Search results for I Love the Way You Do That
32, 
02:42, 
2008-07-22 10:14:17 Description: I Hate The Way You Made Me Love You Episode 1
-Concert Day-
Jordyn- They're on in 10 minutes!!
Allyson- *Groans* I can't believe I gave into seeing these fags.
Jordyn- Oh shut up and (More) I Hate The Way You Made Me Love You Episode 1
-Concert Day-
Jordyn- They're on in 10 minutes!!
Allyson- *Groans* I can't believe I gave into seeing these fags.
Jordyn- Oh shut up and try to have fun!
Allyson- Whatever. I'll be listening to my I-Pod that has REAL music on it, over there, ok?
Jordyn- Mkay, whatever.
-Allyson turns her I-pod up loud enough to drown out the screaming of the teenagers waiting to see the 3 boys who make your heart melt-
-After the concert-
Jordyn- *Pulls Allyson's earpieces out* OVERR!
Allyson- So we can go home now?!
Jordyn- NOPE! Now we meet my future hubby! *shrieks and pulls Allyson to the meet and greet line.*
-When Allyson and Jordyn get to the front of the line-
Kevin- Hello ladies.
Jordyn- *smiles* Hey Kevin! *hugs him* My name's Jordyn.
Kevin- Nice name. *winks* And you?
Allyson- Don't even try it popstar. *walks with Jordyn up to Joe*
Joe- Hello beautifuls *smiles*
Allyson- OH SHUT UP!
Jordyn- Umm. I'm gonna hug Nick! BYE.
Joe- *awkwardly* Do you ... have a cd for me to um...sign?
Allyson- Pft, you wish. Ok, you see the screaming blonde right there hugging the other one of you people? Tell her I'm waiting outside. These screaming idiots are giving me a migraine.
Joe- uh...wuh--
Allyson- JUST DO IT, OK? Bye. *walks out*
-A few minutes later outside-
Allyson- *singing to herself* Scream till you feel it. Scream till you believe it. Scream and when it hurts you scream it out loud. *hears footsteps*You're finally done with those fags?
Joe- Nope, I am one of them. *laughs*
Allyson- What the hell are you doing out here? Don't you have some idiot girls to please?
Joe- I'm taking a break...
Allyson- So why are you spending your "break" annoying me?
Joe- I just wanna know why you hate us...
Allyson- Because you guys are horrible musicians and shouldn't be where you are today.
Joe- That's it?
Allyson- You guys have no style, you're annoying, and once again bad musicians.
Joe- ...okay. Could I change your mind?
Allyson- And how the hell do you plan on doing that?
Joe- I bet you I could do it in a week.
Allyson- *laughs* That'll never happen.
Joe- Wanna bet? If I win, you have to let me sing hello beautiful to you at the next concert here in LA. You win, which you wont, I'll leave you alone forever.
Allyson- I'll take that bet.
Joe- I'm gonna need your number. *smiles*
Allyson-*groans* whatever. *takes his phone and programs her number into it*
Joe- *smiles* See ya tomorrow!
Allyson- Whatever...
-Joe walks back into the building-
Jordyn- What was JOE JONAS doing talking to you?
Allyson- *Thinks for a minute* I was just telling him how much he and his brothers suck. That's all.
Jordyn- *laughs* wow.
Allyson- Yup! Now can we go?
Jordyn- Sure. Come on.
