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Pure CFNM - too big for his shorts

1130,

00:00,

2009-08-06 18:53:03

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Channel: tnaflix

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Dougie- Town bike

17,

02:10,

2008-04-04 16:50:48

Description: lyrics- When you said please, please me Well that's all I wanted to do I'm the girl who falls asleep And all she dreams about is you And I know this ain't gonna happen But (More)

Channel: youtube

Tags: bike dougie mcfly OneTrueMedia poynter town

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Dougie (McFly) - Town Bike

10,

01:57,

2007-10-21 11:59:43

Description: A Song Town Bike did about Dougie Poynter. Lyrics: When you said please, please me Well that's all I wanted to do I'm the girl who falls asleep And all she dreams about is you And (More)

Channel: youtube

Tags: Bike Danny Dougie Fletcher Harry Jones Judd McFly Poynter Tom Town

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Dougie (McFly) - Town Bike

3,

01:57,

2008-04-22 10:35:45

Description: A Song Town Bike did about Dougie Poynter. Lyrics: When you said please, please me Well that's all I wanted to do I'm the girl who falls asleep And all she dreams about is you And I know (More)

Channel: youtube

Tags: Bike Danny Dougie Fletcher Harry Jones Judd McFly Poynter Tom Town

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Edwine Hot Crazy Uncensored Adult Video XXX.

573,

00:20,

2009-02-18 23:14:50

Description: This Susan took and guided into Jane?s hungry cunt, then she engaged her mouth again to suck in his dangling scrotum. " He went back outside. I had to write this down because even today thinking (More) This Susan took and guided into Jane?s hungry cunt, then she engaged her mouth again to suck in his dangling scrotum. " He went back outside. I had to write this down because even today thinking back it seems like it was just a dream. He pushed the material of his shorts back to fully expose his thick cock. your head is thrashing from side to side. Your opened wide legs have made more place for my hand. gee, but his.his thing was so thick and stiff.throbbing, straining, and he kept stroking it and pointing it at me.and looking at me. He instructed me to bring my leg over his leg facing away from him and slowly lower my lower body onto him. I have an intensive wish to crush them and suck all by my hungry mouth. " "Honey," she said softly, reaching a hand out tentatively. I was reaching my climax as he rode up into me hard. What do you think? ?I think it?s great, Kara. My wife was away for a few days for a friends 30th birthday . I couldn?t get away so I stayed home. She jammed and swirled it in the hot moist channel. You don?t mind do you, Pete? "Not at all. The Powder puff was still shuddering, and shaking. I was starting to respond to him as his kisses started getting more aggressive. I sat at the edge of my bed, still catching my breath, the house quiet, the front door double locked. Made sure I got home early for some self-examination. She ran a palm over her pussy and gasped at the sensation. She said I havnt had so much fun for ages . forbidden fruit with a wonderful cock . what a mixture. I reached out to feel her boobs, then moved one hand down to her pussy. ? I got between my mother?s slim legs, spreading them wide apart, and began licking between her pussy lips, tasting her sweet juices. She stroked her cunny, sliding her hand up and down. "I love you more than I can say. " "Seven days. i'm also presiing your boobs with 1 hand & inserted my other's hand's 1 finger in your asshole. Debi looked down and enjoyed watching him touch her. It only got worse as I allowed them to take me to their friend?s house to exploit my predicament, sharing my humiliation with other boys who would never get any attention from girls, or at least in high school. After taking both of us she was ultra sensitive and my fingers sent her over the edge for the third time that night (which she told me about the next day). She noticed that one of the students did not join the scramble. Did you mean it when you said you loved me . I said to be perfectly honest I did . at the time . and I believe I will for ever . no woman has ever given so much of herself to me ever the way you have. I began to stop, but he told me to keep going. When I got there, he met me at the door in only a towel, and said he hadn?t expected me so soon. She not only has a great body but her ass is magnificent as well - firm and beautifully shaped and as I spread her cheeks to get access to her cunt I could see her tight little pink asshole. She started huffing and puffing, gasping out a curse of some sort on every round trip she enjoyed on my dick - and I mean enjoyed for soon she was cuming and cuming. ?I?ve only touched my daddy?s cock before, and he?s almost too big for me to get my hand around. She could see why the girl's nick named it the powder puff. You are sitting on my long shaft and doing a female-superior. You are wearing a thin panty and the love triangle are covered with that. You are now mad with desire. " Siree pressed a button on a box that stood at the side of the door and removed some kind of breathing apparatus from a slot in the top. She said I don?t think you know it . but Jan and I have been having a lesbian relationship for a month or so. When she walked back to his desk to give him his paper she saw that he had pulled his cock out and was stroking it. She ground her pelvis around and mashed her cunt on Zeta's face. I could not say any more . I knew something had passed between us today that the both of us would never forget. (Less)

Channel: youtube

Tags: beach clip double fat first girls group horse incest indian interracial latina mature outdoor pregnant rough stories threesome tips toys

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ray price: crazy arms (jerry lee lewis: first sun si...

