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209, 00:19, 2007-05-26 17:43:09 Description: RULO Y GONZALEZ
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Traditional animation, also referred to as classical animation, cel animation, or hand-drawn (More) RULO Y GONZALEZ
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Traditional animation, also referred to as classical animation, cel animation, or hand-drawn animation, is the oldest and historically the most popular form of animation. In a traditionally-animated cartoon, each frame is drawn by hand.
The traditional animation process
Storyboards
Traditionally-animated productions, just like other forms of animation, usually begin life as a storyboard, which is a script of sorts written with images as well as words, similar to a giant comic strip. The images allow the animation team to plan the flow of the plot and the composition of the imagery. The storyboard artists will have regular meetings with the director, and may have to redraw or "re-board" a sequence many times before it meets final approval.
Voice recording
Before true animation begins, a preliminary soundtrack or "scratch track" is recorded, so that the animation may be more precisely synchronized to the soundtrack. Given the slow, methodical manner in which traditional animation is produced, it is almost always easier to synchronize animation to a pre-existing soundtrack than it is to synchronize a soundtrack to pre-existing animation. A completed cartoon soundtrack will feature music, sound effects, and dialogue performed by voice actors. However, the scratch track used during animation typically contains just the voices, any vocal songs that the characters must sing along to, and temporary musical score tracks; the final score and sound effects are added in post-production.
In the case of most pre-1930 sound animated cartoons, the sound was post-synched; that is, the sound track was recorded after the film elements were finished by watching the film and performing the dialogue, music, and sound effects required. Some studios, most notably Fleischer Studios, continued to post-synch their cartoons later, which allowed for the presence of the "muttered ad-libs" present in many Popeye the Sailor and Betty Boop cartoons. Although virtually all American animation is now pre-synched (and has been since the 1930s), nearly all Japanese animation (anime) is post-synched.
Animatics
Often, an animatic or story reel is made after the soundtrack is created, but before full animation begins. An animatic typically consists of pictures of the storyboard synchronized with the soundtrack. This allows the animators and directors to work out any script and timing issues that may exist with the current storyboard. The storyboard and soundtrack are amended if necessary, and a new animatic may be created and reviewed with the director until the storyboard is perfected. Editing the film at the animatic stage prevents the animation of scenes that would be edited out of the film; as traditional animation is a very expensive and time-consuming process, creating scenes that will eventually be edited out of the completed cartoon is strictly avoided.
In the mid 1970's these were known as Videomatics and used primarily for test commercial projects.
Advertising agencies today employ the use of animatics to test their commercials before they are made into full up spots. Animatics use drawn artwork, with moving pieces (ie: an arm that reaches for a product, or a head that turns). Video storyboards are the same thing as animatics, but do not have moving pieces. Photomatics are another option when creating test spots, but instead of using drawn artwork, there is a shoot in which hundreds of digital photographs are taken. The large amount of images to choose from may make the process of creating a test commercial a bit easier, as opposed to creating an animatic, because changes to drawn art take time and money. Photomatics generally cost more than animatics, as they require a shoot, and on-camera talent.
Design and timing
Once the animatic has been approved, it and the storyboards are sent to the design departments. Character designers prepare model sheets for all important characters and props in the film. These model sheets will show how a character or object looks from a variety of angles with a variety of poses and expressions, so that all artists working on the project can deliver consistent work. Sometimes, small statues known as maquettes may be produced, so that an animator can see what a character looks like in three dimensions. At the same time, the background stylists will do similar work for the settings and locations in the project, and the art directors and color stylists will determine the art style and color schemes to be used.
While design is going on, the timing director (who in many cases will be the main director) takes the animatic and analyzes exactly what poses, drawings, and lip movements will be needed on what frames. An exposure sheet (or X-sheet for short) is created; this is a printed table that breaks down the action, dialogue, and sound frame-by-frame as a guide for the animators. If a film is based more strongly in music, a bar sheet may be prepared in addition to or instead of an X-sheet. Bar sheets show the relationship between the on-screen action, the dialogue, and the actual musical notation used in the score.
Layout
Layout begins after the designs are completed and approved by the director. The layout process is the same as the blocking out of shots by a cinematographer on a live-action film. It is here that the background layout artists determine the camera angles, camera paths, lighting, and shading of the scene. Character layout artists will determine the major poses for the characters in the scene, and will make a drawing to indicate each pose. For short films, character layouts are often the responsibility of the director.
The layout drawings are spliced into the animatic, using the X-sheet as a guide. Once the animatic is made up of all layout drawings, it is called a Leica reel. The term originates from the Disney Studio in the 1930s, from the frame format used by Leica cameras.
Animation
Key drawings and corrected, inbetweened animation in NoeinOnce the Leica reel is finally approved by the director, animation begins.
In the traditional animation process, animators will begin by drawing sequences of animation on sheets of paper perforated to fit the peg bars in their desks, often using colored pencils, one picture or "frame" at a time. A key animator or lead animator will draw the key drawings in a scene, using the character layouts as a guide. The key animator draws enough of the frames to get across the major points of the action; in a sequence of a character jumping across a gap, the key animator may draw a frame of the character as he is about to leap, two or more frames as the character is flying through the air, and the frame for the character landing on the other side of the gap.
Timing is important for the animators drawing these frames; each frame must match exactly what is going on in the soundtrack at the moment the frame will appear, or else the discrepancy between sound and visual will be distracting to the audience. For example, in high-budget productions, extensive effort is given in making sure a speaking character's mouth matches in shape the sound that character's actor is producing as he or she speaks. (Try making "ah," "ooh" and "ee" sounds out loud, and note how your mouth will subconsciously form a different shape for each sound; good animators must pay attention to such seemingly trivial things).
As they are working on a scene, a key animator will usually prepare a pencil test of the scene. A pencil test is a preliminary version of the final animated scene; the pencil drawings are quickly photographed or scanned and synced with the necessary soundtracks. This allows the animation to be reviewed and improved upon before passing the work on to his assistant animators, who will go add details and some of the missing frames in the scene. The work of the assistant animators is reviewed, pencil-tested, and corrected until the lead animator is ready to meet with the director and have his scene sweatboxed, or reviewed by the director, producer, and other key creative team members. Similar to the storyboarding stage, an animator may be required to re-do a scene many times before the director will approve it.
In high-budget animated productions, often each major character will have an animator or group of animators solely dedicated to drawing that character. The group will be made up of one supervising animator, a small group of key animators, and a larger group of assistant animators. For scenes where two characters interact, the key animators for both characters will decide which character is "leading" the scene, and that character will be drawn first. The second character will be animated to react to and support the actions of the "leading" character.
Once the key animation is approved, the lead animator forwards the scene on to the clean-up department, made up of the clean-up animators and the inbetweeners. The clean-up animators take the lead and assistant animators' drawings and trace them onto a new sheet of paper, taking care in including all of the details present on the original model sheets, so that it appears that one person animated the entire film. The inbetweeners will draw in whatever frames are still missing in between the other animators' drawings. This procedure is called tweening. The resulting drawings are again pencil-tested and sweatboxed until they meet approval.
At each stage during pencil animation, approved artwork is spliced into the Leica reel.
This process is the same for both character animation and special effects animation, which on most high-budget productions are done in separate departments. Effects animators animate anything that moves and is not a character, including props, vehicles, machinery and phenomena such as fire, rain, and explosions. Sometimes, instead of drawings, a number of special processes are used to produce special effects in animated films; rain, for example, has been created in Disney films since the late-1930s by filming slow-motion footage of water in front of a black background, with the resulting film superimposed over the animation.
