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Justice

24,

00:30,

2007-10-22 19:26:00

Description: @Terminal 5 during CMJ in New York. A review of the show from The Times: October 22, 2007 Music Review | Justice To Everything (Churn, Churn, Churn) There's Techno By NATE CHINEN The (More) @Terminal 5 during CMJ in New York. A review of the show from The Times: October 22, 2007 Music Review | Justice To Everything (Churn, Churn, Churn) There's Techno By NATE CHINEN The iconography was brutally simple at Terminal 5 on Saturday night. Imposing stacks of Marshall amplifiers flanked both sides of the stage. Stationed between them was the French D.J. duo Justice, which had sold out the capacious room. And at the center of it all stood a large, pale-yellow illuminated cross. At the start of the show, each piece of this set design drew what sounded like a recognition cheer, which made sense. Over the last few years, and especially the last six months, Justice — Gaspard Augé and Xavier de Rosnay — has amassed a following as familiar with its look as with its sound. This spring the group used the same stage getup for its triumphant stand at the Coachella Valley Music and Arts Festival. And when the first full-length Justice album appeared this summer, its title was simply a cross symbol, in a calculated show of irreverence. Of course the visual aesthetic would mean little without the music. As it happens, the "Cross" album, released on Ed Banger/Vice, has received well-deserved acclaim for its visceral take on electronic music. With a sound partly inspired by heavy metal — hence the religious imagery, and the Marshall stacks, really just for show — Justice aims to bring a bruising energy to the dance floor. Judging by the deep churn in the crowd at Terminal 5, the strategy worked. The show began like the album, with (what else?) "Genesis," a portentous fanfare that gives way to irrepressible horror-show funk; on a subterranean level it resembles Michael Jackson's "Thriller," which is probably no mistake. There were only slight alterations to the track, at chest-thumping lower frequencies, but gradually "Genesis" diverged from its path on the album: instead of morphing into the pseudo-disco of "Let There Be Light," it took on the robotic syncopations of "Phantom." Justice has been honing essentially the same set during its two-week North American tour, which ends tonight at Terminal 5. It went over resoundingly well on Saturday, even though (or perhaps because) it left out the more funk-fusion-oriented moments on the album and focused mainly on the four-four throb of techno, or disco. "D.A.N.C.E.," the closest thing Justice has to a current mainstream single, cropped up only as a fragmented allusion. Playing the whole song would have required a lull in propulsion, and that would have been unthinkable. As is usual with a D.J. show of this scale, it was impossible to tell just what the artists were doing behind their equipment. Mr. Augé and Mr. Rosnay bobbed in time as they hunched over their consoles. At times Mr. Augé, the more extroverted of the two, pumped a fist in the air. The crowd easily matched his exuberance. There was a huge sing-along to "We Are Your Friends," the remake of a tune by the British band Simian; this was the track that put Justice on the map in 2003 and won best video at last year's MTV Europe Music Awards. In the encore, Justice offered a characteristic mash-up of its own tune "The Party" and Metallica's "Master of Puppets," pairing distorted guitar riffs with a timeless vocal exhortation: "Let's get this party started right." But the party was ending. After the duo left the stage for a second time, the crowd returned to the "We Are Your Friends" chorus, singing as one voice until the houselights came on. Justice performs tonight at Terminal 5, 610 West 56th Street, Clinton; (212) 260-4700 or terminal5nyc.com. (Less)

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Tags: 5 cmj concert justice live terminal

