channel on March 3, 2007.) The breathy-trippy 1969 hit "You Showed Me" was written by Byrds members Gene Clark and Roger (then James) McGuinn in 1964. Television appearances in 1968 include a February 26 visit to The Mike Douglas Show, to which they returned in April 1969. Kaylan and Volman rebelled against White Whale's attempts to push the Turtles towards factory-like studio chicanery (including firing the rest of the band, and recording and touring with hired musicians, and putting their vocals tapes already recorded in Memphis ).The label's pressure did force the band to record a single called "Who Would Ever Think That I Would Ever Marry Margaret" ( which the band totally disowned after its release ) The result was the 1969 release Turtle Soup, a critically well-received LP produced by Ray Davies of The Kinks. Inspired by the revered 1968 concept album The Kinks Are the Village Green Preservation Society, this was Daviess only ever production work for another band. Kaylan and Volman insisted the whole band share in the writing and singing. Notable tracks include the ethereal and introspective "Somewhere Friday Nite" and the rather failed single "Love in the City". In spite of Turtle Soup's critical acclaim, commercial success was marginal and the band soon began disintegrating. The Turtles wound down their career with a B-sides and rarities album, Wooden Head (1969), and a second compilation album, More Golden Hits (1970). With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and ceased operation. (Less)
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23, 01:57, 2008-04-17 15:10:26 Description: The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the (More) The band originally a surf rock group called The Crossfires from the planet Mars, was formed in 1965 in Westchester, California (a Los Angeles neighborhood) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records, and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called "The Tyrtles", the intentional misspelling inspired by The Byrds. However, the trendy spelling did not survive long. As with the Byrds, the Turtles achieved breakthrough success with a Bob Dylan cover. "It Ain't Me Babe" reached the Billboard Top Ten in the late summer of 1965 (see 1965 in music) and was the title track to the bands first album. Their second single, "Let Me Be" (written by P.F. Sloan), cracked the top 30 in the autumn. Their third hit, "You Baby" (P.F. Sloan and Steve Barri), charted in the top 20 in early 1966. However, their second album You Baby never entered Billboard's Top LPs chart, and of several singles released in 1966 only two the Rolling Stones-like "Grim Reaper of Love" and the adorable "Can I Get to Know You Better" entered the Billboard Hot 100. The album You Baby includes the frenetic pop-rock nugget "Outside Chance", written by Glenn Crocker and Warren Zevon. At the start of 1967 a heavy touring schedule combined with a lack of recent chart success convinced drummer Don Murray and then bassist Chuck Portz to quit the group. They were replaced by Joel Larson then John Barbata on drums and Chip Douglas on bass. It occurred to the band that for eight months they had been performing a certain song on stage that, while moderately popular with the fans, had yet to be recorded. The first of several key Turtles singles co-written by Garry Bonner and Alan Gordon, "Happy Together" seemed almost a parody of itself, and had already been rejected by countless performers. Their biggest hit and surely their signature song, "Happy Together" signalled a turning point for the Turtles and for Chip Douglas, who provided the arrangement. With its tongue-in-cheek tone, incessant and infectious guitar riff, addictive chorus and backing vocals, simple drum and organ lines, and even an oboe playing along during the second chorus, "Happy Together" is perhaps the quintessential example of fresh, feel-good 1960s American pop. The single replaced the the Beatles' "Penny Lane" at number one on the Billboard Hot 100 in the spring of 1967. Their only number one, it remained at the top for three weeks. An album of the same name followed and peaked at number 25. Impressed by Chip Douglas's studio arrangements, Monkee Michael Nesmith approached him after a Turtles show at the Whisky a Go Go and invited him to become the Monkees' new producer, as the band wanted to break out of their "manufactured" studio mould. Douglas accepted, left the Turtles, and was replaced by bassist/singer Jim Pons. 1967 proved to be the Turtles' most successful year in the charts. "She'd Rather Be With Me" reached number 3 on the US charts in late spring, and actually out-charted "Happy Together" overseas. Two successive top-15 gems followed: the singularly lush and pretty ballad "You Know What I Mean" and the playfully psychedelic and gleefully adolescent "She's My Girl". Both 45s signalled a certain shift in the bands style. Golden Hits was released later that year, charting in the top 10. (The album covers for Golden Hits and its follow up Golden Hits Vol 2 were designed by Dean Torrence of Jan & Dean fame and his company, Kittyhawk Graphics.) 