Search results for hank's
2397, 
03:19, 
2007-11-06 15:54:16 Description: TITULO: DEMASIADO TARDE
NEIL O' HARA
LETRA: NEIL O' HARA
MUSICA: VICTOR HUGO GRUPO SAHIRO- NEIL O' HARA.
yuridia guanajuato divertido video uriangato moroleon peda mujeres mexico (More) TITULO: DEMASIADO TARDE
NEIL O' HARA
LETRA: NEIL O' HARA
MUSICA: VICTOR HUGO GRUPO SAHIRO- NEIL O' HARA.
yuridia guanajuato divertido video uriangato moroleon peda mujeres mexico corrido morelia celaya .
Espero que disfruten de este video de hemosas actrices mexicanas. Tienen un cuerpazo que hacen que un hombre se postre ante sus pies Mujeres hermosas bellezas atractivas video Pequeña muestra de la belleza que poseen las mujeres mexicanas ....Guapas Mexicanas Mexican Girls babes bellas Sexy sex porn thalia salma rbd sainz ines rebeca alba belinda La pista rockera de la cancion es mucho mejor
El timbre de voz de Yahir es mejor La energia y entrega de Yahir
Convirtio esta cancion en un super hit en el 2002 aqui en Mexico
Es orgullosamente mexicano Autor: Juan Ramón Barrero Barrios
Documental. El trabajo de seis profesoras mexicanas en condiciones sociales y económicas precarias. Estas mujeres luchan contra la miseria y la destructuración social a partir de la cultura y la educaciónG.I.C. Noticias *Baja News* Tijuana B.C. 210107...
G.I.C. Noticias *Baja News* Tijuana B.C. 210107 por J.J. Duarte ****La Sra. Maria Elvia Amaya de Hank presento su segundo informe de actividades al frente del DIF Tijuana.Principales programas y actividades realizadas Centro DIF Sánchez Taboada
Gala de Epifanía (recaudo 350,000 dólares) Centro DIF EUNIME
Apoyo a mujeres Mixtecas Apoyo a adultos mayores Fundación Beltrones Niños cantores de Viena Fiestas de vendimia inauguración centro DIF La Mesa Ampliación de numero de guarderías Rehabilitación de alberca Agua Caliente
Centro DIF ARAC Apoyo a discapacitados Centro DIF San Antonio de los Buenos DIF Tijuana ha recaudado mas de 49 millones de pesos Cabe destacar la participación de Amaya de Hank en masivos musicales donde se han presentado artistas como la banda del recodo y lupillo rivera, así como eventos deportivos y culturales que han servido de marco al DIF Tijuana para recaudar fondos, También Maria Elvia se ha distinguido por inculcar y mantener las tradiciones mexicanas entre la población.
THIS IS MY BOY ENVY SHAKING HIS NICE ROUND ASS TO THIS SONG CALLED CULEBRICITA I LOVE THIS SHIT ZA ZA ZA MOVIENDO EL CULITO....HEY YES FUCKERS HE GAY SO WHAT HE IS THE BADDEST BITCH IN THE GAME!! ENVY MUAHHHHHH REPRESENT ATL CHECK HIM OUT ON
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922, 05:55, 2008-05-18 12:47:22 Description: sex scene 11.0%
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Kid Rock + Hank Williams Jr The F -Word 2002
Incest country music! Classic!
kenny chesney dont blink trace adkins i go back kid rock puscifer lonestar brooks and dunn
Our Song- Taylor Swift (Music Video)
Johnny Cash Hurt
Carrie Underwood - Before He Cheats
Billy Ray Cyrus & Miley Cyrus - "Holding On To A Dream"
Daniel Powter - Bad Day
what is emo
Shania Twain - From This Moment On
Sexy Lesbian Girls Kiss and Sex
Shania Twain - You're Still The One: Blue Tint Version
Faith Hill Getting Owned at the CMA's
AMERICAN GANGSTER- Full Trailer
Awesome Indian music video
'Deliverance' - 'Dueling banjos' scene
Billy Ray Cyrus - Achy Breaky Heart
Rodney Atkins - Watching You
Şemamé Kürtçe Klip - Kurdish Semami Video Clip
Brad Paisley - She's Everything
Gina Michaells - Somebody's Angel Tim Mcgraw - My Little Girl
Nelly - Country Grammar (Hot...): BET Version
Primus - The Devil Went Down To Georgia
Alan Jackson - Remember When
Keith Urban - Tonight I Wanna Cry
Coldplay - Clocks
Coldplay - Clocks
Coldplay - Don't Panic
Coldplay - Don't Panic
Coldplay - Don't Panic...Coldplay Don't Panic
Coldplay - Scientist
Coldplay - Scientist
Coldplay - Talk
Coldplay - Talk
Coldplay - Talk...Coldplay Talk
Coldplay - The Scientist
Coldplay - The Scientist
coldplay - the scientist live...coldplay live the scientist
Coldplay - What If (video)
Coldplay - What If (video)
Coldplay - Yellow
Coldplay - Yellow
Coldplay - Yellow...Coldplay Yellow
Coldplay "Clocks" music video
Coldplay "Clocks" music video
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coldplay fix you
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Coldplay_In My Place
Coldplay_In My Place
Coldplay_In My Place http://akira999.web-bi.net/tt/79...Coldplay In My Place
Coldplay_Trouble
Coldplay_Trouble
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Mariah Carey
Mariah Carey - Don't Forget About Us
Mariah Carey - Don't Forget About Us
Mariah Carey - I Still Believe
Mariah Carey - I Still Believe
Mariah Carey - My All
Mariah Carey - My All
Mariah Carey - Shake It Off
Mariah Carey - Shake It Off
Mariah Carey - Touch My Body
Mariah Carey - Touch My Body
Mariah Carey - We Belong Together
Mariah Carey - We Belong Together
Mariah Carey [Producer], Jake Nava, Ron Mohrhoff, Scott Kalvert (C) 2005 The Island Def Jam Music Group and Mariah Carey...Mariah Music video by Mariah Carey performing Shake It Off
Mariah Carey All I Want For Christmas Is You (C) 1994 SONY BMG MUSIC ENTERTAINMENT...Mariah Carey All Want For Christmas Is You Pop Music Video
Mariah Carey Butterfly (C) 1997 SONY BMG MUSIC ENTERTAINMENT...Mariah Carey Butterfly Pop Music Video
Mariah Carey Honey (C) 1997 SONY BMG MUSIC ENTERTAINMENT...Mariah Carey Honey Pop Music Video
Mariah Carey performing Don't Forget About Us with Ron Mohrhoff, Rebecca Skinner, Paul Hunter (C) 2005 The Island Def Jam Music Group and Mariah Music video by Mariah Carey performing Don't Forget About Us
Mariah Carey, Touch My Body (NEW Extended Video, Lyrics)
Mariah Carey, Touch My Body (NEW Extended Video, Lyrics)
Mariah Carey_Hero...Mariah Carey Hero
Mariah Carey_Without You
Mariah Carey_Without You
Mariah Carey_Without You...Mariah_Carey_Without_You
Mariah Carey-All I Want For Christmas Is You
Mariah Carey-All I Want For Christmas Is You
Mariah Carey-Butterfly
Mariah Carey-Butterfly
Mariah Carey-Honey
Mariah Carey-Honey
mariah carey-it's like that
mariah carey-it's like that
mariah carey-it's like that...mariah carey-it's like that (Less)
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887, 00:44, 2009-09-09 06:30:53 Description: Description: Hank is a real Colorado gardener who left the cold winters of his native state to become a landscaper in paradise. He has replaced riding horses with running on the beach and swimming (More) Description: Hank is a real Colorado gardener who left the cold winters of his native state to become a landscaper in paradise. He has replaced riding horses with running on the beach and swimming every day. He explained that he has no problem being naked, because as a young boy he would visit his aunt at the nudist (FKK) resort where she lived. He has enjoyed being naked outdoors since he was a school student. This 27 year old muscle stud is a joy to be around. In the video you will hear how excited he becomes when talking about a special surf break he wants to visit someday in California. He loves his job on the Island trimming trees and is happy to do some palm tree cleaning in the raw for my cameras. You will be pleased with Hank's great butt as he bends over to clear coconuts. And yes, I caught him jerking it in his Jeep when I left for a minute to fetch a new lens! Good Boy, Hank! After a sweating in his ride, Hank showers off with the garden hose. I also needed to get wet, so I stripped down and asked Hank to turn the water on me. Look at the smile on this Island Stud's face as he hoses down his photographer. There are so many great photos and video footage of Hank and his beautiful hose that I decided to show it all over two weeks. Here is the first half of this sexy hunk loose on the Islands. (Less)
Channel: gaytubeTags: straight naked working outdoors public hardon cum hairy huge bare nudist thick uncut beach redhead college real amateur island beach stud nude hidden cam voyeur military marine sailor football soccer rugby athlete
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672, 03:19, 2007-11-06 18:45:21 Description: TITULO: TU INDIFERENCIA (DRA)
NEIL O' HARA
MUSICA: ROBERTO FARIAS
yuridia guanajuato divertido video uriangato moroleon peda mujeres mexico corrido morelia celaya .
Espero que disfruten de (More) TITULO: TU INDIFERENCIA (DRA)
NEIL O' HARA
MUSICA: ROBERTO FARIAS
yuridia guanajuato divertido video uriangato moroleon peda mujeres mexico corrido morelia celaya .
Espero que disfruten de este video de hemosas actrices mexicanas. Tienen un cuerpazo que hacen que un hombre se postre ante sus pies Mujeres hermosas bellezas atractivas video Pequeña muestra de la belleza que poseen las mujeres mexicanas ....Guapas Mexicanas Mexican Girls babes bellas Sexy sex porn thalia salma rbd sainz ines rebeca alba belinda La pista rockera de la cancion es mucho mejor
El timbre de voz de Yahir es mejor La energia y entrega de Yahir
Convirtio esta cancion en un super hit en el 2002 aqui en Mexico
Es orgullosamente mexicano Autor: Juan Ramón Barrero Barrios
Documental. El trabajo de seis profesoras mexicanas en condiciones sociales y económicas precarias. Estas mujeres luchan contra la miseria y la destructuración social a partir de la cultura y la educaciónG.I.C. Noticias *Baja News* Tijuana B.C. 210107...
G.I.C. Noticias *Baja News* Tijuana B.C. 210107 por J.J. Duarte ****La Sra. Maria Elvia Amaya de Hank presento su segundo informe de actividades al frente del DIF Tijuana.Principales programas y actividades realizadas Centro DIF Sánchez Taboada
Gala de Epifanía (recaudo 350,000 dólares) Centro DIF EUNIME
Apoyo a mujeres Mixtecas Apoyo a adultos mayores Fundación Beltrones Niños cantores de Viena Fiestas de vendimia inauguración centro DIF La Mesa Ampliación de numero de guarderías Rehabilitación de alberca Agua Caliente
Centro DIF ARAC Apoyo a discapacitados Centro DIF San Antonio de los Buenos DIF Tijuana ha recaudado mas de 49 millones de pesos Cabe destacar la participación de Amaya de Hank en masivos musicales donde se han presentado artistas como la banda del recodo y lupillo rivera, así como eventos deportivos y culturales que han servido de marco al DIF Tijuana para recaudar fondos, También Maria Elvia se ha distinguido por inculcar y mantener las tradiciones mexicanas entre la población.
THIS IS MY BOY ENVY SHAKING HIS NICE ROUND ASS TO THIS SONG CALLED CULEBRICITA I LOVE THIS SHIT ZA ZA ZA MOVIENDO EL CULITO....HEY YES FUCKERS HE GAY SO WHAT HE IS THE BADDEST BITCH IN THE GAME!! ENVY MUAHHHHHH REPRESENT ATL CHECK HIM OUT ON
ass booty twirk hot envy essence sexy blatino culebricita y la culebrita tambien solos con el latino butt fine nice. (Less)
Channel: youtubeTags: america ass bang boobs butt college ecuador girls gone locura no north nuts porn sex sexy sur tape tits titten west wild
Rate it: Rate:
608, 02:41, 2007-11-06 18:25:37 Description: TITULO: TU DUDA Y LA MIA (DRA)
NEIL O' HARA
MUSICA: ROBERTO FARIAS
yuridia guanajuato divertido video uriangato moroleon peda mujeres mexico corrido morelia celaya .
Espero que disfruten de (More) TITULO: TU DUDA Y LA MIA (DRA)
NEIL O' HARA
MUSICA: ROBERTO FARIAS
yuridia guanajuato divertido video uriangato moroleon peda mujeres mexico corrido morelia celaya .
Espero que disfruten de este video de hemosas actrices mexicanas. Tienen un cuerpazo que hacen que un hombre se postre ante sus pies Mujeres hermosas bellezas atractivas video Pequeña muestra de la belleza que poseen las mujeres mexicanas ....Guapas Mexicanas Mexican Girls babes bellas Sexy sex porn thalia salma rbd sainz ines rebeca alba belinda La pista rockera de la cancion es mucho mejor
El timbre de voz de Yahir es mejor La energia y entrega de Yahir
Convirtio esta cancion en un super hit en el 2002 aqui en Mexico
Es orgullosamente mexicano Autor: Juan Ramón Barrero Barrios
Documental. El trabajo de seis profesoras mexicanas en condiciones sociales y económicas precarias. Estas mujeres luchan contra la miseria y la destructuración social a partir de la cultura y la educaciónG.I.C. Noticias *Baja News* Tijuana B.C. 210107...
G.I.C. Noticias *Baja News* Tijuana B.C. 210107 por J.J. Duarte ****La Sra. Maria Elvia Amaya de Hank presento su segundo informe de actividades al frente del DIF Tijuana.Principales programas y actividades realizadas Centro DIF Sánchez Taboada
Gala de Epifanía (recaudo 350,000 dólares) Centro DIF EUNIME
Apoyo a mujeres Mixtecas Apoyo a adultos mayores Fundación Beltrones Niños cantores de Viena Fiestas de vendimia inauguración centro DIF La Mesa Ampliación de numero de guarderías Rehabilitación de alberca Agua Caliente
Centro DIF ARAC Apoyo a discapacitados Centro DIF San Antonio de los Buenos DIF Tijuana ha recaudado mas de 49 millones de pesos Cabe destacar la participación de Amaya de Hank en masivos musicales donde se han presentado artistas como la banda del recodo y lupillo rivera, así como eventos deportivos y culturales que han servido de marco al DIF Tijuana para recaudar fondos, También Maria Elvia se ha distinguido por inculcar y mantener las tradiciones mexicanas entre la población.
