Search results for the title self titled ep
35, 
03:11, 
2008-02-02 07:16:06 Description: Artist: LowBuz
Title: On the ledge
Album: Breaking Point
Label: Perfect Records
--------------------------------------------------------------------------------
YOU CAN DOWNLOAD IT HERE (More) Artist: LowBuz
Title: On the ledge
Album: Breaking Point
Label: Perfect Records
--------------------------------------------------------------------------------
YOU CAN DOWNLOAD IT HERE FOR FREE:
[ http://www.ilike.com/artist/Lowbuz ]
--------------------------------------------------------------------------------
If I could turn back this time
You would see what's inside
Your eyes to me are like a mirror
It swirls inside of my mind
There's just so much on the line
Is honesty always the answer now?
Chorus:
I'm on the ledge
Can't fall down
See me on the edge
I'm on the ledge
Breaking down
See me on the edge
I know that I just can't hide
I gamble just let it ride
It's much too hard to turn away
It's all such a surprise
I can tell it all from your eyes
It's all I can do to keep my head up now.
Chorus:
I'm on the ledge
Can't fall down
See me on the edge
I'm on the ledge
Breaking down
See me on the edge
I'm on the ...I'm on the...I'm on the...LEDGE
--------------------------------------------------------------------------------
What is LowBuz?
"Ask any member of this band that question and you might get four different answers states lead singer Jeff Dixon, "I think of it as therapy. An introspective soundtrack to everyday life. when you're down at the bottom, frustration and anger take over. But there is always hope for a better tomorrow. These are the kind of emotions people deal with everyday." Forged from the ashes of other local New Jersey bands, guitarist Mike Koenig and drummer L.j. Gravine first began to write in early 2001. Dave Neabore, bassist from such notable bands as Dog Eat Dog and Mucky Pup, soon came on board to strengthen and polish their ideas. After months of failed auditions and false starts, the trio stumbled upon an unknown, unproven, and somewhat reluctant singer, Jeff Dixon.
With his powerful voice, and his dark lyrics and infectious choruses, the puzzle was finally complete, and LowBuz was born. The band immediately took to the studio and completed their debut self-titled EP. With music ranging from heavy and loud, to moody and melodic, LowBuz has a unique sound all its own.
LowBuz is a hard rock band from New Jersey. If you're a fan of crunching guitar, and infectious melodies, then LowBuz may be for you. LowBuz has seen much success on college and internet radio and has been winning fans over every show they play with their high engery set. LowBuz also had a song placed in the Atari/Moonbyte studio video game Crash Day. Now with 3 Ep's and to many shows to count under their belt, LowBuz has entered their home bass Crystal Studios to write and record their first full length record due in the fall. (Less)
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8, 03:01, 2008-05-12 05:12:48 Description: Artist: LowBuz
Title: Inside
Label: Perfect Records
--------------------------------------------------------------------------------
YOU CAN DOWNLOAD IT HERE FOR FREE:
[ (More) Artist: LowBuz
Title: Inside
Label: Perfect Records
--------------------------------------------------------------------------------
YOU CAN DOWNLOAD IT HERE FOR FREE:
[ http://www.ilike.com/artist/Lowbuz ]
--------------------------------------------------------------------------------
I don't care what it costs
I don't care about the loss
All my life's been a fucking mess
All is right, I'm with you
feels unfair that we're through
Had enough and I need to forget
Let me be inside...let me be the one
It's not right in my head
feels inside like I'm dead
All I know is it won't go away
I don't care what the cost
It's worth all the loss
All my life's been spent here waiting for you
Let me be inside... let me be the one
You make me feel alive... on the inside
I feel like I have died... it's all I want
It makes me feel alive... it's all I try
Let me be inside... let me be the one
You make me feel alive... you've always been the one
I feel like I have died... I bury all my pride
Let me be inside... Just want to be inside
--------------------------------------------------------------------------------
What is LowBuz?
"Ask any member of this band that question and you might get four different answers states lead singer Jeff Dixon, "I think of it as therapy. An introspective soundtrack to everyday life. when you're down at the bottom, frustration and anger take over. But there is always hope for a better tomorrow. These are the kind of emotions people deal with everyday." Forged from the ashes of other local New Jersey bands, guitarist Mike Koenig and drummer L.j. Gravine first began to write in early 2001. Dave Neabore, bassist from such notable bands as Dog Eat Dog and Mucky Pup, soon came on board to strengthen and polish their ideas. After months of failed auditions and false starts, the trio stumbled upon an unknown, unproven, and somewhat reluctant singer, Jeff Dixon.
With his powerful voice, and his dark lyrics and infectious choruses, the puzzle was finally complete, and LowBuz was born. The band immediately took to the studio and completed their debut self-titled EP. With music ranging from heavy and loud, to moody and melodic, LowBuz has a unique sound all its own.
LowBuz is a hard rock band from New Jersey. If you're a fan of crunching guitar, and infectious melodies, then LowBuz may be for you. LowBuz has seen much success on college and internet radio and has been winning fans over every show they play with their high engery set. LowBuz also had a song placed in the Atari/Moonbyte studio video game Crash Day. Now with 3 Ep's and to many shows to count under their belt, LowBuz has entered their home bass Crystal Studios to write and record their first full length record due in the fall. (Less)
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16, 03:02, 2008-03-27 14:45:11 Description: Artist: LowBuz
Title: What's Done is Done
Album: Breaking Point
Label: Perfect Records
--------------------------------------------------------------------------------
YOU CAN (More) Artist: LowBuz
Title: What's Done is Done
Album: Breaking Point
Label: Perfect Records
--------------------------------------------------------------------------------
YOU CAN DOWNLOAD IT HERE FOR FREE:
[ http://www.ilike.com/artist/Lowbuz ]
--------------------------------------------------------------------------------
Moving forward, no I'm never looking back again
Time to move on and face what's in front of me
Not time to live with regrets, fuck the questions
They'll never get answers anyway, no anyway.
Can't you see that I feel this deep inside
You know I must move forward
Got to live with, live with this shame
Turn things into positive
Fuck the regrets, I'm keepng my eyes on the prize in front of me and I will win.
Got to live with this, got to move ahead
Got to deal with this, you know I've made my bed
Gotta get over this, another page gets turned
Got to forget all this before I end up hurt.
Can't you see that I feel this deep inside
You know I must move forward
You know I can be candid
And I need to change my ways for me
Live with all the shame
I deal with all the pain
I know that I am twisted
But realize you did this
It never seems to go away
I never seem to run away
I can't seem to get away
It never seems to go away.
--------------------------------------------------------------------------------
What is LowBuz?
"Ask any member of this band that question and you might get four different answers states lead singer Jeff Dixon, "I think of it as therapy. An introspective soundtrack to everyday life. when you're down at the bottom, frustration and anger take over. But there is always hope for a better tomorrow. These are the kind of emotions people deal with everyday." Forged from the ashes of other local New Jersey bands, guitarist Mike Koenig and drummer L.j. Gravine first began to write in early 2001. Dave Neabore, bassist from such notable bands as Dog Eat Dog and Mucky Pup, soon came on board to strengthen and polish their ideas. After months of failed auditions and false starts, the trio stumbled upon an unknown, unproven, and somewhat reluctant singer, Jeff Dixon.
With his powerful voice, and his dark lyrics and infectious choruses, the puzzle was finally complete, and LowBuz was born. The band immediately took to the studio and completed their debut self-titled EP. With music ranging from heavy and loud, to moody and melodic, LowBuz has a unique sound all its own.
