Search results for the field sound of light
88,
31:46,
2009-08-22 23:55:23 Description: "Taking the dog for a walk" © Hagen Rehborn 2007/2008 (German titel : "Gassi im Park") Video DV Länge 31.46 Minuten - all rights reserved Actor: Hagen Rehborn Camera: (More) "Taking the dog for a walk" © Hagen Rehborn 2007/2008 (German titel : "Gassi im Park") Video DV Länge 31.46 Minuten - all rights reserved Actor: Hagen Rehborn Camera: Charlotte Schwalb, Hagen Rehborn Edit: Hagen Rehborn Music: Eastman, Tobias Drentwett, Hagen Rehborn Text: Hagen Rehborn Translation: Hagen Rehborn The german version of the video was first shown in summer 2007 at an exibition in the Kunstverein Emmerich, Germany, (closely to the dutch boarder). The video reflect aspects of the exibition place, a teehouse of the 18th century, situated in the town park with view to the river rhein. The park showed up to be the place in Emmerich for pedestrians to have a short walk with their dogs. The various range of social affiliations goes from homeless men with alkohol addiction who stay for hours to business people taking their pedigree dog for a walk during lunch break. The video was projekted on the outside wall and later shown on tv-sets that were visible from outside through the windows. Many dog owners were attracted to the exibition place and even went inside accompanied by their dogs to see the exibition. The video shows a text about a man who meets a woman in a forest.
The man owns a dog, the woman owns a black poodle. The order of events represent a possible escalation of occurrences breaking the ordenary experience of taking a dog for a walk. The progression of events symbolizes different aspects of human apperception: the surface: the forest, the plants, the trees, the water, the ground, the dog, the woman, the black poodle, the birds, the weather, the clima, etc. and it's symbolic meanings behind as a representation of human habits, social convergency, desires, projection of whishes, fears and despairs. The video shows the text as an equably moving ticker. Behind the text is a floating image level showing a landscape over water and later under water. This floating scenery is interrupted by sequences in which a man in a wedding dress is delivering a clay object to the river rhein. This object is the head of a dog. The sound is departed in differnt levels that mix up by getting overlayed. One sound structures the text flow formally, another sound supports the content of the story described in the text and a third completes the interrupting "wedding" -scenes. ©Hagen Rehborn 2008 Visualized text: Taking the dog for a walk © Hagen Rehborn 2007/08 - all rights reserved The dog waited the entire afternoon. It waggles and pants. The man takes the leash from the clothhanger. The weave enhances. The man applies the dog collar. Both are walking towards the door. The house is situated at the edge of the woods. Suburb. The dog is waiting at the wrought-iron gate of the gateway. It is a bit rusty and squeaks when the man opens one wing. The dog hustles with the nose ahead through the first opening rift. The man is shouting at it angrily. The dog is turning back, the man attaches the leash with the snap hook at the dog collar. The dog waggles and now they are both walking along the road, approximately 200 meters till the end of the line of the houses. There the lane disembogues into a sidewalk, seperated by roadblocks.The dog snuffles and raises his leg at a hedge fringe, the man pulls him away quickly. The forest is in immediate nearness. It is humid, it was raining just some minutes ago. The trees are very green and dense, the forestground is braun, moist and on some spots it is covered with light fouling. It smells like soil and grass. The dog pulls the leash. While passing the roadblocks it has exceptionally taken, the side at which one could pass by holding the leash. Else it always takes the side where you have to pull it backwards, therewith the arm wont get caught by relinquishing the leash. The man pulls the dog to his side and detaches the the snap hook. The dog is very much exited and bears down to a neap shrub to urinate. At the woodside the path is only covered with grid and turns around a corner through a stock of poplars. The dog runs ahead. The man summons the dog. The dog turns back, runs towards the man, waggles and reverses again to follow the path with a fast footfall. The man follows the dog. Behind the poplars, which are brawling softly in the wind, there is a water located in a glade. The forestpond. The man can‘t see the dog anymore. But through the leaves of the trees he sees a person standing on the other side of the pond, it shines whitely. The man accelerates his steps a bit more and crosses the poplars. Now he can oversee the whole pond. The dog stands on the other side, close to a woman which is wearing a white trenchcoat. In front of her stands the dog and a black poodle. The woman removes a stick of the ground and throws it into the water. The dog pounces behind and swimms towards the point, where the water induced little waves accused by the strike hitting the water surface. It wheezes loudly. The black poodle stands on the lightly elevated shore and barks, overlooking the scene, to the water. The man reaches the woman and greets her with a “Hallo“. She looks at him and says “ Good day“. The poodle still contious to bark vehemently at the water. The dog has reached the stick which is swimming in the water and takes hold of it. It wheezes even louder and swimms back holding the stick. Bedraggled it comes out of the water and runs towards the man, stops in front of him, drops the stick and shakes its boddy vigorously. The woman laughs. Her trenchcoat is covered all over with dark waterspots. The poodle is still barking, the woman says: “You old swank, you are nothing but a wimp“. The man laughs. He looks at the woman, then at the dog and fixes it with the leash. The dog shakes it‘s body another time, but only in a tremulous move, which makes his back side mince. The man walks direction to the path an says loudly, having a gaze at the woman: “Good buy“. She smiles and turns towards the poodle, which gets ready to follow the man and retains it by holding the collar. She wispers something into its ear and laughs once more. The man knows a big black poodle in the area around. It is called Ivan. He has seen it some more often in the forst with an about 12 years old girl. This poodle looks pretty much similar to the one of the woman. Also his dog seemed to recognize it, otherwise it would have hummed aggressively. Finally the poodle is a male dog and furthermore his dog doesn‘t like black dogs. The man turns towards the dog and walks with it from the glade into the forest. Actually around him are birches and spruces. The dog pulls the leash, the man takes hold of the collar and unclenches the snap hook. Looking back, he still sees some wite of the womens coat through the trees. Out of a bush flies a blackbird lowly over the path and dissapears with loud yells in another shrubbery. The dog runs forward waggling and snuffles passim the waysides. Being wet, its fur seems to look darker. The sun stands behind the trees, through the birches it shines till the ground of the forest. It is hazy. The man goes further and calls the dog, which turns to the right while reaching a crotch. But the man wants to turn to the left. They cross a sandy path with horse dung. The dog snuffles at the horse dung and the man calls: “Fie!“ The dog looks at the man and runs rapidly further. Now the forest is composed of oaks and maples. The sun doesn‘t reach the ground of the forest anymore. After about one kilometer they reach a glade on which one can already see the bright daylight from far away. On the glade is a soccer field, surrounded by a red tartan runway. The field is surrounded by a head-high fence, on which vetches are trailing along. They are already about to die back. Everywhere its leaves are yellow, but there are still large numbers of big white blossoms, which remain immaculate. The dog runs along the fence, the man looks at the soccer field. It is totaly empty, the wet floor steams a bit, right now it is very sultry. The dog has reached a dust bin on the edge of the field, where there is also a gate in the fence. In front of the dust bin, which hangs on half hight at a metal pole, lays a transparent plastic bag, in which an undefinable content ins wrapped. It‘s size is like the measures of a melon. The dog snuffles at the bag and wrenches it. The man calls it loudly and runs into its direction, astonished the dog looks up till the man reaches. The man takes the bag and throws it into the dust bin. He paws the dogs neck. “Well behaved…, this is bad…“, he says calmingly to the dog, which reconvenes to waggle. Reaching the fence they sharply turn off to the left and follow the course of the tartan runway just for a while. The cloud cover continous to overcast and at the next field corner the dog turns to the right, following the crotch away from the sports field into the forest. The man follows. The path becomes narrower and leads over tree stumps. At some points are hughe puddles. The dog runs just smac through and slobbers a bit of the water. The man walks around the path-bordering stinging nettels. He lifts up his hands for not getting his arms touched by the nettles. Shortly the dog stands still, in order to wait for the man, who fell back a bit because of the plants and puddles. Far away rings out a shot, than a second. The dog pricks up its ears and poises abruptly. After a while they once again cross mutually the sand path for horses and reach again the forest area with the birches and spruces. The air is oppressive. It starts to rain softly, the driblets are like warm water on the skin. The dog deselerates its steps slighly, its interest for the forest eases up since they have taken the same way back like the way they came. The man recognizes the dogs lack of interest and suddenly turns off the path, directly into a coppice of birches. Now the dog follows again flutteringly. The ground is almost impassable, there are many blackberry bushes, that are still small-sized and lead their tendrils like snares over the surface. Occasionally some small and yellow mushrooms are visible. They settle on decayed wood pieces. On a grassy expanse the dog tracks down a culver, which flushes tippily lurching with a whiring noise. It then disappears over the tree top of some spruces. Stricken with hunting feaver the dog runs behind. The man can‘t see it by now, he calls it and follows into its direction. Soon he finds it in front of an ground hollow pointing on three legs, the head turned aside. It is entirely concentrated on the earth hole and just gives the man a short look to restare right into the dark hole again. The man smiles and looks through the birch trunks. Poplars rising much taller behind these start to whoosh in the initiating rain. Through the trees he reconizes, that the forest pond is situated in front of them. He just wants to walk into the ponts direction when he hesitates. Through the trees he can see something swimming in the water. It is a person with dark hair, which dives under for then to turn up buffing and blowing and shaking its head. The man approaches further to the direction of the water and realizes that the women he met before