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3682, 
04:02, 
2009-09-05 13:37:57 Description: ust a Mixtape 6 - Mister K.I.D. - Realest Just A Mixtape available for FREE Download. It's Free for Promotion only , quit complainin! Link : (More) ust a Mixtape 6 - Mister K.I.D. - Realest Just A Mixtape available for FREE Download. It's Free for Promotion only , quit complainin! Link : http://rapidshare.com/files/221671929/Just_a_Mixtape_Mr_KID_feat_Dj_Dondado.mp3 -- Myspace Sides : www.myspace.com/misterkidmanagement - www.myspace.com/m2jaykid - www.myspace.com/m2team - www.myspace.com/m2booking - www.myspace.com/m2rec (Less)
Channel: 123videoTags: hip m2jaykid m2rec myspace rap justamixtape m2team m2booking m2records mixtape youtube hiphop hop misterkidmanagement realest misterkid mister mrkid kid
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3780, 04:59, 2008-04-21 11:55:14 Description: An Asian chick getting on the bus wearing a very short skirt and tight blouse is being harassed by the other passengers on the bus. The guys won't quit on touching her legs and butt even if she (More) An Asian chick getting on the bus wearing a very short skirt and tight blouse is being harassed by the other passengers on the bus. The guys won't quit on touching her legs and butt even if she disapproves of it. (Less)
Channel: megaporn Rate it: Rate:
2590, 01:01, 2008-04-17 15:10:08 Description: "It reminded him of a massage parlor called Relaxation Plus on the corner of 53rd and Lexington." In the '80s, the management program had turned into a huge profit center under Len (More) "It reminded him of a massage parlor called Relaxation Plus on the corner of 53rd and Lexington." In the '80s, the management program had turned into a huge profit center under Len Reinhart, who now runs Malvern, Pa.-based Lockwood Financial Group, named in honor of Jim. Many young brokers I talk to today think universal life insurance is a hot new product. Wrong--it was molded in the EF Hutton product crucible more than 15 years ago. The same is true for the Personal Financial Management planning system that Hutton introduced in 1975. Other concepts whispered first by Hutton brokers to their clients were back-end fees for mutual funds--at a time when funds charged investors front-end fees as high as 8 percent--and variable annuities, when they were more profitable than they are today because customers could wrap their existing portfolios into the annuity. Hutton, of course, didn't shy from risky products and businesses. It was one of the few Street firms in the '70s that urged brokers to sell gold bullion, which was held in depositories in the CIBC Bank in Canada. And Hutton was also the first firm to move heavily into insurance, purchasing California Life in the middle of the decade. Getting It Out EF Hutton's retail structure was simple, but organized, to get product out to the system fast. Ball insisted that most branches have resident product managers and branch sales coordinators to help brokers push the firm's waves of proprietary products. "Literally, inside of a couple of hours, a new product could get right down to the individual account executive because of this type of organization," Muratore boasts. Hutton's reputation wasn't hurt, of course, by its distinguished lineage. In the 1930s, for example, it financed young J. Paul Getty's foray into oil. Getty returned the favor by appearing in one of the firm's memorable "When EF Hutton talks" ads in the 1970s. "We felt like we were a family," says Dale Frey, who was the Rocky Mountain regional manager, and now runs his own independent brokerage firm in Denver. "I think it's very difficult to find teams in corporations because it goes against the competitive spirit. But at Hutton, we were successful in creating a family, a team type of environment, and that attracted the best in the industry." The Perks Of course, there were the excesses, which helped motivate and, some say, corrupt eager young managers. Junkets for surpassing sales goals abounded. Veterans savor memories of the 1976 reward trip to England and Spain. The first night, everyone was sitting in a huge dining room in a castle just north of London. Suddenly, the doors burst open, and in marched 60 red-kilted, fur-hatted members of the Royal Guard, their bagpipes and drums blaring and thumping. The trip concluded with a bull fight in Barcelona. Ball, of course, was a master psychological motivator, and he made sure that branch managers were trained to get the most out of their charges. "We spent inordinate amounts of time training branch managers, not only in the technical aspects of their jobs, but also in the psychological aspects--counseling, coaching, things of that nature--so that there was lots of control on the local level," Muratore says. Failure to motivate was never much of a problem at the aggressive firm. Failure to supervise from a regulatory point of view, however, was a different issue. "Hutton's critics have said, Yeah, things were managed so well there that the firm went under,' " says Muratore. "And, to a certain extent, they were right." The Downfall The beginning of the end for Hutton was the discovery in the early 1980s of a check-kiting scheme aimed at reaping extra cash for the firm from its banks. The scandal prompted a congressional investigation, and Hutton executives had to admit that there was no line of responsibility for cash management operations. However, Hutton Chairman Robert Fomon persuaded the legislators that no senior executives were involved in illegal banking activities. In 1985, Fomon pleaded guilty on behalf of the firm to 2,000 counts of mail and wire fraud. That cost the firm $2 million in criminal fines, $8 million in victim compensation and, ultimately, its life. Much of the force that was Hutton fled after the guilty plea. One of the first was Ball, who jumped to the president's post at Prudential-Bache Securities. "That hurt the firm the most," says Engel, who is now a broker at PaineWebber. "He was really the glue. We had one person to answer to, and everybody respected him. Without him, there was no unison of purpose, and there was nobody who could convince anyone else what should be done. The politics began, and guys started leaving. The structure just began to break down." In 1986, Fomon brought in a care-taker manager, Merrill Lynch's one-time wunderkind Robert Rittereiser, but it was too late. One year later, Hutton was acquired for $1 billion by Shearson Lehman Brothers. By then, more than one-third of the legendary sales force had quit, dispersing to every major firm on the Street or starting profitable private management or consulting firms. Hutton's last press release was issued on January 15, 1988. It reported that the firm had lost $112.7 million in October and November of the previous year. ? (Less)
Channel: 123videoTags: 1970s AMERICAN DISCO PLUS RELAXATION SEX SPA RELAXATION PLUS: ( It reminded him of a massage parlor called Relaxation Plus on the corner of 53rd and Lexington. - commercial: 70s)
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2357, 05:49, 2007-08-02 20:51:59 Description: Blog http://antipornographyactivist.blogspot.com/
Jenna Jameson's 25 Good Reasons Why No One Would Ever Want to Become a Porn Star:
(More) Blog http://antipornographyactivist.blogspot.com/
Jenna Jameson's 25 Good Reasons Why No One Would Ever Want to Become a Porn Star:
http://antipornographyactivist.blogspot.com/2007/07/jenna-jamesons-twenty-five-good-reasons.html
Former Porn Star Jersey Jaxin on Why She Quit Porn and How Abusive the Industry Is Towards Women:
http://antipornographyactivist.blogspot.com/2007/08/porn-star-jersey-jaxin-on-why-she-quit.html
The Link Between Pornography and Violent Sex Crimes:
http://obscenitycrimes.org/Porn-Crime-Link-RWP.cfm
Pornography As a Cause of Rape. Excerpt from book: "Against Pornography: The Evidence of Harm"
http://dianarussell.com/porntoc.html
'Could It Be That Pornography Prevents Rape?'
http://obscenitycrimes.org/noprevent.cfm
Hardcore Porn is Not Protected by the First Amendment:
http://obscenitycrimes.org/obsclawprimerV1.cfm
Cliches About Obscenity Law and the First Amendment
http://obscenitycrimes.org/cliches2.cfm
"Do you think the production and/or distribution of pornography, for personal and/or commercial use, should be illegal?":
http://antipornographyactivist.blogspot.com/2007/08/do-you-think-production-andor_9110.html
What You Can 102: Support Adult Industry Reform From Within: Ie. Via Jenna Jameson and Other Porn Stars Who Support Positive Reform:
http://antipornographyactivist.blogspot.com/2007/07/what-you-can-do-102-support-adult.html
Shelley Lubben.com: (Former Porn Star telling the truth about porn.)
http://www.shelleylubben.com/index.php?truth=porn
Shelley Lubben's MySpace Site: (Telling more truth about porn.)
http://www.myspace.com/shelleylubben
101 Things You Can Do To Combat the Harms of Pornography
http://antipornographyactivist.blogspot.com/2007/07/101-things-you-can-do-to-combat-harms_7443.html
Anti-Pornography Activist Blog:
http://antipornographyactivist.blogspot.com/
***************
VIDEO DESCRIPTION: Sasha Grey's boyfriend talks about what it's like to be with a porn star. Also Sasha's manager tells Tyra Banks how Sasha came to him and told him about her goal to be in porn, and how she would do everything except child porn or sex with animals.
***************
From Sasha Grey entry at Wikipedia:
http://en.wikipedia.org/wiki/Sasha_Grey
"A self-proclaimed "existentialist" porn star, Sasha Grey was born in Sacramento, California. She attended Highlands High in North Highlands, Ca. She had her first sexual experience at the age of 16. In 2005, she decided to become an adult performer. She then moved to Los Angeles and started her career in 2006 just after turning 18. Her first scene was an orgy with Rocco Siffredi and others for the movie The Fashionistas 2 by John Stagliano. During this scene, she shocked her fellow performers by requesting that Siffredi punch her in the stomach.
Sasha states that she is bisexual and a fan of porn star Belladonna, with whom she shot scenes in Fetish Fanatic #4 and the unreleased Awakening of Sasha Grey. One of her skills that has her in high demand is her ability to deep-throat rather large penises. Shortly after turning 18, Grey contacted casting agent Mark Spiegler through the internet. He agreed to represent her, and her official booking site states that she is available for various sexual acts that include: solo, girl on girl, boy on girl, anal, double penetration, group, and interracial sex.
