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Stop Motion Samples

00:58,

2009-08-24 05:27:16

Description: These are some samples of short stop motion clips I did in May 2009. The song is called; To Build a Home (edit) as preformed by The Cinematic Orchestra. iTunes link: bit.ly/4VeFB (More)

Channel: vimeo

Tags: stop motion samples

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Señor Coconut and his Orchestra SMOKE ON THE WATER

48,

04:56,

2007-08-22 03:43:04

Description: Smoke on the Water Live Sonarsound Tokyo October 2006 Señor Coconut and his Orchestra (feat. Argenis Brito) Yellow Fever! Essay Recordings AY CD 11 Release date: June 9 2006 (More) Smoke on the Water Live Sonarsound Tokyo October 2006 Señor Coconut and his Orchestra (feat. Argenis Brito) Yellow Fever! Essay Recordings AY CD 11 Release date: June 9 2006 Atom™ on his latest album As early as the eighties, the Yellow Magic Orchestra was merging the eclectic Exotica attitude of Martin Denny with an ultimate update of Japanese music. "Martin Denny and his line-up created an imaginary musical landscape of luscious tropical delights: damp, foreboding jungles, vibrantly plumed birds in full flight, grimly silent Tiki gods in clearings overgrown by creepers, sleepy fishing villages on bamboo stilts, volcanoes erupting with molten orange lava, alluringly smiling little brown nymphs in grass skirts -- the land of lotus blossoms -- in a word: Exotica. If rock'n'roll is the musical equivalent of a good hard fuck, Exotica brings us the multi-orgasmic joys of tantric sex in endlessly flowing combinations of mystic union. Or, in the words of Lex Baxter: 'Ports of Pleasure'" (Stuart Sweezy). Today I am trying to go one step further by transferring the Yellow Magic Orchestra 'back to the future': a digital, fully artificial simulation and cut and paste style recreation of Latin Exotica sound. We may call it 'hypereclectic'. I have left both the historical timeline and ethnical space and move back and forth between musical periods and styles of Latin music. YMO covered Martin Denny's originally Exotica style "Firecracker" in a futuristic yet folkloric manner. Now I am covering the cover and transforming it back into a simulation of a Martin Denny sound. In "Yellow Fever!" I combine the production techniques of the last three Coconut albums "El Gran Baile" (1997), "El Baile Aleman" (2000) and "Fiesta Songs" (2003): "El Gran Baile", was not based on song structures. It was abstract cut and paste. It became the prototype of the Electrolatino genre. Latino samples fused with the track logic of European electronic music. "El Baile Aleman" put the focus on Kraftwerk covers that were meant to sound as though they had been played by a Latino line-up. But this simulation was created by sampler, without 'real' musicians. The fusion of Latino and Electro that was set in motion in "El Gran Baile" is given a new slant -- partly because of the production method, but also by processing prototypical songs (Kraftwerk). "Fiesta Songs" abandons the obvious reference to my electronic roots to concentrate on simulating an acoustic retro-Latin sound, covering Anglo-American pop hits. In places, the simulation is revealed by digital artefacts. Again, I wanted to try taking a new direction in my production approach: instead of total programming, I recorded musicians for the first time, merging the material and original Latino samples to create something completely new. "Yellow Fever!" combines these three working methods and approaches: abstract cut and paste emerges in the interludes between the tracks, and a digital/electronic sound in the "El Gran Baile" style reappears. It contrasts with the acoustic passages, reveals the simulation and is a musical style in its own right. As in "El Baile Aleman" programming and covering feature strongly here, merging with yet another milestone in the history of electronic music. The Yellow Magic Orchestra tracks undergo the same kind of distortion that was applied to the Kraftwerk songs: bringing Electronica back to the future! The third step involves working with session musicians, as to some extent on "Fiesta Songs". The acoustic aspect of the music is perfected by the detailed structuring of complex arrangements, but at the same time it is contrasted more strongly by the inclusion of digital elements. The album as a whole is an extremely complex patchwork of thousands of parts. Within a single song the musical course of things changes dozens of times. You could see "Yellow Fever!" as my first experiment on the way towards hypereclectic music. I experiment with breaking down all musical boundaries -- but this time "only" within the Latino genre. Another important point is the cinematic principle: every moment of "Yellow Fever!" is meant to provoke images. In this respect, there is a very close correlation with the concept of Exotica. I'm not just interested in recreating styles. Above all, I want to trigger emotions, images, déjà-vus, and so on. (Less)

