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911Taboo - part 2

6,

00:00,

2009-08-21 12:40:11

Description: Genghis6199 releases his greatest 911 tv fakery expose to date.http://911taboo.blogspot.comhttp://www.livevideo.com/genghis6199 http://www.megaupload.com/?d=8JGUBYAP more...480 MB xvid with (More)

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TABOO! (part 1)

60,

02:22,

2009-07-08 10:48:34

Description: Andrew asking kenny, Kenny never gets anything!!!! LOLOLOL. Loser had to...(watch part 2) Then andrew gets MAD.

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Tags: taboo part andrew kenny loseing

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Japan Number 1 singles Jul. - Dec. 2008

15,

05:45,

2009-02-25 14:40:28

Description: Press more info if you can't read japanese. Here's a look back to last year. On this list are all the no. 1 singles from July to December of 2008. Remember to watch the first video with all (More)

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Tags: j-pop j-rock music japan chart charts top

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Let's Play SSBB Boss Battle

9,

08:59,

2009-01-27 19:08:31

Description: *PLEASE READ DESCRIPTION!* Man, it been a while since I played Boss Battle. The difficulty was on Very Hard. I use Mario w/ the blue costume. Please enjoy and subscribe! =) #1) Porky I hate (More)

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911Taboo part 3

20,

00:00,

2009-01-26 17:03:25

Description: Genghis6199 releases his greatest 911 tv fakery expose to date. http://911taboo.blogspot.com http://www.livevideo.com/genghis6199 http://www.megaupload.com/?d=8JGUBYAP more... 480 MB xvid with (More)

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FBI NY confirms TV/Video Fakery Problems require Inv...

6,

05:46,

2008-10-10 07:25:24

Description: "DJ Jeff" (pumpitout dot com) of Canada calls FBI office, New York division, and receives promise of investigation regarding TV and video Fakery of September 11, 2001. "I think they (More)

Channel: youtube

Tags: "no "tv "video 9/11 dj fake fakery" false FBI flag fraud Jeff Media moslem ny planes" pump-it-out terror war