LowBuz is a hard rock band from New Jersey. If you're a fan of crunching guitar, and infectious melodies, then LowBuz may be for you. LowBuz has seen much success on college and internet radio and has been winning fans over every show they play with their high engery set. LowBuz also had a song placed in the Atari/Moonbyte studio video game Crash Day. Now with 3 Ep's and to many shows to count under their belt, LowBuz has entered their home bass Crystal Studios to write and record their first full length record due in the fall. (Less)
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75, 03:05, 2008-04-22 08:38:05 Description: Another great video filmed @ Sacramento's finest rock venue! FLYLEAF @ The Boardwalk - Sacramento 2006 http://www.flyleafmusic.com/ Flyleaf is an alternative metal band from the Belton, Texas (More) Another great video filmed @ Sacramento's finest rock venue! FLYLEAF @ The Boardwalk - Sacramento 2006 http://www.flyleafmusic.com/ Flyleaf is an alternative metal band from the Belton, Texas area. Currently on the A&M/Octone Records label, the band has previously played as Listen and Passerby. They became the most prominent in Texas under Passerby, but due to an existing band owning the rights to that name, their name was changed to Flyleaf after they were signed. "A flyleaf is the blank page at the front of a book," explains Lacey Mosley, Flyleaf's singer. "It's the dedication page, the place you write a message to someone you're giving a book to, and, that's kind of what our songs are—personal messages that provide a few moments of clarity before the story begins." The band cites influences such as the Foo Fighters, Incubus and Nirvana. http://www.myspace.com/flyleaf Early on Lacey Mosley started playing music with James Culpepper, later, guitarists Jared Hartmann and Sameer Bhattacharya were recruited. "Sameer and Jared are really experimental with melodies and pedals, and we all had different influences that were all blending together with the same passionate and hopeful heart, and that brought out this beautiful feeling. It was magical," said Mosley. Bassist Pat Seals joined in 2000 after leaving his previous band The Grove. As Passerby, the band released three EPs and played over 100 shows in Texas alone over the span of two years under the booking and promotion company Runt Entertainment.In 2004, Passerby played a showcase for the president of RCA in New York City in hopes of getting signed. RCA put the band on hold, but the president of Octone Records, who had been secretly invited to the showcase, was very interested in the band. They waited for two days in their van at a truck stop for a phone call about an Octone showcase. They were signed after the showcase, and on January 7, 2004, Octone Record's website announced their arrival to the label. In March of 2004, Flyleaf traveled to Seattle, Washington to record an EP with Rick Parasher. Afterwards, they toured with Breaking Benjamin, Staind and 3 Doors Down to promote their self-titled EP. In October, the EP was released to stores, spawning their first official single and video for the EP version of "Breathe Today". In 2005, the band recorded their first full-length album with Howard Benson. On October 4, 2005, the record was released under the title Flyleaf. Appearances on the album include Dave Navarro of Jane's Addiction and Ryan White of Resident Hero. The first mainstream single from their debut album was "I'm So Sick", "Fully Alive" was the second and "All Around Me" was the third. Early 2006 the band moved to J Records as a part of an exclusive band development deal between J Records, RCA, and Octone Records, the band is also distributed to Christian markets under SRE Recordings. In the summer of 2006, the band played on the mainstage of the Family Values Tour 2006 and in late 2006, Flyleaf toured with Disturbed, Stone Sour and Nonpoint on the Music As A Weapon III Tour. The band issued an exclusive EP, which was sold at the tour called Music As A Weapon EP which features an acoustic version of "Fully Alive", and three previously unreleased tracks: "Much Like Falling", "Justice And Mercy", and "Christmas Song". A portion of the proceeds from the sale of the EP went to World Vision. http://wc06.allmusic.com/cg/amg.dll?p=amg&sql=11:aifuxqwsldfe n 2007 Flyleaf have toured with Three Days Grace and throughout Australia with the Australian Soundwave Festival, and have also toured Europe with Stone Sour and Forever Never. In the spring of 2007, Flyleaf headlined their Justice & Mercy Tour which first featured Skillet and Dropping Daylight. Later on they did a second leg of the tour which featured Sick Puppies, Kill Hannah and Resident Hero. Flyleaf will again join the Family Values Tour in 2007.[9] The song "I'm So Sick" appeared briefly in the 2007 film Live Free Or Die Hard. Also a remix of "I'm So Sick" will be in the upcoming movie Resident Evil: Extinction. They are also currently working on a new album which is to be announced. Flyleaf also released a song entitled "Tina" which first debuted in the release of Guitar Hero 3 which appears on the Companion Disk Set. On October 30th, Flyleaf also released a digital EP titled "Much Like Falling Ep." The songs included on this EP were "Much Like Falling", an acoustic version of "Supernatural", the limitely released song "Tina", and fan favorite "Justice and Mercy." The EP is avalible on itunes along with the expanded edition of their debut album. http://www.flyleaflyrics.net/ (Less)
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17, 06:44, 2008-04-22 09:04:16 Description: Idaho-based band Built to Spill performs at the Chameleon Club in Lancaster, Pa. in July of 2007. Former Treepeople leader Doug Martsch formed Built to Spill in 1992 with Brett Netson and Ralf Youtz (More) Idaho-based band Built to Spill performs at the Chameleon Club in Lancaster, Pa. in July of 2007. Former Treepeople leader Doug Martsch formed Built to Spill in 1992 with Brett Netson and Ralf Youtz as the band's original members. In an interview with Spin magazine, Martsch stated that he intended to change the band's lineup for every album, himself being the only permanent member. After the band's first album, Ultimate Alternative Wavers (1993), the lineup changing idea held true, as both Netson and Youtz were replaced by Brett Nelson (not Netson), who has also performed with The Suffocation Keep, and Andy Capps for 1994's There's Nothing Wrong With Love. A compilation album called The Normal Years, consisting of recordings by both the first and second trios, was released in 1996. Between recording albums in 1995, the band gained exposure by playing on the Lollapalooza tour. Martsch signed Built to Spill to Warner Bros. Records in 1995. Unlike many artists signed to major labels, however, the deal the band brokered with Warner Bros. allowed it to retain a large degree of creative control over future albums. Built to Spill produced its first major label release in 1997 with Perfect From Now On. By this time, the band consisted of Martsch, Nelson, Netson, and Scott Plouf. Perfect From Now On met with critical success and caused Built to Spill to become one of the United States' most recognizable indie rock bands. Before releasing another album, Martsch made Nelson and Plouf permanent members of the band. In 1999, the band released Keep It Like a Secret to continued critical success, and for the first time, significant commercial success. In response to fan requests, the Live album was released in 2000. The band's fifth studio album, Ancient Melodies of the Future, was released in 2001. Martsch also released Now You Know, a solo album with both blues and folk elements, in 2002. After 2002, Warner Bros. Records signed the band to another album. Built to Spill did not tour as a band in 2002 although Doug Martsch performed numerous solo concerts in support of his solo album. From 2003 to 2005, Built to Spill toured extensively with over 150 live performances, playing new songs live as early as 2004. In 2004, the band confirmed rumors that they had recorded another studio album in Portland, Oregon, titled You In Reverse. The album was not released in 2005 due to difficulties associated with the use of a new recording facility, inefficiencies associated with self-producing the album and time constraints. You in Reverse, the first studio album in five years, was released on April 11, 2006. The band's official lineup for the album featured Martsch, Nelson, Plouf, and Jim Roth, who was formerly a touring guitarist only. Former band member Brett Netson provided guitar work on several songs, Quasi's Sam Coomes provided keyboard work and Steve Lobdell, the owner of the Portland studio, plays on almost every song for the album including guitar, piano, vibes and percussion. Netson rejoined Built to Spill as an official member in 2006 after touring with the band in 2005. The band announced an April/May 2006 tour in February 2006 in support of You in Reverse. In late March 2006, however, frontman Doug Martsch suffered a detached retina that required surgery, causing the band to cancel its appearance at the South by Southwest music festival and postpone several of their tour dates. The band rescheduled the April and May tour dates in the fall, but most June dates on the West were not postponed. At their June 3, 2006 show, their first of the 2006 tour, Built to Spill played four unreleased songs that were not included on You in Reverse. This show also included the dedication of the song "Car" to former band member Andy Capps who had died a few weeks earlier. Built to Spill has also reportedly been recording for their follow-up to You In Reverse on and off throughout their current tour. Possible tracks, album name, release date, etc. are still unknown. Doug Martsch recently stated that he doesn't want to tour in the United States until the band starts recording. The writing process has been slow so far. In 2007, Built To Spill released They Got Away EP both tracks on it were reggae influenced the title track being an original and a cover of the Gladiators "re-arrange." (Less)
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16, 03:02, 2008-04-22 09:46:43 Description: Artist: LowBuz Title: What's Done is Done Album: Breaking Point Label: Perfect Records -------------------------------------------------------------------------------- YOU CAN DOWNLOAD IT (More) Artist: LowBuz Title: What's Done is Done Album: Breaking Point Label: Perfect Records -------------------------------------------------------------------------------- YOU CAN DOWNLOAD IT HERE FOR FREE: [ http://www.ilike.com/artist/Lowbuz ] -------------------------------------------------------------------------------- Moving forward, no I'm never looking back again Time to move on and face what's in front of me Not time to live with regrets, fuck the questions They'll never get answers anyway, no anyway. Can't you see that I feel this deep inside You know I must move forward Got to live with, live with this shame Turn things into positive Fuck the regrets, I'm keepng my eyes on the prize in front of me and I will win. Got to live with this, got to move ahead Got to deal with this, you know I've made my bed Gotta get over this, another page gets turned Got to forget all this before I end up hurt. Can't you see that I feel this deep inside You know I must move forward You know I can be candid And I need to change my ways for me Live with all the shame I deal with all the pain I know that I am twisted But realize you did this It never seems to go away I never seem to run away I can't seem to get away It never seems to go away. -------------------------------------------------------------------------------- What is LowBuz? "Ask any member of this band that question and you might get four different answers states lead singer Jeff Dixon, "I think of it as therapy. An introspective soundtrack to everyday life. when you're down at the bottom, frustration and anger take over. But there is always hope for a better tomorrow. These are the kind of emotions people deal with everyday." Forged from the ashes of other local New Jersey bands, guitarist Mike Koenig and drummer L.j. Gravine first began to write in early 2001. Dave Neabore, bassist from such notable bands as Dog Eat Dog and Mucky Pup, soon came on board to strengthen and polish their ideas. After months of failed auditions and false starts, the trio stumbled upon an unknown, unproven, and somewhat reluctant singer, Jeff Dixon. With his powerful voice, and his dark lyrics and infectious choruses, the puzzle was finally complete, and LowBuz was born. The band immediately took to the studio and completed their debut self-titled EP. With music ranging from heavy and loud, to moody and melodic, LowBuz has a unique sound all its own. LowBuz is a hard rock band from New Jersey. If you're a fan of crunching guitar, and infectious melodies, then LowBuz may be for you. LowBuz has seen much success on college and internet radio and has been winning fans over every show they play with their high engery set. LowBuz also had a song placed in the Atari/Moonbyte studio video game Crash Day. Now with 3 Ep's and to many shows to count under their belt, LowBuz has entered their home bass Crystal Studios to write and record their first full length record due in the fall. (Less)
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17, 03:05, 2007-02-12 10:06:24 Description: Another great video filmed @ Sacramento's finest rock venue! FLYLEAF @ The Boardwalk - Sacramento 2006 http://www.flyleafmusic.com/
Flyleaf is an alternative metal band from the Belton, Texas (More) Another great video filmed @ Sacramento's finest rock venue! FLYLEAF @ The Boardwalk - Sacramento 2006 http://www.flyleafmusic.com/
Flyleaf is an alternative metal band from the Belton, Texas area. Currently on the A&M/Octone Records label, the band has previously played as Listen and Passerby. They became the most prominent in Texas under Passerby, but due to an existing band owning the rights to that name, their name was changed to Flyleaf after they were signed. "A flyleaf is the blank page at the front of a book," explains Lacey Mosley, Flyleaf's singer. "It's the dedication page, the place you write a message to someone you're giving a book to, and, that's kind of what our songs are—personal messages that provide a few moments of clarity before the story begins." The band cites influences such as the Foo Fighters, Incubus and Nirvana. http://www.myspace.com/flyleaf Early on Lacey Mosley started playing music with James Culpepper, later, guitarists Jared Hartmann and Sameer Bhattacharya were recruited. "Sameer and Jared are really experimental with melodies and pedals, and we all had different influences that were all blending together with the same passionate and hopeful heart, and that brought out this beautiful feeling. It was magical," said Mosley. Bassist Pat Seals joined in 2000 after leaving his previous band The Grove.