In an interview with Porn Valley News, Grey asserts that during sex she enjoys "a lot of dirty talk... the more psychological the better."[2] Sasha also reveals that she enjoys extreme sex in her personal life, including anal, watersports, the use of strap-ons, and, when she's feeling romantic [citation needed], vomiting on her partner. In her films, she has come to specialize in anal sex and humiliating submissive/slave roles (e.g. in Fuck Slaves) like her role model Belladonna. Grey was featured in Nov. 2006 in Los Angeles magazine, which expressed concern about her choices but also flagged her as a potential major star, perhaps the next Jenna Jameson. In 2007 she won 2 AVN awards, inlcuding best 3-way for Fuck Slaves.
Grey also aspires to produce independent films. Since the inception of her career in the porn industry, she has begun the filming of a documentary that she hopes will illustrate her experience from the age of 18 to 21.[4]
Filmography
* Cum Fart Cocktails #5
* Fashionistas Safado: The Challenge
* Hellfire Sex #7
* Sasha Grey Superslut
* Sex Slaves #2
* Tight Teen Twats #2
* Freaky First Timers #2
* Slut Puppies #2
* Smokin Hot
* Suck It Dry #3
* Swallow My Squirt #4
* Teenage Anal Princess #5
* Rich Little Bitch
* Girl Next Door #2
* In Through The Back Door
* Illegal Ass #2
* House Of Ass #3
* Gang Bang #5
* Barely Legal #62
* Bring 'Um Young #23
* Gang Bang My Face ********************
More: http://en.wikipedia.org/wiki/Sasha_Grey (Less)
Channel: youtubeTags: adultindustry antiporn antipornography grey interview porn pornography pornstar sasha sashagrey sex tyra tyrabanks xxx
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1911, 04:34, 2007-08-02 01:02:24 Description: Blog http://antipornographyactivist.blogspot.com/
Jenna Jameson's 25 Good Reasons Why No One Would Ever Want to Become a Porn Star:
(More) Blog http://antipornographyactivist.blogspot.com/
Jenna Jameson's 25 Good Reasons Why No One Would Ever Want to Become a Porn Star:
http://antipornographyactivist.blogspot.com/2007/07/jenna-jamesons-twenty-five-good-reasons.html
Former Porn Star Jersey Jaxin on Why She Quit Porn and How Abusive the Industry Is Towards Women:
http://antipornographyactivist.blogspot.com/2007/08/porn-star-jersey-jaxin-on-why-she-quit.html
The Link Between Pornography and Violent Sex Crimes:
http://obscenitycrimes.org/Porn-Crime-Link-RWP.cfm in
Pornography As a Cause of Rape. Excerpt from book: "Against Pornography: The Evidence of Harm"
http://dianarussell.com/porntoc.html
'Could It Be That Pornography Prevents Rape?'
http://obscenitycrimes.org/noprevent.cfm
Hardcore Porn is Not Protected by the First Amendment:
http://obscenitycrimes.org/obsclawprimerV1.cfm
Cliches About Obscenity Law and the First Amendment
http://obscenitycrimes.org/cliches2.cfm
"Do you think the production and/or distribution of pornography, for personal and/or commercial use, should be illegal?":
http://antipornographyactivist.blogspot.com/2007/08/do-you-think-production-andor_9110.html
What You Can 102: Support Adult Industry Reform From Within: Ie. Via Jenna Jameson and Other Porn Stars Who Support Positive Reform:
http://antipornographyactivist.blogspot.com/2007/07/what-you-can-do-102-support-adult.html
Shelley Lubben.com: (Former Porn Star telling the truth about porn.)
http://www.shelleylubben.com/index.php?truth=porn
Shelley Lubben's MySpace Site: (Telling more truth about porn.)
http://www.myspace.com/shelleylubben
101 Things You Can Do To Combat the Harms of Pornography
http://antipornographyactivist.blogspot.com/2007/07/101-things-you-can-do-to-combat-harms_7443.html
Anti-Pornography Activist Blog:
http://antipornographyactivist.blogspot.com/
***************
VIDEO DESCRIPTION: Sasha Grey is confronted by ex-porn star Tiana about the harm she is doing to herself, and the bad example set by the degradation and violence of Sasha's porn videos.
***************
From Sasha Grey entry at Wikipedia:
http://en.wikipedia.org/wiki/Sasha_Grey
"A self-proclaimed "existentialist" porn star, Sasha Grey was born in Sacramento, California. She attended Highlands High in North Highlands, Ca. She had her first sexual experience at the age of 16. In 2005, she decided to become an adult performer. She then moved to Los Angeles and started her career in 2006 just after turning 18. Her first scene was an orgy with Rocco Siffredi and others for the movie The Fashionistas 2 by John Stagliano. During this scene, she shocked her fellow performers by requesting that Siffredi punch her in the stomach.
Sasha states that she is bisexual and a fan of porn star Belladonna, with whom she shot scenes in Fetish Fanatic #4 and the unreleased Awakening of Sasha Grey. One of her skills that has her in high demand is her ability to deep-throat rather large penises. Shortly after turning 18, Grey contacted casting agent Mark Spiegler through the internet. He agreed to represent her, and her official booking site states that she is available for various sexual acts that include: solo, girl on girl, boy on girl, anal, double penetration, group, and interracial sex.
In an interview with Porn Valley News, Grey asserts that during sex she enjoys "a lot of dirty talk... the more psychological the better."[2] Sasha also reveals that she enjoys extreme sex in her personal life, including anal, watersports, the use of strap-ons, and, when she's feeling romantic [citation needed], vomiting on her partner. In her films, she has come to specialize in anal sex and humiliating submissive/slave roles (e.g. in Fuck Slaves) like her role model Belladonna. Grey was featured in Nov. 2006 in Los Angeles magazine, which expressed concern about her choices but also flagged her as a potential major star, perhaps the next Jenna Jameson. In 2007 she won 2 AVN awards, inlcuding best 3-way for Fuck Slaves.
Grey also aspires to produce independent films. Since the inception of her career in the porn industry, she has begun the filming of a documentary that she hopes will illustrate her experience from the age of 18 to 21.[4]
Filmography
* Cum Fart Cocktails #5
* Fashionistas Safado: The Challenge
* Hellfire Sex #7
* Sasha Grey Superslut
* Sex Slaves #2
* Tight Teen Twats #2
* Freaky First Timers #2
* Slut Puppies #2
* Smokin Hot
* Suck It Dry #3
* Swallow My Squirt #4
* Teenage Anal Princess #5
* Rich Little Bitch
* Girl Next Door #2
* In Through The Back Door
* Illegal Ass #2
* House Of Ass #3
* Gang Bang #5
* Barely Legal #62
* Bring 'Um Young #23
* Gang Bang My Face ********************
More: http://en.wikipedia.org/wiki/Sasha_Grey (Less)
Channel: youtubeTags: adultindustry antiporn antipornography grey interview porn pornography pornstar sasha sashagrey sex tyra tyrabanks xxx
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1631, 04:59, 2008-04-02 02:29:45 Description: Dead or Alive Big Ass Titties.
yeah the name says it all. A Music Video I made using a song and footage from the Dead or Alive girls... Warning it contains man footage also, but not that kind of (More) Dead or Alive Big Ass Titties.
yeah the name says it all. A Music Video I made using a song and footage from the Dead or Alive girls... Warning it contains man footage also, but not that kind of footage -_-' has Dot Hack//GU and Kingdom Hearts video Footage, at first I wanted to put the girls from Rumble Roses XX here but nah I didn't have enough footage of them n stuff.
also for you guys who want the lirycs here they are.
HOOK:
Lindsay Lohan - She Got Some Big Ass Titties
Mariah Carey - She Got Some Big Ass Titties
Halle Berry - She Got Some Big Ass Titties
Angelina Jolie Got Some Big Ass Titties
VERSE 1:
It don't matter if you C cups or D cups whatever
I'm tryna get in your ass without spending my cheddar
Cuz bitches know better I'm hotter than a nigga that's wearing fow sweaters
And nine times outta ten I leave they panties mo' wetter
So do the math put it together If you got big ass titties I'm down for whatever
Shit man, I'm spending my cheddar
Cuz this bitch got some titties like dayuuum!
Ma, c'mon gimme titties
Ma c'mon lemee see that
Ma, c'mon gimme titties
Ma c'mon lemee see tha
I need to see them C cups D cups yeah
I need to see them A cubs B cups yeah
I need to see them C cups D cups yeah
I need to see them A cubs B cups yeah
HOOK:
Lindsay Lohan - She Got Some Big Ass Titties
Mariah Carey - She Got Some Big Ass Titties
Halle Berry - She Got Some Big Ass Titties
Angelina Jolie Got Some Big Ass Titties
Lindsay Lohan - She Got Some Big Ass Titties
Mariah Carey - She Got Some Big Ass Titties
Halle Berry - She Got Some Big Ass Titties
Angelina Jolie Got Some Big Ass Titties
VERSE 2:
Well you know I had a bitch with big ass titties
Man me and her used to run through the city/
She said she ran the city she want me to call her Diddy/
Well look here, ma don't even call you with me/
Right now and I'm fuckin so you know you suckin/
In a big Lex truck and yeah Bumba be bustin them nuts on hoes/
I'm losing control big titties got me right back on my flow, oh!
