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2008-05-13 15:02:53 Description: Set in the competitive world of synchronised swimming, WATER LILIES is a brilliantly observed portrait of female adolescence. The film centres around three 15-year-old-girls who experience first love (More) Set in the competitive world of synchronised swimming, WATER LILIES is a brilliantly observed portrait of female adolescence. The film centres around three 15-year-old-girls who experience first love in very different ways. WATER LILIES is the directorial debut of twenty-seven year-old Céline Sciamma and stars newcomers Pauline Acquart, Louise Blachère, Adèle Haenel and Warren Jacquin. Premiering at the 2007 Cannes Film Festival in Un Certain Regard, Sciamma and her young cast were widely hailed as among the most talented newcomers to emerge from the festival.
Cast
Marie Pauline Acquart
Anne Louise Blachère
Floriane Adèle Haenel
François Warren Jacquin
Céline Sciamma Biography
Céline Sciamma is 28. She grew up in the suburbs. After a masters degree in French literature, she was admitted to La Femis where she took screenwriting courses. She shares her work between collaborations with directors and writing features and television projects. Water Lilies is her first feature film.
Winner of the Junior Best Screenplay Award 2006 organized by Barbara and Philippe Maynial with the support of France 3.
Para One, aka Jean Baptiste de Laubier was born in Orleans in 1979. He is a French Electro/Hip Hop/Pop composer and producer. In 2001, he released the EP Blue Rain. In 2002, he joined the Atelier, completed the album Buffet des Anciens élèves and released the EP Beat Down. Para One collaborated with TTC on the album Batards Sensibles where he produced the already cult Dans le Club, as well as their last album 3615 TTC. In 2006, he released his first solo album Epiphanie on the Institubes label and remixed Daft Punk. Having graduated from La fémis directing department, he is writing his first feature.
Crystel Fournier is Director of Photography. She graduated from La fémis in 1998. She has shot over 10 features including Dreams of Dust (premiered in 2006 at Sundance) by Laurent Salgues, The Man who wanted a Child (2006) and Carnage (2001) by Delphine Gleize (2001), Burnt out (winner in 2005 at San Sebastian) by Fabienne Godet, Orlando Vargas (2005) by Juan Pittaluga, Why (Not) Brazil? (2004) by Laetitia Masson and Clement (2001) by Emmanuelle Bercot.
Crew
Written and Directed by Céline Sciamma
Music Para One
Casting Christel Baras - Laure Cochener
Director of Photography Crystel Fournier
Sound Pierre André
Editing Julien Lacheray
Mixing Daniel Sobrino
First Assistant Director Delphine Daull
Script Roselyne Bellec
Coach Véronique Ruggia
Production Design Gwendal Bescond
Line Producer Maud Quiffet
Costumes Marine Chauveau
Make-up Marie Luiset
Producers Bénédicte Couvreur - Jérôme Dopffer
A Les Productions Balthazar presentation, in association with the Centre National de la Cinématographie, with the participation of Canal +, with the support of Région Ile de France, with the participation of Arte/Cofinova3.
Also Known As (AKA)
Ninféias / Brazil (festival title)
Pieuvres, Les / France (working title)
Water Lilies / International (English title)
Nilüferler / Turkey
Plot Keyword: Synchronized Swimming, Female Full Frontal Nudity, Medal, Female Frontal Nudity, Sex, Friendship, Female Nudity, Swimming Underwater, Pretty Girl, Teenage Sexuality, Necklace, Teenager, Lesbianism, Shower Scene, Loss Of Virginity, Bus, Defloration, Teen, Nudity, Coming Of Age, Dog, Swimming Pool, Fat Girl, Kissing, Lesbian Kiss, Lesbian. (Less)
Channel: youtubeTags: Age Bus Coming Defloration Dog Fat Girl Kissing Lesbianism Loss Nudity Of Pool Scene Shower Swimming Teen Virginity
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1472, 04:00, 2008-04-01 22:34:16 Description: This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series (More) This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. (Less)
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830, 03:26, 2008-01-22 23:11:32 Description: Read the latest interview with the author at http://growabrain.typepad.com/growabrain/2008/01/the-transformat.html
http://chapter1thetransformations.blogspot.com/
Book Review- The (More) Read the latest interview with the author at http://growabrain.typepad.com/growabrain/2008/01/the-transformat.html
http://chapter1thetransformations.blogspot.com/
Book Review- The Transformations by Dex Quire.
Review: The Transformations, a Tale of Modern Sin by Dex Quire
Dis jus show up in me mailbox 1 day, I thought mi wud review in pic form...
It b on Amazon in papabak and eBookz
tinyurl.com/2yesmg
Or jus search fo Dex Quire on da Amazon ting...
Mangoes and Melons...
Aleria the Brave
Transcript of Full Video--------------
Diss be Aleria. Me be reviewing diss new book The Transformations by Seattle writer Dex Quire.
The book be about a young guy who like the porn.
He likes both the x rated magazines and the videoz.
He spend a lot of time and money on da porn.
He wanna be like a pornostar so he can get all dem hot girlz. And den he notice in the back, all kinds of ads.
ads he thinks may help him to be a male porno man. So he can get with all the ladies.
You probably seen deez ads before, unless you been livin under some rockz.
The Ads that promise to make bigger, harder, longer and thicker.
Send your money now and in one week, you'll be sportin a new hard rod.
You know about dese ads, you get them everyday in your email.
You think someone, somewhere, must have had results, or else why would they be selling them?
So He finally break down and order some cream, so he can have a shot at being a male porno man like he always dream of. So he can have sex with all the porn ladies of his dreamz.
But you know what? He don't turn into a porno star. He turn into a fuckin donkey. Datz right. A Fucking donkey.
He gets captured after a wild chase through the University District. And installed in the Landwood Park Zoo, where a herd of police stallions attempt to gang rape him.
He escapes and finds Nobi, an old beer drinking elephant with whom he becomes friends.
Then the zoo is attacked by donkey molesting eco terrorists, and carnage results.
For bringing bad luck to the zoo, he is sold to the praise Jesus Commune, a local farm based cult that bakes pies and breads, which enslaves him into their labors in preparing for the end of the world.
He is dragged into an ill conceived and corrupt donkey basketball game, where he turns the tables on his opressive masters. Finally they can stand him no more, and ship him off in a tramp freighter to the Mexican branch of the same cult.
Aboard the boat, he meets a sad little boy who teaches him to speak spanish, and inspires a bout of epicurean cooking with the ships onboard chef.
In Mexico, he is forced to become a beach taxi donkey, earning money for the cult. When he lusts after the ladies on the beach, he is turned over to a variety of other labors, none of which turn out well.
Believing he is about to be part of a donkey and college girl sex show, he is led willingly into the mountains, only to learn he is now in more serious trouble than ever. After saving a lovely girl from a pack of bandits, he is pressed into service at a mariwana farm.
In the final climax, he flies high and gets so stoned that he may never come down again. He may be blown up or shot down, I can't tell you any more than that. But that it's a 420 friendly trip.
Does he ever turn back into a man you ask?
I'll leave that for you to find out...