with her black poodle is swimming precisely in the center of the pond. Her dark hair is drenched completely black, her shoulders appear out of the water. They are very much white. She submerges once and at the same time she shows parts of her back, of her butt and her legs, when she dives head first down the water that resembles a dark liquid. The surface of the water dances because of the intensifying rain. The man stares on the pond and hesitates. The dog continues gazing at the earth hole and beginns to extend the inlet by scratching. It growls slightly with it. The man looks over at it and wispers quietly „schschschsch…“. He lifts ostentatiously his finger to his lips. He cowers and once again peers out of the cover to the pond. The woman reappears. She strikes her hair out of the face and grinds it slightly behind her head. Withal she keeps herself with swimming movements of her legs and her hands in a nearly upright position. From time to time her breasts are slightly visible. They are also very white. The dog has begun to burrow very impetuously on the earth hole and at the same time it beginns to bark flutteringly, apparently it has found the scent of an animal and tries to unveil it. The woman turns her head into his direction and tries to observe something in the leaves of the trees. The man hesitates, reasons shortly, stands up and goes briskly through the birches, rather precisely to the point where he first met the woman with the black poodle whose name might be Ivan. The poodle is not visible. She sees him approaching the water and sprawls out her arms, for to wave her hands to a greeting. Withall she elongates her breasts entirely out of the water, in order to sink down again and to laugh alertly in an easy audibly way. The dog in the backgrond barks like crazy. The man turns around and calls it vigorously. The dog continous barking and and whimpers loudly. The man turns around and sees how the woman prepares to dive under head first again. She gives tongue to crowing sound. He reverses and runs back to the dog. This has digged itself in its hunting fever till its neck into the earth hole and barks into the ground. The man grasps it at the collar and pulls it with his last ounce of strength out of the earth hole. The dog is entirely soiled. Its slobber is spread over the whole snout and the earth has spliced with the splitter to some kind of pulp. Its eyes are shedding tears and earthcrumbs are sticked to them. Its fur is covered with remnants of the forest ground. And now it becomes even murkier. The man vigorously pulls the recoiling dog away from the hole and shouts at it. The dog reacts just for some seconds and springs again towards the earth hole. The man takes the leash and wrenches the dog away from the hole and attaches the snap hook at the collar. The dog yowls and its wimpering sounds are flashing over, so that they sound like the squealing of a pic. He tries now in spite of the tighten leash to reach the hole again. As a hunting dog full of energy with enormous strength it wrenches the man once more to the earth hole. The man shouts at the dog frantic of excitation and beats its rear part with the end of the leash. Now the dog is breaking off its fury, throws down, still stucked halfly in the ground and tries to turn whimperingly on its back. The man wrenshes the leash and pulls the dog over the stirred up forest ground away from the earth hole. Yet he sees from an angle of his eye, how a dark bird, not bigger than a dove, fires like an arrow, with an egregious speed out of the earth hole and disappears low-flying over the ground into the direction of the pond.The dog is jumping up entirely gobsmacked and the man follows with his eyes the dark object and then lowers his look over the surface of the pond. The raindrops are dancing on the watersurface. The rain superimposes any other noise. The man pulls the dog to the shore of the pond and looks tensly at the water surface. Meanwhile he himself is very much wet and the rain is running along his nose, so that he has to go with his hand over his face to eleminate the itching drops. The dog clings closely to his right leg, with jammed tale, hanging ears and big eyes. The man stares along the water. Nothing happens. The woman does not resurface. Quietly he counts the seconds. Approximately after the number thirty he beginns to run arround the shore. Nothing moves. Alternately he looks to the pond and the forest. After a few minutes he effetely sits down on a stump of a sawed off poplar, the dog stands with the leash on at close quaters and watches the forest, bedraggled of the rain. The man stares again into the water and dwells convulsively. He unhands the leash, stands up and takes off his shoes. He deposits them on the stump and wades with straddled arms into the water. The ground of the pond is glibbery and pours up between his toes. He has rolled up his trousers. The dog stands at the shore and watches him. When the water beginns to soak the cloth of his trousers he stops, turns around towards the dog and then looks again at the water. The dog lays down and beds his head on the frontpaws. The spittle is washed away by the rain. A little carryover still sticks on his chaps. The man remains in the water comming up to his waist. © Hagen Rehborn 2008, all rights reserved abertrotzdem.com dasscheitern.blogspot.com/ (Less)
Channel: vimeoTags: art emmerich moving text sound art dog kunstverein emmerich taking the dog for a walk tobias drentwett charlotte schwalb eastman cologne hagen rehborn www.abertrotzdem.com video art river rhein
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23,
00:45,
2007-08-23 13:22:28 Description: LED Advantages:
- Long life (Rated at 100,000 hrs.)
- Low power consumption
- Very low heat output
- Run all night
- RGB color mixing
Features & Specifications:
- Ultra bright, indoor (More) LED Advantages:
- Long life (Rated at 100,000 hrs.)
- Low power consumption
- Very low heat output
- Run all night
- RGB color mixing
Features & Specifications:
- Ultra bright, indoor LED Color Panel with 288 10mm LEDs (48 Red, 120 Green, & 120 Blue LEDs)
- 5 operational modes, Program mode, Auto mode, Sound mode, Master/Slave mode & DMX mode
- Very smooth field with rich palettes of color created by mixing the Red, Green and Blue LEDs
- Great as an architectural wall wash or for performance stages where traditional stage lighting emit a lot of heat onto performers
- Smooth RGB color mixing (fast or slow color change operation)
- Color strobe effect
- DMX-512 Protocol
- Selectable 5, 8, 14 or 26 DMX Channels for different applications
- Electronic Dimming: 0 - 100%
- Beam angle: 40-degree
- Linkable via 3-pin XLR cable
- 4-button LED display on rear panel
- Includes ceiling and truss mounting
- Power Draw: 36W
- Dimensions (LxWxH): 428x248x178mm
- Weight: 3.2 kg (Less)
Channel: youtube Rate it: Rate:
20,
00:59,
2007-12-18 07:11:49 Description: Disinformation "London Underground" - unmixed VLF magnetic field recording of ambient electrical noise on the London metro system. Original duration 5 minutes. Headphones recommended. (More) Disinformation "London Underground" - unmixed VLF magnetic field recording of ambient electrical noise on the London metro system. Original duration 5 minutes. Headphones recommended. "London Underground" was recorded on the platform at Clapham South tube station in 2002, but remained unpublished until released on Disinformation's "Sense Data and Perception" CD, put out by the record company Iris Light in 2005. "Sense Data and Perception" also included "Bexleyheath to Dartford" - a track recorded travelling through Lewisham railway station. "London Underground" is based on a conceptual and technical precedent established by "R&D Track 10" on Disinformation's "R&D2" CD, published by Ash International in 1997, which featured magnetic field recordings of Network South East and Eurostar trains. Writing in The Wire magazine, reviewer Keith Moline described these Disinformation tracks as being "fascinating" and as "like electron microscope images". Conceptually there is a play on words, as "London Underground" refers to both a transport network and to a cultural and social phenomenon.
The full version of "Bexleyheath to Dartford" appears on the "Radio Territories" CD published to accompany the book (of the same name) edited by Erik Granly Jensen and Brandon LaBelle (Errant Bodies Press 2007). The book also contains a bio of Disinformation and a description of this project. "Bexleyheath to Dartford" is credited as appearing on the CD published with volume 10 issue 2 of the LMC's "Resonance" magazine (London Musicians Collective 2005), but in fact there was a mix up with the information and the track on the LMC CD is instead "London Underground". The magazine also features a 5 page article about Disinformation's work with radio and electricity. The LMC CD also features material by Susan Alcorn, P Sing Cho, John Butcher, Sylvia Hallett, Matt Wand, John Tilbury and Franz Joseph Haydn.
These Disinformation tracks were formally submitted to London Underground Ltd's "Platform for Art" programme in January 2005, but remained unexhibited until they were set-up as sound installations at Event gallery, March 2006 (as part of the Node:London exhibition). Special thanks to Adam Sykes, Colm Lally, Chloe Vaitsu and Caroline Kraabel.
"The city nears, my body crackles, I hear eruptions at the base of my skull" Ludwig Meidner, Leipzig 1918
Disinformation catalogues and CDs are available from http://www.strangeattractor.co.uk/shoppe/shop_disinformation.html
The Resonance magazine and CDs are available from http://www.l-m-c.org.uk/
The "Radio Territories" book can be ordered from http://www.errantbodies.org/radio_territories.html (Less)
Channel: youtubeTags: aeriology art audio Disinformation field kinetic LMC London magnetics Metro noise radio Staalplaat Underground VLF
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10,
01:47,
2008-06-02 19:24:59 Description: Even low-grade infantry like South Vietnamese ARVN troops once empowered by go-anywhere M113 Gavin light tanks/APCs will fight like tigers; defeating even highly skilled light infantry like the NVA at (More) Even low-grade infantry like South Vietnamese ARVN troops once empowered by go-anywhere M113 Gavin light tanks/APCs will fight like tigers; defeating even highly skilled light infantry like the NVA at places like the 1972 battle of An Loc because unpredictable, armored, cross-country maneuver and firepower in superior volumes is overpowering.
http://www.combatreform.com/m113combat.htm
The only real ground force structure success story from Vietnam was the M113 Gavin armored cavalry....
However, we tried instead to make the ARVN into mini-versions of our egomaniac selves...after the too-expensive, too fragile Air Mobile foot-sloggers-by-helicopters from short-range artillery fire bases were smashed;
http://www.combatreform.com/fries.htm
...even the ARVN armored units couldn't save their country and the NVA captured all the fantastic M113 Gavins/M41 Bulldogs and used them to finally conquer the South in 1975! Now the already excellent NVA troopers are even better LIGHT MECHANIZED INFANTRY which Red China found out are not to be trifled with. Maybe we should hire the NVA to fight for us since we are so fucked up and refuse to use sound field craft and light mechanize?