THIS IS MY BOY ENVY SHAKING HIS NICE ROUND ASS TO THIS SONG CALLED CULEBRICITA I LOVE THIS SHIT ZA ZA ZA MOVIENDO EL CULITO....HEY YES FUCKERS HE GAY SO WHAT HE IS THE BADDEST BITCH IN THE GAME!! ENVY MUAHHHHHH REPRESENT ATL CHECK HIM OUT ON
ass booty twirk hot envy essence sexy blatino culebricita y la culebrita tambien solos con el latino butt fine nice. (Less)
Channel: youtubeTags: america ass bang boobs butt college ecuador girls gone locura no north nuts porn sex sexy sur tape tits titten west wild
Rate it: Rate:
540, 00:35, 2009-09-17 06:33:42 Description: Description: Hank is a real Colorado gardener who left the cold winters of his native state to become a landscaper in paradise. He has replaced riding horses with running on the beach and swimming (More) Description: Hank is a real Colorado gardener who left the cold winters of his native state to become a landscaper in paradise. He has replaced riding horses with running on the beach and swimming every day. He explained that he has no problem being naked, because as a young boy he would visit his aunt at the nudist (FKK) resort where she lived. He has enjoyed being naked outdoors since he was a school student. This 27 year old muscle stud is a joy to be around. In the video you will hear how excited he becomes when talking about a special surf break he wants to visit someday in California. He loves his job on the Island trimming trees and is happy to do some palm tree cleaning in the raw for my cameras. You will be pleased with Hank's great butt as he bends over to clear coconuts. And yes, I caught him jerking it in his Jeep when I left for a minute to fetch a new lens! Good Boy, Hank! After a sweating in his ride, Hank showers off with the garden hose. I also needed to get wet, so I stripped down and asked Hank to turn the water on me. Look at the smile on this Island Stud's face as he hoses down his photographer. There are so many great photos and video footage of Hank and his beautiful hose that I decided to show it all over two weeks. Here is the first half of this sexy hunk loose on the Islands. (Less)
Channel: gaytubeTags: piss straight naked working outdoors public hardon cum hairy huge bare nudist thick uncut beach redhead college real amateur island beach stud nude hidden cam voyeur military marine sailor football soccer rugby athlete
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515, 06:51, 2007-08-04 12:13:11 Description: The Smokers Band ~ Tampa FL
Band Members: Joe Saputo, Lead and Vocals; Rich Castellano. Bass and Vocals; Bill Bryant, Percussion and Vocals,
Genre: Blues-rock, Blues, Jamm Instrumentalm Rock
(More) The Smokers Band ~ Tampa FL
Band Members: Joe Saputo, Lead and Vocals; Rich Castellano. Bass and Vocals; Bill Bryant, Percussion and Vocals,
Genre: Blues-rock, Blues, Jamm Instrumentalm Rock
Years active 1991 - present
The Smokers was formed in Tampa, Florida on March 26, 1991 and remain a popular cover band today. Tampa~St. Pete were home before expanding statewide Florida in 2005. Their unique arrangements and fresh rock and roll licks drew a loyal following spanning the state.
Formerly: The Affordables
Booking agent: Joe: 813.681.1330
Sampling Six includes
(1) Rock Me Baby - Written by B B King
(2) Born on the Bayou - Written By Creedence Clearwater Revival
(3) Hard To Handle - By Otis Redding
(-) Introductions to the band - The Smokers
(4) Darlin You Know I Love You - By B.B. King
(5) Long Train Running Lyrics - By The Doobie Brothers
(6) Will It Go Round In Circles - By Billy Preston
(bonus cut) Funky Broadway - By Wilson Pickett -
~~~
Lyrics
Rock Me Baby
B.B. King
Rock me baby, rock me all night long
Rock me baby, honey, rock me all night long
I want you to rock me baby,
like my back ain't got no bone
Roll me baby, like you roll a wagon wheel
I want you to roll me baby,
like you roll a wagon wheel
Want you to roll me baby,
you don't know how it makes me feel
Rock me baby, honey, rock me slow
Yeah, rock me pretty baby, baby rock me slow
Want you to rock me baby, till I want no more
~~~
Born on the Bayou
Creedence Clearwater Revival
Now, when I was just a little boy,
Standin' to my Daddy's knee,
My poppa said, "Son, don't let the man get you
Do what he done to me."
'Cause he'll get you,
'Cause he'll get you now, now.
And I can remember the fourth of July,
Runnin' through the backwood, bare.
And I can still hear my old hound dog barkin',
Chasin' down a hoodoo there.
Chasin' down a hoodoo there.
CHORUS:
Born On The Bayou;
Born On The Bayou;
Born On The Bayou.
Wish I was back on the Bayou.
Rollin' with some Cajun Queen.
Wishin' I were a fast freight train,
Just a chooglin' on down to New Orleans.
CHORUS
Do it, do it, do it, do it. Oh, Lord.
Oh get back boy.
I can remember the fourth of July,
Runnin' through the backwood bare.
And I can still hear my old hound dog barkin',
Chasin' down a hoodoo there.
Chasin' down a hoodoo there.
CHORUS
All right! Do, do, do, do.
Mmmmmmm, oh.
~~~
Hard To Handle - By Otis Redding
Hey
Here I am
I'm the man on the scene
I can give you what you want
But you got to come home with me
I forgot some good old lovin'
And I got some more in store
When I get to throw it on you
You got to come back for more
Toys and things that come by the dozen
That ain't nothin' but drug store lovin'
Hey little thing, let me light your candle'
Cause mama I'm sure hard to handle, now, gets around
Action speaks louder than words
And I'm a man of great experience
I know you got another man
But I can love you better than him
Take my hand, don't be afraid
I'm gonna prove every word I say
I'm advertisin' love for free
So, you can place your ad with me
Once it come along a dime by the dozen
That ain't nothin' but ten cent lovin'
Hey little thing, let me light your candle'
Cause mama I'm sure hard to handle, now, gets around
Yeah, hard to handle, now
Oh, baby
Baby, here I am
The man on your scene
I can give you what you want
But you got to come home with me I forgot some good old lovin'
And I got some in store When I get to throw it on you
You got to come runnin' back for more
Once it come along a dime by the dozen
That ain't nothin' but drug store lovin'
Hey little thing, let me light your candle'
Cause mama I'm sure hard to handle, now,
Get around Hard, hard to handle, now
Oh yeah, yeah, yeah Yeah
Once it come along a dime by the dozen
That ain't nothin' but ten cent lovin'
Hey little baby, let me light your candle'
Cause mama I'm sure hard to handle, now, gets around
Yeah, so hard to handle, now
Oh yeah Baby, good lovin'
Baby, baby, owww, good lovin'
I need good lovin'
I got to have, oh yeah, yeah, yeah
Yeah So hard to handle, now, yeah Um-um-um
~~~
Darlin You Know I Love You
By B.B. King
Darlin', darlin' you know I love you,
I love you, for myself
But you're gone, gone and left me for someone else
I think of you, think of you every morning
I dream of you, every night, and with love,
love to be with you always
When night began to fall,
I cry, cry alone
And I wish, maybe I can hold you in my arms tonight
Oh, darlin', darlin' you know I love you,
I love you, for myself
But you're gone, gone and left me for someone else
~~~
Long Train Running Lyrics
By The Doobie Brothers
Down around the corner half a mile from here
see them both feet run and you watch them dissapear
without love where would you be now
without love
though i saw miss lucy down along the track
she lost her home and her family and she won t be coming back
without love where would you be now
without love
with the feeling always central and the southern central freight
you got to keep on pushing mamma you know there running late
without love where would you be now
without love
when the pistons keep on turning and go round and round
and the steel reels are cold and hard and the moutain ain t no down
without love where would you be now
without love
~~~
Will It Go Round In Circles - By Billy Preston
Will it go round in circles
Will it fly high like a bird up in the sky
Will it go round in circles
Will it fly high like a bird up in the sky ...
~~~
Funky Broadway - By Wilson Pickett -
Every town I go in
There's a street, uh, huh
Name of the street, uh, huh
Funky funky Broadway
Down on Broadway, huh
There's a nightclub, now, now
Name of the nightclub, now baby
Funky Funky Broadway
Down on Broadway
There's a crowd, now, huh
Name of the crowd, baby
Broadway crowd
Down on Broadway, yeah
There's a dancestep, huh
Name of the dance,
Funky Funky Broadway, hey! huh
Wiggle your legs now, baby
Shake your head, ooh, huh
Do the shing-a-ling now baby, now
Shake, shake, shake now
You don't know, huh, baby, now
You don't know, now woman, owww!
Doin' the funky Broadway, hey!
Lord have mercy
Oh, you got me feelin' alright
Dirty filthy Broadway
Don't I like the Broadway, huh
That Broadway, lookit here
Down on Broadway
There's a woman
Name of the woman, huh
Broadway woman, hey!
Down on Broadway, yeah
There's a man, huh
Name of the man (fade)
~~~
Origins of rock and roll
Rock and roll began to emerge as a musical style in United States of America during the late 1940s as a combination of the rhythms of the blues, R&B, African American culture, and from America's country and western music, as well as gospel. Though elements of rock and roll can be heard in country records of the 1930s, and in blues records from the 1920s, rock and roll did not acquire its name until the 1950s. An early form of rock and roll was rockabilly, which combined the above elements with jazz, influences from traditional Appalachian folk music, and Gospel music. Going back even further, rock and roll can trace one lineage to the old Five Points, Manhattan district of mid-19th century New York City, the scene of the first fusion of heavily rhythmic African shuffles and sand dances with melody-driven European genres, particularly the Irish jig.
Rocking was a term first used by black gospel singers in the American South to mean something akin to spiritual rapture. By the 1940s, however, the term was used as a double entendre, ostensibly referring to dancing, but with the subtextual meaning of sex, as in Roy Brown's "Good Rocking Tonight." This type of song was usually relegated to "race music" outlets (music industry code for rhythm and blues stations) and was rarely heard by mainstream white audiences.
During the 1920s and 1930s, many white Americans enjoyed African-American jazz and blues performed by white musicians. They often objected to the music as performed by the original black artists, but found it acceptable when performed by whites. A few black rhythm and blues musicians, notably Louis Jordan, the Mills Brothers, and The Ink Spots, achieved crossover success. While rock and roll musicians increasingly wrote their own material, many of the earliest white rock and roll hits were covers of earlier rhythm and blues or blues songs. Blues would continue to inspire rock performers for decades. Delta blues artists such as Robert Johnson and Skip James also proved to be important inspirations for British blues-rockers such as The Yardbirds, Cream, and Led Zeppelin.
In 1951, Cleveland, Ohio disc jockey Alan Freed began playing this type of music for a multi-racial audience. Freed is credited with coining the phrase "rock and roll" to describe the rollicking R&B music. While working as a disc jockey at radio station WJW in Cleveland, he also organized the first rock and roll concert, called "The Moondog Coronation Ball" on March 21, 1952. The event, attended mainly by African Americans, proved a huge drawing card — the first event had to be ended early due to overcrowding. Thereafter, Freed organized many rock and roll shows attended by both whites and blacks, further helping to introduce African-American musical styles to a wider audience.
There is much debate as to what should be considered the first rock & roll record. Sister Rosetta Tharpe was recording shouting, stomping music in the 1930s and 1940s that in some ways contained major elements of mid-1950s rock and roll. She scored hits on the pop charts as far back as 1938 with her gospel songs, such as "This Train" and "Rock Me", and in the 1940s with "Strange Things Happenin Every Day", "Up Above My Head", and "Down By The Riverside." Another artist who was singing hard-rocking blues/gospel to a boogie piano was Big Joe Turner, whose 1939 recording, "Roll 'em Pete," is almost indistinguishable from '50s rock and roll. Other significant records of the 1940s and early 1950s included Roy Brown ("Good Rocking Tonight", 1947), more Big Joe Turner ("Honey, Hush", 1953, and "Shake, Rattle and Roll", 1954), Paul Bascomb ("Rock and Roll", 1947), Fats Domino ("The Fat Man," 1949) and Les Paul and Mary Ford ("How High the Moon", 1951).
Rolling Stone magazine argued in 2004 that "That's All Right (Mama)" (1954), Elvis Presley's first single for Sun Records in Memphis, was the first rock and roll record[2]. Bo Diddley's 1955 hit "Bo Diddley" backed with "I'm A Man" introduced a new, pounding beat, and unique guitar playing that inspired many artists.
Bill Haley's "Rock Around the Clock" (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and the door was opened for this new wave of popular culture. Other artists with early rock 'n' roll hits were Chuck Berry and Little Richard, as well as many vocal doo-wop groups. Within the decade crooners such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed.
Both rock and roll and boogie woogie have four beats (usually broken down into eight eighth-notes/quavers) to a bar, and are twelve-bar blues. Rock and roll however has a greater emphasis on the backbeat than boogie woogie. Little Richard combined boogie-woogie piano with a heavy backbeat and over-the-top, shouted, gospel-influenced vocals that the Rock and Roll Hall of Fame says "blew the lid off the '50s." However, others before Little Richard were combining these elements, including Esquerita, Cecil Gant, Amos Milburn, Piano Red, and Harry Gibson. Little Richard's wild style, with shouts and "wooo wooos," had itself been used by female gospel singers, including the 1940s' Marion Williams. Roy Brown did a Little Richard style "yaaaaaaww" long before Richard in "Ain't No Rockin no More."
Early North American Rock and Roll (1953-1963)
Rock and roll appeared at a time when racial tensions in the United States were coming to the surface. African Americans were protesting segregation of schools and public facilities. The "separate but equal" doctrine was nominally overturned by the Supreme Court in 1954, and the difficult task of enforcing this new doctrine lay ahead. This new musical form combining elements of white and black music inevitably provoked strong reactions. From the early 60s, Ike & Tina Turner were big Rock & Roll stars.