I see it is available on Amazon in paperback and also e book download, just search for Dex Quire or The Transformations. (Less)
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522, 10:57, 2009-07-02 09:35:17 Description: To see the entire film, you can buy the dvd here: www.amazon.com It's Shakespeare with skin in "The Secret Sex Lives of Romeo and Juliet", an outrageously bawdy, sexed-up version of the (More) To see the entire film, you can buy the dvd here: www.amazon.com It's Shakespeare with skin in "The Secret Sex Lives of Romeo and Juliet", an outrageously bawdy, sexed-up version of the world's most famous love story! A crackpot cast of mostly busty redheads performs the immortal tale of two lovers who end up loving just about everyone amidst a non-stop barrage of dumb jokes, gleeful nudity, rambunctious sex scenes, whipping, whipped cream, Derrick the Horny Hunchback, and literature's most ... (Less)
Channel: youtubeTags: pirated video exploitation horror grindhouse lesbian gay drugs sailorshideout art house cult film crappy movie Secret Sex Lives of Romeo Juliet 20
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464, 04:00, 2008-04-01 22:49:01 Description: This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series (More) This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. (Less)
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372, 06:43, 2007-07-18 09:15:45 Description: mircan kaya fincanın etrafı
MIRCAN
Batum göçmeni Megrel bir ailenin kızı olarak Karadeniz'in bir dağ köyünde başlayan yaşamı aslında onun yanık (More) mircan kaya fincanın etrafı
MIRCAN
Batum göçmeni Megrel bir ailenin kızı olarak Karadeniz'in bir dağ köyünde başlayan yaşamı aslında onun yanık müziğinin asıl kaynağıdır. İlk çocukluk yılları egzotik bir coğrafyada geçmiş, müzikle ilişkisi doğanın sesleri ile kuşatılmış olduğu bu yıllarda başlamıştır. Dinleme aşaması diye tanımladığı bu dönemde dilsiz denebilecek kadar sessiz kalmayı tercih edip her türlü sese ( insan sesi, nehir ve derelerin sesi, rüzgarın, yaprak hışırtılarının sesi , ateş böceklerinin, ağustos böceklerinin, ineklerin sesi, atların, odun ateşinin sesi, sallanan bir beşiğin, ağlayan bir bebeğin sesi, toprak küpte tereyağı ve ayran çıkarmak için ritmik olarak dövülen sütten çıkan ses, derin karanlığın ve sessizliğin sesi, duaların, ezan ve sala sesi, ağlayan, ağıt yakan kadınların sesi, uzak dağlarda türkü söyleyerek iş yapan megrel kadınların sesi......) yoğun dikkatle kulak verdiği yıllardır.
Şarkı söylemeye bebek denebilecek kadar küçükken başlamış ancak çocuk şarkıları değil yetişkinler için yapılan müziği seslendirmeyi tercih etmiştir. İlkokul yıllarında, ailece davetli olarak gittikleri düğünlerde sahneye çıkıp, orkestra ile şarkı söylemek olağan bir etkinliğe dönüşmüştür onun için. Yaşının çok küçük olması nedeniyle Türk Sanat Müziği parçalarını yetişkin edasıyla söylemesi dinleyenleri şaşkınlıkla gülümsetir.
Yollara, keşiflere, öğrenmeye olan tutkusu ilk çocukluk yıllarından beri yaşamına yön vermiştir.
Üstün yetenekli olarak tanımlandığı tüm okul yaşamı boyunca bilim, sanat, spor ve yaşama dair ne varsa ayrım yapmaksızın yaşamına katmaya adamıştır kendini.
Yaşadıkları mahallede bulunan ve her gün önünden geçtiği müzik mağazasının vitrininde görüp de göz koyduğu ilk gitarını edinip sonra da müzik öğretmeni olan mağaza sahibine gidip ders almak istediğini söylediğinde on iki yaşındadır ve ilk tıngırdattığı ezgi: Uzun İnce Bir Yoldayım.
Bu arada küçümsenemeyecek bir şarkı repertuarı oluşmuş ve hemen her ders sonunda öğretmenlerinin isteği ile şarkı söylemektedir. Ortaokulu birincilikle bitirip Nişantaşı Kız Lisesi'ne başladığında ucuz gitarı ve çalıp söyledikleri yetersiz gelmeye başlamıştır. Her gün yürüdüğü yolun üzerinde bulunan ve hemen her gün uğradığı müzik mağazasının kapısında asılı ilanı gördüğünde on altı yaşındadır. Musevi gitar öğretmeninin telefonunu kaydedip ders almak istediğini söyler. Biriktirdiği harçlıklarını gitar derslerine ayırır. Gitar öğretmeni elinden tutup yeni bir gitar almak üzere onu Tünel'e götürdüğünde on yedi yaşındadır. Bu yeni siyah caz gitarını alabilmek, okul birincisi olduğu için babası tarafından kendisine armağan edilen altın madalyaya mal olacaktır. Kısa bir süre önce kaybettiği babasının ruhundan af dileyerek madalyayı iyi bir amaç için kullandığını söyleyerek gitarı alır.
Yeni gitarı ve öğretmeni ile şarkıları renklenir. İlk bestesini yaptığında on yedi yaşındadır. İngilizce yazıştığı yirmiye yakın mektup arkadaşının etkisi ile olsa gerek: "I love you very much, I know impossible to touch....." ve "Köyüm ılgıt ılgıt menekşe kokar şimdi, ah yüreğim yanıyor..."
Üniversiteye girdiği yıl bir karar vermiştir: Bu okuldan mühendis olarak mezun olduğumda okunması gereken tüm sanat eserlerini okumuş olacağım, çok iyi gitar çalıp söyleyeceğim, İngilizce'mi Arapça'mı ileri seviyeye çıkaracağım, yürümem gereken tüm yolları yürüyecek, dans edeceğim. Üniversite yılları bu etkinliklerle dolu hummalı yıllardır. Dersler, Klasik Türk Müziği Korosu, folklor, estetik jimnastik, İngiliz Kültür Derneği kütüphanesi, Üniversite kütüphanesi, Libya Konsolosluğu, senfonik rock grubu...uykusuz ama müzik dolu geceler........İlk gerçek yolculuğunu bu yıllarda yapar. Burs kazanarak gittiği Ürdün, orada geçirdiği zaman, Petra, gizemli çöl atmosferi, ölü deniz ve petra yollarında söylenen doğaçtan mırıldanmalar, bundan sonraki yolları hazırlayacaktır. Öğrencilerin uğurlanacağı günün öncesi yapılan gecede Ürdün Üniversitesi rektörü tarafından sahneye çağrılacak ve alnından eksik etmediği bantı ile, bir yerlerden bulup getirilen elektro gitar ile parmakları titreyerek "yesterday"ı söyleyecektir.
Arkadaşları ile kurduğu senfonik rock grubu ile beste çalışmaları yaparlar. Onlarca kasede doğaçtan yapılmış şarkılar kaydedilir. İngiliz Edebiyatı okuyan grubun piyanisti, İngiliz Dili ve Edebiyatı okuyan davulcusu, ressam ve mühendis gitaristi ile Adgar Allan Poe , Gülten Akın Metin Eloğlu gibi şairlerin şiirlerini bestelerler. Bu dönemde Ergüder Yoldaş ile de bir süre çalışır. Gitar çalıp şarkı söylerken onu dinledikten sonra, Ergüder Yoldaş hemen bir menajer tutup onu tiyatro ve müzik camiasına tanıtma girişimlerinde bulunacak ancak o kendi yoluna gitmek üzere bu camiayı terkedecektir.