459,

02:43,

2008-04-17 15:10:59

Description: Ray Price Portrait of a Legend Stories About Ray The lights dim. The sixtyish-looking woman beside me, a complete stranger until fifteen minutes ago, clutches my arm in excitement. It's the (More) Ray Price Portrait of a Legend Stories About Ray The lights dim. The sixtyish-looking woman beside me, a complete stranger until fifteen minutes ago, clutches my arm in excitement. It's the first time she'll see Ray Price in person. This mature audience in Laughlin, Nevada, seems to appreciate the fact that the living legend on stage, now in his early seventies, is still youthfully handsome, his voice as powerful and melodious as ever. Near the end of the show, Ray introduces a song written, he tells us, by a "dear friend" who brought him as a young Texas kid to Nashville and got him on the Grand Ole Opry. "I lived with my friend for almost a year before he passed away." He pauses, his eyes seeming to wander back to that long-ago time. "So, if you-all don't mind, I'd like to sing you one of the late Hank Williams' songs." The crowd responds with a huge ovation as Ray begins Hank's "Mansion on the Hill." After the show I'm set to interview Ray Price. I want to learn more about that famed friendship. It's a dramatic story, I feel, one that will say much about how a true friend can ease your path, whether you're on the way up--or the way down. The year was 1951. Early autumn. There was a slight chill in the air outside on Nashville's streets. Inside Studio C at station WSM, the atmosphere was tense for the dark-haired young singer from Texas. He had just driven all the way to Nashville, probably breaking a few speed laws on the way. If there were stars in the newcomer's intense blue eyes, he had every reason to be thrilled and enormously impressed. Ray Price was about to meet Hank Williams, the reigning country music star of the day. Not only that, Ray was going to sing on his show. Ray had a few minor recordings and some local Texas performances behind him. Twenty-eight-year-old Hank Williams was already a national phenomenon. Songs he'd written were blasting from every radio and juke box across the country. But ole Hank didn't let that stand between them. Ray, recalling that first meeting, says. "It was one of those instant friendships. I liked him; he liked me. For some reason we hit it off right away." They went to Hank's home after the show and talked for hours about their hopes and dreams. Price, a 25-year-old former veterinary student, had a clear, vibrant voice that many felt might be wasted just talking to horses. He had recently signed with Columbia Records. "All you need," Hank told him, "is a hit record. And I'm going to write one for you." Quite an offer. At that time Hank's songs were being grabbed up by big-name pop singers like Tony Bennett, Jo Stafford and Rosemary Clooney. Tunes like "Cold, Cold Heart," and "I Can't Help It If I'm Still In Love With You" were hitting the tops of the charts in both country and pop markets. Hank followed up on his promise. The day after they met, he took Ray with him to a singing engagement in Evansville, Indiana. During the miles of rolling countryside between Nashville and Southern Indiana, creative ideas flew back and forth. Hank and Ray ended up writing "Weary Blues from Waiting" together. Said Ray, "We'd think up a line, each one of us, and then we'd do another. When we got there it was all written. I didn't put my name on it because I couldn't; I was with another company." Quite a team. Hank, who has been dubbed "The Hillbilly Shakespeare," could capture heartfelt emotion with ease in a few poetic word pictures. By the end of his brief life, he'd written 129 songs, many of them still favorites today. Ray, a fine songwriter too, had the more powerful impressive voice. But in mid-October 1951, it must have made sense for Ray to record "Weary Blues from Waiting" in Hank's highly popular plaintive style. Columbia released "Weary Blues" in November and gave it a big advertising/publicity splash because it was, after all, a Hank Williams song. But it didn't turn out to be the big hit hoped for, the hit that would have led to the Grand Ole Opry, the mecca of all country music performers. Hank didn't let that stop him. A few weeks later, he phoned Ray, who was performing back in Texas, and gave him the big news. If he could be in Nashville by the next day, he had a spot on the Grand Ole Opry. Another frantic trip. Ray burned rubber off four tires getting there. In January 1952, Ray moved to Nashville and soon became a regular on the Grand Ole Opry. A world of possibilities was opening up for him. But while Ray was moving upward in his climb to fame, Hank began to hurtle into free fall. He'd reached the pinnacle of his brief career, and his meteoric blaze in the sun would soon burn out. Separation that January from his wife, Audrey, started off the downhill plunge. Severe problems from a recent back operation added fuel to increase the periodic drinking that had long plagued him. Hank began to drink more and more to ease the the pain and heartache. His career suffered. Although he was still writing and selling songs, he began to miss perfomances or, worse yet, stagger on stage drunk. Ray was quick to defend Hank on that score. "He was not the type to go out in public drunk. When he drank, he drank a glassful at one time, and then another glassful, until he was totally wiped out. And he would stay in his room. The operators or the promoters would drag him out drunk." Ray was hired to accompany Hank on his singing engagements. "They used to send me along to sort of look out for him," Ray explained. "They knew Hank liked me, that he'd listen to me." But Hank's drinking put Ray in a tight spot more than a few times. In a scathing review, a newspaper reporter described one of these performances in Richmond, Virginia, on Jan. 29, 1952. It told how Ray Price had to come on stage and apologize for Hank, stall the crowd by singing Hank's songs, and then declare a half-hour intermission. When Hank finally appeared, he was so drunk that fans began to demand their money back. Ray tried to calm everyone down, calling out, "We all love you, Hank, don't we?" How did it feel filling in for Hank on these tours? Ray's response was fond and overly modest. "There was no way I could fill in for Hank; all I could do was kill time for him." With a reminiscent smile, he added, "He was the top dog." Ray was not about to let Hank down. After Hank and his wife separated and Hank needed a place to stay, Ray came to his rescue. The two moved into a two-story stone duplex in Nashville. Ray lived upstairs and Hank on the first floor. Ray did most of the housework and looked after Hank while he recuperated from the back operation he'd undergone a few weeks earlier. At that point, Hank was optimistic he could patch things up with Audrey and go back to his home and family. But taking care of Hank proved as much of a challenge as touring with him. His alcoholism had advanced to the point where he wouldn't eat while he was drinking. But if Ray could get him to start eating, he'd straighten out. If the food wouldn't stay down, however, he'd reach for the bottle right away and just sit in his room and keep on drinking. The last straw was when Hank lost hope that Audrey would reconcile with him. When she filed for divorce Hank was devastated. According to Ray, who accompanied Hank to the property settlement discussions, Hank was overly generous, giving Audrey much more than was required. He wanted to prove to her how much he still loved her. The divorce went through anyway and plunged Hank into further gloom. In the brief year Hank and Ray knew each other, there was not much time for light-hearted moments, for the hunting and fishing they might have shared in happier times. "We went and tried to fish, but..." Ray's voice trailed off, seemingly reluctant to explain just why the fishing trip never came off. He shifted the subject. "He liked to shoot a pistol. We'd go out on the target range." Hank continued to write songs for Ray. One of them was "I Can't Escape From You," which Ray duly recorded. But Hank also offered Ray some of his biggest hits, songs like "Jambalaya," and "Take These Chains From My Heart." Hank would bounce them off Ray and ask "What do you think of it? I wrote it for you." When Ray predicted they would be hits, Hank would often change his mind and take them back to record himself. Possibly Hank recognized Ray's ability to spot a hit, an ability proven later when Ray helped "launch" the songwriting careers of such "greats" as Willie Nelson, Roger Miller, Harlan Howard, Bill Anderson and Kris Kristofferson. During the early months of 1952, living in the same house with Hank as his alcoholism progressed must have been difficult. One evening, Hank is said to have double-dated with singer Faron Young, but Hank preferred Faron's girl to his own. By the end of the evening when Hank was loaded, he called Faron into a bedroom and pointed a gun at him. He wanted to switch girls; he claimed to have fallen for