As Passerby, the band released three EPs and played over 100 shows in Texas alone over the span of two years under the booking and promotion company Runt Entertainment.In 2004, Passerby played a showcase for the president of RCA in New York City in hopes of getting signed. RCA put the band on hold, but the president of Octone Records, who had been secretly invited to the showcase, was very interested in the band. They waited for two days in their van at a truck stop for a phone call about an Octone showcase. They were signed after the showcase, and on January 7, 2004, Octone Record's website announced their arrival to the label.
In March of 2004, Flyleaf traveled to Seattle, Washington to record an EP with Rick Parasher. Afterwards, they toured with Breaking Benjamin, Staind and 3 Doors Down to promote their self-titled EP. In October, the EP was released to stores, spawning their first official single and video for the EP version of "Breathe Today".
In 2005, the band recorded their first full-length album with Howard Benson. On October 4, 2005, the record was released under the title Flyleaf. Appearances on the album include Dave Navarro of Jane's Addiction and Ryan White of Resident Hero. The first mainstream single from their debut album was "I'm So Sick", "Fully Alive" was the second and "All Around Me" was the third.
Early 2006 the band moved to J Records as a part of an exclusive band development deal between J Records, RCA, and Octone Records, the band is also distributed to Christian markets under SRE Recordings. In the summer of 2006, the band played on the mainstage of the Family Values Tour 2006 and in late 2006, Flyleaf toured with Disturbed, Stone Sour and Nonpoint on the Music As A Weapon III Tour. The band issued an exclusive EP, which was sold at the tour called Music As A Weapon EP which features an acoustic version of "Fully Alive", and three previously unreleased tracks: "Much Like Falling", "Justice And Mercy", and "Christmas Song". A portion of the proceeds from the sale of the EP went to World Vision. http://wc06.allmusic.com/cg/amg.dll?p=amg&sql=11:aifuxqwsldfe
n 2007 Flyleaf have toured with Three Days Grace and throughout Australia with the Australian Soundwave Festival, and have also toured Europe with Stone Sour and Forever Never. In the spring of 2007, Flyleaf headlined their Justice & Mercy Tour which first featured Skillet and Dropping Daylight. Later on they did a second leg of the tour which featured Sick Puppies, Kill Hannah and Resident Hero. Flyleaf will again join the Family Values Tour in 2007.[9] The song "I'm So Sick" appeared briefly in the 2007 film Live Free Or Die Hard. Also a remix of "I'm So Sick" will be in the upcoming movie Resident Evil: Extinction. They are also currently working on a new album which is to be announced.
Flyleaf also released a song entitled "Tina" which first debuted in the release of Guitar Hero 3 which appears on the Companion Disk Set.
On October 30th, Flyleaf also released a digital EP titled "Much Like Falling Ep." The songs included on this EP were "Much Like Falling", an acoustic version of "Supernatural", the limitely released song "Tina", and fan favorite "Justice and Mercy." The EP is avalible on itunes along with the expanded edition of their debut album. http://www.flyleaflyrics.net/ (Less)
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112, 03:53, 2008-04-17 15:10:07 Description: Rainbow were a hard rock and heavy metal band formed by former Deep Purple guitarist Ritchie Blackmore in 1975. In addition to Blackmore, the band originally consisted of former Elf members lead (More) Rainbow were a hard rock and heavy metal band formed by former Deep Purple guitarist Ritchie Blackmore in 1975. In addition to Blackmore, the band originally consisted of former Elf members lead singer Ronnie James Dio, keyboardist Mickey Lee Soule, bassist Craig Gruber, and drummer Gary Driscoll. Over the years Rainbow went through many lineup changes.---------------------------------History The Dio Years In 1974 Blackmore became infuriated at the funk/soul elements being introduced to Deep Purple by David Coverdale and Glenn Hughes as well as with the rejection from his bandmates of his suggestion to record a cover for inclusion in Stormbringer, and originally intended to record "Black Sheep of the Family", a song written and recorded by the band Quatermass, as a solo single to express that his ideas were being suppressed in Deep Purple. During recent US tours Deep Purple's support band had been Elf, and Ritchie had been impressed by Elf's singer, one Ronnie James Dio. Blackmore and Dio found they had such a creative rapport that a full album's worth of music was soon composed and they recorded it with Elf as a session band. Emboldened by the experience, Blackmore decided to leave Deep Purple and form his own band around Elf, effectively taking it over minus their guitarist and renaming it Rainbow. The name of the band was inspired by the Rainbow Bar and Grill in Hollywood that catered to rock stars, groupies and rock enthusiasts. Rainbow's debut album, Ritchie Blackmore's Rainbow, was released in 1975 and featured the minor hit "Man on the Silver Mountain". Rainbow's music was different from Deep Purple's. The music was more directly inspired by classical music and Dio wrote lyrics about medieval themes. Dio possessed a versatile vocal range capable of singing both hard rock and lighter ballads. Although Dio never played a musical instrument on any Rainbow album, he is credited with writing and arranging the music with Blackmore in addition to writing all the lyrics himself. Blackmore fired everybody except Dio shortly after the album was recorded and recruited drummer Cozy Powell (formerly of the Jeff Beck Group), bassist Jimmy Bain and American keyboard player Tony Carey. This lineup went on to record the next album Rising. This line-up also commenced the first world tour for the band, with the first US dates in late 1975. By the time of the European dates in the summer of 1976, Rainbow's reputation as a blistering live act was already established. Blackmore subsequently decided that Bain was substandard and fired him in January 1977, and the same fate befell Carey shortly after. However, Blackmore had difficulty finding replacements he liked. On keyboards he finally went for Canadian David Stone, from the little-known band Symphonic Slam. For a bass player, Blackmore originally chose Mark Clarke from the band Tempest, but once in the studio for the next album, Long Live Rock 'n' Roll, Blackmore disliked his playing so much that he fired Clarke on the spot and played bass himself on all but three songs on this album ("Gates of Babylon", "Kill the King", and "Sensitive To Light"). For these tracks he finally settled on Australian Bob Daisley. After the release and extensive world tour in 197778, Blackmore decided that he wanted to take the band in a new commercial direction away from the "sword and sorcery" theme. Dio did not agree with this change and left Rainbow. He would go to replace Ozzy Osbourne as the lead singer in Black Sabbath (coincidentally, Daisley, Powell and future Rainbow drummer Bobby Rondinelli also played with Black Sabbath at various times). Dio would later form his own self-titled band.