Ok, so break over. Hah. I know you guys aren't really gonna like Allyson's character right now, lol sorry. But um, keep watching you might grow to like her, idk? Hahah. :]
Comment please! I want feedback to know if people are really liking this story. :]
Rate! Subscribe! :]
Byee. :] (Less)
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28, 02:40, 2008-05-08 08:07:13 Description: (Bridge) 50 Cent
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
(Chorus) 50 Cent
I Said
I Like the Way she do it, She put her back into it
Then (More) (Bridge) 50 Cent
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
(Chorus) 50 Cent
I Said
I Like the Way she do it, She put her back into it
Then she drop it low, to gets the doe
I Like the Way she do it, She put her back into it
Let that ass drop, like my '64
I Said
I Like the Way she do it, She put her back into it
Then she drop it low, to gets the doe
I Like the Way she do it, She put her back into it
Let that ass drop, like my '64
(Verse 1)
I suppose to blow, you suppose to know
Not to go against me or it R.I.P
I'm stupid rich, got retarded money
I'm special wit it, I got special bread
It's easy now, please believe me now
I dismiss a hoe, please leave me now
I fuck when I want, I do what I like
She want the same shit I want, the bitch is a dike
She a super freak, the freak of the week
I give her something a suck, she give her something to eat
It never enough, she like it rough
We keep it going and we switch positions, listen
(Bridge) 50 Cent
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
(Chorus) 50 Cent
I Said
I Like the Way she do it, She put her back into it
Then she drop it low, to gets the doe
I Like the Way she do it, She put her back into it
Let that ass drop, like my '64
I Said
I Like the Way she do it, She put her back into it
Then she drop it low, to gets the doe
I Like the Way she do it, She put her back into it
Let that ass drop, like my '64
(Verse 2) Tony Yayo
I need a dollar for every time that my heart beat
Now how much it that
I can breath on a track and make money, ahha ahha
Now how much is that
I'm getting money baby, my truck a Lamborghini
I'm in ??????, where the girls are freaky
Haters wanna be me, hoes glad to see me
Ma I love it when you lie & say my eyes are dreamy
I'm in the club frontin, I'm in the club stuntin'
10 Grand to buy the bar, Ma it ain't nothing
(Verse 3) Lloyd Banks
If home girl wit it, I'm get it, hit it, split it
She'll think about me everyday, hour, minute
Second to nobody, baby check it
you look as good as your chess
And when your neck it, I'm ready to fuck
A little head in the truck
If a turn gang good, i'ma let her come up
When the sun goes down, I'll be back in the town
Stash box down, put the magnum down
I'm with G-Unit,
Nigga you not ballin a the G 2 jet
(Bridge) 50 Cent
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
I Like the Way she do it
(Verse 4) Young Buck
She got a nigga on the count down
Waitin on it like... Three, two, one
Yea right now
You got skills on them high heels
When we leave this club, I'm take you were I live
Do me before I get her
I might eat out depending on how I feel
Baby girl got a thang for me
She do what every I say
and I ain't got to make it rain money
Go getta and she ghetto with it
Told shawty dont do it, but she already did it
I'm all on her back, when she move like that
You can find me where every she at
(Chorus) 50 Cent
I Said
I Like the Way she do it, She put her back into it
Then she drop it low, to gets the doe
I Like the Way she do it, She put her back into it
Let that ass drop, like my '64
I Said
I Like the Way she do it, She put her back into it
Then she drop it low, to gets the doe
I Like the Way she do it, She put her back into it
Let that ass drop, like my '64 (Less)
Channel: youtube Rate it: Rate:
1044, 02:36, 2008-04-17 15:09:52 Description: The Temptations (often abbreviated as "The Tempts" or "The Temps") are an American Motown singing group whose repertoire has included doo-wop, soul, psychedelia, funk, disco, (More) The Temptations (often abbreviated as "The Tempts" or "The Temps") are an American Motown singing group whose repertoire has included doo-wop, soul, psychedelia, funk, disco, R&B, and adult contemporary. Formed in Detroit, Michigan in 1960 as The Elgins, the Temptations have always featured five African American male vocalists/dancers. The group, known for its recognizable choreography, distinct harmonies, and onstage suits, has been said to be as influential to soul as the Beatles are to rock.[1] Having sold an estimated 22 million albums by 1982,[2] The Temptations are one of the most successful groups in music history[3] and were the definitive male vocal group of the 1960s.