Faron's date. Faron, understandably, agreed. Whether that story is true or not, Hank did end up marrying the girl, Billie Jean, later that year. But Billie Jean couldn't stop Hank on his downhill plunge. Hank finally became so far gone in his alcoholism that Ray, along with Don Helms, a member of Hank's band, were afraid he'd drink himself to death. They arranged to have him sedated and committed to the Madison Sanitarium to undergo treatment. Hank Williams' biographers have written that Hank was so furious that he ordered Ray to move out of the house, then later apologized and begged him not to leave. Ray, who was already loading a truck, is said to have responded. "I've got to." Ray revealed to me that he moved out of the house at that time, but not out of Hank's life. He moved for personal reasons that had nothing to do with Hank. He continued to be very much involved with Hank's activities. In August, Hank's drinking problem became too much for the Grand Ole Opry, where he had been a top star. They fired him. After Audrey and the divorce, it was another devastating loss for Hank. He left town to go to work for the Louisiana Hayride in Shreveport. Ray remembers the day Hank left Nashville. As he was driving into town, he saw Hank in a service station, standing beside his Cadillac. Hank lifted his hand and motioned for Ray to stop. "Where are you going?" Hank asked as Ray pulled in. "Where are you going?" Ray wanted to know. "Back to Shreveport." He kind of laughed when he asked Ray, "You wanta come?" "I better not," Ray said. He would only see Hank alive one more time after that. Ray's career success continued to escalate in Nashville that fall as he became one of the the hottest entertainers in town. Hank had dreams of straightening out his life and returning to the Grand Ole Opry. It never happened. The final meeting of the two friends occurred at the Big D Jamboree in Dallas shortly before Christmas 1952. Hank caught sight of his friend and walked toward him smiling, singing a few lines from Ray's latest hit, "Don't Let the Stars Get in Your Eyes." They talked, and Hank suggested to Ray and his mother that he "might just come over and spend Christmas with you." They warmly invited him to do so, but Hank went back to his family in Alabama instead. Hank and Ray did make plans to get together in Ohio, however. They both had engagements in that state on New Year's Eve--Ray in Cleveland, Hank in Canton, fifty miles away. They arranged to meet in Canton on New Year's Day. By the end of 1952, the mid-section of the country was in the throes of a fierce winter storm. Hank, who had planned to fly to Canton, hired a chauffeur instead to drive him North in his powder blue Cadillac sedan. Ray was able to get the last flight out of Nashville. Hank couldn't sleep the night before that trip. He told his new wife, Billie Jean, that he saw "God comin' down the road." His health had been deteriorating. The trip was to prove his undoing. He died somewhere in West Virginia in the back seat of his Cadillac. The driver knew Hank had been drinking heavily and thought he had merely passed out. The death wasn't discovered until they pulled into the town of Oak Hill on New Year's day. Officially his demise was attributed to a heart attack. The meeting in Canton, Ohio, on New Year's Day between the two friends never took place. Instead, Ray was among a host of fellow performers bidding goodbye to the great Hank Williams at a massive funeral in Montgomery, Alabama, on January 4, 1953. All the stars of the Opry were there. The radio stations had been playing his music night and day. Fans wept. Hank was back in the fold again, a country music legend for all time. Hank Williams's career was brief, but unforgettable. In 1962, he one of the first performers to be inducted into the Country Music Hall of Fame. Ray Price is still a star, a living legend, who has helped revolutionize more than a few changes in country music. In 1956, Ray's unique recording of "Crazy Arms" was a top hit for forty-five weeks, knocking even Elvis off the charts. It clearly established Ray Price as a leading light in country music. But Ray, in 1967, went in a new direction and with his concert-calibre voice, backed by dozens of violins, soared into a beautiful, show-stopping rendition of the classic, "Danny Boy." Unperturbed by criticism that he had deserted country music, Ray went on to new cross-over heights with his early 1970's hits, "For the Good Times," and "I Won't Mention it Again." Erasing the boundaries between country and pop became a vital issue for Ray Price. He had long resented the fact that Hank's songs were eagerly gobbled up by the pop world, but the country singer himself found it more difficult to cross over at that time. Today, however, Hank Williams is a household word, and Ray, still touring throughout the country, pays tribute to his mentor at each concert. In 1996, Ray Price was inducted into the Country Music Association Hall of Fame. In 1999, he celebrates his fiftieth successful year in the music business. Hank would have been proud of his protege. If you have a story or anecdote about Ray Price that you think Ray's fans would enjoy, we invite you to submit it for possible publication on this site. We're looking for anecdotes that are amusing, cute, heartwarming, or illustrative of the qualities that have made Ray Price a legendary performer. Please email your entry to fan club president SANDRA ORWIG at rpfc40@aol.com. The Day Ray Price almost fell for me Every Sunday back in the 50's the Country Music stars came to the Lyric theater in Indianapolis IN, and I never missed a one. One Sunday when I was around sixteen or there abouts, I had went to see George Hamilton the 4th, and was sitting in the first row, when this good looking guy tried to go pass me for a seat (you know how those theater seats are *S*) and I stuck out my foot to trip him, he just about fell!! Then in a little bit, George said We have a special guest with us tonight and we'd like to get him up here to sing a song for you. Well this good-looking guy got up and went on stage, George said,we'd like for you to meet Mr. Ray Price! Boy was I embarrassed. So I'll never forget how Ray almost fell for me! *S* I have loved Ray ever since! Written by:Liz Puett Reprinted with permission from Dick Shuey's Country Music Stories His Usual Considerate Self It had been many years since I had seen Ray when he was at the Choctaw Festival in Tuskahoma, Ok, a few years ago. I was so excited at seeing him again, so I made a special shirt to wear. It was a red t'shirt and had the slogan, "I love Ray Price" printed in white. My greatest desire was to have my picture made with Ray. After the show he was signing autographs and I waited until he was almost through then asked him to sign my shirt. Then my son took our picture. My son then told me he thought the flash malfunctioned and he was not sure it would be a good picture. I said we would wait until he was finished and maybe try again. Before Ray had signed the last autograph someone was calling from the bus to hurry, they were running late and had to go. He said ok, but first he had one more picture. Then he walked over to me, smiling, and said, "Now, let's get a good picture." He had heard my son's comment and took time to redo the picture although he was running behind schedule. What a guy!!!. Oh, yes both pictures were good. At another concert some months later in Omaha, Texas, I had injured my leg and was on crutches or wheelchair. After the show the line was very, very long and I knew I could not stand that long. So I resorted to the wheelchair. As we approached the table we were talking with Cliff and I mentioned I wanted to take a picture with Ray. And I was wearing another special shirt that said 'I still love Ray Price' Ray heard us and immediately got up and came around the table. He helped me out of the chair, signed my shirt and my son took our picture. On that particular night Ray was fighting a severe cold and was very sick, but that did not keep him from being his usual wonderful, considerate self. I could go on and on and on about Ray. He sure made a hit with my son who grew up on Ray Price music. I even told Ray my son, also named Clifton, could say Ray Price almost as soon as he could say Mommy. Thanks for all you do to promote 'our guy'. Florine It Wasn't Just A Cock-and-Bull Story The first time I met Ray Price was at the Travis County Live Stock Show & Rodeo. My husband and I had only been married a couple of years and I told him I would love to go and see Ray Price. He told me sure we could go and that he had known Ray for many, many years and that he used to handle game roosters for Ray when Ray would fight them in Oklahoma and Louisiana. At this point I was glad to get to go but had major doubts about how well he knew Ray. We bought 4 front and center tickets and waited for what seemed like forever. The night finally come. We got all made up in our best rodeo clothes to go and see the great Ray Price. I didn't watch much of the rodeo for looking to see if Ray was at the