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The Smokers Band

142,

06:51,

2008-04-22 16:35:02

Description: The Smokers Band ~ Tampa FL Band Members: Joe Saputo, Lead and Vocals; Rich Castellano. Bass and Vocals; Bill Bryant, Percussion and Vocals, Genre: Blues-rock, Blues, Jamm Instrumentalm Rock (More) The Smokers Band ~ Tampa FL Band Members: Joe Saputo, Lead and Vocals; Rich Castellano. Bass and Vocals; Bill Bryant, Percussion and Vocals, Genre: Blues-rock, Blues, Jamm Instrumentalm Rock Years active 1991 - present The Smokers was formed in Tampa, Florida on March 26, 1991 and remain a popular cover band today. Tampa~St. Pete were home before expanding statewide Florida in 2005. Their unique arrangements and fresh rock and roll licks drew a loyal following spanning the state. Formerly: The Affordables Booking agent: Joe: 813.681.1330 Sampling Six includes (1) Rock Me Baby - Written by B B King (2) Born on the Bayou - Written By Creedence Clearwater Revival (3) Hard To Handle - By Otis Redding (-) Introductions to the band - The Smokers (4) Darlin You Know I Love You - By B.B. King (5) Long Train Running Lyrics - By The Doobie Brothers (6) Will It Go Round In Circles - By Billy Preston (bonus cut) Funky Broadway - By Wilson Pickett - ~~~ Lyrics Rock Me Baby B.B. King Rock me baby, rock me all night long Rock me baby, honey, rock me all night long I want you to rock me baby, like my back ain't got no bone Roll me baby, like you roll a wagon wheel I want you to roll me baby, like you roll a wagon wheel Want you to roll me baby, you don't know how it makes me feel Rock me baby, honey, rock me slow Yeah, rock me pretty baby, baby rock me slow Want you to rock me baby, till I want no more ~~~ Born on the Bayou Creedence Clearwater Revival Now, when I was just a little boy, Standin' to my Daddy's knee, My poppa said, "Son, don't let the man get you Do what he done to me." 'Cause he'll get you, 'Cause he'll get you now, now. And I can remember the fourth of July, Runnin' through the backwood, bare. And I can still hear my old hound dog barkin', Chasin' down a hoodoo there. Chasin' down a hoodoo there. CHORUS: Born On The Bayou; Born On The Bayou; Born On The Bayou. Wish I was back on the Bayou. Rollin' with some Cajun Queen. Wishin' I were a fast freight train, Just a chooglin' on down to New Orleans. CHORUS Do it, do it, do it, do it. Oh, Lord. Oh get back boy. I can remember the fourth of July, Runnin' through the backwood bare. And I can still hear my old hound dog barkin', Chasin' down a hoodoo there. Chasin' down a hoodoo there. CHORUS All right! Do, do, do, do. Mmmmmmm, oh. ~~~ Hard To Handle - By Otis Redding Hey Here I am I'm the man on the scene I can give you what you want But you got to come home with me I forgot some good old lovin' And I got some more in store When I get to throw it on you You got to come back for more Toys and things that come by the dozen That ain't nothin' but drug store lovin' Hey little thing, let me light your candle' Cause mama I'm sure hard to handle, now, gets around Action speaks louder than words And I'm a man of great experience I know you got another man But I can love you better than him Take my hand, don't be afraid I'm gonna prove every word I say I'm advertisin' love for free So, you can place your ad with me Once it come along a dime by the dozen That ain't nothin' but ten cent lovin' Hey little thing, let me light your candle' Cause mama I'm sure hard to handle, now, gets around Yeah, hard to handle, now Oh, baby Baby, here I am The man on your scene I can give you what you want But you got to come home with me I forgot some good old lovin' And I got some in store When I get to throw it on you You got to come runnin' back for more Once it come along a dime by the dozen That ain't nothin' but drug store lovin' Hey little thing, let me light your candle' Cause mama I'm sure hard to handle, now, Get around Hard, hard to handle, now Oh yeah, yeah, yeah Yeah Once it come along a dime by the dozen That ain't nothin' but ten cent lovin' Hey little baby, let me light your candle' Cause mama I'm sure hard to handle, now, gets around Yeah, so hard to handle, now Oh yeah Baby, good lovin' Baby, baby, owww, good lovin' I need good lovin' I got to have, oh yeah, yeah, yeah Yeah So hard to handle, now, yeah Um-um-um ~~~ Darlin You Know I Love You By B.B. King Darlin', darlin' you know I love you, I love you, for myself But you're gone, gone and left me for someone else I think of you, think of you every morning I dream of you, every night, and with love, love to be with you always When night began to fall, I cry, cry alone And I wish, maybe I can hold you in my arms tonight Oh, darlin', darlin' you know I love you, I love you, for myself But you're gone, gone and left me for someone else ~~~ Long Train Running Lyrics By The Doobie Brothers Down around the corner half a mile from here see them both feet run and you watch them dissapear without love where would you be now without love though i saw miss lucy down along the track she lost her home and her family and she won t be coming back without love where would you be now without love with the feeling always central and the southern central freight you got to keep on pushing mamma you know there running late without love where would you be now without love when the pistons keep on turning and go round and round and the steel reels are cold and hard and the moutain ain t no down without love where would you be now without love ~~~ Will It Go Round In Circles - By Billy Preston