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Anna Moffo sings La Traviata (vaimusic.com)

43,

04:50,

2008-04-02 20:24:44

Description: Anna Moffo "Teneste la promessa"....Addio del passato from La Traviata (Giuseppe Verdi) from: VAI DVD 4223 Anna Moffo in Giuseppe Verdi's La Traviata a film by Mario Lanfranchi TO BUY (More)

Channel: youtube

Tags: Anna Moffo La Traviata Opera VerdiMario Lanfranchi

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Luminita Soare sings "E strano" in La Traviata by Verdi

25,

17:46,

2007-02-11 10:47:33

Description: This music is created without Media support and without amplifications as in the opera. This voice is raw to hear naturally and live. One does not know on the other sides carried to call with the (More) This music is created without Media support and without amplifications as in the opera. This voice is raw to hear naturally and live. One does not know on the other sides carried to call with the condition, than the name of the singer however in own purposes to use, over to work on on the computer and in the opera me preparierteb the CD sell down any names as usual of the art robber happened in today's days. Today one does not sing live in the theatres un opera any longer, already since the sides Maria Callas. Artist rights however exist. The injury of the author rights can lead to a term of imprisonment. The "Cuban Sytem mentioned by that voice copying that telephone will no longer for a long time function..This takes up is made in usual living room, without acoustics, without echo, like into the taking up hall of the opera and theatre. An acoustic area supports the voice, the singer can tones better control and possibly correct. A dry area damages the voice, particularly in acute and supports it not. In 60-80 years used on the stage as playback means, the tape. To hat-to light is only CD DVD with special effects in demand. The voice is taken up into a spezielen area with the orchestras or with the piano, there it amplifiziert by very good microphones. In several variants special effects are inserted for the computer inclusively corrected and. Thus the music functions our genoessischen (today's) time. Therefore their singer like I will never find to trust the live sing and from a public to disgrace, with their natural voices... for those those that understand I these would thank you... thus.... Cântăreţii disperaţi Atâta viscol şi nesaţ, atâta mugur obrintit, atâta fum şi infinit, în cântăreţii disperaţi pe care-abia i-aţi auzit în zilele când contemplaţi tranşeele date cu chit. O, disperaţii cântăreţi ce rană veche îi apasă? Într-un mileniu târgoveţ se stinge blând această rasă, această copcă de peceţi, această noapte luminoasă din care n-o să mai vedeţi în vecii vecilor, acasă. Atâta au avut de spus aceşti copii prea cântători al căror trist şi roz apus apune de mai multe ori, el însuşi fagure confuz - purtând tranşeele-surori de lângă groapa lui Isus. O, disperaţii cântăreţi, pe garduri pumnii lor umflaţi ca niste corzi din in de laţ, cântă dogit şi mălăeţ, dacă le daţi sau nu le daţi, dacă voiţi, dacă puteţi; O, cântăreţii disperaţi ! Adrian Păunescu (Less)

Channel: youtube

Tags: de in LA LUMINITA SOARE TRAVIATA VERDI

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Luminita Soare sings E strano in La Traviata de Verdi

2,

08:03,

2007-02-11 05:21:02

Description: This music is created without Media support and without amplifications as in the opera. This voice is raw to hear naturally and live. One does not know on the other sides carried to call with the (More) This music is created without Media support and without amplifications as in the opera. This voice is raw to hear naturally and live. One does not know on the other sides carried to call with the condition, than the name of the singer however in own purposes to use, over to work on on the computer and in the opera me preparierteb the CD sell down any names as usual of the art robber happened in today's days. Today one does not sing live in the theatres un opera any longer, already since the sides Maria Callas. Artist rights however exist. The injury of the author rights can lead to a term of imprisonment. The "Cuban Sytem mentioned by that voice copying that telephone will no longer for a long time function... This takes up is made in usual living room, without acoustics, without echo, like into the taking up hall of the opera and theatre. An acoustic area supports the voice, the singer can tones better control and possibly correct. A dry area damages the voice, particularly in acute and supports it not. In 60-80 years used on the stage as playback means, the tape. To hat-to light is only CD DVD with special effects in demand. The voice is taken up into a spezielen area with the orchestras or with the piano, there it amplifiziert by very good microphones. In several variants special effects are inserted for the computer inclusively corrected and. Thus the music functions our genoessischen (today's) time. Therefore their singer like I will never find to trust the live sing and from a public to disgrace, with their natural voices... for those those that understand I these would thank you... thus... Cântăreţii disperaţi Atâta viscol şi nesaţ, atâta mugur obrintit, atâta fum şi infinit, în cântăreţii disperaţi pe care-abia i-aţi auzit în zilele când contemplaţi tranşeele date cu chit. O, disperaţii cântăreţi ce rană veche îi apasă? Într-un mileniu târgoveţ se stinge blând această rasă, această copcă de peceţi, această noapte luminoasă din care n-o să mai vedeţi în vecii vecilor, acasă. Atâta au avut de spus aceşti copii prea cântători al căror trist şi roz apus apune de mai multe ori, el însuşi fagure confuz - purtând tranşeele-surori de lângă groapa lui Isus. O, disperaţii cântăreţi, pe garduri pumnii lor umflaţi ca niste corzi din in de laţ, cântă dogit şi mălăeţ, dacă le daţi sau nu le daţi, dacă voiţi, dacă puteţi; O, cântăreţii disperaţi ! Adrian Păunescu (Less)