autograph table and waiting to hear him sing. The whole way to the rodeo ( an hour drive one way) my husband kept saying him and Ray this, him and Ray did that. Me and the boys were really getting tired of hearing this and thinking that he was full of BS. Before Ray sang they announced he would sign autographs after the show. I set through the show in pure heaven. Ray's voice melting every bone. Right before he finished the last song I told my husband we had to hurry to the autograph place. We went and were first in line. In a few minutes a long, long line had formed. Earlier in the night I had bought a double album to get Ray to sign. My husband said don't buy it I'll get Ray to give you one. Again sure you will. I bought it anyway. We waited for what seemed like hours. The whole time my husband telling us more cute stories. Finally the lady behind us said sure you know him and laughed. That was what we had thought. About that time Ray came out stopped,looked at my husband and said 'Damn, boy, I haven't seen you for years.' They hugged and started talking as if they had just seen each other the day before. After we picked up our jaws, even the lady behind us, Ray chewed my husband out for buying the album and signed it for me. He told my husband that Duke and some of the other old group were up in the Ball Room. He told someone there with him to take us up to the Ball Room which was a black tie or suit and tie place. We were in jeans, western shirts, and boots. The materdee at the door told us you can't come in here you're not properly dressed an your not the type of people that come here. About that time the guy from Ray's band caught up with us and told him that they are guests of Mr. Price. You should have seen that guy jump threw the hoop. It was great. From then on we were believers. Every time we go and see Ray I ask for him to sing my favorite song For the Good Times and we stand in front of the band and it seems as if he is singing for just us. We had plans to go and see him again in Llano but he was sick. There would have been a second favorite to ask for this time Soft Rain. One day we will catch up with him and get it done. Friends and fans, The Skinners A Fan Club President Has Some Stories Too These reminiscences of fan club president Sandra Orwig are reprinted from her most recent newsleter. Ray was playing one of the largest Pennsylvania fairs with three other well-known country artists. Before the show began the head of the fair committee came to the bus and told Ray that if he did not want to autograph after the show he did not have to do so as the others were not going to do so. Ray's reply made me so proud. He said, "I don't care who autographs, I am." He was the top billed star and the only one that cared enough about his fans to stay out in the cold and sign every autograph. It was a very cold September night and Ray closed the show so it was very dark on the race track when he autographed. When he finished, Blondie said to him, "Let's go," and he said, "No, I have to go talk to Sandra's Dad." As most of you know, my father is handicapped and does not get to go see Ray often, but Ray made sure we were escorted to park by the bus and then, regardless of the cold, late hour and long trip ahead of him back to Texas, he took the time to talk with my Dad. Only one reason why he has "Touched My Heart." Sandra Orwig (from her newsletter #55) "His timeless music, incredible voice, and innovative genius have yet to be equalled by any other singer in today's country-music world." Ray Price is one of American music's truly great stars. He was inducted into Nashville's Country Music Hall of Fame in 1996, but has long shown his genius in other genres as well. After more than a half-century in the business, Ray can still belt out a song with the best of them, whether it's honky-tonk, country, pop, blues, jazz, or anything in between. With his May 2000 Buddha Records release--"Prisoner of Love"--Ray has delightfully proven this once again with a big-band-backed medley in many moods and styles. Audiences full of cheering fans still flock to his concerts whenever he's in town, and that's fairly often, for this vigorous Texan maintains a hefty tour schedule. On Inauguration Eve 2001, Ray was proud to be on stage in Washington, D.C., as one of the Texas performers who entertained enormous crowds at the Texas Black Tie and Boots Ball. This dynamic artist can be proud also of his role in the history of country music. In fact, he has helped to write that history as well as live it. He was born Noble Ray Price on January 12, 1926, near Perryville, Texas, and his musical talents became evident at an early age. While in college, Ray became a regular on KRLD radio's "Big D Jamboree" show in Dallas. On March 15, 1951, Ray signed with prestigious Columbia Records, and in 1952, moved to Nashville where his great friend and supporter was the legendary Hank Williams. Hank got Ray on the Grand Ole Opry and the two shared bachelor quarters during the last year of Hank's brief but memorable life. Ray's band was initially formed from the remnants of Hank Williams' band, the Drifting Cowboys. The band would later become the Cherokee Cowboys, and Ray himself would become known as the Cherokee Cowboy. Ray has always had an uncanny talent for recognizing quality in both music and musicians. The careers of many country music superstars, such as Willie Nelson, Roger Miller, Johnny Paycheck, Darrell McCall, Buddy Emmons, and Johnny Bush, began with Ray Price and the Cherokee Cowboys. Ray Price became noted for his magnificent show-stopping voice and honky-tonk hits throughout the 1950's. On the way to the top, he also helped revolutionize more than a few changes in country music. In 1956, when rock and roll was threatening to drown out the sounds of traditional country music, it took Ray's rendition of "Crazy Arms" to knock Elvis off the charts. That recording's 45 weeks at the top of the charts got people listening to country music again and clearly established Ray Price as a leader in the field. But Ray has never been so traditional that he didn't innovate. During the "Crazy Arms" recording session, he added drums and a 4-4 bass and shuffle rhythm that redefined the way country music was played for years to come. Then, just when everyone else in country was turning to that sound, Ray, in 1967, went in a new direction and added a large string section and with his concert-calibre voice soared into a beautiful, show-stopping rendition of the classic, "Danny Boy." Audiences were stunned by its beauty. His "Danny Boy" album made him new fans in sections of the country far beyond the Mason- Dixon line. But some in Nashville and the South thought he had deserted country music and didn't take it well. Unperturbed, Ray went on to new heights with his early 1970's hits, "For the Good Times," and "I Won't Mention it Again." He refused to accept boundaries between country and pop. Music was music. A lot of Ray's strong feeling about artificial boundaries in music goes back to his close association with his mentor and close friend, Hank Williams. Ray resented the fact that Hank's songs were eagerly accepted by the pop world but the country singer himself was not. At least in that day and age. A few year later he would have been, according to Ray. But not then. Erasing the lines between country and pop became a vital issue for Ray Price. With his own brand of individualism, he continues to cross musical boundaries and create songs and sounds for everyone. His latest album, "Prisoner of Love," was recorded with a 50-piece orchestra. It combines old country standards with beautiful ballads from all eras, and includes a few new songs never before recorded. This Country Music Hall of Fame legend is the soul of country music. He continues to be creative and expand conventional boundaries with his music, while never forgetting his roots. His timeless music and incredible commitment to performing has made him a bridge between the early days of country to today's contemporary country music. The Los Angeles Times has declared Ray Price to be 'a national treasure.' Another newspaper has compared him to Frank Sinatra. Ask any Ray Price fan, however, if that's true. Most of them will tell you that Ray Price has no equal anywhere when it comes to delivering a song and pleasing an audience. Born: January, 12, 1926 Years Active: 50's 60's 70's 80's 90's 2000's Related Artists: Kitty Wells, Harlan Howard, Carl Butler, Allan Sisters, Ferlin Husky sponsored content by biggerboat Released: 10/30/2007 1 disc / 21 Tracks Label: Warner Bros. Compare Prices Click for Additional Details Larry the Cable Guy Christmastime in Lar... Track Hear Sample Track Time 1 Introduction & Opening Monol... 6:41 2 Lapquest 0:31 3 Eulogy 2:59 4 Tobacco Company Choir 1:20 5 Plus-Sized Fashion Shorts 1:06 6 Nativity Scene 6:36 7 Farting Jingle Bells 0:38 8 Bobblehead Heating Dolls 1:06 9 Comedian Muhammad & Oscar 0:47 10 Holiday Carols 1:52 11 Santa's Q&A 10:58 12 Nutcracker 0:34 13 Dysfunctional Family Christmas 3:34 14 Liberal Commie Environmental... 