----------------------Commercial Success Blackmore attempted to replace Dio with Ian Gillan, but Gillan turned him down, so after a series of auditions ex-Marbles vocalist Graham Bonnet was recruited instead. Ironically, Gillan would replace Dio later in his career, in Black Sabbath. Powell stayed but Daisley and Stone were both fired, replaced by keyboardist Don Airey and former Deep Purple bassist Roger Glover. The latter appointment was somewhat ironic as Blackmore had instigated the sacking of Glover from Deep Purple in 1973. The first album from the new lineup, Down to Earth, featured the band's first singles chart successes, "All Night Long" and the Russ Ballard penned "Since You Been Gone". On stage Bonnet possessed a powerful voice, but struggled with the band's quieter numbers and lacked Dio's range.[citation needed] In 1980, the band headlined the inaugural 'Monsters of Rock' festival at Castle Donington in England. However, this was Powell's last Rainbow gig as he had already given his notice to quit, disliking Blackmore's increasingly pop metal direction. He would go on to play for Michael Schenker, Whitesnake (which ironically was founded by David Coverdale) and Black Sabbath. Bonnet subsequently became disgruntled at the domination of Blackmore and Glover and also left to go solo. For the next album Bonnet and Powell were replaced by Americans Joe Lynn Turner, and Bobby Rondinelli respectively. The title track from the album, Difficult to Cure, was a version of Beethoven's Ninth Symphony. The album also contained the guitar piece, "Maybe Next Time". After the supporting tour Don Airey then quit over musical direction and was replaced on keyboards by David Rosenthal. The band attained significant airplay on Album-oriented rock radio stations in the US with the track "Jealous Lover", reaching #13 on Billboard Magazine's Rock Tracks chart, which tracked AOR airplay. Originally issued as the B-side to "Can't Happen Here", "Jealous Lover" subsequently became the title track to an EP issued in the US that featured very similar cover art to "Difficult to Cure". Rainbow's next full length studio album was Straight Between the Eyes. The album was more cohesive than Difficult to Cure and had more success in the United States. The band, however, was alienating some of its earlier fans with its more AOR sound.[citation needed] The single, "Stone Cold", was a ballad that had some chart success (#1 on Billboard Magazine's Rock Tracks chart) and the video of which received heavy airplay on MTV. The successful supporting tour skipped the UK completely and focused on the American market. A date in San Antonio, Texas on this tour was filmed and the resulting "Live Between the Eyes" also received repeated showings on MTV. Bent Out of Shape saw drummer Rondinelli fired in favour of Chuck Burgi. The album featured the single "Street Of Dreams". The song's video was banned by MTV for its supposedly controversial hypnotic video clip[1]. The resulting tour saw Rainbow return to the UK and also to Japan in March 1984 where the band performed 'Difficult to Cure' with a full orchestra. (The concert was also filmed.)------------------------Hiatus and regroup By April 1984, Blackmore and Glover had joined the reformed Deep Purple "Mark II" line-up, and Rainbow was disbanded. A final Rainbow album, Finyl Vinyl, was pieced together from live tracks and B-sides of singles. The album contained the instrumental Weiss Heim, widely available for the first time. Blackmore left Deep Purple in 1993 and formed a new Ritchie Blackmore's Rainbow with all new members. The band released Stranger in Us All in 1995 and embarked on a lengthy world tour. The tour proved very successful and a show in Germany was professionally filmed by 'Rockpalast'. It has never officially been released, but has been heavily bootlegged (and considered by many collectors to be the best Rainbow bootleg of the era). The live shows featured frequent changes in set lists and musical improvisations that proved popular with bootleggers and many shows are still traded over a decade later. However, fed up with stadium rock, Blackmore turned his attention to Renaissance and medieval music, a lifelong interest of his. Rainbow was put on hold once again, after playing its final concert in Esbjerg, Denmark in 1997. Blackmore, together with his partner Candice Night as vocalist, then formed the Renaissance-influenced Blackmore's Night who, as of 2007, are still recording albums, and performing small intimate tours completely in contrast to Rainbow's mammoth stadium shows. In late 1997, Cozy Powell approached Ritchie Blackmore to see if he would be interested in reforming the Rising line-up of Rainbow. Due to everyone's prior commitments, this proposed reunion was intended to last for just one tour, and by the time of Cozy's tragic death in April 1998, both Dio and Blackmore had almost given the project the green light. However, Cozy's death also brought about the demise of the long-anticipated reunion. In the decade since, many other rumours have been announced, from various web sources, of a future Dio/Blackmore Rainbow project, but both men have always been quick in dispelling these rumours as having no basis in fact.------------------------Members [edit] Lead Vocals Ronnie James Dio (1975-1978) Graham Bonnet (1979-1980) Joe Lynn Turner (1980-1984) Doogie White (1993-1997) [edit] Lead Guitar Ritchie Blackmore (1975-1984, 1993-1997) [edit] Keyboards Micky Lee Soule (1975) Tony Carey (1976-1978) David Stone (1978) Don Airey (1979-1981) David Rosenthal (1982-1984) Paul Morris (1993-1997) [edit] Bass Craig Gruber (1975) Jimmy Bain (1976-1978) Bob Daisley (1978) Roger Glover (1979-1984) Greg Smith (1993-1997) [edit] Drums Gary Driscoll (1975) Cozy Powell (1976-1980) Bobby Rondinelli (1980-1982) Chuck Burgi (1983-1984) John O'Reilly (1993-1995) Chuck Burgi (1996-1997) John Micelli (1997) Line-ups (1975) Ronnie James Dio - vocals Ritchie Blackmore - guitar Micky Lee Soule - keyboards Craig Gruber - bass Gary Driscoll - drums (1976-1978) Ronnie James Dio - vocals Ritchie Blackmore - guitar Tony Carey - keyboards Jimmy Bain - bass Cozy Powell - drums (1978) Ronnie James Dio - vocals Ritchie Blackmore - guitar David Stone - keyboards Bob Daisley - bass Cozy Powell - drums (1979-1980) Graham Bonnet - vocals Ritchie Blackmore - guitar Don Airey - keyboards Roger Glover - bass Cozy Powell - drums (1980-1981) Joe Lynn Turner - vocals Ritchie Blackmore - guitar Don Airey - keyboards Roger Glover - bass Bobby Rondinelli - drums (1982) Joe Lynn Turner - vocals Ritchie Blackmore - guitar David Rosenthal - keyboards Roger Glover - bass Bobby Rondinelli - drums (1983-1984) Joe Lynn Turner - vocals Ritchie Blackmore - guitar David Rosenthal - keyboards Roger Glover - bass Chuck Burgi - drums (1984-1993) Band split (1993-1996) Doogie White - vocals Ritchie Blackmore - guitar Paul Morris - keyboards Greg Smith - Bass John O'Reilly - drums (1996-1997) Doogie White - vocals Ritchie Blackmore - guitar Paul Morris - keyboards Greg Smith - Bass Chuck Burgi - drums (Less)
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66, 04:02, 2008-05-12 01:12:55 Description: MusicOz Award winners Super Massive have released the song that earned them the title of Best Alternative Artist of 2007. With its stiff, military groove, gorgeous, lush layers of synths, poetic (More) MusicOz Award winners Super Massive have released the song that earned them the title of Best Alternative Artist of 2007. With its stiff, military groove, gorgeous, lush layers of synths, poetic lyrics and evocative female vocal, "Fists In My Pocket" takes alternative pop music in a whole new direction.
After two and a half years of gigging and a couple of east coast tours, the self-titled Super Massive EP is out on May 17 via MGM to retail and online, with "Fists" its leading track.
Super Massive is the songwriting co-project of singer/writer Malina Hamilton-Smith and drummer/composer Glenn Abbott, best known for his work with Machine Gun Fellatio.