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Justice

7,

00:30,

2008-04-22 09:29:11

Description: @Terminal 5 during CMJ in New York. A review of the show from The Times: October 22, 2007 Music Review | Justice To Everything (Churn, Churn, Churn) There's Techno By NATE CHINEN The (More) @Terminal 5 during CMJ in New York. A review of the show from The Times: October 22, 2007 Music Review | Justice To Everything (Churn, Churn, Churn) There's Techno By NATE CHINEN The iconography was brutally simple at Terminal 5 on Saturday night. Imposing stacks of Marshall amplifiers flanked both sides of the stage. Stationed between them was the French D.J. duo Justice, which had sold out the capacious room. And at the center of it all stood a large, pale-yellow illuminated cross. At the start of the show, each piece of this set design drew what sounded like a recognition cheer, which made sense. Over the last few years, and especially the last six months, Justice — Gaspard Augé and Xavier de Rosnay — has amassed a following as familiar with its look as with its sound. This spring the group used the same stage getup for its triumphant stand at the Coachella Valley Music and Arts Festival. And when the first full-length Justice album appeared this summer, its title was simply a cross symbol, in a calculated show of irreverence. Of course the visual aesthetic would mean little without the music. As it happens, the "Cross" album, released on Ed Banger/Vice, has received well-deserved acclaim for its visceral take on electronic music. With a sound partly inspired by heavy metal — hence the religious imagery, and the Marshall stacks, really just for show — Justice aims to bring a bruising energy to the dance floor. Judging by the deep churn in the crowd at Terminal 5, the strategy worked. The show began like the album, with (what else?) "Genesis," a portentous fanfare that gives way to irrepressible horror-show funk; on a subterranean level it resembles Michael Jackson's "Thriller," which is probably no mistake. There were only slight alterations to the track, at chest-thumping lower frequencies, but gradually "Genesis" diverged from its path on the album: instead of morphing into the pseudo-disco of "Let There Be Light," it took on the robotic syncopations of "Phantom." Justice has been honing essentially the same set during its two-week North American tour, which ends tonight at Terminal 5. It went over resoundingly well on Saturday, even though (or perhaps because) it left out the more funk-fusion-oriented moments on the album and focused mainly on the four-four throb of techno, or disco. "D.A.N.C.E.," the closest thing Justice has to a current mainstream single, cropped up only as a fragmented allusion. Playing the whole song would have required a lull in propulsion, and that would have been unthinkable. As is usual with a D.J. show of this scale, it was impossible to tell just what the artists were doing behind their equipment. Mr. Augé and Mr. Rosnay bobbed in time as they hunched over their consoles. At times Mr. Augé, the more extroverted of the two, pumped a fist in the air. The crowd easily matched his exuberance. There was a huge sing-along to "We Are Your Friends," the remake of a tune by the British band Simian; this was the track that put Justice on the map in 2003 and won best video at last year's MTV Europe Music Awards. In the encore, Justice offered a characteristic mash-up of its own tune "The Party" and Metallica's "Master of Puppets," pairing distorted guitar riffs with a timeless vocal exhortation: "Let's get this party started right." But the party was ending. After the duo left the stage for a second time, the crowd returned to the "We Are Your Friends" chorus, singing as one voice until the houselights came on. Justice performs tonight at Terminal 5, 610 West 56th Street, Clinton; (212) 260-4700 or terminal5nyc.com. (Less)

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Tags: 5 cmj concert justice live terminal

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@Justice - We Are Your Friends

16,

00:27,

2008-04-22 09:29:11

Description: Crowd chanting we are your friends after a Justice encore. A review of the show from The New York Times: October 22, 2007 Music Review | Justice To Everything (Churn, Churn, Churn) There's (More) Crowd chanting we are your friends after a Justice encore. A review of the show from The New York Times: October 22, 2007 Music Review | Justice To Everything (Churn, Churn, Churn) There's Techno By NATE CHINEN The iconography was brutally simple at Terminal 5 on Saturday night. Imposing stacks of Marshall amplifiers flanked both sides of the stage. Stationed between them was the French D.J. duo Justice, which had sold out the capacious room. And at the center of it all stood a large, pale-yellow illuminated cross. At the start of the show, each piece of this set design drew what sounded like a recognition cheer, which made sense. Over the last few years, and especially the last six months, Justice — Gaspard Augé and Xavier de Rosnay — has amassed a following as familiar with its look as with its sound. This spring the group used the same stage getup for its triumphant stand at the Coachella Valley Music and Arts Festival. And when the first full-length Justice album appeared this summer, its title was simply a cross symbol, in a calculated show of irreverence. Of course the visual aesthetic would mean little without the music. As it happens, the "Cross" album, released on Ed Banger/Vice, has received well-deserved acclaim for its visceral take on electronic music. With a sound partly inspired by heavy metal — hence the religious imagery, and the Marshall stacks, really just for show — Justice aims to bring a bruising energy to the dance floor. Judging by the deep churn in the crowd at Terminal 5, the strategy worked. The show began like the album, with (what else?) "Genesis," a portentous fanfare that gives way to irrepressible horror-show funk; on a subterranean level it resembles Michael Jackson's "Thriller," which is probably no mistake. There were only slight alterations to the track, at chest-thumping lower frequencies, but gradually "Genesis" diverged from its path on the album: instead of morphing into the pseudo-disco of "Let There Be Light," it took on the robotic syncopations of "Phantom." Justice has been honing essentially the same set during its two-week North American tour, which ends tonight at Terminal 5. It went over resoundingly well on Saturday, even though (or perhaps because) it left out the more funk-fusion-oriented moments on the album and focused mainly on the four-four throb of techno, or disco. "D.A.N.C.E.," the closest thing Justice has to a current mainstream single, cropped up only as a fragmented allusion. Playing the whole song would have required a lull in propulsion, and that would have been unthinkable. As is usual with a D.J. show of this scale, it was impossible to tell just what the artists were doing behind their equipment. Mr. Augé and Mr. Rosnay bobbed in time as they hunched over their consoles. At times Mr. Augé, the more extroverted of the two, pumped a fist in the air. The crowd easily matched his exuberance. There was a huge sing-along to "We Are Your Friends," the remake of a tune by the British band Simian; this was the track that put Justice on the map in 2003 and won best video at last year's MTV Europe Music Awards. In the encore, Justice offered a characteristic mash-up of its own tune "The Party" and Metallica's "Master of Puppets," pairing distorted guitar riffs with a timeless vocal exhortation: "Let's get this party started right." But the party was ending. After the duo left the stage for a second time, the crowd returned to the "We Are Your Friends" chorus, singing as one voice until the houselights came on. Justice performs tonight at Terminal 5, 610 West 56th Street, Clinton; (212) 260-4700 or terminal5nyc.com. (Less)