Grup çalışmaları gitar ile olan ilişkisini ciddi anlamda sekteye uğratacak ve gitarı, tek başına şarkı söylediği zaman ona ritm eşliği yapacak bir eşlikçiye dönüşecektir. Altı yıl kadar süren grup çalışmaları bir ürün ortaya çıkaramadan sona erer.
Boğaziçi Üniversitesi'nde master yapmaya karar verdiğinde iki çocuk annesidir. Bu arada
önce hem musluklarımızdan akan içme suyuna ait şebekenin matematik modelleme projesinin kilit mühendisi olarak, hem de daha sonra ileri mühendislik teknolojileri üzerine Fransızlarla çalışır. Fransa'da Chevire köprüsün' de eğitim görür. Onlarca binanın projesini bitirir. Azerbaycan Samur Apşeron Sulama Projesi'ni Proje Müdürü olarak tamamlar. Uluslar arası konferanslarda sunumlar yapar ve ileri mühendislik teknolojileri ile ilgili pek çok konferans düzenler. Hayatının hiçbir döneminde bilimi sanattan ayırmak gereği duymaz, yaratıcılığın yalnızca sanata mahsus bir kavram olmadığı bilinciyle çalışır.
Son üç yıldır geleneksel müzikle ilgili çalışmalar yapıyor. Annelik deneyimini yansıttığı "BİZİM NİNNİLER" den sonra yayınlanan yeni albümü "KÜL" geleneksel ezgilerden oluşuyor. Acı ve hüzünle açılan ancak barış, sevgi ve huzurla biten bir müzikal yolculuk. Neşet Ertaş türkülerinin yanısıra, Anadolu'nun farklı yörelerinden anonim türküler ile yalnızca insan sesiyle yorumlanmış bir Gürcü parça var. Albüm, yaralı bir toplum olan Boşnak halkına ait bir barış türküsü ile bitiyor: "Dunjaluje Golem Ti Si, yani "Bütün Dünya ve İnsanları, Siz Muhteşemsiniz". KALAN MÜZİK' ten çıkan albümde Muammer Ketençoğlu, Derya Türkan, Emin İgüs, Birol Topaloğlu gibi geleneksel müzik ustalarının emeği var. Albüm çalışması sürerken üç boyutlu yapı analizleri yapmak üzere Cezayir'e gitmiş. Gündüz analiz yapmış, gecenin ilerleyen saatlerinde ise internet üzerinden Cezayir geleneksel müziğini araştırmış. Bugün, dünyanın en büyük firmalarından birinin Türkiye Temsilcisi olarak deprem teknolojileri üzerine çalışıyor. Deprem teknolojilerinin dışında, İtalyan meslektaşları ile en çok konuştuğu konu İtalyan geleneksel müziği. Padova Üniversitesi konferans salonunda sunum yaptıktan sonra, Padova sokaklarında sokak müzisyenleri ile muhabbet etmek hatta bazen eşlik etmek....ve hayatı böyle yaşayabilmek absürd değildir onun için. Çalışma masasının bir yarısı mühendislik kitapları, diğer yarısı ise müzik, edebiyat ve felsefe kitaplarıyla dolu. Adorno, Sontag, Canetti, Sartre, Mahmud Derviş, Nietche, Edward Said......
Formel bir müzik eğitimi almamış olmak ve dayatılmış nosyonlardan yoksun kalmak onun için bir avantajdır. Özgür doğaçlama yapmaya tutkun biri olarak bugüne kadar müzikal anlamda benimsemiş olduğu tavırla kendi müziğini yaratabilmek en büyük arzusu.
KÜL albümündeki tüm geri vokaller doğaçtan yapılmıştır. Tüm kayıtlar bittikten sonra geri vokaller, planlanmadan, dikte edilmeden, kendiliğinden ortaya çıkmış ve kaydedilmiştir. Müzisyenlere partisyonlar dikte edilmemiştir.
Bundan sonraki düşü, müzisyenlere hiçbir şeyin dikte edilmediği, her müzisyenin hissettiği gibi katıldığı, önceden aranje edilmemiş gerçek kollektif bir çalışmayı ortaya çıkarabilmektir.
Müzikal çeşitliliği, alt Megrel kimlikten evrensel kimliğe yönelimli yaşam yolculuğundan beslenir. Yok olmaya yüz tutan alt kimliği müzikle evrensel olana taşıyabilmek, sahip olmaktan sonsuz haz duyduğu ve müzisyene bahşedilmiş olduğunu düşündüğü bir ayrıcalıktır.
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MIRCAN
Born in a mountain village in the Black Sea Region of Turkey, as the daughter of a Megrellian family who had migrated from Georgia , Mircan's life is the main source of her passionate music. Her early childhood years were passed in an exotic geography and her relationship with music started in those years when, captured by the sounds of nature around, she underwent a period of intense listening and was thought to be dumb. Ever since, Mircan has preferred silence, in order to conjure up the sounds of nature -- of human voices, rivers and streams, the winds, leaves, fireflies, cicadas, cows, horses, wood fire, a rocking cradle, a crying baby, the sound rising from the milk beaten rhythmically in the earthenware pots to make butter and ayran, the sound of the deep darkness and silence, praise and prayers, the sound of ezan and psalms, of crying women singing psalms, the sound from the far mountains of the Megrellian women improvising ethnic vocals....
Mircan started singing very early, in infancy, preferring to sing adult songs, rather than those for babies and children. Singing with orchestras in wedding ceremonies gradually became an ordinary activity for her. At an early age, her singing of classical Turkish Music would produce smiles of surprise in her listeners. At twelve, Mircan went to the local music shop and bought the guitar she had chosen. She asked the owner of the shop, who was a music teacher, for guitar lessons. The first melody she tried to play was ASIK VEYSEL's "Uzun ince Bir yoldayim -- I am on a road long and narrow."
By the time she was studying at Istanbul Nisantasi Girl's High School, she felt the need for songs that demanded more of her. At 16, having seen and ad on the door of the big music shop she used to walk past everyday, she took down the number of a Jewish guitar teacher, called him and said she would like to have lessons . Not long afterward, the teacher took her to Tunel to buy a new guitar. To buy that brand new black jazz guitar, she had to sell the golden medal her father had given her for being the most successful student at school. For the price of the guitar she had to ask forgiveness from the soul of her father.
Mircan's songs became more colorful with her new guitar. At seventeen, she sang the first of her own songs. Probably because of her longstanding pen-friends, that first song was in English: "I love you very much, I know impossible to touch" and "My village smells gently violates, oh my heart is burning..."
When she started at university, she made the decision to graduate having read all the essential art and literature, learnt to play the guitar very well, reached an advance level of English and Arabic, walked all the roads in mind, and danced. So she worked hard in Classical Turkish Music Chorus, traditional folk dance, aesthetic gymnastics, library of British Cultural Center , university library, Consulate of Libya, a symphonic rock group....sleepless nights full of music....
She made her first real journey during these years -- to Jordan , where she went with a scholarship given by the university. There, she found Petra , the mysterious desert atmosphere, the DeadSea. Her improvised murmurs along the path to Petra were to pave future roads. The night before her departure, she was invited onto the stage by the President of the University of Jordan , where she sang "Yesterday", with her trembling fingers on a guitar produced from somewhere, wearing the Indian head band she was unable to give up in those years.