http://www.combatreform.com/itmaneuversabattalion.htm (Less)
Channel: youtube Rate it: Rate:
53,
00:14,
2008-04-22 09:18:11 Description: This is a small field we fly from. It is about 300X400 I can get in and out pretty good. Glad this machine and wing are predictable. I lot of fun to fly out here. I like the buckeye powered (More) This is a small field we fly from. It is about 300X400 I can get in and out pretty good. Glad this machine and wing are predictable. I lot of fun to fly out here. I like the buckeye powered parachute, the 6chuter powered parachute and the Infinity powered parachute. I would like to also have a part 103 ultra light powered parachute. I am thinking of building one using the trike buggy by flexi foil. The trikbuggy is a very stable platform to use for a number of flying devices. however powered parachute would be the way to go next time. A part 103 powered paracruser on a flexi foil would be a fun machine to fly. Put a TB280 on it and look out sky. That powered parachute will be a fun powered parachute to fly Flying from the sod farm. Flying powered parachutes, ppc's and some paragliders around. Actually it is powered paragliders or PPG flying. Ultralight aircraft or an airplane except there are no fixed wings. Flying a powered parachute has become my favorite from of flying, even more than GA or general aviation airplanes. The EAA is a self governed body of almost like minded flyers, flying most everything you can think of, Balloons, powered paragliders, sailplanes, sail planes, gliders, tow planes, antique airplanes piper cubs piper cubs aronica champs, Cessna 150, Cessna 172, Cessna 180, Cessna 182, Cessna 206, cessna 210, cessna 310, Mooney skychief, "A fixed-wing aircraft is a heavier-than-air craft where movement of the wings in relation to the aircraft is not used to generate lift. The term is used to distinguish from rotary-wing aircraft or ornithopters, where the movement of the wing surfaces relative to the aircraft generates lift. Fixed-wing aircraft are called airplanes in North America (the U.S. and Canada), and aeroplanes in Commonwealth countries and Ireland (excluding Canada). These terms are derived from Greek αέρας (aéras-) ("air") and -plane.[1]" wiki is referenced here.Propeller aircraft, jets, military airplanes, war birds, war birds. P51 mustang, P38, f105, f14 tomcat, F22, f111 aardvark. F17, b1 bomber, Boeing airplanes, Boeing aircraft, flying, lighter than air, lift, thrust, drag, my home made video. has nothing to do with getaltitue.com and eben pagen although he teaches Internet business marketing. Supersonic aircraft, such as military fighters and bombers, Concorde,Rocket-powered aircraft,f-a22 raptor, bell x-1a, Ramjet aircraft, Lockheed SR71 blackbird. speed of sound flight. faster than the speed of sound flight, space shuttle. Scramjet aircraft, Charles Lindbergh ,German Manfred von Richthofen, commonly called the Red Baron,Chuck Yeager, the right stuff, flying, kermit weeks, oshkosh, eaa flying. Experimental Aircraft Association (EAA)AirVenture Museum, EAA AirVenture Oshkosh , EAA young eagles program.AirVenture 2004, Air Venture 2003, Air Venture 2002, Air Venture 2001, AirVenture 2000, AirVenture 2005, AirVenture 2006, AirVenture 2007, AirVenture 2008, AirVenture 1999 (less) powered parachute, PPC, powerchute, pegesis, flying from a dirt field, flying over water, water landing, engine out, flying from floats Category: Sports Tags: Powered Parachute PPC flying airplane pagaglider (Less)
Channel: youtube Rate it: Rate:
25,
06:32,
2008-04-22 10:17:14 Description: Jumbotron's first single, "Select Start A" Oshiyo of Jumbotron featuring Del the Funkee Homosapien and Quasimoto *BETTER VERSION OF VIDEO COMING SOON* myspace.com/jumbohiphop (More) Jumbotron's first single, "Select Start A" Oshiyo of Jumbotron featuring Del the Funkee Homosapien and Quasimoto *BETTER VERSION OF VIDEO COMING SOON* myspace.com/jumbohiphop SUPPORT OUR FRIENDS!!!!11 myspace.com/cortestraza myspace.com/eggology LYRICS: Select Start A let the games begin when it's pokemon red you can count me in Charizard, Pikachu, the gang's all here better train your Tentacool until next year It may take all eternity to beat me chump But when I'm through with Sudowudo, boy he's a stump But enough about this game, I beat you quick, Mario Kart 64 is going to be sick. Pick your racer and start your engines In the end, I pass all them Belgians Red shell, Bananas, items galore Mystery Box is going to bring some more Bowser roars when I score like a player of folklore Man, it's easy as a chore, but never a bore When you start lap two, I'm a thousand miles ahead Cry all you want, games fly by your head Chorus - I beat you with the best I beat you with the worst I'll break your stuff Like I'm Fred Durst Don't quit your day job keep mowing the lawn Get your game face on 'Cause this is Jumbotron! Bridge - select start A let the games begin The Legend is here, turn Zelda on Majora's Mask, I'll slice you like a kruton Sure it's no two player, that sure is a shame But I still can go faster completing game. I got the Master Sword and the Hylian sheild all you have is the boomerang to throw in the field Save princess Zelda from the evil Ganandorf Step into the twighlight night, into a wolf you will morph Pac man or Scat man Either way, I'll kick your can Come on Big boy, show me what you got Am I alot tougher than you thought? Like the Axis of powers against today's United Nations I pwn3d you as fast as U.S. inflation POP them cherries before they go 500 points in a row! [Chorus] Bridge - select start A let the games begin Take your pick, Donkey Kong one, two and three doesn't matter, 'cause you can't destroy me A monkey named DK and his son named diddy Just like that duo, tupac and Biggie Riding in the carts, running from the Crocs shooting out of barrels, pikcing the locks These pigs don't know me, Using Wizardry and Magic A few more bananas and it's going to get tragic [PRIMAL RAGE!] Monkey versus Dinosaur Body slam, hit the floor Primal Rage is all the rage When Super Nintendo goes A R C A D E --I don't waste my time with kids They throw cheap hits, low kick after low kick This ape is dancing like he's in a rave Pixels light up like thunder wave As the speakers rumble, you stumble you fumble, you tumble and your score crumbles like you're Coach Trumble [Chorus] Bridge - select start A let the games begin Super Smash Brothers is the last on the list with a body slam coming or Captain Falcon's fist I see you running through the Hyrule Temple Pitter patter go your feet running from the people It's not made of metal, but my controller is a sword The game cartridge I wield is an entire world Is your character Peach? 'Cause you fight like a girl My black and white Kirby will smash you to bits Just like a rhinocerous throwng fits Final Destination, defeat the Master hand Like a giant appliance under my command I beat you in them all and I'll do it again a bing, bang, boom, score's zero to ten Bow down to your master, boy why's this a shock? Get on that dress and go down the catwalk [Chorus] That box of tissues is calling your name Time to cry and go back the way you came Jumbotron, the new breed of hip hop We're the thundering sound above you can't stop (Less)
Channel: youtubeTags: brothers corte del funkee homo homosapien jumbotron mario pacman pokemon quasimoto scatman smash straza super the zelda
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293,
02:46,
2008-04-22 16:25:33 Description: "THE CREATOR" - FOR STICK "EL CREADOR" - FOR STICK FOR MORE: http://www.soyelcreador.com.ar http://www.historietayanimacion.com "Animé" redirects here. For the (More) "THE CREATOR" - FOR STICK "EL CREADOR" - FOR STICK FOR MORE: http://www.soyelcreador.com.ar http://www.historietayanimacion.com "Animé" redirects here. For the oleo-resin, see Animé (oleo-resin). Anime (アニメ, Anime? IPA pronunciation: /ɑnime/ listen (help·info) in Japanese, but typically /ˈænɪˌme(ɪ)/ or /ˈænɪmə/ in English) (pl. anime) is an abbreviation of the word "animation". Outside Japan, the term most popularly refers to animation originating in Japan. To the West, not all animation is considered anime; and anime is considered a subset of animation. While some anime is hand drawn, computer assisted animation techniques have become quite common in recent years. Like any entertainment medium, the story lines represent most major genres of fiction. Anime is broadcast on television, distributed on media such as DVD and VHS, and included in video games. Additionally, some are produced as full length motion pictures. Anime often draws influence from manga, light novels, and other cultures. Some anime storylines have been adapted into live action films and television series. History Main article: History of anime The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia.[citation needed] Animation became notable in Japan as it provided an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, where live-action shows and films have generous budgets, the live-action industry in Japan is a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. The varied use of animation allowed artists to create any characters and settings.[1] During the 1970s, there was a surge of growth in the popularity of manga— which were often later animated — especially those of Osamu Tezuka, who has been called a "legend"[2] and the "god of manga".[3][4] As a result of his work and that of other pioneers in the field, anime developed characteristics and genres that are fundamental elements of the art today. The giant robot genre (known as "mecha" outside Japan), for instance, took shape under Tezuka, developed under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino. Robot anime like Gundam and Macross became instant classics in the 80s, and the robot genre of anime is still one of the most heard of in Japan and worldwide today. In the 1980s, anime was accepted in the mainstream in Japan, and experienced a boom in production (It should be noticed that, manga has significantly more mainstream exposure than anime in Japan). The mid-to-late '90s, on into the 2000s, saw an increased acceptance of anime in overseas markets. Terminology Etymology and pronunciation Note: This page or section contains IPA phonetic symbols in Unicode. See IPA chart for English for a pronunciation key. The Japanese term for animation is アニメーション (animēshon, pronounced /ɑnime:ɕoɴ/), written in katakana. It is borrowed from the French word for animation, "l'animé" (it's lacking the article--both are pronounced similarly). Both the words "animation" and "l'animé" come from the Latin word "anima" which means to move. [5] The Japanese term is spelled アニメ (anime, pronounced /ɑnime/). Both the original and abbreviated forms are valid and interchangeable in Japanese, but as could be expected the shorter form is more commonly used. The pronunciation of anime in English differs significantly from Japanese. The first vowel is further forward in English than Japanese: /æ/ is more likely than /ɑ/. As English stresses words differently than Japanese, the second vowel is likely to emerge as an unstressed schwa /ə/ or /I/ in English, whereas in Japanese each mora carries equal stress. As with a few other Japanese words such as Pokémon and Kobo Abé, anime is sometimes spelled as animé in English with an acute accent over the final e to cue the reader that the letter is pronounced as a Japanese /e/. However, this accent does not appear in any commonly used system of romanized Japanese, and English native speakers may produce /eI/. Definition An example of an anime drawing styleLinguistically, the anime definition is subject to interpretation. In Japan, the term does not specify an animation's nation of origin or style; instead, it is used as a blanket term to refer to all forms of animation from around the world.[6] In English, main dictionary sources define anime as "a Japanese style of motion-picture animation" or "a style of animation developed in Japan".