Channel: youtube

Tags: are chanting cmj concert five friends justice live new simian terminal we york your

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fat pull hair fight wow kick fist lip busted fat pu...

4,

02:11,

2008-09-08 11:57:06

Description: fat pull hair fight wow kick fist lip busted fat pull hair fight wow sarah palin vp gov john mccain amy holmes alaska politics convention rep republicangoofy donald popeye transformers powerrangers (More)

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Tags: busted fa fat fight fist hair kick lip pull wow

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Wong Fei-Hung - In the Movies

15,

08:51,

2008-03-06 16:17:08

Description: Higher-resolution version at: http://www.kungfucinema.com/?page_id=1300 Films Featured: The Magnificent Butcher (1979) Challenge of the Masters (1976) Drunken Master (1978) Drunken Master 2 (More)

Channel: youtube

Tags: arts chan fei fist fu gar hing hung jackie jet kuen kung kwan li martial tak wong

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GoMeS - Grreat Mix

6,

10:26,

2008-04-21 17:13:51

Description: Mix feito por mim. É capaz de não tar lá grande coisinha de jeito (je suis amador, comprend pas?), mas na boa... Contém: Teenage Bad Girl - Coccote (boys Noize Rework) LCD (More)

Channel: youtube

Tags: Boys Dmitry Fyodorov Justice LCD Noize Ratatat Soundsystem

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Surprise Surprise ft. Derf One - Purpose