Channel: youtube

Tags: Atom Cococnut Deep guilty76am Heart on Purple Schmidt Senor Smoke the Uwe Water

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Señor Coconut and his Orchestra SMOKE ON THE WATER

21,

04:56,

2008-04-21 16:41:57

Description: Smoke on the Water Live Sonarsound Tokyo October 2006 Señor Coconut and his Orchestra (feat. Argenis Brito) Yellow Fever! Essay Recordings AY CD 11 Release date: June 9 2006 Atom™ on (More) Smoke on the Water Live Sonarsound Tokyo October 2006 Señor Coconut and his Orchestra (feat. Argenis Brito) Yellow Fever! Essay Recordings AY CD 11 Release date: June 9 2006 Atom™ on his latest album As early as the eighties, the Yellow Magic Orchestra was merging the eclectic Exotica attitude of Martin Denny with an ultimate update of Japanese music. "Martin Denny and his line-up created an imaginary musical landscape of luscious tropical delights: damp, foreboding jungles, vibrantly plumed birds in full flight, grimly silent Tiki gods in clearings overgrown by creepers, sleepy fishing villages on bamboo stilts, volcanoes erupting with molten orange lava, alluringly smiling little brown nymphs in grass skirts -- the land of lotus blossoms -- in a word: Exotica. If rock'n'roll is the musical equivalent of a good hard fuck, Exotica brings us the multi-orgasmic joys of tantric sex in endlessly flowing combinations of mystic union. Or, in the words of Lex Baxter: 'Ports of Pleasure'" (Stuart Sweezy). Today I am trying to go one step further by transferring the Yellow Magic Orchestra 'back to the future': a digital, fully artificial simulation and cut and paste style recreation of Latin Exotica sound. We may call it 'hypereclectic'. I have left both the historical timeline and ethnical space and move back and forth between musical periods and styles of Latin music. YMO covered Martin Denny's originally Exotica style "Firecracker" in a futuristic yet folkloric manner. Now I am covering the cover and transforming it back into a simulation of a Martin Denny sound. In "Yellow Fever!" I combine the production techniques of the last three Coconut albums "El Gran Baile" (1997), "El Baile Aleman" (2000) and "Fiesta Songs" (2003): "El Gran Baile", was not based on song structures. It was abstract cut and paste. It became the prototype of the Electrolatino genre. Latino samples fused with the track logic of European electronic music. "El Baile Aleman" put the focus on Kraftwerk covers that were meant to sound as though they had been played by a Latino line-up. But this simulation was created by sampler, without 'real' musicians. The fusion of Latino and Electro that was set in motion in "El Gran Baile" is given a new slant -- partly because of the production method, but also by processing prototypical songs (Kraftwerk). "Fiesta Songs" abandons the obvious reference to my electronic roots to concentrate on simulating an acoustic retro-Latin sound, covering Anglo-American pop hits. In places, the simulation is revealed by digital artefacts. Again, I wanted to try taking a new direction in my production approach: instead of total programming, I recorded musicians for the first time, merging the material and original Latino samples to create something completely new. "Yellow Fever!" combines these three working methods and approaches: abstract cut and paste emerges in the interludes between the tracks, and a digital/electronic sound in the "El Gran Baile" style reappears. It contrasts with the acoustic passages, reveals the simulation and is a musical style in its own right. As in "El Baile Aleman" programming and covering feature strongly here, merging with yet another milestone in the history of electronic music. The Yellow Magic Orchestra tracks undergo the same kind of distortion that was applied to the Kraftwerk songs: bringing Electronica back to the future! The third step involves working with session musicians, as to some extent on "Fiesta Songs". The acoustic aspect of the music is perfected by the detailed structuring of complex arrangements, but at the same time it is contrasted more strongly by the inclusion of digital elements. The album as a whole is an extremely complex patchwork of thousands of parts. Within a single song the musical course of things changes dozens of times. You could see "Yellow Fever!" as my first experiment on the way towards hypereclectic music. I experiment with breaking down all musical boundaries -- but this time "only" within the Latino genre. Another important point is the cinematic principle: every moment of "Yellow Fever!" is meant to provoke images. In this respect, there is a very close correlation with the concept of Exotica. I'm not just interested in recreating styles. Above all, I want to trigger emotions, images, déjà-vus, and so on. (Less)

Channel: youtube

Tags: Atom Cococnut Deep guilty76am Heart on Purple Schmidt Senor Smoke the Uwe Water

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matrix fist

15,

03:02,

2008-08-26 09:59:25

Description: matrix revolutions behind the scenes music: black mighty orchestra - ocean beach (cybophonia cinematic remix) end chord: the beatles - a day in the life (More)

Channel: youtube

Tags: blow capture cinema computer documentary emotion film graphics hugo keanu motion neo picture punch reeves smith weaving

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Where are you?