Backgrounds
While the animation is being done, the background artists will paint the sets over which the action of each animated sequence will take place. These backgrounds are generally done in gouache or acrylic paint, although some animated productions have used backgrounds done in watercolor, oil paint, or even crayon. Background artists follow very closely the work of the background layout artists and color stylists (which is usually compiled into a workbook for their use), so that the resulting backgrounds are harmonious in tone with the character designs.
Traditional ink-and-paint and camera
Once the clean-ups and in between drawings for a sequence are completed, they are prepared for photography, a process known as ink-and-paint. Each drawing is then transferred from paper to a thin, clear sheet of plastic called a cel, so called because they were once made out of cellulose nitrate (cellulose acetate is now used). The outline of the drawing is inked or photocopied onto the cel, and gouache or a similar type of paint is used on the reverse sides of the cels to add colors in the appropriate shades. In many cases, characters will have more than one color scheme assigned to them; the usage of each one depends upon the mood and lighting of each scene. The transparent quality of the cel allows for each character or object in a frame to be animated on different cels, as the cel of one character can be seen underneath the cel of another; and the opaque background will be seen beneath all of the cels.
A camera used for shooting traditional animation. See also Aerial image.When an entire sequence has been transferred to cels, the photography process begins. Each cel involved in a frame of a sequence is laid on top of each other, with the background at the bottom of the stack. A piece of glass is lowered onto the artwork in order to flatten any irregularities, and the composite image is then photographed by a special animation camera, also called rostrum camera. The cels are removed, and the process repeats for the next frame until each frame in the sequence has been photographed. Each cel has registration holes, small holes along the top or bottom edge of the cel, which allow the cel to be placed on corresponding peg bars before the camera to ensure that each cel aligns with the one before it; if the cells are not aligned in such a manner, the animation, when played at full speed, will appear "jittery." Sometimes, frames may need to be photographed more than once, in order to implement superimpositions and other camera effects. Pans are created by either moving the camera, cels, or backgrounds one step at a time over a succession of frames.
As the scenes come out of final photography, they are spliced into the Leica reel, taking the place of the pencil animation. Once every sequence in the production has been photographed, the final film is sent for development and processing, while the final music and sound effects are added to the soundtrack. Again, editing is generally not done in animation, but if it is required it is done at this time, before the final print of the film is ready for duplication or broadcast.
Digital ink and paint
It should be noted that the actual "traditional" ink-and-paint process is no longer in use by any major animated productions at present. The current process, termed "digital ink and paint," is the same as traditional ink and paint until after the animation drawings are completed; instead of being transferred to cels, the animators' drawings are scanned into a computer, where they are colored and processed using one or more of a variety of software packages. The resulting drawings are composited in the computer over their respective backgrounds, which have also been scanned into the computer (if not digitally painted), and the computer outputs the final film by either exporting a digital video file, using a video cassette recorder, or printing to film using a high-resolution output device. Use of computers allows for easier exchange of artwork between departments, studios, and even countries and continents (in most low-budget animated productions, the bulk of the animation is actually done by animators working in other countries, including Korea, Japan, Singapore, and India).
The last major feature film to use traditional ink and paint was Studio Ghibli's Princess Mononoke (1997); the last animated series to do so was Ed, Edd n Eddy. Minor productions such as Hair High (2004) by Bill Plympton have used traditional cels long after the introduction of digital techniques. Digital ink and paint has been in use at Walt Disney Feature Animation since 1989, where it was used for the final rainbow shot in The Little Mermaid. All subsequent Disney animated features were digitally inked-and-painted, using Disney's proprietary CAPS (Computer Animation Production System) technology, developed primarily by one-time partner Pixar (the last Disney feature using CAPS was Home on the Range). Most other studios use one of a number of other high-end software packages such as Toonz or Toon Boom Studio, Animo, US Animation and even consumer-level applications such as Macromedia Flash.
Computers and video cameras
Computers and video cameras in traditional cel animation can also be used as tools without affecting the film directly, assisting the animators in their work and making the whole process faster and easier. Doing the layouts on a computer is much more effective than doing it the old original way. And video cameras gives the opportunity to see a "sneak preview" of the scenes and how they will look when finished, enabling the animators to correct and improve them without having to complete them first. This can be considered a digital form of pencil testing.
Techniques
The cel & limited animation
This image shows how two transparent cels, each with a different character drawn on them, and an opaque background are photographed together to form the composite image.The cel is an important innovation to traditional animation, as it allows some parts of each frame to be repeated from frame to frame, thus saving labor. A simple example would be a scene with two characters on screen, one of which is talking and the other standing silently. Since the latter character is not moving, it can be displayed in this scene using only one drawing, on one cel, while multiple drawings on multiple cels will be used to animate the speaking character.
For a more complex example, consider, a sequence in which a girl sets a plate upon a table. The table will stay still for the entire sequence, so it can be drawn as part of the background. The plate can be drawn along with the character as the character places it on the table. However, after the plate is on the table, the plate will no longer move, although the girl will continue to move as she draws her arm away from the plate. In this example, after the girl puts the plate down, the plate can then be drawn on a separate cel from the girl. Further frames will feature new cels of the girl, but the plate does not have to be redrawn as it is not moving; the same cel of the plate can be used in each remaining frame that it is still upon the table. The cel paints were actually manufactured in shaded versions of each color to compensate for the extra layer of cel added between the image and the camera, in this example the still plate would be painted slightly brighter to compensate for being moved one layer down.
In very early cartoons made before the use of the cel, such as Gertie the Dinosaur (1914), the entire frame, including the background and all characters and items, were drawn on a single sheet of paper, then photographed. Everything had to be redrawn for each frame containing movements. This led to a "jittery" appearance; imagine seeing a sequence of drawings of a mountain, each one slightly different from the one proceeding it. The pre-cel animation was later improved by using techniques like the slash method invented by Raoul Barre; the background and the animated objects were drawn on separate papers. A frame was made by removing all the blank parts of the papers where the objects were drawn before being placed on top of the backgrounds and finally photographed. The cel animation process was invented by Earl Hurd and John Bray in 1915.
In lower-budget productions, this "shortcut" is used in a greater capacity. For example, in a scene in which a man is sitting in a chair and talking, the chair and the body of the man may be the same in every frame; only his head is redrawn, or perhaps even his head stays the same while only his mouth moves. This is known as limited animation. The process was popularized in theatrical cartoons by UPA and used in most television animation, especially that of Hanna-Barbera. The end result does not look very lifelike, but is inexpensive to produce, and therefore allows cartoons to be made on small television budgets.
Animation loops
A horse animated by rotoscoping from Edweard Muybridge's 19th century photos. The animation consists of 8 drawings, which are "looped", i.e. repeated over and over.Creating animation loops or animation cycles is a labor-saving technique for animating repetitive motions, such as a character walking or a breeze blowing through the trees. In the case of walking, the character is animated taking a step with their right foot, then a step with their left foot. The loop is created so that, when the sequence repeats, the motion is seamless. However, since an animation loop essentially uses the same bit of animation over and over again, they are easily detected and can in fact become distracting to an audience. In general, they are used only sparingly by productions with moderate or high budgets.
Ryan Larkin's 1969 Academy Award nominated National Film Board of Canada short Walking makes creative use of loops. In addition, a promotional music video featuring the Soul Coughing song "Circles" poked fun at animation loops as they are often seen in The Flintstones, in which Fred and Barney, supposedly walking in a house, wonder why they keep passing the same table and vase over and over again.
[edit] Multiplane camera
Main article: Multiplane camera
The multiplane camera is a tool used to add depth to scenes in 2D animated movies, called the multiplane effect. This visual phenomena is also called the parallax process. The art are placed on different layers of glass plates; in this way, realistic backgrounds and foregrounds can be made. The panorama views in Pinocchio are a well known example on how impressive it can appear. Different versions of the camera have been made through time, but the most famous is the one used by the Walt Disney Studio. Another one, called a tabletop, was made by Fleischer Studios. Miniature sets made of paper cutouts were placed in front of the camera, and the cels between them, creating visually realistic scenes. Others who made their own multiplane camera include Ub Iwerks and Don Bluth.
