Search results for modern times bob dylan
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17,
01:05,
2008-04-22 10:42:00
Description: A TRIBUTE TO MODERN TIMES BOB
Channel: youtube
29,
00:29,
2008-04-18 11:16:04
Description: Dernière publicité d'Apple pour son duo musical iPod + iTunes, introduisant Bob Dylan, chanteur favori de Steve Jobs par ailleurs.. <br />De plus, la sortie du dernier album (More) Dernière publicité d'Apple pour son duo musical iPod + iTunes, introduisant Bob Dylan, chanteur favori de Steve Jobs par ailleurs.. <br />De plus, la sortie du dernier album de cet artiste est en sortie mondiale en avant-première sur l'iTunes Music Store ! <br /> <br />Copyright © 2006 Apple Computer, Inc. Tous droits réservés. (Less) Channel: dailymotion
88,
03:00,
2008-04-17 15:11:02
Description: LINER NOTES FOR THE ASSOCIATION'S AND THEN...ALONG COMES THE ASSOCIATION By Richie Unterberger With the two smashes "Along Comes Mary" and "Cherish," the Association (More) LINER NOTES FOR THE ASSOCIATION'S AND THEN...ALONG COMES THE ASSOCIATION By Richie Unterberger With the two smashes "Along Comes Mary" and "Cherish," the Association became one of the hottest new bands of 1966, the singles charting at #7 and #1 respectively. It was no surprise that their debut album, featuring both of those songs, was also a big success, rising to #5 and remaining their highest-charting LP ever, with the exception of their Greatest Hits compilation. The record also gave the Association the chance to showcase their versatility on material penned by both group members and outside songwriters, their complex multi-part vocal harmonies being the greatest unifying factor. And Then...Along Comes the Association was actually preceded by a few singles as the group struggled to establish themselves as a commercial force. Covers of "Babe I'm Gonna Leave You" and Bob Dylan's "One Too Many Mornings," both in 1965, were very much in the folk-rock style that had become a craze with the emergence of the Byrds and their chart-topping cover of Dylan's "Mr. Tambourine Man" in the middle of that year. With "Along Comes Mary," the group moved toward a more pop-rock sound, aided by a dynamite tune from non-member Tandyn Almer, and a new producer, Curt Boettcher. Boettcher was himself making a transition from the folk scene, in which he'd performed as part of the Goldebriars (who released a couple of albums on Epic), to pop-rock. He was already familiar with the Association when he played on a demo of "Along Comes Mary" with the group's lead guitarist, Jules Alexander, who enthusiastically pitched the song to the rest of the band. "When we first started, Jules was not officially designated, but he was more or less the musical director," remembers rhythm guitarist and keyboardist Jim Yester. "'Cause he had been in a couple rock bands before, he had a lot better handle on harmonic structure, and was obviously the best guitar player. He, a lot of times, would line out vocal parts. He'd sit down and figure it out on the guitar and say, 'Okay, you sing this, you sing that.' And then we'd adapt it, and somebody'd say, 'Well, listen. How about this note instead?' But basically things started with Jules." When Alexander brought a tape of the demo of "Along Comes Mary" home, Jim continues, "He says, 'Listen to this song, we gotta try this.' And he said, 'Jim, why don't you sing it?' It was very casual. 'We need a high voice.' 'Cause on the demo, Curt sang it, and Curt's a real high tenor as well. I think the only thing that was roughly the same was that vamp line -- that was Tandyn's whole trip. That and the chord changes. But it was just one single voice." With its dynamic interplay between Yester's lead and the rest of the band's vocal harmonies, as well as an intriguing lyric that jammed about as many syllables as were possible to fit into individual lines of a pop song in 1966, the song took a few months to catch on nationally. By the time it did break into the Top Ten in the summer, And Then...Along Comes the Association was ready to capitalize on it. In fact, however, work on the tracks that ended up on the LP had begun some time before, when Boettcher produced five cuts with the