Search results for Pettus
125, 
09:32, 
2008-04-22 11:06:35 Description: Some of my precious and beloved 80's funk records spinning on the turntable. For more information visit: www.danceclassics.net A selection of classic artists: 16K 1st light 52nd Street Taste (More) Some of my precious and beloved 80's funk records spinning on the turntable. For more information visit: www.danceclassics.net A selection of classic artists: 16K 1st light 52nd Street Taste of Honey The Affair Afterbach Gerald Albright Aleem Donna Allen Carl Anderson Robin Angel CJ Anthony Armenta Atlantic Starr Attitude Aurra Instant Funk Patty Austin B.B. and Q Band B.T. Express Bar-Kays Walter Beasley Belle Regina George Benson Bloodstone Peggi Blu Blue Magic Blue Moderne Brass Construction Robert Brookins Isley Brothers Bobby Broom Tyrone Brunson Janice Bulluck Jenny Burton General Caine Rafael Cameron Pauli Carman Skyy Cashflow Central Line Change Champaign Alexander 0'Neal Cherrelle Oliver Cheatham The Chi-lites Chocolate Milk Gavin Christopher Will Clayton Angela Clemmons Club Nouveau Willie Collins Con Funk Shun Connie Controllers The Cool Notes Dayton Cliff Dawson Deco Delegation Desi Delegation Will Downing Lamont Dozier George Duke Gene Dunlap Dunn & Bruce Street Dynasty Ebonee Webb Narada Michael Walden Lance Ellington Enchantment Fatback FireFox Full Circle Janet Jackson First Love Pennye Ford Ian Foster Rosie Gaines Glass Bobby Glover Eleanor Goodman Bily Griffin Gwen Guthrie Curtis Hairston Randy Hall Paul Hardcastle Isaac Hayes Jellybean Michael Henderson Howard Hewett Hi Gloss High Fashion Thelma Houston George Howard Ingram George Duke Stanley Clarke Inner Life Freddie Jackson The Jammers Jellybean Genobia Jeter Howard Johnson Marcia Johnson Orlando Johnson Aretha Franklin France Joli Jones Girls Glenn Jones Juicy Kashif Evelyn King Lew Kirton Kleeer Klique Jerry Knight Krystol Lace Loose Ends Jeff Lorber Dennis Edwards Mike Francis Cheryl Lynn Magnum Force Marz Mason Maurice Massiah Janice McClain Ronnie McNeir Harold Melvin Midnight Star Marcus Miller Stephanie Mills Firefly Modernique Melba Moore Meli'sa Morgan Mtume M-Zee Band Network New Horizons Newcleus Norwood Bobby Nunn Brothers Johnson O'Bryan Raydio One Way Jeffrey Osborne Ray Parker jr Keith Patrick Carol Douglas Nia Peeples Giorge Pettus Platinum Hook Plush Gap Band Imagination Graham Central Station Serge Ponsar RJ's Latest Arrival Radiant Indeep The Reddings Rene & Angela Revelation L.J. Reynolds Rhyze Ritchie Family Ozone Sugarhill Gang Rochelle Rockie Robbins Bert Robinson James Robinson Rocket Rose Brothers Rose Royce Patrice Rushen S.O.S Band Grandmaster Flash Second Image Shakatak Shannon Sherrick Shock Sho-Nuff Alfie Silas Skwares Earth Wind & Fire Richard Jon Smith Rozlyn Sorrell Phyllis St. James St. Paul Starpoint The Stylistics Sunfire Sunrize Surface Dazz Band Mike & Brenda Sutton Keith Sweat The System Tavares Kool & The Gang Gary Taylor T-Connection Lillo Thomas Fonzi Thornton Linda Lewis Sheena Easton Full Force Thunderflash Total Contrast Tramaine Trilark Twin Image Unlimited Touch Luther Vandross Michael Jackson Warp 9 Brandi Wells Audrey Wheeler The Whispers John White Lenny White Karyn White Eugene Wilde Beau Williams D-train Rick James Vesta Williams Precious Wilson Nona Hendryx Angela Winbush Michael Wycoff Xavier Val Young Sharon Redd Michael Zager Zoom Ze-brass Classic DJ's & remixers: Barry Lederer Bert Bevans Bobby Viteritti Denniz PoP Dimitri from Paris Frankie Knuckles Freddie Wilson Jellybean Jim Burgess Joey Negro John Ceglia John Luongo John Morales Larry Levan Lizzz Kritzer Nicky Siano Richie Kaczor Sharon White Tom Moulton Wendy Hunt (Less)
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32, 05:18, 2007-08-25 16:02:43 Description: From Kashif's Second Album "Send Me Your Love" featuring LALA.
__________
Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn (More) From Kashif's Second Album "Send Me Your Love" featuring LALA.