Hand inking
Originally the cels were inked by hand by first laying them over the artists drawings, and then the inkers traced the outlines of the artwork onto the cels, using different colors. With the invention of xerography (below), hand inking was no longer needed, and this was reflected by the animation's visual style.
Xerography
Applied to animation by Ub Iwerks, the electrostatic copying technique called xerography allowed the drawings to be copied directly onto the cels, leaving only the coloring to the inkers. This saved time and money, and it also made it possible to put in more details and to control the size of the xeroxed objects and characters (this replaced the little known, and seldom used, photographic lines technique at Disney, used to reduce the size of animation when needed). At first it resulted in a more sketchy look, but the method was improved later. Instead of using black lines only, cels with lines in different colors were also possible, using colored toner powder.
The xerographic method was first used by Disney in the short film Goliath II, while the first feature using this process was One Hundred and One Dalmatians (1961). The graphic style of this film was strongly influenced by the process. Some hand inking was still used together with xerography in this and subsequent films when distinct colored lines were needed. Later, colored toners became available, and several distinct line colors could be used, even simultaneously. For instance, in The Rescuers the characters outlines are gray. White and blue toners were used for special effects, such as snow and water.
The APT process
Main article: APT process
Invented by David W. Spencer (aka Dave Spencer) for the movie The Black Cauldron, the APT (Animation Photo Transfer) process was a new breakthrough in how to transfer the animators' art onto cels. Compared to Xerography, it looked visually better. Basically, the process was a modification of a repro-photographic process; the artists' work were photographed on high-contrast "litho" film, and the image on the resulting negative was then transferred to a cel covered with a layer of light sensitive dye by making a "sandwich" of the negative and the cel and expose the negative to light. The layer of dye was sandwiched between the other two elements and exposed to the light through the transparent areas of the negative. Because it was actually divided into thinner layers of dye, each in a different color and sensitive to a specific wavelength of light, it was exposed to the relevant wavelengths one at the time. The light caused it to harden and fuse to the surface of the cel, and chemicals were then used to remove the unexposed portion, leaving the drawings in a variety of colors (photo emulsion). Small and delicate details were still inked by hand if needed. Spencer received a Technical award from the Motion Picture Academy for developing this process.
Cel overlay
A cel with inanimate objects made to make the impression of a foreground when laid on top of a ready frame. This creates the illusion of depth, but not as much as a multiplane camera would. A special version of cel overlay is called line overlay, made to complete the background instead of making the foreground, and was invented to deal with the sketchy appearance of xeroxed drawings. The background was first painted as shapes and figures in flat colors, containing rather few details. Next a cel with detailed black lines was laid directly over it, each line drawn to add more information to the underlaying shape or figure, giving the background the complexity it needed. In this way the visual style of the background will match the visual style of the xeroxed parts of the animation. As the xerographic process evolved, line overlay was left behind.
Computers and traditional animation
Though the process described above is the traditional animation process, painted cels are rare as the computer moves into the animation studio, and the outline drawings are as mentioned in most cases scanned into the computer and filled with digital paint instead of transferred to cels and then colored by hand. The drawings are composited in a computer program on many transparent "layers" much the same way as they are with cels, and made into a sequence of images which may then be transferred onto film or converted to a digital video format. It has even become possible for animators to draw directly into a computer using a graphics tablet or a similar device, where the outline drawings are done in a similar manner as they would be on paper. The development of such paperless 2D animation, or "tablet animation", is likely to replace the traditional pencil and paper not too far into the future, as mentioned in this article, just as cels and traditional paint was replaced when digital ink and paint was fully introduced in the 90's. Some of the advantages are the possibility and potential of controlling the size of the drawings while working on them, drawing directly on a multiplane background and eliminating the need of photographing line tests and scanning.
Though traditional animation is now commonly done with computers, it is important to differentiate computer-assisted traditional animation from 3D computer animation, such as Toy Story and ReBoot. However, often traditional animation and 3D computer animation will be used together, as in Don Bluth's Titan A.E. and Disney's Tarzan and Treasure Planet. DreamWorks executive Jeffrey Katzenberg coined the term "tradigital animation" to describe films produced by his studio which incorporated elements of traditional and computer animation equally, such as Spirit: Stallion of the Cimarron and Sinbad: Legend of the Seven Seas.
Interestingly, many modern video games such as Viewtiful Joe, The Legend of Zelda: The Wind Waker and others use "cel-shading" animation filters to make their full 3D animation appear as though it were drawn in a traditional cel style. This technique has recently also been used in the animated movie Appleseed, and was integrated with cel animation in the FOX animated series Futurama.
Rotoscoping
Rotoscoping is a method of traditional animation invented by Max Fleischer in 1915, in which animation is "traced" over actual film footage of actors and scenery. Traditionally, the live action will be printed out frame by frame and registered. Another piece of paper is then placed over the live action printouts and the action is traced frame by frame using a lightbox. The end result still looks hand drawn but the motion will be remarkably lifelike. Waking Life is a full-length, rotoscoped animated movie, as is American Pop by Ralph Bakshi. The popular music video for A-ha's song "Take On Me" also featured rotoscoped animation, along with live action. In most cases, rotoscoping is mainly used as a guide to aid the animation of realistically rendered human beings, as in Snow White and the Seven Dwarfs, Sleeping Beauty, Pocahontas, and Anastasia.
A method that is related to conventional rotoscoping was later invented. If the movie was supposed to contain inanimate objects like a car or a boat, a small live action model of the object(s) was built and painted white, while the edges of the model were painted with thin black lines. In the next stage the object was filmed like it was supposed to move in the animated scene, either by moving the model or filming it while the camera was sweeping over or around it, or using a combination of both. The film frames were then printed on paper, showing a model made up of the painted black lines. After the artists had added details to the object not present in the live action version of the model, it was xeroxed onto cels. (A notable example is Cruella's car in One Hundred and One Dalmatians.) The process of transferring 3D objects to cels was greatly improved when computer graphics advanced enough to allow the creation of three dimensional computer generated objects (wire frame models) that could be manipulated in any way the animators wanted, and then print the outlines on paper before being copied onto cels using Xerography or the APT process. Even if the use of cels has been left by the majority of animators, computer animated objects in traditional animation has come to stay.
Related to rotoscoping are the methods of vectorizing live-action footage, in order to achieve a very graphical look, like in Richard Linklater's film A Scanner Darkly; and motion-capturing actor's movements to use the data in 3D-animation, like in Robert Zemeckis's "Polar Express".
Live-action hybrids
Similar to the computer animation and traditional animation hybrids described above, occasionally a production will marry both live-action and animated footage. The live-action parts of these productions are usually filmed first, the actors pretending that they are interacting with the animated characters, props, or scenery; animation will then be added into the footage later to make it appear as if it has always been there. Like rotoscoping, this method is rarely used, but when it is, it can be done to terrific effect, immersing the audience in a fantasy world where humans and cartoons co-exist. Early examples include the silent Out of the Inkwell (begun in 1919) cartoons by Max Fleischer and Walt Disney's Alice Comedies (begun in 1923). Live-action and animation were later combined to successful effect in features such as The Three Caballeros (1945), Anchors Aweigh (1945), Song of the South (1946), Mary Poppins (1964), Heavy Traffic (1973), Pete's Dragon (1977), Who Framed Roger Rabbit (1988), The Pagemaster (1994) and Space Jam (1996). Other significant live-action hybrids include the music video for Paula Abdul's hit song "Opposites Attract" and numerous television commercials, including those for cereals such as Honey Nut Cheerios, Trix, and Rice Krispies.