group in Gary Paxton's Homewood Studios. Aside from "Along Comes Mary," these sessions yielded its B-side, "Your Own Love," and two other tracks that ended up on the album, "Remember" and "I'll Be Your Man" (the fifth, "Better Times," remained unissued until 2002). The Association's "One Too Many Mornings" single had been produced by Barry DeVorzon, the president of their label, Valiant Records. But as Yester explains, "After the thing with Barry producing didn't work out, we begged him to let our friend Curt produce us. And he finally condescended, but with the stipulation that we use some studio musicians. So we did a combination of studio musicians and us. But they did the basic tracks, and then we did a lot of the sweetening and the lead guitar stuff, things like that." As the Association's harmonies were along the lines of the sophisticated vocal arrangements used by Boettcher's former group the Goldebriars, and his future ensemble the Millennium, "it was a good match in that respect," concurs Jim. "We were very harmonically involved, and Curt was too. Also, he was very aware of the MFQ [the Modern Folk Quartet], which was my brother's [Jerry's] group. We were all into the MFQ; a lot of groups went to school on the MFQ in L.A. Everybody else made it, and they didn't. It's very bizarre." (Both 1960s albums by the Modern Folk Quartet, who also used sophisticated harmonies blending elements of pop, folk, and jazz, have also been reissued on CD by Collectors' Choice Music.) The decision to make "Along Comes Mary" the single was, in a sense, ordained. "There was three or four of us that were involved with [the religious faith] Subud at that time," says Yester. "Roger McGuinn was also in it, [and] Cyrus Faryar from the MFQ. We convinced the record company that we were gonna take the five songs we recorded, and the elders of Subud did this thing called testing, where you would tell them the name of a song, and then they would kind of meditate and tell you yay or nay. We did that, and the two strongest reactions we got were from 'Along Comes Mary' and 'Your Own Love.' Actually, 'Your Own Love' got the strongest reaction from them. That song I wrote after I was in Subud for a while, that's kind of where it was coming from, so for me, that's why that reaction was [so positive]. But that's why those two songs were the first release. Then we went back to the record company and said, 'Okay, these are the two.' And they said, 'Okay.'" To fill out the album, the group would record more material in a different studio, which like the first was run by noted producer, engineer, performer, songwriter, and general musical jack-of-all-trades Gary Paxton. "The first one [Homewood Studios], where we did the basics, the studio was an old garage, and the booth was in an old Greyhound bus," laughs Yester. "His second studio [G.S.P.], the studio was the downstairs, like the living room and dining room of a house, and the studio was in a bathroom upstairs. Very bizarre. But it had great sound." In addition, vocals were recorded at a more traditional Hollywood facility, Columbia Recording Studios. Among the top sessions musicians in the support cast were guitarist Mike Deasy (who'd go on to play on other Association albums, as well as writing a song on their Insight Out LP), bassist Jerry Scheff, and percussionists Jim Troxel and Toxey French, with Boettcher contributing tone generator/oscillator. "Curt was very into a lot of outside instruments, and we were very up for experimentation, so we used a lot of different things," remarks Yester. "In fact, we were one of the first to sync two four-tracks together to make an eight-track, using a VSO, variable speed oscillator, to match the speeds of the two tape machines. But by the time we went to finish the first album, Scully came out with the eight-track. When we were working at Columbia Studio A, that's what we were using." As for the material selected for the album, as Yester notes, "most of those songs we'd been doing in concert for about a year or so anyway." The Association LPs would feature a remarkably even spread of songwriting credits among the members, and all six save Brian Cole wrote or co-wrote