I wanted to fuck Vivica Fox until she fucked with 50 now I don't want it/
Haha Ain't I a hater or somethin, but look here bitches be suckin Now and Laters and nothin/
But in my pants is something for you to get down undo my buttons bitch quit frontin/
I know you love stuntin 101 go head and give me some one on one/
HOOK:
Lindsay Lohan - She Got Some Big Ass Titties
Mariah Carey - She Got Some Big Ass Titties
Halle Berry - She Got Some Big Ass Titties
Angelina Jolie Got Some Big Ass Titties
Lindsay Lohan - She Got Some Big Ass Titties
Mariah Carey - She Got Some Big Ass Titties
Halle Berry - She Got Some Big Ass Titties
Angelina Jolie Got Some Big Ass Titties
VERSE 3:
Man, How could I forget Ashlee Simpson
Need a chick to lipsync on the dick like Ashlee Simpson/
And I ain't talkin about Marge Simpson or Bart Simpson yeah that's the Simpson/
With the big 'ol titties the tatas the mammaries/
And I'd definetly fuck another member of her family/
That's, Jessica Simspon with them titties, them big ol titties/
What about them Hilton twins?
They ain't got no titties if you down come with me lets roll/
Look ma, take off your bra, in the back of the truck we on a see-saw, up and down and up they go/
And I cop that coke so the price, down it go/
Psych I ain't got that coke I got that poke for the bitches with the big slope in the front of they chest/
yeah I'm trying to fuck a bitch like alienness/
From an outer space planet that's where I be/
Cuz i be fucking like I got a fuckin victory hangin in the lines/
Yeah that's the lines that drawn when you try to fuck me over bitch I'm gone/
I'm trying to ride out in something big on twenty four inches, take a lil swig/
From the, flask, yeah I got that shit in it, that vodka that sprite yeah I got that shit in it/
HOOK:
Lindsay Lohan - She Got Some Big Ass Titties
Mariah Carey - She Got Some Big Ass Titties
Halle Berry - She Got Some Big Ass Titties
Angelina Jolie Got Some Big Ass Titties
Lindsay Lohan - She Got Some Big Ass Titties
Mariah Carey - She Got Some Big Ass Titties
Halle Berry - She Got Some Big Ass Titties
Angelina Jolie Got Some Big Ass Titties (Less)
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1403, 00:51, 2008-10-04 13:48:19 Description: Actress/model threatens to quit during a photoshoot.
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1371, 02:57, 2008-04-01 17:39:34 Description: I'm drunk on St Patrick's Day and gotta pee real bad. So I ask Jason for assistance.--I WAS DRUNK. VERY DRUNK. MY VOICE GETS HIGH WHEN I'M DRUNK. QUIT ASKING ME WHY MY VOICE IS THAT (More) I'm drunk on St Patrick's Day and gotta pee real bad. So I ask Jason for assistance.--I WAS DRUNK. VERY DRUNK. MY VOICE GETS HIGH WHEN I'M DRUNK. QUIT ASKING ME WHY MY VOICE IS THAT WAY. ITS NOT! ONLY (Less)
Channel: megavideo Rate it: Rate:
1240, 00:38, 2008-08-11 09:21:02 Description: Dr bizzaro quit your life mxpx nipple pinch 2 boy i'll love lyric make man cum dirty slut asian lesbian babes wet ebony teen super bowl date for 2006 and 2007 2006 door next nikki stocking (More) Dr bizzaro quit your life mxpx nipple pinch 2 boy i'll love lyric make man cum dirty slut asian lesbian babes wet ebony teen super bowl date for 2006 and 2007 2006 door next nikki stocking secretary sex free asian big tit movie submitted nude wife photo nude college cheerleader pic young pussy bbs nude art photo teen msn web cam cum in mouth story public nudity thumb biker girl flash cum transexuals college fuck student black clip free gay sex lyric to peace on earth little drummer boy play free hentai game online amateur slut teen female adult picture elite preteens russian babes naked pussy teen tit huge dick tight pussy (Less)
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1206, 04:59, 2009-07-03 19:11:42 Description: An Asian chick getting on the bus wearing a very short skirt and tight blouse is being harassed by the other passengers on the bus. The guys won't quit on touching her legs and but.... (More) An Asian chick getting on the bus wearing a very short skirt and tight blouse is being harassed by the other passengers on the bus. The guys won't quit on touching her legs and but.... (Less)
Channel: megaporn Rate it: Rate:
1219, 00:20, 2009-02-16 07:25:17 Description: "Finished the business in two days. We talked about how to do it, then Kara wasted no time calling her best friend, Celeste, and inviting her over for the night. My hard long cock pumping (More) "Finished the business in two days. We talked about how to do it, then Kara wasted no time calling her best friend, Celeste, and inviting her over for the night. My hard long cock pumping rhythmically into your uterus. Hubby, Zeta, and me, she thought. He sat up and we made out for awhile. Smith lift the back of his gown, to expose his bare bottom. The following nights were worse; they invited their buddies and made me play with their junk with my hands and my mouth. He squirted a gob of cum deep in her pussy. Susan felt his arousal against her. Her body was soaking wet and so were the sheets she was a lather of sweat and I was pretty wet myself. She held a paper bag in her hand. She knew that Zeta was bi, for, even though she liked men, she had made a couple of passes at Kathleen. Instead, let me relieve you another way. I'm pretty much your average guy. I sucked your nipples so hard that I nearly bit it. She had a perfect cunt. ?You know Jane, you have spoken to her on the phone many times when you rang up accounts, preferring her to me!? she teased him ?Oh, I know her all right, she is the one with the lovely voice! But I?ve not yet met her. Billy laid in bed thinking to himself ?one minute she?s pissed off at me, the next she?s flirting with me like wants to fuck my brains out. .You came in late last night. "Yes, sir," she replied. So there's no need for you to deny it or try to justify it. ?Which gown would you like to try on, Jane? ?Oh, that long deep brown velvet gown there. ? ?An hour? gasped Sarah, ?you mean those things will be inside their.erm. They couldn't help it. Unlike those of alcohol, which cause a hangover, lassitude and self-loathing, you will experience a heightened sensitivity and feeling of release. ? She saw the two naked women walking over the lush cool grass towards to lovely pink ball, she was struggling hard now to follow, she started to cry, ?Oh, please let me go, I have to go there. He continued his feasting, instinctively sensing what she wanted, what most pleased her. I stole glances at him, he was staring at me the whole time, if he wasn?t my brother I would assume that he might have fallen completely in love with me, or could it How wrong was I after I found out our next destination, he want to show me off again, not something someone who loved you would do, he wanted to stop at a mom and pops restaurant that he heard me tell mom about. I am caressing your sexy hips. ?Quit hogging it all and let me have some more, Kara!? Celeste gathered some more cum for herself, while Kara began licking it out of Celeste?s pussy hair. She sucked it all down. As she watched the girls with envy Sarah noticed a movement out of the corner of her eye, she turned to look at the bushes and suddenly out of the bushes ran a group of small blue creatures. She laughed and told me to do it again. We talked about how to do it, then Kara wasted no time calling her best friend, Celeste, and inviting her over for the night. He was often away from the office on sales missions and taking orders. They didn?t have to hide all that much because Billy?s dad seemed to be working late or gone out town even more, which didn?t bother Becky or Billy at all. "Bring Jenny too. Hits the spot. I want to go home . I?ve paid the band and the hotel bill so I?m free to go. ? .Come with me to the bed. "You've been teaching here for a week. Aware of Jane?s groans of a passion almost unbearable, and sensing Pete?s imminent ejaculation, she released his glans from her mouth: it was a willing prisoner, thriving on the loving caressing of her lips and tongue, so that on popping out of her mouth its girth was great. Needless to say I almost melted at the sight of him in nothing but towel. Becky grabbed the remote and turned off the t. It was the hottest and most unbelievable feeling just knowing how close this was to happening. When Mom noticed me there, she seemed a little surprised, but didn?t ask me to leave. (Less)
Channel: youtubeTags: big bikini celebrity clip dog double farm fetish first foursome hentai mega mother naughty nice outdoor scandal simpsons super wife zoo
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1169, 01:06, 2008-04-17 12:44:02 Description: smoking cigarette smoking fetish smoke quit stop cigaret ban quitting cessation no second hand how to lyrics anti effects of cigarettes facts gun music song statistics video bans pics and pic teen (More) smoking cigarette smoking fetish smoke quit stop cigaret ban quitting cessation no second hand how to lyrics anti effects of cigarettes facts gun music song statistics video bans pics and pic teen album erotica thank you for the lyric ways laser programs shop laws aid on water help aids in public ohio hypnosis detectors now detector women weed camel natural blue cheap secondhand places herbal signals shops methods about naturally free pipes sites female pot girls tips a turkey marlboro up com non jacket law marijuana house videos out tax great american southern products health alarms with list sex cases best way clove sexy alarm newport patches bomb sign discount by pipe movies bombs online stopping liquid rings ads cigarett cigarets cigaretts Seneca Skydancer Buffalo Smokin Joes Exact Elite Native All Opal 120 Texas Republic Premium Little Cigars Order Tobacco Survey cigar indian chemical-free shopping save money carton palm springs desert ash tray ashtray Black Hawk Smokers indain reservation (Less)