Special effects animation
See also: Special effect#Special effects animation
Besides traditional animated characters, objects and backgrounds, many other techniques are used to create special elements such as smoke, lightning and "magic", and to give the animation in general a distinct visual appearance.
Notable examples can be found in movies such as Fantasia, The Little Mermaid and The Secret of NIMH. Today the special effects are mostly done with computers, but earlier they had to be done by hand. To produce these effects, the animators used different techniques, such as drybrush, airbrush, charcoal, grease pencil, backlit animation or, during shooting, the cameraman used multiple exposures with diffusing screens, filters or gels. For instance, the Nutcracker Suite segment in Fantasia has a fairy sequence where stippled cels are used, creating a soft pastel look.
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198, 02:42, 2008-04-17 12:56:57 Description: http://www.microcinemadvd.com "Unlike anything the fashion, art, and creative worlds have ever seen, FLY is a unique, multi-sensory journey into the fashion magazine of the future. FLY’S (More) http://www.microcinemadvd.com "Unlike anything the fashion, art, and creative worlds have ever seen, FLY is a unique, multi-sensory journey into the fashion magazine of the future. FLY’S visionary collection of exclusive short fashion films, interviews, documentaries, and music videos are released on a limited edition DVD with a graphic silkscreen cover printed on recycled handmade packaging. FLY’s contributors are some of the best-established and emerging talent from all creative disciplines—film, fashion, photography, design, art, and music. FLY’s current issue, “What A World, What A World” includes 22 short films with renowned artists such as Alex Cayley, Jamie Isaia, Ghukfvin, Catherine Cushman, Gray Scott, Tiziano Magni, Bruce Gilden, Elliot Erwitt, and Susan Meiselas. This issues features section pays homage to the photo agency Magnum’s 60th Anniversary. Fashion in FLY’s films come from Givenchy, Yohji Yamamoto, YSL, Sonya Rykiel, Junya Watanabe, Rick Owens, Shelly Steffee, Ann Demulemeester, Miu Miu, Kiki De Montparnasse, with music from, Van She, Cut Copy, The Presets, New Young Pony Club, Tiger Sushi and Sir Alice amongst others. Featuring Julia Restoin Roitfeld, Missy Rayder, The Ditmar Triplets, JP and Natasa V. FLY is the first product of its kind: a limited edition, forward-thinking moving magazine, providing a new way to experience and showcase fashion, art, and music. FLY features fashion and art-inspired short films, interviews and documentaries, video installation pieces, digital art, animation, and music videos—created by established and emerging photographers, filmmakers, animators, and artists. FLY 02 categories include Editorials, Features, Music Videos, The Loop EDITORIALS Domestic and hidden curiosities Directed by Cyril Guyot Designer Yves Saint Laurent Featuring Natasa V. America’s fascination with the automobile takes an erotic turn as a housewife leaves her domestic bliss behind to explore her hidden curiosities. The Veil Directed by Catherine Cushman Designer Junya Watanabe Featuring J.P A childhood memory that recalls a mysterious woman dressed in black that wanders the street pushing a baby carriage. The Last Shot Directed by Tiziano Magni Designer Kiki de Montparnasse A woman burns every last remnant of a relationship that has died. I Got Devil Directed by Alex Antich Designer Martin Margiella A dark nightclub dreamscape mixes dancing and delirium in flashes of light that show how stories may lie beneath outward appearances. String Directed by Jamie Isaia Designer Sonia Rykiel Featuring Marina Skopkareva In a lush open field, a woman finds a string. She follows it in a search to see where it will lead. Waves Directed by Alex Cayley Designer Yoji Yamamoto Dancers from The Cedar Lake Dance Company float across the screen as if they were under water. Please Excuse Me For Staring Directed by Stephen Blaise Designer Miu, Miu Featuring Julia Restion Roitfeld & Todd Sines In an exercise in futility, a lonely guy try’s speaking with a young woman eating an egg salad sandwich at a table across from him. A Series of Missed Connections Directed by Noah David Smith Designer Shelly Steffee A mans point of view as he falls in love many times throughout the day. 23.98 Directed by Stephen Blaise Designer Rick Owens A study of unique beauty and clothing filmed at 24 frames per second. Vacuus Numb Directed by Gray Scott Designer Ann Demeulemeester An ominous mysterious interaction between a man, a woman and a television set takes place in a fallout shelter. FEATURES Sleepwalking Through the Mekong Directed by filmmaker John Pirozzi Sleepwalking Through the Mekong follows California based band Dengue Fever on their recent journey to Cambodia to perform classic 60s and 70s Cambodian rock-n-roll in the country where it was created, made popular, and very nearly destroyed. FLY presents an edited short of this documentary Bruce Gilden Photographer Bruce Gilden’s childhood in Brooklyn endowed him with a keen eye for observing urban behaviors and customs. The strong dynamic forms and graphic quality of his images and his unconventional confrontational style distinguish Gilden’s original vision. His work has been shown widely in museums and galleries all over the world. Gilden has received numerous grants and awards for his work including three National Endowments for the Arts fellowships (1980, 1984 and 1992), a Villa Medicis Hors les Murs (1995), New York State Foundation for the Arts Grant (1979, 1992 and 2000), the European Award for Photography (1996) and a Japan Foundation Fellowship (1999). In 1998, Gilden became a member of Magnum. Leaves Leaves is an experimental animation dealing with the cycles of life, technology, and human behavior. Screenings have been presented at MoMa Workspheres, Mori Museum and Virgin Cinemas. This is a short excerpt from this innovative piece. Video Jonathan Turner Music Jack Hazard The Funeral A short film by Patrik Andersson, inspired by his mentor, and his childhood memories growing up in Sweden watching Ingmar Bergman films. Shirin Neshat Through film and still photographs Shirin Neshat tells stories of men and women's positions in the Muslim culture. She explores the distinctive opposites of the culture between man & woman, free & oppressed, tradition & renewal. Much of her work deals with taboo sexuality, sensuality, forbidden attractions and repressed contact between the sexes. She demonstrates the way in which gender is the deciding factor in the individual's social status. Her works concerns itself with women's marginalized position in society. She was awarded a Golden Lion at the Biennale in Venice in 1999, received the ICP Infinity Award for Art in 2002, and was named honorary professor at the Berlin Institute of Arts in 2004. Patch Writer/Director Christopher Romero returns to the short form with a poignant examination of the intersecting lives of strangers, each haunted by an unforgettable trauma. Filmed in and around Woodstock, NY by Frankie DeMarco, Patch stars Melissa Leo, Leo Burmester, and Deborah Harry. Original music by Adrian Romero. MUSIC VIDEOS The Presets - “Are You The One’ (Modular People) The Owl - ‘I Love You But I’ve Chosen Darkness’ Wolfmother - ‘Woman’ (Modular/Interscope Records) Emily Haines - ‘Dr Blind’ (Last Gang Records) Clark - “TED’ (Warp Records) I Love UFO - ‘Like In The Movies’ (Record Makers) The Presets - ‘Girl And The Sea’ (Modular People) THE LOOP The Loop showcases music from the record label Modular People, featuring tracks by: That was just a dream by Cut Copy Saturdays by Cut Copy The Twilight by Cut Copy Forgotten Works by Klaxons Street Juice by MSTRKRFT The Bomb by New Young Pony Club Ice Cream by New Young Pony Club Steamworks by The Presets Down Down Down by The Presets I Go Hard I Go Home by The Presets Are You The One by The Presets Girlkillsbear by Softlightes Woman (MSTRKRFT Remix) by Wolfmother " (Less)
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162, 02:35, 2007-11-15 00:46:18 Description: http://www.mastersofmyspacemarketing.com