Teaming up in 2005, they found a shared interest in creating a true blend of dance and rock - meshing multi-layered synthscapes with the visceral impact of a full rock band. This four track EP is a taste of their work to date. (Less)
Channel: youtubeTags: 2007 2008 abbott alternative artist aus best fellatio Fists glenn malina Massive music MusicOz Pocket Super synths
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13, 05:50, 2008-04-21 16:17:50 Description: TESTAMENT perform "The Legacy" @ the Thrash Against Cancer show at the Pound SF in San Francisco 2005...also on the bill were HIRAX, BROCAS HELM, DREAMS OF DAMNATION, AGENT STEEL, KAOS, LAAZ (More) TESTAMENT perform "The Legacy" @ the Thrash Against Cancer show at the Pound SF in San Francisco 2005...also on the bill were HIRAX, BROCAS HELM, DREAMS OF DAMNATION, AGENT STEEL, KAOS, LAAZ ROCKIT, NEIL TURBIN'S DEATHRIDERS and more http://thrashagainstcancer.blogspot.com/ Testament is an American thrash metal band from California. Being one of the more influential American thrash metal bands, they were perhaps the most popular band of that scene to not break into the mainstream and see the success that the "Big Four of Thrash" did. Some of their records nonetheless entered the charts in major markets such as the United Kingdom and Germany. Testament has two Top 40 albums and one Top 50 album to its credit in the UK. Their 1999 album The Gathering also entered the Top 50 in Germany. They had minor top 100 album success in the United States. http://www.darklyrics.com/t/testament.html Testament was formed in the San Francisco area in 1983 by guitarist Eric Peterson and his cousin, Derrick Ramirez, also a guitarist, originally using the name Legacy. The band soon recruited bassist Greg Christian, drummer Mike Ronchette, and vocalist Steve Souza. Ramirez was subsequently replaced by young guitar prodigy Alex Skolnick, who had studied under the legendary bay-area guitarist Joe Satriani. The band released one self-titled 4 song demo in 1986. Ronchette left shortly after the recording and was replaced by Louie Clemente. Steve Souza subsequently left the band to join Exodus, and suggested that Chuck Billy should replace him on lead vocals. While recording their first album, the band was forced to change their name to Testament (which, according to Maria Ferrero in the May 2007 issue of Revolver, was suggested by Billy Milano of S.O.D.) because "The Legacy" was already trademarked by a jazz band. Testament's first album, The Legacy, was released in 1987 on Megaforce Records. It is a concise and technical album of vintage thrash metal, still referred to as a classic by many fans of the genre. Testament received instant fame within thrash circles and were often compared with fellow bay-area thrash pioneers Metallica. The band quickly managed to increase their exposure by heading out on a successful tour of America and Europe with Anthrax, who were then touring in support of their Among the Living album. On this tour the Live at Eindhoven EP was recorded. The next album, The New Order, was released in 1988, and found the band continuing in a similar vein. After another successful world tour the band headed back into the studio to record Practice What You Preach. Released in 1989, Practice was an extremely focused effort that minimized the occult and gothic themes found on their first two albums, instead focusing on real-life issues such as politics and corruption. The album was the band's most popular to date and even MTV took notice, giving the title track extensive airplay on Headbanger's Ball. However, Testament would never be able to equal the success they found with Practice. http://metalupdate.com/interviewbilly.html In 1990, Souls of Black was released to mixed reviews and slow album sales. Attempting to reconnect with an audience distracted by the growing grunge movement, Testament released The Ritual in 1992. The Ritual saw a stylistic move away from thrash to a slightly more traditional heavy metal sound. Sales were poor and the band began to implode. Billy stated in an interview for the sound of the record was by conflicting decisions on what sound the album should have been recorded. http://www.myspace.com/testamentlegions (Less)
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13, 06:41, 2008-04-22 08:54:19 Description: CLUTCH @ Club Xtreme - Cameron Park, CA 1998...also on the bill were SEVENDUST & STUCK MOJO http://pro-rock.com Though each of Clutch's albums is marked by its own distinct and cohesive (More) CLUTCH @ Club Xtreme - Cameron Park, CA 1998...also on the bill were SEVENDUST & STUCK MOJO http://pro-rock.com Though each of Clutch's albums is marked by its own distinct and cohesive sound, the band's musical style may be said to have migrated from metallic hardcore punk to hard rock over the course of its career, with strong blues influences becoming more prominent in later years. As vocalist/guitarist Neil Fallon notes, "We've been really conscious of the blues over the last couple of years, and you have to admit that the blues really is the source of all rock and roll. I think it's important to go to the source to find that inspiration."[1] Clutch's lyrics, at first angry and serious in tone, had by the time of 1993's Transnational Speedway League become characterized by intelligence, wordplay, and often humor (although comedy is not usually the focus). Their songs make frequent reference to history, mythology, popular culture, and religion—for example, "I Have the Body of John Wilkes Booth", from their self-titled album, tells the story of a fisherman who discovers the corpse of Lincoln's assassin in the Susquehanna River, and Jam Room's "Release the Kraken" inserts a hero called "Useless the Younger" into the movie Clash of the Titans. At other times the lyrics contain some very surreal imagery, as in this quote from Robot Hive/Exodus's "Burning Beard": "Every time I look out my window/ same three dogs looking back at me. Every time I open my windows/ cranes fly in to terrorize me." Formed in 1991, Clutch built a local following through constant gigging, and after just one 7" single (the classic Earache release "Passive Restraints") Clutch was signed by EastWest Records. Their debut LP, Transnational Speedway League, followed in 1993. A self-titled album appeared two years later and afforded Clutch some mainstream exposure. They jumped to the larger Columbia label for 1998's Elephant Riders, and many thought the group might join their sonic cousins Korn and Deftones in the alternative metal winner's circle. That didn't quite happen. But it didn't matter, because a quality fan base continued to thrive for Clutch. Pure Rock Fury appeared in 2001. The title track was initially released as the first single from the band's Atlantic debut. However, the Program Director for North Carolina Rock station, WXQR (Rock 105), Brian Rickman, suggested that the label switch singles to another track from the album: "Careful With That Mic". Atlantic did so and Clutch was afforded a surprise hit single. The follow-up tracks, "Immortal" and "Open Up The Border" were also well received by American Rock stations. The similarly uncompromising Blast Tyrant came three years later as their first for DRT Records. Again, the band enjoyed more Rock radio airplay thanks to the single "The Mob Goes Wild" (with a video directed by Bam Margera). Their seventh full-length, Robot Hive/Exodus, followed in 2005 and featured the first lineup change since the early '90s, the addition of organist Mick Schauer. Among Clutch's numerous side releases were a groove-based album (2000's Jam Room), as well as Live at the Googolplex and the rarities record Slow Hole to China, both issued in 2003. Also issued in 2005, Pitchfork & Lost Needles combined Clutch's 1991 Pitchfork 7" with unreleased demos and early tracks. In the fall of 2006, the band hit the studio with producer Joe Barresi (Kyuss, Melvins, Tool) to record their next album; the resulting From Beale Street to Oblivion appeared in March 2007. While the band has not recovered their previous radio airplay with subsequent releases, Clutch have accumulated a devoted cult following. This following has been cultivated by an ambitious touring schedule; the band has often performed more than 100 shows per year. In fact, a 30-plus-date U.S. tour has been scheduled for early 2007, with a European tour following that. As of January 24, 2007, the track "Electric Worry" can be streamed online. The album was leaked onto the internet in early March. Critical reaction to the album has been overwhelmingly positive: the influential magazine Metal Hammer called it a future classic, the best album the group has ever produced, and easily a front runner for album of the year. [edit] Members * Neil Fallon -- vocals, guitar, harmonica * Tim Sult -- guitar * Dan Maines -- bass guitar * Jean-Paul Gaster -- drums * Mick Schauer -- organ [edit] Trivia and other info * Clutch fans often refer to themselves as "gearheads", in reference to the fact that a clutch is a transmission component. * In 1997, "Escape From the Prison Planet" appeared in the movie Escape From L.A.. * Clutch tracks have appeared in three video games: o In 2003, "Impetus" found its way onto the soundtrack for Tony Hawk's Underground. o In 2004, "Immortal" was featured in, Hitman: Contracts. o In 2006, "10001110101" could be played on a jukebox at the start of Prey. * In their 2005 album Robot Hive / Exodus, Clutch pays homage to the Canadian rock band Rush in the song "10001110101". The song makes references to the song "2112 Part II: The Temples of Syrinx" from the 1976 album 2112 and has a similar chorus to Rush's song "The Body Electric" from the 1984 album Grace Under Pressure to which the lyrics are "1001001". * Clutch has also contributed 2 songs, "The Mob Goes Wild" and "Careful With That Mic...", to the extreme mountain biking movie series New World Disorder. [edit] Other projects In the late 1990s, Clutch and its sibling project The Bakerton Group (an instrumental blues band composed of Clutch members Maines, Sult, Gaster, and Schauer) formed an independent record label, River Road Records, to release their own music. River Road does not sign any other artists. To date, The Bakerton Group has only released one 3-track EP, Space Guitars, which is available to download for free from Clutch's official website. http://capitalchaos.net (Less)
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22, 04:36, 2008-04-22 09:10:51 Description: ALL plays 1st european tour 90's. This was in Bologne, Italy, at Nel Cantiere, november 10 1990. When renowned (and often copied) Los Angeles punk rockers the Descendents were forced to go on (More) ALL plays 1st european tour 90's. This was in Bologne, Italy, at Nel Cantiere, november 10 1990. When renowned (and often copied) Los Angeles punk rockers the Descendents were forced to go on hiatus in the late '80s when singer Milo Aukerman left the group to attend college full time, the remaining members decided to carry on under a different name: ALL (lifted from the title of the Descendents' final 1987 studio recording). Former Descendents members Bill Stevenson (drums), Stephen Egerton (guitar), and Karl Alvarez (bass) were all in attendance, as former Dag Nasty frontman Dave Smalley assumed vocal duties. The group signed on with the Cruz label, issuing an EP and a full-length album in 1988, Allroy for Prez and Allroy Sez, before Smalley was replaced with Scott Reynolds. The Reynolds-led version of ALL issued four albums overall: 1989's Allroy's Revenge, 1990's Trailblazer: Live and Allroy Saves, and 1992's Percolator (in addition to their own releases, the entire band backed original Descendents' bass player Tony Lombardo on his 1991 solo release New Girl, Old Story, which was credited to Tonyall). Soon after, it was then Reynolds' turn to bid the band farewell (later turning up in the bands Goodbye Harry and the Pavers) and Chad Price stepped in, resulting in such further releases as the band's last release for Cruz, 1993's Breaking Things. 1995's brief allegiance with a major label (Interscope) brought Pummel before they signed on with Epitaph and issuing 1998's Mass Nerder, 1999's self-titled release, and 2000's Problematic. In 1996, Aukerman and Stevenson teamed up once more to briefly reunite the Descendents (with ALL members Alvarez and Egerton filling in for the others), resulting in a tour and an all-new studio album, Everything Sucks. (Less)
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19, 09:20, 2008-04-22 09:10:52 Description: When renowned (and often copied) Los Angeles punk rockers the Descendents were forced to go on hiatus in the late '80s when singer Milo Aukerman left the group to attend college full time, the (More) When renowned (and often copied) Los Angeles punk rockers the Descendents were forced to go on hiatus in the late '80s when singer Milo Aukerman left the group to attend college full time, the remaining members decided to carry on under a different name: ALL (lifted from the title of the Descendents' final 1987 studio recording). Former Descendents members Bill Stevenson (drums), Stephen Egerton (guitar), and Karl Alvarez (bass) were all in attendance, as former Dag Nasty frontman Dave Smalley assumed vocal duties. The group signed on with the Cruz label, issuing an EP and a full-length album in 1988, Allroy for Prez and Allroy Sez, before Smalley was replaced with Scott Reynolds. The Reynolds-led version of ALL issued four albums overall: 1989's Allroy's Revenge, 1990's Trailblazer: Live and Allroy Saves, and 1992's Percolator (in addition to their own releases, the entire band backed original Descendents' bass player Tony Lombardo on his 1991 solo release New Girl, Old Story, which was credited to Tonyall). Soon after, it was then Reynolds' turn to bid the band farewell (later turning up in the bands Goodbye Harry and the Pavers) and Chad Price stepped in, resulting in such further releases as the band's last release for Cruz, 1993's Breaking Things. 1995's brief allegiance with a major label (Interscope) brought Pummel before they signed on with Epitaph and issuing 1998's Mass Nerder, 1999's self-titled release, and 2000's Problematic. In 1996, Aukerman and Stevenson teamed up once more to briefly reunite the Descendents (with ALL members Alvarez and Egerton filling in for the others), resulting in a tour and an all-new studio album, Everything Sucks. (Less)
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298, 08:16, 2007-04-13 06:52:15 Description: SLAYER perform Bitter Peace & Death's Head on the "Diabolus In Music" world tour @ Sacramento Memorial Auditorium 1998...also on the bill were FEAR FACTORY, KILGORE & THE (More) SLAYER perform Bitter Peace & Death's Head on the "Diabolus In Music" world tour @ Sacramento Memorial Auditorium 1998...also on the bill were FEAR FACTORY, KILGORE & THE COUNCIL...Slayer is an American thrash metal band, formed in 1981 by guitarists Jeff Hanneman and Kerry King. Slayer rose to fame as a leader of the American thrash metal movement with their 1986 release Reign in Blood, which has been called "the heaviest album of all time.The band is credited as one of the "Big Four" thrash metal bands, along with Megadeth, Metallica, and Anthrax.