3:25 15 Magic O' the Mime 1:43 16 1-900... 0:58 17 Chitmunks 4:06 18 Patriotic Poem 2:57 19 Medley of Carols 0:49 20 Closing Monologue 3:22 more tracks... Released: 10/30/2007 1 disc / 21 Tracks Label: Warner Bros. Hear Samples Click for Additional Details Seller Availability Price Buy.com In Stock $12.98 Amazon Usually ships in 24 hours $13.97 CDUniverse In Stock $14.74 Walmart Check site $14.88 J&R In Stock $14.99 Barnes & Noble Usually ships in 24 hours $18.99 You Might Also Like... Larry the Cable Guy Christmastime in Larryland Upcoming Concerts 12/01/07 Stafford Centre for the Performing Arts - Amphitheater Stafford TX view all tour information Ray Price has covered -- and kicked up -- as much musical turf as any country singer of the postwar era. He's been lionized as the man who saved hard country when Nashville went pop, and vilified as the man who went pop when hard country was starting to call its own name with pride. Actually, he was -- and still is -- no more than a musically ambitious singer, always looking for the next challenge for a voice that could bring down roadhouse walls. Circa 1949, Price cut his first record for Bullet in Dallas. In 1951, he was picked up by Columbia, the label for which he would record for more than 20 years. After knocking around in Lefty Frizzell's camp for six months or so (his first Columbia single was a Frizzell composition) Price befriended Hank Williams. The connection brought him to the Opry and profoundly affected his singing style. After Hank died, Price starting stretching out more as a singer and arranger. His experimentation culminated in the 4/4 bass-driven "Crazy Arms," the country song of the year for 1956. The intensely rhythmic sound he discovered with "Crazy Arms" would dominate his -- and much of country in general's -- music for the next six years. To this day, people in Nashville refer to a 4/4 country shuffle as the "Ray Price beat." Heavy on fiddle, steel, and high tenor harmony, his country work from the late '50s is as lively as the rock & roll of the same era. Price tired of that sound, however, and started messing around with strings. His lush 1967 version of "Danny Boy" and his 1970 take on Kris Kristofferson's "For the Good Times" were, in their crossover way, landmark records. But few of his old fans appreciated the fact. In the three decades following "For the Good Times," Price's career was often an awkward balancing act in which twin Texas fiddles are weighed against orchestras. Born in tiny Perryville, TX, Price spent most of his youth in Dallas. It was there where he learned how to play guitar and sing. Following his high school graduation, he studied veterinary medicine at North Texas Agricultural College in Abilene before he left school to join the Marines in 1942. Price stayed in the service throughout World War II, returning to Texas in 1946. After leaving the Marines, he initially returned to college, yet he began to perform at local clubs and honky tonks, as well as on the local radio station KRBC, where he was dubbed the Cherokee Cowboy. Three years later, he was invited to join the Dallas-based The Big D Jamboree, which convinced him to make music his full-time career. Shortly after joining The Big D Jamboree, the show began to be televised by CBS, which helped him release a single, "Your Wedding Corsage"/"Jealous Lies," on the independent Dallas label Bullet. Price moved to Nashville to pursue a major-label record contract in 1951. After auditioning and failing several times, Ray finally signed to Columbia Records, after A&R representative Troy Martin convinced the label's chief executive, Don Law, that Decca was prepared to give the singer a contract. Previously, Law was uninterested in Price -- he turned him down 20 times and threatened Martin never to mention his name again -- but he was unprepared to give a rival company a chance at the vocalist. Just before "Talk to Your Heart" became a number three hit for Price in the spring of 1952, Ray met his idol, Hank Williams, who immediately became a close friend. Over the next year, Hank performed a number of favors for Price, including giving him "Weary Blues" to record and helping him join the Grand Ole Opry. Ray also became the permanent substitute for Hank whenever he was missing or too drunk to perform. Following Williams' death in 1953, Price inherited the Drifting Cowboys. Following the success of "Don't Let the Stars Get in Your Eyes" in the fall of 1952, Price was quiet for much of 1953. It wasn't until 1954 that he returned to the charts with "I'll Be There (If You Ever Want Me)," a number two hit that kicked off a successful year for Price that also included the Top Ten singles "Release Me" and "If You Don't, Somebody Else Will." Instead of capitalizing on that success, he disappeared from the charts during 1955, as he spent the year forming the Cherokee Cowboys. Over the course of the past two years, he had realized that performing with the Drifting Cowboys had made him sound too similar to Hank Williams, so he decided to form his own group. Originally, most of the members were lifted from Lefty Frizzell's Western Cherokees, but over the years a number of gifted musicians began their careers in this band, including Roger Miller, Johnny Paycheck, Buddy Emmons, Johnny Bush, and Willie Nelson. Ray returned to the charts in 1956, first with "Run Boy" and then with "Crazy Arms," a driving honky tonk number that immediately became a country classic. The song was one of the first country records to be recorded with a drum kit, which gave it a relentless, pulsating rhythm. Until Price, most country artists were reluctant to use drums and the instrument was even banned from the stage of the Grand Ole Opry. The blockbuster status of the single helped change that situation. Spending an astonishing 20 weeks at the top of the country charts, "Crazy Arms" not only crossed over into the lower reaches of the pop charts, but it also established Price as a star. After the success of the single, he remained at or near the top of the charts for the next ten years, racking up 23 Top Ten singles between the 1956 and 1966. During this time, he recorded a remarkable number of country classics, including "I've Got a New Heartache" (number two, 1956), "My Shoes Keep Walking Back to You" (number one, 1957), "Make the World Go Away" (number two, 1963), and "City Lights," which spent 13 weeks at the top of the charts in 1958. The momentum of Price's career had slowed somewhat by the mid-'60s; though he was still having hits, they weren't as frequent nor as big. His musical inclinations were also shifting, bringing him closer to the crooning styles of traditional pop singers. Ray abandoned the cowboy suits and brought in strings to accompany him, making him one of the first to explore the smooth, orchestrated sounds of late-'60s and early-'70s country-pop. While it alienated some hardcore honky tonk fans, the change in approach resulted in another round of Top Ten hits. However, it took a little while for the country audience to warm to this new sound -- it wasn't until 1970, when his cover of Kris Kristofferson's "For the Good Times" hit number one, that he returned to the top of the charts. Over the next three years, he scored an additional three number one singles ("I Won't Mention It Again," "She's Got to Be a Saint," "You're the Best Thing That Ever Happened to Me"). By the mid-'70s, the appeal of his string-laden country-pop hits had diminished, and he spent the rest of the decade struggling to get into the charts. In 1974, he left his long-time home of Columbia Records to sign to Myrrh, where he had two Top Ten hits over the next year. By the end of 1975, he had left the label, signing to ABC/Dot. Though he hadn't changed his style, his records became less popular around the same time he signed to ABC/Dot; only 1977's "Mansion on the Hill" gained much attention. In 1978, he switched labels again, signing with Monument, which proved to be another unsuccessful venture. In 1980, Price reunited with his old bassist Willie Nelson, recording the duet album San Antonio Rose, which was a major success, spawning the number three hit "Faded Love." San Antonio Rose reignited Ray's career, and in 1981 he had two Top Ten singles -- "It Don't Hurt Me Half as Bad" and "Diamonds in the Stars" -- for his new label, Dimension. Price left Dimension in 1983, signing with Warner Records. He remained at the label for one year, and by that time, his new spell of popularity had cooled down considerably; now, he was having trouble reaching the Top 40. That situation didn't remedy itself for the remainder of the decade, even though he signed with two new labels: Viva (1983-1984) and Step One (1985-1989). By the late '80s, Price had stopped concentrating on recording and had turned his efforts toward a theater he owned in Branson, MO. For most of the '90s, he sang and performed at his theater in Branson, occasionally stopping to record. Of all of his '90s records, the most notable is the 1992 album Sometimes a Rose, which was produced by Norro Wilson. (Less)