Call Me! 517-639-0440 Gregory Drake Skype Me! gdrake07
John Beck's Amazing Profits Official Portal
Pennies On The Dollar Purchase homes all over the (More) http://www.mastersofmyspacemarketing.com
Call Me! 517-639-0440 Gregory Drake Skype Me! gdrake07
John Beck's Amazing Profits Official Portal
Pennies On The Dollar Purchase homes all over the United States and Canada for as little as 2 or 3 cents on the dollar, Free and Clear!John beck's amazing profits open the gateway of getting more bugs
Amazing Profits by John Beck helps you to buy free and clear real estate for just a few pennies on the dollar using tax sale process.INFOMERCIAL SCAMS.COM - AMAZING PROFITS BY JOHN BECK COMPLAINTS
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Channel: youtubeTags: agent amazing and beck broker business clear estate forclosure free home john listing mortgage profits real scam work
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134, 02:10, 2008-10-15 19:40:56 Description: GAYSIL - SINGER, DANCER and CHOREOGRAPHER began her journey into the world of music and dance at an early age of 15. She started her career with plays where she completed a successful tour through (More) GAYSIL - SINGER, DANCER and CHOREOGRAPHER began her journey into the world of music and dance at an early age of 15. She started her career with plays where she completed a successful tour through Europe and the U.S. Gaysil was far too ambitious to hide in the shadows of other peoples glory and strove hard to make a solo career for herself. Gaysil got her first big break as a lead singer in a girl band and released her own hit album in collaboration with BMG Crescendo called SAMBHALKE. Since then, she has utilized her time and resources to formally train in western classical ballet, jazz, tap, salsa, flamenco, contemporary and free dance. In fact, Gaysil is one of the very few qualified ballet performers and choreographers in all of Mumbai. She has recently stepped into the world of film where you can spot her dancing with Hrithik Roshan in KOI MIL GAYA, or starring in an item number with Aftab Shivdasani in the film MUSKAAN, and other films assured of success which are scheduled for release within the next few months. She has appeared in two item songs in the south of India, the movies are 7/G BRINDABAN COLONY (name of song- January madam) and the other song that she has appeared in is the title track of the film PARTY directed by Ravibabu ,the name of the song is kiss me lachmi .She has starred in as well as choreographed Baar Baar Dekho—DJ Amit mix (Times Music), Jhini by Indian Ocean and Yeh Mera Dil by Sanjana. She can be spotted on television ads for companies such as Sansui, Pepsi, Woodland, Palmolive, Timex, Titan and Hero Cycles just to name a few. As a live performer Gaysil ranks second to none as she is a complete live wire on stage full of energy and enthusiasm perfect for any party or high class event, from corporate shows, to product launches, award nights, to club shows, weddings, to fashion events in other words, if you need a talented well-rounded artiste highly adaptable and open to suit your particular needs and wishes, Gaysil is certainly the woman for you!
Since 1998 she is in lime light did great shows with Brithish Airways Silver Linning Show,Golden Tones Concert,Navy Ball ,then Co-cperate Show for Solitaire,Product Launch for the Mercedes S Class,Lakme Fashion Show,Bombay Times Party, many more in 2002,Stardust Award in 2003,Marco RICCI Fashion Show, SANSUI awards,AXN HOT AND WILD contest-The nationally televised AXN search for Indias hottest male and female was held at Mikanos
Fatale Fashion Show,Divas of the silver screen held in Dubai Gladrags megamodel Manhunt,BOMBAY MERI JAAN FCUK Designer Launch High-profile show, held in Dubai ,SOCIETY AWARDS---Nationally televised show sponsored by Marco Ricci and Metro Shoes, HEAD AND SHOULDERS(P&G) Show, HONDA SHOW-------- choreographed by Gaysil. Launch of TOMMY HILFIGER PERFUME-----This event was for the launch of tommy Hilfiger mens perfume called true star. This event was held at the Taj hotel in 2005.Gabrielle diamonds fashion show in 2006. Her graph is increasing year after year adding great shows in her profile.
H.S.Communication (Less)
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142, 02:24, 2008-02-10 21:09:02 Description: jailbaitcyclesandrods.com
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109, 02:28, 2007-11-14 14:05:19 Description: Meet the young inhabitants of a web cam-outfitted house who approach sex as an opportunity to make money so they can pursue their own dreams. This titillating trip to Chi Chi LaRue's Live & (More) Meet the young inhabitants of a web cam-outfitted house who approach sex as an opportunity to make money so they can pursue their own dreams. This titillating trip to Chi Chi LaRue's Live & Raw Hotel is very hot, but a tad of a downer as the performers reveal a bit more than just their penises.
There's also quite a bit of footage from the bareback porn company Hot Desert Knights. These scenes are pretty damned shocking and expose a lot more than their participant's cocks. The owner of Hot Desert Knights passionately explains his reasons for making condom-free porn. Exploring the dreams, disappointments and reality of the gay adult industry with insight and humor, Cycles of Porn will certainly be one of the most widely discussed and controversial films of the year.
Check out the DVD: http://www.tlavideo.com/buy-relUtube (Less)
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107, 02:14, 2007-08-10 11:17:55 Description: visit http://www.carolinalugo.com for performance dates, booking, class,and workshop.Video produed by Richard Tonkin
Carolina Lugo's Brisas de España Flamenco Dance Company with Carolina (More) visit http://www.carolinalugo.com for performance dates, booking, class,and workshop.Video produed by Richard Tonkin
Carolina Lugo's Brisas de España Flamenco Dance Company with Carolina Lugo, Singer Jesus Montoya, Guitarist Gino D'Auri, and Dancer Carole A.
Dean Lesher Regional Center, Walnut Creek, CA, USA
Carolina Lugo invited an international cast of artists to take her audience on a journey of timeless travel to Spain for a night of love, high energy and passion, to celebrate the Brisas de España Flamenco Dance Company 8th Concert Season. The traditions of Spanish and Flamenco dance, song and music are deeply rooted in families, passed from one generation to the next. This year she is proud to present "Sonidos de dos Familias". Carolina and her daughter Carolé A. with their rich history of performing Flamenco and Classical Spanish dance to sold out audiences,
"It is when Lugo and her daughter Carolé dance together that the women unearth a new dimension in dance, prompting a dialogue with the audience about beauty, life cycles, love and death." -Ann Murphy, Oakland Tribune.
Carolina Lugo is a gifted performer and an award winning choreographer. She has danced and toured throughout the United Stares and internationally with such notable companies as the Lola Montes Spanish Dance Company, Luisa Triana Flamenco Dance Company, Jose Greco and Rosa Montoya Bailes Flamencos as well as with many leading Flamenco artists from Spain and America including Genaro Gomez, Cruz Luna, Teodoro Morca , Benito Palacios, Manuel Betanzos, Concha Vargas, Antonio Vargas and Pepa Montes. She first performed with Los Angeles Philharmonic for multiple seasons at the Hollywood Bowl and was a featured soloist with the Los Angeles Opera in their productions of "Carmen" and "La Traviata" at the Dorothy Chandler Pavilion. Carolina's Flamenco Ballets to the music of leading Spanish composers of the 20th Century have been presented symphonies to critical acclaim and sold out audiences.Most recently she has ollaborated with Conductor Barry Jekowsky and the California Symphony, Joyce Johnson-Hamilton and the Diablo Symphony, Conductor Mitchell Sardou-Klein and the Peninsula Symphony, Allan Pollack and the Mendocino World Music Festival and the Sacramento Camellia Symphony, Golden Gate Opera Conducted by Geoffrey Gallegos and stage directed by Edna Garabedian, Managing Director of California Opera Ass., and in China with the Hangzhou Opera Company.