1968 started without a bang. The first two singles, "Sound Asleep" and "The Story of Rock and Roll", stalled somewhere in the middle of the top 100. The band's fortunes changed when now hugely successful Monkees producer Chip Douglas returned to work with them in the studio. Late in 1968 the Turtles released a concept album called The Turtles Present the Battle of the Bands, in which the group pretended to be eleven different bands (with names like 'The Bigg Brothers', 'Nature's Children', 'The US Teens featuring Raoul', and 'The Fabulous Dawgs'), each with a song in a different genre. The album yielded two distinctive singles: "Elenore" and "You Showed Me" (both peaking at number six). The blissful-sounding "Elenore" may be the only Top Ten single to contain et cetera in its lyrics, and allegedly was the band's tongue-in-cheek response to White Whale's demands for more songs like "Happy Together". (Howard Kaylan confirmed this account in a live interview on XM Radio's 60s channel on March 3, 2007.) The breathy-trippy 1969 hit "You Showed Me" was written by Byrds members Gene Clark and Roger (then James) McGuinn in 1964. Television appearances in 1968 include a February 26 visit to The Mike Douglas Show, to which they returned in April 1969. Kaylan and Volman rebelled against White Whale's attempts to push the Turtles towards factory-like studio chicanery (including firing the rest of the band, and recording and touring with hired musicians, and putting their vocals tapes already recorded in Memphis ).The label's pressure did force the band to record a single called "Who Would Ever Think That I Would Ever Marry Margaret" ( which the band totally disowned after its release ) The result was the 1969 release Turtle Soup, a critically well-received LP produced by Ray Davies of The Kinks. Inspired by the revered 1968 concept album The Kinks Are the Village Green Preservation Society, this was Daviess only ever production work for another band. Kaylan and Volman insisted the whole band share in the writing and singing. Notable tracks include the ethereal and introspective "Somewhere Friday Nite" and the rather failed single "Love in the City". In spite of Turtle Soup's critical acclaim, commercial success was marginal and the band soon began disintegrating. The Turtles wound down their career with a B-sides and rarities album, Wooden Head (1969), and a second compilation album, More Golden Hits (1970). With the demise of The Turtles, White Whale Records was left with few, if any, commercially viable bands, and ceased operation. (Less)
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13, 05:58, 2006-12-13 15:56:45 Description: The freshest joint from the most hardcore, yet science related, crew in Toronto: Biotech Nation. Fresh outta murder high sayyyy whattt
Lyrics:
yo, this is for my boy
he was living the hip hop (More) The freshest joint from the most hardcore, yet science related, crew in Toronto: Biotech Nation. Fresh outta murder high sayyyy whattt
Lyrics:
yo, this is for my boy
he was living the hip hop dream
and then he got shot nine times in the face, with a gene gun
yo jamal mallindrome, this for you
yea, check it check it, one take,
a-town, say what
chorus:
transforming dna is a process not to hard,
dna can always be changed, it happens everyday
transforming dna is a process not to hard,
dna will make my day in every single way
(yo, yo)
1 2 3 biotechnology, I got me a-tam, jack huang, jimmy lee,
be up in mrs gauci's class popping the pill, before I was sick, but now im just plain ill
(yo,yo)
yo it was oh-five when i was last up on this game, nows its oh-six and i'm trying to make myself a name
and the cell membrane is all mosaic and fluid,
now this is the point where the trouble starts brewing,
so i put it on ice, like the grills on my teeth
it gets rigid and hard like the life on the streets (true dat)
Plasma ain't got rhythm he aint got no flow,
cant get into the cell unless you open the door, (yes yes)
so just to let you know, i got my mind on the chedder,
need to increase competance, the cheaper the better
chorus
got use the heat shock to help with the flow,
you aint got any heat, you aint got any show.
the draft created by the 42 degrees,
makes the DNA flow through the membrane with ease.
The punishment you dealt shouldn't have been a crime,
so cut the slack fool, with some recovery time.
take your cells and dunk it in some LB
and shout out to your man luria bertani
Take me with you, so we can combine (check it , check it)
Take me with you, its so hard I cry(its so hard you know)
Take me with you, and I will make you mine
and im always looking out for the signs of you, waiting for the time to come by.
chorus
(check it, uh huh, uh huh)
so maybe your transformation efficiency lacks decency in this industry where every playa needs to copy me,
copy yourself bro, cuz you know you need mo', when you transform p glo plasmids yo. (yes)
yo p-glo transformation requires proper preparation,
with CaCl2 thats at standard concentrations,
to make competant cell creations,
abide by standard declarations,
for this population and the biology nation
and we all know like and like creates dislike,
so CaCl2 jsut spit straight up on the mic,
its takes the negative cell membrane and neutralizes charges
for starters its harder without calcium chloride helpers
Take me with you, so we can combine (combine)
Take me with you, its so hard I cry
Take me with you, and ill will make you mine
and I'm always looking out for the signs of you, waiting for the time to come by.
chorus
(check it, check it, uh huh)
yo i just do it like, oh oh, i be the kid with the laminar flow i just go:
hey cell its your birthday, lets party like its your birthday,
we gonna inject dna cuz its your birthday,
so every single day we transform DNA
I'm packing two fiddy micros into my Gilson,
aw my baby mama's calling but I know he ain't my real son
im a OG playa dont mean to sound crude,
But I only took one shot in her eppendorf tube, (whooo)
one chance, one opportunity,
ampicillin immunity,
ts like living in peace with rival gangs in my community.
yo, I just want to see some peace in biology,
all I see, is a room of bacteria and miss lee,
you can't hold me down,
thats my dream,
all i want is some peace
we'll see that world one day, (yo ya)
we'll give it a twirl
so that, we be free (Less)
Channel: youtubeTags: Andrew asian azn Biotech Biotechnology Cherniak Dmitri Huang Jack Jimmy Le Nation Nerdcore PCR Rap Tam
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