Channel: 123video

Tags: arms crazy price ray ray price: crazy arms (jerry lee lewis: first sun single)

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N.W.A - I ain't the one

12,

04:56,

2007-12-24 11:20:11

Description: Classic song from N.W.A (Ice Cube). Enjoy! Here are the lyrics for you intrested... Do you think you could give me some money to get my hair done?] How short's your hair right now? (More) Classic song from N.W.A (Ice Cube). Enjoy! Here are the lyrics for you intrested... Do you think you could give me some money to get my hair done?] How short's your hair right now? [Well you know I get it done every week, and I need my nails done too] Look, I'ma tell you like this Verse One: I ain't the one, the one to get played like a pooh butt See I'm from the street, so I know what's up On these silly games that's played by the women I'm only happy when I'm goin up in em But you know, I'm a menace to society But girls in biker shorts are so fly to me So I step to em, with aggression Listen to the kid, and learn a lesson today See they think we narrow minded Cause they got a cute face, and big-behinded So I walk over and say "How ya doin?" See I'm only down for screwin, but you know ya gotta play it off cool Cause if they catch you slippin, you'll get schooled And they'll get you for your money, son Next thing you know you're gettin their hair and they nails done Fool, and they'll let you show em off But when it comes to sex, they got a bad cough Or a headache, it's all give and no take Run out of money, and watch your heart break They'll drop you like a bad habit cause a brother with money yo, they gotta have it Messin with me though, they gets none You can't juice Ice Cube girl, cause I ain't the one Interlude One: [Girrrrrl, you got to get these brothers for all the money you can honey. Cause if they ain't got no money, they can't do nothin for me but get out of my face.] [I know what you mean girl, it ain't nothin right jumpin off unless he got dollars] Verse Two: Sometimes I used to wonder How the hell an ugly dude get a fine girl's number He's gettin juiced for his ducats I tell a girl in a minute yo, I drive a bucket And won't think nuttin of it She can ride or walk, either leave it or love it I show her that I'm not the O, the N-E, say I'm a ruthless N-I double-G A Cause I'm gamin on a female that's gamin on me You know I spell girl with a B A brother like me is only out for one thing I think with my ding-a-ling, but I won't bring no flowers to your doorstep, when we goin out Cause you'll take it for granted, no doubt And after the date, I'ma want to do the wild thing You want lobster huh? I'm thinking Burger King And when I take you, you get frustrated You can't juice Ice Cube and you hate it But you see, I don't go nuts Over girls like you with the BIG ol butts It start comin out the pocket, to knock it But when the damage is done... You can only lay me girl, you can't play me girl For the simple fact that, I ain't the one Interlude Two: [I don't care how they look if they got money, we can hook up but they ain't gettin none.] [Yeah I just make em think they gonna get some, play up they mind a lil bit, and get that money.] [Oh Ice Cube, can I have some money pleeeease?] Verse Three: Give you money why bother Cause you know I'm lookin nothin like your father Girl, I can't be played or ganked Ganked means getting took for your bank Or your gold or your money or something Nine times outta ten, she's giving up nothing They get mad when I put it in perspective But let's see if my knowledge is effective To the brothas man they robbing you blind Cause they fine with a big behind, but pay it no mind Keep your money to yourself homie and if you got enough game You'll get her name and her number Without going under You can't leave em and love and stay above em I used to get no play now she stay behind me Cause I said I had a Benz 190 But I lied and played the one Just to get some now she feels dumb To my homies it's funny But that's what you get trying to play me for my money Now don't you feel used But I don't give hoot, huh, because I knock boots You shouldn't be, so damn material And try to milk Ice Cube like cereal Now how many times do I have to say it Cause if I have to go get a gun You girls will learn I don't burn You think I'm a sucka, but I ain't the one Outro: [But you said you love me!] I don't see no rings on this finger [Why you doin me like this? I love you!] Yeah you love my money, I got what I wanted -- beat it (Less)