Will it go round in circles Will it fly high like a bird up in the sky Will it go round in circles Will it fly high like a bird up in the sky ... ~~~ Funky Broadway - By Wilson Pickett - Every town I go in There's a street, uh, huh Name of the street, uh, huh Funky funky Broadway Down on Broadway, huh There's a nightclub, now, now Name of the nightclub, now baby Funky Funky Broadway Down on Broadway There's a crowd, now, huh Name of the crowd, baby Broadway crowd Down on Broadway, yeah There's a dancestep, huh Name of the dance, Funky Funky Broadway, hey! huh Wiggle your legs now, baby Shake your head, ooh, huh Do the shing-a-ling now baby, now Shake, shake, shake now You don't know, huh, baby, now You don't know, now woman, owww! Doin' the funky Broadway, hey! Lord have mercy Oh, you got me feelin' alright Dirty filthy Broadway Don't I like the Broadway, huh That Broadway, lookit here Down on Broadway There's a woman Name of the woman, huh Broadway woman, hey! Down on Broadway, yeah There's a man, huh Name of the man (fade) ~~~ Origins of rock and roll Rock and roll began to emerge as a musical style in United States of America during the late 1940s as a combination of the rhythms of the blues, R&B, African American culture, and from America's country and western music, as well as gospel. Though elements of rock and roll can be heard in country records of the 1930s, and in blues records from the 1920s, rock and roll did not acquire its name until the 1950s. An early form of rock and roll was rockabilly, which combined the above elements with jazz, influences from traditional Appalachian folk music, and Gospel music. Going back even further, rock and roll can trace one lineage to the old Five Points, Manhattan district of mid-19th century New York City, the scene of the first fusion of heavily rhythmic African shuffles and sand dances with melody-driven European genres, particularly the Irish jig. Rocking was a term first used by black gospel singers in the American South to mean something akin to spiritual rapture. By the 1940s, however, the term was used as a double entendre, ostensibly referring to dancing, but with the subtextual meaning of sex, as in Roy Brown's "Good Rocking Tonight." This type of song was usually relegated to "race music" outlets (music industry code for rhythm and blues stations) and was rarely heard by mainstream white audiences. During the 1920s and 1930s, many white Americans enjoyed African-American jazz and blues performed by white musicians. They often objected to the music as performed by the original black artists, but found it acceptable when performed by whites. A few black rhythm and blues musicians, notably Louis Jordan, the Mills Brothers, and The Ink Spots, achieved crossover success. While rock and roll musicians increasingly wrote their own material, many of the earliest white rock and roll hits were covers of earlier rhythm and blues or blues songs. Blues would continue to inspire rock performers for decades. Delta blues artists such as Robert Johnson and Skip James also proved to be important inspirations for British blues-rockers such as The Yardbirds, Cream, and Led Zeppelin. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing this type of music for a multi-racial audience. Freed is credited with coining the phrase "rock and roll" to describe the rollicking R&B music. While working as a disc jockey at radio station WJW in Cleveland, he also organized the first rock and roll concert, called "The Moondog Coronation Ball" on March 21, 1952. The event, attended mainly by African Americans, proved a huge drawing card — the first event had to be ended early due to overcrowding. Thereafter, Freed organized many rock and roll shows attended by both whites and blacks, further helping to introduce African-American musical styles to a wider audience. There is much debate as to what should be considered the first rock & roll record. Sister Rosetta Tharpe was recording shouting, stomping music in the 1930s and 1940s that in some ways contained major elements of mid-1950s rock and roll. She scored hits on the pop charts as far back as 1938 with her gospel songs, such as "This Train" and "Rock Me", and in the 1940s with "Strange Things Happenin Every Day", "Up Above My Head", and "Down By The Riverside." Another artist who was singing hard-rocking blues/gospel to a boogie piano was Big Joe Turner, whose 1939 recording, "Roll 'em Pete," is almost indistinguishable from '50s rock and roll. Other significant records of the 1940s and early 1950s included Roy Brown ("Good Rocking Tonight", 1947), more Big Joe Turner ("Honey, Hush", 1953, and "Shake, Rattle and Roll", 1954), Paul Bascomb ("Rock and Roll", 1947), Fats Domino ("The Fat Man," 1949) and Les Paul and Mary Ford ("How High the Moon", 1951). Rolling Stone magazine argued in 2004 that "That's All Right (Mama)" (1954), Elvis Presley's first single for Sun Records in Memphis, was the first rock and roll record[2]. Bo Diddley's 1955 hit "Bo Diddley" backed with "I'm A Man" introduced a new, pounding beat, and unique guitar playing that inspired many artists. Bill Haley's "Rock Around the Clock" (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and the door was opened for this new wave of popular culture. Other artists with early rock 'n' roll hits were Chuck Berry and Little Richard, as well as many vocal doo-wop groups. Within the decade crooners such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. Both rock and roll and boogie woogie have four beats (usually broken