She and her friends formed a rock band and wrote several songs, which they improvised to produce dozens of cassettes. The pianist had been educated in English Literature, and the drummer, in English Language and Literature, while the guitar player, who was a mechanical engineer and a painter, had also written songs using the poems of Edgar Allan Poe, Gulten Akin, Metin Eloglu and others. During this period, Mircan also studied with Erguder Yoldas who, on first hearing her playing guitar and singing, decided he would be her manager. He tried to introduce her to the theater and music communities, but this group environment was a distraction, and interrupted the development of instrumental virtuosity -- turning the act of playing guitar into an accompaniment while singing. Although it lasted more than six years, the group crashed without any product.
Mircan was the mother of two children when she decided to do a masters degree in Earthquake Engineering, at the Bogazici University . In the meantime, she was the key engineer of a French company which built the computer-based mathematical model of Istanbul 's drinking water network. Then she was given three years of work and training with another French Company on advanced civil engineering technologies, during which she had a training session on Chevire Bridge in France . She has given papers at international conferences, and organized seminars on the technologies she works with.
A passion for journeys, discovery and learning has been at the centre of Mircan's life from her early childhood. Academically gifted, she has always seen the life of mind and body in unity. Mircan makes no distinction between art and science, and she is fully dedicated in her work, believing that creativity is not only for the arts.
In the last three years, she has performed ethnic & traditional music. BIZIM NINNILER, an album of traditional lullabies, reflects her experience of motherhood. Her 2005 album KÜL brings a unique and beautiful sound to traditional songs in a musical journey through love, loss and pain, to peace and joy. Along with the songs by Neset Ertas, the album has songs from different regions of Anatolia , and a song performed with only human voices. The album ends with a peace song "Dunjaluje golem tý si" which means "The world and it's people, you are great", from Bosnia , a wounded nation. Released by KALAN MUSIC, KÜL was produced with the contribution of such masters of traditional music as Muammer Ketençoglu, Derya Türkan, Emin Ýgüs, Birol Topaloðlu.
While recording the album, Mircan went to Algeria to make a three dimensional structural analysis for a treatment plant project where she worked as an engineer during the day, and a musician in the night. She currently works as the exclusive representative of a company which is a world-leader on seismic technologies. She travels frequently to Italy , where she often finds herself chatting with her Italian colleagues about Italian traditional music. She might be found accompanying the street musicians after presenting an engineering paper in the conference hall in Padova University . Her office desk is shared by publications on engineering and literature/philosophy/arts: Adorno, Sontag, Canetti, Sartre, Mahmud Dervish, Edward Said....
Mircan has turned her lack of formal musical education, and of any limiting precepts or proscriptions, to advantage. As a person with a passion for free improvisation, her desire is to create her own music with her own musical philosophy. All the back vocals in KÜL are improvised, added after all the recordings were done, without any planning or notation. Her next dream is to create a musical work produced collectively by the instinctive participation of all the musicians involved without any dictation. Her musical originality springs from her unique life journey from the particular Megrellian sub-identity, outward into general citizenship of the world. Mircan is intensely proud and grateful to have a gift by which she can lift the sub-identity to prominence through music.
-www.mircan.net- (Less)
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357, 00:58, 2007-06-18 07:17:57 Description: HOLY VOWS. There's no escape,our poor old spook is frogmarched into the church like a lamb to the alter and gets spliced, ties the knot next stop the honeymoon.There's no turning back.A (More) HOLY VOWS. There's no escape,our poor old spook is frogmarched into the church like a lamb to the alter and gets spliced, ties the knot next stop the honeymoon.There's no turning back.A ghost is a paranormal phenomenon, usually thought to be the spirit of a person remaining on Earth after physical death.
Ghost can also refer to:
[edit] Entertainment
[edit] Art
Ghost (artist), a graffiti artist
Ghost print, a method of mono-printing
[edit] Film
Ghost (film), a 1990 film starring Demi Moore, Whoopi Goldberg, and Patrick Swayze
Ghosts (1997 film), a forty-minute short film produced by Michael Jackson centered around the song of the same name.
Ghosts (2006 film), a 2006 film, directed by Nick Broomfield, telling the story of the cockle-pickers at Morecambe bay, and the events that lead to the disaster.
Ghost (Matrix character), a character in The Matrix Reloaded and The Matrix Revolutions
[edit] Games
Ghost (game), a word game
Ghost (chess), an amateur chess engine for the XBoard protocol
Ghost, a vehicle from the video game Halo: Combat Evolved.
Ghost Recon, a first-person shooter
StarCraft: Ghost, a console third-person shooter video game taking place in the StarCraft universe. It derives its name from the Ghost special operations unit
Ghosts (board game), a board game
Ghost, an enemy in Pac-Man.
Ghost (video games), an opponent whose movement patterns are based on ghost data taken from a real player
Ghouls 'n Ghosts
Super Ghouls 'n Ghosts, a platform game for the Super Nintendo Entertainment System
Ghost Pokémon, a Pokémon type
Ghost (Matrix character), the name of one of two main playable characters in the Enter the Matrix video game
Ghost (Dungeons & Dragons), is an undead monster in the game
Terran spies in the game StarCraft.
Ghost, the player's co-pilot in the game Sewer Shark.
[edit] Literature
Ghosts (play), a play by the Norwegian playwright Henrik Ibsen
The Ghost in the Machine is a philosophical work by Arthur Koestler.
Ghost (comics), a number of characters and titles:
Ghost (Dark Horse comics), a superheroine from Dark Horse Comics and her eponymous comic book series
Ghost (Marvel Comics), a supervillain, part of the Marvel Universe
Ghosts (DC Comics), a series of supernatural themed comic books published by DC Comics.
The Ghost (Nedor), a Nedor Comics superhero from the Golden Age of Comics
Ghosts (novel), one of the three novels of Paul Auster's New York Trilogy
A ghostwriter is an author who writes under someone else's name
Ghost in the Shell (manga), a Japanese science fiction manga created by Masamune Shirow. For all the sequels and spin-offs see:
Ghost in the Shell (disambiguation)
Ghost (Piers Anthony novel), the title of a science fiction novel by author Piers Anthony
Ghost (John Ringo novel), a novel by the Military sci-fi author John Ringo
"Ghost" (Niven) is the framing story for the fixup Crashlander by Larry Niven
Ghost, the name of a starring character of the novel Lost Souls by author Poppy Z. Brite. He is also featured in numerous short stories by the same author. See: Steve Finn and Ghost
Ghosts (Harry Potter): The ghosts in the Harry Potter series by JK Rowling.
[edit] Music
Ghost note, a purposely unemphasized note in musical compositions
Ghostly International, a record label
"Ghost", a song by the band Neutral Milk Hotel off of their album In the Aeroplane Over the Sea.
[edit] Artists
Amanda Ghost, an associate with James Blunt in the making of You're Beautiful
Ghost (band), a psychedelic music group
Ghost (producer), a British Hip Hop producer
Ghosts (band), a British indie/pop band
Ghostface Killah, a New York rapper and member of the Wu-Tang Clan
Styles P, Yonkers, New York rapper. Member of D-block/The L.O.X. Nickname "The Ghost".
