Netcast Videos - FilesTube Video Search

Daily Video Netcast 0003

15,

01:29,

2008-04-01 16:47:09

Description: Daily Video Netcast 0003 - Ed Kohler Promotional Video 1:29 1/3/07 In the same spirit of cheap cop-outs for videos here is the next video that will be posted on our Technology Evangelist bio page. Thi (More)

Channel: metacafe

Tags: Daily Video Netcast 0003

Rate:

Add to quicklist

Watch here

Lorenzo's Music Netcast #28 Jan. 7, 2008

0,

03:53,

2008-04-01 22:05:14

Description: Lorenzo's Music Netcast #28 Jan. 7, 2008 This time we play the song "Downtown" from our upcoming album slated to release on Valentines Day.

Channel: metacafe

Tags: Lorenzo Music Lorenzos Madison Wisconsin Indie Netcast

Rate:

Add to quicklist

Watch here

Lorenzo's Music Netcast #28 Jan. 7, 2008

0,

03:53,

2008-04-01 22:06:07

Description: Lorenzo's Music Netcast #28 Jan. 7, 2008 This time we play the song "Downtown" from our upcoming album slated to release on Valentines Day.

Channel: metacafe

Tags: Lorenzo Music Lorenzos Madison Wisconsin Indie Netcast

Rate:

Add to quicklist

Watch here

Daily Technology Evangelist Video Netcast 0001

23,

01:31,

2008-04-17 11:49:56

Description: Daily Technology Evangelist Video Netcast 0001 1:31 1/1/07 Benjamin and Ed talk about the upcoming daily netcast from Technology Evangelist

Channel: metacafe

Tags: Daily Technology Evangelist Video Netcast 0001

Rate:

Add to quicklist

Watch here

Daily Video Netcast 0002

1,

01:38,

2008-04-17 11:49:56

Description: Daily Video Netcast 0002 - Benjamin Higginbotham Promotional Video 1:38 1/2/07 I thought it would be fun to release a copy of the promotional videos we're working on. I know, I know, it's a (More)

Channel: metacafe

Tags: Daily Video Netcast 0002

Rate:

Add to quicklist

Watch here

Daily Video Netcast 0004

15,

01:24,

2008-04-17 11:49:56

Description: Daily Video Netcast 0004 - Jeremy Elfering Promotional Video 1:24 1/4/07 We are still working on how we are going to do our daily technology show so until we do here is part 3 in our series of bio (More)

Channel: metacafe

Tags: Daily Video Netcast 0004

Rate:

Add to quicklist

Watch here

Daily Video Netcast 0005

12,

02:33,

2008-04-17 11:49:56

Description: Daily Video Netcast 0005 - First Day in Las Vegas 2:33 1/5/07 We have arrived in Las Vegas and instead of taking a day off for travel we hit Fremont Street and shot a quick Netcast about our CES (More)

Channel: metacafe

Tags: Daily Video Netcast 0005

Rate:

Add to quicklist

Watch here

Daily Video Netcast 0006

12,

01:52,

2008-04-17 11:49:56

Description: Daily Video Netcast 0006 - CES Unveiled 1:52 1/6/07 The first press day for CES begins with CES Unveiled. Our cameras were there and we respond to our first video question via SightSpeed. (More)

Channel: metacafe

Tags: Daily Video Netcast 0006

Rate:

Add to quicklist

Watch here

ARGFest '07 - "What's an ARG?", Live Netcast, Karaoke

12,

07:24,

2007-03-06 20:43:29

Description: Six panelists at ARGFest 2007 discuss the definition of an 'ARG', followed by a short clip from the live recording of the ARGFest netcast, followed by the ensuing nuttiness of late night (More) Six panelists at ARGFest 2007 discuss the definition of an 'ARG', followed by a short clip from the live recording of the ARGFest netcast, followed by the ensuing nuttiness of late night geekdom. (transcript: How would you describe an ARG?) * Brian Clark, GMD Studios: If I had to describe it to people, I'd describe it as platformless gaming. Sort of accepting the idea that gaming and play can happen anywhere, in any context, with any device. Once you sort of embrace that idea, it adjusts the way you see playfulness as your social role. So gaming doesn't have any 'this is the acceptable place to have gaming and this is the unacceptable place'. * Brooke Thompson, Giant Mice: I actually tend to focus on the story, and talk about how it's a story that's broken up into pieces that you can find anywhere, and that it's your story. Even if you're not the person that put it out there, it's the story that you are discovering and that you are a part of and that you are building, so that's the focus that I tend to take with it. * Sean C. Stacey, Unfiction Inc.: That's actually the focus that I take too. It's a collaborative story-telling process. The players in the gaming community are putting the story together for the puppetmasters - putting it back together. The puppetmasters know what was there in the first place, but what comes together from the players is coloured by their experiences and their knowledge, and it becomes a different thing at that point, than what was visualized at the start when developers started putting pieces out there. And I'd describe it as platformless, or anything could be your platform, anything and nothing; then I'd start talking about examples at that point, because it doesn't make any sense to anybody. * Jane McGonigal, Institute for the Future: You always say it plays out in the real world, it uses every day technologies rather than gaming specific technologies. I focus on massively scaled collaboration- the puzzles and missions you design that you can't possibly solve alone, as a staple of the genre. I also emphasize a lot, the role of the real time game designer. I talk about how this is the first genre of digital gaming that has real time design; and the responsiveness, and what Sean Stewart calls the jazz of doing an alternate reality game, is really important. And Brian, you were talking about sustainability, and Adrian, you were talking in terms of replayability - I think one of the great challenges and opportunities in alternate reality gaming is to figure out how to keep the jazz in, replayable and stable. Obviously that's a challenge people know about, but I actually think given the number of amazing grassroots moderators and the community's ability to reform itself around problems, that it is a solvable problem, and to lose that sense of 'a game is different every time it's played', depending on the community, would be to abuse the real heart of the genre. Otherwise it just becomes interactive media. * Adrian Hon, Mind Candy: Over the 2 or 3 years I've been at Mind Candy, I used to have this decision tree about how to explain ARGs. Start at the top: Is this person over 40 years old? Well, if he is, talk about Masquerade [a game from the UK]. If he's under 40, talk about The Game [UK]. Has the person watched The Game? Yes or no. Yes? Well it's a bit like The Game but without cheating. No? Well... I don't know. And it had to do with all these different things. But now the main way I do it is actually talking about the fact that ARGs don't really have controls, and it sort of touches basically on what Jane said about real life. In the sense of using these interfaces that we already now use, and when I talk to [video game designers about it, why some game is a lot of fun and why a lot of people play it] is because you already know how to sing, you already know how you're supposed to play guitar - you don't have to be taught how to do that. Whereas if you look at a Playstation 2 controller, they have 15 buttons and 2 joysticks, and even I have problems working out how to play [the game] or something like that. Whereas with ARGs, everyone knows how to use Google pretty much, everyone knows how to send an email. That's the interesting thing that I normally concentrate on. * Evan Jones, Stitch Media: That's a great point - IGDA, their accessibility group is quite interested in alternate reality games just for the fact that they are so accessible. The game play devices already have things like TTY for telephones and all these different aspects. But, to your question - the way that I define things: I've been presenting on this a while just recently, and the way I've tried to sum it up lately is I talk about how the characters believe that they're real[...] It's not through the user's experience, but through the creative experience - that the characters in the story do not let go of the notion that they exist; from there all the other things sort of emerge. (Less)

Channel: youtube

Tags: adrian arg argfest argfest07 argfest2007 brian brooke clark evan hon jane jones mcgonigal netcast sean stacey thompson

Rate:

Add to quicklist

Watch here

ARGFest '07 - "What's an ARG?", Live Netcast, Karaoke

16,

07:24,

2008-04-22 09:46:27

Description: Six panelists at ARGFest 2007 discuss the definition of an 'ARG', followed by a short clip from the live recording of the ARGFest netcast, followed by the ensuing nuttiness of late night (More) Six panelists at ARGFest 2007 discuss the definition of an 'ARG', followed by a short clip from the live recording of the ARGFest netcast, followed by the ensuing nuttiness of late night geekdom. (transcript: How would you describe an ARG?) * Brian Clark, GMD Studios: If I had to describe it to people, I'd describe it as platformless gaming. Sort of accepting the idea that gaming and play can happen anywhere, in any context, with any device. Once you sort of embrace that idea, it adjusts the way you see playfulness as your social role. So gaming doesn't have any 'this is the acceptable place to have gaming and this is the unacceptable place'. * Brooke Thompson, Giant Mice: I actually tend to focus on the story, and talk about how it's a story that's broken up into pieces that you can find anywhere, and that it's your story. Even if you're not the person that put it out there, it's the story that you are discovering and that you are a part of and that you are building, so that's the focus that I tend to take with it. * Sean C. Stacey, Unfiction Inc.: That's actually the focus that I take too. It's a collaborative story-telling process. The players in the gaming community are putting the story together for the puppetmasters - putting it back together. The puppetmasters know what was there in the first place, but what comes together from the players is coloured by their experiences and their knowledge, and it becomes a different thing at that point, than what was visualized at the start when developers started putting pieces out there. And I'd describe it as platformless, or anything could be your platform, anything and nothing; then I'd start talking about examples at that point, because it doesn't make any sense to anybody. * Jane McGonigal, Institute for the Future: You always say it plays out in the real world, it uses every day technologies rather than gaming specific technologies. I focus on massively scaled collaboration- the puzzles and missions you design that you can't possibly solve alone, as a staple of the genre. I also emphasize a lot, the role of the real time game designer. I talk about how this is the first genre of digital gaming that has real time design; and the responsiveness, and what Sean Stewart calls the jazz of doing an alternate reality game, is really important. And Brian, you were talking about sustainability, and Adrian, you were talking in terms of replayability - I think one of the great challenges and opportunities in alternate reality gaming is to figure out how to keep the jazz in, replayable and stable. Obviously that's a challenge people know about, but I actually think given the number of amazing grassroots moderators and the community's ability to reform itself around problems, that it is a solvable problem, and to lose that sense of 'a game is different every time it's played', depending on the community, would be to abuse the real heart of the genre. Otherwise it just becomes interactive media. * Adrian Hon, Mind Candy: Over the 2 or 3 years I've been at Mind Candy, I used to have this decision tree about how to explain ARGs. Start at the top: Is this person over 40 years old? Well, if he is, talk about Masquerade [a game from the UK]. If he's under 40, talk about The Game [UK]. Has the person watched The Game? Yes or no. Yes? Well it's a bit like The Game but without cheating. No? Well... I don't know. And it had to do with all these different things. But now the main way I do it is actually talking about the fact that ARGs don't really have controls, and it sort of touches basically on what Jane said about real life. In the sense of using these interfaces that we already now use, and when I talk to [video game designers about it, why some game is a lot of fun and why a lot of people play it] is because you already know how to sing, you already know how you're supposed to play guitar - you don't have to be taught how to do that. Whereas if you look at a Playstation 2 controller, they have 15 buttons and 2 joysticks, and even I have problems working out how to play [the game] or something like that. Whereas with ARGs, everyone knows how to use Google pretty much, everyone knows how to send an email. That's the interesting thing that I normally concentrate on. * Evan Jones, Stitch Media: That's a great point - IGDA, their accessibility group is quite interested in alternate reality games just for the fact that they are so accessible. The game play devices already have things like TTY for telephones and all these different aspects. But, to your question - the way that I define things: I've been presenting on this a while just recently, and the way I've tried to sum it up lately is I talk about how the characters believe that they're real[...] It's not through the user's experience, but through the creative experience - that the characters in the story do not let go of the notion that they exist; from there all the other things sort of emerge. (Less)

Channel: youtube

Tags: adrian arg argfest argfest07 argfest2007 brian brooke clark evan hon jane jones mcgonigal netcast sean stacey thompson

Rate:

Add to quicklist

Watch here

MGC netcast 0001

9,

09:09,

2008-04-22 16:19:14

Description: myGameCharacters netcast 0001 ---------------------------- Ben Dauphinee Desire Campbell ---------------------------- - The Wizards unannounced announcement - New team member - email contact (More)

Channel: youtube

Tags: 0001 Ben Campbell cast characters Dauphinne Desire ep episode game mgc my mygamecharacters net netcast pod podcast

Rate:

Add to quicklist

Watch here

Lorenzo's Music Netcast - Dec. 7, 2008

0,

03:29,

2008-12-10 00:31:40

Description: This netcast features footage of the song "Feed The One" from our CD release show for our new album BAZAR which was released in September and available free to download in our audio section (More)

Channel: dailymotion

Tags: music indie rock netcast madison wisconsin lorenzo lorenzosmusic

Rate:

Add to quicklist

Watch here

Point of Attack Netcast - 4. 30. 2008. 16:54:19 GMT-...

3,

00:04,

2009-06-11 22:22:20

Description: Point of Attack Netcast - 4. 30. 2008. 16:54:19 GMT-0400: recorded on USTREAM.

Channel: ustream

Tags: Point Attack Netcast GMT

Rate:

Add to quicklist

Watch here

Lorenzo's Music Netcast - Dec. 7, 2008

0,

03:30,

2009-08-28 18:14:46

Description: This netcast features footage of the song "Feed The One" from our CD release show for our new album BAZAR which was released in September and available free to download in our audio section (More)

Channel: vimeo

Tags: music indie rock netcast madison wisconsin lorenzo lorenzosmusic

Rate:

Add to quicklist

Watch here

Netcast de Tuxteno.COM