[7] Thus, non-Japanese works are sometimes called anime-influenced animation if they borrow stylistically from Japanese animation. In western countries the word is used usually only to refer to animated programming of Japanese origin, with the term "cartoon" or "animated series" used for most other visual styles. The online anime database AniDB generally defines anime (in the singular form) as "an animated, professionally produced, feature film created by a Japanese company for the Japanese market".[6] However, some anime are co-productions with non-Japanese companies like the Cartoon Network. Thus, anime is no longer specific to the Japanese market. Syntax and morphology Anime can be used as a common noun, "Do you watch anime?" or as a suppletive adjective, "The anime Guyver is different from the movie Guyver." It may also be used as a mass noun, as in "How much anime have you collected?" and therefore is never pluralized "animes" (nouns are never pluralized in Japanese). However, in other languages where anime has been adopted as a loan word, it is sometimes used as a count noun in singular and in plural as in Danish "Jeg tror, jeg vil se en anime" ("I think I'll watch an anime") and "Hvor mange anime'er har du nu?" ("How many animes do you have now?"). Synonyms Anime is sometimes referred to as Japanimation, but this term has fallen into disuse. Japanimation saw the most usage during the 1970s and 1980s, which broadly comprise the first and second waves of anime fandom, and had continued use up until before the mid-1990s anime resurgence. In general, the term now only appears in nostalgic contexts. The term is much more commonly used within Japan to refer to domestic animation. Since anime or animēshon is used to describe all forms of animation, Japanimation is used to distinguish Japanese work from that of the rest of the world. In more recent years, anime has also frequently been referred to as manga in European countries, a practice that may stem from the Japanese usage: In Japan, manga can refer to both animation and comics (although the use of manga to refer to animation is mostly restricted to non-fans). Among English speakers, manga usually has the stricter meaning of "Japanese comics". An alternate explanation is that it is due to the prominence of Manga Entertainment, a distributor of anime to the US and UK markets. Because Manga Entertainment originated in the UK the use of the term is common outside of Japan. The portmanteau "animanga" has been used to collectively refer to anime and manga, though it is also a term used to describe comics produced from animation cels. Characteristics Dragon Ball Z (1989) is a popular shōnen anime based on the original manga series which spanned 291 episodes and 13 movies.Anime features a wide variety of artistic styles. They vary from artist to artist or by studio to studio. They are generally characterized by detailed backgrounds and stylized characters in a variety of different settings and storylines, aimed at a wide range of audiences. It is usually coloured and designed to look as realistic as possible. Unlike Manga, which uses slightly exaggerated colours and designs. But, anime fantasy creatures, (e.g witches, spirits etc.) can have exaggerated facial and physical features. But, they will always be designed to look as realistic as possible, and bright colours would be rarely used unless needed to. Genres Anime has many genres typically found in any mass media form. Such genres include action, adventure, children's stories, comedy, drama, erotica (hentai), medieval fantasy, occult/horror, romance, and science fiction. Most anime includes content from several different genres, as well as a variety of thematic elements. Thus, some series may be categorized under multiple genres. For example, Neon Genesis Evangelion might be considered to fall into the genres of post-apocalyptic, mecha, drama, and shonen-ai. A show may have a seemingly simple surface plot, but at the same time may feature a far more complex, deeper storyline and character development. It is not uncommon for an action themed anime to also involve humor, romance, and even social commentary. The same can be applied to a romance themed anime in that it may involve an action element, or in some cases brutal violence. The following is a list of the major genres and designations that are specific to anime and manga.[8] For other possible genres, see film genre. Genres with Western Counterparts: Action/Adventure: Anime that primarily focuses on martial arts, sword fighting, or other action oriented material. Examples: Ninja Scroll. Horror: Anime or manga which contains darker themes or science-fictional characters. Examples: Vampire Hunter D series or Wicked City. Progressive: "Art films" or extremely stylized anime. Examples: Voices of a Distant Star or Byōsoku 5 Centimetre. Demographic Genres: Shōjo: Japanese for 'young lady' or 'little girl'. Refers to anime or manga targeted at girls. Examples: Fruits Basket or Mermaid Melody Pichi Pichi Pitch. Shōnen: Japanese for 'young boy'. Refers to anime or manga targeted at younger boys. Examples: Dragon Ball Z or Digimon. Seinen: Japanese for 'young man'. Anime or manga targeted at teenage or young male adults. Examples: Oh My Goddess!, Outlaw Star or Cowboy Bebop. Josei: Japanese for 'young woman'. Anime or manga that is aimed at young women. Examples: Gokusen. Kodomo: Japanese for 'child'. Anime or manga that is aimed at young children. Examples: Doraemon, Hello Kitty, Keroppi, Pokémon or Panda-Z. Thematic Genres Bishōjo: Japanese for 'beautiful girl'. A blanket term that can be used to describe any anime that features pretty girl characters. Examples: Magic Knight Rayearth. Bishōnen: Japanese for 'beautiful boy'. A blanket term that can be used to describe any anime that features "pretty" and elegant boys and men. Examples: Fushigi Yūgi or most CLAMP shows. Sentai: Literally "fighting team" in Japanese. Refers to any show that involves a superhero team. Examples: Cyborg 009. Robot/Mecha: Anime or manga featuring super robots. Examples: Mobile Suit Gundam or Mazinger Z. Post-Apocalyptic: Anime dealing with a post-apocalyptic world. Examples: Neon Genesis Evangelion, Trigun, Akira, Wolf's Rain, or Nausicaä of the Valley of the Wind Mahō shōjo: Subgenre of shōjo known for 'Magical Girl' stories. Examples: Sailor Moon. Mahō shōnen: Male equivalent of Mahō Shōjo. Examples: D.N.Angel. Moe: Anime or manga featuring characters that are extremely perky or cute. Examples: A Little Snow Fairy Sugar. Expertise: Anime that deals with a specific topic in depth, such as Eyeshield 21 and football, Hikaru no Go and the game Go, Yakitate! Japan and bread-making, etc. Romantic Genres Harem: A genre where several girl characters are attracted to a single boy character (or sometimes to multiple boy characters). It is more often than not a Shonen Anime and may be considered a sub-genre. Examples: Ranma ½ or Love Hina. Reverse Harem: As a Harem anime, but where several boy characters are attracted to a single girl character (or sometimes to multiple girl characters). It is more often than not a Shojo Anime and may be considered a sub-genre. Examples: Ouran Host Club or Fruits Basket. Ecchi: Japanese for 'indecent sexuality', derived from the pronunciation of the letter 'H', (the origin of the term is not well known, even in Japan. See main article for more information.) Contains sexual humor, and some fan service. Examples: Love Hina, Oruchuban Ebichu or He Is My Master. Hentai: Japanese for 'abnormal' or 'perverted'. While Western audiences may use the term to refer to pornographic anime or erotica, in Japan the term used to refer to the same material is typically Poruno or Ero. Examples: La Blue Girl or "Bible Black". Shōjo-ai/Yuri: Japanese for 'girl-love'. Refers to anime or manga that focus on love and romance between female characters. It is often being replaced by the term "Girls Love" (GL). Yuri is like Shōjo-ai, but sometimes involves older characters or explicit sexual activity. Examples: Revolutionary Girl Utena or Kannazuki no Miko. Shōnen-ai: Japanese for 'boy-love'. Refers to anime or manga that focus on love and romance between male characters. The term "Shōnen-ai" is being phased out in Japan due to its other meaning of pederasty, and is being replaced by the term "Boys Love" (BL). Examples: Loveless, Gravitation Yaoi: Like "Shōnen-ai" but often involving older characters and explicit sexual activity. Examples: "Sensitive Pornograph" Some anime titles are written for a very specific audience, even narrower than those described above. For example, Initial D, Wangan Midnight and éX-Driver concern street racing and car tuning. Ashita No Joe, Hajime no Ippo were about boxing. Hanaukyo Maid Team is based on the French maid fantasy. Style While different titles and different artists have their own artistic styles, many stylistic elements have become so common such that they are described as being definitive of anime in general. These elements have been given names of their own. The anime drawing style can be learned, particularly with the aid of books such as How to Draw Manga. Such books come complete with information and instructions on the styles used in anime. A common approach is the large eyes style drawn on many anime and manga characters, credited to the influence of Osamu Tezuka, who was inspired by the exaggerated features of American cartoon characters such as Betty Boop and Mickey Mouse and from Disney's Bambi. Tezuka found that large eyes style allowed his characters to show emotions distinctly. Cultural anthropologist Matt Thorn argues that Japanese animators and audiences do not perceive such stylized eyes as inherently more or less foreign.[1] When Tezuka began drawing Ribbon no Kishi, the first manga specifically targeted at young girls, Tezuka further exaggerated the size of the characters' eyes. Indeed, through Ribbon no Kishi, Tezuka set a stylistic template that later shōjo artists tended to follow. Another variation of this style is "super deformed"; which usually feature huge eyes, an enlarged head, and small body. Other stylistic elements are common as well; often in comedic anime, characters that are shocked or surprised will perform a "face fault", in which they display an extremely exaggerated expression. Angry characters may exhibit a "vein" or "stressmark" effect, where lines representing bulging veins will appear on their forehead. Angry women will sometimes summon a mallet from nowhere and strike someone with it, leading to the concept of Hammerspace and cartoon physics. Male characters will develop a bloody nose around their female love interests (typically to indicate arousal, based on an old wives' tale).