[4] In addition, they have the second-longest tenure on Motown (behind Stevie Wonder), as they were with the label for a total of 40 years: 16 years from 1961 to 1977, and 24 more from 1980 to 2004 (from 1977 to 1980, they were signed to Atlantic Records). As of 2007, the Temptations continue to perform and record for Universal Records with only one original member, founder Otis Williams, in its lineup. The original group included members of two local Detroit vocal groups: The Distants, which featured second tenor/baritone Otis Williams, first tenor Elbridge "Al" Bryant and bass Melvin Franklin; and first tenor/falsetto Eddie Kendricks and second tenor/baritone Paul Williams (no relation to Otis) from The Primes. Among the most notable future Temptations were lead singers David Ruffin and Dennis Edwards (both of whom became successful Motown solo artists after leaving the group), Richard Street (another former Distant), Damon Harris, Ron Tyson, Ali-Ollie Woodson, Theo Peoples, and G.C. Cameron. Like its sister female group, the Supremes, the Temptations' lineup has changed frequently over the years. Over the course of their career, the Temptations have released four Billboard Hot 100 number-one singles and 14 Billboard R&B number-one singles. Their material has earned them three Grammy Awards, while two more awards were conferred upon the songwriters and producers who crafted their 1972 hit "Papa Was a Rollin' Stone". History The Primes Childhood friends Eddie Kendricks, Paul Williams, Kel Osbourne, and Wiley Waller formed a doo-wop group called the Cavaliers in their hometown of Birmingham, Alabama, in 1955.[5] Reduced to a trio after Waller left the group in 1957, Kendricks, Williams, and Osbourne left Birmingham in order to break into the music business. After first moving to Cleveland, they settled in Detroit. The Primes, as the doo-wop trio was now called, were well-known around Detroit for their meticulous performances.[6] Group manager Milton Jenkins even created a sister group for the Primes called the Primettes, recruiting Florence Ballard, Mary Wilson, Diane (later Diana) Ross, and Betty McGlown for the spin-off act.[5] The Distants Otis Williams had moved from his native Texarkana, Texas to Detroit as a young boy, to live with his mother.[7] By 1958, he was the leader of Otis Williams & the Siberians, a doo-wop group that included Williams, his friend Elbridge "Al" Bryant, James "Pee-Wee" Crawford, Vernard Plain, and Arthur Walton.[8] This quintet recorded the single "Pecos Kid" backed with "All of My Life" for a label run by local radio deejay Senator Bristol Bryant.[8] The single never took off outside the local Detroit market, and the Siberians changed their name to The El Domingoes shortly afterward.[5] At this time, more changes took place. Montgomery, Alabama native Melvin Franklin replaced Arthur Walton as the bass singer, and Franklin's cousin Richard Street replaced Vernard Plain as lead singer.[9] The group soon signed with Northern Records, run by Johnnie Mae Matthews, who renamed the group The Distants. The Distants recorded two singles for Northern, "Come On" (1959, featuring additional background vocals by the Andantes), and "Alright" (1960).[9] Between these two releases, Albert "Mooch" Harrell replaced Pee-Wee Crawford.[9] "Come On" was a local hit for the Distants, and the Warwick label picked the record up for national distribution.[9] After the release of "Alright", Matthews appointed Williams the group leader, and the group was renamed Otis Williams & the Distants.[10] [edit] Influences and colleagues The Primes and the Distants were but two of dozens of local male vocal acts, the most famous of which was the Miracles, led by Smokey Robinson. The Miracles were known for their stage show, and their pop success was something for which both groups strived.[11] Other important inspirations included the Cadillacs, Frankie Lymon & the Teenagers, the Drifters, and the Isley Brothers.[12] The various members of The Primes and the Distants who would later become part of the Temptations met a number of their later Motown bandmates, labelmates, and producers during the early part of their careers. Melvin Franklin had been a member of the recording group the Voice Masters, which also included among its ranks Lamont Dozier and David Ruffin.[9] The musicians at the recording session for the Distants' "Come On" included James Jamerson on bass; the Andantes on background vocals; and Norman Whitfield on tambourine.[9] A promotional image of the original early 1960s Temptations lineup. Clockwise from top right: Otis Williams, Paul Williams, Melvin Franklin, Eddie Kendricks, and Elbridge "Al" Bryant. [edit] Forming the Temptations Although "Come On" was a local success in the Detroit area, the Distants never saw much of their share from the record sales, and the second single was not as successful. After receiving an offer from Berry Gordy of Motown Records, the group got out of its contract with Matthews and left Northern. At the same time, it lost Mooch Harrell, Richard Street, and the rights to use its name. Street would front a new group of Distants for the local Thelma label during the early 1960s. The Distants were acquainted with the Primes, as both groups made the same rounds to local record hops, talent shows, and concerts. The two groups were friendly rivals. The Primes disbanded in 1960 when Kel Osbourne moved to California, and Eddie Kendricks and Paul Williams returned to Alabama. While in Detroit visiting relatives, Kendricks called Otis Williams who, needing two more members for an audition for Gordy, offered Kendricks a place in the Distants. Kendricks agreed, with one condition -- that he could bring Paul Williams with him. Otis Williams agreed, and Kendricks and Paul Williams moved back to Detroit to join the group. The new lineup of Otis Williams, Franklin, Bryant, Kendricks, and Paul Williams took on the name The Elgins and auditioned for Motown in March 1961. Gordy agreed to sign the group to his Miracle Records imprint, but discovered just before signing that there was already a singing group called the Elgins. The quintet quickly began tossing about ideas for a