Search results for op.8" butterfly
Results 1-3 of about 3 (Found in 0.179s)
4,
03:37,
2008-04-17 15:15:17
Description: Joan Elizabeth Osborne (8 juli 1962) is een Amerikaans singer-songwriter, vooral bekend van haar hit One Of Us In 1980 verliet ze haar geboorteplaats Anchorage, Kentucky (maakt nu deel uit van (More) Joan Elizabeth Osborne (8 juli 1962) is een Amerikaans singer-songwriter, vooral bekend van haar hit One Of Us In 1980 verliet ze haar geboorteplaats Anchorage, Kentucky (maakt nu deel uit van Louisville) en trok naar New York City. Daar stichtte ze haar eigen platenlabel, Womanly Hips. Bij dit label bracht ze enkele singles uit, voordat ze zich inschreef bij Mercury Records. Haar tweede (en eerste meldenswaardige) album is Relish, dat uitgegeven werd in 1995. Het album werd een hit door de single One Of Us. Dit lied klonk meer pop dan de rest van het album dat eerder folkmuziek bevatte. Na het grote succes van One Of Us had Osborne enkel nog wat kleinere hits, zoals Right Hand Man en St.Teresa. Haar derde studio-album, Righteous Love werd uitgebracht in 2000 en verdween al snel uit de charts. Joan Osborne speelde in de film Standing in the Shadows of Motown in 2002 en tourde met The Funk Brothers. In 2002 bracht ze ook het album How Sweet It Is uit, een collectie van klassieke rock en soulcovers. In 2005 en 2006 trad Osborne regelmatig op met Phil Lesh and Friends, en in november 2006 kwam haar album Pretty Little Strangers uit. (Less) Channel: 123video
48,
02:16,
2008-04-17 12:07:44
Description: This video document is absolutely unique and exceptional, as it has never been issued before, nor was it ever shown to anyone until this very first day This personal archive is related to the (More) This video document is absolutely unique and exceptional, as it has never been issued before, nor was it ever shown to anyone until this very first day This personal archive is related to the greatest Maestro Nicolai GEDDA who is internationally considered by most operatic connoisseurs – from all over the world - as being assuredly one of the greatest tenor of all times The Swedish tenor Nicolai Gedda (born July 11, 1925) is a famous opera singer and recitalist. Having made some two hundred recordings, Gedda is said to be the most widely-recorded tenor in history. Gedda's singing is best known for his beauty of tone, vocal control, and musical perception. Nicolai Harry Gustav Gedda (Nikolaj Ustinov in Russian) was born in Stockholm to a Swedish mother and a Russian father. His father, a distant relative of Peter Ustinov, sang bass in a Don Cossack choir and was cantor in a Russian Orthodox church. Gedda grew up bilingual and learned English, German, Italian, and Latin. Gedda began his professional career as a bank teller in a local bank in Stockholm. One day a wealthy client overheard him speaking about his desire to sing professionally, and offered to pay for his tuition to study with Carl Martin Öhman, a well known Wagnerian tenor from the 1920s who also discovered Jussi Björling. An early appraisal of Gedda's singing was offered by Walter Legge, after first hearing Gedda sing for the role of Dimitry in a planned recording of Boris Godunov. "On my arrival at the airport I was asked by a swarm of journalists if I were not interested in hearing their excellent young Swedish voices. Naturally I was interested, but I did not expect either the front page stories that appeared next morning or the mass of letters and almost incessant telephone calls asking to be heard. I had to ask the Director of the Opera for a room for a couple of days to hear about 100 young aspirants. The first to sing to me (at 9.30 in the morning) was Gedda who had I believe sung only once in public. He sang the Carmen Flower Song so tenderly yet passionately that I was moved almost to tears. He delivered the difficult rising scale ending with a clear and brilliant B flat. Almost apologetically I asked him to try to sing it as written -- pianissimo, rallentando and diminuendo. Without turning a hair he achieved the near-miracle, incredibly beautifully and without effort. I