[9] Embarrassed characters will invariably produce a massive sweat-drop, which has become one of the most widely recognized stereotype motifs of anime. The degree of stylization varies from title to title. Some titles make extensive use of common stylization: FLCL, for example, is known for its wild, exaggerated stylization. In contrast, titles such as Only Yesterday, a film by Isao Takahata, take a much more realistic approach, and feature few stylistic exaggerations. Distribution Licensing Main article: Anime licensing Anime is available outside of Japan in localized form. Licensed anime is modified by distributors through dubbing into the language of the country. The anime may also be edited to alter cultural references that may not be understood by a non-Japanese person and certain companies may remove what may be perceived as objectionable content. This process was far more common in the past (e.g. One Piece), when anime was largely unheard of in the west, but its use has declined in recent years because of the demand for anime in its original form. This "light touch" approach to localization has proved popular with fans as well as viewers formerly unfamiliar with anime. The popularity of such methods is evident by the success of Naruto, Dragon Ball Z, and Cartoon Network's Adult Swim programming block, both of which employ minor edits. The "light touch" approach also applies to DVD releases as they often include both the dubbed audio and the original Japanese audio with subtitles, are typically unedited. Anime edited for television is usually released on DVD "uncut," with all scenes intact. Anime has also been a commercial success in Asia, Europe and Latin America, where anime has become even more mainstream than in the United States. For example, the Saint Seiya video game was released in Europe due to the popularity of the show even years after the series has been off-air. Fansubs Main article: Fansub Although it is a violation of copyright laws in many countries, some fans watch fansubs, recordings of anime series that have been subtitled by fans. Watching subtitled Japanese versions, though not necessarily downloaded fansubs, is seen by many enthusiasts as the preferred method of watching anime. The ethical implications of producing, distributing, or watching fansubs are topics of much controversy even when fansub groups do not profit from their activities and cease distribution of their work once the series has been licensed outside of Japan. Television TV networks regularly broadcast anime programming. Cable channels such as Cartoon Network, Disney, Sci-Fi, and others dedicate some of their time slots for anime. Then the Anime Network specifically shows anime. In Japan, major national TV networks broadcast anime regularly. Anime beyond Japan Early anime in the United States The United States saw its first exposure to anime in June of 1961, when Shônen Sarutobi Sasuke (Magic Boy) was released by MGM, followed a few weeks later by Hakuja den (Panda and the Magic Serpent, or The Tale of the White Serpent). Anime then got its running jump in September of 1963, when NBC syndicated a dubbed version of the Japanese series Astro Boy. Not counting such Japanese/American co-productions as The King Kong Show and Johnny Cypher in Dimension Zero[1], only seven more anime TV series were released in the United States in the 1960s. These were 8 Man (1965), Gigantor (1966), Kimba the White Lion (1966), Prince Planet (1966), Marine Boy (1966), The Amazing 3 (1967) and Speed Racer (1967). Speed Racer would be the last anime series released in the United States until 1978 when the 1972 series Kagaku ninja tai Gatchaman was adapted for American audiences as Battle of the Planets.[10] Many anime series that made it to American television from the 1960s through the 1980s tended to be science fiction or action-oriented, such as Star Blazers (the English dub of Space Battleship Yamato) and Robotech and Voltron (both Americanized amalgamations of unrelated anime series cobbled together into a single story). As the 1980s wore on, more anime series and films targeted at very young children also found their way to U.S. TV screens, often on cable television channels or in syndication. Nickelodeon broadcast many mostly Canadian-made English dubs of anime films during its early years, including TV series such as Mysterious Cities of Gold, Adventures of the Little Koala, Belle and Sebastian, The Adventures of the Little Prince, Noozles, Maya the Bee, Grimm's Fairy Tale Classics, and The Littl' Bits, many of which were aired on "Nick Jr.", the network's block of programming for very young viewers. The Disney Channel broadcast both of the feature-length anime films starring Osamu Tezuka's famous unicorn character Unico, and CBN redubbed and broadcast its Bible-based anime TV series co-produced with Tatsunoko, Superbook and The Flying House. HBO also showed juvenile-targeted anime on occasion, including TV series such as Tales of Little Women, The Adventures of Tom Sawyer, The Wonderful Wizard of Oz, and Saban's Adventures of Pinocchio and feature films such as Gisaburo Sugii's 1974 Jack and the Beanstalk. A great many anime films and feature-length TV series compilations were also released direct-to-video in the U.S., and were often available for rental at mainstream video stores. Some titles which were distributed in the U.S. in this fashion included Candy Candy, Captain Future, Angel, Serendipity the Pink Dragon, Taro the Dragon Boy, Robby the Rascal (Cybot Robotchi), and Ninja the Wonder Boy (Manga Sarutobi Sasuke). For the most part, though, these TV series and films were not actively promoted as being of Japanese origin; in fact, many of them went so far as to remove most or all Japanese names from the credits except for credits to the animation studios. In the series themselves, character names were often changed and Japanese cultural references removed to make them more accessible to English-speaking audiences, such as Genshi being changed to Flint in Space-Time Detective Genshi-kun. In the late 1990s and early 2000s, this trend began to change as more openly Japanese works, such as Sailor Moon, Gundam Wing, Pokémon, Dragon Ball Z, Digimon, and Yu-Gi-Oh! achieved mainstream popularity on American television. Although many of these shows did undergo some kind of "Americanization" in the form of character name changes and edits for violence, language, and the occasional nudity, viewers were more aware of the shows' country of origin, which might perhaps pique their curiosity to seek out other works in a similar style. Current reception in the United States AnimeNation's John Oppliger had this to say on the matter: The support for anime among American anime fans is very strong. The availability of anime in America is truly impressive, especially within the anime fan community. Awareness of Japanese animation in America is at an all time high. However, mainstream acceptance of anime in America lags far behind the advances anime has made in other respects. A close examination of the support for anime on American television may provide a revealing and realistic gauge of the actual penetration of anime into America and American culture. Anime may seem like it's tremendously successful in America because its high profile, but the facts tell another story. According to AC Nielsen, Pixar's The Incredibles sold 16 million copies on DVD in America last year. Shark Tale sold nearly 10 million copies. Even the DVD release of Bambi sold 6 million copies in 2005. In comparison, all four Inuyasha movies combined have sold just over 1 million copies in the past year and a half. Evidently, the success of anime in America is very relative. American anime fans are very devoted. Through underground means hardcore American fans now have access to brand new Japanese anime before even many Japanese residents do. America's anime fan community is influential because it's affluent, intelligent, and motivated; but it's not very large.[11] Despite assessments like that, and its rare and limited release in American theaters, anime's legitimacy and respect in North America has grown well enough to garner major native artistic awards such as the Academy Award for Best Animated Feature in 2002 for Spirited Away by Hayao Miyazaki. Anime has a dedicated fan following in English speaking countries, particularly active on the internet, and at conventions regularly held throughout the US and UK. Commercial appeal Anime has become commercially profitable in western countries as early commercially successful western adaptations of anime, such as Astro Boy, have revealed.[12] The phenomenal success of Nintendo's multi-billion dollar Pokémon franchise[13] was helped greatly by the spin-off anime series that, first broadcast in the late 1990s, is still running worldwide to this day. Influence on Western culture Western Animation Main article: Anime-influenced animation Anime-influenced animation refers to non-Japanese works of animation that emulate the visual style of anime. Though most of these works are created by and primarily shown in the United States, many also involve production studios from Europe and non-Japanese Asia. These generally adapted anime stylizations and anime methods described in anime physics into their own. Such examples exist in Totally Spies!, The Boondocks, W.I.T.C.H. and Megas XLR. In addition, works such as Avatar: The Last Airbender features Asian themes. While these examples are not considered anime by the fanbase majority, they are best noted for being "influenced by anime". Conventions Main article: Anime convention Fan-based conventions have long existed. Conventions for anime began to appear in the early 1990's, starting with Anime Expo, Animethon, Otakon, and JACON. Eventually, anime conventions are held annually in various cities across the United States, Canada, and Europe. http://en.wikipedia.org/wiki/Anime (Less)
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19,
06:32,
2007-04-17 16:47:14 Description: Jumbotron's first single, "Select Start A"
Oshiyo of Jumbotron featuring Del the Funkee Homosapien and Quasimoto
*BETTER VERSION OF VIDEO COMING SOON*
myspace.com/jumbohiphop (More) Jumbotron's first single, "Select Start A"
Oshiyo of Jumbotron featuring Del the Funkee Homosapien and Quasimoto
*BETTER VERSION OF VIDEO COMING SOON*
myspace.com/jumbohiphop
LYRICS:
Select Start A
let the games begin
when it's pokemon red
you can count me in
Charizard, Pikachu, the gang's all here
better train your Tentacool until next year
It may take all eternity to beat me chump
But when I'm through with Sudowudo, boy he's a stump
But enough about this game, I beat you quick,
Mario Kart 64 is going to be sick.
Pick your racer and start your engines
In the end, I pass all them Belgians
Red shell, Bananas, items galore
Mystery Box is going to bring some more
Bowser roars when I score like a player of folklore
Man, it's easy as a chore, but never a bore
When you start lap two, I'm a thousand miles ahead
Cry all you want, games fly by your head
Chorus -
I beat you with the best
I beat you with the worst
I'll break your stuff
Like I'm Fred Durst
Don't quit your day job
keep mowing the lawn
Get your game face on
'Cause this is Jumbotron!
Bridge -
select start A
let the games begin
The Legend is here, turn Zelda on
Majora's Mask, I'll slice you like a kruton
Sure it's no two player, that sure is a shame
But I still can go faster completing game.
I got the Master Sword and the Hylian sheild
all you have is the boomerang to throw in the field
Save princess Zelda from the evil Ganandorf
Step into the twighlight night, into a wolf you will morph
Pac man or Scat man
Either way, I'll kick your can
Come on Big boy, show me what you got
Am I alot tougher than you thought?
Like the Axis of powers against today's United Nations
I pwn3d you as fast as U.S. inflation
POP them cherries before they go
500 points in a row!
[Chorus]
Bridge -
select start A
let the games begin
Take your pick, Donkey Kong one, two and three
doesn't matter, 'cause you can't destroy me
A monkey named DK and his son named diddy
Just like that duo, tupac and Biggie
Riding in the carts, running from the Crocs
shooting out of barrels, pikcing the locks
These pigs don't know me, Using Wizardry and Magic
A few more bananas and it's going to get tragic
[PRIMAL RAGE!]
Monkey versus Dinosaur
Body slam, hit the floor
Primal Rage is all the rage
When Super Nintendo goes A R C A D E --I don't
waste my time with kids
They throw cheap hits, low kick after low kick
This ape is dancing like he's in a rave
Pixels light up like thunder wave
As the speakers rumble, you stumble
you fumble, you tumble and your score crumbles
like you're Coach Trumble
[Chorus]
Bridge -
select start A
let the games begin
Super Smash Brothers is the last on the list
with a body slam coming or Captain Falcon's fist
I see you running through the Hyrule Temple
Pitter patter go your feet running from the people
It's not made of metal, but my controller is a sword
The game cartridge I wield is an entire world
Is your character Peach?
'Cause you fight like a girl
My black and white Kirby will smash you to bits
Just like a rhinocerous throwng fits
Final Destination, defeat the Master hand
Like a giant appliance under my command
I beat you in them all and I'll do it again
a bing, bang, boom, score's zero to ten
Bow down to your master, boy why's this a shock?