On March 21, 1952 in Cleveland, Alan Freed (also known as Moondog) organized an early rock and roll concert, titled "The Moondog Coronation Ball". The audience and the performers were mixed in race. The evening ended after one song in a near-riot as thousands of fans tried to get into the sold-out venue. The record industry soon understood that there was a white market for black music that was beyond the stylistic boundaries of rhythm and blues. Even the considerable prejudice and racial barriers could do nothing against market forces. Rock and roll was an overnight success in the U.S., making ripples across the Atlantic, and perhaps culminating in 1964 with the British Invasion.
From this early-1950s inception through the early 1960s, rock and roll music also spawned a new dance craze. Teenagers found the irregular rhythm of the backbeat especially suited to reviving the jitterbug dancing of the big-band era. "Sock-hops," gym dances, and home basement dance parties became the rage, and American teens watched Dick Clark's American Bandstand to keep up on the latest dance and fashion styles. From the mid-1960s on, as "rock and roll" yielded gradually to "rock," later dance genres followed, starting with the Twist, and leading up to Funk, disco, house and techno.
Rockabilly
In 1954, Elvis Presley recorded the regional hit "That's All Right (Mama)" at Sam Phillips' Sun studios in Memphis. Elvis played a rock and country & western fusion called rockabilly, which was characterized by hiccupping vocals, slapping bass and a spastic guitar style. He became the first superstar rock musician.
Elvis Presley in 1957's Jailhouse RockThe following year's "Rock Around the Clock" by Bill Haley & His Comets really set the rock and roll boom in motion. The song was one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, causing riots in some cities. "Rock Around the Clock" was a breakthrough for both the group and for all of rock and roll music. The song's inclusion in the film Blackboard Jungle marked the beginning of a mutually beneficial marriage of the genre to film. It had been recorded in 1954 with limited sales, but exploded in 1955 after the release of the movie, which used it in the opening sequence.
If everything that came before laid the groundwork, "Clock" certainly set the mold for everything else that came after. With its combined rockabilly and R & B influences, "Clock" topped the U.S. charts for several weeks, and became wildly popular with teenagers in places like Britain, Australia and Germany. The single, released by independent label Festival Records in Australia, was the biggest-selling recording in the country at the time. In 1957, Jerry Lee Lewis and Buddy Holly became the first rock musicians to tour Australia, marking the expansion of the genre into a worldwide phenomenon. That same year, Haley toured Europe, bringing rock 'n' roll to that continent for the first time.
Covers
Through the late 1940s and early 1950s, R&B music had been gaining a stronger beat and a wilder style, with artists such as Fats Domino and Johnny Otis speeding up the tempos and increasing the backbeat to great popularity on the juke joint circuit. Before the efforts of Freed and others, black music was taboo on many white-owned radio outlets. However, savvy artists and producers quickly recognized the potential of rock, and raced to cash in with white versions of this black music. White musicians also fell in love with the music and played it everywhere they could. Many of Presley's early hits were covers, like "That's All Right", "Baby, Let's Play House", "Lawdy Miss Clawdy" and "Hound Dog".
Covering was customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law (still in effect [4]). One of the first successful rock and roll covers was Wynonie Harris's transformation of Roy Brown's "Good Rocking Tonight" from a jump blues to a showy rocker. The most notable trend, however, was white pop covers of black R&B numbers. Exceptions to this rule included Wynonie Harris covering the Louis Prima rocker "Oh Babe" in 1950, and Amos Milburn covering what may have been the first white rock and roll record, Hardrock Gunter's "Birmingham Bounce," in 1949.
Black performers saw their songs recorded by white performers, an important step in the dissemination of the music, but often at the cost of feeling and authenticity (not to mention revenue). Most famously, Pat Boone recorded sanitized versions of Little Richard songs, though Boone found "Long Tall Sally" so intense that he couldn't cover it. Later, as those songs became popular, the original artists' recordings received radio play as well. Little Richard once called Pat Boone from the audience and introduced him as "the man who made me a millionaire."
The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of "Shake, Rattle and Roll" transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, while Georgia Gibbs replaced Etta James's tough, sarcastic vocal in "Roll With Me, Henry" (covered as "Dance With Me, Henry") with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answer, Hank Ballard's "Work With Me, Annie."
Teen Idols
In 1959, Buddy Holly, Ritchie Valens, and the Big Bopper (J.P. Richardson) were killed when a plane Buddy Holly had chartered from Mason City, Iowa, to Fargo, North Dakota crashed in a corn field, after a performance at the Winter Dance Party.
Buddy Holly, fed up with the conditions on the buses, decided to charter a small plane for himself and the Crickets to get to the next show on time, get some rest, and get their laundry done. After the February 2, 1959 performance at the Surf Ballroom in Clear Lake, Iowa, Holly, Richardson (who pleaded with Waylon Jennings for his seat because he was stricken with flu), and Valens (who had won Tommy Allsup's seat after a coin toss), were taken to Clear Lake airport by the manager of the Surf Ballroom.
The plane, a four-passenger Beechcraft Bonanza, departed into a blinding snowstorm and crashed into farmer Albert Juhl's cornfield shortly after takeoff. The crash ended the lives of all three passengers, as well as the 21 year-old pilot, Roger Peterson. This event inspired singer Don McLean's popular 1971 ballad "American Pie", and immortalized February 3 as "The Day the Music Died". The event also inspired the Tommy Dee song "Three Stars", which specifically mentions Buddy Holly, the Big Bopper, and Valens.
Besides Elvis Presley, Holly, Valens, and Richardson were known as three of the first rock and roll teen idols. They were followed by other artists with massive appeal to a teenaged audience, such as Paul Anka, Ricky Nelson, Frankie Avalon, the Beatles, and later, the Monkees.
Teen idols were not only known for their catchy pop music, but good looks also played a large part in their successes. It was because of this that certain fan magazines, exclusively geared to the fans of teen idols (16 Magazine, Tiger Beat, etc.), were created. These monthly magazines typically featured a popular teen idol on the cover, as well as pin-up photographs, a Q&A, and a list of each idol's "faves" (i.e. favorite color, favorite vegetable, favorite hair color, etc.).
Teen idols also influenced toys, Saturday morning cartoons and other products. At the height of each teen idol's popularity, it was not uncommon to see Beatle wigs, Davy Jones' "love beads", or perhaps even Herman's Hermits lunchboxes for sale.
British Rock and Roll
The trad jazz movement brought blues artists to Britain, and in 1955 Lonnie Donegan's version of "Rock Island Line" began skiffle music which inspired many young people to have a go, including John Lennon and Paul McCartney, whose "The Quarrymen", formed in March 1957, would gradually change and develop into The Beatles. These developments primed the United Kingdom to respond creatively to American rock and roll, which had an impact across the globe. In Britain, skiffle groups, record collecting and trend-watching were in full bloom among the youth culture prior to the rock era, and colour barriers were less of an issue with the idea of separate "race records" seeming almost unimaginable. Countless British youths listened to R&B and rock pioneers and began forming their own bands. Britain quickly became a new center of rock and roll.
In 1958 three British teenagers became Cliff Richard and the Drifters (later renamed Cliff Richard and the Shadows). The group recorded a hit, "Move It", marking not only what is held to be the very first true British rock 'n' roll single, but also the beginning of a different sound — British rock. Richard and his band introduced many important changes, such as using a "lead guitarist" (virtuoso Hank Marvin) and an electric bass.
The British scene developed, with others including Tommy Steele, Adam Faith and Billy Fury vying to emulate the stars from the U.S. Some touring acts attracted particular popularity in Britain, an example being Gene Vincent. This inspired many British teens to begin buying records and follow the music scene, thus laying the groundwork for Beatlemania.
At the start of the 1960s, instrumental dance music was very popular. Hits such as "Apache" by The Shadows and "Telstar" by The Tornados form a British branch of instrumental music.
Social Impact
The massive popularity and worldwide scope of rock and roll resulted in an unprecedented level of social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language. In addition, rock and roll may have helped the cause of the civil rights movement because both African American teens and white American teens enjoyed the style of music. It also birthed many other rock influenced styles. Progressive, alternative, punk, and heavy metal/rock are just a few of the genres that sprang forth in the wake of Rock and Roll.
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462, 02:43, 2008-04-17 15:10:59 Description: Ray Price Portrait of a Legend Stories About Ray The lights dim. The sixtyish-looking woman beside me, a complete stranger until fifteen minutes ago, clutches my arm in excitement. It's the (More) Ray Price Portrait of a Legend Stories About Ray The lights dim. The sixtyish-looking woman beside me, a complete stranger until fifteen minutes ago, clutches my arm in excitement. It's the first time she'll see Ray Price in person. This mature audience in Laughlin, Nevada, seems to appreciate the fact that the living legend on stage, now in his early seventies, is still youthfully handsome, his voice as powerful and melodious as ever. Near the end of the show, Ray introduces a song written, he tells us, by a "dear friend" who brought him as a young Texas kid to Nashville and got him on the Grand Ole Opry. "I lived with my friend for almost a year before he passed away." He pauses, his eyes seeming to wander back to that long-ago time. "So, if you-all don't mind, I'd like to sing you one of the late Hank Williams' songs." The crowd responds with a huge ovation as Ray begins Hank's "Mansion on the Hill." After the show I'm set to interview Ray Price. I want to learn more about that famed friendship. It's a dramatic story, I feel, one that will say much about how a true friend can ease your path, whether you're on the way up--or the way down. The year was 1951. Early autumn. There was a slight chill in the air outside on Nashville's streets. Inside Studio C at station WSM, the atmosphere was tense for the dark-haired young singer from Texas. He had just driven all the way to Nashville, probably breaking a few speed laws on the way. If there were stars in the newcomer's intense blue eyes, he had every reason to be thrilled and enormously impressed. Ray Price was about to meet Hank Williams, the reigning country music star of the day. Not only that, Ray was going to sing on his show. Ray had a few minor recordings and some local Texas performances behind him. Twenty-eight-year-old Hank Williams was already a national phenomenon. Songs he'd written were blasting from every radio and juke box across the country. But ole Hank didn't let that stand between them. Ray, recalling that first meeting, says. "It was one of those instant friendships. I liked him; he liked me. For some reason we hit it off right away." They went to Hank's home after the show and talked for hours about their hopes and dreams. Price, a 25-year-old former veterinary student, had a clear, vibrant voice that many felt might be wasted just talking to horses. He had recently signed with Columbia Records. "All you need," Hank told him, "is a hit record. And I'm going to write one for you." Quite an offer. At that time Hank's songs were being grabbed up by big-name pop singers like Tony Bennett, Jo Stafford and Rosemary Clooney. Tunes like "Cold, Cold Heart," and "I Can't Help It If I'm Still In Love With You" were hitting the tops of the charts in both country and pop markets. Hank followed up on his promise. The day after they met, he took Ray with him to a singing engagement in Evansville, Indiana. During the miles of rolling countryside between Nashville and Southern Indiana, creative ideas flew back and forth. Hank and Ray ended up writing "Weary Blues from Waiting" together. Said Ray, "We'd think up a line, each one of us, and then we'd do another. When we got there it was all written. I didn't put my name on it because I couldn't; I was with another company." Quite a team. Hank, who has been dubbed "The Hillbilly Shakespeare," could capture heartfelt emotion with ease in a few poetic word pictures. By the end of his brief life, he'd written 129 songs, many of them still favorites today. Ray, a fine songwriter too, had the more powerful impressive voice. But in mid-October 1951, it must have made sense for Ray to record "Weary Blues from Waiting" in Hank's highly popular plaintive style. Columbia released "Weary Blues" in November and gave it a big advertising/publicity splash because it was, after all, a Hank Williams song. But it didn't turn out to be the big hit hoped for, the hit that would have led to the Grand Ole Opry, the mecca of all country music performers. Hank didn't let that stop him. A few weeks later, he phoned Ray, who was performing back in Texas, and gave him the big news. If he could be in