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Peugeot Satelis Black Sat

38,

01:59,

2008-04-01 14:43:30

Description: Un concessionnaire Peugeot du XIIème arrondissement de Paris a bien voulu nous présenter le modèle phare de Peugeot Motocycles: le Satelis Black Sat. Plus d'infos sur (More)

Channel: kewego

Tags: webcarnews peugeot satelis black sat black sat 2 roues scooter scooters paris xii concession concessionnaire motocycle motocycles

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The Black Maria

03:07,

2008-04-18 13:31:58

Description: The Black Maria sat down with peta2 and told us what makes a bad scene—eating meat.

Channel: myspace

Tags: band Black interview Maria music PETA peta2 scene video

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Apr. 12th Sat. 2008 Tiesto "Elements of Life" @ ageH...

37,

00:35,

2008-04-02 11:43:29

Description: 04.12.SAT. MAGNIFICENT presents Tiësto "Elements of Life"@ ageHa http://www.ageha.com/ 【ARENA】 TITLE : MAGNIFICENT presents Tiësto "Elements of Life" GENRE : TRANCE (More)

Channel: youtube

Tags: Tiesto ageHa Elements of Life Magik Muzik Black Hole Recordings Tokyo ティエストアゲハ Trance トランス

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The Spook Who Sat By The Door Trailer

14,

02:36,

2008-04-03 04:05:03

Description: 1970's Black Revolutionary film about a black man recruited by the CIA. After 5 years he learns everything he can from the CIA and trains street hoodlums in the art of guerilla revolutionary (More)

Channel: youtube

Tags: Spook black revolutionary power who sat by the door blaxploitation

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The Spook Who Sat By The Door Film Commentary

27,

03:23,

2008-04-03 12:14:59

Description: The Spook Who Sat By the Door remains one of the few uncompromised representations of black armed resistance in the United States. Dewayne Wickham, USA Today columnist, provides context in the (More)

Channel: youtube

Tags: the spook who sat by door movie black panthers power malcolm x mlk blaxploitaion 1970's pam grier foxy brown coffy shaft

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0011 Marcos Johnson Alive and Unwell The Black Episo...

33,

01:26,

2007-10-27 10:12:59

Description: 'Alive and Unwell' is a new series chronicling the trials and tribulations of San Jose, CA based writer Marcos Johnson. More About Marcos Johnson's Work: MICHAEL MULLER ANOTHER NIGHT (More) 'Alive and Unwell' is a new series chronicling the trials and tribulations of San Jose, CA based writer Marcos Johnson. More About Marcos Johnson's Work: MICHAEL MULLER ANOTHER NIGHT UPON US M+B is pleased to present Another Night Upon Us, an exhibition of large-scale color photographs by Michael Muller. A collaboration between actor Joaquin Phoenix, writer Marcos Johnson and photographer Michael Muller, Another Night Upon Us is a photographic interpretation of Johnson's evocative poems as envisioned by Phoenix and carried out by Muller. Their creative collaboration results in profound works that effectively evoke the haunting and mysterious world of its creators. According to Phoenix: "Marcos came up to me one night. We talked. He reminded me of a cat I saw in Mexico once. He was kind. He'd also been bruised. He sent me some writing one day. It was emotional. I don't know anything about writing or art in general (read this, and check my collection), but Marcos' words didn't seem like they'd been written. More like they'd been discharged. He simply wrote what he felt. I admired that. I wanted others to read it. There might even be a lost one that finds it comforting. Or a nestled one that finds it irritating. Or it's for a decimated heart. Or a pretentious, rich actor, designer sunglasses and all, that would buy a 20 foot photo of the Black Panthers . . . I don't know. I don't really care. I like it. So . . . I thought about doing a book combining photography and writing using Marcos' words as the inspiration for the photographs. The only person I knew that could internalize Marcos' stories, and then reinterpret them visually, was Michael Muller. I met him before. He took me to get a picture framed in the Valley. He drives like a drunken gorilla on speed. I vomited. He seemed unfazed, merely muttering into his cell phone, "We got a live one." He'd be perfect for Marcos' writing. Initially I'd wanted to "act" the character of Marcos for each poem. I thought the combination of poems, photography and acting would be interesting. Of course, I was wrong. What happened, in turn, was that after introducing Michael to Marcos, and discussing and working on the idea, something much more organic took place. Over the last year, with ANOTHER NIGHT UPON US in mind, Michael has captured some startling, and visceral images. The marriage of their mediums has been amazing to watch. I wish I were capable of doing something that could even come close to their dirty, beautiful, poetically simian expression. Michael keeps shooting. Marcos continues to write. I still like it . . . " Michael Muller's work has gra ced the covers and pages of magazines including Glamour , Elle , Rolling Stone , Harper's Bazaar , Detour , Spin , Flaunt , The New Yorker , Sky , Marie Claire , Premiere , ESPN , Esquire , Interview and Time . His signature style has been solicited for major campaigns such as Speedo, Nike, Airwalk, Dodge and Cingular, as well as for albums for artists including the Red Hot Chili Peppers, Velvet Revolver and Jerry Lee Lewis. Muller is currently documenting Marvel Studios first film Ironman and has just completed work on Spiderman 3, Fantastic 4, Heroes, Friday Night Lights, as well as many other film and television projects. After more than a decade and a half of living, traveling, and working in Los Angeles, New York, and Paris, Muller once again calls Los Angeles his home, along with his wife and daughter. JUNE 14 - 23, 2007 612 NORTH ALMONT DRIVE LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 INFO@MBFALA.COM WWW.MBFALA.COM TUE-SAT 10-5 (Less)