Get on that dress and go down the catwalk
[Chorus]
That box of tissues is calling your name
Time to cry and go back the way you came
Jumbotron, the new breed of hip hop
We're the thundering sound above you can't stop (Less)
Channel: youtubeTags: brothers corte del funkee homo homosapien jumbotron mario pacman pokemon quasimoto scatman smash straza super the zelda
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154,
02:46,
2007-06-25 07:09:42 Description: "THE CREATOR" - FOR STICK
"EL CREADOR" - FOR STICK
FOR MORE:
http://www.soyelcreador.com.ar
http://www.historietayanimacion.com
"Animé" redirects here. (More) "THE CREATOR" - FOR STICK
"EL CREADOR" - FOR STICK
FOR MORE:
http://www.soyelcreador.com.ar
http://www.historietayanimacion.com
"Animé" redirects here. For the oleo-resin, see Animé (oleo-resin).
Anime (アニメ, Anime? IPA pronunciation: /ɑnime/ listen (help·info) in Japanese, but typically /ˈænɪˌme(ɪ)/ or /ˈænɪmə/ in English) (pl. anime) is an abbreviation of the word "animation". Outside Japan, the term most popularly refers to animation originating in Japan. To the West, not all animation is considered anime; and anime is considered a subset of animation.
While some anime is hand drawn, computer assisted animation techniques have become quite common in recent years. Like any entertainment medium, the story lines represent most major genres of fiction. Anime is broadcast on television, distributed on media such as DVD and VHS, and included in video games. Additionally, some are produced as full length motion pictures. Anime often draws influence from manga, light novels, and other cultures. Some anime storylines have been adapted into live action films and television series.
History
Main article: History of anime
The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia.[citation needed]
Animation became notable in Japan as it provided an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, where live-action shows and films have generous budgets, the live-action industry in Japan is a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. The varied use of animation allowed artists to create any characters and settings.[1]
During the 1970s, there was a surge of growth in the popularity of manga— which were often later animated — especially those of Osamu Tezuka, who has been called a "legend"[2] and the "god of manga".[3][4] As a result of his work and that of other pioneers in the field, anime developed characteristics and genres that are fundamental elements of the art today. The giant robot genre (known as "mecha" outside Japan), for instance, took shape under Tezuka, developed under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino. Robot anime like Gundam and Macross became instant classics in the 80s, and the robot genre of anime is still one of the most heard of in Japan and worldwide today. In the 1980s, anime was accepted in the mainstream in Japan, and experienced a boom in production (It should be noticed that, manga has significantly more mainstream exposure than anime in Japan). The mid-to-late '90s, on into the 2000s, saw an increased acceptance of anime in overseas markets.
Terminology
Etymology and pronunciation
Note: This page or section contains IPA phonetic symbols in Unicode. See IPA chart for English for a pronunciation key.
The Japanese term for animation is アニメーション (animēshon, pronounced /ɑnime:ɕoɴ/), written in katakana. It is borrowed from the French word for animation, "l'animé" (it's lacking the article--both are pronounced similarly). Both the words "animation" and "l'animé" come from the Latin word "anima" which means to move. [5] The Japanese term is spelled アニメ (anime, pronounced /ɑnime/). Both the original and abbreviated forms are valid and interchangeable in Japanese, but as could be expected the shorter form is more commonly used.
The pronunciation of anime in English differs significantly from Japanese. The first vowel is further forward in English than Japanese: /æ/ is more likely than /ɑ/. As English stresses words differently than Japanese, the second vowel is likely to emerge as an unstressed schwa /ə/ or /I/ in English, whereas in Japanese each mora carries equal stress. As with a few other Japanese words such as Pokémon and Kobo Abé, anime is sometimes spelled as animé in English with an acute accent over the final e to cue the reader that the letter is pronounced as a Japanese /e/. However, this accent does not appear in any commonly used system of romanized Japanese, and English native speakers may produce /eI/.
Definition
An example of an anime drawing styleLinguistically, the anime definition is subject to interpretation. In Japan, the term does not specify an animation's nation of origin or style; instead, it is used as a blanket term to refer to all forms of animation from around the world.[6] In English, main dictionary sources define anime as "a Japanese style of motion-picture animation" or "a style of animation developed in Japan".[7] Thus, non-Japanese works are sometimes called anime-influenced animation if they borrow stylistically from Japanese animation.
In western countries the word is used usually only to refer to animated programming of Japanese origin, with the term "cartoon" or "animated series" used for most other visual styles. The online anime database AniDB generally defines anime (in the singular form) as "an animated, professionally produced, feature film created by a Japanese company for the Japanese market".[6] However, some anime are co-productions with non-Japanese companies like the Cartoon Network. Thus, anime is no longer specific to the Japanese market.
Syntax and morphology
Anime can be used as a common noun, "Do you watch anime?" or as a suppletive adjective, "The anime Guyver is different from the movie Guyver." It may also be used as a mass noun, as in "How much anime have you collected?" and therefore is never pluralized "animes" (nouns are never pluralized in Japanese). However, in other languages where anime has been adopted as a loan word, it is sometimes used as a count noun in singular and in plural as in Danish "Jeg tror, jeg vil se en anime" ("I think I'll watch an anime") and "Hvor mange anime'er har du nu?" ("How many animes do you have now?").
Synonyms
Anime is sometimes referred to as Japanimation, but this term has fallen into disuse. Japanimation saw the most usage during the 1970s and 1980s, which broadly comprise the first and second waves of anime fandom, and had continued use up until before the mid-1990s anime resurgence. In general, the term now only appears in nostalgic contexts. The term is much more commonly used within Japan to refer to domestic animation. Since anime or animēshon is used to describe all forms of animation, Japanimation is used to distinguish Japanese work from that of the rest of the world.
In more recent years, anime has also frequently been referred to as manga in European countries, a practice that may stem from the Japanese usage: In Japan, manga can refer to both animation and comics (although the use of manga to refer to animation is mostly restricted to non-fans). Among English speakers, manga usually has the stricter meaning of "Japanese comics". An alternate explanation is that it is due to the prominence of Manga Entertainment, a distributor of anime to the US and UK markets. Because Manga Entertainment originated in the UK the use of the term is common outside of Japan. The portmanteau "animanga" has been used to collectively refer to anime and manga, though it is also a term used to describe comics produced from animation cels.
Characteristics
Dragon Ball Z (1989) is a popular shōnen anime based on the original manga series which spanned 291 episodes and 13 movies.Anime features a wide variety of artistic styles. They vary from artist to artist or by studio to studio. They are generally characterized by detailed backgrounds and stylized characters in a variety of different settings and storylines, aimed at a wide range of audiences. It is usually coloured and designed to look as realistic as possible. Unlike Manga, which uses slightly exaggerated colours and designs. But, anime fantasy creatures, (e.g witches, spirits etc.) can have exaggerated facial and physical features. But, they will always be designed to look as realistic as possible, and bright colours would be rarely used unless needed to.
Genres
Anime has many genres typically found in any mass media form. Such genres include action, adventure, children's stories, comedy, drama, erotica (hentai), medieval fantasy, occult/horror, romance, and science fiction.
Most anime includes content from several different genres, as well as a variety of thematic elements. Thus, some series may be categorized under multiple genres. For example, Neon Genesis Evangelion might be considered to fall into the genres of post-apocalyptic, mecha, drama, and shonen-ai. A show may have a seemingly simple surface plot, but at the same time may feature a far more complex, deeper storyline and character development. It is not uncommon for an action themed anime to also involve humor, romance, and even social commentary. The same can be applied to a romance themed anime in that it may involve an action element, or in some cases brutal violence.
The following is a list of the major genres and designations that are specific to anime and manga.[8]
For other possible genres, see film genre.
Genres with Western Counterparts:
Action/Adventure: Anime that primarily focuses on martial arts, sword fighting, or other action oriented material. Examples: Ninja Scroll.
Horror: Anime or manga which contains darker themes or science-fictional characters. Examples: Vampire Hunter D series or Wicked City.
Progressive: "Art films" or extremely stylized anime. Examples: Voices of a Distant Star or Byōsoku 5 Centimetre.
Demographic Genres:
Shōjo: Japanese for 'young lady' or 'little girl'. Refers to anime or manga targeted at girls. Examples: Fruits Basket or Mermaid Melody Pichi Pichi Pitch.
Shōnen: Japanese for 'young boy'. Refers to anime or manga targeted at younger boys. Examples: Dragon Ball Z or Digimon.
Seinen: Japanese for 'young man'. Anime or manga targeted at teenage or young male adults. Examples: Oh My Goddess!, Outlaw Star or Cowboy Bebop.
Josei: Japanese for 'young woman'. Anime or manga that is aimed at young women. Examples: Gokusen.
Kodomo: Japanese for 'child'. Anime or manga that is aimed at young children. Examples: Doraemon, Hello Kitty, Keroppi, Pokémon or Panda-Z.
Thematic Genres
Bishōjo: Japanese for 'beautiful girl'. A blanket term that can be used to describe any anime that features pretty girl characters. Examples: Magic Knight Rayearth.
Bishōnen: Japanese for 'beautiful boy'. A blanket term that can be used to describe any anime that features "pretty" and elegant boys and men. Examples: Fushigi Yūgi or most CLAMP shows.
Sentai: Literally "fighting team" in Japanese. Refers to any show that involves a superhero team. Examples: Cyborg 009.
Robot/Mecha: Anime or manga featuring super robots. Examples: Mobile Suit Gundam or Mazinger Z.
Post-Apocalyptic: Anime dealing with a post-apocalyptic world. Examples: Neon Genesis Evangelion, Trigun, Akira, Wolf's Rain, or Nausicaä of the Valley of the Wind
Mahō shōjo: Subgenre of shōjo known for 'Magical Girl' stories. Examples: Sailor Moon.
Mahō shōnen: Male equivalent of Mahō Shōjo. Examples: D.N.Angel.
Moe: Anime or manga featuring characters that are extremely perky or cute. Examples: A Little Snow Fairy Sugar.
Expertise: Anime that deals with a specific topic in depth, such as Eyeshield 21 and football, Hikaru no Go and the game Go, Yakitate! Japan and bread-making, etc.