Nashville by the next day, he had a spot on the Grand Ole Opry. Another frantic trip. Ray burned rubber off four tires getting there. In January 1952, Ray moved to Nashville and soon became a regular on the Grand Ole Opry. A world of possibilities was opening up for him. But while Ray was moving upward in his climb to fame, Hank began to hurtle into free fall. He'd reached the pinnacle of his brief career, and his meteoric blaze in the sun would soon burn out. Separation that January from his wife, Audrey, started off the downhill plunge. Severe problems from a recent back operation added fuel to increase the periodic drinking that had long plagued him. Hank began to drink more and more to ease the the pain and heartache. His career suffered. Although he was still writing and selling songs, he began to miss perfomances or, worse yet, stagger on stage drunk. Ray was quick to defend Hank on that score. "He was not the type to go out in public drunk. When he drank, he drank a glassful at one time, and then another glassful, until he was totally wiped out. And he would stay in his room. The operators or the promoters would drag him out drunk." Ray was hired to accompany Hank on his singing engagements. "They used to send me along to sort of look out for him," Ray explained. "They knew Hank liked me, that he'd listen to me." But Hank's drinking put Ray in a tight spot more than a few times. In a scathing review, a newspaper reporter described one of these performances in Richmond, Virginia, on Jan. 29, 1952. It told how Ray Price had to come on stage and apologize for Hank, stall the crowd by singing Hank's songs, and then declare a half-hour intermission. When Hank finally appeared, he was so drunk that fans began to demand their money back. Ray tried to calm everyone down, calling out, "We all love you, Hank, don't we?" How did it feel filling in for Hank on these tours? Ray's response was fond and overly modest. "There was no way I could fill in for Hank; all I could do was kill time for him." With a reminiscent smile, he added, "He was the top dog." Ray was not about to let Hank down. After Hank and his wife separated and Hank needed a place to stay, Ray came to his rescue. The two moved into a two-story stone duplex in Nashville. Ray lived upstairs and Hank on the first floor. Ray did most of the housework and looked after Hank while he recuperated from the back operation he'd undergone a few weeks earlier. At that point, Hank was optimistic he could patch things up with Audrey and go back to his home and family. But taking care of Hank proved as much of a challenge as touring with him. His alcoholism had advanced to the point where he wouldn't eat while he was drinking. But if Ray could get him to start eating, he'd straighten out. If the food wouldn't stay down, however, he'd reach for the bottle right away and just sit in his room and keep on drinking. The last straw was when Hank lost hope that Audrey would reconcile with him. When she filed for divorce Hank was devastated. According to Ray, who accompanied Hank to the property settlement discussions, Hank was overly generous, giving Audrey much more than was required. He wanted to prove to her how much he still loved her. The divorce went through anyway and plunged Hank into further gloom. In the brief year Hank and Ray knew each other, there was not much time for light-hearted moments, for the hunting and fishing they might have shared in happier times. "We went and tried to fish, but..." Ray's voice trailed off, seemingly reluctant to explain just why the fishing trip never came off. He shifted the subject. "He liked to shoot a pistol. We'd go out on the target range." Hank continued to write songs for Ray. One of them was "I Can't Escape From You," which Ray duly recorded. But Hank also offered Ray some of his biggest hits, songs like "Jambalaya," and "Take These Chains From My Heart." Hank would bounce them off Ray and ask "What do you think of it? I wrote it for you." When Ray predicted they would be hits, Hank would often change his mind and take them back to record himself. Possibly Hank recognized Ray's ability to spot a hit, an ability proven later when Ray helped "launch" the songwriting careers of such "greats" as Willie Nelson, Roger Miller, Harlan Howard, Bill Anderson and Kris Kristofferson. During the early months of 1952, living in the same house with Hank as his alcoholism progressed must have been difficult. One evening, Hank is said to have double-dated with singer Faron Young, but Hank preferred Faron's girl to his own. By the end of the evening when Hank was loaded, he called Faron into a bedroom and pointed a gun at him. He wanted to switch girls; he claimed to have fallen for Faron's date. Faron, understandably, agreed. Whether that story is true or not, Hank did end up marrying the girl, Billie Jean, later that year. But Billie Jean couldn't stop Hank on his downhill plunge. Hank finally became so far gone in his alcoholism that Ray, along with Don Helms, a member of Hank's band, were afraid he'd drink himself to death. They arranged to have him sedated and committed to the Madison Sanitarium to undergo treatment. Hank Williams' biographers have written that Hank was so furious that he ordered Ray to move out of the house, then later apologized and begged him not to leave. Ray, who was already loading a truck, is said to have responded. "I've got to." Ray revealed to me that he moved out of the house at that time, but not out of Hank's life. He moved for personal reasons that had nothing to do with Hank. He continued to be very much involved with Hank's activities. In August, Hank's drinking problem became too much for the Grand Ole Opry, where he had been a top star. They fired him. After Audrey and the divorce, it was another devastating loss for Hank. He left town to go to work for the Louisiana Hayride in Shreveport. Ray remembers the day Hank left Nashville. As he was driving into town, he saw Hank in a service station, standing beside his Cadillac. Hank lifted his hand and motioned for Ray to stop. "Where are you going?" Hank asked as Ray pulled in. "Where are you going?" Ray wanted to know. "Back to Shreveport." He kind of laughed when he asked Ray, "You wanta come?" "I better not," Ray said. He would only see Hank alive one more time after that. Ray's career success continued to escalate in Nashville that fall as he became one of the the hottest entertainers in town. Hank had dreams of straightening out his life and returning to the Grand Ole Opry. It never happened. The final meeting of the two friends occurred at the Big D Jamboree in Dallas shortly before Christmas 1952. Hank caught sight of his friend and walked toward him smiling, singing a few lines from Ray's latest hit, "Don't Let the Stars Get in Your Eyes." They talked, and Hank suggested to Ray and his mother that he "might just come over and spend Christmas with you." They warmly invited him to do so, but Hank went back to his family in Alabama instead. Hank and Ray did make plans to get together in Ohio, however. They both had engagements in that state on New Year's Eve--Ray in Cleveland, Hank in Canton, fifty miles away. They arranged to meet in Canton on New Year's Day. By the end of 1952, the mid-section of the country was in the throes of a fierce winter storm. Hank, who had planned to fly to Canton, hired a chauffeur instead to drive him North in his powder blue Cadillac sedan. Ray was able to get the last flight out of Nashville. Hank couldn't sleep the night before that trip. He told his new wife, Billie Jean, that he saw "God comin' down the road." His health had been deteriorating. The trip was to prove his undoing. He died somewhere in West Virginia in the back seat of his Cadillac. The driver knew Hank had been drinking heavily and thought he had merely passed out. The death wasn't discovered until they pulled into the town of Oak Hill on New Year's day. Officially his demise was attributed to a heart attack. The meeting in Canton, Ohio, on New Year's Day between the two friends never took place. Instead, Ray was among a host of fellow performers bidding goodbye to the great Hank Williams at a massive funeral in Montgomery, Alabama, on January 4, 1953. All the stars of the Opry were there. The radio stations had been playing his music night and day. Fans wept. Hank was back in the fold again, a country music legend for all time. Hank Williams's career was brief, but unforgettable. In 1962, he one of the first performers to be inducted into the Country Music Hall of Fame. Ray Price is still a star, a living legend, who has helped revolutionize more than a few changes in country music. In 1956, Ray's unique recording of "Crazy Arms" was a top hit for forty-five weeks, knocking even Elvis off the charts. It clearly established Ray Price as a leading light in country music. But Ray, in 1967, went in a new direction and with his concert-calibre voice, backed by dozens of violins, soared into a beautiful, show-stopping rendition of the classic, "Danny Boy." Unperturbed by criticism that he had deserted country music, Ray went on to new cross-over heights with his early 1970's hits, "For the Good Times," and "I Won't Mention it Again." Erasing the boundaries between country and pop became a vital issue for Ray Price. He had long resented the fact that Hank's songs were eagerly gobbled up by the pop world, but the country singer himself found it more difficult to cross over at that time. Today, however, Hank Williams is a household word, and Ray, still touring throughout the country, pays tribute to his mentor at each concert. In 1996, Ray Price was inducted into the Country Music Association Hall of Fame. In 1999, he celebrates his fiftieth successful year in the music business. Hank would have been proud of his protege. If you have a story or anecdote about Ray Price that you think Ray's fans would enjoy, we invite you to submit it for possible publication on this site. We're looking for anecdotes that are amusing, cute, heartwarming, or illustrative of the qualities that have made Ray Price a legendary performer. Please email your entry to fan club president SANDRA ORWIG at rpfc40@aol.com. The Day Ray Price almost fell for me Every Sunday back in the 50's the Country Music stars came to the Lyric theater in Indianapolis IN, and I never missed a one. One Sunday when I was around sixteen or there abouts, I had went to see George Hamilton the 4th, and was sitting in the first row, when this good looking guy tried to go pass me for a seat (you know how those theater seats are *S*) and I stuck out my foot to trip him, he just about fell!! Then in a little bit, George said We have a special guest with us tonight and we'd like to get him up here to sing a song for you. Well this good-looking guy got up and went on stage, George said,we'd like for you to meet Mr. Ray Price! Boy was I embarrassed. So I'll never forget how Ray almost fell for me! *S* I have loved Ray ever since! Written by:Liz Puett Reprinted with permission from Dick Shuey's Country Music Stories His Usual Considerate Self It had been many years since I had seen Ray when he was at the Choctaw Festival in Tuskahoma, Ok, a few years ago. I was so excited at seeing him again, so I made a special shirt to wear. It was a red t'shirt and had the slogan, "I love Ray Price" printed in white. My greatest desire was to have my picture made with Ray. After the show he was signing autographs and I waited until he was almost through then asked him to sign my shirt. Then my son took our picture. My son then told me he thought the flash malfunctioned and he was not sure it would be a good picture. I said we would wait until he was finished and maybe try again. Before Ray had signed the last autograph someone was calling from the bus to hurry, they were running late and had to go. He said ok, but first he had one more picture. Then he walked over to me, smiling, and said, "Now, let's get a good picture." He had heard my son's comment and took time to redo the picture although he was running behind schedule. What a guy!!!. Oh, yes both pictures were good. At another concert some months later in Omaha, Texas, I had injured my leg and was on crutches or wheelchair. After the show the line was very, very long and I knew I could not stand that long. So I resorted to the wheelchair. As we approached the table we were talking with Cliff and I mentioned I wanted to take a picture with Ray. And I was wearing another special shirt that said 'I still love Ray Price' Ray heard us and immediately got up and came around the table. He helped me out of the chair, signed my shirt and my son took our picture. On that particular night Ray was fighting a severe cold and was very sick, but that did not keep him from being his usual wonderful, considerate self. I could go on and on and on about Ray. He sure made a hit with my son who grew up on Ray Price music. I even told Ray my son, also named Clifton, could say Ray Price almost as soon as he could say Mommy. Thanks for all you do to promote 'our guy'. Florine It Wasn't Just A Cock-and-Bull Story The first time I met Ray Price was at the Travis County Live Stock Show & Rodeo. My husband and I had only been married a couple of years and I told him I would love to go and see Ray Price. He told me sure we could go and that he had known Ray for many, many years and that he used to handle game roosters for Ray when Ray would fight them in Oklahoma and Louisiana. At this point I was glad to get to go but had major doubts about how well he knew Ray. We bought 4 front and center tickets and waited for what seemed like forever. The night finally come. We got all made up in our best rodeo clothes to go and see the great Ray Price. I didn't watch much of the rodeo for looking to see if Ray was at the autograph table and waiting to hear him sing. The whole way to the rodeo ( an hour drive one way) my husband kept saying him and Ray this, him and Ray did that. Me and the boys were really getting tired of hearing this and thinking that he was full of BS. Before Ray sang they announced he would sign autographs after the show. I set through the show in pure