Slayer is known for its musical traits, involving fast tremolo picking, guitar solos, double bass drumming, and shouting vocals. The band's lyrics and album art, which cover topics such as serial killers, Satanism, religion and warfare have generated album bans, delays, lawsuits and strong criticism from religious groups and the public.
Since their debut record in 1983, the band has released two live albums, one box set, two DVDs, two EPs, and ten albums, four of which have received gold certification. The band has received two Grammy nominations, winning one in 2007 for the song "Eyes of the Insane", and headlined music festivals worldwide, including Ozzfest, The Unholy Alliance and the Download Festival. http://slayer.net Early days (1981--1982)
Slayer formed in 1981, when guitarist Kerry King met Jeff Hanneman while auditioning for a band. The two recruited bassist and vocalist Tom Araya, who had played with King in a band called Quits, and drummer Dave Lombardo who met King while delivering pizzas. The band began playing cover versions of Iron Maiden and Judas Priest songs at clubs and parties in Southern California. Early shows relied on a Satanic image, which featured pentagrams, make-up, spikes, and inverted crosses A rumor has the band originally known as Dragonslayer, after the 1981 movie of the same name. However, when King was asked "How did you come up with the name Dragonslayer, King responded "We never did; it's a myth to this day."
The band was offered to open for Bitch at the Woodstock Club in Los Angeles, performing eight songs — six being covers. While performing the song "Phantom of the Opera" by Iron Maiden the band was spotted by Brian Slagel, a former music journalist who had recently founded Metal Blade Records. Impressed with Slayer's performance, Slagel met with the band backstage and asked them to record an original song, "Aggressive Perfector"(sample (help·info)) for his upcoming Metal Massacre III compilation. The band agreed and the song created underground buzz, which led to Slagel offering the band a recording contract with Metal Blade. http://myspace.com/slayer
Show No Mercy (1983--1984)
Without a recording budget, the band was forced to self-finance its debut album. Combining the savings of Araya, who was employed as a respiratory therapist,[9] and money borrowed from King's father,[2] the band entered the studio in November 1983. The album was rushed into release, hitting shelves three weeks after tracks were completed. Show No Mercy, released in December 1983 by Metal Blade Records, generated underground popularity for the band, and they began their first national club tour in 1984 to promote the album traveling in Araya's Camaro towing a U-Haul trailer.[2] The tour gave the band additional popularity; sales of Show No Mercy reached more than 20,000 in the US and another 20,000 worldwide.[8]
Slayer's Show No Mercy covered topics such as Satanism, Hell, and the Devil.
Slayer's Show No Mercy covered topics such as Satanism, Hell, and the Devil.
In August 1984, Slayer released a three song EP, entitled Haunting the Chapel. The EP featured a darker, more thrash-oriented style than its predecessor, and laid the groundwork for the future direction of the band.[10] The opening track, "Chemical Warfare," has become a live staple, played at nearly every show since 1984. After the release of Haunting the Chapel, Slayer made its live European debut at the Heavy Sounds Festival in Belgium opening for UFO,[11] returning to the US to begin the Haunting The West Coast tour.[12]
Following the tour, King temporarily left Slayer to join Dave Mustaine's new band Megadeth.[13] Hanneman was worried about King's decision, stating in an interview "I guess we're gonna get a new guitar player".[2] While Mustaine wanted King to stay on a permanent basis, King rejoined Slayer after five shows, stating Megadeth was "taking too much of my time".[2] The split caused a rift between King and Mustaine, which evolved into a long running feud between the two bands.[14] Following King's return, the band embarked on the 1984 Combat Tour, with Venom and Exodus, and released a live album titled Live Undead in November.
[edit] Hell Awaits (1985--1986)
Slayer released its first live home video in 1985, dubbed Combat Tour: The Ultimate Revenge. The video featured live footage filmed at New York's Studio 54 club, on the band's 1984 tour with Venom and Exodus. By early 1985, Show No Mercy had sold over 40,000 copies,[8] which lead to the band returning to the studio to record a second full length album. Metal Blade financed a recording budget, which allowed the band to hire producer Ron Fair.
Released in September 1985, Slayer's second full length release Hell Awaits expanded on the darkness of Haunting the Chapel, with hell and Satan as common song subjects. The album was the band's most progressive offering, featuring longer and more complex song structures.[2] The intro is a backwards recording of a demonic-sounding voice repeating "Join us," ending with "Welcome back" before the track begins.[15]
[edit] Reign in Blood (1986--1987)
Following the success of Hell Awaits, Slayer was offered a recording contract with Rick Rubin's newly founded Def Jam Records, a largely rap-based label.[2] The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore influenced song structures.[2]
The release of Reign in Blood was delayed due to the nature of its artwork and lyrical themes.
The release of Reign in Blood was delayed due to the nature of its artwork and lyrical themes.
Def Jam's distributor, Columbia Records refused to release the album Reign in Blood, due to its graphic graphic cover art and lyrical themes.[2] "Angel of Death", detailed the Nazi concentration camps and human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy Reign in Blood did not appear on Geffen Records release schedule.[2] Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at #94,[16] and the band's first album certified gold in the United States.[17]
In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band were added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid."[2] To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo's wife convinced Dave to return in 1987.[2] At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero.[2] Although the band was not happy with the final product, Hanneman deeming it a poor representation of Slayer and King labeling it "a hunk of shit", it was the first songs to garner radio airplay.[2]
[edit] South of Heaven (1988--1989)
Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempo incorporating melodic singing, rather than screaming. Hanneman asserted; "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird—we've never done that on an album, before or since."[2]
1988's South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at #57 on the Billboard 200,[16] and the second album to receive gold certification in the United States.[17] Press response to the album was mixed, with All Music Guide citing the album as "disturbing and powerful",[18] and Rolling Stone calling it "genuinely offensive satanic drivel".[19] King says "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.[2]
[edit] Seasons in the Abyss (1990--1993)
Slayer returned to the studio with co-producer Andy Wallace in 1989, to record their fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood", while retaining their new found melodic sense.[20] Seasons in the Abyss, released in October 1990, was the first Slayer album to be released under Rubin's new Def American label, as he parted ways with Def Jam owner Russell Simmons over creative differences. The album debuted at #44 on the Billboard 200,[16] and was certified gold in 1992.[17] The title track, spawned Slayer's first music video, which was filmed in front of the Giza pyramids in Egypt prior to the Gulf War.
Slayer returned as a live act in September 1990 to co-headline the European Clash of the Titans tour with Megadeth, Suicidal Tendencies, and Testament. With the popularity of American thrash at its peak, the tour was extended to the US beginning in May 1991, with Megadeth, Anthrax and opening act Alice in Chains. The band released a double live album, Decade of Aggression in 1991, to celebrate ten years. The compilation debuted at #55 on the Billboard 200.[16]
In May 1992, Lombardo quit the band due to conflicts with other members, as well as arguments over his wish to bring his wife on tour.[21] Lombardo formed his own band Grip Inc, with Voodoocult guitarist Waldemar Sorychta,[22] and Slayer recruited former Forbidden drummer Paul Bostaph to fill his place. Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington. Bostaph's first studio effort was a medley of three Exploited songs, "War", "UK '82", and "Disorder", with rapper Ice-T, for the Judgment Night movie soundtrack in 1993.[23]
[edit] Divine Intervention (1994--1995)
In 1994 Slayer released Divine Intervention, the band's first record with drummer Bostaph. The record became the band's highest charting at that time, debuting at #8 on the Billboard 200.[16] The album featured songs boasting about Reinhard Heydrich, an architect of the Holocaust, Jeffrey Dahmer, "213" his apartment number where he murdered, raped, and tortured seventeen victims. Other themes included murder, the evils of church, and the lengths to which governments will go to wield power, Araya's interest in serial killers inspired much of the lyrical content.[9][24]
Music sample:
* "SS-3" (1994) (file info) — [Play media] play in browser (beta)
o SS-3 is about Reinhard Heydrich, an architect of the Holocaust. SS-3 refers to the license plate number of the car he was killed in.
o Problems listening to the file? See media help.