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1071, 01:24, 2008-04-21 17:10:26 Description: NAKED GIRLS DANCE NAKED AND GIVE THE GUYS AT THE END FREE BLOWS!! Runescape update party hat duel pk stake halloween mask set santa hat dharok ahrim verac infinity fury glory ammy dragon (More) NAKED GIRLS DANCE NAKED AND GIVE THE GUYS AT THE END FREE BLOWS!! Runescape update party hat duel pk stake halloween mask set santa hat dharok ahrim verac infinity fury glory ammy dragon plate chain onxy bolt max hit rune mithril smithing cooking 99 farming magic hitpoint slayer task shark lobster woodcutting music video bandos armadyl zamorak saradomin godsword steam lava mystic med hilt whip r2h d2h dfs dragon full helm dragonfire shield w00t noob newb nub pwned runescape lure cheat scam hack new armour weapon train skill pure range magic prayer fletching cooking attack boss general kalphite queen king black dragon kbd fire cape skill cape quest red dragon blue dragon mithril dragon iron dragon steel dragon bronze dragon blue phat red phat white phat yellow phat green phat purple phat runescape classic easter bunny ears easter egg pumpkin christmas cracker mage book mage runes arrows the real zezima lol lmao lmfao rotf wow haha cool awesome 1337 elite crystal bow dark bow ancient staff ice barrage castlewars castle wars pest control pc cw godwars dungeon god war clan wild wildy wilderness mage arena hunter phat ph4t best ring necklace fally varrock edgeville draynor willow yew magic tree maple camelot seers bank video pk trip drop party quit free stuff youtube account kewl kool cool w00t woot woof This movie is nothing about homes, trains, love part 小鬼 music kitty tales jump dossiers pets anime hot technology science drift hsv kiss regimebald mason de trick school movie singing my tv trailer video nouvel ... 3gsm skate cats me video fantasy japan 51 final live fight animation clip 2007 nazi amv eminem dancing cat cute soccer episode dance blog final dog girl show robot war dog tv music maplestory world of warcraft wow runescape silkroad online games dogs super ovni アイマス rock animals stupid english new zone reptilian baby food free naruto fantasy la super with pc crazy by comedy 360 fun funny football song sex snow bike do accident sexy kids travel ep car 2006 mario super x factor a men in white angle dude skating dogs birds tits boobs vagina britney spears nude naked striptease dragonballz dragon demon batman spiderman superman george bush usa vice president titanic sinking ship is gay free hugs campaign prank call the simpsons family guy passions teacher police chase renetto guitar piano rock pop dance hiphop fire burn july of christmas xmas easter asians asian kissing kiss hot cold iraq war hitler ww2 wwii world war 1 2 3 4 5 6 7 8 9 0 a b c d f g h j k l p o i u y t r e w q z x c v b n m letters numbers 11 12 13 14 15 16 17 18 19 20 21 22 23 24 number 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 dog populatity new york hollywood famous places celebraty global warming climate change al gore george james blunt snow rain wet nude hot club penguin Acoustic lyrics guitar england uk united kingdom world cup usa america canada autism autistic awareness syndrome is horrible horror club eminem cool vlog log juts simpsons cartoon network 20th 21st century fox bbc mtv dance chart radio cnn news headline documentary mingy xbox hack rom hacking cd disc scottosh fold iphone phone island ships blow up renetto iraq war hitler clothes topless crash bandicoot team racing playstation sony microsoft nintendo wii ebay note adobe final cut apple premiere news online outkast birds bees community communist revolver gun shotgun hunting deer bear cheney condoleeza late nite early morning hell Most Popular Tags cyber space nasa galaxy mars saturn uranus pluto nasa rocket rocketscience science landscape countryside nature advertisment sonic hedgehog rayman kid friendly kid-friendly child moddles 2006 2007 220 accident animal animals animation anime atheist baby bleach blog bowl car cars cat cats comedy commercial southpark south park halo halo2 halo3 gameplay preview deleted scene cut out editing edit cool crash crazy cute dance day de death deutschland dog ella episode episode fight football fun funny funny game gay gear girl girls god guitar hana high hot humor james japan japan japanese la live live love man movie music music new new rap religion rock school sex sexy show soccer song super super top tv tv two video video vs war wii world world you youtube (Less)
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1035, 02:36, 2008-04-17 15:09:52 Description: The Temptations (often abbreviated as "The Tempts" or "The Temps") are an American Motown singing group whose repertoire has included doo-wop, soul, psychedelia, funk, disco, (More) The Temptations (often abbreviated as "The Tempts" or "The Temps") are an American Motown singing group whose repertoire has included doo-wop, soul, psychedelia, funk, disco, R&B, and adult contemporary. Formed in Detroit, Michigan in 1960 as The Elgins, the Temptations have always featured five African American male vocalists/dancers. The group, known for its recognizable choreography, distinct harmonies, and onstage suits, has been said to be as influential to soul as the Beatles are to rock.[1] Having sold an estimated 22 million albums by 1982,[2] The Temptations are one of the most successful groups in music history[3] and were the definitive male vocal group of the 1960s.[4] In addition, they have the second-longest tenure on Motown (behind Stevie Wonder), as they were with the label for a total of 40 years: 16 years from 1961 to 1977, and 24 more from 1980 to 2004 (from 1977 to 1980, they were signed to Atlantic Records). As of 2007, the Temptations continue to perform and record for Universal Records with only one original member, founder Otis Williams, in its lineup. The original group included members of two local Detroit vocal groups: The Distants, which featured second tenor/baritone Otis Williams, first tenor Elbridge "Al" Bryant and bass Melvin Franklin; and first tenor/falsetto Eddie Kendricks and second tenor/baritone Paul Williams (no relation to Otis) from The Primes. Among the most notable future Temptations were lead singers David Ruffin and Dennis Edwards (both of whom became successful Motown solo artists after leaving the group), Richard Street (another former Distant), Damon Harris, Ron Tyson, Ali-Ollie Woodson, Theo Peoples, and G.C. Cameron. Like its sister female group, the Supremes, the Temptations' lineup has changed frequently over the years. Over the course of their career, the Temptations have released four Billboard Hot 100 number-one singles and 14 Billboard R&B number-one singles. Their material has earned them three Grammy Awards, while two more awards were conferred upon the songwriters and producers who crafted their 1972 hit "Papa Was a Rollin' Stone". History The Primes Childhood friends Eddie Kendricks, Paul Williams, Kel Osbourne, and Wiley Waller formed a doo-wop group called the Cavaliers in their hometown of Birmingham, Alabama, in 1955.[5] Reduced to a trio after Waller left the group in 1957, Kendricks, Williams, and Osbourne left Birmingham in order to break into the music business. After first moving to Cleveland, they settled in Detroit. The Primes, as the doo-wop trio was now called, were well-known around Detroit for their meticulous performances.[6] Group manager Milton Jenkins even created a sister group for the Primes called the Primettes, recruiting Florence Ballard, Mary Wilson, Diane (later Diana) Ross, and Betty McGlown for the spin-off act.[5] The Distants Otis Williams had moved from his native Texarkana, Texas to Detroit as a young boy, to live with his mother.[7] By 1958, he was the leader of Otis Williams & the Siberians, a doo-wop group that included Williams, his friend Elbridge "Al" Bryant, James "Pee-Wee" Crawford, Vernard Plain, and Arthur Walton.[8] This quintet recorded the single "Pecos Kid" backed with "All of My Life" for a label run by local radio deejay Senator Bristol Bryant.[8] The single never took off outside the local Detroit market, and the Siberians changed their name to The El Domingoes shortly afterward.[5] At this time, more changes took place. Montgomery, Alabama native Melvin Franklin replaced Arthur Walton as the bass singer, and Franklin's cousin Richard Street replaced Vernard Plain as lead singer.[9] The group soon signed with Northern Records, run by Johnnie Mae Matthews, who renamed the group The Distants. The Distants recorded two singles for Northern, "Come On" (1959, featuring additional background vocals by the Andantes), and "Alright" (1960).[9] Between these two releases, Albert "Mooch" Harrell replaced Pee-Wee Crawford.[9] "Come On" was a local hit for the Distants, and the Warwick label picked the record up for national distribution.[9] After the release of "Alright", Matthews appointed Williams the group leader, and the group was renamed Otis Williams & the Distants.[10] [edit] Influences and colleagues The Primes and the Distants were but two of dozens of local male vocal acts, the most famous of which was the Miracles, led by Smokey Robinson. The Miracles were known for their stage show, and their pop success was something for which both groups strived.[11] Other important inspirations included the Cadillacs, Frankie Lymon & the Teenagers, the Drifters, and the Isley Brothers.[12] The various members of The Primes and the Distants who would later become part of the Temptations met a number of their later Motown bandmates, labelmates, and producers during the early part of their careers. Melvin Franklin had been a member of the recording group the Voice Masters, which also included among its ranks Lamont Dozier and David Ruffin.[9] The musicians at the recording session for the Distants' "Come On" included James Jamerson on bass; the Andantes on background vocals; and Norman Whitfield on tambourine.[9] A promotional image of the original early 1960s Temptations lineup. Clockwise from top right: Otis Williams, Paul Williams, Melvin Franklin, Eddie Kendricks, and Elbridge "Al" Bryant. [edit] Forming the Temptations Although "Come On" was a local success in the Detroit area, the Distants never saw much of their share from the record sales, and the second single was not as successful. After receiving an offer from Berry Gordy of Motown Records, the group got out of its contract with Matthews and left Northern. At the same time, it lost Mooch Harrell, Richard Street, and the rights to use its name. Street would front a new group of Distants for the local Thelma label during the early 1960s. The Distants were acquainted with the Primes, as both groups made the same rounds to local record hops, talent shows, and concerts. The two groups were friendly rivals. The Primes disbanded in 1960 when Kel Osbourne moved to California, and Eddie Kendricks and Paul Williams returned to Alabama. While in Detroit visiting relatives, Kendricks called Otis Williams who, needing two more members for an audition for Gordy, offered Kendricks a place in the Distants. Kendricks agreed, with one condition -- that he could bring Paul Williams with him. Otis Williams agreed, and Kendricks and Paul Williams moved back to Detroit to join the group. The new lineup of Otis Williams, Franklin, Bryant, Kendricks, and Paul Williams took on the name The Elgins and auditioned for Motown in March 1961. Gordy agreed to sign the group to his Miracle Records imprint, but discovered just before signing that there was already a singing group called the Elgins. The quintet quickly began tossing about ideas for a new name on the steps of Motown's Hitsville U.S.A. headquarters. On a suggestion from Miracle Records employee Billy Mitchell and Otis Williams, The Temptations became the group's new