Channel: youtube

Tags: La Luminita Soare Traviata Violeta

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Verdi-traviata- Choeur Bohemien

15,

03:01,

2008-04-17 13:06:13

Description: Bonjour ou Bonsoir , Traviata - Choeurs des Bohémiens" Premier de deux extraits de "L'Opéra imaginaire" Interprété par Le Coro dell'Accademia di (More)

Channel: metacafe

Tags: Classique Opéra Verdi Traviata Bohémiens Image Musique Animation

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Sumi Jo - Eva Dell'Acqua - Villanelle

27,

06:00,

2008-04-21 16:19:01

Description: Piano - Vincenzo Scalera Theatre Musical de Paris, Chatelet, April, 2006. This performance is one of Sumi Jo's DVD titled "For my Father" for 20th anniversary of her internatinal (More)

Channel: youtube

Tags: aria chatelet coloratura Dell'Acqua Eva Jo opera sopra Sumi Villanelle

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Sumi Jo - Adam - Le Toreador - Ah! vous dirai-je, maman

23,

05:56,

2008-04-21 16:19:01

Description: Piano - Vincenzo Scalera Theatre Musical de Paris, Chatelet, April, 2006. This performance is one of Sumi Jo's DVD titled "For my Father" for 20th anniversary of her internatinal (More)

Channel: youtube

Tags: Adam aria chatelet coloratura dirai-je Jo opera scalera soprano Sumi Toreador vincenzo

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Lilah Gosman and Milos Repicky performed in the Pent...

9,

05:16,

2009-08-25 19:12:38

Description: Lilah Gosman and Milos Repicky performed in the Penthouse of the Roger Smith Hotel on Friday December 12th 2008. Originally from Montauk, New York, soprano Lilah Gosman has been hailed as a (More) Lilah Gosman and Milos Repicky performed in the Penthouse of the Roger Smith Hotel on Friday December 12th 2008. Originally from Montauk, New York, soprano Lilah Gosman has been hailed as a "shining star on the musical firmament". Lilah is equally at home in operatic productions, the concert stage, and in recital. Lilah has appeared with the Annapolis Symphony, One World Symphony and with the Theater Chamber Players performing at the Kennedy Center. She was a featured artist at The Whitney Museum's annual Art Affair, where she performed with a full band in collaboration with singer/songwriter Moby. On the concert stage Lilah has been heard at Avery Fisher Hall, Opera North, Aspen Music Festival, International Institute of Vocal Arts in Chiari, Italy, Tanglewood Music Center. Lilah most recently appeared in the Art of Song concert series in a program of jazz standards. She looks forward to joining Art of Song for more concerts in the Spring as well as collaborating with Milos Repicky in a recital of Felix Mendelssohn's music. Operatic performances include Zerlina in Mozart's Don Giovanni, Susanna in Mozart's Le Nozze di Figaro, Lauretta in Puccini's Gianni Schicchi, Echo in Strauss' Ariadne auf Naxos and Cleopatra in Handel's Giulio Cesare. Other roles include Hansel in Hansel and Gretel by Humperdinck, Rosette in Manon by Massenet and Adeleide in Lotario by Handel and Soprano in Einstein on the Beach by Phillip Glass. She maintains a passion for new music and has premiered several new works by contemporary composers. Lilah attended the Peabody Conservatory and the Manhattan School of Music. MILOS REPICKY Born in Bratislava, Slovakia, and raised in France and Canada, pianist/conductor Miloš Repický is on the music staff of the Metropolitan Opera, where he was recently heard playing the harpsichord continuo for Le Nozze di Figaro. Mr. Repicky has been responsible for musical preparation for many other operas including Don Giovanni, Madama Butterfly, Macbeth, War and Peace, Hansel and Gretel, Rigoletto, La Traviata, The Magic Flute and served as Czech language coach for Jenůfa. In addition to the Met's radio and Sirius satellite broadcasts, Mr. Repicky's performances have been broadcast for the Canadian Broadcasting Corporation and New York's WQXR. He was a featured performer on a multimedia DVD release of Pierrot Lunaire by Sundailtech Pictures. As conductor for the world premiere of Tobin Stokes' opera The Vinedressers, Mr. Repický was featured on a television documentary for the CBC. He has performed in recital for Regina Resnik Presents, Weill Hall at Carnegie Hall, Montreal's Jeunesses-Musicales, the Chicago Cultural Center and New York's Julian Autrey Song Foundation. (Less)