[edit] Compositions
Ghosts, an album by Sleeping at Last
Ghosts (album), an album by Siobhan Donaghy
"Ghost" (Phish song), a song by Phish on the 1998 album The Story of the Ghost
"Ghost" (Pearl Jam song), a song by Pearl Jam on the 2002 album Riot Act
"Ghost" (Clutch song), a song by Clutch on the 2004 album Blast Tyrant
"Ghosts" (Kansas song), a song by Kansas on the 1988 album In the Spirit of Things
"Ghosts" (Robbie Williams song) is a song by Robbie Williams on the 2005 album Intensive Care
"Ghosts" (Japan song), a hit single by Japan from the 1981 album Tin Drum
"Ghosts" (Michael Jackson), a single by Michael Jackson on the album Blood on the Dance Floor: HIStory in the Mix
"Ghosts" (Albert Ayler), a composition by free jazz saxophonist Albert Ayler
"Ghosts", a song by Shellac from their 2000 album 1000 Hurts
[edit] Science
Faddeev-Popov ghost, an auxiliary field which appears in quantum field theories involving redundancies of description, such as gauge theories
Pauli-Villars ghost, in quantum field theory, a field whose kinetic term is of the wrong sign
Tachyon ghosts - hypothetical faster than light particles which can have negative energy.
Ghosts are also a name for the structures that form when blood is submerged in water. The red blood cells explode, leaving small spheres of phospholipids. These are the "ghosts".
[edit] Technology
Ghosting (television), an image on a television screen that doesn't belong to the programme in question
Ghost (software), a computer disk cloning program
Ghost (IRC), a technical glitch in Internet Relay Chat
Ghost (audio), a next-generation audio codec by Xiph.Org
In stage lighting, a light is considered to be ghosting if it remains lit, despite efforts to turn it off
In radars, a multipath signal return that incorrectly appears to the radar receiver as a valid target. See: Radar#Clutter
In object-oriented programming, a ghost is an object with no reference and therefore serves no purpose in the program. See: Object (computer science)#Objects in object-oriented programming
[edit] Religion
Hungry ghost realm is one of the realms of samsaric existence in Buddhist belief
The Holy Ghost is another name for the Holy Spirit in most variations of the Christian religion
[edit] History
The Ghost Army of World War II
[edit] Clothes
Ghost, a British designer label founded by Tanya Sarne, characterized by its use of crushed viscose and its delicate colors.
[edit] Other
Ghost, the name for a mind hosted/trapped into a computer by the mean of mind uploading. Resulting symbiotes are called ghosts computers or "ghostcomps". These names had been popularized by David Pulver in his GURPS books, and more recently in the anime Ghost in the Shell, see Ghost in the Shell (philosophy)#Ghosts. See also: infomorph
To ghost can also mean to stalk a group of people, capturing or killing them in swift hit and run attacks. An example of this can be seen in the movie Predator, where the alien Predator remains hidden as it stalks the soldiers through the forest, picking them off one by one in surprise attacks.
Ghost, a person believed to be dead, officially or unofficially, when in fact they are not
Ghost, a person who exhibits skills at stealth and stalking
Ghost inhale, a smoking technique not to be confused with a similar technique, Ghost hit, when one inhales smoke from marijuana and holds it, so when he exhales there is no smoke
Ghost, one possible English transliteration of the Urdu word for a type of lamb curry. See: Ghoust
Ghost detainee, a prisoner whose existence is not documented or acknowledged by his or her captors
Ghost light, an explained aerial phenomena seen around the world
Ghosts(episode title), the title of the second for The CW series Hidden Palms.
This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.
Retrieved from "http://en.wikipedia.org/wiki/Ghost_%28disambiguation%29"
Category: Disambiguation
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Channel: youtube Rate it: Rate:
297, 01:38, 2008-06-28 21:21:10 Description: Samurai Warriros 2(戦国無双 2) animation based on
Harukanaru Toki no Naka De OP! (Both of them are KOEI games)
Original Title in Nico(Japanese) :
(More) Samurai Warriros 2(戦国無双 2) animation based on
Harukanaru Toki no Naka De OP! (Both of them are KOEI games)
Original Title in Nico(Japanese) :
遙かのＯＰを戦国無双でやってみた
http://www.nicovideo.jp/watch/sm1342468
Original Description:
ムービーメーカーのフリーズっぷりに不義を感じつつ完成しました。前回未完成でうｐしたものにたくさん...
Casting, based on the order of appearance in the OP:
Akane Motomiya (元宮あかね) : Okuni
Minamoto no Yorihisa (源頼久) : Chosokabe Motochika
Tenma Morimura (森村天真) : Yukimura Sanada
Inori (イノリ) : Masamune Date
Shimon Nagareyama (流山詩紋) : Nagamasa Azai
Fujiwara no Takamichi (藤原鷹通) : Mitsunari Ishida
Tachibana no Tomomasa (橘友雅) : Magoichi Saika
Eisen (永泉) : Mitsuhide Akechi
Abe no Yasuaki (安倍泰明) : Kanetsugu Naoe
Fujihime (藤姫) : Gracia Hosokawa
Oni Clan
Sefuru (セフル) : Ranmaru Mori
Shirin (シリン) : Nouhime
Ikutidaal (イクティダール): Sakon Shima
Akuram (アクラム) : Shingen Takeda
Harukanaru Toki no Naka De, or in Jap 遙かなる時空の中で (Within the Expanse of a Distant Time) is a adventure - lovesims game produced by KOEI (same like Dynasty n Samurai Warriors).
The world of Harukanaru is based on the height of the Heian Period of Japanese history, and many aspects of Heian culture, as described in the great literature of the time, are depicted in the game.
The player play as a high school student, Akane Motomiya. Along with 2 of her schoolmate , Tenma & Shimon are sucked to old well.
When they awake, they are in Kyō (京), another world that resembles Kyoto during the Heian Period
ccording to the young scion of the Star Clan (星の一族?), Fujihime, Akane is the Ryūjin no Miko (龍神の神子 Priestess of the Dragon God) who has come to save Kyō from the ambitions of the Oni Clan (鬼の一族). In this task, the Akane has the help of eight men known as the Hachiyō (八葉), and her friends Tenma and Shimon number among them. Initially, Akane is bewildered by her new circumstances, but she gradually comes to face up to her own destiny and understand the world of Kyō.
In her journey, the player can choose one of 8 bachelors to develop a romantic relationship with them...
DISCLAIMER:
I DIDN'T MAKE THIS VIDEO.
I JUST FOUND IT ON NICOVIDEO.
ALL OF THE RIGHTS ARE ON KOEI CO. & SOMEONE WHO MADE THIS VIDEO
Info sources:
http://en.wikipedia.org/wiki/Harukanaru_Toki_no_Naka_de
LYIRICS
sONG :Haruka, Kimi no Moto e...
(Far Away, To Where You Are...)