Carolé A. (Principal Dancer) is a gifted artist and accomplished performer. She is the daughter of Ms. Lugo and a fifth generation dancer in her family. She began her training in Flamenco at the age of 11 with Rosa Montoya, Carolina Lugo, Manuel Betanzos, José Galvan, Omayra Amaya, Concha Vargas, Antonio Vargas and in Spanish, Classical and Regional Dance with Ms. Lugo. She is one of the most prominent young Flamenco and Spanish dance artists on the West Coast. At 15 years old, she made her professional debut with Rosa Montoya's Bailes Flamencos Dance Company. She performs regularly with Brisas de España as a Principal Dancer as a soloist. She is thoroughly trained in Ballet and Modern Dance. She resently returned from Spain, where she studied with renowned Pepa Montes..
To take this journey, Carolina has invited one of Spain's Best Singers Jesus Montoya, to appear with her and the Company. He was born in Seville, Spain into a Gypsy family steeped in Flamenco tradition. His energetic stage presence and unforgettable voice have earned him the name "El Genio Gitano" (The Gypsy Dynamo). The Los Angeles Times goes even further by declaring him the, "Pavarotti of Flamenco." He also appeared with Jose Greco, Maria Benitez, La Tania, Yaelisa & Caminos Flamencos with Jason McGuire , Susana DiPalma & Zorongo Flamenco, Carmen Remero, Esmeralda Enriquez, Cachy Del Sol, Juan Talavera, Adam Del Monte, Rosario Ancer ,Victor Kolstee, Fernanda Remero, Isabel Vargas, Andres Marin, Pepe Rios, La Cipri & Manuela Salazar, Carmen De Torres, Jaun Ogalla, Alejandro Granados, Isabel Lopez, Ciro, Juaquin Ruiz, Estrella Morena, La Trucco, and Carmela Greco.
He was also joined by the legendary Gypsy Guitarist, Gino D'Auri. He was born in Rome and has toured the World many times with Jose Greco as well as appearing on the Tonight Show with Johnny Carson. Gino like Carolina was trained in Flamenco and Classical music and plays in a style that moves the heart and cuts to the very soul of the music. He has recorded several CD for Hearts of Space.
also pictured Antonio Vargas,Corazon Bebe, Devon La Russa,Roberto Aguilar, Nicoletta de León,Roberto Zamora,Marco Salcedo,Juan del Valle,Jorge Liceaga,Susana Mendieta
My favorite artist are Sara Baras, Antonio Gades,Carmen Amaya, Paco Pena and Paco de
Lucia. I love the films of Carlos Saura.
Next Performance: Maria Maria, Walnut Creek owned by Carlos Santana (Less)
Channel: youtubeTags: Carole Chronicle ContraCosta D'Auri dance Flamenco Gino Guitarist Jesus latina Montoya Spanish
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98, 04:05, 2008-04-21 16:57:14 Description: Colo, the world's first gorilla born in captivity, is the first gorilla shown in this video. She was born in 1956 and is the second oldest known gorilla in the world. (The oldest is Jenny, in the (More) Colo, the world's first gorilla born in captivity, is the first gorilla shown in this video. She was born in 1956 and is the second oldest known gorilla in the world. (The oldest is Jenny, in the Dallas Zoo). Colo is noted for the heart-shaped brow ridge above her eyes (She is not the gorilla shown in the still picture for this video). (Mumba, a wild born silverback male 1865, is the one with his lower lip hung open.) Colo has left many descendants including grandchildren Mac, Jumoke, Nik, & Cassie, and great grandmother of Jontu and Muchana. Colo was born on December 22, 1956 at the Columbus Zoo & Aquarium. She is a Western lowland gorilla, who was born to Millie (also known as Christina) and Baron Macombo (Mac for short) who were captured by "Gorilla Bill" Said, of Bexley, Ohio, in the area of Africa then known as French Cameroon. Millie and Mac arrived in New York on December 22, 1950, during a snowstorm and had no planned destination!! Mr. Said, called a friend, Columbus Zoo Superintendent Earl Davis, who agreed to take the gorillas in the emergency. Colo weighed just 3.75 lbs. and measured only 15 inches long, but she had a profound affect on world. Her birth allowed the Columbus Zoo to demonstrate that gorillas could have babies in captivity and also to contribute the information that Millie's gestation period was about 250 days-an important fact at a time when little was known about gorillas. Colo is an amazing world record holder for many additional reasons. Colo gave birth to Emmy, the first second-generation gorilla born in captivity and became a grandmother when Cora, the first third-generation gorilla, was captive born. In addition, for ten years, Colo's grandsons, Mosuba and Macombo II, were the only gorilla twins born in the western hemisphere! Colo is also the great grandmother of Timu, the first surviving gorilla conceived by artificial insemination. Because of Colo, the Columbus Zoo is recognized worldwide as a leader in gorilla breeding, care, habitat, and conservation. It also is one of the zoos that led the way in creating enclosures that simulate a gorilla's natural environment, allowing them to live more fulfilling lives and enlarging human understanding of their intelligence and gentle dispositions. At a time when gorilla populations in the wild are severely threatened, around 30 gorillas have been born at the Columbus Zoo. Colo will probably have no more offspring, because she is on birth control. Some national study results have confirmed that some older gorilla females have gone through menopause, much as people do. These studies also suggest that gorillas experience perimenopause, a stage in human females during which reproductive cycles become more erratic as menopause approaches. However, to be on the safe side, she is on birth control. Another Columbus Zoo gorilla discussed in this video is Sunshine, a huge male who once resided here and also left offspring. Sunshine, who weighs around 600 lbs. and stands at 6 feet 3 inches tall, is a giant. **The gorilla (gorilla gorilla) is the largest of all living primates. These African apes are divided into two species and 4 or 5 subspecies. Their DNA is 97-98% identical to that of humans and they are considered the next closest relative after the chimpanzee. Gorillas can be over 6 feet tall and weight over 500 lbs. They are highly intelligent. Some such as Koko have been taught a subset of sign language. They use tools for a number of purposes. APE VIDEOS: GIANT CHIMPANZEE, HUMAN-SIZED, MYSTERIOUS NEW SPECIES PART 1 http://www.youtube.com/watch?v=4riL1EPv2VA GIANT CHIMPANZEE, HUMAN-SIZED, MYSTERIOUS NEW SPECIES PART 3 http://www.youtube.com/watch?v=ILo8EYeqqlI GIANT CHIMPANZEE, HUMAN-SIZED, MYSTERIOUS NEW SPECIES PART 2 http://www.youtube.com/watch?v=pSAgQfhyd9A GORILLA ATTACKS - PUSHES FRIEND IN WATER http://www.youtube.com/watch?v=a6ZrOjNOaBw BONOBO RECOGNIZES HERSELF IN CAMERA VIEWER http://www.youtube.com/watch?v=JoKiTs67J4k Bonobo-A Greeting From A Rare, Endangered, Human-Like Ape http://www.youtube.com/watch?v=QXGz-aSjbI0 Bonobo Display-Male bonobo, the peaceful ape displays http://www.youtube.com/watch?v=IYWADWoX8nA Bonobo closest species to human walk upright "wear clothes" http://www.youtube.com/watch?v=pJom0P5yALQ World's Largest Chimpanzee http://www.youtube.com/watch?v=moT83Zw30mA WORLD'S FIRST GORILLA BORN IN CAPTIVITY http://www.youtube.com/watch?v=u2m9bRUmDwc Ape vs. Monkey http://www.youtube.com/watch?v=Tq48Vxnuv44 GORILLA PLAY "ATTACKS" JACK HANNA, ZOO DIRECTOR EMERITUS http://www.youtube.com/watch?v=rzGE8LfiPlU WORLD'S FIRST GORILLA MATING FACE TO FACE VIEW http://www.youtube.com/watch?v=FYrLC7m_ya4 Bonobo Mating Activity Face-to-face http://www.youtube.com/watch?v=s7YqaqjR1zY CHIMPANZEES CAN READ AND WRITE http://www.youtube.com/watch?v=266FV--FmGo Chimpanzee, Bonobo, Orangutan, Gorilla, Siaman-The Great Ape http://www.youtube.com/watch?v=FxXDEsAm6sk (Less)
Channel: youtubeTags: amazing animal ape born captivity chimp Colo first gorilla holder huge largest monster orangutan primate record World's
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101, 02:40, 2009-07-12 16:35:14 Description: A PAP smear is a screening test for cervical cancer that can be performed by a primary care physician, health professional or gynecologist. Learn about how often a woman should get a PAP smear with (More) A PAP smear is a screening test for cervical cancer that can be performed by a primary care physician, health professional or gynecologist. Learn about how often a woman should get a PAP smear with help from an OB/GYN in this free video on women's health. Expert: Raeph Laughingwell Contact: www.womancareobgynma.com/ Bio: Dr. Raeph Laughingwell earned his medical degree at the University of Medicine and Dentistry of New Jersey and the New Jersey Medical School. Filmmaker: Christian Munoz-Donoso... (Less)
Channel: youtubeTags: women's health ob/gyn obgyn ob-gyn obstetrics and gynecology gynecologist menstrual cycles periods menopause bleeding pregnancy pregnant ovulation pap smear cramps
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95, 04:05, 2008-02-05 08:40:18 Description: Colo, the world's first gorilla born in captivity, is the first gorilla shown in this video. She was born in 1956 and is the second oldest known gorilla in the world. (The oldest is Jenny, in the (More) Colo, the world's first gorilla born in captivity, is the first gorilla shown in this video. She was born in 1956 and is the second oldest known gorilla in the world. (The oldest is Jenny, in the Dallas Zoo). Colo is noted for the heart-shaped brow ridge above her eyes (She is not the gorilla shown in the still picture for this video). (Mumba, a wild born silverback male 1865, is the one with his lower lip hung open.)