down into eight eighth-notes/quavers) to a bar, and are twelve-bar blues. Rock and roll however has a greater emphasis on the backbeat than boogie woogie. Little Richard combined boogie-woogie piano with a heavy backbeat and over-the-top, shouted, gospel-influenced vocals that the Rock and Roll Hall of Fame says "blew the lid off the '50s." However, others before Little Richard were combining these elements, including Esquerita, Cecil Gant, Amos Milburn, Piano Red, and Harry Gibson. Little Richard's wild style, with shouts and "wooo wooos," had itself been used by female gospel singers, including the 1940s' Marion Williams. Roy Brown did a Little Richard style "yaaaaaaww" long before Richard in "Ain't No Rockin no More." Early North American Rock and Roll (1953-1963) Rock and roll appeared at a time when racial tensions in the United States were coming to the surface. African Americans were protesting segregation of schools and public facilities. The "separate but equal" doctrine was nominally overturned by the Supreme Court in 1954, and the difficult task of enforcing this new doctrine lay ahead. This new musical form combining elements of white and black music inevitably provoked strong reactions. From the early 60s, Ike & Tina Turner were big Rock & Roll stars. On March 21, 1952 in Cleveland, Alan Freed (also known as Moondog) organized an early rock and roll concert, titled "The Moondog Coronation Ball". The audience and the performers were mixed in race. The evening ended after one song in a near-riot as thousands of fans tried to get into the sold-out venue. The record industry soon understood that there was a white market for black music that was beyond the stylistic boundaries of rhythm and blues. Even the considerable prejudice and racial barriers could do nothing against market forces. Rock and roll was an overnight success in the U.S., making ripples across the Atlantic, and perhaps culminating in 1964 with the British Invasion. From this early-1950s inception through the early 1960s, rock and roll music also spawned a new dance craze. Teenagers found the irregular rhythm of the backbeat especially suited to reviving the jitterbug dancing of the big-band era. "Sock-hops," gym dances, and home basement dance parties became the rage, and American teens watched Dick Clark's American Bandstand to keep up on the latest dance and fashion styles. From the mid-1960s on, as "rock and roll" yielded gradually to "rock," later dance genres followed, starting with the Twist, and leading up to Funk, disco, house and techno. Rockabilly In 1954, Elvis Presley recorded the regional hit "That's All Right (Mama)" at Sam Phillips' Sun studios in Memphis. Elvis played a rock and country & western fusion called rockabilly, which was characterized by hiccupping vocals, slapping bass and a spastic guitar style. He became the first superstar rock musician. Elvis Presley in 1957's Jailhouse RockThe following year's "Rock Around the Clock" by Bill Haley & His Comets really set the rock and roll boom in motion. The song was one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, causing riots in some cities. "Rock Around the Clock" was a breakthrough for both the group and for all of rock and roll music. The song's inclusion in the film Blackboard Jungle marked the beginning of a mutually beneficial marriage of the genre to film. It had been recorded in 1954 with limited sales, but exploded in 1955 after the release of the movie, which used it in the opening sequence. If everything that came before laid the groundwork, "Clock" certainly set the mold for everything else that came after. With its combined rockabilly and R & B influences, "Clock" topped the U.S. charts for several weeks, and became wildly popular with teenagers in places like Britain, Australia and Germany. The single, released by independent label Festival Records in Australia, was the biggest-selling recording in the country at the time. In 1957, Jerry Lee Lewis and Buddy Holly became the first rock musicians to tour Australia, marking the expansion of the genre into a worldwide phenomenon. That same year, Haley toured Europe, bringing rock 'n' roll to that continent for the first time. Covers Through the late 1940s and early 1950s, R&B music had been gaining a stronger beat and a wilder style, with artists such as Fats Domino and Johnny Otis speeding up the tempos and increasing the backbeat to great popularity on the juke joint circuit. Before the efforts of Freed and others, black music was taboo on many white-owned radio outlets. However, savvy artists and producers quickly recognized the potential of rock, and raced to cash in with white versions of this black music. White musicians also fell in love with the music and played it everywhere they could. Many of Presley's early hits were covers, like "That's All Right", "Baby, Let's Play House", "Lawdy Miss Clawdy" and "Hound Dog". Covering was customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law (still in effect [4]). One of the first successful rock and roll covers was Wynonie Harris's transformation of Roy Brown's "Good Rocking Tonight" from a jump blues to a showy rocker. The most notable trend, however, was white pop covers of black R&B numbers. Exceptions to this rule included Wynonie Harris covering the Louis Prima rocker "Oh Babe" in 1950, and Amos Milburn covering what may have been the first white rock and roll record, Hardrock Gunter's "Birmingham Bounce," in 1949. Black performers saw their songs recorded by white performers, an important step