Sung by Seki Tomokazu, Takahashi Naozumi, and Miyata Kouki
Harukanaru Toki no Naka De OP
Harukanaru toki o koe meguriau hito yo
Kimi dake o zutto sagashitsudzukete ita
Ikusen no kanashimi ni kuzuresou na toki wa
Setsunasa ga tomaru made koko ni iru kara
Aisuru koto no imi mo shiranai mama de mitsumete ita yo
Mujaki na sono hitomi ga amari ni mo kirei sugita seisa
Wasurekakete ita mono ga kyuu ni afuredashite
Namida ni nari nagarete yuku yo hikari mashite
Itsu made mo soba ni ite taisetsu na hito yo
Kimi dake o zutto sagashitsudzukete ita
Ikusen no yoru o koe meguriaeta kara
Kesshite mou hanasanai kimi no subete o
Umareta riyuu nante hontou wa moudou demo ii no sa
Ikite'ru hokorashisa o ima mune ni kanjirareru no nara
Bukiyou na mama de ii to mitomete kureta kara
Sukoshi dake suki ni nareta nda jibun no koto mo
Harukanaru toki o koe meguriau hito yo
Kimi dake o zutto mamoritsudzuketai
Ikusen no kanashimi ni kuzuresou na toki wa
Setsunasa ga tomaru made koko ni iru kara
Hitori ja nai sa mou nidoto
Itsu made mo soba ni ite taisetsu na hito yo
Kimi dake o zutto sagashitsudzukete ita
Ikusen no yoru o koe meguriaeta kara
Kesshite mou hanasanai kimi no subete o
Dakishimesasete kono mama
TRANSLATION :
You who I met by chance while crossing time and space
You alone are the one I've continued to search for all this time
Numerous sorrows seem to crumble away
Because I'll be here until this moment is over
Without really knowing the meaning of love, I was staring...
Looking at those innocent, excessively beautiful eyes
The feelings I'd been forgetting now suddenly overflow
They turn into tears and flow away as the light grows
I will be at your side for eternity, my beloved
You alone are the one I've continued to search for all this time
Because I crossed over so many nights to meet you
I will never let you go, body or soul
I don't know things like the reason for my birth, but that's all right
If I can now feel some pride in my heart
Because you said it was all right to be clumsy...
That's why I, too, fell a little in love with you.
You who I met by chance while crossing time and space
You alone are the one I want to protect
Numerous sorrows seem to crumble away
Because I'll be here until this moment is over
You won't ever be lonely again
I will be at your side for eternity, my beloved
It's you alone I've always been searching for
Because I crossed over so many nights to meet you
I will never let you go, body or soul
Let me embrace you like this
lAST WORD : eNJOY!! XD (Less)
Channel: youtubeTags: animation anime art de documentary experimental film filmmaker harukanaru interview koei manga musou naka nicovideo no okuni opening reel samurai sengoku short toki trailer tutorial warriors 出雲の阿国 戦国無双 真田 遙かなる時空の中で
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288, 03:55, 2008-04-21 16:13:58 Description: Print This book
This was inspired by an angel
Title (Make yours personal)
Pictures (optional)
http://upload.wikimedia.org/wikipedia/commons/9/9d/Mercurius.jpg/300px-Mercurius.jpg
(More) Print This book
This was inspired by an angel
Title (Make yours personal)
Pictures (optional)
http://upload.wikimedia.org/wikipedia/commons/9/9d/Mercurius.jpg/300px-Mercurius.jpg
http://altreligion.about.com/library/graphics/trismegistus.jpg
Wikipedia (core concepts)
Hermes trismegistus: http://en.wikipedia.org/wiki/Hermes_Trismegistus
Hermeticism: http://en.wikipedia.org/wiki/Hermeticism
Hermetism: http://en.wikipedia.org/wiki/Hermetism
Hermit: http://en.wikipedia.org/wiki/Hermit
Hermetica http://en.wikipedia.org/wiki/Hermetica
Thoth: http://en.wikipedia.org/wiki/Thoth
Hermes http://en.wikipedia.org/wiki/Hermes
Mercury (mythology) http://en.wikipedia.org/wiki/Mercury_(mythology)
Hermetic Qabalah http://en.wikipedia.org/wiki/Hermetic_Qabalah
Emerald Tablet http://en.wikipedia.org/wiki/Emerald_Tablet
Book of Thoth http://en.wikipedia.org/wiki/Book_of_Thoth
Archimedes Palimpsest http://en.wikipedia.org/wiki/Archimedes_Palimpsest
Theurgy http://en.wikipedia.org/wiki/Theurgy
Rosicrucianism http://en.wikipedia.org/wiki/Rosicrucianism
Magi http://en.wikipedia.org/wiki/Magi
Magician (paranormal) http://en.wikipedia.org/wiki/Magician_%28paranormal%29
Magician (fantasy) http://en.wikipedia.org/wiki/Wizard_%28fantasy%29
Kabbalah http://en.wikipedia.org/wiki/Kabbalah
Metatron http://en.wikipedia.org/wiki/Metatron
Sacred geometry http://en.wikipedia.org/wiki/Sacred_geometry
Tree of life http://en.wikipedia.org/wiki/Tree_of_life
Pythagorean theorem http://en.wikipedia.org/wiki/Pythagorean_theorem
Yahweh http://en.wikipedia.org/wiki/Yhvh
Tetragrammaton http://en.wikipedia.org/wiki/Tetragrammaton
Literature (Core Read)
The Emerald tablet of thoth http://www.crystalinks.com/emerald.html
The corpus Hermetica http://www.ancienttexts.org/library/egyptian/hermetica/index.html
The Corpus Hemeticum http://www.sacred-texts.com/chr/herm/
The Kybalion Hermetic philosophy of ancient egypt
http://www.hermetics.org/pdf/kybalion.pdf
The_Hymns_of_Hermes http://www.hermetics.org/pdf/gnosis/G.R.S._Mead_-_The_Hymns_of_Hermes_(Echoes_from_the_Gnosis_Vol.II).pdf
Thoth, the Hermes of Egypt http://www.hermetics.org/pdf/ancient/Patrick_Boylan_-_Thoth_The_Hermes_of_Egypt.pdf
The Hermetic Arcanum
http://www.hermetics.org/pdf/alchemy/hermeticarcanum.pdf
The_Path_of_Knowledge
http://www.hermetics.org/pdf/sacred/The_Path_of_Knowledge.pdf
Golden Tractate of Hermes Trismegistus
http://www.hermetics.org/pdf/alchemy/goldentractateofhermestrismegistus.pdf
Order of Hermes
http://hem.bredband.net/arenamontanus/Mage/ooh.html
http://hem.bredband.net/arenamontanus/Mage/ooh_page.html
http://www.glengarechcovenant.com/documents/OrderOfHermes.pdf
Books on Hermetics
The Magician's Companion: A Practical and Encyclopedic Guide
http://books.google.com/books?id=fFDzqDTrULYC
The New Hermetics: 21st Century Magick for Illumination and Power
http://www.scribd.com/doc/2204694/The-New-Hermetics-21st-Century-Magick-for-Illumination-and-Power-Jason-Augustus-Newcomb
Initiation Into Hermetics: A Course of Instruction of Magic Theory and Practice
http://athenaeum.asiya.org/Bardon_Initiation_into_Hermetics.pdf
Frabato the Magician
http://www.scribd.com/doc/301829/Frabato-The-Magician-
Key to True Quabbalah
http://www.asiya.org/athenaeum/Bardon_Key_to_the_True_Qabala.pdf
Book Search for those that got left out
http://books.google.com/books?ct=title&q=hermetics&lr=&sa=N&start=0
Sites
http://www.newhermetics.com/articles.shtml
Great vids on Hermeticism
Deepak Chopra - Way of the Wizard
http://video.google.com/videoplay?docid=-3313968958314441665
The Omnipotent Wizard Who Could Not Be Alone
http://video.google.com/videoplay?docid=6836825088347240830
Metaphysics "Hermetic Riddle"
http://www.youtube.com/watch?v=n7Ze6CzS7kk
magus
http://www.youtube.com/watch?v=uxjrOcJ_Bv8
HERMES TRISMEGISTUS
http://www.youtube.com/watch?v=CxhAtSZbFLI (spanish)
Secrets of the Occult The Magicians
http://www.veoh.com/videos/v70087683tePXxkr
Fictional Movie (Magus)
http://www.megavideo.com/?v=S6UPZ5KV
Will: I call to awaken the Sages of the ages on my quest for "Truth" and to obtain the Holy grail of understanding the key to the universe.