Channel: youtube

Tags: 420 alcoholics Alive and anonymous black cocaine crack Damon epsiode Johnson Marcos ot rehab the Unwell weed Zwicker

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(Part 13A) Armond White on Michael Jackson "Black Or...

18,

08:32,

2007-11-16 13:03:26

Description: (Part 13a) SAT, July 28, 2007. SCANNERS 2007 Video Festival. Film Society of Lincoln Center. Walter Reade Theater. CRITIC Armond White's "Official History of Music Video: An (More) (Part 13a) SAT, July 28, 2007. SCANNERS 2007 Video Festival. Film Society of Lincoln Center. Walter Reade Theater. CRITIC Armond White's "Official History of Music Video: An Introspective" Presentation. This portion features the airing of the mainstream portion of the music video. (Part 13A) PANTHEON Exhibit C CRITIC Armond White on Michael Jackson "Black Or White" Director: John Landis Here's an article promoting the event: http://www.nypress.com/20/30/news&columns/feature.cfm Armond White can be reached courtesy of the weekly, the New York Press http://www.nypress.com Or the newsletter, First of The Month http://www.firstofthemonth.org/ Here are a few Armond White quotes on this music video from the article, "Black Or White, The Gloved One Is Not A Chump" "...Even though the video's credits say 'Directed by John Landis,' this is significantly the work of an auteur whose image and personality dominate every frame. Black or White is very much a Hollywood production, filled with million-dollar savvy and showbiz panache. It is ebulliently photographed and has been ebulliently conceived. The color doesn't imitate old MGM musicals, as Janet Jackson's Alright does; this is a brighter, smoother palette, like Steven Spielberg's zestier productions. The slickness and vibrancy generate a cheerful mood, just as they reify a philosophy of benevolent transformation that becomes literal in the video's fourth sequence." "...the triumphant image of Jackson held aloft by the Statue Of Liberty (he strikes the pose of his BAD video), negating Barbra Streisand's narcissism in Funny Girl, announces a new level of symbolism. As the image widens, Jackson is seen surrounded by the Eiffel Tower, the Sphinx, the Taj Mahal, the Acropolis, Big Ben, and other wonders of the world in a vivid fantasy collage. It's obvious that he is speaking to the world at large, but the less superficial meaning of the image shows that he is equal to these wonders: equally famous, equally legendary, equally 'big'..." The City Sun, November 21, 1991 Also seen in the book, "THE RESISTANCE: Ten Years of Pop Culture That Shook The World" by Armond White This article/essay won the 1992 ASCAP Deems Taylor Award in Music Criticism/Journalism (Less)

Channel: youtube

Tags: ABC American Armond Black Gangsta Gangster Jackson John Landis Michael Music or Pop R&B Rock Soul Video White