moniker. The "Elgins" name would re-surface at Motown in 1965, when Gordy renamed a quartet called The Downbeats as The Elgins. The Temptations released two singles on Miracle, "Oh Mother of Mine" and "Check Yourself", before it was closed and merged with the Gordy label (to avoid confusion with the Miracles singing group). All seven of the Temptations' singles released between 1961 and 1963 failed to make it onto the U.S. pop singles charts; the 1962 single "Dream Come True" made it to number 22 on the R&B chart. Paul Williams and Kendricks split most of the leads during this period, with Bryant, Otis Williams, and Franklin occasionally singing lead. Many songwriter and producer teams had been trying to craft a hit for the Temptations, including Berry Gordy, Mickey Stevenson, Clarence Paul, and Norman Whitfield. Gordy had in fact written the song "Do You Love Me" for The Temptations in 1961, but when he was unable to get ahold of the group, he recorded the song with the Contours instead. Miracles lead singer/songwriter/producer Smokey Robinson produced his first Temptations single, the Paul Williams-led "I Want a Love I Can See", in 1963, and proved to have the best rapport with the group. Elbridge Bryant, who preferred his day job as a milkman to performing, soon became restless and uncooperative. After a performance at the 1963 Motown company Christmas party, Bryant was fired from the group. His replacement was Meridian, Mississippi native David Ruffin, younger brother of Motown artist Jimmy Ruffin. Though both Ruffin brothers were considered, David was given an edge over Jimmy thanks to his performance skills, which David displayed when he joined the Temptations on-stage during a local Detroit performance earlier that year.[13] The "Classic Five" lineup of the Temptations, circa 1965. Left to right: Melvin Franklin, Eddie Kendricks, Otis Williams, Paul Williams, and David Ruffin. The "Classic Five" era In January 1964,Miracles members Smokey Robinson and Bobby Rogers co-wrote and produced "The Way You Do the Things You Do" with Kendricks on lead; the single became the Temptations' first Top 20 hit that April. While traveling as part of Motown's Motortown Revue later that year, Robinson and fellow Miracle Ronnie White wrote a song for the emotive Ruffin to sing lead on, which the group recorded in the fall of 1964. Released as a single on December 24, 1964, "My Girl", became the Temptations' first number-one pop hit in March 1965, and is their signature song to this day. David Ruffin's emergence as lead singer gave way to the Temptations' most successful period, today referred to as the "Classic Five" era, during which Ruffin, Kendricks, Franklin, Otis Williams, and Paul Williams recorded many of the group's most familiar hits. After the success of "My Girl", Ruffin sang lead on the next three Temptations singles: "It's Growing", "Since I Lost My Baby" and "My Baby", all of which made it to the Top 20 in 1965. The b-side to "My Baby", "Dont Look Back", featured a lead from Paul Williams, and was a sleeper hit on the R&B charts. In 1966, Norman Whitfield became the Temptations' new main producer, after his "Ain't Too Proud to Beg" performed better than Robinson's "Get Ready" on the U.S. pop charts. Whitfield began pushing the group away from Robinson's ballad-based production towards a harder-edged and brass-heavy soul sound reminiscent of the work of James Brown. Nearly all of the pre-1968 Whitfield-produced Temptations singles featured David Ruffin on lead vocals, including the R&B number-one/pop Top 10 hits "Beauty Is Only Skin Deep" and "(I Know) I'm Losing You". Other singles from this period included "You're My Everything", on which Eddie Kendricks and David Ruffin share lead vocals, and "All I Need", produced by Whitfield's protg Frank Wilson. Whitfield's writing partners during this period included Roger Penzabene, Temptations road show manager/guitarist Cornelius Grant, and Edward Holland, Jr.. After Eddie Holland left Motown with the rest of the Holland-Dozier-Holland songwriting/production team in 1967, Barrett Strong (who sang Motown's first hit, 1960's "Money (That's What I Want)") began working with Whitfield and Penzabene on Temptations material. Two of Whitfield/Strong/Penzabene's collaborations, "I Wish It Would Rain" and "I Could Never Love Another (After Loving You)", became hits in 1968. Strong became Whitfield's sole collaborator after Penzabene's suicide in December 1967. Exit David Ruffin Between 1964 and 1968, the Temptations went from unknown hopefuls to international stars. The group appeared frequently on television shows such as American Bandstand and The Ed Sullivan Show, and catered to middle America with a pop standards album (The Temptations in a Mellow Mood, 1967) and performances at the Copacabana in New York City and other such supper clubs. Outside of music, the Temptations were made honorary members of Phi Beta Sigma Fraternity, Inc. Initially laid back and even-keeled, by 1967 David Ruffin felt that he was almost single-handedly responsible for the group's success. He demanded special treatment, riding to and from gigs in a private mink-lined limousine with his then-girlfriend, singer Tammi Terrell (known for her duets with Marvin Gaye), instead of in the group limousine the other four Temptations used. Ruffin missed a number of rehearsals, concerts, and group meetings; and began regularly using cocaine. After seeing how Motown had made Diana Ross the focus of the Supremes by renaming the group Diana Ross & the Supremes, Ruffin demanded that his group be renamed, as well -- to David Ruffin & the Temptations. Additionally, Ruffin was demanding an accounting of the Temptations' earnings, which caused friction between him and Berry Gordy. There was general agreement among the rest of group that Ruffin needed to be replaced. Otis Williams insists that Ruffin was given fair warning that if he did not change his attitude he would be fired. When Ruffin missed a June 1968 engagement at a Cleveland supper club in order to attend a show by his new girlfriend (Dean Martin's daughter Gail), it was decided that he had crossed the line. The other four Temptations drew up legal documentation firing Ruffin from the group, and Dennis Edwards, formerly of the Contours, was hired to replace him. Edwards and Ruffin were good friends, and Ruffin at first went along with the changing of the guard. After a short time, however, Ruffin began turning up at Temptations shows, jumping onstage during performances of the songs he once sang lead on and stealing the spotlight. The audiences were delighted, but the Temptations and Motown were frustrated and embarrassed. Extra security guards were hired to prevent Ruffin from attending other Temptations' performances. Ruffin sued Motown in October 1968, seeking a release from the label, and Motown settled by offering Ruffin a solo recording deal. Beginning in 1968, Berry Gordy commissioned a number of collaborations for the Temptations with Diana Ross & the Supremes. The results included a joint tour, two studio albums (Diana Ross & the Supremes Join the Temptations, which featured the number-two hit single "I'm Gonna Make You Love Me", and Together), and two NBC television specials, TCB (aired December 9, 1968) and G.I.T. on Broadway (aired November 12, 1969). The tracks for Diana Ross & the Supremes Join the Temptations included Dennis Edwards' first studio recordings with the Temptations. Psychedelic soul Dennis Edwards' addition to the Temptations coincided with producer Norman Whitfield's adoption of a new sound for the group. In the fall of 1968, Whitfield began producing psychedelic-based material for the Temptations, derived primarily from the sound of funk band Sly & the Family Stone. This new style, which debuted with the Top 10 hit single "Cloud Nine" in October 1968, was a marked departure from the David Ruffin-era ballads. The instrumentation was funkier, the beat was hard-driving, and all five Temptations traded lead vocals, similar to Sly & the Family Stone. "Cloud Nine", the centerpiece of the group's landmark Cloud Nine LP, was a Top 10 hit and won Motown its first Grammy Award, for Best R&B Vocal Group Performance of 1969. The blending of the Motown sound and psychedelic rock sound resulted in a new subgenre of music called "psychedelic soul", also evident in the work of Diana Ross and the Supremes ("Reflections", "Love Child"), Marvin Gaye's version of "I Heard It Through the Grapevine", and the music of the Fifth Dimension and War. More Temptations psychedelic soul singles would follow in 1969 and 1970, among them "Runaway Child, Running Wild" (a number-one R&B hit), "I Can't Get Next to You" (a number-one pop hit), "Psychedelic Shack" , "Ball of Confusion (That's What the World Is Today)", and "Ungena Za Ulimwengu (Unite the World)". Exit Eddie Kendricks and Paul Williams During the late-1960s, Paul Williams' physical and mental health began to decline sharply. Williams suffered from both depression and sickle-cell disease, and also developed alcoholism, all of which made it hard for him to continue performing. Oxygen tanks were kept in the wings of performance venue stages for Williams, and the other four Temptations made valiant efforts to raid and drain his alcohol stashes. By 1969, former Distant Richard Street, now lead singer of Motown act The Monitors, was touring with the group as a backup replacement for Williams. For most shows, Street would sing Williams' parts (save for his solo numbers) from offstage behind a curtain, while Williams danced and lip-synched onstage. At other shows, and during most of the second half of 1970, Street took Williams' place onstage. As Paul Williams' health failed, Eddie Kendricks became detached from the group. He regularly picked fights with Otis Williams and Melvin Franklin over the group's leadership. In addition, Kendricks was uncomfortable with the psychedelic soul material the group was now performing, preferring the ballad material from the earlier days. Kendricks rekindled his friendship with David Ruffin, who persuaded him to quit the Temptations and go solo. After another confrontation between himself, Otis Williams, and Franklin during a November 1970 Copacabana engagement, Kendricks walked out in-between shows and did not return. Both Franklin and Otis Williams agreed at this time that Kendricks would be leaving the group. Before Kendricks officially left the Temptations, he and Paul Williams recorded the lead vocals for "Just My Imagination (Running Away with Me)", a lush, wistful ballad that became Kendricks' Temptations swan song. Released as a single in January 1971, "Just My Imagination" began steadily climbing the U.S. pop singles chart. By the time "Just My Imagination" hit number-one in March, Kendricks had negotiated his release from the group and