01:17,

2009-09-18 09:19:46

Description: We were doing location scouting for a short film and I thought the little bridges and pathways in this park were great. I had my camera with me and just decided to start taking pictures. At the time I (More)

Channel: youtube

Tags: cinematic orchestra still image stop motion time and space sfs sydney film school

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Human Prints

01:52,

2009-08-21 20:33:33

Description: This Film is a tribute to this great band: The Cinematic Orchestra. Title: That Home Album: Ma Fleur Shooting: Canon 5D MarkII 85mm f1,2 Post: Final Cut Pro, Color. (More)

Channel: vimeo

Tags: canon 5D Human Home Fleur Orchestra Cinematic Movie Film Prints sun clip music motion dslr france paris garden water sunset

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A Walk on the Beach

01:14,

2009-08-21 23:04:08

Description: This song, by Cinematic Orchestra, is surreal....so was the walk on the beach.

Channel: vimeo

Tags: beach tofino cartoon surreal slow motion

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The Cinematic Orchestra - Night of the Iguana

09:42,

2009-11-26 13:29:08

Description: from "motion" this tune actually has 13: 20

Channel: youtube

Tags: nu-jazz chillout british

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Pieces of 8

05:48,

2009-04-02 20:07:29

Description: A selection of original film clips edited by mattcatt and mixed live using edirol's motion dive usb mixer. Soundtrack features the song Awakening of a woman by Cinematic Orchestra. Recorded June (More)

Channel: youtube

Tags: vj motion dive experimental psychedelic visuals showreal art cinematic mattcatt

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Timelapse Film - "Kachi-Kalion Trip"

05:16,

2009-08-22 07:08:17

Description: Timelapse Film - "Kachi-Kalion Trip" Filmed in Russia and Crimea at 02.05.2009 - 16.05.2009 Camera\Edit - Yazvinsky Sergey Second camera - Ivanov Viatcheslav Music The Cinematic Orchestra - (More)

Channel: vimeo

Tags: Timelapse Nature Clouds Shadows 5d MARK 2 Motion Control Crimea Крым Бахчисарай

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obsession and collection motion grafic drawings

04:44,

2009-08-22 07:51:30

Description: made on flash with tablet grafic collection and obsession flash mixed in modul8 vidéo: aude francois music: cinematic orchestra quite bad quality export sorry :( (More)

Channel: vimeo

Tags: auderoseselavy dessin flash animation palette graphique

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Whimsical

01:30,

2009-10-26 16:43:59

Description: Directed by Paul Octavious. Shot by Boltron. Starring Lis Bokt. Produced by Steph, Daniel, Cody, Derek, Eddie, and who all else was there? Music is a"Soda" by the Cinematic Orchestra This (More)

Channel: vimeo

Tags: motion camp stop phoot

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West Of Coast TV intro

12,

01:16,

2008-04-21 18:31:57

Description: Film and edited: Syd Woodward Motion Graphics: Koan Media Music: Sweatshop Union,THe Cinematic Orchestra British Columbia's West Coast is not only one of the most beautiful places on earth, (More)

Channel: youtube

Tags: art BC Coast culture dj graffiti hip hop indie mc music of rap rock tag Victoria West

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Office Panorama

00:46,

2009-08-26 23:05:40

Description: Just playing with my new T1i camera's video mode. Canon T1i 24-105mm L Final Cut Pro Color Motion "The Cinematic Orchestra"

Channel: vimeo

Tags: Canon T1i Portland Maine

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The Blue Man. In Memorium - Edward Highwood.

02:42,

2009-08-26 23:51:50

Description: Updated 21/07/09. RIP Edward Highwood: news.bbc.co.uk/1/hi/england/london/8162094.stm *** Canon HV20. Redrock M2 with 72mm HD Achro. 50mm 1:1.4 Nikon Lens. Music Cinematic Orchestra. To Build a Home, (More)

Channel: vimeo

Tags: HV20 Canon Looks Magic Bullet 1:1.4 50mm Deptford 35mm Redrock M2 RIP Edward Highwood

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