6,

03:51,

2008-04-21 18:20:06

Description: NEW MUSIC VIDEO by Surprise Surprise, off their debut album, "UnderDawg" release on May 26, 2007 "Purpose" featuring Derf One Directed By: PhanDeazy / Elnad High Resolution (More) NEW MUSIC VIDEO by Surprise Surprise, off their debut album, "UnderDawg" release on May 26, 2007 "Purpose" featuring Derf One Directed By: PhanDeazy / Elnad High Resolution Version available here: http://www.surprisemusic.com/videos/purpose/Purpose.mov What's your purpose? Spread the word and make a change. Stop hate and racism, freedom for all, end war, stop hunger & poverty, love one another, come together and bring peace to the world. --------------------- Lyrics: (Chorus) What's your purpose You got a purpose? You wanna be judged deeper than your surface? So when the time comes You know you best not run Gotta prove to the haters you tha one (Verse 1 - PhanDeazy) What's the purpose of a birth when we're only here to hurt end up with a curse 6 feet in tha dirt That girth of the world is layin' on my shoulders Thinkin' about the ways that the earth grows colder Hold Up! I never said it was easy You livin' life blind and I know this believe me Your greedy tendencies, cease to arise When I fail to confide in your lies I wanna go and kill 2 birds with a stone even if that means I gotta go and leave home cuz I know I'm alone but I'm here for a reason Something's telling me that I gotta keep breathin' You know we need change I'm feeling deranged, on the same page full of rage, lock me in a cage I lost faith in the human race, cuz we two faced Gotta vacate, got me movin' to a new place, yeah! (Chorus) (Verse 2 - Derf One) My mothafuckin' purpose is a service to a people who... yearn to be equal but the sword and the steeple has cemented a legacy where living is a felony poor peoples is the enemy, my question can we let it be? The answer better be... "NO!" So we shall, resist to be liberal The situation's critical, when the day to day Be difficult, cuz the wages ain't liveable Conditions unforgivable, this is ridiculous! Look how they tryin' to get rid of us A realer than real, reason to kick up dust and knuckle up to the fist o' cuffs and trust... in yo... motha fuckin' struggle Cuz we bound to bubble a bust When they double up on that trouble We mobilize and we muscle Moving mountains with true love Souls from up above and the spirits within All in unison allows our purpose to sing A song redeeming a people's past Now may I ask? (Chorus) (Verse 3 - Q-Ball) Kablam! Never give a damn what they say My purpose engrained in my own DNA The figment of my dreams are so malignant The ligaments of my soul an enigma You pull da trigga, tha pain is delivered Another cold body washed up in the river You can rhyme quick but I'll just rhyme quicka 9.8 on the scale of the ricta I was put on the earth for a purpose Take that away and I'm just so worthless Think that my life is fine on the surface But I deny that it's picture perfect You can, dwell on the hate inside You can, give in to suicide You can, put out your guiding light But you'll never find purpose in yo life... (Chorus 2x) ---------------------------- Surprise Surprise is PhanDeazy and Q-Ball http://www.myspace.com/surprisesurprisez http://www.myspace.com/lumpee http://www.surprisemusic.com All music and lyrics are written, produce, compose, edit, mixed by Surprise Surprise (PhanDeazy and Q-Ball) (Less)

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Tags: deazy equality fight freedom hate justice music phan political poverty purpose q-ball revolution stop unity war world

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Fighting Mania Path 5 -- Rei, Star of Justice

12,

07:38,

2008-06-25 09:13:59

Description: This is the third medium path "Nanto Roku Seiken, Star of Justice", where you play as Rei against the following opponents: Ken-oh The King of Kiba Amiba Yuda (the Star of (More)

Channel: youtube

Tags: Amiba Arcade Fighting Fist FOTNS Hokuto Ken Ken-oh Kenshiro Kiba King Mania no North of Punch Rei Shinken Star the Yuda

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Double The Fist: Rod Foxx Music Video, plus Court of...

2,

05:32,

2009-06-16 12:16:18

Description: This clip was too hot for TV Plus Justice - Double the Fist way.

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Tags: Double Fist Rod Foxx music video law court war on weakness Fistworthy Fistworthiness AFI award ABC Comedy Funny

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DOJ-ONE:THE MASSIVE DATABASE EXPANSION OF POLICE STATE

1,

01:35,

2006-12-26 15:42:19

Description: CNN- DEPT. OF JUSTICE TO MASSIVELY EXPAND ITS DATABASES AND LINK THEM WITH STATE AND LOCAL POLICE. AMERICA'S POLICE STATE SURVEILENCE GRID ENGAGED, LOCKED, AND LOADED. THE EVIDENCE OF (More)

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Tags: ACLU BIG BROTHER GOVERNMENT JUSTICE LOCAL POLICE PRIVACY STATE

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New Yorker cover - Barack, Michelle Obama as terrorists