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360 degrees of black ether

21,

03:17,

2008-04-17 18:24:11

Description: february 13, 2008. once again, please welcome the underground leader of the knowledge revolution. lyrics as follows- code of hammurabbi studious man am i i learned about the bible from my (More) february 13, 2008. once again, please welcome the underground leader of the knowledge revolution. lyrics as follows- code of hammurabbi studious man am i i learned about the bible from my grandma yo i don't stammer force come down like a hammer ghosts come out of the trees in alabama- uh from my people that you hung but the chickens comin back home 2 roost word is bond so in the meantime, 2 set the shit clear, black history month...every day of the year amerikkka the land of liberty wh@ the hell is this treatment you're givin me? nebuchadnezzar was the crown of babylonian ways the head was gold shoulder silver belly bronze legs iron & feet clay i aint lyin it's the judah of zion, heart black as a gold lion enemies dyin without me tryin that's just a sample of the levels explodin, due to atomic reactions within my body without knowin the full potential of the shit that i'm on, i'll probably get a GHOST humous, award when i'm gone it'll take 3 quarters of a trip around your galaxy b4 u realize the stature of the 1 called me, i'm sayin everyone we from the same source whether u born in paradise...or holocaust my ancestors learned the secrets of cultivatin' corn b4 the 1st white man was born i aint breakin....b4 we was called cherokee, we was the principle people, with the therapy an-e-ya-we-ya-we-ya we have come so far, my blood's from algonqua & africa. i utilize the eye of the needle 2 make stitches i learned about the power of wealth instead of riches the whole world's deceived by egos & panic & enough pride 2 re-destroy your whole planet don't worship self but i'm G 2 THE O DABAR HIT SO hard even your astrologer would c the stars i come from Queens! as long as it means th@ i'm supreme cause when i was in africa, i was a king i watched rosewood it put me in focus of my persepective u can't get justice if your rights aint protected heed the words of the black lion protocols of the lost elders of zion is dyin while illuminati keep tryin 2 overstand the matriculation of original masons 2 ethiopian fraternities i bless these i seen him try 2 learn but he couldn't control or behold the manifested melanin in my soul they looking for gods, they lookin for a mystery u lookin for JAH u better take a look at me deoxy ribo nucleic acid chromosome in your thumb aint no different from primordial scum & i'm not your average mortal that's the fact that's known from the gates of the heaven 2 the human genome my chromosomes interact with unseen forces of molecular energy upon contact i sat @ the feet of the wise now i'm the teacher it's 360 degrees of black ether faster than the speed of light i'm past shadow past bullets splash arrows & re-form bone marrow my psychic grid is melanated on many layers the power behind duppy killers & vampire slayers! (Less)

Channel: youtube

Tags: 11369 360 black dabar degrees esoteric ether ethiopian gomar illuminati JAH masonic metaphysical nas nebuchadnezzar oz

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Peugeot Satelis Black Sat

11,

01:59,

2007-09-10 01:31:32

Description: Un concessionnaire Peugeot du XIIème arrondissement de Paris a bien voulu nous présenter le modèle phare de Peugeot Motocycles: le Satelis Black Sat. Plus d'infos sur (More)

Channel: youtube

Tags: 2 black concession concessionnaire motocycle motocyles paris peugeot roues sat satelis scooter scooters webcarnews XII

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SAT

00:34,

2009-09-29 18:46:20

Description: first SAT with TEAM 5 BLACK Glider!

Channel: youtube

Tags: 260909 BLACK SAT II

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Black Sat Part II - Spot 3

00:42,

2009-12-10 06:05:32

Description: Black Sat Part II - Spot 4

Channel: youtube

Tags: Enrique Santana Santana Media La Curacao

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Rootsman, Junior P, DJ Ozone At The Black Carpet

13:07,

2008-04-01 19:36:48

Description: Special guests artists, from Los Angeles, CA, performing at The Black Carpet, 4th Anual Black Culture Show, on Sat May 19, 2007, at IV Theater, in Santa Barbara, CA, a charity event, for the TESFA Cha (More)

Channel: myspace

Tags: Black Carpet Charity DJ Junior Ozone P Rootsman TESFA UCSB

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VRA Black history assembly 08-kerry rappin lol

00:44,

2008-04-02 21:13:18

Description: kerry rappin bout black history or as we sat his version of black history lol

Channel: youtube

Tags: VRA rapper kerry rappin black history

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Black Inventors And Scientists - Philip Emeagwali