asked him to come back at 8 that evening and sent word to my wife that a great singer had fallen into my lap and to Dobrowen that, believe it or not, this 23-year-old Gedda was the heaven-sent Dimitry for our Boris. In April 1952, at the age of 26, Gedda made his debut at the Royal Swedish Opera, performing the role of Chapelou in Adolphe Adam's Le Postillon de Longjumeau. In this same year he also performed the role of Nicklausse in Offenbach's The Tales of Hoffmann and the tenor role in Der Rosenkavalier. After an audition in Stockholm, Gedda gained the attention of conductor Herbert von Karajan, who took him to Italy. In 1953, he made his début at La Scala as Don Ottavio in Don Giovanni. In 1954, he made his Paris Opera debut in the tenor role in Weber's Oberon, and was given a permanent contract for several years. In 1957, Gedda made his Metropolitan Opera début in the title role of Gounod's Faust, and went on to sing 28 roles there over the next 26 years, including the world premieres of Barber's Vanessa and Menotti's The Last Savage. Gedda made his Royal Opera House Covent Garden début in 1954 as the Duke of Mantua in Verdi's Rigoletto and has since returned to sing Benvenuto Cellini, Alfredo, Gustavus III in Un Ballo in Maschera, Nemorino and Lensky. A singer of unusual longevity, Gedda has been active well into his late 70s; in May 2001 he recorded the role of the Emperor Altoum in Puccini's Turandot and the role of the High Priest in Mozart's Idomeneo in June 2003. Harry Gustaf Nikolaj Gädda, plus connu sous le nom de Nicolai Gedda, né le 11 juillet 1925 à Stockholm, est un ténor suédois. De par son beau-père russe Mikhaïl Ustinov, il est apparenté à Peter Ustinov. Après de jeunes années passées en Allemagne et une première formation musicale à Leipzig, il débute sur scène en 1952, dans sa ville natale, et continua à chanter jusque dans les années 1990. De tous les ténors de renom du XXe siècle, Nicolai Gedda a certainement été le plus polyglotte - il maîtrisait à la perfection aussi bien le suédois, le russe, l'allemand et l'anglais que l'italien et le français - et celui qui a laissé la discographie la plus abondante. Son répertoire comprenait une cinquantaine d'opéras différents (dont tous les grands opéras mozartiens), ainsi qu'un nombre imposant d'oratorios, de messes et de cantates. Sa voix claire et chaleureuse, très flexible, puissante, convenait idéalement aux rôles lyriques. S'il n'a jamais pu chanter Siegfried, il était un Belmonte ou un Tamino parfait. Discographie sélective La Flûte enchantée/Mozart/Otto Klemperer Passion selon Saint Matthieu/Johann Sebastian Bach/Klemperer The Dream of Gerontius/Edward Elgar/Adrian Boult Lady Macbeth de Mzensk/Dmitri Chostakovitch/Mstislav Rostropovitch Boris Godounov/Modeste Moussorgsky/Jerzy Semkow Madame Butterfly/Giacomo Puccini/Herbert von Karajan Rigoletto/Giuseppe Verdi/Francesco Molinari-Pradelli (Less) Channel: metacafe
15,
04:11,
2009-01-27 00:44:48
Description: Norwegian Air (Norsk) (Op. 12 No. 6); Waltz (Op.38 No. 7); Butterfly (Schmetterling; Sommerfugl) (Op. 43 No. 1) (More) Norwegian Air (Norsk) (Op. 12 No. 6); Waltz (Op.38 No. 7); Butterfly (Schmetterling; Sommerfugl) (Op. 43 No. 1)
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I have uploaded this as part of a short series of videos of a few of the many pieces on the 2009-10 piano exam syallabuses (Grades 5-8) of three major international examining bodies based in the UK. 'Norwegian Air' is on List B of the ABRSM Grade 5 syllabus; the Waltz is in Group B of the Trinity Guildhall Grade 5 syllabus; and Butterfly is on List B of the LCM Grade 7 syllabus (if you were playing it in an exam you would probably leave out the first repeat). All three pieces have fast tempo markings, which I have tried to observe (although the marking in my copy of dotted minim=108 for the central section of the Waltz seems extreme). if you are playing them for an exam, you should of course follow your teacher's advice, and merely use this video for ideas of what to do (and maybe not to do)!
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