Intent : To use "Truth and knowledge to waken a sleeping world"
So I cast this msg in a bottle, into the informational sea of the universe not fishing for men but fishing for "Truth" So Thy will shall be done (Less)
Channel: youtubeTags: emarald hemetism Hermes hermetica Hermeticism hermit High mage magiacian magick sage tablet trismegistus wise Wizardry
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284, 06:01, 2008-07-12 09:31:47 Description: A good quality version can be downloaded from http://rapidshare.com/files/129134186/kuvempu_chethana.wmv.html
This famous, wonderful and thought provoking poem 'O Nanna Chethana' (O my (More) A good quality version can be downloaded from http://rapidshare.com/files/129134186/kuvempu_chethana.wmv.html
This famous, wonderful and thought provoking poem 'O Nanna Chethana' (O my spirit, transcend all boundaries) is written by the famous Kannada poet Dr.K.V. Puttappa(Kuvempu).
The song is the main pick from his famous collection 'Manuja Matha Vishwa Patha' (One world, one cast, one path). Kuvempu spreads the wonderful message of universal humanism among people.
This poem in particular inspires man to let his spirit/consciousness to break out of the narrow confines of home, religion and country, and become free to reach for the eternal and universal path.
Poet Dr. K. V. Puttappa (Kuvempu) is notably the greatest poet of 20th century Kannada literature. He was also a great writer, playwright. He has penned over 70 collections of poems, plays, novels each of which is a joy to read. Many of his works convey a profound social message applicable at all times. The epic 'Sri Ramayana Darshanam', his famous rewriting of the great ancient Indian epic Ramayana in modern Kannada won him the prestigious 'Jnanapeeth Award'. Living in the heart of western ghats at his house in Kuppali, Shimoga Dist, Karnataka it is said nature had considerable influence on many of his famous poems and writings.
http://en.wikipedia.org/wiki/Kuvempu
http://kuvempu.com/
http://ekavi.org/jnanpeeth.htm
Some other sources
http://www.kannadaaudio.com/Songs/Bhaavageethe/ONannaChetana/ONanna.ram
http://www.kannadaaudio.com/Songs/Bhaavageethe/BhaavaSangama/ONannaChetana.ram
Lyrics
ಓ ನನ್ನ ಚೇತನ, ಆಗು ಅನಿಕೇತನ!
ರೂಪರೂಪಗಳನು ದಾಟಿ, ನಾಮಕೋಟಿಗಳನು ಮೀಟಿ,
ಎದೆಯ ಬಿರಿಯ ಭಾವ ಬೀಸಿ,
ಓ ನನ್ನ ಓ ನನ್ನ ಚೇತನ, ಆಗು ಅನಿಕೇತನ!
ನೂರು ಮತದ ಹೊಟ್ಟ ತೂರಿ, ಎಲ್ಲ ತತ್ವದೆಲ್ಲೆ ಮೀರಿ,
ನಿರ್ದಿಗಂತವಾಗಿ ಏರಿ,
ಓ ನನ್ನ ಚೇತನ, ಆಗು ಅನಿಕೇತನ!
ಎಲ್ಲಿಯೂ ನಿಲ್ಲದಿರು, ಮನೆಯನೆಂದು ಕಟ್ಟದಿರು,
ಕೊನೆಯನೆಂದು ಮುಟ್ಟದಿರು,
ಓ ಅನಂತವಾಗಿರು
ಓ ನನ್ನ ಚೇತನ, ಆಗು ಅನಿಕೇತನ!
ಅನಂತ ತಾನ್ ಅನಂತವಾಗಿ, ಆಗುತಿಹನೆ ನಿತ್ಯ ಯೋಗಿ,
ಅನಂತ ನೀ ಅನಂತ ವಾಗು, ಆಗು ಆಗು ಆಗು,
ಓ ನನ್ನ ಚೇತನ, ಆಗು ಅನಿಕೇತನ! (Less)
Channel: youtubeTags: DrKVPuttapa Kannada KannadaLiterature KannadaPoetry Karnataka Kuvempu Manuja-mata-vishwa-patha oNannachethana
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281, 01:35, 2008-04-23 15:08:56 Description: It's the 1950s. Under President Eisenhower's administration, everyone has a house in the suburbs, a decent job, a gas-guzzling car, and a basic "Leave It to Beaver" lifestyle.
(More) It's the 1950s. Under President Eisenhower's administration, everyone has a house in the suburbs, a decent job, a gas-guzzling car, and a basic "Leave It to Beaver" lifestyle.
Not so, said Hubert Selby, in his novel, LAST EXIT TO BROOKLYN. For a good deal of the working class, times were still tough. Preyed upon by crime, toyed with by factory owners and unions, and, ultimately, shackled by their own ignorance, the working class had their promise of a white picket fence and primrose garden vacated. In Brooklyn, particularly, things were acutely tough. Manufacturing jobs were on a rapid decline, as companies moved out of town or out of state (which was why those companies remaining in Brooklyn were able to mess with their employees: take it or leave it, was their attitude). At the same time, an influx of immigrants seeking jobs made the hunt for work even more competitive--another bonus for the remaining factory owners. Slums rapidly worsened, so much so that Dodger owner Walter Alston decided his team's future was in jeopardy. L.A. looked like a much safer place for a stadium.
But neither Selby nor director Uli Edel portrayed this working class as merely innocent victims. Neither the book nor the film is a didactic rant about class warfare. The poor had their own vices of greed, brutality, and dissipation. Just about every other scene has someone going through someone else's wallets, union funds or pockets. If they aren't doing that, they're drinking, fighting, or whoring. It's a pretty dismal world. The natural response to this film might be: "Wait a minute. Not everyone working class Johnny-Punchclock guy was a criminal. Most people worked hard and honestly." Of course, this is true but it's not the film's concern. This is a study of those who were trapped in that world, and this study is compelling and horrifying.
Uli Edel has perfectly captured this bleak world, either bathing everything in a garish light or obscuring it in heavy shadows. The performances are brilliant. There's no understating Jennifer Jason Leigh's gritty and powerful performance. Also keep an eye out for a cameo by Hubert Selby as the driver who hits Georgette. Not for the weak-stomached and definitely not for kids, LAST EXIT TO BROOKLYN is as cinematographically close to the innermost circle of urban hell as you can get.
Director: Uli Edel.
Writers (WGA): Hubert Selby Jr. (book), Desmond Nakano (screenplay).