material on And Then...Along Comes the Association. At this point Jules Alexander (then still performing under the name Gary Alexander, as he would until 1968) and singer-multi-instrumentalist Terry Kirkman "were probably a little more prolific," adds Jim. "But most of the time everybody had at least one or two songs on the album. We tried to have everybody included. We had a publishing deal where everybody shared in everybody else's publishing. It was very clever. We actually had [a] publishing deal before we had a record deal. Because we auditioned for Capitol, and they didn't sign us, but they wouldn't let us out of the building until we gave them a meeting with [the] head of their publishing. 'Cause they couldn't believe a group with six guys, and everybody wrote. And they were pretty decent songs." The group did cover a couple of songs from outside sources on the album. "Don't Blame It on Me" was written by brothers Don and Dick Addrisi, who penned the massive 1967 Association hit "Never My Love." "Blistered" (later a hit for Johnny Cash) came from Billy Ed Wheeler, also known for writing the folk-rock classic "High Flying Bird," co-writing the Kingston Trio's hit "The Reverend Mr. Black," and co-writing "Jackson" (hit duets for the teams of Johnny Cash & June Carter and Nancy Sinatra & Lee Hazelwood), as well as scoring a big country hit on his own with "Ode to the Little Brown Shack Out Back." The second big hit off the LP, however, would be a Terry Kirkman original, though it wasn't even planned as the follow-up to "Along Comes Mary." As Yester tells it, "We were going to release 'Enter the Young.' The version that I remember was a DJ from Ohio started playing 'Cherish' off of the album, and it went right up the charts in his area. Either the record company said, 'wait a minute, let's rethink this,' or the other version is, [Association manager Patrick] Colecchio convinced the record company to release 'Cherish' instead." It was a wise decision; on September 24, 1966, the single began a three-week run as the #1 song in the nation. By that time, surprisingly, the group had parted ways with Boettcher. "Towards the end of finishing up the album, he started like trying to put his stamp on us," recalls Yester. "The main reason we left and went with my brother [Jerry] for the second album was that we wanted to be who we were, and not who Curt wanted to be." The result was their second LP, Renaissance, and a story continued on the liner notes to that album, also reissued on CD by Collectors' Choice Music. -- Richie Unterberger (Less) Channel: 123video
27,
04:43,
2007-02-07 20:07:43
Description: The 50 Greatest Albums Of All Time (In My Opinion)
1. Revoler- The Beatles
2. Highway 61 Revisited- Bob Dylan
3. Dark Side Of The Moon- Pink Floyd
4. Let It Bleed- The Rolling Stones
5. (More) The 50 Greatest Albums Of All Time (In My Opinion)
1. Revoler- The Beatles
2. Highway 61 Revisited- Bob Dylan
3. Dark Side Of The Moon- Pink Floyd
4. Let It Bleed- The Rolling Stones
5. Tommy- The Who
6. Sgt. Pepper's Lonely Hearts Club Band- The Beatles
7. Born To Run- Bruce Springstien
8. Bringing It All Back Home- Bob Dylan
9. The Complete Recordings- Robert Johnson
10. Trout Mask Replica- Captain Beefheart & His Magic Band
11. Apostrophe (')- Frank Zappa
12. The Beatles (The White Album)- The Beatles
13. Exile On Main Street- The Rolling Stones
14. The Wall- Pink Floyd
15. Safe As Milk- Captain Beefheart & His Magic Band
16. Who's Next?- The Who
17. Live/ Dead- The Grateful Dead
18. At Folsom Prison- Johnny Cash
19. Pet Sounds- The Beach Boys
20. Astral Weeks- Van Morrison
21. The Freewheelin' Bob Dylan- Bob Dylan
22. Joe's Garage- Frank Zappa
23. A Love Supreme- John Coltrane
24. Love and Theft- Bob Dylan
25. The Velvet Underground & Nico- The Velvet Underground & Nico
26. The Concert For Bangla Desh- George Harrison & Friends
27. Slowhand- Eric Clapton
28. Disraeli Gears- Cream
29. Are You Experienced?- Jimi Hendrix
30. The Madcap Laughs- Syd Barrett
31. Hot Rats- Frank Zappa
32. Rubber Soul- The Beatles
33. Stickey Fingers- The Rolling Stones
34. The Rise And Fall Of Ziggy Stardust And The Spiders From Mars- David Bowie
35. The Piper At The Gates At Dawn- Pink Floyd