Channel: youtube

Tags: attitude blood crip cube dr dr. dre eazy eazy-e eazye gangsta gangster ice ice-cube mc nigga niggaz rap ren with

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Vol. 10 Teaser-Get in the Car Aunt Luisa The Toll Co...

4,

00:47,

2008-03-17 10:18:15

Description: www.Filmporium.com The Animation Show of Shows Volume 10 Since 1998, The Animation Show of Shows has selected the best in animated short films from the world's most renowned animation (More)

Channel: youtube

Tags: academy animation award comedy funny oscar shorts winning

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Vol. 10 Teaser-Get in the Car, Aunt Luisa, Toll Coll...

11,

00:47,

2008-04-21 17:54:22

Description: www.Filmporium.com The Animation Show of Shows Volume 10 Since 1998, The Animation Show of Shows has selected the best in animated short films from the world's most renowned animation festivals (More)

Channel: youtube

Tags: academy animation award comedy oscar shorts trailer winning

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Vol. 10 Teaser-Get in the Car Aunt Luisa The Toll Co...

12,

00:47,

2008-04-21 17:54:22

Description: www.Filmporium.com The Animation Show of Shows Volume 10 Since 1998, The Animation Show of Shows has selected the best in animated short films from the world's most renowned animation festivals (More)

Channel: youtube

Tags: academy animation award comedy funny oscar shorts winning

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Jonas Brothers love story- It all began at 7:05 (Cha...

8,

01:21,

2008-03-28 22:21:11

Description: Recap: They can't find Allison. Nick: Let's check the basement. Nichole: Ok. If she isn't down there I'm going to be really scared and worried. They walked down the (More) Recap: They can't find Allison. Nick: Let's check the basement. Nichole: Ok. If she isn't down there I'm going to be really scared and worried. They walked down the stairs holding hands. When they get to the bottom they could hear what sounded like people kissing. They walked a little further and saw Kirsten on top of Kevin on the couch. They were both shirtless and pantless but had their underwear on. Nichole had to slap her hand over her mouth to keep from making any noise. They didn't want to be there for whatever happened next so they went upstairs, disappointed that they couldn't find Allison. Nichole: I'm going to erase what I just saw down there and concentrate on calling Allison. Nick: Try her cell phone. Maybe she'll answer or we'll at least be able to hear it if it's here. Nichole: Good idea *dials Allison's number* Hey I can hear it! Nick: Oh yeah me too. It's coming from in there. *opens a closet door and finds Allison sitting on the floor crying into her hands* Nichole: Oh Allison! *gives her a big hug* Nick: I'll let you girls talk. Let me know if you need anything. *kisses Nichole on the cheek and leaves* Nichole: Would you like to talk about what happened? Allison: *still crying* I hate Kirsten for ruining my life and that's all I have to say. Nichole: Kirsten? What did she do? Allison: She made my boyfriend break up with me. Nichole: How exactly? Allison: With her great looks and amazing personality. Ugh I just want to rip her hair out! Nichole: Ok calm down. Did Kirsten do anything with Joe that made you upset? Allison: No. Joe said it was all his decision because he's still in love with her. Nichole: I'm really sorry about that but I don't think you should be mad at Kirsten. She can't conrtol Joe's feelings. Allison: I guess you're right. I just wish Joe loved me not her. Nichole: I know. Give him some time. Maybe he'll realize he made a huge mistake. Allison: I hope so. What do you say we go finish watching the movie with Walter and Tara? Nichole: Sorry but that's a little too scary for me. Allison: That's alright. We can just go hang out with Nick for awhile. As long as you two promise not to start making-out in front of me. Nichole: Alright. I'll try to hold myself back from his great hair and huge muscles. *they run upstairs into Nick's room and hang out* (With Kevin and Kirsten) They were still making-out half naked on the couch downstairs. Kevin was now laying on top of Kirsten and they were really getting into it. Kevin: Babe... Kirsten: *in between kisses* What? Kevin: We...should stop...before...we go...any...farther...than...we're...suppoed...to. Kirsten: Good...idea. Kevin: *gets off of Kirsten and sits on the couch* Wow! That was really intense. Kirsten: You got that right. It's really cold down here. *reaches for her shirt* Kevin: Awww. But you look so adorable right now. Kirsten: Sorry. You'll just have to wait until some other time. *smiles* Kevin: Alright. If you say so. I love you so much. Kirsten: I love you more. Kevin: I want to be with you forever. Kirsten: Thay sounds wonderful to me. *start kissing again* Mr. J: Kevin!? Kevin: Shoot my dad's coming. Quick put your clothers back on! Kirsten: Ok. You too! Kevin: Oh right. Mr. J: Kevin are you down here? Kevin: Yeah dad. I'll be right up. Mr. J: That's alright I'll come down. Kevin: Kirsten hide! *standing in just his shorts* What's up dad? Mr. J: What are you doing down here? Kevin: Just relaxing why? Mr. J: I was going to see if you and Kirsten wanted to help me with throwing a surprise party for your mom. Kevin: Yeah. Sure. That sounds like fun. Mr. J: We have to do it tonight when your mom goes to sleep don't forget. Where's Kirsten anyway? Nick and Nichole said you guys were down here. Kevin: Well we were. But then she wanted to go for...a jog and I just felt like staying here. Mr. J: Aliright. *gives him a funny look* Just ask her if she wants to do that when gets back. Kevin: Yup. I will. See ya dad. Mr. J: Buh bye. *walks back upstairs* Kirsten: Wow. That was a close one. *still in her underwear* I can't find my pants, do you know where they are? Kevin: Uhm...oh they're right here. *throws them at her* Nice catch! Kirsten: Nice throw! We really shouldn't be left alone. Kevin: I know! We always come so close to doing...you know what. One of these times it's just going to...happen. Kirsten: It is. We can't let it though. Kevin: Nope. We just have to control ourselves, even if we do have a problem with that. Kirsten: I'll try my hardest if you try yours. Kevin: Deal. Right after this. *wraps his arms around her and they start making-out again* To be continued... (Less)

Channel: youtube

Tags: boys dating OneTrueMedia

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Vol. 10 Teaser-Get in the Car, Aunt Luisa, Toll Coll...