heaven. Ray's voice melting every bone. Right before he finished the last song I told my husband we had to hurry to the autograph place. We went and were first in line. In a few minutes a long, long line had formed. Earlier in the night I had bought a double album to get Ray to sign. My husband said don't buy it I'll get Ray to give you one. Again sure you will. I bought it anyway. We waited for what seemed like hours. The whole time my husband telling us more cute stories. Finally the lady behind us said sure you know him and laughed. That was what we had thought. About that time Ray came out stopped,looked at my husband and said 'Damn, boy, I haven't seen you for years.' They hugged and started talking as if they had just seen each other the day before. After we picked up our jaws, even the lady behind us, Ray chewed my husband out for buying the album and signed it for me. He told my husband that Duke and some of the other old group were up in the Ball Room. He told someone there with him to take us up to the Ball Room which was a black tie or suit and tie place. We were in jeans, western shirts, and boots. The materdee at the door told us you can't come in here you're not properly dressed an your not the type of people that come here. About that time the guy from Ray's band caught up with us and told him that they are guests of Mr. Price. You should have seen that guy jump threw the hoop. It was great. From then on we were believers. Every time we go and see Ray I ask for him to sing my favorite song For the Good Times and we stand in front of the band and it seems as if he is singing for just us. We had plans to go and see him again in Llano but he was sick. There would have been a second favorite to ask for this time Soft Rain. One day we will catch up with him and get it done. Friends and fans, The Skinners A Fan Club President Has Some Stories Too These reminiscences of fan club president Sandra Orwig are reprinted from her most recent newsleter. Ray was playing one of the largest Pennsylvania fairs with three other well-known country artists. Before the show began the head of the fair committee came to the bus and told Ray that if he did not want to autograph after the show he did not have to do so as the others were not going to do so. Ray's reply made me so proud. He said, "I don't care who autographs, I am." He was the top billed star and the only one that cared enough about his fans to stay out in the cold and sign every autograph. It was a very cold September night and Ray closed the show so it was very dark on the race track when he autographed. When he finished, Blondie said to him, "Let's go," and he said, "No, I have to go talk to Sandra's Dad." As most of you know, my father is handicapped and does not get to go see Ray often, but Ray made sure we were escorted to park by the bus and then, regardless of the cold, late hour and long trip ahead of him back to Texas, he took the time to talk with my Dad. Only one reason why he has "Touched My Heart." Sandra Orwig (from her newsletter #55) "His timeless music, incredible voice, and innovative genius have yet to be equalled by any other singer in today's country-music world." Ray Price is one of American music's truly great stars. He was inducted into Nashville's Country Music Hall of Fame in 1996, but has long shown his genius in other genres as well. After more than a half-century in the business, Ray can still belt out a song with the best of them, whether it's honky-tonk, country, pop, blues, jazz, or anything in between. With his May 2000 Buddha Records release--"Prisoner of Love"--Ray has delightfully proven this once again with a big-band-backed medley in many moods and styles. Audiences full of cheering fans still flock to his concerts whenever he's in town, and that's fairly often, for this vigorous Texan maintains a hefty tour schedule. On Inauguration Eve 2001, Ray was proud to be on stage in Washington, D.C., as one of the Texas performers who entertained enormous crowds at the Texas Black Tie and Boots Ball. This dynamic artist can be proud also of his role in the history of country music. In fact, he has helped to write that history as well as live it. He was born Noble Ray Price on January 12, 1926, near Perryville, Texas, and his musical talents became evident at an early age. While in college, Ray became a regular on KRLD radio's "Big D Jamboree" show in Dallas. On March 15, 1951, Ray signed with prestigious Columbia Records, and in 1952, moved to Nashville where his great friend and supporter was the legendary Hank Williams. Hank got Ray on the Grand Ole Opry and the two shared bachelor quarters during the last year of Hank's brief but memorable life. Ray's band was initially formed from the remnants of Hank Williams' band, the Drifting Cowboys. The band would later become the Cherokee Cowboys, and Ray himself would become known as the Cherokee Cowboy. Ray has always had an uncanny talent for recognizing quality in both music and musicians. The careers of many country music superstars, such as Willie Nelson, Roger Miller, Johnny Paycheck, Darrell McCall, Buddy Emmons, and Johnny Bush, began with Ray Price and the Cherokee Cowboys. Ray Price became noted for his magnificent show-stopping voice and honky-tonk hits throughout the 1950's. On the way to the top, he also helped revolutionize more than a few changes in country music. In 1956, when rock and roll was threatening to drown out the sounds of traditional country music, it took Ray's rendition of "Crazy Arms" to knock Elvis off the charts. That recording's 45 weeks at the top of the charts got people listening to country music again and clearly established Ray Price as a leader in the field. But Ray has never been so traditional that he didn't innovate. During the "Crazy Arms" recording session, he added drums and a 4-4 bass and shuffle rhythm that redefined the way country music was played for years to come. Then, just when everyone else in country was turning to that sound, Ray, in 1967, went in a new direction and added a large string section and with his concert-calibre voice soared into a beautiful, show-stopping rendition of the classic, "Danny Boy." Audiences were stunned by its beauty. His "Danny Boy" album made him new fans in sections of the country far beyond the Mason- Dixon line. But some in Nashville and the South thought he had deserted country music and didn't take it well. Unperturbed, Ray went on to new heights with his early 1970's hits, "For the Good Times," and "I Won't Mention it Again." He refused to accept boundaries between country and pop. Music was music. A lot of Ray's strong feeling about artificial boundaries in music goes back to his close association with his mentor and close friend, Hank Williams. Ray resented the fact that Hank's songs were eagerly accepted by the pop world but the country singer himself was not. At least in that day and age. A few year later he would have been, according to Ray. But not then. Erasing the lines between country and pop became a vital issue for Ray Price. With his own brand of individualism, he continues to cross musical boundaries and create songs and sounds for everyone. His latest album, "Prisoner of Love," was recorded with a 50-piece orchestra. It combines old country standards with beautiful ballads from all eras, and includes a few new songs never before recorded. This Country Music Hall of Fame legend is the soul of country music. He continues to be creative and expand conventional boundaries with his music, while never forgetting his roots. His timeless music and incredible commitment to performing has made him a bridge between the early days of country to today's contemporary country music. The Los Angeles Times has declared Ray Price to be 'a national treasure.' Another newspaper has compared him to Frank Sinatra. Ask any Ray Price fan, however, if that's true. Most of them will tell you that Ray Price has no equal anywhere when it comes to delivering a song and pleasing an audience. Born: January, 12, 1926 Years Active: 50's 60's 70's 80's 90's 2000's Related Artists: Kitty Wells, Harlan Howard, Carl Butler, Allan Sisters, Ferlin Husky sponsored content by biggerboat Released: 10/30/2007 1 disc / 21 Tracks Label: Warner Bros. Compare Prices Click for Additional Details Larry the Cable Guy Christmastime in Lar... 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Larry the Cable Guy Christmastime in Larryland Upcoming Concerts 12/01/07 Stafford Centre for the Performing Arts - Amphitheater Stafford TX view all tour information Ray Price has covered -- and kicked up -- as much musical turf as any country singer of the postwar era. He's been lionized as the man who saved hard country when Nashville went pop, and vilified as the man who went pop when hard country was starting to call its own name with pride. Actually, he was -- and still is -- no more than a musically ambitious singer, always looking for the next challenge for a voice that could bring down roadhouse walls. Circa 1949, Price cut his first record for Bullet in Dallas. In 1951, he was picked up by Columbia, the label for which he would record for more than 20 years. After knocking around in Lefty Frizzell's camp for six months or so (his first Columbia single was a Frizzell composition) Price befriended Hank Williams. The connection brought him to the Opry and profoundly affected his singing style. After Hank died, Price starting stretching out more as a singer and arranger. His experimentation culminated in the 4/4 bass-driven "Crazy Arms," the country song of the year for 1956. The intensely rhythmic sound he discovered with "Crazy Arms" would dominate his -- and much of country in general's -- music for the next six years. To this day, people in Nashville refer to a 4/4 country shuffle as the "Ray Price beat." Heavy on fiddle, steel, and high tenor harmony, his country work from the late '50s is as lively as the rock & roll of the same era. Price tired of that sound, however, and started messing around with strings. His lush 1967 version of "Danny Boy" and his 1970 take on Kris Kristofferson's "For the Good Times" were, in their crossover way, landmark records. But few of his old fans appreciated the fact. In the three decades following "For the Good Times," Price's career was often an awkward balancing act in which twin Texas fiddles are weighed against orchestras. Born in tiny Perryville, TX, Price spent most of his youth in Dallas. It was there where he learned how to play guitar and sing. Following his high school graduation, he studied veterinary medicine at North Texas Agricultural College in Abilene before he left school to join the Marines in 1942. Price stayed in the service throughout World War II, returning to Texas in 1946. After leaving the Marines, he initially returned to college, yet he began to perform at local clubs and honky tonks, as well as on the local radio station KRBC, where he was dubbed the Cherokee Cowboy. Three years later, he was invited to join the Dallas-based The Big D Jamboree, which convinced him to make music his full-time career. Shortly after joining The Big D Jamboree, the show began to be televised by CBS, which helped him release a single, "Your Wedding Corsage"/"Jealous Lies," on the independent Dallas label Bullet. Price moved to Nashville to pursue a major-label record contract in 1951. After auditioning and failing several times, Ray finally signed to Columbia Records, after A&R representative Troy Martin convinced the label's chief executive, Don Law, that Decca was prepared to give the singer a contract. Previously, Law was uninterested in Price -- he turned him down 20 times and threatened Martin never to mention his name again -- but he was unprepared to give a rival company a chance at the vocalist. Just before "Talk to Your Heart" became a number three hit for Price in the spring of 1952, Ray met his idol, Hank Williams, who immediately became a close friend. Over the next year, Hank performed a number of favors for Price, including giving him "Weary Blues" to record and helping him join the Grand Ole Opry. Ray also became the permanent substitute for Hank whenever he was missing or too drunk to perform. Following Williams' death in 1953, Price inherited the Drifting Cowboys. Following the success of "Don't Let the Stars Get in Your Eyes" in the fall of 1952, Price was quiet for much of 1953. It wasn't until 1954 that he returned to the charts with "I'll Be There (If You Ever Want Me)," a number two hit that kicked off a successful year for Price that also included the Top Ten singles "Release Me" and "If You Don't, Somebody Else Will." Instead of capitalizing on that success, he disappeared from the charts during 1955, as he spent the year forming the Cherokee Cowboys. Over the course of the past two years, he had realized that performing with the Drifting Cowboys had made him sound too similar to Hank Williams, so he decided to form his own group. Originally, most of the members were lifted from Lefty Frizzell's Western Cherokees, but over the years a number of gifted musicians began their careers in this band, including Roger Miller, Johnny Paycheck, Buddy Emmons, Johnny Bush, and Willie Nelson. Ray returned to the charts in 1956, first with "Run Boy" and then with "Crazy Arms," a driving honky tonk number that immediately became a country classic. The song was one of the first country records to be recorded with a drum kit, which gave it a relentless, pulsating rhythm. Until Price, most country artists were reluctant to use drums and the instrument was even banned from the stage of the Grand Ole Opry. The blockbuster status of the single helped change that situation. Spending an astonishing 20 weeks at the top of the country charts, "Crazy Arms" not only crossed over into the lower reaches of the pop charts, but it also established Price as a star. After the success of the single, he remained at or near the top of the charts for the next ten years, racking up 23 Top Ten singles between the 1956 and 1966. During this time, he recorded a remarkable number of country classics, including "I've Got a New Heartache" (number two, 1956), "My