in the dissemination of the music, but often at the cost of feeling and authenticity (not to mention revenue). Most famously, Pat Boone recorded sanitized versions of Little Richard songs, though Boone found "Long Tall Sally" so intense that he couldn't cover it. Later, as those songs became popular, the original artists' recordings received radio play as well. Little Richard once called Pat Boone from the audience and introduced him as "the man who made me a millionaire." The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of "Shake, Rattle and Roll" transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, while Georgia Gibbs replaced Etta James's tough, sarcastic vocal in "Roll With Me, Henry" (covered as "Dance With Me, Henry") with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answer, Hank Ballard's "Work With Me, Annie." Teen Idols In 1959, Buddy Holly, Ritchie Valens, and the Big Bopper (J.P. Richardson) were killed when a plane Buddy Holly had chartered from Mason City, Iowa, to Fargo, North Dakota crashed in a corn field, after a performance at the Winter Dance Party. Buddy Holly, fed up with the conditions on the buses, decided to charter a small plane for himself and the Crickets to get to the next show on time, get some rest, and get their laundry done. After the February 2, 1959 performance at the Surf Ballroom in Clear Lake, Iowa, Holly, Richardson (who pleaded with Waylon Jennings for his seat because he was stricken with flu), and Valens (who had won Tommy Allsup's seat after a coin toss), were taken to Clear Lake airport by the manager of the Surf Ballroom. The plane, a four-passenger Beechcraft Bonanza, departed into a blinding snowstorm and crashed into farmer Albert Juhl's cornfield shortly after takeoff. The crash ended the lives of all three passengers, as well as the 21 year-old pilot, Roger Peterson. This event inspired singer Don McLean's popular 1971 ballad "American Pie", and immortalized February 3 as "The Day the Music Died". The event also inspired the Tommy Dee song "Three Stars", which specifically mentions Buddy Holly, the Big Bopper, and Valens. Besides Elvis Presley, Holly, Valens, and Richardson were known as three of the first rock and roll teen idols. They were followed by other artists with massive appeal to a teenaged audience, such as Paul Anka, Ricky Nelson, Frankie Avalon, the Beatles, and later, the Monkees. Teen idols were not only known for their catchy pop music, but good looks also played a large part in their successes. It was because of this that certain fan magazines, exclusively geared to the fans of teen idols (16 Magazine, Tiger Beat, etc.), were created. These monthly magazines typically featured a popular teen idol on the cover, as well as pin-up photographs, a Q&A, and a list of each idol's "faves" (i.e. favorite color, favorite vegetable, favorite hair color, etc.). Teen idols also influenced toys, Saturday morning cartoons and other products. At the height of each teen idol's popularity, it was not uncommon to see Beatle wigs, Davy Jones' "love beads", or perhaps even Herman's Hermits lunchboxes for sale. British Rock and Roll The trad jazz movement brought blues artists to Britain, and in 1955 Lonnie Donegan's version of "Rock Island Line" began skiffle music which inspired many young people to have a go, including John Lennon and Paul McCartney, whose "The Quarrymen", formed in March 1957, would gradually change and develop into The Beatles. These developments primed the United Kingdom to respond creatively to American rock and roll, which had an impact across the globe. In Britain, skiffle groups, record collecting and trend-watching were in full bloom among the youth culture prior to the rock era, and colour barriers were less of an issue with the idea of separate "race records" seeming almost unimaginable. Countless British youths listened to R&B and rock pioneers and began forming their own bands. Britain quickly became a new center of rock and roll. In 1958 three British teenagers became Cliff Richard and the Drifters (later renamed Cliff Richard and the Shadows). The group recorded a hit, "Move It", marking not only what is held to be the very first true British rock 'n' roll single, but also the beginning of a different sound — British rock. Richard and his band introduced many important changes, such as using a "lead guitarist" (virtuoso Hank Marvin) and an electric bass. The British scene developed, with others including Tommy Steele, Adam Faith and Billy Fury vying to emulate the stars from the U.S. Some touring acts attracted particular popularity in Britain, an example being Gene Vincent. This inspired many British teens to begin buying records and follow the music scene, thus laying the groundwork for Beatlemania. At the start of the 1960s, instrumental dance music was very popular. Hits such as "Apache" by The Shadows and "Telstar" by The Tornados form a British branch of instrumental music. Social Impact The massive popularity and worldwide scope of rock and roll resulted in an unprecedented level of social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language. In addition, rock and roll may have helped the cause of the civil rights movement because both African American teens and white American teens enjoyed the style of music. It also birthed many other rock influenced styles. Progressive, alternative, punk, and heavy metal/rock are just a few of the genres that sprang forth in the wake of Rock and Roll. Contributed by Bill Stoll StollCo Video - 2007 Tampa FL (Less)