__________
Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick.
Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog.
Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group.
After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work.
Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You."
Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively.
Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song."
Source allmusicguide
________ (Less)
Channel: youtubeTags: 80's FreddieJackson Kashif LilloThomas Me'lisa Melba Moore Morgan PaulLaurence Soul WhitneyHouston
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23, 04:39, 2007-08-09 13:55:36 Description: 'Help yourself to my love'
from Kashif's selftitled debutalbum 'Kashif' 1983
____
Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (More) 'Help yourself to my love'
from Kashif's selftitled debutalbum 'Kashif' 1983
____
Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick.
Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog.
Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group.
After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work.
Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You."
Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively.
Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song."
___Source allmusicguide
in 2004 Kashif released a Double CD
"Music from my mind' which included new material
and his whole debut album "Kashif" 1983 as well (Less)
Channel: youtubeTags: 80's Kashif KennyG LilloThomas M Me'lisaMorgan MelbaMoore Mighty PaulLaurence Soul WhitneyHouston
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27, 05:43, 2007-08-09 14:18:04 Description: Kashif's Splendid Debutsingle
from his selftitled debutalbum "Kashif"
____
Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn (More) Kashif's Splendid Debutsingle
from his selftitled debutalbum "Kashif"
____
Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick.
Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog.
Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group.
After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work.
Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You."
Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively.
Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song."
___Source allmusicguide
in 2004 Kashif released a Double CD
"Music from my mind' which included new material
and his whole debut album "Kashif" 1983 as well (Less)
Channel: youtubeTags: 80's Kashif KennyG LilloThomas M Me'lisaMorgan MelbaMoore Mighty PaulLaurence Soul WhitneyHouston
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![Edmund Pettus Bridge [How Long, Not Long]](http://img.youtube.com/vi/_2fsdEa1Dcg/2.jpg "Edmund Pettus Bridge [How Long, Not Long]")
19, 06:33, 2008-03-10 20:03:38 Description: Last year, Will King entered the studio with drummer/percussionist Aaron Comess [The Spin Doctors] to record Edmund Pettus Bridge [How Long, Not Long], a song derived from a recent Civil Rights quest (More) Last year, Will King entered the studio with drummer/percussionist Aaron Comess [The Spin Doctors] to record Edmund Pettus Bridge [How Long, Not Long], a song derived from a recent Civil Rights quest which he took through the Deep South.
The journey took him from Atlanta to Montgomery to Selma to Birmingham as well as interesting points in-between. The song, which tells the story of "Bloody Sunday" and the plight leading to the passage of Voting Rights Act of 1965, will be used as a fundraiser for the Rosa and Raymond Parks Institute for Self Development Pathways to Freedom program.
If you would like to donate funds to support recording & distribution costs of the forthcoming CD, please email: wbradking [at] hotmail.com
As you listen to the song, please read along with the lyrics. AFTER listening, we encourage you to research each individual mentioned in this song as they played a crucial role in the freedoms we enjoy to this day.
Edmund Pettus Bridge [How Long, Not Long]
Words and Music by Will King. All Rights Reserved.
Will King-guitars/vocals; Aaron Comess--drums/percussion
Recorded at 20/20 Music--engineer--Saul Zonana
Fifty-four miles and forty-two years from Montgomery
Edmund Pettus Bridge still stands
What happened on that Bloody Sunday
Makes me question just who I am
I don't give an Alabama Goddamn
Until you accept me for who I am
Thousands of marching feet
Governor Wallace tells his smiling men "Go hit Selma's streets"
Billy clubbing and tear gassing their honest dreams
Spider Martin's lens fills with triumph and defeat
I don't give an Alabama Goddamn
Until you accept me for who I am
John Lewis, Hosea Williams would not accept defeat
A second and third march would happen within weeks
Not before Amelia Boyton Robinson and others were beat
Bloody Sunday washed through all of America's streets
JoAnne Bland's sister cried red blood tears
Mr. James Reeb beat in front of the Silver Moon Café
Two days later he died
Jimmie Lee Jackson, Jimmie Lee Jackson, Jimmie Lee Jackson was shot dead
For protecting his Ma; for protecting his Grandpa
They did not die in vain
I don't give an Alabama Goddamn
Until you accept me for who I am
Ralph Abernathy, Rosa Parks, Johnnie Carr and Dr. King
Joined together with so many others in this dream
Educate, vote protect your civil rights
Peaceful protest is the only plight
They marched four days from Selma To Montgomery's Capitol Hill
Stars for Freedom played
The nation was listening
The world woke up
President Johnson readied his legislative pen
Then Dr. King he stood up
Yes, Dr. King he stood up
Dr. King said:
How long, not long
How long, not long
How long, not long
Until we're free
How long, not long
How long, not long
How long, not long
Until we're free