36. Imagine- John Lennon
37. Hunky Dory- David Bowie
38. Led Zeppelin- Led Zeppelin
39.Wolfmother- Wolfmother
40. Abbey Road- The Beatles
41. Last Man Standing- Jerry Lee Lewis
42. Layla & Other Assorted Love Songs- Derek & The Dominoes
43. At Filmore East- The Allman Brothers Band
44. Get Behind Me Satan- The White Stripes
45. Rocket To Russia- The Ramones
46. London Calling- The Clash
47. Paul Butterfield Blues Band- The Paul Butterfield Blues Band
48. SMiLE- Brian Wilson
49. ... In The Court Of The Crimson King- King Crimson
50. Electric Ladyland- Jimi Hendrix
I forgot to orginize in Blood On The Tracks by Bob Dylan, so that is like number 15
Honorable Mentions
Love- The Beatles (only if you are a hard core Beatle fan)
Magical Mystery Tour- The Beatles
The Doors- The Doors
Nevermind The Bollocks, Here's The Sex Pistols- The Sex Pistols
Legend- Bob Marley
Meet The Beatles- The Beatles
Modern Times- Bob Dylan
Animals- Pink Floyd
ZOSO- Led Zeppelin
Physical Graffitti- Led Zeppelin
Live At The Apollo I- James Brown
Pearl- Janis Joplin
Eat a Peach- The Allman Brothers Band
Nevermind- Nirvana
Appetite For Destruction- Guns n' Roses
War- U2
Joshua Tree- U2
Graceland- Paul Simon
Lick My Decals Off, Baby- Captain Beefheart & His Magic Band
Music From Big Pink- The Band
Superfly- Curtis Mayfield
Metal Box- Public Image Ltd
Pink Moon- Nick Drake
It Takes a Nation of Millions to Hold Us Back- Public Enemy
Paul's Boutique- Beastie Boys (Less) Channel: youtube
13,
05:59,
2008-04-21 16:54:30
Description: sick! Workingman's Blues #2 from Modern Times
Channel: youtube
15,
04:43,
2008-04-22 10:41:52
Description: The 50 Greatest Albums Of All Time (In My Opinion) 1. Revoler- The Beatles 2. Highway 61 Revisited- Bob Dylan 3. Dark Side Of The Moon- Pink Floyd 4. Let It Bleed- The Rolling Stones 5. Tommy- The (More) The 50 Greatest Albums Of All Time (In My Opinion) 1. Revoler- The Beatles 2. Highway 61 Revisited- Bob Dylan 3. Dark Side Of The Moon- Pink Floyd 4. Let It Bleed- The Rolling Stones 5. Tommy- The Who 6. Sgt. Pepper's Lonely Hearts Club Band- The Beatles 7. Born To Run- Bruce Springstien 8. Bringing It All Back Home- Bob Dylan 9. The Complete Recordings- Robert Johnson 10. Trout Mask Replica- Captain Beefheart & His Magic Band 11. Apostrophe (')- Frank Zappa 12. The Beatles (The White Album)- The Beatles 13. Exile On Main Street- The Rolling Stones 14. The Wall- Pink Floyd 15. Safe As Milk- Captain Beefheart & His Magic Band 16. Who's Next?- The Who 17. Live/ Dead- The Grateful Dead 18. At Folsom Prison- Johnny Cash 19. Pet Sounds- The Beach Boys 20. Astral Weeks- Van Morrison 21. The Freewheelin' Bob Dylan- Bob Dylan 22. Joe's Garage- Frank Zappa 23. A Love Supreme- John Coltrane 24. Love and Theft- Bob Dylan 25. The Velvet Underground & Nico- The Velvet Underground & Nico 26. The Concert For Bangla Desh- George Harrison & Friends 27. Slowhand- Eric Clapton 28. Disraeli Gears- Cream 29. Are You Experienced?- Jimi Hendrix 30. The Madcap Laughs- Syd Barrett 31. Hot Rats- Frank Zappa 32. Rubber Soul- The Beatles 33. Stickey Fingers- The Rolling Stones 34. The Rise And Fall Of Ziggy Stardust And The Spiders From Mars- David Bowie 35. The Piper At The Gates At Dawn- Pink Floyd 36. Imagine- John Lennon 37. Hunky Dory- David Bowie 38. Led Zeppelin- Led Zeppelin 39.Wolfmother- Wolfmother 40. Abbey Road- The Beatles 41. Last Man Standing- Jerry Lee Lewis 42. Layla & Other Assorted Love Songs- Derek & The Dominoes 43. At Filmore East- The Allman Brothers Band 44. Get Behind Me Satan- The White Stripes 45. Rocket To Russia- The Ramones 46. London Calling- The Clash 47. Paul Butterfield Blues Band- The Paul Butterfield Blues Band 48. SMiLE- Brian Wilson 49. ... In The Court Of The Crimson King- King Crimson 50. Electric Ladyland- Jimi Hendrix I forgot to orginize in Blood On The Tracks by Bob Dylan, so that is like number 15 Honorable Mentions Love- The Beatles (only if you are a hard core Beatle fan) Magical Mystery Tour- The Beatles The Doors- The Doors Nevermind The Bollocks, Here's The Sex Pistols- The Sex Pistols Legend- Bob Marley Meet The Beatles- The Beatles Modern Times- Bob Dylan Animals- Pink Floyd ZOSO- Led Zeppelin Physical Graffitti- Led Zeppelin Live At The Apollo I- James Brown Pearl- Janis Joplin Eat a Peach- The Allman Brothers Band Nevermind- Nirvana Appetite For Destruction- Guns n' Roses War- U2 Joshua Tree- U2 Graceland- Paul Simon Lick My Decals Off, Baby- Captain Beefheart & His Magic Band Music From Big Pink- The Band Superfly- Curtis Mayfield Metal Box- Public Image Ltd Pink Moon- Nick Drake It Takes a Nation of Millions to Hold Us Back- Public Enemy Paul's Boutique- Beastie Boys (Less) Channel: youtube