Colo has left many descendants including grandchildren Mac, Jumoke, Nik, & Cassie, and great grandmother of Jontu and Muchana.
Colo was born on December 22, 1956 at the Columbus Zoo & Aquarium. She is a Western lowland gorilla, who was born to Millie (also known as Christina) and Baron Macombo (Mac for short) who were captured by "Gorilla Bill" Said, of Bexley, Ohio, in the area of Africa then known as French Cameroon. Millie and Mac arrived in New York on December 22, 1950, during a snowstorm and had no planned destination!! Mr. Said, called a friend, Columbus Zoo Superintendent Earl Davis, who agreed to take the gorillas in the emergency.
Colo weighed just 3.75 lbs. and measured only 15 inches long, but she had a profound affect on world. Her birth allowed the Columbus Zoo to demonstrate that gorillas could have babies in captivity and also to contribute the information that Millie's gestation period was about 250 days-an important fact at a time when little was known about gorillas.
Colo is an amazing world record holder for many additional reasons. Colo gave birth to Emmy, the first second-generation gorilla born in captivity and became a grandmother when Cora, the first third-generation gorilla, was captive born. In addition, for ten years, Colo's grandsons, Mosuba and Macombo II, were the only gorilla twins born in the western hemisphere! Colo is also the great grandmother of Timu, the first surviving gorilla conceived by artificial insemination.
Because of Colo, the Columbus Zoo is recognized worldwide as a leader in gorilla breeding, care, habitat, and conservation. It also is one of the zoos that led the way in creating enclosures that simulate a gorilla's natural environment, allowing them to live more fulfilling lives and enlarging human understanding of their intelligence and gentle dispositions. At a time when gorilla populations in the wild are severely threatened, around 30 gorillas have been born at the Columbus Zoo.
Colo will probably have no more offspring, because she is on birth control. Some national study results have confirmed that some older gorilla females have gone through menopause, much as people do. These studies also suggest that gorillas experience perimenopause, a stage in human females during which reproductive cycles become more erratic as menopause approaches. However, to be on the safe side, she is on birth control.
Another Columbus Zoo gorilla discussed in this video is Sunshine, a huge male who once resided here and also left offspring. Sunshine, who weighs around 600 lbs. and stands at 6 feet 3 inches tall, is a giant.
**The gorilla (gorilla gorilla) is the largest of all living primates. These African apes are divided into two species and 4 or 5 subspecies. Their DNA is 97-98% identical to that of humans and they are considered the next closest relative after the chimpanzee. Gorillas can be over 6 feet tall and weight over 500 lbs. They are highly intelligent. Some such as Koko have been taught a subset of sign language. They use tools for a number of purposes.
APE VIDEOS:
GIANT CHIMPANZEE, HUMAN-SIZED, MYSTERIOUS NEW SPECIES PART 1
http://www.youtube.com/watch?v=4riL1EPv2VA
GIANT CHIMPANZEE, HUMAN-SIZED, MYSTERIOUS NEW SPECIES PART 3
http://www.youtube.com/watch?v=ILo8EYeqqlI
GIANT CHIMPANZEE, HUMAN-SIZED, MYSTERIOUS NEW SPECIES PART 2
http://www.youtube.com/watch?v=pSAgQfhyd9A
GORILLA ATTACKS - PUSHES FRIEND IN WATER
http://www.youtube.com/watch?v=a6ZrOjNOaBw
BONOBO RECOGNIZES HERSELF IN CAMERA VIEWER
http://www.youtube.com/watch?v=JoKiTs67J4k
Bonobo-A Greeting From A Rare, Endangered, Human-Like Ape
http://www.youtube.com/watch?v=QXGz-aSjbI0
Bonobo Display-Male bonobo, the peaceful ape displays
http://www.youtube.com/watch?v=IYWADWoX8nA
Bonobo closest species to human walk upright "wear clothes"
http://www.youtube.com/watch?v=pJom0P5yALQ
World's Largest Chimpanzee
http://www.youtube.com/watch?v=moT83Zw30mA
WORLD'S FIRST GORILLA BORN IN CAPTIVITY
http://www.youtube.com/watch?v=u2m9bRUmDwc
Ape vs. Monkey
http://www.youtube.com/watch?v=Tq48Vxnuv44
GORILLA PLAY "ATTACKS" JACK HANNA, ZOO DIRECTOR EMERITUS
http://www.youtube.com/watch?v=rzGE8LfiPlU
WORLD'S FIRST GORILLA MATING FACE TO FACE VIEW
http://www.youtube.com/watch?v=FYrLC7m_ya4
Bonobo Mating Activity Face-to-face
http://www.youtube.com/watch?v=s7YqaqjR1zY
CHIMPANZEES CAN READ AND WRITE
http://www.youtube.com/watch?v=266FV--FmGo
Chimpanzee, Bonobo, Orangutan, Gorilla, Siaman-The Great Ape
http://www.youtube.com/watch?v=FxXDEsAm6sk (Less)
Channel: youtubeTags: amazing animal ape born captivity chimp Colo first gorilla holder huge largest monster orangutan primate record World's
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85, 06:41, 2007-08-08 05:54:51 Description: join the forum at http://www.desteni.co.za for discussions on desteniproduction desteniproductions desteny destiny destani destini desteniproducers destined desteni portal drugs, marijuana, cocoaine, (More) join the forum at http://www.desteni.co.za for discussions on desteniproduction desteniproductions desteny destiny destani destini desteniproducers destined desteni portal drugs, marijuana, cocoaine, poppies, addictions, addicts, rehabilitation, rehab, facing self, substance abuse, substituting self, terence mckenna, joints, boom, smoke, life, transcendence , transcendental, feelings, emotions, mind, mind consciousness system, systems, MCS, truth, desteni, self forgiveness, self honesty, oneness, equality, portal, unified field, interdimensional portal, drugtrade, addicted, common sense, sloshed, high, enlightened self interest, enlightenenment, soul, now, power, lost, vioces, geometry, sacred, indigo, ritilin, kryon, pain, silence, gold, golden age, golden era, endtimes, endgame, game of life, searching, seeking, questions, yahoo, google, you tube, veoh , videos, video, blog, vlog, winged, channel, psychic, prophecy, prophetic, attainment, deception, delusion, love, god, spiritual, hell, armageddon, nuclear, war, revelations, bible, junkie, sex, sexual, excuse , guidance, help, nwo, new world order, national, psyche, secret, the secret, key, homeless, children, prostitute, jesus camps, hand shake, agreement, contract, divine, divinity, ron paul, george bush maturbate masturbation system abusers I eye governments lightworkers elite lite atheist satan christianity fascism 911 regime mind consciousness system mcs water movie success fame movies famous research sumeria reptilian annunaki reptiles sirian pleiadians andromedans new agers meditation time timetravel , demons , jinn, ghosts , demonic possession atomic atom split flame ignite recognized signature danger entry singularity unification galaxy universe universal point human being presence present power of now savior saviour global warming courage anime animal animals bible koran gita atheism spiritism golden dawn mindmatter particle bbc national geographic cnn fox news nwo own water emoto indigo crystal rainbow children bloodlines icke 2012 mayan calender indigenous people archangel salamat namaste galactic federation sumeria sumerian civilization civilians cycles cropcircles madness crawl bot embed (Less)