Slayer geared up for a world tour in 1995, with openers Biohazard and Machine Head. A video of concert footage, Live Intrusion was released, featuring a joint cover of Venom's "Witching Hour" with Machine Head. Relations between Slayer and Machine Head have since badly deteriorated.[25] Following the tour, Slayer were billed fourth at the 1995 Monsters of Rock festival, headlined by Metallica.
[edit] Undisputed Attitude (1996--1997)
In 1996, Undisputed Attitude, an album of punk covers, was released. The band covered songs by Minor Threat, T.S.O.L., D.R.I., D.I., Dr. Know, Verbal Abuse and Iggy and the Stooges. The album featured three original tracks, "Gemini", "Can't Stand You", "Ddamm" written by Hanneman in 1984--1985 for a side project entitled "Pap Smear". Bostaph left Slayer shortly after the album's release to work on his own project, The Truth about Seafood. With Bostaph's departure, Slayer recruited Testament drummer Jon Dette, and headlined the 1996 Ozzfest alongside Ozzy Osbourne, Danzig, Biohazard, Sepultura, and Fear Factory. Dette was fired after a year, due to a fallout with band members; Bostaph returned to continue the tour.[26]
A lawsuit was brought against the band in 1996, by the parents of Elyse Pahler, who accused the band of encouraging their daughter's murderers through their lyrics.[27] Elyse was drugged, strangled, stabbed, trampled on, and raped as a sacrifice to the devil by three fans of the band.[27] The case was unsealed by the court on May 19, 2000, stating Slayer and related business markets distribute harmful products to teens, encouraging violent acts through their lyrics,[27] and "none of the vicious crimes committed against Elyse Marie Pahler would have occurred without the intentional marketing strategy of the death-metal band Slayer".[28] The lawsuit was dismissed in 2001, for multiple reasons including "principles of free speech, lack of a duty and lack of foreseeability".[29] A second lawsuit was filed by the parents, an amended complaint for damages against Slayer, their label, and other industry and label entities. The lawsuit was dismissed; Judge E. Jeffrey Burke stated "I do not consider Slayer's music obscene, indecent or harmful to minors."[29]
[edit] Diabolus in Musica (1998--2000)
Diabolus in Musica (Latin for "The Devil in Music")[30] was released in 1998, and debuted at #31 on the Billboard 200, selling over 46,000 copies.[31] The album received a mixed critical reception and was criticized for adopting characteristics of nu-metal music such as tuned down guitars, murky chord structures, and churning beats. Blabbermouth.net reviewer Borijov Krgin described the album as "a feeble attempt at incorporating updated elements into the group's sound, the presence of which elevated the band's efforts somewhat and offered hope that Slayer could refrain from endlessly rehashing their previous material for their future output.",[32] while New York Time's Ben Ratliff had similair sentiments by saying "eight of the 11 songs on Diabolus in Musica, a few of which were played at the show, are in the same gray key".[33] However, Adrien Begrand of PopMatters said the songs "Bitter Peace", "Death's Head", and "Stain of Mind"; "blow away anything that young pretenders like Slipknot have put out."[34]
The album was the band's first with drop D tuning, as featured on the lead track, "Bitter Peace",(sample (help·info)) making use of the musical range referred to in the Middle Ages as the tritone or Devil's scale.[35] Slayer teamed up with digital hardcore group Atari Teenage Riot to record a song for the Spawn soundtrack titled "No Remorse (I Wanna Die)". The band later payed tribute to Black Sabbath by recording a cover of "Hand of Doom" for the second of two tribute albums, entitled Nativity in Black II. A world tour followed to support the new album, with Slayer making an appearance at the United Kingdom Ozzfest 1998 alongside Black Sabbath, Ozzy Osbourne, Foo Fighters, Pantera, Soulfly, Fear Factory, and Therapy?.
[edit] God Hates Us All (2001--2005)
The original cover of God Hates Us All was deemed "too graphic", so a slip-insert was created to allow the album to be distributed.
The original cover of God Hates Us All was deemed "too graphic", so a slip-insert was created to allow the album to be distributed.
After delays regarding remixing and artwork,[36] including slip covers created to cover the original artwork as it was deemed "too graphic", God Hates Us All was released on September 11, 2001. The band received its first Grammy nomination for the lead track "Disciple", although the Grammy was awarded to Tool, for "Schism".[37] Promotional material announcing the album title and release drew an unintended connection with the September 11 terrorist attacks.
The attacks jeopardized the 2001 European tour Tattoo the Planet originally set to feature Pantera, Static X, Biohazard and Vision of Disorder. Dates were canceled or postponed due to flight restrictions, with a majority of bands deciding to withdraw, leaving Slayer and Static X remaining for the European leg of the tour.[38] Pantera, Vision of Disorder and Biohazard were replaced by Cradle of Filth and other bands dependent on location; Amorphis, In Flames, Moonspell, Children of Bodom, and Necrodeath. Drummer Bostaph left Slayer before Christmas in 2001, due to a chronic elbow injury which would hinder his ability to play.[39] Slayer's "God Hates Us All" tour was unfinished so King contacted original drummer Lombardo, and asked if he would like to finish the remainder of the tour. Lombardo accepted the offer, and stayed as a permanent member.[39]
Slayer toured playing Reign in Blood in its entirety throughout the fall of 2003, under the tour banner "Still Reigning". Their playing of the final song "Raining Blood" culminated with the band drenched in a rain of fake blood. Live footage of this was recorded at the Augusta Civic Center in Augusta, Maine, on July 11, 2004 and released on the 2004 DVD Still Reigning. The band also released War at the Warfield and a box set, Soundtrack to the Apocalypse featuring rarities, live CD and DVD performances and various Slayer paraphernalia.
From 2002 to 2004 the band performed over 250 tour dates, headlining major music festivals including H82k2, Summer tour, Ozzfest 2004, the Download Festival and a European tour with Slipknot. While preparing for the Download Festival in England, Metallica drummer Lars Ulrich was rushed to hospital with a mysterious illness, and was unable to perform.[40] Metallica vocalist James Hetfield searched for volunteers at the last minute to replace Ulrich; Lombardo and Slipknot drummer Joey Jordison volunteered, with Lombardo performing the songs "Battery" and "The Four Horsemen".[40]
[edit] Christ Illusion (2006--present)
The album Christ Illusion was originally scheduled for release on June 6, 2006, and would be the first album with original drummer Lombardo since 1990's Seasons in the Abyss.[41]. However, the band decided to delay the release of the record as they did not want to be among the many, according to King, "half-ass, stupid fucking loser bands" releasing records on June 6,[42] although USA Today reported the idea was thwarted because the band failed to secure sufficient studio recording time.[43] Instead, Slayer released Eternal Pyre on June 6 as a limited-edition EP. Eternal Pyre featured the song "Cult", a live performance of "War Ensemble" in Germany, video footage of the band recording "Cult", and a five minute video of a Slayer fan carving the band's name onto his forearm. Five thousand copies were released and sold exclusively through Hot Topic chain stores, and sold out within hours of release.[44] On June 30, Nuclear Blast Records released a 7" vinyl picture disc version limited to a thousand copies.[45]
Christ Illusion was released on August 8, 2006, and debuted at #5 on the Billboard 200, selling over 62,000 copies in its first week.[46] The album became Slayer's highest charting, improving on its previous highest charting album, Divine Intervention, which had debuted at #8. However, despite its high positioning, the album dropped to #44 in the following week.[47] Three weeks after the album's release Slayer were inducted into the Kerrang! Hall of Fame for their influence to the heavy metal scene.[48]
Slayer performing at The Unholy Alliance Tour
Slayer performing at The Unholy Alliance Tour
A worldwide tour dubbed The Unholy Alliance, was undertaken to support the new record. The tour was originally set to launch on June 6, but was postponed to June 10, as Araya had to undergo gall bladder surgery.[49] In Flames, Mastodon, Children of Bodom, Lamb of God, and Thine Eyes Bleed, Which features Araya's brother Johnny Araya, were supporting Slayer.[50] The tour made its way through America and Europe and the bands who participated, apart from Thine Eyes Bleed, reunited to perform at Japan's Loud Park Festival on October 15, 2006.[51]
The video for the album's first single, "Eyes of the Insane", was released on October 30, 2006.[52] The track was featured on the Saw III soundtrack, and won a Grammy-award for "Best Metal Performance" at the 49th Grammy Awards, although the band were unable to attend due to touring obligations.[53] A week later, the band visited the 52nd Services Squadron located on the Spangdahlem U.S. Air Force Base in Germany to meet and play a show. This was the first visit ever to a military base for the band.[54] The band made its first network TV appearance on the show Jimmy Kimmel Live! on January 19, playing the song "Eyes of the Insane", and four additional songs for fans after the show, although footage from "Jihad" was cut due to its controversial lyrical themes. Slayer toured Australia and New Zealand in April with Mastodon, and appeared at the Download Festival and Rock Am Ring.[56] The band planned to attend the Heineken Jammin' Festival,[57] Switzerland's Greenfield Festival, and a summer tour with Marilyn Manson.[58] In May 2007, Blabbermouth.net announced that a 'first English language Slayer biography' was being written by British author Joel McIver, although no release date was announced.[59]