17,
06:21,
2008-04-22 10:41:59
Description: Spirit on the water (Bob Dylan tribute clip - For the Desolation Post lost boys - http://bobdylan.foros.ws/index.php -specially Chimeman. ¿Te gusta Dylan, hablas español y aún (More) Spirit on the water (Bob Dylan tribute clip - For the Desolation Post lost boys - http://bobdylan.foros.ws/index.php -specially Chimeman. ¿Te gusta Dylan, hablas español y aún no te has suscrito a Desolation Post? www.desolationpost.com Felicidades por el Príncipe de Asturias de las Artes! Tribute clip with live version and Spanish subtitles. Live version of the song. Images recorded by SgS (in Spain during 2004 tour and in NY in 2006). Video editing and translated lyrics by SgS in 2007. Hope you enjoy it, bobcats! Ah, you are not a bobcat and you need more info? Then buy Modern Times or any of the other 49 offical BD records in www.bobdylan.com. Still need more info? Then go to the next concert! See you there! (Less) Channel: youtube
4,
06:00,
2008-04-22 10:42:18
Description: Live at Bethel Woods on 6/30/07, this is Bob Dylan performing "Spirit on the Water" from his album Modern Times. This video was taken from the lawn, so I was quite zoomed in during most of (More) Live at Bethel Woods on 6/30/07, this is Bob Dylan performing "Spirit on the Water" from his album Modern Times. This video was taken from the lawn, so I was quite zoomed in during most of it which reduced the quality. Also, people kept walking back in forth in front of my shot. But I figured I'd put it up anyway since I haven't seen too many other videos of this show out there. A highlight is his harmonica solo right at the end. Enjoy. (Less) Channel: youtube
5,
00:54,
2009-05-30 03:14:10
Description: Link: www.buy.com The bard returns in 2009 with yet another entry in his late-career renaissance, and his 33rd studio album overall. A new creative step foward following the completion of the loose (More) Link: www.buy.com The bard returns in 2009 with yet another entry in his late-career renaissance, and his 33rd studio album overall. A new creative step foward following the completion of the loose trilogy of TIME OUT OF MIND, LOVE AND THEFT, and MODERN TIMES, Dylan's latest posts a slight south of the border feel and features Dave Hidalgo of Los Lobos on accordion. (Less) Channel: youtube
61,
08:04,
2007-11-17 16:26:26
Description: "El mayor fan de Bob Dylan del mundo", por Íñigo Coppel.
www.icoppel.com
Interpretada en Gruta 77 el miércoles 7 de noviembre de 2007.
Spanish singer, (More) "El mayor fan de Bob Dylan del mundo", por Íñigo Coppel.
www.icoppel.com
Interpretada en Gruta 77 el miércoles 7 de noviembre de 2007.
Spanish singer, Íñigo Coppel, very funny song as tribute to Bob fans: "The biggest fan of Bob Dylan in the world".
¿Te gusta Dylan, hablas español y aún no te has suscrito a Desolation Post? www.desolationpost.com
Me levanté una mañana y dije, "mujer, he visto una señal, no me vas a creer.
Tengo que dejar ahora mismo el país, voy a ver a Bob Dylan esta noche en París
Tengo que ir. Me lo ha dicho el mismísimo bob en sueños, me va a explicar los misterios del universo".
Me dijo, "escúchame bien, si te vas a París no te molestes en volver por aquí".
Ah, pero no me lo pensé ni un segundo, ¡soy el mayor fan de bob del mundo!
Ah, lo soy. París... ¡allá voy!
Llegué a París, fui del aeropuerto directamente al lugar del concierto
Quedaban 10 horas, me daba igual, pero cuando llegué vi que algo iba mal:
Había muchos fans ya allí, metidos en sacos de dormir, mirándose unos a otros. ¡Me asusté!
Se me acercó uno de ellos en muy mal plan para ver si yo era un verdadero fan.
Me dijo, "¿te gusta Bob?" Dije, "sí, claro, Bob es nuestro dios, Bob es nuestro faro".