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Tags: and band blues rock roll

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911 Taboo Pt.4

49,

09:43,

2008-04-22 11:52:27

Description: 911Taboo - part 4 Genghis6199 releases his greatest 911 tv fakery expose to date. http://911taboo.blogspot.com http://www.livevideo.com/genghis6199 http://www.megaupload.com/?d=8JGUBYAP 480 MB (More)

Channel: youtube

Tags: 9/11 911 bush clues fakery genghis6119 illuminati inside job lightwarrior2 no nwo planes september spiney television tv

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911 Taboo Pt.2

23,

09:38,

2008-04-22 11:52:27

Description: 911Taboo - part 2 Genghis6199 releases his greatest 911 tv fakery expose to date. http://911taboo.blogspot.com http://www.livevideo.com/genghis6199 http://www.megaupload.com/?d=8JGUBYAP 480 MB (More)

Channel: youtube

Tags: 9/11 911 bush clues fakery genghis6119 illuminati inside job lightwarrior2 no nwo planes september spiney television tv

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911 Taboo Pt.3

28,

09:38,

2008-04-22 11:52:27

Description: 911Taboo - part 3 Genghis6199 releases his greatest 911 tv fakery expose to date. http://911taboo.blogspot.com http://www.livevideo.com/genghis6199 http://www.megaupload.com/?d=8JGUBYAP 480 MB (More)

Channel: youtube

Tags: 9/11 911 bush clues fakery genghis6119 illuminati inside job lightwarrior2 no nwo planes september spiney television tv

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Gwar meets KayvonTV...."I think he's big in Mexico?"

33,

01:54,

2008-04-22 09:08:06

Description: http://www.kayvontv.com/watch/ "I think he's big in Mexico?" Gwar meets KayvonTV Continuing our coverage of Comic Book Expo 2008, I managed to meet up with a most unusual creature. (More) http://www.kayvontv.com/watch/ "I think he's big in Mexico?" Gwar meets KayvonTV Continuing our coverage of Comic Book Expo 2008, I managed to meet up with a most unusual creature. He seemed to somehow know who I was, this internet thing must be bigger than I though, To all my Mexican fans: I love each and every one of you, keep watching!!! from the kayvontv.com clip of the day series. gwar kayvon comic book expo tv funny hilarious lol meanada perxico convention toronto cez borat bruno laugh lmao comedy mock kayvontv tom green ontario series ambush interview metro toronto zahedi starr laughing strange alien weird wacky costume geeks comics sci-fi GWAR is a satirical heavy metal musical group formed in 1985. The band is best known for their elaborate sci-fi/horror film inspired costumes; raunchy, obscene, politically incorrect lyrics; and graphic stage performances, which consist of humorous re-enactments of political and moral taboo themes. The band also performed fire dancing until the character "Slymenstra Hymen" left the band. Their costumes are generally made of foam latex, styrofoam, and hardened rubber. It should be noted that the costumes cover very little, with the rest of their bodies accentuated with makeup. They further their production in concert by spraying their audiences with imitation fluids. Most of the fluids are made of water and powdered food coloring which, for the most part, flakes off or washes out easily. The thicker fluids are made from a clear seaweed extract called carrageenan which is also used in ice cream and milkshakes. [1] GWAR does not use syrups or stage blood due to the fact that they dry solid, wrecking their costumes.[2] In concert, GWAR has been known occasionally to perform their encore without costumes. Another trademark of GWAR's live show is their lampooning of celebrities and figures in current events. Victims of GWAR's antics have included O.J. Simpson, John Kerry, Mike Tyson, George W. Bush (as well as every other President since Ronald Reagan), Jerry Garcia, Osama Bin Laden, Michael Jackson, Al Gore, Paris Hilton, Arnold Schwarzenegger, Adolf Hitler, and many others. The band also makes frequent references to political and historical figures, fantasy literature, and mythology. For instance, the song "Whargoul" makes reference to Minas Morgul as well as the eternal warrior of Michael Moorcock, GWAR also has many references to H. P. Lovecraft themes (Antarctica, Yig, Giant Penguins, Fleshy Insanities, etc.) as well as Warhammer 40,000 (Plasma Cannons, Plague Infection, Barges, Slaanesh Chaos Champions obsessed with pleasure and violence). In addition, the title of their fifth album RagNaRok comes from Norse mythology. http://www.kayvontv.com/watch/ (Less)