[edit] Influence
Slayer is credited as one of the "Big four" thrash metal bands along with Megadeth, Anthrax and Metallica, all of which rose to fame in the early 1980s.[1] These four bands have had a great influence on thrash and death metal scenes. "Their downtuned rhythms, infectious guitar licks, graphically violent lyrics and grisly artwork set the standard for dozens of emerging thrash bands, and Slayer's music was directly responsible for the rise of death metal" states MTV, ranking Slayer as the sixth "greatest metal band of all time,"[15] also ranking number 50 on VH1's "100 Greatest Artists of Hard Rock".[60] Hanneman and King ranked number 10 in Guitar World's "100 greatest metal guitarists of all time" in 2004,[61] and were voted "Best Guitarist/Guitar Team" in Revolver's reader's poll. Lombardo was also voted "Best Drummer" and the band entered the top five in the categories "Best Band Ever," "Best Live Band," "Album of the Year" (for Christ Illusion), and "Band of the Year."[62]
The band's 1986 release, Reign in Blood has been an influence to extreme and thrash metal bands since its release. The album was hailed the "heaviest album of all time" by Kerrang! Magazine,[3] a "genre-definer" by Stylus Magazine,[63] and a "stone-cold classic upon its release" by All Music Guide.[64] In 2006 it was named the best metal album of the last 20 years by Metal Hammer.[65] Richard Christy, former member of Death was blown away by Dave's performance on the album Reign in Blood,[66] as was Cannibal Corpse drummer Paul Mazurkiewicz.[67]
Drummer Lombardo has been an influence on many modern metal drummers including Ray Herrera of Fear Factory,[68] Pete Sandoval of Morbid Angel,[69] former Cradle of Filth drummer Adrian Erlandsson,[70] and Krisiun drummer Max Kolesne.[71] Patrick Grün of Caliban's inspiration to play drums came from Lombardo,[72] with Jason Bittner of Shadows Fall inspired by Lombardo's double bass, utilizing double bass when starting his own music career.[73]
[edit] Style
Early works were praised for their "breakneck speed and instrumental prowess," combining the structure of hardcore tempos and speed metal the band released fast, aggressive material.[1] The album Reign in Blood is the band's fastest, performed at an average of 250 beats per minute.[74] The album Diabolus in Musica was the band's first with drop D tuning, God Hates Us All the first with drop B tuning - utilizing seven-string guitars.[75] All Music Guide cited the album as "abandoning the extravagancies and accessibility of their late-'80s/early-'90s work and returning to perfect the raw approach",[76] with some fans labeling it nu-metal.[77]
Hanneman's and King's dual guitar solos have been called "wildly chaotic,"[1] and "twisted genius."[78] Drummer Lombardo uses two bass drums, instead of the double kick which is used on a single bass drum. Lombardo's speed and aggression earned him the title of the "godfather of double bass" by Drummerworld. Lombardo states his reasons for using two bass drums: "When you hit the bass drum the head is still resonating. When you hit it in the same place right after that you kinda get a "slapback" from the bass drum head hitting the other pedal. You're not letting them breathe." When playing the double bass Lombardo uses the "heel-up" technique, angling his pedals.
Writing lyrics and music
Hanneman, King and Araya contribute to the band's lyrics, and Lombardo, King and Hanneman create the music. Araya's first contribution to lyrical content was 1988's South of Heaven, forming a lyric writing partnership with Hanneman, which can overshadow the creative input of King.Hanneman states writing lyrics and music is a "free for all"; "It's all just whoever comes up with what. Sometimes I'll be more on a roll and I'll have more stuff, same with Kerry — it's whoever's hot, really. Anybody can write anything; if it's good we use it, if not we don't."
When writing new material the band writes the music before incorporating lyrics. King or Hanneman will use a 24-track and drum machine to show band members the riff they have created, and to get their opinion. Either King or Hanneman and Lombardo will mention if any alterations can be made. The band will play the riff to get the basic song structure, and figure out where the lyrics and solos will be placed.
Feuds
As of 2007, Araya and King have an ongoing feud with Dave Mustaine of Megadeth. It began when Mustaine attempted to convince King to stay with Megadeth rather than the "lame spikes" and "eyeliner" with the "poseurs" in 1984. Mustaine proceeded to tell Araya he liked it when he "sucked his dick" at the 1991 "Clash of the Titans" tour. Araya rebutted calling him a "homo" on stage. Since their falling out at the tour, King lashed out at Mustaine in several interviews stating he is a "cocksucker", "everybody hates him", and he is a "dictator". Recently in GuitarWorld.com's Dear Guitar Hero, King "admires him to this day" but as a guitarist even though he considers Mustaine as a "hypocrite".
Relations between Machine Head and Slayer deteriorated when King labeled Machine Head as "sell-outs" after the release of its 2001 album Supercharger. King continued to criticize the band stating "They're responsible for rap-metal", "they fooled me into thinking they're metal", "'they have no integrity left." Machine Head front man Robb Flynn stated King was not provoked, and these comments had come from nowhere. Flynn, who once idolized King rebutted "Oh, Mr. SUM 41 video has so much fuckin' integrity now!? Shit?!" after King appeared in Sum 41's music video "What We're All About", also stating "King's eaten so many cheeseburgers his brain's starting to clog up." However, on June 16, 2007 Flynn reported that the two sorted out their 'beef' at the Metal Hammer Awards, at which Slayer won an award for 'Metal Icon'.
Controversy
The lyrics of "Angel of Death" were inspired by the acts of Josef Mengele during World War II
Slayer has been accused of holding Nazi sympathies, due to the band's eagle logo bearing resemblance to the Eagle atop swastika, Schutzstaffel stickers on guitars, and the lyrics of "Angel of Death". The lyrics of "Angel of Death" were inspired by the acts of Josef Mengele, the doctor who conducted human experiments on Jewish and Roma prisoners during World War II at the Auschwitz concentration camp, and was dubbed the "Angel of Death" by inmates. Throughout their career, the band members were asked about these accusations, and have stated numerous times they do not condone Nazism, and are merely interested in the subject.
Slayer's cover of Minor Threat's "Guilty Of Being White" raised questions about a possible message of white supremacy in the band's music. The controversy surrounding the cover involved the changing of the refrain "guilty of being white" to "guilty of being right", at the song's ending. This incensed Minor Threat frontman Ian MacKaye, who stated "that is so offensive to me".
In a 2004 interview with Araya, when asked, "did critics realize you were wallowing in parody?", Araya replied, "No. People thought we were serious!...back then you had that PMRC, who literally took everything to heart, when in actuality you're trying to create an image. You're trying to scare people on purpose". Araya also denied rumors that Slayer members are Satanists, but they find the subject of Satanism interesting and "we are all on this planet to learn and experience".
The controversial cover of "Christ Illusion"
The song "Jihad" of the album Christ Illusion sparked controversy among families of the September 11 victims. The song deals with the attack from the perspective of a religious terrorist. The band stated the song is spoken through perspective without being sympathetic to the cause, and supports neither side. Seventeen bus benches promoting the album in Fullerton, California were deemed offensive by city officials. They felt the Antichrist and skull were inappropriate, and felt the name "Slayer" pertains to a murderer. City officials contacted the band's record label and demanded that the ads be removed. All seventeen benches were removed.
In India, the album was recalled by EMI India after protests with Muslim and Christian religious groups due to the nature of the graphic artwork. The album cover depicts Christ mutilated, missing arms and an eye, in a sea of blood with severed heads. On October 11, 2006 EMI announced that all stocks had been destroyed, noting it had no plans to re-release the record in India in the future.
Main article: Slayer discography
Studio albums
* 1983: Show No Mercy
* 1985: Hell Awaits
* 1986: Reign in Blood #94 US[16]
* 1988: South of Heaven #57 US[16]
* 1990: Seasons in the Abyss #40 US[16]
* 1994: Divine Intervention #8 US[16]
* 1996: Undisputed Attitude #34 US[16]
* 1998: Diabolus in Musica #31 US[16]
* 2001: God Hates Us All #28 US[16]
* 2006: Christ Illusion #5 US[16]
EPs/Box Sets
* 1984: Haunting the Chapel
* 2003: Soundtrack to the Apocalypse
* 2006: Eternal Pyre
DVDs/Live CDs
* 1984: Live Undead
* 1991: Decade of Aggression
* 1995: Live Intrusion
* 2003: War at the Warfield
* 2004: Still Reigning
[edit] Band members
[edit] Current members
* Tom Araya - bass, lead vocals (1981--present)
* Jeff Hanneman - guitar (1981--present)
* Kerry King - guitar (1981-present)
* Dave Lombardo - drums (1981--1986, 1987--1992, 2001--present)
[edit] Former members
* Paul Bostaph - drums (1992--1996, 1997--2001)
* Jon Dette - drums (1996--1997)
* Tony Scaglione - drums (1986--1987) (Less)
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