signed a solo deal with Motown's Tamla imprint. Kendricks' original replacement was Ricky Owens, from the Los Angeles-based vocal group the Vibrations. However, Owens gave poorly-received performances during the few shows he performed with the group, and he was dropped after only a few weeks. During most of the spring of 1971, the Temptations remained a quartet, and re-recorded the single "It's Summer" without a fifth member. In April, Paul Williams quit the Temptations, after a medical declaration that he was unable to continue performing. Richard Street officially took his place, while Williams remained on the group's payroll as an advisor and choreographer. After Williams had recovered enough to perform again, Motown made plans for a Paul Williams solo career, but he died at age 34 in Detroit on August 17, 1973. Williams' death was ruled a suicide. The Temptations in the early 1970s By May, The Temptations had found a permanent replacement first tenor in twenty-year-old Baltimore native Damon Harris. Otis Williams, Edwards, Franklin, Street, and Harris continued recording and performing, and Norman Whitfield continued producing hits for them. Among these were Top 40 hits such as "Superstar (Remember How You Got Where You Are)" (1971), a message from the Temptations to the estranged David Ruffin and Eddie Kendricks, and "Take a Look Around" (1972). The fall of 1972 saw the release of Whitfield's magnum opus, "Papa Was a Rollin' Stone". Originally a three-minute record written and produced for the Undisputed Truth, Whitfield took the sombre tune and created a sprawling, dramatic eleven and -minute version for the Temptations. An edited seven-minute version was released as a single in September 1972, hitting number-one on the pop charts and number-five on the R&B charts. In 1973, "Papa Was a Rollin' Stone" won the Temptations their second Grammy for Best R&B Performance by a Group. Whitfield and arranger/conductor Paul Riser won the award for Best R&B Instrumental Performance with the instrumental version of "Papa" on the single's b-side, and Whitfield and Barrett Strong won the songwriters' Grammy for Best R&B Song. After "Papa Was a Rollin' Stone", Whitfield stopped working with Barrett Strong, and began writing the Temptations' material on his own. The success of "Papa" led Whitfield to create more elongated, operatic pieces, including the Top 40 hit "Masterpiece" (1973) and several of the tracks on the resulting Masterpiece album. Tensions developed between Whitfield and the group, who found Whitfield arrogant and difficult to work with. The group cited his habitual tardiness, his emphasis of the instrumental tracks over the vocals on many of his productions, and the declining singles and albums sales as other sources of conflict. Otis Williams complained about Whitfield's actions and the Temptations' stagnant sales to Berry Gordy, who intervened and reassigned them to Jeffrey Bowen, co-producer of the 1967 In a Mellow Mood album. The final Norman Whitfield-produced Temptations album, 1990, was released in late 1973, and included the Top 30 single "Let Your Hair Down". Whitfield left Motown shortly afterwards, and in 1975 established Whitfield Records, taking with him the Undisputed Truth, Willie Hutch, and Rose Royce, who performed the instrumental track for "Let Your Hair Down". Dry spell Bowen's first LP with the Temptations was January 1975's A Song for You, which included a cover of the titular Leon Russell tune (popularized with soul audiences by Donny Hathaway), along with the pop Top 40/R&B number-one hits "Happy People" (featuring the Commodores as the instrumentalists) and "Shakey Ground" (featuring instrumentation by Funkadelic's Eddie Hazel and Billy Bass Nelson), and "Glasshouse", the group's final Top 40 Pop hit. Damon Harris was fired from the group during the recording of A Song for You, as his behavior and work ethic were deemed unprofessional.[14] His replacement was Washington, D.C. native Glenn Leonard, formerly of the Unifics.[15] A number of producers, including Bowen, Brian Holland, James Carmichael, and even the Temptations themselves tried producing hits for the next three LPs, House Party (November 1975), Wings of Love (March 1976), and The Temptations Do the Temptations (August 1976). None of these recordings were as commercially successful as A Song for You, and none of their singles entered the Billboard Hot 100 Top 40.[16] As time progressed, Bowen pushed Dennis Edwards further to the front. This was evident in on Wings of Love, which features Edwards' voice more prominently than the other Temptations' backing vocals.[17] Otis Williams felt that this was hurting the group, and after The Temptations Do the Temptations was recorded in 1976, Edwards was fired from the group.[18] His replacement was Louis Price. The Temptations left Motown for Atlantic Records, citing Motown's inattention as the reason for their declining sales and popularity.[19] However, the group's releases on Atlantic -- Hear to Tempt You (1977), Bare Back (1978), and their associated singles -- failed to perform better than their last handful of Motown singles, and in 1979 Atlantic released the group from its contract.[17] Shortly afterwards, the Temptations met with Smokey Robinson and Berry Gordy, and the group re-signed with Motown in 1980.[20] ] Return to Motown and Reunion Upon the return to Motown, Louis Price departed from the group and joined the Drifters. Dennis Edwards, who had been inactive for the previous three years despite remaining with Motown as a solo act, returned to the lineup. Berry Gordy co-wrote and produced the Temptations' first single under the new contract, "Power", from the album of the same name. "Power" missed the Billboard Hot 100 Top 40, but hit number 11 on the R&B charts. Two years of underperforming singles and albums followed, including an eponymous album with Philadelphia-based producer Thom Bell, until Motown began planning a Temptations reunion tour in 1982. Eddie Kendricks and David Ruffin agreed to rejoin the group for the Reunion album and tour. Melvin Franklin's nephew, Motown funk star Rick James (who had previously used the Temptations as backup vocalists on his 1981 hit "Super Freak"), wrote, produced, and guested on the Reunion album's lead single, "Standing on the Top", which featured Ruffin, Kendricks, and Edwards on lead. The single went to number-six on the R&B charts. While the ensuing Reunion tour with all seven Temptations (Ruffin, Kendricks, Otis Williams, Franklin, Edwards, Richard Street, and Glenn Leonard) was financially successful, it ended up being a stressful venture: Kendricks' voice had weakened after decades of chain smoking, and Ruffin, still addicted to drugs, missed a number of the performances. At the conclusion of the Reunion tour, Ruffin and Kendricks were fired, and they began touring and performing together as a duo. One more album, Surface Thrills, was released in 1983. It featured a sharp departure in the group's sound by incorporating elements of then-current rock. Following its release, Glenn Leonard left and was replaced by Ron Tyson. Tyson had been a songwriter at Atlantic during the Temptations' time there, and co-wrote several songs on the album Hear To Tempt You. [edit] From the 1980s to the 1990s By this time, the Temptations' releases were no longer performing well on the pop charts, though they sometimes made the R&B Top 20. "Love on My Mind Tonight", a single from Surface Thrills, made it to number 17. "Sail Away", produced by a returning Norman Whitfield and featuring Ron Tyson's first lead vocal, peaked at number 13. Dennis Edwards was again fired in 1984, this time for missing rehearsals, or showing up hungover. He attempted a second solo career, and his place was taken by Ali-Ollie Woodson, who had been a potential candidate to replace Edwards back in 1977. The album Back to Basics was released; it was the first album featuring Ron Tyson, and featured one track with Woodson, "Stop the World Right Here (I Wanna Get Off)". Woodson's first lead on a single was 1984's "Treat Her Like a Lady", co-written by himself and Otis Williams, and co-produced by Al McKay and Ralph Johnson, formerly of Earth, Wind and Fire. The single became their biggest success on R&B radio in some time, reaching number-two on the R&B charts, and just missing the Pop Top 40. The group experienced similar success the following year with the single "Lady Soul", another Top 5 R&B smash. On July 13th 1985, Eddie Kendricks and David Ruffin would achieve "World comeback" recognition for their performances with Pop/Rock superstars Daryl Hall and John Oates(Hall and Oates) in a performance given at the "Live Aid" concert in Philadelphia televised world wide. The segment with Kendricks and Ruffin included a Medley of "Get ready/The way you do the things you do/My Girl. The combination of Hall, Oates, Ruffin and Kendricks went on to perform the resurrected Hall and Oates hit (made popular by the English artist Paul Young), "Every time you go away". This was the exact performance the singing quartet had just recorded live in a sold out performance for the "reopening" of the historic Apollo Theater. The medley recorded on "Live at the Apollo" for RCA, became a top 20 hit on the pop charts. Ollie Woodson remained with the Temptations until 1987, when he was fired and replaced by an again-returning Dennis Edwards. The group recorded one album during Edwards' third tenure, Together Again, released in late 1987. The following year, Otis Williams published his autobiography, Temptations, co-written with Patricia Romanowski, chronicling the careers of the group from the Primes/Distants days to the present, and focusing on the lives of Williams and Melvin Franklin. An updated version of the book was published in 2002. Edwards was fired for the third and final time in late 1989, with Woodson re-joining the lineup. Also that year, the Temptations were inducted into the Rock and Roll Hall of Fame, honoring Edwards, Franklin, Otis Williams, David Ruffin, Eddie Kendricks (now performing as "Eddie Kendrick"), and, posthumously, Paul Williams. Most of the Temptations, present and former, showed no ill feelings towards each other, although Otis Williams reported that Kendricks would not speak to him during the ceremony. [21] The Temptations ended their induction with Paul Willaims' signature song, "Don't Look Back", dedicated to his memory. After reuniting at the induction ceremony, Edwards, Ruffin, and Kendrick made plans to tour and record as "Ruffin/Kendrick/Edwards, Former Leads of The Temptations". The tour was carried out, much to the chagrin of Otis Williams and Motown, but production on an album was terminated when Ruffin, age 50, died on June 1, 1991 in Philadelphia after a drug overdose. Kendrick was diagnosed with lung cancer but continued to