Me dijo, "sí, pero quiero decir si tú le sigues?" "Sí -le dije- sí, le sigo, le sigo desde niño". Me dijo "sí, lo que quiero saber es si tú le sigues por todo el mundo, como nosotros". "Ay -dije- dios mío, señor, no me hará daño, por favor!
"Verás, yo le sigo por todo el planeta porque él es el gran maestro, es el gran profeta. Oh, pero a veces la vida puede ser cruel y es muy difícil hablar con él. Me duele en el alma decir esto pero Bob a veces puede ser un poco antisocial, sí... cielos, me pregunto por qué..."
Me obligó a pasar con él todo el día, me dio de comer, me explicó sus teorías. Dijo "sí, Bob hace cosas raras, pero me huelo que tienen un malvado hermano gemelo".
Ahí es cuando otro sujeto entró en la conversación y dijo, "interesante... ¿Quieres decir tal vez que fue ese malvado hermano gemelo el que tocó ante el Papa en el Vaticano?" Mi amigo le miró furioso y le dijo, "no, estás loco, tronco.
Ése era Bob, el auténtico representante de dios en la tierra".
Empezó el concierto y fue bastante duro ver llorar a tantos hombres maduros.
Allá van todos con emoción abrazándose al principio de cada canción.
Oh, en un momento dado se acercó mi amigo y me dijo, "hey chico, ¿ves a esos tipos de allí? Ten cuidado con ellos, tío.
No te acerques mucho, chico.
Tú sabes que los fans de Bob somos gente abierta, gente moderada...
Esos tipos no, tronco. Esos tipos no atienden a razones, están realmente pirados,.
¡Son los fans de Bruce Springsteen!"
Acabó el concierto, me harté de locuras, me llevaron al hotel a husmear en sus basuras.
Nos vio un gendarme y casi nos encierra. Les dije, "adios tíos, me llaman del planeta tierra".
Creo que es hora de volver a casa y suplicar a mi mujer.
Cariño, los dos dijimos cosas que no sentíamos...
Hoy he visto en la tele a mi amigo el fan, por lo visto ha sido detenido en Taiwan. Se había encadenado a las puertas de un periódico local porque al parecer habían escrito Modern Times mal, con dos emes.
Matías Prats le ha llamado el mayor fan de Bob Dylan del mundo,
ah, y eso me ha hecho pensar...
Sí, Cuando creas que eres alguien especial
con cierta capacidad de superación personal,
que eres bueno en algo, que eres diferente,
piensa que en el mundo hay bastante gente.
Tú no eres el número uno en nada, amigo, no eres nadie, eres absolutamente insignificante.
¡Da gracias a dios por ello! (Less) Channel: youtube
193,
04:08,
2007-05-13 15:19:21
Description: Make you feel my love (Tribute clip /clip homenaje del tema del album "Time out of mind", con subtítulos en castellano).
Con cariño, para los chicos de Desolation Post - (More) Make you feel my love (Tribute clip /clip homenaje del tema del album "Time out of mind", con subtítulos en castellano).
Con cariño, para los chicos de Desolation Post - http://bobdylan.foros.ws/index.php -especialmente los de Valencia: Luis Ponce, Fernando Garcín, Cisco Fran...
¿Te gusta Dylan, hablas español y aún no te has suscrito a Desolation Post? www.desolationpost.com
Felicidades por el Príncipe de Asturias de las Artes!
Tribute clip with Spanish subtitles of the song "Make you feel my love" from the album "Time out of mind" (1997), live recorded for Columbia's record "Things have changed: live and rare".
Images recorded in Tunisia by SgS and BB "Best Boy", who pushed the record botton of the video a few times, and did it well!). Video editing and translated lyrics by SgS.