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Tags: book borat comedy comic convention expo funny gwar hilarious kayvon laugh lol meanada mock perxico rock sat toronto tv

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Romance Of Their Own ~ Still Need A Song [MV]

11,

04:34,

2008-04-21 21:28:41

Description: My humble tribute centered around the couple Han-Kyung & Hae-Won from the 2004 film A Romance Of Their Own, otherwise known as True Romance, Temptation Of Wolves. It's set to 'We Will (More)

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Tags: drama fanvid korean love of own romance roto story their

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Keith Harris talks about working with Michael Jackson

33,

03:18,

2008-04-21 19:29:37

Description: http://www.kayvontv.com/watch/ Could Keith Harris have been talking about working with Michael Jackson on his new album? if so it seems I might have gotten the exclusive on this folks!!! can't (More) http://www.kayvontv.com/watch/ Could Keith Harris have been talking about working with Michael Jackson on his new album? if so it seems I might have gotten the exclusive on this folks!!! can't wait to hear the thing, I heard (via wikipedia) that Keith's partner in crime, will.i.am, is executive producing the album, it is unclear even in my raw footage if Keith is talking about working on Thriller 25 with Michael, or about his work on Michael Jackson's up-coming untitled studio album. Kayvon interviews Rap Producer Keith Harris of The Black Eyed Peas in Toronto, Ontario Canada. Keith Harris talks about working with Michael Jackson. It was a true honer to be able to talk with a person who has crafted so many beets that I jam to on a daily bases. Yes Folks!!! Mr.Keith Harris, the man who crafted Jully Black's "Seven Day Fool", and who was also the producer for a little group you might have heard of called the Black Eyed Peas. I was most amazed with the list of musicians that Keith has worked with over the years, ranging anywhere from Fergie to Michael Jackson, all and all I must say it was quite interesting to be able to talk to a man as talented and diverse as Keith. Black Eyed Peas are an American hip hop/pop group from Los Angeles. The group is currently composed of will.i.am, apl.de.ap, Taboo and Fergie. Since their breakout album Elephunk in 2003, they have seen international fame for their pop/dance-oriented style of hip hop music. Black Eyed Peas have sold an estimated twenty-seven million albums and singles worldwide. The group were signed to Interscope Records and released their debut, Behind the Front, in 1998. The album won the group (and their accompanying live band, the Bucky Jonsons) critical acclaim. The album featured the single "Joints & Jams", which was included on the Bulworth soundtrack. Their second album, Bridging the Gap, was released in 2000; it featured the single "Request + Line" featuring Macy Gray. Recently the album "Grass Roots" was released onto the internet. Their breakout album, Elephunk, was released in 2003. It was the group's first album to feature the vocals of Stacy "Fergie" Ferguson who was brought to the group by Dante Santiago and she became the replacement for background singer Kim Hill, who left the band in 2000. From Elephunk came "Where is the Love?", a single featuring Justin Timberlake which became Black Eyed Peas' first major hit, peaking at #8 on the U.S. Hot 100, but topping the charts practically everywhere else, including six weeks at #1 in the UK where it became the biggest-selling single of 2003. . "Shut up" Black Eyed Peas' song "Let's Get Retarded" was restyled as "Let's Get It Started" for an NBA Finals worldwide commercial. The song was quite successful on the charts worldwide, peaking at #21 on the U.S. Hot 100, #11 in the UK, and at #2 in Australia. Michael Jackson is set to release a new studio album in 2008, featuring collaborations with Kanye West and will.i.am of the Black Eyed Peas. Jackson revealed the details to Ebony magazine, and went on to explain that he still plans to continue making music and will not retire anytime soon. In production since March of 2006 with Jackson having written songs since 2003. The new album has been recorded in Westmeath, Ireland and Las Vegas by Jackson and executive producers will.i.am [1] of The Black Eyed Peas, Rodney "Darkchild" Jerkins[2], Teddy Riley[3], Ron "Neff-U" Feemster[3], and many others. will.i.am has described the upcoming album as an Off the Wall for today's generation.[4] Some of the work in progress includes up-tempo, dance-floor ready tunes and 'great melodies'.[3] Insiders on the project are describing the tracks as 'perfect pop songs'.[5] It was expected to be released in late 2007, however on the 17th of September 2007 will.i.am confirmed in an interview with Polish website interia.pl that it will be in 2008, and that it's not Jackson's 'comeback album', because Michael never was finished and his music is played all around the world in every club.[6] On the 22nd of September 2007, Jackson checked in to the Clinton Recording Studio in New York City to work on more tracks with will.i.am.[7] black eyed peas keith harris kayvon interview video rap hip-hop fergie michael jackson will iam bep produce song live toronto ontario canada canadian music week cmw keith harris producer black eyed peas fergie will iam jacko rap hip-hop music song video live interview kayvontv kayvon kvon kavon mj michael jackson jackon micheal michal jackson jacson mj thriller 25th untitled studio album new interview talks speaks michael jackson http://www.kayvontv.com/watch/ (Less)