8,

04:19,

2008-07-14 20:16:32

Description: And for the last year or so, there exists an unstoppable whisper campaign implying that Senator Obama is a terrorist whose goal it is to seize our government in the name of al-Qaeda. It's not (More) And for the last year or so, there exists an unstoppable whisper campaign implying that Senator Obama is a terrorist whose goal it is to seize our government in the name of al-Qaeda. It's not just the e-mails and the peawits who believe them, either. Everyone from Ann Coulter to Mitt Romney to TIME Magazine's very serious Mark Halperin are helping to spread this dangerous filth. The rumor doesn't merely repeat what Republicans have said about everyone from Senator Kerry to Max Cleland -- that the Democrats want the terrorists to win, or that they're "with the terrorists." This new thing with Senator Obama is much more insidious as it literally paints Senator Obama as an actual terrorist. Not an enabler or appeaser -- but literally as a member of our nation's mortal enemy. And so if it's our goal to bring terrorists to justice (kill, torture, etc...), this ridiculous and so-far-fetched-it's-insane-how-many-stupid-people-believe-it rumor puts Senator Obama and his family at risk of being targeted by an unhinged far-right zealot who has "kill 'em all, and let God sort them out" tattooed across his forehead. The challenge, then, is to somehow combat the insanity of the whisper campaign without making matters worse and putting the Obamas in further danger. Without the correct tone, we run the risk of feeding the rumor rather than killing it. As such, the only way to kill a flesh-eating virus of these proportions is to employ some artful semantic construction and, in the case of this New Yorker cover, much much much better satire. So yes, it's satire. But it's really bad satire. The problem with the New Yorker cover isn't that it shows Senator Obama in a turban and all the rest of it. The problem is that the cartoon totally fails to underscore who and what's being satirized. The people worthy of satire aren't the Obamas, but rather the asshats who are actively passing off this crap as the truth. To that point, I can understand what the artist, Barry Blitt who is otherwise an amazing illustrator, was getting at. By publishing such a drawing, the New Yorker "becomes" the rumor spreader, even though it's really not. But such a complex meta-joke is, firstly, tricky to accomplish, and, secondly, too abstract to adequately smack down the gargantuan size and volume of these rumors. So the point is lost without the benefit of the "it's about scare tactics" press release, and the cartoon fails. But, unfortunately, such a failure risks the illustration ultimately becoming part of the rumor it seeks to expose. In other words, without reading the article, any given yokel will see the cover (as it's aired around the clock on cable news) and think, "Hey Jessup! Lookie yonder! This here drawing shows Hoo-Sane is a Muslim terrrrst. I knew it!" I want a major magazine to satirize and shame the culprits behind this thing. Rush Limbaugh, Glenn Beck, Chris Matthews and other broadcast professionals "accidentally" calling the senator "Osama." Or Ann Coulter suggesting that pundits shouldn't say the senator's name and "hijack" in the same sentence. Or the Tennessee Republican Party spreading the e-mail rumors as fact -- complete with the turban photograph. Or the thick portfolio of photographs and screen-grabs of Republicans without lapel pins whining about how Senator Obama doesn't always wear one. I want the New Yorker to illustrate the shallow kindergarten-throwbacks who won't vote for the senator because of his middle name. Being someone who has engaged in his fair share of outrageous and sometimes tasteless cartoon satire (here and here) I recognize this cover as satire. I once produced a cartoon in which President Bush choked on a pretzel and died, and then Cheney decides to haul him around Weekend At Bernie's style. The obvious point being that the president is a puppet of Cheney. We weren't suggesting that the president was dead in real life. Just a puppet. It would've been an entirely different cartoon if we had simply shown the president as corpse -- Hey look, the president choked on a pretzel -- the end. Or in the case of the New Yorker, Hey look, the Obamas are Islamic militants who hate America... (chirp, chirp... chirp, chirp). The New Yorker cover, regardless of how many people are blowing it off as a joke, fails to be funny, fails to accomplish its satirical goal and only succeeds in being a part of that which it had hoped to condemn. http://www.huffingtonpost.com/bob-cesca/the-new-yorker-helps-to-f_b_112670.html (Less)

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Tags: Barack bin cover fist Hussein Irish jab Laden Michelle monkey NAZI New Obama Osama propaganda racist terrorist yorker

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Triple Dog DARE (Video no longer available)

Description: McGruff the Crime Dog escalates his war on drugs by cloning himself... until something goes horribly wrong! Can our trench-coated canine bring to justice the killer he created? Or has McGruff...

13,

04:53,

2008-04-18 15:35:15

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Fist of Justice

2,

00:17,

2008-04-18 16:58:11

Description: A FOJ brought to you by Mufasa.

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Tags: fist justice of

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JETFIST

0,

05:53,

2008-04-21 18:17:16

Description: The son of a jet embarks on an epic quest to defeat the maniacal master of mayhem. And Hank. It's Justice Time! http://www.planet-michael.com/jetfist.html

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Tags: adventure fist jet superhero

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What does it mean if this song is "too political"?

0,

05:33,

2008-04-22 12:27:48

Description: The Opinion Hour. What is happening to our country, when this song is considered "too political"? What happened to Australia? We the citizens of this apparently free nation, are losing our (More)

Channel: youtube