perform; he died on October 5, 1992 at the age of 52, in his native Birmingham. The Temptations in the 1990s From the 1990s on, the Temptations' lineup began to change more frequently than before. Richard Street missed a performance in 1992 after undergoing emergency surgery to remove kidney stones. Otis Williams was not aware of Street's surgery, and called him, angry about Street's absence. Street felt Williams was unsympathetic, and as a result, he left the group in 1993 after twenty-two years. His replacement was St. Louis native Theo Peoples. Two years later, Melvin Franklin was forced to stop performing because of failing health. He died on February 23, 1995 at the age of 52, after suffering a brain seizure. Ray Davis from Parliament/Funkadelic came on as new bass, and the group recorded the pop standards album For Lovers Only, which contained two tracks led by Melvin Franklin. Davis left shortly after completing the album, due to a throat cancer diagnosis. The group continued as a quartet for a short time, before recruiting bass Harry McGilberry, a former member of The Futures. For Lovers Only would also be the last for lead Ali-Ollie Woodson; he was released from the group in 1996 due to health problems, having suffered two battles with throat cancer. He was replaced by his fill-in from his first health concern, new member Terry Weeks. The new Temptations lineup, consisting of Otis Williams, Ron Tyson, Theo Peoples, and newcomers Harry McGilberry and Terry Weeks, debuted at the halftime show of Super Bowl XXXII, which celebrated the 40th anniversary of Motown. In 1998, The Temptations released Phoenix Rising, their first million-selling album in over twenty years. The album was anchored by the Theo Peoples-led single "Stay", a number-one hit on the adult contemporary charts that featured a sample from The Temptations' "My Girl". During the recording of Phoenix Rising, however, Theo Peoples departed, and was replaced by Barrington "Bo" Henderson. The completed album features both Henderson and Peoples (who later joined the Four Tops) on different tracks. A scene from the 1998 Temptations NBC miniseries. The Temptations mini-series Main entry: The Temptations (miniseries). Nineteen ninety-eight also saw the debut of The Temptations, a four-hour television miniseries based on Otis Williams' Temptations autobiography. It was broadcast in two parts on NBC on November 1 and November 2, 1998. The miniseries was a ratings success and won an Emmy award for Best Direction; it was subsequently rerun on the VH-1 cable television network and released to VHS and DVD. Otis Williams' former wife Josephine, Melvin Franklin's mother Rose Franklin, and David Ruffin's family, jointly filed a lawsuit against Williams, Motown, de Passe Entertainment, Hallmark Entertainment, and NBC for a number of charges, including defamations of character. The judges ruled in favor of the defendants, and the ruling was upheld when the plaintiffs appealed in 2001. Williams later claimed that, although his book was used as the source material for the film, he did not have a great deal of control over how the material was presented. From 2000 to the present day The Temptations were inducted into the Vocal Group Hall of Fame in 1999. In 2001, their 2000 album Ear-Resistible won the group its third Grammy, this one for Best Traditional R&B Vocal Performance. Three classic Temptations songs, "My Girl", "Ain't Too Proud to Beg", and "Papa Was a Rollin' Stone", are among The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Bo Henderson was fired from the group in 2003, prompting a wrongful termination lawsuit [22]. His replacement was former Spinners lead G.C. Cameron. The lineup of Cameron, Otis Williams, Ron Tyson, Harry McGilberry, and Terry Weeks recorded for a short time before Harry McGilberry was dismissed;[23] his replacement was former Spaniels bass Joe Herndon. McGilberry died on April 3, 2006, at age 56. The group's final Motown album, Legacy, was released in 2004. Later that year, The Temptations asked to be released from their Motown contract, and moved to another Universal Motown Records Group label, New Door Records. Their latest album, Reflections, was released on January 31, 2006, and contains covers of several popular Motown songs, including Diana Ross & the Supremes' "Reflections", the Miracles' "Ooo Baby Baby", Marvin Gaye and Tammi Terrell's "Ain't Nothing Like the Real Thing", and the Jackson 5's "I'll Be There".[24] The Temptations were nominated for the 2007 Grammy Award for Best Traditional R&B Vocal Performance, for their version of Gaye's "How Sweet It Is (To Be Loved by You)" from Reflections. G.C. Cameron left the group in June of 2007 to focus on his solo career.[25]. The current lineup is Otis Williams, Ron Tyson, Terry Weeks, Joe Herndon, and new member Bruce Williamson. Splinter groups Several former Temptations continue to perform outside of the group in spin-off or offshoot acts. The most well known splinter was "Ruffin/Kendrick/Edwards: Former Leads of the Temptations", which featured the three former Temptations and three other members (David Sea, who'd been a consideration to replace Edwards in 1984, Nate Evans, a former member of The Impressions, and a female vocalist). Following David Ruffin's death, Dennis Edwards and Eddie Kendrick began touring as "The Temptations", still with David Sea and Nate Evans, and bringing in another former Temptation, Damon Harris. The group had different sixth vocalists at different times, including Charles Blackmon and Curtis Taylor.[26] This prompted a legal battle with Otis Williams. Following Kendrick's death, the group splintered: Dennis formed "Dennis Edwards and the Temptations Review," Damon formed "Damon Harris and the Temptations Review" (featuring future Temptation Joe Herndon), David Sea went on to a solo career[27], and Evans and Taylor formed a Temptations tribute band[28]. Dennis Edwards' group tours to this day. The group has appeared on several PBS music specials. The lineup is Edwards, David Sea (baritone, returning in 1999), Mike Patillo (bass since 1993), Chris Arnold (first tenor/falsetto, joined post-2000)[29], and another former Temptation, Ali-Ollie Woodson. Woodson previously fronted an act called Ali-Ollie Woodson & the Emperors of Soul--Emperors of Soul being the name of the 1994 Temptations boxed set. He replaced Bernard Gibson[30][31] in 2007; Gibson was an original 1993 addition, and was in the group for all of their PBS performances. Damon Harris split from his group in the late 1990s; the other four members then joined with another former Temptation, Glenn Leonard, to become "Glenn Leonard and the Temptations Experience." Joe Herndon left this group to join the Temptations[32] His spot was filled by former Temptations bass Ray Davis, and, following Davis' death on July 5, 2005, Harry McGilberry, another former Temptations bass (McGilberry died on April 3, 2006). Damon Harris would form a new group later, billed as "Damon Harris and the Temptations Tribute." Richard Street also leads a group, billed as "Richard Street" or "Richard Street's Temptations"[33]. Street is in the process of writing a book regarding his time with The Temptations entitled Ball of Confusion. If it is published, it will be the second autobiography regarding the group. [edit] Musical style The Temptations' songs depended upon the individual members' interaction as a group; unlike many other R&B groups, each member of the Temptations was a lead singer of some capacity. Although the group always had an appointed main lead singer who dominated most the lead vocals (from Paul Williams to David Ruffin, Dennis Edwards, and later singers such as Louis Price, Ali-Ollie Woodson, and Terry Weeks), that singer was never given more of a promotional push than the other members. Co-lead songs, with two or more of the singers sharing the lead vocals, are common in the Temptations catalog, particularly among the psychedelic-era recordings of the late 1960s/early 1970s The "Motown Sound" The group would alter their style several times over the years following their first Motown hit, adapting to the popular styles of the day while retaining their signature visual and vocal styles. The earliest Temptations recordings reflect the influence of producers Berry Gordy and Smokey Robinson, featuring a blend of black rhythm and blues and white pop music that came to be later identified as the "Motown Sound". Backed by Motown's stalwart studio band, the Funk Brothers, pre-1966 Temptations recordings were built around songs (usually ballads like "My Girl") with simple, direct lyrics supported by an R&B rhythm section with orchestral strings and horns added for pop appeal. During this period, each recording usually featured only one lead singer, usually David Ruffin or Eddie Kendricks, although Paul Williams, Melvin Franklin, and Otis Williams each had solo numbers of their own at various times. Like most Motown groups, melisma and other complicated vocalization techniques were eschewed by the Temptations for a more direct, yet obviously gospel-rooted vocal approach, to make the songs more palpable for white audiences. Creative control remained primarily in Smokey Robinson's hands, although the Temptations, most frequently Eddie Kendricks, periodically co-wrote some of their material. Kendricks also handled the vocal arrangements for all of the Temptations' material. In 1966, Norman Whitfield changed the group's dynamic, moving them away from the previous one lead singer model and adding elements derived from the rougher soul of artists like James Brown, Wilson Pickett, and the performers at Stax Records. Whitfield and his lyricists crafted Temptations songs with shifts of dynamics, syncopated horn stabs, and more intricate harmony arrangements which spotlighted each singer's unique vocal range. Onstage, this change was reflected in the group's use of a custom-made four-headed microphone, which allowed each member freedom to perform without having to all crowd around one or two microphones. Under Whitfield's control, the Temptations retained their white pop appeal, but also gained popularity amongst black audiences as well. Psychedelic and cinematic soul When David Ruffin was replaced by Dennis Edwards, and Sly and the Family Stone became popular, Whitfield again restructured the Temptations' sound, this time driving the group almost completely into a "psychedelic soul" sound. Recordings from this period (such as "Cloud Nine" and "Psychedelic Shack") featured echoed vocal tracks, distorted guitar lines with prominent use of the wah-wah pedal, hard-hitting drums, and various stereo effects and sound effects. The majority of these songs feature at least two lead singers; often, all five Temptations sang lead, trading bars a la the Family Stone. Dennis Edwards, whose vocal style