18,

00:47,

2008-03-14 17:57:18

Description: www.Filmporium.com The Animation Show of Shows Volume 10 Since 1998, The Animation Show of Shows has selected the best in animated short films from the world's most renowned animation (More)

Channel: youtube

Tags: academy animation award comedy oscar shorts trailer winning

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Boyz Doin Nuttin

80,

00:00,

2009-10-13 16:10:36

Description: One of my personal favorites in the entire Defiant stable, Lance looks abso-fuckin-lutely awesome in this new session. With a fresh buzz cut, fresh All-American face, and slightly sweaty blue soccer (More)

Channel: naughtymovies

Tags: Gay gay rockettube

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College Boy Physicals - Coach And Ty

283,

03:55,

2009-11-28 00:35:29

Description: Description: I had some time so I decided to bring Ty into the doctors office for his sports exam. I'm the new head coach and I'm in charge of the schools sports department. Ty is trying out (More) Description: I had some time so I decided to bring Ty into the doctors office for his sports exam. I'm the new head coach and I'm in charge of the schools sports department. Ty is trying out for the basketball team and I wanted to make sure that he gets into the clinic for his sports physical. The doctor showed us the exam room and had us wait for him since the clinic is really busy this time of year. The college campus was in full swing and many of the students are getting sick, needing sports exams and such so the doctor was really taking his time. While waiting, Ty tells me he's been to this clinic before and the doctors have sex with the patients. Being new to this school, I was a bit shocked and amazed that this was happening. As Ty was telling me this, he was stroking his cock through his basketball shorts. I have to admit, I was getting turned on by Ty's big bulge and I was very curious to see what was underneath those shorts. As Ty continued, he said coming to this particular clinic was a real turn and he was getting super horny. Perhaps something was in the air but I too couldn't help my self and I grabbed Ty's growing cock and starting stroking his cock. I removed his shorts and then proceeded to suck his cock and stroke his cock...I really enjoy my job now and having his hard throbbing cock in my mouth really made me want to cum. Ty was enjoying every moment of me sucking his cock. I had to be quick about it because I didn't want the doctor to come in and see what I've been doing. As I continued to suck his cock and it kept on growing, I took some lube and stroked his large thick cock. I took a firm hold and griped his cock and stroked it up & down and within moments, Ty came really hard and strong as spurts of hot boy cum was shooting out of his cock. I just love feeling a boys cock in my hand when he's cumming...the pulsating action and me being in control was a real turn on for me. After Ty came, I told him to clean up but I wasn't finished yet. Watch what I do to Ty in the next episode! (Less)

Channel: gaytube

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hollywood (jonas brothers love story) chapter 23 part 2

5,

00:19,

2008-05-17 21:25:23

Description: we are at lex's house with joe and lex.. joe: so what did you guys do tonight? lex: well we were going to go to tgifridays and we were there and then i decided i didn't want to be there (More) we are at lex's house with joe and lex.. joe: so what did you guys do tonight? lex: well we were going to go to tgifridays and we were there and then i decided i didn't want to be there so we were going out to the car and you will never guess who we ran into... joe: who? lex: demi, chelsea, and selena. joe: awh, no way. lex: yeah, so we all went to that sushi place downtown and we had a blast, and then jen wanted to hang out with nick, so we left. joe: so you had fun though right? lex: oh, yeah. it was a lot of fun. joe: good, but why didnt you want to be at tgifridays? lex: oh, its nothing, there was just someone there i didnt want to be around. joe: oh, who? lex: um, now one. so what did you do joe: no lex, tell me. why cant you tell me? lex: joe, no one. you will think i was being stupid, so just drop it. joe: no i wont. just tell me who it was... lex: fine, it was aly and aj, and i really didnt want them to see me. joe: why? what would they do to you? lex: aj has only threatend me not once, not twice, but three times.... joe: why?what did you do? lex: joe, are you stupid? cause im with you retard. joe: oh, well that is stupid...you shouldnt be scared of them, they wont do anything...they are big talk no walk. lex: i told you you would think it was stupid... joe: im sorry. but lex seriously dont worry about them, im nout going to let them do anything to you. lex: ok, but what did you guys do? joe: uhm, well me and nick were going to get something to eat and go to a movie... lex: yeah? joe: but my mom bought juno, and so i didnt want to leave, and i stayed home and watched it, and kevin is at dinner with allison and her dad and mom and dad went to see my moms sister, so nick was stuck at home lex: joe! i thought you were going to bring him out! joe: i know, but juno is like my favorite movie, and i wanted to watch it. lex: oh my.... joe: yeah. haha. lex: [looks at the clock] wow 1:00 jen is still at your place.. joe: she wil probably end up stying the night. lex: i dont want to stay hear by myself... joe: you can come and stay at my place, or i can stay here with you... [smile and puts his forhead to her and looks down at her] lex: will you? cause i dont want to bother jen, and i my parents arent even in the freakin country.. joe: of corse. lex: thank you [kisses him] [then joe lays down and lex lays down infront of him and he puts her arms close to her chest grasping onto his shirt and he wrapped his arms around her waist/tourso, and she fell asleep, joe kisses her on the forehead, and falls asleep too] [with nick and jen...] [nick and jen fell asleep on the couch, but nick wakes up to the house phone ringing, so he gently lets go of jen and gets up to go into the kitchen and answer the phone, but jen wakes up when nick go up, so she got up and goes into the kitchen ...] jen: [whispers cause nick is on the phone] im going to go to sleep, bye nick: hang on a second please [covers the phone] no it is too late for you to walk home, and joe is probably asleep at your house.. jen: ok, i wil just stay here tonight then, im going to go upstairs. nick: ok, i will only be a little bit. jen: mkay. [jen walks upstairs to nicks room, and goes into the bottom drawers of nick's dressor and get out a pair of basketball shorts and a big t-shirt, so she goes into the bathroom and changes into them, she lays down on his bed and turns on the tv and drifts to sleep....] (Less)

Channel: youtube