Cast: Stephen Lang, Jennifer Jason Leigh, Burt Young, Peter Dobson, Jerry Orbach, Stephen Baldwin, Jason Andrews, James Lorinz, Sam Rockwell, Maia Danziger, Camille Saviola, Ricki Lake, Cameron Johann, John Costelloe, Christopher Murney, Frank Acciarto, Lisa Passero, Mike Cicchetti, Nicholas J. Giangiulio, Alexis Arquette, Bernard Zette, Robi Martin, Sarah Rose, Julian Alexon, Robert Weil, Mark Boone Junior, Sylvie Spector, Colleen Flynn, Frank Military, David Warshofsky, Daniel O'Shea, Daniel Beer, Rutanya Alda, Al Shannon, Bruce Smolanoff, James McDonald, Andrew Van Dusen, James Harper, Ray Gill, Mike Starr, Christopher Curry, Michael O'Hare, Bob Martana, Joseph Carberry, John Michael Bennett, Bill Mondy, Frank Vincent, Brent Katz, Marc Ryan, Hubert Selby Jr., Rob Kramer.
Plot Keywords: Literature, Korean War, Brooklyn New York, 1950s, Homosexuality, Prostitution, Rape, Strike, Transvestism, Based On Novel, Independent Film, Based On Book. (Less)
Channel: youtubeTags: 1950s 2000 Based Brooklyn Homosexuality Korean Literature New Novel On Prostitution Rape Strike Transvestism War York
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275, 05:00, 2008-12-31 18:40:29 Description: The VregScape Unleashed feature's are:
- New Client(HD)
- Dragon Boots
- Dragon Full Helm
- GodSword's
- 3rd Age
- SkillCape's
- And Much More
Owner And Coder: Vreg
(More) The VregScape Unleashed feature's are:
- New Client(HD)
- Dragon Boots
- Dragon Full Helm
- GodSword's
- 3rd Age
- SkillCape's
- And Much More
Owner And Coder: Vreg
Owner's Assistant: Ben
Hoster: Tomas
Download The VregScape Unleashed Client at www.vregscapehomepage.tk.
Join our forums at www.vregscape-forums.tk.
Go to our website at www.vregscapehomepage.tk.
VregScape Story:
There were four God's. The God Of Zamorak, he is the strongest God and he is evil.
The God Of Bandos, he is a good God. The God Of Saradomian, she has the power of love. And The God Of Armadyl, she's a lion with a woman head. The four Gods are fighting eachother for thousand years.
One time The Gods decided to make The Earth and Humans. The war isn't over yet.
You have to fight for you God. The question is... Which God do you choose?
The World Of VregCraft feature's are:
- Awesome Graphics
- Black Temple
- Big Mall
- Unlimited Money
- Working Mounts
- Wordking Pets
- Funserver
- Instant Level 70
- And Much More
Owner And Coder: Vreg
Owner's Assistant: Ben
Hoster: Pkingrange: Tomas
Join our forums at www.worldofvregcraftforums.tk.
Go to our website at www.worldofvregcraft.tk.
..::Ignore This::..
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220, 05:22, 2007-04-13 23:22:25 Description: Mehmet Akif Ersoy (1873-1936) , accepted by Turks as the "National Poet" is the writer of the lyrics of the Turkish National Anthe Mehmet Akif Ersoy (1873-1936) , accepted by Turks as the (More) Mehmet Akif Ersoy (1873-1936) , accepted by Turks as the "National Poet" is the writer of the lyrics of the Turkish National Anthe Mehmet Akif Ersoy (1873-1936) , accepted by Turks as the "National Poet" is the writer of the lyrics of the Turkish National Anthem, İstiklâl Marşı (The March of Independence in English) -- which was adopted in 1921.In his The March of Independence which describes " Turkish independent war" he says civilization is a monster with single tooth. Isn't it what we see when we examine the lives of our Western brothers who in their free times after work watch TV,go to movies,concerts,casinos ,discotheques,parties,matches, drink alcohol&use drugs almost in a hypnotised manner? Do really the footballers they watch swearing and cursing,free sex,drugs and alcohol make them happy or is what they are worshipping actually the Anti-Christ's paganist idols?
Mehmet Akif was the son of İpekli Tahir Efendi, a Albanian tutor at Fatih Madrasah. Mehmet Akif's mother came from a family who migrated from Buhara and settled in İstanbul. He attended the Emir Buhari Quarter School, Fatih Elementary School and the School of Politics and during his years at high school, he attended the lectures at Fatih Mosque and learned Arabian and Persian.He attended the Halkalı School of Veterinarian, after his father died and their house burned down and he graduated with the first degree (1893). He worked as a civil officer at the Department of veterinarian at the Ministry of Agriculture and worked in Rumelia, Anatolia, Albania and Saudi Arabia for four years. . He got married in 1989 and had six children.
Also working as a teacher at the School of Veterinarian, Akif published the reviews Sırat-ı Müstakim and Sebilürreşad with his friend Eşref Edib in 1908. He resigned from his office due to the Balkan War (1913). He went to Egypt and Hejaz before the World War I began (1913). He was sent to Germany during the war by the Ottoman Intelligence Service on the invitation of the German government in order to see the Muslim captives in Germany in 1914. Meanwhile he was appointed as the first secretary to High Islamic Council.He tried to encourage people in his preaches at mosques in order to support the National Struggle rising in the Western Anatolia after the invasion of İzmir (1919). Shortly after his arrival in Ankara, he was elected as deputy and served at this office until 1923. His poem was enthusiastically read out at the Turkish Grand National Assembly and was accepted as the National Anthem (21 Mart 1921). He refused the money award as the poet of the national anthem, although he was very poor. Akif returned to İstanbul after the Independence War was over from where he left for Egypt on an invitation form Prince Abbas Halim Paşa and settled in Hilvan. He worked as a professor of Turkish language and literature at the University of Egypt (1925-1935). He lived ten years in Egypt and returned to İstanbul to die on his homeland of his cirrhosis. He was interred in the Edirnekapi Cemetery in Istanbul.
His poems have been collected under the title Safahat (Phases), which consists of seven volumes.THOUGHT-RESEARCH: Kastamonu Nasrullah Kürsüsü'nde (At the Kastamonu Nasrullah Chair, preaching to people at the Nasrullah Mosque during the National Struggle, published by Nihat Paşa, the commander of Al-Jazira, at diayrbakır Printing House, 1921), Kur'an'dan Ayet ve Hadisler (Sentences and Hadis* in the Koran, selections from his articles in Sebilürreşad, edited by Ö. Rıza Doğrul, 1944).
Despite the fact religious subjects are abundant in his poems, he cannot be considered as merely an Islamic poet. His lines, taking their theme from numerous problems faced by the society, has proven that his vision reached far beyond religion.The poem he wrote for those who died at Gallipoli, is the greatest of the legends of heroism. Akif who gave us the most effective examples of the art of poetry, believed that the Muslims should apply the Holy Koran to purify the religion from superstitions and to survive from the depressing conditions they were in. The idea was expressed in the words that read "Directly inspired by the Koran / The mind of the century shall interpret Islam". Thus, he asserted a condition for being a poet of his time on his own understanding. His approach to art was to be with God, as Yunus Emre claimed. Regarded as the leading representative of the idea of "Arts for society"; Akif assumed poetry as an instrument to spread his beliefs and ideas and to continue his struggle. God rest h is soul in Peace.
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