Shoes Keep Walking Back to You" (number one, 1957), "Make the World Go Away" (number two, 1963), and "City Lights," which spent 13 weeks at the top of the charts in 1958. The momentum of Price's career had slowed somewhat by the mid-'60s; though he was still having hits, they weren't as frequent nor as big. His musical inclinations were also shifting, bringing him closer to the crooning styles of traditional pop singers. Ray abandoned the cowboy suits and brought in strings to accompany him, making him one of the first to explore the smooth, orchestrated sounds of late-'60s and early-'70s country-pop. While it alienated some hardcore honky tonk fans, the change in approach resulted in another round of Top Ten hits. However, it took a little while for the country audience to warm to this new sound -- it wasn't until 1970, when his cover of Kris Kristofferson's "For the Good Times" hit number one, that he returned to the top of the charts. Over the next three years, he scored an additional three number one singles ("I Won't Mention It Again," "She's Got to Be a Saint," "You're the Best Thing That Ever Happened to Me"). By the mid-'70s, the appeal of his string-laden country-pop hits had diminished, and he spent the rest of the decade struggling to get into the charts. In 1974, he left his long-time home of Columbia Records to sign to Myrrh, where he had two Top Ten hits over the next year. By the end of 1975, he had left the label, signing to ABC/Dot. Though he hadn't changed his style, his records became less popular around the same time he signed to ABC/Dot; only 1977's "Mansion on the Hill" gained much attention. In 1978, he switched labels again, signing with Monument, which proved to be another unsuccessful venture. In 1980, Price reunited with his old bassist Willie Nelson, recording the duet album San Antonio Rose, which was a major success, spawning the number three hit "Faded Love." San Antonio Rose reignited Ray's career, and in 1981 he had two Top Ten singles -- "It Don't Hurt Me Half as Bad" and "Diamonds in the Stars" -- for his new label, Dimension. Price left Dimension in 1983, signing with Warner Records. He remained at the label for one year, and by that time, his new spell of popularity had cooled down considerably; now, he was having trouble reaching the Top 40. That situation didn't remedy itself for the remainder of the decade, even though he signed with two new labels: Viva (1983-1984) and Step One (1985-1989). By the late '80s, Price had stopped concentrating on recording and had turned his efforts toward a theater he owned in Branson, MO. For most of the '90s, he sang and performed at his theater in Branson, occasionally stopping to record. Of all of his '90s records, the most notable is the 1992 album Sometimes a Rose, which was produced by Norro Wilson. (Less)
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363, 06:59, 2009-09-03 17:49:29 Description: The highly-synchronized stylings of The Jon Hammond Show Dancers dancing to Jon's theme song "Late Rent" aboard m.v. HORIZON Celebrity Cruises ship on maiden voyage to Bermuda with Jon (More) The highly-synchronized stylings of The Jon Hammond Show Dancers dancing to Jon's theme song "Late Rent" aboard m.v. HORIZON Celebrity Cruises ship on maiden voyage to Bermuda with Jon Hammond & Joe Berger directing. Then on to Hamburg Germany years later, same song, same guys, but sadly we couldn't take our dancers to Hamburg. In VILLON Club by Hauptbahnhof. Special thanks to Amy Curtis of Hill & Knowlton Celebrity Cruises and Henry of Villon, ILLUSTRATORP, Jennifer & Knut Benzner. Musicians: Gabriel Coburger, Heinz Lichius, Joe Berger & Jon at the organ as seen on The Jon Hammond Show ©2008 http://www.HammondCast.com Jon Hammond Special Thanks! JON HAMMOND International, Inc. 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Al Wittig, Dr. Jack Adler & fam, Dan & Roberta Mockensturm, Al DiMeola, Ron Polte, Deszon X. Claibourne, Tom Sarig, Danny "California" Woody, Jeff Hess, Vladislov Sendecki, Lucas Lindholm, Sheldon Sweeper, Steve Luongo, Gordy Singer, Bobby Forrester, Taj Mahal, Bonnie Raitt, John O'Donnell, Joachim Neuerburg, Clifton Buck Kaufman, Jack Wilkins, Dieter Lubke, Sourdough Slim, Juergen M. Bahr, Commodore Hotel SF team-Joseph, Bina, Scott, Gitanjali, Melanie, Jeff-Joie de Vivre Hotels, Reinhard Werthner, Carla Caccavale, Teresa Martinez-Westin Rio Mar Beach Ocean Villas Puerto Rico SPECIAL THANKS from JON HAMMOND Special Thanks from JON HAMMOND Jon Hammond would especially like to thank: Jennifer Frizzell, Marco Galeazzi, Donatella Milella, Roberto Lucanero, Nello Gabrielloni & family-Excelsior CEMEX Accordions, Glenn Derringer-Kustom, Michael Maier-Falkenstein family, Mario Tettamanti, Rossano Chiaramoni-RCH Cases, Joe Aloia, Superlux Microphones-Goang Fann Co. Ltd.-Jenny Shen, Nico Teng, David Liu, Heda family, Barbara K. Starner-Remin Kart-A-Bag, Richard McDonald-Fender Co., Leo Fender, Benny Golson, Kenny Burrell, Pamela Sylvain-United Airlines Employment, Gary Walker, Brian Delp, Cephas Bowles, Thurston Briscoe, Rhonda Hamilton-WBGO 88.3FM, Chuy Varella, Chris Cortez, Alissa Clancy-KCSM 91.1FM, Fred Noe III-Jim Beam Brands, Eugen Hahn-Jazzkeller Frankfurt, Bobbie Webb, J.J., Noel Hayes, Harrison-KPOO 89.5FM, Keith West-KVMR 89.5FM, Vasja Ivanovski-FM 2 Macedonia, Knut Benzner, Dr. Andrea Hubert, Tobias Hartmann, Lutz & Gide Buchner-NDR Radio, Heinz Lichius, Gabriel Coburger, Gunther & Krystyna Tietze-Polka Bar, Dieter & Ralph Reichert-Birdland Hamburg, Jo-Jo Tucksen-Jazzkeller Hofheim, Tony Lakatos, Harry Petersen, Kevin Mauder, Uli Olshausen, Guenter Hottmann-HR Radio, Igor & Oksana Butman, Eduard Zizak, Faina Antonova, Marat Garipov-Le Club Moscow, Claus Rotthoff-Musikhaus Rotthoff, Gideon Schier, Robert & Otmar Hutya, Bernhard Flieher, Tommy Schneider-Hammond Times Zurich, Ronald ChitTin-Entree GmbH, Francoise Pujol, Andre Thus-Hammond France, Bob Scott, Ronnie Smith Jr., Alex Budman, Larry Schneider, John & Mai Bishop, Marc Baum, Chris van den Bergh-Suntarget Marbella Spain, Sons of Champlin, Bill Vitt, Bob Barsotti, Peter, Bettike, Dharma Barsotti, Mick Brigden, Scott Rootenberg, Kris Hosack, Tim Anderson, Chris Powers, Nigel James, Rita Gentry, Jerry Pompili, David Mayeri, Bill Graham, BGP Productions, Eddie Money, Jim Thorsen aka Jimi James, Steve Wright-Hades, Terri Price, Matthew & Terence Hallinan family, Susan Bernstein, Bruce Harrison, Sharon Levy, Mitchell Redman, Teddy Fung, Maria Ciaccia, Jim Kelly, Jim Leary, Dana Rivers-Heath, Security staff-Manhattan Plaza, Frank Vavosa, Sylvia, Thomas & Simon-Hotel Pacific Hamburg, Karen Newman, Betty Heywood, Judy Cheung-Messe Frankfurt/Hong Kong, Danny Woody-Portman Ritz Carlton Shanghai, Mayor Willie Brown, Maria Tschirgi, Joe & Lori Rodriguez, John Hunt-Local 6 SF, Oscar Meyers, Bill Wurtzel, Erica Brescia-T-Mobile SF, Andy Christo, Christine Adams, Kevin Friedrich, Harley Jones,-Accordions Worldwide, Alex Accordions & Guitar NYC, John & Jonna Godtfredsen-Excelsior Danmark, Clarence "Tootsie" Bean, Maher & Tom-Cleopatra's Needle NYC, Prof. Bruce Lilienthal, James Brown-Tower Records, Erik Hargrove-James Brown Band, Taj Mahal, Bonnie Raitt, Jon Paris, Marc Roth-Roth's Westside Steakhouse, Rudy Lawless, Lazy Larry Fredsen, Al & Leslie Wilcox and family, Patti, Teal & Al Jazzbeaux Collins, Saul & Goldie Levin family, Olivier Hutman, Lydia Fischer, Dr. Iraj Akhavan, Tilman Erhorn, Dan Marks, Vitali Imereli, Matt Dillon, Francis Ford Coppola, Dr. Vartan Ghugasian, Joe Franklin-WOR Radio, Marisa Redanti-MPTA, Antje von Rein, Don Haas, Louie Bellson, Ron Carter, George Burns, Earl Watson, Marie, Iwo, Marty-Original Joe's SF, President Bill Clinton, Ann Stock, President Vladimir Putin, Ambassador Alexander Vershbow, BB King, Naeemah Hicks, Lindsay Brust, Wynton Marsalis, Todd Barkan-Jazz at Lincoln Center, Lionel Hampton, Lou Colombo, Tom Tuson-Hammond Organ Center, Paul Ellington, Chuck & Alan Colin & family-Colin Publishing, Rich Haupt, Peter Valentyne, Pete Fogel-Le Bar Bat, Bruce & Charlotte Mager-Waves NY, Alan Hall, Tracey Baumler, Ann, Terry, Cortt, Rhett Dunlap, Genevieve Frizzell, Louie Peterson, Gary Peterson, Dieter Schnapka, Uwe Gehring-(Wesley G), Giovanni Gulino, Sgt. Bill Hickman-AFN Radio, Charly Hosenseidl, Cordelia von Gymnich-Messe Frankfurt, Lynn & Victor-Hotel Charlotte Groveland CA, Deszon X. Claiborne, Steve Campos, Harvey Wainapel, Joachim & Rosi Griebe, Marcy Drexler, Ariane Klaening, Yutaka Hada-CASIO, Sergei Belov, Elke Abate, Ralf Hoffmann, Andreas Mautner, Norbert Hilbich, Andreas Sennheiser, Bobby & Joanne Nathan, Sgt. Al Wittig, Dan & Roberta Mockensturm, Rudy Hurwich family, Matthew Terada, Waichiro Tachikawa, Yu Beniya-Suzuki Corp. Frank Pohl, Tino Pavlis, Yucel Ali Atiker, Bert Gerecht, Wendy & Lauren Roberts-Jazz Foundation of America, Laurence Donahue-Greene AllAboutJazz, Derek Sivers-CD Baby.com, Scott Cooper family, Bryan Tracy, Carl Spencer, Paul Pesco, John & Teresa Nash, Khalil-Hammondbeat, Angelo Dipippo, Regina Snilovic, Schnulze Harburg, Jon Herington, John Valente, James, Tarek-Birdland NY, Don Williams, Jimmy McGriff, Barbara FangLin family, Greg Errico, David Kaprilik, Charlene Berger, Osamu Yamamoto, Midori Ono, Marty Napoleon, Igor Flach, Pete Fallico, Jun Takayama, Doug Levine-VOA, Nana Gongadze, Pete Escovedo, Janie Harris, Stefan Klemm, Frank Marocco, Chet Helms, Dana Gioia-National Endowment for the Arts, John Entwistle, Jay Dedman, Wanda Sanchez, Petrof Piano family, Nat Friedman, Sam Wilcox, Pat & Sandy Moriarty family, Steven Eaklor, Mustafa Jammal family, Hans Romanov, Stefan Hantel, Michelle Webb, Jo Mikovic, Cab Calloway, Bill Cosby, Mimi Farina, Dick Mithun-The Site Recording, Suzanne Ciani, Gerald Lubarsky, Elizabeth Chapman, George Greif, Beatrix Rief, Pete Vogt, Greta & Joe Chow-Card Photo SF, Rossa & Moritz Peters, George Brown, David Fathead Newman, Andy Warhol, Bill Beer, Lee Oskar, Dr. John, Terry Haggerty, Bruce Hatch family, Rick Wilhelm, Tommy Costa, Bob Brumbeloe, Buddy Rich, Howard Plotkin, Dennis Finnegan, Louis Nanassy, Jane Dornacker, Steve Smith-AMPEX, Bob Moog, Louis Baldonieri, Victor Owens, George Carlin, Marshall & Krisanne Olson, Leslie Levitas, Teresa Nelson, Rodney Choy, Clayton Smity-SF Sheriff's Dept., Heinz von Hermann, Wolfram Knauer, Alex Ligertwood, John Lee Hooker, Capt. Paul Bailey-United Airlines, Ana Maria Pena, Lanie Hafer, Barbara Stokes, Yvette Julien, Janet Berka, April Para-UAL, Laurence Cottle, Judit Halmi, Emile van der Zee, Sammy Davis Jr., Herbert Berger, Marie Pragrova, Dale Meyer, Ulrich Tukor, Ray Tubberville, Bernie Fichtner, M. Andre Francis-Radio France Inter, Jane Dong, William & Amy Hu-DG Uniform Tailors, Hal Petcher-Guitronics, Les Paul, Kim Delevett-SWA, John Mader, Christian Munchinger, Art Van Damme, Dick Contino, Joris Dudli, Tyrone Starks, Dennis Hoffman, Randy Allar, Steve Copeman, Boris Blanchet, Dr. Hal & Eva Eisenberg family, Sylvia & Morris Simon family, Howard Johnson, Tim Cain, Don Dean, Don Wehr, Tony Rossell, Daniel McKinnon, Juergen Wolf-IAJO, Charlotte Aphibal-Lufthansa, Amy Curtis, David Haynes, Neil & Vera Witchard, Richard Sharpe, Tip O'Neil, Francois Chassagnite, Tom Plate, Capt. George Apistolas, Dr. Rudi Petroll, Cindy Blackman,Wallace Roney Dr. Jack Adler family, Jack Wilkins, Dieter Lubke, Sourdough Slim, Richard Werthner, Carla Caccavale, Teresa Martinez-Westin Rio Mar Beach, Bill Cosby, Ron Polte, Gary Duncan, Pat Martino, Mic Gilette, Al DiMeola, Capt. Korres, Dean Kamei, Tim Armacost, Jeff Samaha-NBC, Paul Shaffer, Joan Baez, Ken Hayes Jr., Ron Eckstein, Tripp, Nils Gessinger, Uwe Petersen, Sandra Hempel, Robert Doehring, Paul Marx & Lynne Bertrand-KBON, Johannes Koppen, Peter & Sigi Tangermann family, Pat & Randy Klock-Opera Plaza SF, Danny Leventhal, Zak Starkey, Jerry Figone, Raul Rekow, Goersch family, Ulrich Vormehr, Richard Gaule-Soups, Suzie Gagnon, Frederic Charest-Cirque Du Soleil Band, Roman Kaplan-Russian Samovar, Jeanne Moos, Tim & Kevin Curry-Carroll Musical Instrument Rental, Kevin Struthers, Jean Thill, Rodney Durr-Kennedy Center, Allan Chao, LaDee Streeter, Dwight Dickerson, Ray Charles, Jaco Pastorius, Linda Tillery, Paul Kantner, Chick Corea, Kalena Preston, Hendrik Maier, Terry Pimsleur, Dan Rather, Margo & Brian Shandblatt family, Detlev Reimann, Roger's Kiste-Stuttgart, Michael Kersting, Carol Kaye, Billy Drewes, Maggie Bell, Sonny Stitt, Wild Bill Davis, Oliver Groenewald, Ingo Sens, Bob Morton, Cynthia Tornquist, Mac Seshimoto, Herbert Zorn-Groove City/FSK Radio Hamburg, Lars Karstensen, Olga Arvaniti-Hotel Turm Frankfurt, Margie Glad, Andrea English, Marietta Violetta Windhorst, Sgt. Rick Brown, Specialist Nicky Kiers, Ralph Stinson-AFN, Robert Cohen & Assoc., Anton Baronin, Vitaly Solomonov, Alexander Dovgoboly, Igor Butman Bigband, Oleg Butman, George Clinton, Vladimir Danilin, Alexei Kuznezov, Retha Herne, Bruce A. Douglas, Charles Huggins-See's Candy, Leslie Stewart, Ken Shapero-Jazz Factory, Kathleen Lawton, Don Menza, Commodore Hotel SF: Bina, Joseph, Melanie, Gitanjali, Jeff, Jeff Mason, Anatoly Kiryushkin, Igor Moskvichev, Steven King, Paul Gaist, Sergei Manoukian, Alex Rostotsky, Bill Cobham, Silvia Pagni, Gunther Zint, Cyril Moshkow, Sergei Shidlouskij, Ryo Kawasaki, AND all our viewers of The Jon Hammond Show over the last 21 years! Jon Hammond would especially like to thank: Jennifer Frizzell, Marco Galeazzi, Donatella Milella, Roberto Lucanero, Nello Gabrielloni & family-Excelsior CEMEX Accordions, Glenn Derringer, Michael Maier-Falkenstein, Mario Tettamanti, Rossano Chiaramoni-RCH Cases, Joe Aloia, Superlux Microphones-Goang Fann Co. Ltd.