Romantic Genres
Harem: A genre where several girl characters are attracted to a single boy character (or sometimes to multiple boy characters). It is more often than not a Shonen Anime and may be considered a sub-genre. Examples: Ranma ½ or Love Hina.
Reverse Harem: As a Harem anime, but where several boy characters are attracted to a single girl character (or sometimes to multiple girl characters). It is more often than not a Shojo Anime and may be considered a sub-genre. Examples: Ouran Host Club or Fruits Basket.
Ecchi: Japanese for 'indecent sexuality', derived from the pronunciation of the letter 'H', (the origin of the term is not well known, even in Japan. See main article for more information.) Contains sexual humor, and some fan service. Examples: Love Hina, Oruchuban Ebichu or He Is My Master.
Hentai: Japanese for 'abnormal' or 'perverted'. While Western audiences may use the term to refer to pornographic anime or erotica, in Japan the term used to refer to the same material is typically Poruno or Ero. Examples: La Blue Girl or "Bible Black".
Shōjo-ai/Yuri: Japanese for 'girl-love'. Refers to anime or manga that focus on love and romance between female characters. It is often being replaced by the term "Girls Love" (GL). Yuri is like Shōjo-ai, but sometimes involves older characters or explicit sexual activity. Examples: Revolutionary Girl Utena or Kannazuki no Miko.
Shōnen-ai: Japanese for 'boy-love'. Refers to anime or manga that focus on love and romance between male characters. The term "Shōnen-ai" is being phased out in Japan due to its other meaning of pederasty, and is being replaced by the term "Boys Love" (BL). Examples: Loveless, Gravitation
Yaoi: Like "Shōnen-ai" but often involving older characters and explicit sexual activity. Examples: "Sensitive Pornograph"
Some anime titles are written for a very specific audience, even narrower than those described above. For example, Initial D, Wangan Midnight and éX-Driver concern street racing and car tuning. Ashita No Joe, Hajime no Ippo were about boxing. Hanaukyo Maid Team is based on the French maid fantasy.
Style
While different titles and different artists have their own artistic styles, many stylistic elements have become so common such that they are described as being definitive of anime in general. These elements have been given names of their own. The anime drawing style can be learned, particularly with the aid of books such as How to Draw Manga. Such books come complete with information and instructions on the styles used in anime.
A common approach is the large eyes style drawn on many anime and manga characters, credited to the influence of Osamu Tezuka, who was inspired by the exaggerated features of American cartoon characters such as Betty Boop and Mickey Mouse and from Disney's Bambi. Tezuka found that large eyes style allowed his characters to show emotions distinctly. Cultural anthropologist Matt Thorn argues that Japanese animators and audiences do not perceive such stylized eyes as inherently more or less foreign.[1] When Tezuka began drawing Ribbon no Kishi, the first manga specifically targeted at young girls, Tezuka further exaggerated the size of the characters' eyes. Indeed, through Ribbon no Kishi, Tezuka set a stylistic template that later shōjo artists tended to follow. Another variation of this style is "super deformed"; which usually feature huge eyes, an enlarged head, and small body.
Other stylistic elements are common as well; often in comedic anime, characters that are shocked or surprised will perform a "face fault", in which they display an extremely exaggerated expression. Angry characters may exhibit a "vein" or "stressmark" effect, where lines representing bulging veins will appear on their forehead. Angry women will sometimes summon a mallet from nowhere and strike someone with it, leading to the concept of Hammerspace and cartoon physics. Male characters will develop a bloody nose around their female love interests (typically to indicate arousal, based on an old wives' tale).[9] Embarrassed characters will invariably produce a massive sweat-drop, which has become one of the most widely recognized stereotype motifs of anime.
The degree of stylization varies from title to title. Some titles make extensive use of common stylization: FLCL, for example, is known for its wild, exaggerated stylization. In contrast, titles such as Only Yesterday, a film by Isao Takahata, take a much more realistic approach, and feature few stylistic exaggerations.
Distribution
Licensing
Main article: Anime licensing
Anime is available outside of Japan in localized form. Licensed anime is modified by distributors through dubbing into the language of the country. The anime may also be edited to alter cultural references that may not be understood by a non-Japanese person and certain companies may remove what may be perceived as objectionable content. This process was far more common in the past (e.g. One Piece), when anime was largely unheard of in the west, but its use has declined in recent years because of the demand for anime in its original form. This "light touch" approach to localization has proved popular with fans as well as viewers formerly unfamiliar with anime. The popularity of such methods is evident by the success of Naruto, Dragon Ball Z, and Cartoon Network's Adult Swim programming block, both of which employ minor edits. The "light touch" approach also applies to DVD releases as they often include both the dubbed audio and the original Japanese audio with subtitles, are typically unedited. Anime edited for television is usually released on DVD "uncut," with all scenes intact.
Anime has also been a commercial success in Asia, Europe and Latin America, where anime has become even more mainstream than in the United States. For example, the Saint Seiya video game was released in Europe due to the popularity of the show even years after the series has been off-air.
Fansubs
Main article: Fansub
Although it is a violation of copyright laws in many countries, some fans watch fansubs, recordings of anime series that have been subtitled by fans. Watching subtitled Japanese versions, though not necessarily downloaded fansubs, is seen by many enthusiasts as the preferred method of watching anime. The ethical implications of producing, distributing, or watching fansubs are topics of much controversy even when fansub groups do not profit from their activities and cease distribution of their work once the series has been licensed outside of Japan.
Television
TV networks regularly broadcast anime programming. Cable channels such as Cartoon Network, Disney, Sci-Fi, and others dedicate some of their time slots for anime. Then the Anime Network specifically shows anime. In Japan, major national TV networks broadcast anime regularly.
Anime beyond Japan
Early anime in the United States
The United States saw its first exposure to anime in June of 1961, when Shônen Sarutobi Sasuke (Magic Boy) was released by MGM, followed a few weeks later by Hakuja den (Panda and the Magic Serpent, or The Tale of the White Serpent). Anime then got its running jump in September of 1963, when NBC syndicated a dubbed version of the Japanese series Astro Boy. Not counting such Japanese/American co-productions as The King Kong Show and Johnny Cypher in Dimension Zero[1], only seven more anime TV series were released in the United States in the 1960s. These were 8 Man (1965), Gigantor (1966), Kimba the White Lion (1966), Prince Planet (1966), Marine Boy (1966), The Amazing 3 (1967) and Speed Racer (1967). Speed Racer would be the last anime series released in the United States until 1978 when the 1972 series Kagaku ninja tai Gatchaman was adapted for American audiences as Battle of the Planets.[10] Many anime series that made it to American television from the 1960s through the 1980s tended to be science fiction or action-oriented, such as Star Blazers (the English dub of Space Battleship Yamato) and Robotech and Voltron (both Americanized amalgamations of unrelated anime series cobbled together into a single story).
As the 1980s wore on, more anime series and films targeted at very young children also found their way to U.S. TV screens, often on cable television channels or in syndication. Nickelodeon broadcast many mostly Canadian-made English dubs of anime films during its early years, including TV series such as Mysterious Cities of Gold, Adventures of the Little Koala, Belle and Sebastian, The Adventures of the Little Prince, Noozles, Maya the Bee, Grimm's Fairy Tale Classics, and The Littl' Bits, many of which were aired on "Nick Jr.", the network's block of programming for very young viewers. The Disney Channel broadcast both of the feature-length anime films starring Osamu Tezuka's famous unicorn character Unico, and CBN redubbed and broadcast its Bible-based anime TV series co-produced with Tatsunoko, Superbook and The Flying House. HBO also showed juvenile-targeted anime on occasion, including TV series such as Tales of Little Women, The Adventures of Tom Sawyer, The Wonderful Wizard of Oz, and Saban's Adventures of Pinocchio and feature films such as Gisaburo Sugii's 1974 Jack and the Beanstalk.
A great many anime films and feature-length TV series compilations were also released direct-to-video in the U.S., and were often available for rental at mainstream video stores. Some titles which were distributed in the U.S. in this fashion included Candy Candy, Captain Future, Angel, Serendipity the Pink Dragon, Taro the Dragon Boy, Robby the Rascal (Cybot Robotchi), and Ninja the Wonder Boy (Manga Sarutobi Sasuke).
For the most part, though, these TV series and films were not actively promoted as being of Japanese origin; in fact, many of them went so far as to remove most or all Japanese names from the credits except for credits to the animation studios. In the series themselves, character names were often changed and Japanese cultural references removed to make them more accessible to English-speaking audiences, such as Genshi being changed to Flint in Space-Time Detective Genshi-kun. In the late 1990s and early 2000s, this trend began to change as more openly Japanese works, such as Sailor Moon, Gundam Wing, Pokémon, Dragon Ball Z, Digimon, and Yu-Gi-Oh! achieved mainstream popularity on American television. Although many of these shows did undergo some kind of "Americanization" in the form of character name changes and edits for violence, language, and the occasional nudity, viewers were more aware of the shows' country of origin, which might perhaps pique their curiosity to seek out other works in a similar style.
Current reception in the United States
AnimeNation's John Oppliger had this to say on the matter:
The support for anime among American anime fans is very strong. The availability of anime in America is truly impressive, especially within the anime fan community. Awareness of Japanese animation in America is at an all time high. However, mainstream acceptance of anime in America lags far behind the advances anime has made in other respects. A close examination of the support for anime on American television may provide a revealing and realistic gauge of the actual penetration of anime into America and American culture. Anime may seem like it's tremendously successful in America because its high profile, but the facts tell another story.
According to AC Nielsen, Pixar's The Incredibles sold 16 million copies on DVD in America last year. Shark Tale sold nearly 10 million copies. Even the DVD release of Bambi sold 6 million copies in 2005. In comparison, all four Inuyasha movies combined have sold just over 1 million copies in the past year and a half. Evidently, the success of anime in America is very relative. American anime fans are very devoted. Through underground means hardcore American fans now have access to brand new Japanese anime before even many Japanese residents do. America's anime fan community is influential because it's affluent, intelligent, and motivated; but it's not very large.[11]
Despite assessments like that, and its rare and limited release in American theaters, anime's legitimacy and respect in North America has grown well enough to garner major native artistic awards such as the Academy Award for Best Animated Feature in 2002 for Spirited Away by Hayao Miyazaki. Anime has a dedicated fan following in English speaking countries, particularly active on the internet, and at conventions regularly held throughout the US and UK.