24,

06:52,

2008-04-17 12:54:05

Description: Black Inventors and Scientists - Philip Emeagwali Excerpt from: TIME magazine http://www.time.com/time/2007/blackhistmth/bios/04.html BLACK HISTORY MONTH by Madison Gray EMEAGWALI . COM P (More) Black Inventors and Scientists - Philip Emeagwali Excerpt from: TIME magazine http://www.time.com/time/2007/blackhistmth/bios/04.html BLACK HISTORY MONTH by Madison Gray EMEAGWALI . COM P H I L I P E M E A G W A L I A C a l c u l a t i n g M o v e It's hard to say who invented the Internet. There were many mathematicians and scientists who contributed to its development; computers were sending signals to each other as early as the 1950s. But the Web owes much of its existence to Philip Emeagwali, a math whiz who came up with the formula for allowing a large number of computers to communicate at once. Emeagwali was born to a poor family in Akure, Nigeria, in 1954. Despite his brain for math, he had to drop out of school because his family, who had become war refugees, could no longer afford to send him. As a young man, he earned a general education certificate from the University of London and later degrees from George Washington University and the University of Maryland, as well as a doctoral fellowship from the University of Michigan. At Michigan, he participated in the scientific community's debate on how to simulate the detection of oil reservoirs using a supercomputer. Growing up in an oil-rich nation and understanding how oil is drilled, Emeagwali decided to use this problem as the subject of his doctoral dissertation. Borrowing an idea from a science fiction story about predicting the weather, Emeagwali decided that rather than using 8 expensive supercomputers he would employ thousands of microprocessors to do the computation. The only step left was to find 8 machines and connect them. (Remember, it was the 80s.) Through research, he found a machine called the Connection Machine at the Los Alamos National Laboratory, which had sat unused after scientists had given up on figuring out how to make it simulate nuclear explosions. The machine was designed to run 65,536 interconnected microprocessors. In 1987, he applied for and was given permission to use the machine, and remotely from his Ann Arbor, Michigan, location he set the parameters and ran his program. In addition to correctly computing the amount of oil in the simulated reservoir, the machine was able to perform 3.1 billion calculations per second. The crux of the discovery was that Emeagwali had programmed each of the microprocessors to talk to six neighboring microprocessors at the same time. The success of this record-breaking experiment meant that there was now a practical and inexpensive way to use machines like this to speak to each other all over the world. Within a few years, the oil industry had seized upon this idea, then called the Hyperball International Network creating a virtual world wide web of ultrafast digital communication. The discovery earned him the Institute of Electronics and Electrical Engineers' Gordon Bell Prize in 1989, considered the Nobel Prize of computing, and he was later hailed as one of the fathers of the Internet. Since then, he has won more than 100 prizes for his work and Apple computer has used his microprocessor technology in their Power Mac G4 model. Today he lives in Washington with his wife and son. The (Less)

Channel: metacafe

Tags: Philip Emeagwali Black African American Inventors Scientists Computers Science Supercomputer Internet

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Black Inventors And Scientists - Philip Emeagwali

21,

08:09,

2008-04-17 12:54:05

Description: Black Inventors and Scientists - Philip Emeagwali BLACK HISTORY MONTH From: http://www.time.com/time/2007/blackhistmth/bios/04.html by Madison Gray EMEAGWALI . COM P H I L I P E M (More) Black Inventors and Scientists - Philip Emeagwali BLACK HISTORY MONTH From: http://www.time.com/time/2007/blackhistmth/bios/04.html by Madison Gray EMEAGWALI . COM P H I L I P E M E A G W A L I A C a l c u l a t i n g M o v e It's hard to say who invented the Internet. There were many mathematicians and scientists who contributed to its development; computers were sending signals to each other as early as the 1950s. But the Web owes much of its existence to Philip Emeagwali, a math whiz who came up with the formula for allowing a large number of computers to communicate at once. Emeagwali was born to a poor family in Akure, Nigeria, in 1954. Despite his brain for math, he had to drop out of school because his family, who had become war refugees, could no longer afford to send him. As a young man, he earned a general education certificate from the University of London and later degrees from George Washington University and the University of Maryland, as well as a doctoral fellowship from the University of Michigan. At Michigan, he participated in the scientific community's debate on how to simulate the detection of oil reservoirs using a supercomputer. Growing up in an oil-rich nation and understanding how oil is drilled, Emeagwali decided to use this problem as the subject of his doctoral dissertation. Borrowing an idea from a science fiction story about predicting the weather, Emeagwali decided that rather than using 8 expensive supercomputers he would employ thousands of microprocessors to do the computation. The only step left was to find 8 machines and connect them. (Remember, it was the 80s.) Through research, he found a machine called the Connection Machine at the Los Alamos National Laboratory, which had sat unused after scientists had given up on figuring out how to make it simulate nuclear explosions. The machine was designed to run 65,536 interconnected microprocessors. In 1987, he applied for and was given permission to use the machine, and remotely from his Ann Arbor, Michigan, location he set the parameters and ran his program. In addition to correctly computing the amount of oil in the simulated reservoir, the machine was able to perform 3.1 billion calculations per second. The crux of the discovery was that Emeagwali had programmed each of the microprocessors to talk to six neighboring microprocessors at the same time. The success of this record-breaking experiment meant that there was now a practical and inexpensive way to use machines like this to speak to each other all over the world. Within a few years, the oil industry had seized upon this idea, then called the Hyperball International Network creating a virtual world wide web of ultrafast digital communication. The discovery earned him the Institute of Electronics and Electrical Engineers' Gordon Bell Prize in 1989, considered the Nobel Prize of computing, and he was later hailed as one of the fathers of the Internet. Since then, he has won more than 100 prizes for his work and Apple computer has used his microprocessor technology in their Power Mac G4 model. Today he lives in Washington with his wife and son. The (Less)

Channel: metacafe

Tags: Black Inventors Scientists African American Philip Emeagwali

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