-Jenny Shen, Nico Teng, David Liu, Heda family, Barbara K. Starner-Remin Kart-A-Bag, Richard McDonald-Fender Co., Benny Golson, Kenny Burrell, Pamela Sylvain-United Airlines, Gary Walker, Brian Delp, Cephas Bowles, Rhonda Hamilton-WBGO 88.3FM, Chuy Varela, Chris Cortez-KCSM 91.1FM, Fred Noe III-Jim Beam Brands, Eugen Hahn-Jazzkeller Frankfurt, Noel Hayes-KPOO, Keith West-KVMR 89.5FM, Vasja Ivanovski-FM 2 Macedonia, Knut Benzner, Tobias Hartmann, Lutz & Gide Buchner-NDR Radio, Heinz Lichius, Gunther & Krystyna Tietze-Polka Bar, Dieter & Ralph Reichert-Birdland Hamburg, Jo-Jo Tucksen-Jazzkeller Hofheim, Tony Lakatos, Kevin Mauder, Uli Olshausen, Bobbie Webb, Guenter Hottmann-HR Radio, Igor & Oksana Butman, Eduard Zizak, Faina Antonova, Marat Garipov, Claus Rotthoff-Musikhaus Rotthoff, Gideon Schier, Robert & Otmar Hutya, Tommy Schneider, Ronald ChitTin-Entree GmbH, Francoise Pujol, Andre Thus, Bob Scott, Ronnie Smith Jr., Alex Budman, Larry Schneider, John & Mai Bishop, Marc Baum, Chris van den Bergh, Bob Barsotti, Peter, Bettike, Dharma Barsotti, Mick Brigden, Scott Rootenberg, Bill Graham, Eddie Money, Jim Thorsen, Terri Price, Matthew & Terence Hallinan family, Susan Bernstein, Bruce Harrison, Sharon Levy, Mitchell Redman, Teddy Fung, Maria Ciaccia, Jim Kelly, James Leary, Dana Rivers-Heath, Frank Vavosa, Sylvia, Thomas & Simon-Hotel Pacific Hamburg, Karen Newman-Messe Frankfurt/Hong Kong, Danny Woody-Portman Ritz Carlton Shanghai, Willie Brown, Maria Tschirgi-Local 6 SF, Oscar Meyers, Erica Brescia-T-Mobile SF, Andy Christo, Christine Adams, Kevin Friedrich, Harley Jones,-Accordions Worldwide, Alex Accordions NYC, John & Jonna Godtfredsen, Clarence "Tootsie" Bean, Prof. Bruce Lilienthal, Erik Hargrove, Taj Mahal, Bonnie Raitt, Jon Paris, Rudy Lawless, Lazy Larry Fredsen, Al & Leslie Wilcox, Al Jazzbeaux Collins, Saul & Goldie Levin, Olivier Hutman, Lydia Fischer, Dr. Iraj Akhavan, Dan Marks, Vitali Imereli, Matt Dillon, Dr. Vartan Ghugasian, Joe Franklin, Marisa Redanti-MPTA, Antje von Rein, Louie Bellson, Ron Carter, George Burns, Earl Watson, Marie, Iwo, Marty-Original Joe's SF, President Bill Clinton, President Vladimir Putin, BB King, Naeemah Hicks, Lindsay Brust, Wynton Marsalis, Todd Barkan-Jazz at Lincoln Center, Lionel Hampton, Lou Colombo, Tom Tuson, Paul Ellington, Rich Haupt, Peter Valentyne, Pete Fogel, Alan Hall, Tracey Baumler, Ann, Terry, Cortt, Rhett Dunlap, Genevieve Frizzell, Louie Peterson, Gary Peterson, Dieter Schnapka, Sgt. Bill Hickman-AFN Radio, Cordelia von Gymnich-Messe Frankfurt, Harvey Wainapel, Joachim & Rosi Griebe, Marcy Drexler, Ariane Klaening, Yutaka Hada-CASIO, Elke Abate, Ralf Hoffmann, Andreas Mautner, Norbert Hilbich, Andreas Sennheiser, Sgt. Al Wittig, Dan Mockensturm, Rudy Hurwich, Matthew Terada, Waichiro Tachikawa, Yu Beniya-Suzuki Corp. Frank Pohl, Tino Pavlis, Yucel Ali Atiker, Bert Gerecht, Wendy Oxenhorn & Lauren Roberts-Jazz Foundation of America, Laurence Donahue-Greene AllAboutJazz, Derek Sivers-CD Baby.com, Scott Cooper, Regina Snilovic, Schnulze-Harburg, John Valente, James, Tarek-Birdland NY, Barbara FangLin family, Greg Errico, David Kaprilik, Charlene Berger, Osamu Yamamoto, Midori Ono, Marty Napoleon, Igor Flach, Pete Fallico, Jun Takayama, Doug Levine-VOA, Pete Escovedo, Janie Harris, Stefan Klemm, Chet Helms, Dana Gioia-National Endowment for the Arts, John Entwistle, Petrof Piano family, Nat Friedman, Sam Wilcox, Pat & Sandy Moriarty, Mustafa Jammal, Hans Romanov, Jo Mikovic, Cab Calloway, Bill Cosby, Dick Mithun-The Site Recording, Gerald Lubarsky, Elizabeth Chapman, George Greif, Beatrix Rief, Pete Vogt, Greta & Joe Chow-Card Photo SF, Rossa & Moritz Peters, George Brown, David Fathead Newman, Andy Warhol, Bill Beer, Lee Oskar, Bruce Hatch, Jane Dornacker, Steve Smith-AMPEX, Bob Moog, George Carlin, Marshall & Krisanne Olson, Leslie Levitas, Teresa Nelson, Rodney Choy-SF Sheriff's Dept., Alex Ligertwood, John Lee Hooker, Capt. Paul Bailey-United Airlines, Ana Maria Pena-UAL, Laurence Cottle, Judit Halmi, Emile van der Zee, Sammy Davis Jr., Dale Meyer, Ulrich Tukor, M. Andre Francis-Radio France Inter, Jane Dong, William & Amy Hu-DG Uniform, Hal Petcher, Les Paul, Kim Delevett-SWA, Art Van Damme, Dick Contino, Joris Dudli, Randy Allar, Boris Blanchet, Dr. Hal & Eva Eisenberg family, Sylvia & Morris Simon, Tim Cain, Don Dean, Don Wehr, Daniel McKinnon, Juergen Wolf-IAJO, Amy Curtis, Neil & Vera Witchard, Richard Sharpe, Tip O'Neil, Tom Plate, Dr. Rudi Petroll, Jack Wilkins, Dieter Lubke, Richard Werthner, Carla Caccavale, Teresa Martinez-Westin Rio Mar Beach, Bill Cosby, Ron Polte, Gary Duncan, Pat Martino, Mic Gilette, Al DiMeola, Tim Armacost, Jeff Samaha-NBC, Paul Shaffer, Joan Baez, Ken Hayes Jr., Tripp, Nils Gessinger, Uwe Petersen, Sandra Hempel, Robert Doehring, Paul Marx & Lynne Bertrand-KBON, Johannes Koppen, Peter & Sigi Tangermann, Danny Leventhal, Zak Starkey, Jerry Figone, Raul Rekow, Goersch family, Ulrich Vormehr, Suzie Gagnon, Frederic Charest-Cirque Du Soleil Band, Roman Kaplan-Russian Samovar, Kevin Struthers, Jean Thill, Rodney Durr-Kennedy Center, Allan Chao, LaDee Streeter, Dwight Dickerson, Ray Charles, Jaco Pastorius, Paul Kantner, Kalena Preston, Dan Rather, Margo & Brian Shandblatt, Detlev Reimann, Roger's Kiste-Stuttgart, Michael Kersting, Carol Kaye, Billy Drewes, Wild Bill Davis, Oliver Groenewald, Ingo Sens, Bob Morton, Cynthia Tornquist, Mac Seshimoto, Herbert Zorn-Groove City/FSK Radio Hamburg, Lars Karstensen, Olga Arvaniti-Hotel Turm Frankfurt, Margie Glad, Andrea English, Marietta Violetta Windhorst-AFN, Robert Cohen & Assoc., Anton Baronin, Vitaly Solomonov, Alexander Dovgoboly, Vladimir Danilin, Alexei Kuznezov, Retha Herne, Bruce A. Douglas, Charles Huggins-See's Candy, Leslie Stewart, Ken Shapero-Jazz Factory, Commodore Hotel SF: Bina, Joseph, Melanie, Gitanjali, Jeff, Jeff Mason, Anatoly Kiryushkin, Igor Moskvichev, Bill Cobham, Silvia Pagni, Gunther Zint, Sergei Shidlouskij, Ryo Kawasaki, AND all our viewers of The Jon Hammond Show over the last 21 years! (Less)
Channel: vsocialTags: joy sticca amy curtis knut benzner bermuda tourism hammondcast jon hammond kyouradio joan brower hill and knowlton celebrity cruises m.v. horizon
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315, 01:12, 2008-04-21 20:02:47 Description: Yah, well i'm making another halo ce machinima. This one is goin to be WAY WAY WAY WAY WAY better than the last one. I may need some help so if you have halo ce just send me a message. I need (More) Yah, well i'm making another halo ce machinima. This one is goin to be WAY WAY WAY WAY WAY better than the last one. I may need some help so if you have halo ce just send me a message. I need people to move the characters. i think i manage getting voices though, or i could like write it and send it to you and u record it and send it back or wutever. Music is Ascendency by Mordisk, and Jimmy's Mom by WNCI (it's a radio station in like ohio or something) okay, it will change though, the title will be different the characters: T: 16 year old kid drafted to the army Ed: Im gonna change to Hank, and hes gonna be all macho man crap Lara: Sexy (supposedly) model. T has the biggest crush on Cyprien: "The Human Ipod" Half human, half ipod Kirk: 20 year old male. Always getting busted on by calling him kirk. Jimmy: suffers from multiple personality disorder, touretts, and mood swings, all at different times. and they will be assigned teams: Red: Cyprien, Hank (Ed), and Jimmy Blue: Kirk, T, and Laura some new charatcers will show up later and hopefully another team. and will be jumping between many mods and maps (All this rubbish just makes mor people see it) __________________________________________________________________________________________________ steve vai nirvana kurt cobain hole bush soad whatever whatever arpeggios ass lollipop popsicle solo dance fuck video rap queer cole film sarah loc movie guitarist asia lesbian hot jam music party body independent gay thong jt xxx hairy fetish lord guitar blowjob awards argento silverman sexy ear marilyn man dylan manson rings rogers leroy naked acoustic sprousechicks choreography old macking dance sex strip go girl out ways make girls state hot striptis wet kissing argentina lesbos be million men kiss chick sexy lesbo lesbian man webcam ok tease nude cruel lesbians ohio model or wow making heavy all ringtones video trujillo death hammett justice hetfield straw live master music tribute ulrich puppets sorrow tribute2 metallica shortest harvester metal creeping Dancing comedy clip dance song stupid crazy music where the hell is matt tasha songs crazy jimmy san dance haxx0r japan chair best funny psychology dancing los music performance tribute rice redvsblue idol francisco sumo california effects clones world wherethehellismatt man myself sra gancing jay angeles billy rock fun kets auteurs bananas ted japanese actions psychological schizophrenia college kermit huntington death psychology dancing tv bixby legal music black recorder haines murder business luke child friends by box school reverse car drive master's customers video robinsolo duncan instrumental lead acoustic tapping guitarist guitar slide soundtrack live jam video performance music electronics blues dj bert sxsw ben halter ernie canter scratch lunging sample scodiac trot jason valentino people down usher mraz slow destiny legend you john keys alicia virginia guitar cater child ordinary SUPER TAG CREATED BE ERNIE ROGERS tune groovy mayer bobby my us boo stopping acoustic jammin'legos lego lego!! love iit egypt ritter hindustan video ambient reasons perfect josh music... douglas stuck music tune dance datsuns hollywood hundred war saarang possien song yeretsian here v2 ladnier beat&path mah with aviatic gift lillian days rock garageband acoustic solo guitariste awesome erwachen london home swedish lame paris guitarist fast percussion live music "guitarist" sim angelo good nitro guitar trivium tapping goods imguitarist berk man instrumental fingerstyle metro band michael air micheal acoustic funny rave popsicle civic SUPER TAG CREATED BE ERNIE ROGERS skills bâton de magical bubblegum boys cute 100percent mom crazy dumb candy lauren singing ray funny angela disney 100prcent lollipops song bradbury nightmares fadhil lollipop land treats aqua dog licking cat stick sydney baby party sf folk teen affair boy sexi french zuzu movies strip sexy girl lick love seans clip gals japanese sex blowjobs chupa asian scandal girl pinoy grabia funny style porn hot latina cum doggy gives fellatio ganguro haha bj blowjob gal facial hardcore ramen gago shot dog dinner mastercard kantutan oral first goth gothic vamp dark cradle of filth metallica guns n roses nirvana smashing pumpkins michelle branch korn bananna green day tom petty (Less)
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268, 00:38, 2009-09-09 06:32:26 Description: Description: Hank is a real Colorado gardener who left the cold winters of his native state to become a landscaper in paradise. He has replaced riding horses with running on the beach and swimming (More) Description: Hank is a real Colorado gardener who left the cold winters of his native state to become a landscaper in paradise. He has replaced riding horses with running on the beach and swimming every day. He explained that he has no problem being naked, because as a young boy he would visit his aunt at the nudist (FKK) resort where she lived. He has enjoyed being naked outdoors since he was a school student. This 27 year old muscle stud is a joy to be around. In the video you will hear how excited he becomes when talking about a special surf break he wants to visit someday in California. He loves his job on the Island trimming trees and is happy to do some palm tree cleaning in the raw for my cameras. You will be pleased with Hank's great butt as he bends over to clear coconuts. And yes, I caught him jerking it in his Jeep when I left for a minute to fetch a new lens! Good Boy, Hank! After a sweating in his ride, Hank showers off with the garden hose. I also needed to get wet, so I stripped down and asked Hank to turn the water on me. Look at the smile on this Island Stud's face as he hoses down his photographer. There are so many great photos and video footage of Hank and his beautiful hose that I decided to show it all over two weeks. Here is the first half of this sexy hunk loose on the Islands. (Less)
Channel: gaytubeTags: straight naked working outdoors public hardon cum hairy huge bare nudist thick uncut beach redhead college real amateur island beach stud nude hidden cam voyeur military marine sailor football soccer rugby athlete
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202, 00:53, 2007-08-17 19:34:12 Description: AMAZING JAPANESE PITCH
Death Titanic two the surface jackass family guy south park TBS CNN News video Ryan Dunn Bam Margera Johnny Knoxville Wee-man Steve-O Preston Lacy Dave England Danger (More) AMAZING JAPANESE PITCH