Letra/Lyrics:
Make You Feel My Love
When the rain is blowing in your face
And the whole world is on your case
I could offer you a warm embrace
To make you feel my love
Cuando la lluvia te de en la cara
y todo el mundo la tome contigo
yo podría ofrecerte un cálido abrazo
para hacerte sentir mi amor
When the evening shadows and the stars appear
And there is no one there to dry your tears
I could hold you for a million years
To make you feel my love
Cuando las sombras de la noche y las estrellas aparezcan
y no haya nadie para secar tus lágrimas
podría abrazarte durante un millón de años
para hacerte sentir mi amor
I know you haven't made your mind up yet
But I would never do you wrong
I've known it from the moment that we met
No doubt in my mind where you belong
Sé que aún no has tomado una decisión
pero nunca podría hacerte daño
lo supe desde el momento en que nos conocimos
no tuve dudas de adónde pertenecías
I'd go hungry, I'd go black and blue
I'd go crawling down the avenue
There's nothing that I wouldn't do
To make you feel my love
Caminaría hambriento, andaría triste
me arrastraría por la avenida
no hay nada que no pudiera hacer
para hacerte sentir mi amor
The storms are raging on the rollin' sea
And on the highway of regret
The winds of change are blowing wild and free
You ain't seen nothing like me yet
Las tormentas rugen sobre el mar revuelto
y sobre la rutacarretera del arrepentimiento
los vientos del cambio soplan salvajes y libres
aún no has visto nada como yo
I could make you happy, make your dreams come true
Nothing that I wouldn't do
Go to the ends of the earth for you
To make you feel my love
Podría hacerte feliz, convertir tus sueños realidad
no hay nada que no pudiera hacer
Iría al fin del mundo por ti
para hacerte sentir mi amor.
Copyright © 1997 Special Rider Music
Time Out Of Mind
Hope you enjoy it, bobcats! Ah, you are not a bobcat and you need more info? Then buy Modern Times or any of the other 49 offical BD records in www.bobdylan.com. Still need more info? Then go to the next concert! See you there! (Less) Channel: youtube
27,
05:02,
2008-04-22 10:41:43
Description: http://rocko.blogia.com/2007/022601-lolita-segun-dylan.php "Lolita, luz de mi vida, fuego de mis entrañas, mi pecado, mi alma", es la primera invocación del narrador Humbert (More) http://rocko.blogia.com/2007/022601-lolita-segun-dylan.php "Lolita, luz de mi vida, fuego de mis entrañas, mi pecado, mi alma", es la primera invocación del narrador Humbert Humbert, quien en su oscura infancia europea se enamoró impúdica y frenéticamente de una niña de su edad llamada Annabel, muerta de tifus cuatro meses después de su primera y última agonía estival: "nos queríamos con un amor prematuro, con la violencia que a menudo destruye vidas adultas". Desde entonces Humbert niño, Humbert adolescente y Humbert adulto sólo ha deseado "nínfulas". Para Bob Dylan, Scarlet Johansson es esa criatura ninfica cuasi demoníaca escogida que añora y la única capaz de robarle un poema, que hecha balada, le canta al oido: "In the still of the night, in the world's ancient light / Where wisdom grows up in strife / My bewildered brain, toils in vain / Through the darkness on the pathways of life / Each invisible prayer is like a cloud in the air / Tomorrow keeps turning around / We live and we die, we know not why / But I'll be with you when the deal goes down" (When the Deal Goes Down). Claro que Scarlett no tiene 12 años y Dylan no es un cuarentón, las distancias son mayores pero el efecto Lolita le queda impecable y virósicamente de manifiesto a Scarlett en el videoclip absolutamente protagonizado por la actriz y que dirigió Bennett Miller --responsable de Capote-- para la canción "When the Deal Goes Down" de Bob Dylan. Allí, el cantautor canta, pero no aparece sino en una obsesiva mirada subjetiva digna de Humbert Humbert. Allí, Dylan sólo tiene ojos --y no tiene cuerpo-- para mirar a Scarlett sonriendo, leyendo, durmiendo. Sutiles y mínimas alusiones a Woody Guthrie, Buddy Holly y Hank Williams y texturas retro--Súper 8 nos recuerdan de tanto en tanto que lo que estamos viendo y oyendo es un video de Dylan y no un descarado ejercicio de adoración por la pequeña gran rubia, -(Odiamos tanto a Scarlett)- que en caso de que así fuera es perdonable a Dylan. Continua... http://rocko.blogia.com/2007/022601-lolita-segun-dylan.php (Less) Channel: youtube
11,
01:41,
2007-07-28 23:30:53
Description: A couple minutes of Bob Dylan performing "Thunder on the Mountain" from the Tucson, Arizona show on July 24, 2007.
Channel: youtube
11,
01:41,
2008-04-22 10:41:44
Description: A couple minutes of Bob Dylan performing "Thunder on the Mountain" from the Tucson, Arizona show on July 24, 2007.
Channel: youtube
7,
03:12,
2008-04-22 10:41:44
Description: bob dylan and his band playing thunder on the mountain at the burswood dome in perth
Channel: youtube
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