How long, not long
How long, not long
How long, not long
Until we're free
Fifty-four miles and forty-two years from Montgomery
Edmund Pettus Bridge still stands
visit www.willkingmusic.com/pathwaystofreedom (Less)
Channel: youtubeTags: Bridge Civil Edmund freedom John King Lewis Luther Martin Parks Pettus Rights Rosa Selma Spider Voting Will
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16, 05:43, 2008-04-21 16:17:56 Description: Kashif's Splendid Debutsingle from his selftitled debutalbum "Kashif" ____ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn (More) Kashif's Splendid Debutsingle from his selftitled debutalbum "Kashif" ____ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick. Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog. Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group. After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work. Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You." Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively. Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song." ___Source allmusicguide in 2004 Kashif released a Double CD "Music from my mind' which included new material and his whole debut album "Kashif" 1983 as well (Less)
Channel: youtubeTags: 80's Kashif KennyG LilloThomas M Me'lisaMorgan MelbaMoore Mighty PaulLaurence Soul WhitneyHouston
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13, 48:14, 2008-04-01 13:22:34 Description: Alejandro vabaneb vanglast.Vangla arst lubab tal enda juures elada.Ernestot külastab armuke.Mariela teeskleb ,et on sisse võtnud tablette, Enriqueta saab aru ,et see on pettus.Rosita ronib (More) Alejandro vabaneb vanglast.Vangla arst lubab tal enda juures elada.Ernestot külastab armuke.Mariela teeskleb ,et on sisse võtnud tablette, Enriqueta saab aru ,et see on pettus.Rosita ronib puu otsa ,e (Less)
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17, 05:05, 2008-04-21 16:17:56 Description: From Kashif's Debutalbum 'Kashif' 1983 _________ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one (More) From Kashif's Debutalbum 'Kashif' 1983 _________ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick. Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog. Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group. After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work. Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You." Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively. Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song." Source allmusicguide (Less)
Channel: youtubeTags: 80's FreddieJackson Kashif LilloThomas Me'lisa Melba Moore Morgan PaulLaurence Soul WhitneyHouston
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11, 05:20, 2008-04-21 16:17:56 Description: Stone Love from Kashif's Selftitled debutalbum "Kashif" from 1983 ____ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn (More) Stone Love from Kashif's Selftitled debutalbum "Kashif" from 1983 ____ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick. Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog. Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group. After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work. Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You." Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively. Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song." ___Source allmusicguide in 2004 Kashif released a Double CD "Music from my mind' which included new material and his whole debut album "Kashif" 1983 as well (Less)
Channel: youtubeTags: 80's Kashif KennyG LilloThomas M Me'lisaMorgan MelbaMoore Mighty PaulLaurence Soul WhitneyHouston
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10, 05:18, 2008-04-21 16:17:56 Description: From Kashif's Second Album "Send Me Your Love" featuring LALA. __________ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn (More) From Kashif's Second Album "Send Me Your Love" featuring LALA. __________ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick. Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog. Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group. After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work. Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You." Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively. Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song." Source allmusicguide ________ (Less)
Channel: youtubeTags: 80's FreddieJackson Kashif LilloThomas Me'lisa Melba Moore Morgan PaulLaurence Soul WhitneyHouston
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8, 02:56, 2008-06-20 09:55:51 Description: See a Virtual Tour at: http://www.CirclePix.com/VPX34P
Contact Karen C. Neal, with Coldwell Banker Barnes, at 615-371-5411, for more information about this property.
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8, 05:15, 2008-04-21 16:17:56 Description: From Kashif's second Album "Send Me Your Love" 1984 __________ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" (More) From Kashif's second Album "Send Me Your Love" 1984 __________ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick. Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog. Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group. After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work. Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You." Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively. Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song." ___Source allmusicguide (Less)
Channel: youtubeTags: 80's FreddieJackson Kashif LilloThomas Me'lisa Melba Moore Morgan PaulLaurence Soul WhitneyHouston
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7, 01:31, 2008-07-22 19:33:39 Description: www.pettusop.com Pettus Office Products quick order form tutorial.