Channel: youtubeTags: categories celeb celebrity conspiracy fame famous films marilyn marilynmonroe monroe mysterious ratings sexy star you
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71, 05:03, 2008-10-26 06:23:17 Description: Harivarasanam Vishwamohanam
Haridadhiswaram Aaradhyapadhukam
Arivimardhanam Nithyanarthanam
Hariharatmajam Devamashreye
I worship the one who is seated on a throne befitting a king - the one who (More) Harivarasanam Vishwamohanam
Haridadhiswaram Aaradhyapadhukam
Arivimardhanam Nithyanarthanam
Hariharatmajam Devamashreye
I worship the one who is seated on a throne befitting a king - the one who captivates the world.The queller of enemies and the one who dances the eternal dance.I worship that God - the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa
Sharanam Ayyappa Swamy sharanam Ayyappa
Saranakirtanam Shakhtamanasam
Bharanalolupam Narthanalasam
Arunabhasuram Bhoothanayakam
Hariharatmajam Devamashreye
The one who is worshipped by the sharana goshas and who recharges the butter-like minds of devotees. The one who is captivatingly decorated.The one who likes the beautiful dance.The Lord of the bhoothas (elements/aspects of terrestrial nature) who is of the radiant hue of the dawn.I worship that God - the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa
Sharanam Ayyappa Swamy sharanam Ayyappa
Pranayasathyakam Praananayakam
Pranathakalpakam Suprabhanjitham
Pranavamanidram Keerthanapriyam
Hariharatmajam Devamashreye
The one who is the very truth. The one dear to the life..The one who created the universe. The one fond of keertanas The very form of the pranava mantra or Aumkara.
I worship that God - the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa
Sharanam Ayyappa Swamy sharanam Ayyappa
Thuragavahanam Sundarananam
Varagadhayudham Vedavavarnitham
Gurukrupakaram Keerthanapriyam
Hariharatmajam Devamashreye
The one who rides on a horse. The one who has a beautiful face.The one who has the revered gadhayudha (mace). The one whose darshan is wonderful & to whom Vedas sing praises. The one who is the compassionate guru (beloved as Guru & beloved to his own Guru too .... who showered his mercy on his Guru's son) and the one fond of his praises being sung. I worship that God - The queller of enemies and the one who dances the eternal dance.- the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa
Sharanam Ayyappa Swamy sharanam Ayyappa
Tribuvanarchitam Devathathmakam
Trinayanam Prabhum Divyadeshikam
Tridashapoojitham Chinthithapradam
Hariharatmajam Devamashreye
The one worshipped by all the 3 worlds.The soul of all divinities. The one who pure son of the threeeyed Lord Shiva.The one worshipped by the devas.The one who grants wishes & who is absorbed in the welfare (thought) of his dependants. I worship that God - The queller of enemies and the one who dances the eternal dance.- the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa
Sharanam Ayyappa Swamy sharanam Ayyappa
Bhavabhayapaham Bhavukavaham
Bhuvanamohanam Bhoothibhooshanam
Dhavalavahanam Divyavaranam
Hariharatmajam Devamashreye
The one who removes the fear of the cycles of births and deaths. The one that carries or brings happiness. The captivator of the worlds (as he born of Vishwa Mohini, Sriman Narayana himself).The one who is one decked in vibhuti and has a white elephant for a vehicle.I worship that God - The queller of enemies and the one who dances the eternal dance.- the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa
Sharanam Ayyappa Swamy sharanam Ayyappa
Kalamrudusmitham Sundarananam
Kalabhakomalam Gathramohanam
Kalabhakesari Vajivahanam
Hariharatmajam Devamashreye
The one who is enchantingly handsome. The one who has a smile on his beautiful face. The one who is softer than the softest (..as Kalabham..) & is highly attracted by chants/hymns. The one who rode on a tiger as the king of gods. I worship that God - The queller of enemies and the one who dances the eternal dance- the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa
Sharanam Ayyappa Swamy sharanam Ayyappa
Srithajanapriyam Chinthithapradam
Sruthivibhushanam Sadhujeevanam
Sruthimanoharam Geethalalasam
Hariharatmajam Devamashreye
The one who is dear to his devotees.The one who bestows all desires. The one praised in the vedas and one who bestows life to ascetics. The captivating one who is fond of music. I worship that God - The queller of enemies and the one who dances the eternal dance.- the son of Hari and Hara, who is my sole shelter.
Sharanam Ayyappa Swamy sharanam Ayyappa Sharanam Ayyappa Swamy sharanam Ayyappa (Less)
Channel: youtube Rate it: Rate:
78, 03:23, 2009-04-03 19:41:42 Description: I POST THESE FOR YOUR ENTERTAINMENT AND NOT TO MAKE A PROFIT..IF THE BAND FINDS THIS OFFENSIVE IN ANYWAY I'LL DELETE IT THIS COMES FROM THEIR CD AND WASN'T ILLEGALLY DOWNLOADED =) (More) I POST THESE FOR YOUR ENTERTAINMENT AND NOT TO MAKE A PROFIT..IF THE BAND FINDS THIS OFFENSIVE IN ANYWAY I'LL DELETE IT THIS COMES FROM THEIR CD AND WASN'T ILLEGALLY DOWNLOADED =) http://www.darklyrics.com/r/rottensou... (Less)
Channel: youtube Rate it: Rate:
68, 03:17, 2008-04-02 15:04:13 Description: Ducati 750 SS 2000 model Race Ready 3900 miles $4200 Honda CBR 600 F4 1999 model 10,000 miles $3,700 2007 Suzuki SV 650 4200 miles $5700 2000 Yamaha R6 10,000 miles $4,600 For any more info. Co
Channel: youtubeTags: Ducati 750 SS Honda CBR 600 F4 Yamaha R6 Suzuki SV 650 Race Ready Track bike Street motorcycle Sport MSP Cycles Fast
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