Death Titanic two the surface jackass family guy south park TBS CNN News video Ryan Dunn Bam Margera Johnny Knoxville Wee-man Steve-O Preston Lacy Dave England Danger Xbox-360 Jetblue Delta United American AIrlines Earth Google Ask full speakers car mustang GT Saleen The Boss Cobra Coupe V6 3.8L V8 Ford SVT Exhaust Dual Flowmaster SLP Loudmouths Axe Bod Remote School Football baseball soccer Tv South Carolina New York Gamecocks DVD MPG player control crank that fat boy with guns 9/11 twin towers world trade center jumpers 9/11/01 WTC Jumpers America U.S.A Under Attack The Big Apple Charlotte Airport ATL Orangeburg Myrtle Beach Monitor Tower Nickelodeon Spongebob Bowl Cutt CBK CKY Airhorn car wal-mart pnd water lake ocean grass myspace youtube metacafe chris crocker sun sunshine snake VCR fan clothes holister eagle cards magic tricks cool awesome fun funny music weird stuff games blogging sports science and technology education news politics automotive comedy humor intrumental instructional bat house arrest paper notebook porn ass booty butt boobs tits breast xxx lesbian hott sexy girls tight jeans long train cup plastic yellow blue red green orange gold purple white silver black gray emachines windows XP pro 2000 Vista ME 98 beer rednecks hunters bullfrog fox deer meat hunting forestry Agriculture Art English spanish Pe Jump Jumping Chicken Ham Turkey peas rice chinese Iraq Explorers Robots Scary Movie 1 2 3 4 Waiting Criss Angel David Blaine Street FIghts fighting spray wash fast bookbag flipping teaching teacher chalk marker Jeff foxworthy Bill Larry the cable guy ron white tartor salad heres your sign upload Afraid Dark calendar back front chest eyes nose heart cancer Aids amazing sad spanish lowes Home depot sears food comer came come charger cell phone miss SC USC Tennessee North Carolina Florida Jersey Panthers view sweet brook cougars edisto primary cat dog sand jaws chief salad taco sexy back crap dumb prison jail cops trunk truck smoke pencil eraser fur radio tweeters candy Jason voorhees Michael Myers Chucky leprachaun Tim Mcgraw Jimmy Buffet Elton John Ted Turner Shop Boyz Dem Lil Sausce chips backed bank baked morning afternoon night evening supper dinner brunch breakfest midnight go where drink ice cream fruit vegatables stuff bear brown UPS Fly Flight FSX chart channel lazydork lonelygirl fridaynightlights321 fatvids vaccum guy woman women men man PSP playstation primetime dress shoes new balance nike sketchers k-mart skirt kilgus family book libre blose exit search sink bath socks telephone guitar hero musem natural history dance sing idol french war 2000 africa starburts chococlate bed undershirt refresh soft picture chris rock dreams maker Monk Jag Everybody loves raymond Law and Order Ray pillow ate eat stadium hope coke mellow yellow slap road walkers pizza charleston stomach growling hurt ouch mail yahoo computer rose pedal flower mcdonalds burger king wopper sandwich drugs Tacos Lobby waiting dinner cougars Dr. Pepper bud light bill gates donald trump microsoft commercial tie field goal tackle colts new england superbowl computer promotion work smosh right left pranks gags haha sweet candy chocolate channgel remote mute edit movie maker Chaplain explosion truth conspiracy hilary clinton bush president white house pentagon business building build sex huge small maple cheese nips savor steak pork meat area 51 lonleygirl15 lazydork peace stem ivy forestry english king emperor smoke smoking aces high bass thumb tool hammer volume bird puberty learning community heko web internet world delta united american US airways jetblue contiental southwest northwest airline airport miami vice halo guitar hero real UFO bigfoot loch ness new york orange county hair dumb and dumber hostel scary haunted ghost demon hill coke pepsi forest gump WWF WWE Smackdown birthday singer idol cake chemistry science lab gloves goggles boots skirek old young desert icy hot topic converse crip walk roy orangeburg cordova snow tornado ice sleet weather peaches apple fruit banana grapes (Less)
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200, 02:30, 2007-08-04 00:31:30 Description: Cast and Crew:
Tim Allen - (Doug Madsen)
John Travolta - (Woody Stevens)
Martin Lawrence - (Bobby Davis)
William H. Macy - (Dudley Frank)
Ray Liotta - (Jack)
Marisa Tomei - (Maggie)
Kevin (More) Cast and Crew:
Tim Allen - (Doug Madsen)
John Travolta - (Woody Stevens)
Martin Lawrence - (Bobby Davis)
William H. Macy - (Dudley Frank)
Ray Liotta - (Jack)
Marisa Tomei - (Maggie)
Kevin Durand - (Red)
M.C. Gainey - (Murdock)
Jill Hennessy - (Kelly Madsen)
Dominic Janes - (Billy Madsen)
Tichina Arnold - (Karen Davis)
Stephen Tobolowsky - (Charley)
Jason Sklar
Kyle Gass - (Kyle (Lead Singer))
Randy Sklar
John C. McGinley
Peter Fonda - (Damien Blade)
Ty Pennington
Production Credits:
Ryan Folsey (Additional Editing)
Eliza Pollack Zebert (ADR Editor)
Doc Kane (ADR Mixer)
Leannette Browning (ADR Recordist)
Gentle Jungle (Animal Trainer/Wrangler)
Amy Elizabeth Marsh (Art Department Coordinator)
Gregory Van Horn (Art Director)
Dale Holmen (Assistant Chief Lighting Technician)
Lisa Shaw Phillips (Assistant Editor)
Ryan Rubin (Assistant Music Editor)
Jennifer Webb (Assistant Production Coordinator)
Carolyn Lassek (Assistant Properties)
John G. Scotti (Associate Producer)
Anson Downes (Associate Producer)
Darice Rollins (Associate Producer)
Linda Rae Favila (Associate Producer)
Dante Cardone (Best Boy Electric)
John P. Morris (Best Boy Grip)
Gary Thomas (Boom Operator)
Eduardo E. Mayen (Camera Loader)
Chris Hayes (Camera Operator)
Kathryn Brink Casting (Casting)
Jay Scully (Casting)
Anne McCarthy (Casting)
Kellie Gesell (Casting Assistant)
Wayne Morse (Casting Associate)
Freddy Luis (Casting Associate)
James R. Tynes (Chief Lighting Technician)
Robbie Greenberg (Cinematographer)
Terry Haggar (Color Timing)
Teddy Castellucci (Composer (Music Score))
Nick Lund-Ulrich (Compositor)
Scott Hankel (Compositor)
Roy H. Chang (Compositor)
David Beedon (Compositor)
Wally Chin (Compositor)
Alfredo Ramirez (Compositor)
Pete Anthony (Conductor)
Terry Scott (Construction Coordinator)
Ciro Vuoso (Construction Foreman)
Valerie Laven-Cooper (Costume Designer)
Jordanna Fineberg (Costume Designer)
Davida Roberts (Costume Designer)
Penny Rose (Costume Designer)
Lisa Jensen (Costume Designer)
Mara Kerum (Craft Service/Catering)
Teddy Yonenaka (Craft Service/Catering)
Tony's Food Services (Craft Service/Catering)
Mary Lampert (Department Head Hair)
Michelle Vittone-McNeil (Department Head Makeup)
G.W. Brown (Dialogue Editor)
Victoria Rose Sampson (Dialogue Editor)
Walter Becker (Director)
Andreas Crawford (Dolly Grip)
Gary Christie (Dolly Grip)
Stuart H. Pappe (Editor)
Christopher Greenbury (Editor)
Tim McDonald (Electrician)
Theodore Y. Bott (Electrician)
Jason Linebaugh (Electrician)
Amy Sayres (Executive Producer)
Sharla Sumpter (Executive Producer)
Todd Lieberman (Executive Producer)
Darlene Hansen (Extra Casting)
Ami Francis (First Assistant Accountant)
Robert Heine (First Assistant Camera)
Jay Levy (First Assistant Camera)
John G. Scotti (First Assistant Director)
Chris Mistorni (First Assistant Editor)
Pernell L. Salinas (First Assistant Sound Editor)
Randall Guth (Foley Editor)
Steve Mullen (Gaffer)
Hank Sheppard (Grip)
Robert M. Johnston (Grip)
Amber Maahs (Grip)
Andrew Wilson (Grip)
Frank R. III Crosby (Hair Styles)
Bonnie Clevering (Hair Styles)
Yolanda Toussieng (Hair Styles)
Maria Bentfield (Key Costumer)
Michael Kenner (Key Grip)
Enid Arias (Key Hairstylist)
Julie Kristy (Key Make-up)
Joel Prihoda (Leadman)
Becky Brake (Location Manager)
Rowan Stanland (Location Manager)
Hallie D'Amore (Makeup)
Debra Denson (Makeup)
Tom Woodruff, Jr. (Model Effects)
Brent Brooks (Music Editor)
Curt Sobel (Music Editor)
Laura Z. Wasserman (Musical Direction/Supervision)
Diane Stata (Musical Direction/Supervision)
Tom Walsh (Musical Performer)
Brian Kilgore (Musical Performer)
Dave Marotta (Musical Performer)
Tim Pierce (Musical Performer)
George Doering (Musical Performer)
Greg Leisz (Musical Performer)
John "Juke" Logan (Musical Performer)
Tom Mgrdichian (Musical Performer)
Gabe Witcher (Musical Performer)
Mary Beth Smith (Negative Cutter)
Buena Vista Negative Cutting (Negative Cutter)
Julian Gupner (Painter (digital))
Matt Hennessy (Painter (digital))
Kelly Hayes (Personal Assistant)
Dawn Darling (Personal Assistant)
Stacey Mann (Personal Assistant)
Suzanne Mayes (Personal Assistant)
Ashley Jordan (Personal Assistant)
Shawn Tanaka (Personal Assistant)
Sean Lampkin (Personal Assistant)
Christopher Sylvester (Personal Assistant)
Aimee Bell (Personal Assistant)
Ursula Woodland (Personal Assistant)
Larry Whack (Personal Assistant)
Gina Hall (Personal Assistant)
Nadia Randazzo (Post Production Accountant)
Nick Greenbury (Post Production Assistant)
Erin Dunlap (Post Production Assistant)
Liz Popolizio (Post Production Assistant)
Todd Lieberman (Producer)
Brian Robbins (Producer)
Mike Tollin (Producer)
Amy Hawkins (Production Accountant)
Barbara Gutman (Production Accountant)
Aimee Pierson (Production Assistant)
Brandy Marrs (Production Assistant)
Michael McGiffin (Production Assistant)
Austin Davoren (Production Assistant)
Jeremy Gerke (Production Assistant)
Leigh Anne Stoudemire (Production Assistant)
Allison K. Lequin (Production Assistant)
Kate Greenberg (Production Assistant)
Lisa J. Watters (Production Coordinator)
Michael Corenblith (Production Designer)
Cassandra Cox (Production Secretary)
Tommy Tomlinson (Properties Master)
Dean A. Zupancic (Re-Recording Mixer)
Terry Porter (Re-Recording Mixer)
Dennis S. Sands (Recording)
Hong Kim (Rotoscope Artist)
Joe Dubs (Rotoscope Artist)
Brad Copeland (Screenwriter)
Judi Townsend (Script Supervisor)
Kerry Tancheski (Second Assistant Accountant)
Lisa Guerriero (Second Assistant Camera)
Joseph E. Lotito (Second Assistant Director)
Patrick J. Smith (Second Assistant Editor)
Beau Hilkene (Second Assistant Sound Editor)
Keith Potter (Second Second Assistant Director)
Susan Benjamin (Set Decorator)
David Bethel (Set Medic/First Aid)
Dimension Sound (Sound Editor)
David Grimaldi (Sound Effects Editor)
Albert Gasser (Sound Effects Editor)
Jeff Sawyer (Sound Effects Editor)
Yann Delpuech (Sound Effects Editor)
Dennis S. Sands (Sound Mixer)
Erik Flockoi (Sound Recordist)
Judy Nord (Sound Recordist)
Steve Cantamessa (Sound/Sound Designer)
R. Bruce Steinheimer (Special Effects Coordinator)
Chris Squires (Steadicam Operator)
Lorey Sebatian (Still Photographer)
Todd Warren (Stunts)
Erik Stabenau (Stunts)
Nick Loren (Stunts)
Jalil Lynch (Stunts)
Jeff Brockton (Stunts)
Daniel Epper (Stunts)
Jack Gill (Stunts Coordinator)
Pacific Title & Art Studio (Title Design)
Bruce Schluter (Title Design)
Keith Fisher (Transportation Captain)
Aaron Skalka (Transportation Coordinator)
Lenny Vullo (Unit Production Manager)
Spooky Stevens (Unit Publicist)
Digital Dream (Visual Effects)
Corinne Pooler (Visual Effects Producer)
Jerry Pooler (Visual Effects Supervisor) (Less)
Channel: youtubeTags: allen blooper gainey gass hogs john kyle lawrence liotta macy marisa martin mc ray reel tim tomei travolta wild william
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190, 02:05, 2008-04-17 15:10:09 Description: Once labelled "Hank Marvin on acid", Wallis was vocalist/guitarist in seminal UK space-rockers the Pink Fairies, penning 1973's classic Kings of Oblivion. After the split he answered (More) Once labelled "Hank Marvin on acid", Wallis was vocalist/guitarist in seminal UK space-rockers the Pink Fairies, penning 1973's classic Kings of Oblivion. After the split he answered Lemmy's call to join the newly formed Motorhead, before bagging the in-house producer job at Stiff records. After helming albums by Wreckless Eric and embarking on the infamous "Live Stiffs" with Costello, Nick Lowe, Dave Edmonds and Ian Dury and the Blockheads, he toured with MC5's Wayne Kramer and old running buddy Mick Farren's Deviants. A Fairies reunion was short lived, and, by 1991, Wallis was fronting The Redbyrds. His first solo LP Death in the Guitarfternoon, is a welcome return to form "After The Redbyrds I made a pretty crap career move. Itried to drink up the world's supply of Jack Daniels and Jim Beam faster than they could produce it - a plan doomed to failure of course, but I had 'em on the ropes there for a while. During this period I stopped socialising, but there came a time when the doc gave me the word: ugly death or new life. Five years ago I had my last drink. Three years ago my wife bought me a Bose Satellite speaker sytem and I discovered jazz and went to jazz lessons. Two years ago I bought the recording system, and now I'd say that music, above all else, is the most important thing in the world to me. I can't believe I lost for a while. The Fairies kinda fizzled out for one reason or another, and Russ [Hunter] reckons we should do at least one big London gig, a huge 'This is what the Fairies are about' type gig. And I agree, as a certain unscrupulous ne-er do well has gone public with line-ups and and records under the Fairies banner which actually have nothing whatsoever to do with the Pinks, or the spirit in which they existed. Anyway Russ says we should blow all that shit away with a bloody good reiteration of where we came from. Pink Fairies fly they don't skulk. "I never felt part of Musicbizland. This, along with my track record with the Motorhead and fairies' history meant that, to record companies I was a drug-taking, bar-jockey kinda guy. Which, of course, with a look over my shoulders was bang on the money. It was suggeted by a chum that I buy the hardware, get a website, make the thing, and sell it to 'em. I guess the next move is going out to show off in public with some musos - and this is important - are better than I am. If I'm gonna do it, I'm gonna do it right. Police Car med Larry Wallis sl (Less)
Channel: 123videoTags: CAR fuckin LARRY LIVE POLICE rare STIFFS WALLIS LARRY WALLIS: POLICE CAR (LIVE STIFFS: fuckin rare)
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206, 00:00, 2009-09-05 13:52:13 Description: What do you get when you get 10 horny tops, 2 hungry bottoms, a dungeon, leather and specially designed sex tables? A DUNGEON GANG BANG of historic orgy proportions. Everyone dreams of being (More) What do you get when you get 10 horny tops, 2 hungry bottoms, a dungeon, leather and specially designed sex tables? A DUNGEON GANG BANG of historic orgy proportions. Everyone dreams of being gang-banged in a Dungeon by one hot top after the other and that is exactly what happens in DUNGEON GANG BANG. It's a fantasy that most of us think about but few of us ever experience. Jarod Steele and Steve Tuck are fucked by 10 ass pounding studs until the cum is dripping and leaking out of their hot holes. And, of course, Director Wade Lincoln, makes sure that every drop is captured on film and even on the cameras and cameramen. Alan Gregory returns to ravage Jarod Steele's sweet ass in one of the hottest scenes HDK has ever filmed. Duke Savage and Ardon Masters, hot hairy tops, join in and fuck Jarod and Steve Tuck till they are squealing like the pigs they really are. And, Hank Cruz pounds Jarod's butt till it's red and raw and nearly knocks him off the table before shooting his hot load up Jarod's ass. After being pounded by so many hot studs, Steve Tuck can't take it any longer and strokes that cock of his till he drops a mammoth load right into Ardon Masters' mouth.....Ardon, of course, takes every drop and begs for more. If you like the taste and feel and smell of hot man jizz...don't let this film get away! A total of 12 guys, too many internal and external cum shots to count. Slings, leather, fuck tables, fuck benches, hairy men, smooth men and muscle men all combine to make this one of HDK's wildest and raunchiest films.rn (Less)
Channel: naughtymovies Rate it: Rate:
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