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11, 04:39, 2008-04-21 16:17:56 Description: 'Help yourself to my love' from Kashif's selftitled debutalbum 'Kashif' 1983 ____ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka (More) 'Help yourself to my love' from Kashif's selftitled debutalbum 'Kashif' 1983 ____ Singer/songwriter/keyboardist/producer Kashif wrote and played on Evelyn King's (aka Evelyn "Champagne" King) number one R&B hits "I'm in Love" and "Love Come Down," Whitney Houston's first hit "You Give Good Love" and one of its follow-ups, "Thinking About You" from her 17-million-selling debut album Whitney Houston. He also contributed to her 17-million selling Whitney LP. His own recording career yielded 17 R&B hit singles and four Top 40 albums. He recorded several duets: "Love Changes" with Mel'isa Morgan, "Love the One I'm With" with Melba Moore, and "Reservations for Two" with Dionne Warwick. Part of the vanguard that includes early pioneers Stevie Wonder and Ronnie McNeir and his '80s contemporaries the System, Kashif helped to revolutionized R&B music through the infusion of the then-emerging affordable, MIDI/synth technology of the '80s. Music synthesizers at one point could easily fill a room. With the advent of the microchip, synths became more portable and had tonal stability and pricing (though most professional-level synths cost a couple thousand dollars or more) during the '80s. Like McNeir, Kashif shares the distinction of having two self-titled albums in his catalog. Born Michael Jones in Brooklyn, NY, in 1959, Kashif was orphaned at an early age, growing up in eight foster homes. His first experience with synthesized instruments came during his years with B.T. Express ("Express," "Do It 'Til You're Satisfied"). He appears on the group's early-'80s sides for Columbia Records (check out "Ride on It " from 1978's Shout! LP, among others). Kashif began playing synthesizer bass using the miniMoog while on the road with the group. After leaving the group, Kashif began making demos with the group Stepping Stone. The demos led to his recording contract with Arista Records in 1983. Because of his burgeoning mastery with synthesizers, Kashif was invited to tour with hitmaker Stephanie Mills at a time when contemporary R&B acts were just beginning to use electronic instruments for live work. Inspired by Gamble & Huff and Thom Bell's Mighty Three Music, he formed Mighty M Productions with Paul Laurence and Morrie Brown, infusing early-'80s R&B with a fresh synth-based sound. One of their first projects was Evelyn Champagne King who had a 1979 gold single, "Shame." Prompting her to sing in her higher register than in her previous records, the Mighty M was were attempting to give the singer a more youthful sound. At the same time, RCA Records suggested that she same drop the "Champagne" from her name, thus becoming Evelyn King. The result of their collaboration was "I'm in Love," whose style and bass sound was different from anything being done at the time. It went to number one R&B in summer 1981. The I'm in Love album, which also included the hit "Don't Hide Our Love," peaked at number six R&B. RCA asked Kashif, Brown, and Laurence to produce her follow-up album. Influenced by songwriter/producer Leon F. Sylvers III, Kashif came up with the sprightly "Love Come Down" on which he played all of the instruments except guitar, which was played by Ira Siegel. The single went all the way to number one R&B and didn't come down for five weeks. It was included on her gold Get Loose LP, which parked at number one R&B for two weeks and yielded the number two R&B smash "Betcha She Don't Love You." Around this time, Kashif had begun working with the New England Digital Synclavier. Kashif invented uses for sampling, for example, replacing drum sounds, lead and background vocal placements, and even dialog editing. Howard Johnson's "So Fine" was the first record on which he used the technique of "flying in" vocals -- some vocal passages could be duplicated by the Synclavier. This created a whole new approach to production with vocalists that continues to be used extensively. Signing with Arista Records in 1983, his self-tilted debut Kashif spawned the hits "I Just Gotta Have You (Lover Turn Me On)," "Stone Love," "Help Yourself to My Love," and "Say Something Love." His other albums are Send Me Your Love, "Baby Don't Break Your Baby's Heart," "Are You the Woman," Condition of the Heart, Love Changes and 1989's Kashif, with the charming cover of the Four Tops hit "Aint No Woman Like the One I Got." Becoming an in-demand writer/producer, Kashif can be heard on releases by Kenny G ("Keeping Love New"), George Benson, Johnny Kemp, Dionne Warwick, Giorge Pettus, Stacy Lattisaw, Expose, the Wootens, Freda Payne, and others. His Grammy nominations are for the instrumentals "The Mood," "Call Me Tonight," "Edgartown Groove" featuring Al Jarreau, and "The Movie Song." ___Source allmusicguide in 2004 Kashif released a Double CD "Music from my mind' which included new material and his whole debut album "Kashif" 1983 as well (Less)
Channel: youtubeTags: 80's Kashif KennyG LilloThomas M Me'lisaMorgan MelbaMoore Mighty PaulLaurence Soul WhitneyHouston
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4, 01:18, 2008-08-27 00:11:54 Description: Bernita Smith (at-large Clinton delegate) and Angela Trigg (delegate from District 5), were part of a crew aboard the "Unity Express", the RV they drove (in six days) from Atlanta to (More) Bernita Smith (at-large Clinton delegate) and Angela Trigg (delegate from District 5), were part of a crew aboard the "Unity Express", the RV they drove (in six days) from Atlanta to Denver. Along the way, they met Democrats, walked across the Edmund Pettus bridge, launched voter registration drives at area shopping malls, and generally brought together Hillary voters and Obama supporters alike. (Less)
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