had a rougher, more Southern-soul based sound than David Ruffin's, was featured prominently on most of these recordings. The lyrics for these songs, inspired heavily by Sly Stone's concurrent works, centered primarily around social issues such as integration, the Vietnam War, and self-consciousness. Ballads in the group's traditional style were still being recorded as b-sides and album fillers (the exception being "Just My Imagination"). Many of the psychedelic soul recordings were presented in extended-length mixes longer than the typical three-minute Motown song. Tracks such as the album version of "Run Away Child, Running Wild" from Cloud Nine, "Take a Stroll Thru Your Mind" from Psychedelic Shack, and "Smiling Faces Sometimes" from Sky's the Limit, all run at least eight minutes in length. Much of the running time for each song consists of instrumental passages without vocals, at Whitfield's insistence. The hit version of their smash 1972 single "Papa Was a Rolling Stone" was nearly seven minutes long, with an instrumental intro that was almost two minutes long -- a rarity for songs of that era. "Psychedelic soul" soon gave way to "cinematic soul": Long recordings with detailed orchestration and extended instrumental introductions and bridging passages, oten focusing on lyrics about the ghettos and inner cities of black America. These songs were heavily influenced by the work of singer/songwriters Isaac Hayes and Curtis Mayfield. Unlike Hayes and Mayfield, the Temptations had no creative control over their recordings, and were not fond of the twelve and thirteen-minute long songs that Norman Whitfield was now producing for them. Whitfield's contributions were the focal point of Temptations albums such as Solid Rock, All Directions, and particularly Masterpiec. From funk to disco to adult contemporary After Whitfield was dismissed as the Temptations' producer in 1974, the group altered its sound to accommodate a balance of both up-tempo dance material and ballads. The vocal arrangements began to again focus primarily on one lead singer per track, although leads were still being periodically shared. In addition, the Temptations themselves, after fighting Motown and Berry Gordy for creative control, began to write and produce some of their material. From this point on, the Temptations focused almost exclusively on songs about romance; songs about social issues similar to the Whitfield-era recordings were periodically recorded as well. Mid-1970s Temptations recordings focused significantly on funk music influences from artists such as Parliament Funkadelic and Sly and the Family Stone; members of both acts contributed to Temptations material during this period. The group's ballads, reduced to filler material during much of the Whifield period, were restored to the lush sound of the earlier Smokey Robinson-produced hits. After a brief diversion into disco in the late-1970s, the Temptations settled into an adult contemporary-rooted form of R&B, a style in which they continue to record. As the ages of its members increased, the Temptations' live shows have focused on less intricate choreography, although dancing remains an important aspect of the group's act. Legacy and influence The Temptations, with their tailored suits and detailed choreography, set the bar for male soul and R&B groups. Before the Temptations became popular, most black vocal groups were rough, high-energy acts with rawer vocals and more improvisational dance movements. Only a few performers, including contemporaries Marvin Gaye, Sam Cooke, and the Four Tops, showed the refined style that would be popularized by the Temptations. Berry Gordy insisted his acts be equally appealing to white and black audiences, and employed a creative team to help tailor Motown talent for crossover success. Paul Williams and Motown choreographer Cholly Atkins created the Temptation's trademark precise and energetic, yet refined, dance steps. The most famous of these, the "Temptation Walk", or "Temptation Strut", was adapted from similar moves by the Flamingoes and the Vibrations. From those two sources, Paul Williams crafted the group's signature dance routine. During the 1960s and 1970s, a number of soul groups showed significant influence from the Temptations, among them the Delfonics, the Stylistics, George Clinton's original Parliaments, the Dramatics, and Motown labelmates the Jackson Five. These acts, and others, showed the influence of the Temptations in both their vocal performances and their onstage choreography. Several more recent soul and R&B vocal groups, including the Johnny Gill-led version of New Edition, Jodeci, BLACKstreet, Dru Hill, and, most notably, 1990s Motown act Boyz II Men, also showed significant influence from the Temptations. Temptations songs have been covered by scores of musicians, from R&B singers such as Luther Vandross ("Since I Lost My Baby"), to pop vocalists such as Bette Midler ("Just My Imagination"), to rock bands such as Rare Earth ("Get Ready"), Duran Duran ("Ball of Confusion (That's What the World Is Today)") and the Rolling Stones ("Ain't Too Proud to Beg"). In 1991, British singer Rod Stewart collaborated with the Temptations on the single "The Motown Song". The lives and careers of The Temptations were one of several inspirations for Robert Townsend's 1991 film about a 1960s Motown-esque male group, The Five Heartbeats. In 2004, Rolling Stone Magazine ranked The Temptations #67 on their list of the 100 Greatest Artists of All Time.[34] (Less)
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![Cambodia: SEX TRAP [EN]](http://img.youtube.com/vi/O2kj1NC0RXU/2.jpg "Cambodia: SEX TRAP [EN]")
941, 02:57, 2007-03-24 00:47:44 Description: Many trafficking stories continue in different brothels at different places. Girls and women who start working as a prostitute in one place, in many cases Phnom Penh, often move, forced or (More) Many trafficking stories continue in different brothels at different places. Girls and women who start working as a prostitute in one place, in many cases Phnom Penh, often move, forced or voluntarily, to other brothels. The freedom of movement according to one's own choice, as well as adaptation to the kind of work, seems to increase the longer the women stay in 'business'. The women working in brothels in the provinces can tell their stories more freely and more self-confidently than those who are new arrivals under the strict supervision of the meebon. A prostitute interviewed in a brothel in Kompong Som was sold several times to different brothels. She related:
"I am a Cham woman. I was born in Vietnam. My parents have a small farm in Moat Chruk. I used to sell food to earn some money. At that time I had a boyfriend. I thought that he would be faithful with me, but he left me. I was very disappointed. Later, a lady who was the mother of a friend came to see me. She explained that it is very beautiful in Phnom Penh, and persuaded me to go with her to visit Phnom Penh. She ordered me not to tell my parents. I believed her, so I followed her. She brought me to a brothel in Tuol Kork. I cried. The brothel owner bought me for $300. She suspected that I was deceived to be sold. She bought me, because she didn't want me to go anywhere. I had to work as a prostitute to repay her the $300. I stayed with her for eight months. Then I got out and she gave me $100 to go back to Vietnam. But I didn't know where to go. I could not speak Khmer. Then I met a lady who let me to dance in her bar and taught me some Khmer. I danced in the bar with my girl friends with whom I rented a house. The lady first planned to sell me at 'Kilometer 11' [Svay Pak] for $1,000. But when she met the meebon, they could not come to an agreement. Then she brought me back and sold me to another meebon for $500. I stayed there for one year. I worked as a prostitute and also as a servant. The meebon locked me in the house and didn't let me go out. It was like in a prison. I worked there for one year without earning any money. Fortunately, I could escape from this place. I lied to the meebon that I was ill and that I wanted to see a doctor to treat my disease. The meebon agreed. She lent me $10 and let another girl come with me. The girl was also sold to the brothel, like me. When we got out, I told her that I wanted to run away. She wanted to come with me. So we both left for Kompong Som."
Commercial sex workers do not change brothels, dancing halls or bars only because they are forced to do so by being sold. A meebon in Svay Rieng noted:
"When the old women go from my brothel, they tell other women to come here, because they know I am good. The women who are here a long time want to go somewhere else, because they become new again and can earn much money. They often go for a while, but after some time they come back here. Then they are new again."
After the women or girls have earned enough to compensate for the loan or recruitment fee, they are relatively free to go to another place. For the business of the meebon as well as the girl herself, this is even more profitable, since clients want change in the supply of women. Brothel owners do not always have to search actively for new women. They can use the women who worked for them to recruit new women, as a meebon in Ratanakiri mentioned "when the women who worked for me have earned enough money, they leave and inform their friends about my place." But also motorbike drivers are involved. The same meebon remarked:
"A motorbike driver can usually earn only 10,000 riel a day. But when they bring a prostitute they can earn more. So, when they know a woman has left my brothel to work somewhere else, they will bring me a new one."
Although most women say they do not want to continue working as prostitutes, they also do not necessarily quit the sex business as soon as they are declared free to go. Some of them are at that point left without any money at all, while others view this work as the only possible option for earning a lot of money. The women and girls, who already had to go through the shame this work puts on them, do not want to return home empty-handed. They want something to show for their absence, and money is probably the most suitable. For many women, the economic motivations for continuing working as a prostitute are very strong. Some women go back home every once in a while to bring back the money earned and return later to their brothel madam in order to earn more money. A Vietnamese prostitute in Svay Rieng mentioned that she had been back to Vietnam two times during her one-year stay in Cambodia. Every time she took back some money, one or two chi gold. She planned to go back again for Vietnamese New Year, but said she might decide to work again for some time in the same brothel. (Less)
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