Commercial appeal
Anime has become commercially profitable in western countries as early commercially successful western adaptations of anime, such as Astro Boy, have revealed.[12] The phenomenal success of Nintendo's multi-billion dollar Pokémon franchise[13] was helped greatly by the spin-off anime series that, first broadcast in the late 1990s, is still running worldwide to this day.
Influence on Western culture
Western Animation
Main article: Anime-influenced animation
Anime-influenced animation refers to non-Japanese works of animation that emulate the visual style of anime. Though most of these works are created by and primarily shown in the United States, many also involve production studios from Europe and non-Japanese Asia. These generally adapted anime stylizations and anime methods described in anime physics into their own. Such examples exist in Totally Spies!, The Boondocks, W.I.T.C.H. and Megas XLR. In addition, works such as Avatar: The Last Airbender features Asian themes. While these examples are not considered anime by the fanbase majority, they are best noted for being "influenced by anime".
Conventions
Main article: Anime convention
Fan-based conventions have long existed. Conventions for anime began to appear in the early 1990's, starting with Anime Expo, Animethon, Otakon, and JACON. Eventually, anime conventions are held annually in various cities across the United States, Canada, and Europe.
http://en.wikipedia.org/wiki/Anime (Less)
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23,
00:14,
2007-12-25 11:21:40 Description: This is a small field we fly from. It is about 300X400 I can get in and out pretty good. Glad this machine and wing are predictable. I lot of fun to fly out here.
I like the buckeye powered (More) This is a small field we fly from. It is about 300X400 I can get in and out pretty good. Glad this machine and wing are predictable. I lot of fun to fly out here.
I like the buckeye powered parachute, the 6chuter powered parachute and the Infinity powered parachute. I would like to also have a part 103 ultra light powered parachute. I am thinking of building one using the trike buggy by flexi foil. The trikbuggy is a very stable platform to use for a number of flying devices. however powered parachute would be the way to go next time. A part 103 powered paracruser on a flexi foil would be a fun machine to fly. Put a TB280 on it and look out sky. That powered parachute will be a fun powered parachute to fly
Flying from the sod farm. Flying powered parachutes, ppc's and some paragliders around. Actually it is powered paragliders or PPG flying. Ultralight aircraft or an airplane except there are no fixed wings. Flying a powered parachute has become my favorite from of flying, even more than GA or general aviation airplanes. The EAA is a self governed body of almost like minded flyers, flying most everything you can think of, Balloons, powered paragliders, sailplanes, sail planes, gliders, tow planes, antique airplanes piper cubs piper cubs aronica champs, Cessna 150, Cessna 172, Cessna 180, Cessna 182, Cessna 206, cessna 210, cessna 310, Mooney skychief, "A fixed-wing aircraft is a heavier-than-air craft where movement of the wings in relation to the aircraft is not used to generate lift. The term is used to distinguish from rotary-wing aircraft or ornithopters, where the movement of the wing surfaces relative to the aircraft generates lift. Fixed-wing aircraft are called airplanes in North America (the U.S. and Canada), and aeroplanes in Commonwealth countries and Ireland (excluding Canada). These terms are derived from Greek αέρας (aéras-) ("air") and -plane.[1]" wiki is referenced here.Propeller aircraft, jets, military airplanes, war birds, war birds. P51 mustang, P38, f105, f14 tomcat, F22, f111 aardvark. F17, b1 bomber, Boeing airplanes, Boeing aircraft, flying, lighter than air, lift, thrust, drag, my home made video. has nothing to do with getaltitue.com and eben pagen although he teaches Internet business marketing. Supersonic aircraft, such as military fighters and bombers, Concorde,Rocket-powered aircraft,f-a22 raptor, bell x-1a, Ramjet aircraft, Lockheed SR71 blackbird. speed of sound flight. faster than the speed of sound flight, space shuttle. Scramjet aircraft, Charles Lindbergh ,German Manfred von Richthofen, commonly called the Red Baron,Chuck Yeager, the right stuff, flying, kermit weeks, oshkosh, eaa flying. Experimental Aircraft Association (EAA)AirVenture Museum, EAA AirVenture Oshkosh , EAA young eagles program.AirVenture 2004, Air Venture 2003, Air Venture 2002, Air Venture 2001, AirVenture 2000, AirVenture 2005, AirVenture 2006, AirVenture 2007, AirVenture 2008, AirVenture 1999 (less) powered parachute, PPC, powerchute, pegesis, flying from a dirt field, flying over water, water landing, engine out, flying from floats
Category: Sports
Tags: Powered Parachute PPC flying airplane pagaglider (Less)
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0,
00:00,
2008-11-25 18:37:56 Description: Whenever it rains the Aero Circles etc. come out to play or to bath or whatever is your suspicion. So a sure way to know if you have aerostockians in your area, simply aim your camera high into the (More) Whenever it rains the Aero Circles etc. come out to play or to bath or whatever is your suspicion. So a sure way to know if you have aerostockians in your area, simply aim your camera high into the sky and take a flash photo during the time of the rain or just after the rains rather it is day or night; if a multitude of Circles appear in your photo then you have aeros in your immediate area.
Here in these videos, the young ladies are trying to improve upon my videos of Night Comet Flashes (NCF). So I am flashing my camera to expose them and the girls are filming making use of my light source. Of course a Strobe Light possibly could improve upon the contents of these videos. In video #79 there is no flashing only listen to the sounds (23-40 seconds) they are making.
Since the girls are filming using the camcorder ânightshot plusâ, the field of capture is narrowed to only a small portion of the night sky. The skies are filled with nothing less than several thousands of bright circles, so we will continue to look for a way to broaden the field of exposure.
At the very end of most of these videos you will see where the girls lowered the camera to video either my brick wall or my clothes line. I requested this as proof that indeed we were filming up into the black night sky. So to erase any doubt as to what is being filmed, you will see either a part of roofing or a wall or a clothes line. Also take notice the clicking sound of the camera, again this is caused by the alien energy force given off as they try to block the filming.
This video was brought to you by the courtesy of L & M YOUTH - AERO PRODUCTIONS; which is solely a label and is not a registered company. (Less)
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0,
00:00,
2008-11-25 18:37:56 Description: Whenever it rains the Aero Circles etc. come out to play or to bath or whatever is your suspicion. So a sure way to know if you have aerostockians in your area, simply aim your camera high into the (More) Whenever it rains the Aero Circles etc. come out to play or to bath or whatever is your suspicion. So a sure way to know if you have aerostockians in your area, simply aim your camera high into the sky and take a flash photo during the time of the rain or just after the rains rather it is day or night; if a multitude of Circles appear in your photo then you have aeros in your immediate area.
Here in these videos, the young ladies are trying to improve upon my videos of Night Comet Flashes (NCF). So I am flashing my camera to expose them and the girls are filming making use of my light source. Of course a Strobe Light possibly could improve upon the contents of these videos. In video #79 there is no flashing only listen to the sounds (23-40 seconds) they are making.
Since the girls are filming using the camcorder ânightshot plusâ, the field of capture is narrowed to only a small portion of the night sky. The skies are filled with nothing less than several thousands of bright circles, so we will continue to look for a way to broaden the field of exposure.
At the very end of most of these videos you will see where the girls lowered the camera to video either my brick wall or my clothes line. I requested this as proof that indeed we were filming up into the black night sky. So to erase any doubt as to what is being filmed, you will see either a part of roofing or a wall or a clothes line. Also take notice the clicking sound of the camera, again this is caused by the alien energy force given off as they try to block the filming.
This video was brought to you by the courtesy of L & M YOUTH - AERO PRODUCTIONS; which is solely a label and is not a registered company. (Less)
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11,
00:42,
2007-08-23 13:19:22 Description: LED Advantages:
- Long life (Rated at 100,000 hrs.)
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- Ultra bright, indoor (More) LED Advantages:
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Features & Specifications:
- Ultra bright, indoor LED Color Bar with 252 10mm LEDs (48 Red, 108 Green, & 96 Blue LEDs)
- 5 operational modes, Program mode, Auto mode, Sound mode, Master/Slave mode & DMX mode
- Very smooth field with rich palettes of color created by mixing the Red, Green and Blue LEDs
- Great as an architectural wall wash or for performance stages where traditional stage lighting emit a lot of heat onto performers
- Smooth RGB color mixing (fast or slow color change operation)
- Color strobe effect
- DMX-512 Protocol
- Electronic Dimming: 0 - 100%
- Beam angle: 40-degree
- Linkable via 3-pin XLR cable
- 4-button LED display on rear panel
- AC outlet on rear to daisy chain power
- Includes mounting brackets
- Power Draw: 30W
- Dimensions (LxWxH): 1025x65x88 mm
- Weight: 2.8 kg (Less)
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4,
00:45,
2008-04-22 10:38:55 Description: LED Advantages: - Long life (Rated at 100,000 hrs.) - Low power consumption - Very low heat output - Run all night - RGB color mixing Features & Specifications: - Ultra bright, indoor LED Color (More) LED Advantages: - Long life (Rated at 100,000 hrs.) - Low power consumption - Very low heat output - Run all night - RGB color mixing Features & Specifications: - Ultra bright, indoor LED Color Panel with 288 10mm LEDs (48 Red, 120 Green, & 120 Blue LEDs) - 5 operational modes, Program mode, Auto mode, Sound mode, Master/Slave mode & DMX mode - Very smooth field with rich palettes of color created by mixing the Red, Green and Blue LEDs - Great as an architectural wall wash or for performance stages where traditional stage lighting emit a lot of heat onto performers - Smooth RGB color mixing (fast or slow color change operation) - Color strobe effect - DMX-512 Protocol - Selectable 5, 8, 14 or 26 DMX Channels for different applications - Electronic Dimming: 0 - 100% - Beam angle: 40-degree - Linkable via 3-pin XLR cable - 4-button LED display on rear panel - Includes ceiling and truss mounting - Power Draw: 36W - Dimensions (LxWxH): 428x248x178mm - Weight: 3.2 kg (Less)
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