Channel: vimeo

Tags: Lilah Gosman Milos Repicky Roger Smith Hotel Panman concert Metropolitan Opera

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Lilah Gosman and Milos Repicky performed in the Pent...

9,

02:23,

2009-08-25 19:11:04

Description: Lilah Gosman and Milos Repicky performed in the Penthouse of the Roger Smith Hotel on Friday December 12th 2008. Originally from Montauk, New York, soprano Lilah Gosman has been hailed as a (More) Lilah Gosman and Milos Repicky performed in the Penthouse of the Roger Smith Hotel on Friday December 12th 2008. Originally from Montauk, New York, soprano Lilah Gosman has been hailed as a "shining star on the musical firmament". Lilah is equally at home in operatic productions, the concert stage, and in recital. Lilah has appeared with the Annapolis Symphony, One World Symphony and with the Theater Chamber Players performing at the Kennedy Center. She was a featured artist at The Whitney Museum's annual Art Affair, where she performed with a full band in collaboration with singer/songwriter Moby. On the concert stage Lilah has been heard at Avery Fisher Hall, Opera North, Aspen Music Festival, International Institute of Vocal Arts in Chiari, Italy, Tanglewood Music Center. Lilah most recently appeared in the Art of Song concert series in a program of jazz standards. She looks forward to joining Art of Song for more concerts in the Spring as well as collaborating with Milos Repicky in a recital of Felix Mendelssohn's music. Operatic performances include Zerlina in Mozart's Don Giovanni, Susanna in Mozart's Le Nozze di Figaro, Lauretta in Puccini's Gianni Schicchi, Echo in Strauss' Ariadne auf Naxos and Cleopatra in Handel's Giulio Cesare. Other roles include Hansel in Hansel and Gretel by Humperdinck, Rosette in Manon by Massenet and Adeleide in Lotario by Handel and Soprano in Einstein on the Beach by Phillip Glass. She maintains a passion for new music and has premiered several new works by contemporary composers. Lilah attended the Peabody Conservatory and the Manhattan School of Music. MILOS REPICKY Born in Bratislava, Slovakia, and raised in France and Canada, pianist/conductor Miloš Repický is on the music staff of the Metropolitan Opera, where he was recently heard playing the harpsichord continuo for Le Nozze di Figaro. Mr. Repicky has been responsible for musical preparation for many other operas including Don Giovanni, Madama Butterfly, Macbeth, War and Peace, Hansel and Gretel, Rigoletto, La Traviata, The Magic Flute and served as Czech language coach for Jenůfa. In addition to the Met's radio and Sirius satellite broadcasts, Mr. Repicky's performances have been broadcast for the Canadian Broadcasting Corporation and New York's WQXR. He was a featured performer on a multimedia DVD release of Pierrot Lunaire by Sundailtech Pictures. As conductor for the world premiere of Tobin Stokes' opera The Vinedressers, Mr. Repický was featured on a television documentary for the CBC. He has performed in recital for Regina Resnik Presents, Weill Hall at Carnegie Hall, Montreal's Jeunesses-Musicales, the Chicago Cultural Center and New York's Julian Autrey Song Foundation. (Less)

Channel: vimeo

Tags: Lilah Gosman Milos Repicky Roger Smith Hotel Panman Penthouse

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