Channel: youtube

Tags: bep black eyed fergie harris hip-hop iam interview jackson kayvon keith live michael peas produce rap song video will

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Oklahoma Ink III

10,

09:09,

2008-04-21 18:39:54

Description: Stateline 706 'Oklahoma Ink' February, 2006. OETA story before the Oklahoma Tattoo Bill was passed from 2006. This is my copy of it. It is in 3 parts due to uploading specifications. My (More) Stateline 706 'Oklahoma Ink' February, 2006. OETA story before the Oklahoma Tattoo Bill was passed from 2006. This is my copy of it. It is in 3 parts due to uploading specifications. My friend was featured on here, and there are also some ignorant people as well. Here's the description from OETA's site: 'Oklahoma is the only state in the union which outlaws tattooing. So why do we see more and more tattoo parlors and even broadcast commercials touting tattooing? Why does law enforcement apparently not enforce the law? The February edition of the OETA award-winning documentary series Stateline will shed light on the needling questions, even as state officials design and ink legislation seeking regulation of the industry. The first ever Oklahoma tattoo convention was held in 2005, partly in an attempt to organize artists and shore up support to kill the crime and punishment statute in Oklahoma law. The gathering also displayed the diversity of the people and the pictures involved in the practice. With continuing developments in laser technology, the argument from tattoo artists in Oklahoma often is that body inking can be removed, and therefore not subject to the tattoo taboo set forth in state statute. It apparently also takes the risk out of having your current significant other's name tattooed on you. After all, you can have that removed following a break-up, and the replacement significant other's initials inked in, well, replacement. Stateline also addresses the concerns of some public safety officials in the state who believe legalized tattooing provides an open door for certain gang or even mafia elements to expand their questionable business to Oklahoma. It might surprise Stateline viewers of the variety of issues inherent with the advent of body art. How young is too young? Is this a First Amendment issue? Who pays for health inspectors? Is one Oklahoman's art another Oklahoman's pornography?' So anyway, here it is.. Part 2 of 3. TO SEE THE WHOLE THING: PART 1: http://youtube.com/watch?v=f5bV5x9BML4 PART 2: http://youtube.com/watch?v=xLsY-aJpgbw PART 3: http://youtube.com/watch?v=gcerUMTiz3o (Less)

Channel: youtube

Tags: 706 analysis bill commentary documentary illegal ink law legal news oklahoma pass Stateline tattooing

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911 wtc ! PROOF NO 2ND PLANE !

0,

02:31,

2009-02-02 13:08:26

Description: I dont care what anybody says this video has been banned off youtube plenty of times. this video proves without a doubt flight 175 did NOT hit tower 2. Please watch the new version of September (More)

Channel: youtube

Tags: 11th 911 september wtc

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