new name on the steps of Motown's Hitsville U.S.A. headquarters. On a suggestion from Miracle Records employee Billy Mitchell and Otis Williams, The Temptations became the group's new moniker. The "Elgins" name would re-surface at Motown in 1965, when Gordy renamed a quartet called The Downbeats as The Elgins. The Temptations released two singles on Miracle, "Oh Mother of Mine" and "Check Yourself", before it was closed and merged with the Gordy label (to avoid confusion with the Miracles singing group). All seven of the Temptations' singles released between 1961 and 1963 failed to make it onto the U.S. pop singles charts; the 1962 single "Dream Come True" made it to number 22 on the R&B chart. Paul Williams and Kendricks split most of the leads during this period, with Bryant, Otis Williams, and Franklin occasionally singing lead. Many songwriter and producer teams had been trying to craft a hit for the Temptations, including Berry Gordy, Mickey Stevenson, Clarence Paul, and Norman Whitfield. Gordy had in fact written the song "Do You Love Me" for The Temptations in 1961, but when he was unable to get ahold of the group, he recorded the song with the Contours instead. Miracles lead singer/songwriter/producer Smokey Robinson produced his first Temptations single, the Paul Williams-led "I Want a Love I Can See", in 1963, and proved to have the best rapport with the group. Elbridge Bryant, who preferred his day job as a milkman to performing, soon became restless and uncooperative. After a performance at the 1963 Motown company Christmas party, Bryant was fired from the group. His replacement was Meridian, Mississippi native David Ruffin, younger brother of Motown artist Jimmy Ruffin. Though both Ruffin brothers were considered, David was given an edge over Jimmy thanks to his performance skills, which David displayed when he joined the Temptations on-stage during a local Detroit performance earlier that year.[13] The "Classic Five" lineup of the Temptations, circa 1965. Left to right: Melvin Franklin, Eddie Kendricks, Otis Williams, Paul Williams, and David Ruffin. The "Classic Five" era In January 1964,Miracles members Smokey Robinson and Bobby Rogers co-wrote and produced "The Way You Do the Things You Do" with Kendricks on lead; the single became the Temptations' first Top 20 hit that April. While traveling as part of Motown's Motortown Revue later that year, Robinson and fellow Miracle Ronnie White wrote a song for the emotive Ruffin to sing lead on, which the group recorded in the fall of 1964. Released as a single on December 24, 1964, "My Girl", became the Temptations' first number-one pop hit in March 1965, and is their signature song to this day. David Ruffin's emergence as lead singer gave way to the Temptations' most successful period, today referred to as the "Classic Five" era, during which Ruffin, Kendricks, Franklin, Otis Williams, and Paul Williams recorded many of the group's most familiar hits. After the success of "My Girl", Ruffin sang lead on the next three Temptations singles: "It's Growing", "Since I Lost My Baby" and "My Baby", all of which made it to the Top 20 in 1965. The b-side to "My Baby", "Dont Look Back", featured a lead from Paul Williams, and was a sleeper hit on the R&B charts. In 1966, Norman Whitfield became the Temptations' new main producer, after his "Ain't Too Proud to Beg" performed better than Robinson's "Get Ready" on the U.S. pop charts. Whitfield began pushing the group away from Robinson's ballad-based production towards a harder-edged and brass-heavy soul sound reminiscent of the work of James Brown. Nearly all of the pre-1968 Whitfield-produced Temptations singles featured David Ruffin on lead vocals, including the R&B number-one/pop Top 10 hits "Beauty Is Only Skin Deep" and "(I Know) I'm Losing You". Other singles from this period included "You're My Everything", on which Eddie Kendricks and David Ruffin share lead vocals, and "All I Need", produced by Whitfield's protg Frank Wilson. Whitfield's writing partners during this period included Roger Penzabene, Temptations road show manager/guitarist Cornelius Grant, and Edward Holland, Jr.. After Eddie Holland left Motown with the rest of the Holland-Dozier-Holland songwriting/production team in 1967, Barrett Strong (who sang Motown's first hit, 1960's "Money (That's What I Want)") began working with Whitfield and Penzabene on Temptations material. Two of Whitfield/Strong/Penzabene's collaborations, "I Wish It Would Rain" and "I Could Never Love Another (After Loving You)", became hits in 1968. Strong became Whitfield's sole collaborator after Penzabene's suicide in December 1967. Exit David Ruffin Between 1964 and 1968, the Temptations went from unknown hopefuls to international stars. The group appeared frequently on television shows such as American Bandstand and The Ed Sullivan Show, and catered to middle America with a pop standards album (The Temptations in a Mellow Mood, 1967) and performances at the Copacabana in New York City and other such supper clubs. Outside of music, the Temptations were made honorary members of Phi Beta Sigma Fraternity, Inc. Initially laid back and even-keeled, by 1967 David Ruffin felt that he was almost single-handedly responsible for the group's success. He demanded special treatment, riding to and from gigs in a private mink-lined limousine with his then-girlfriend, singer Tammi Terrell (known for her duets with Marvin Gaye), instead of in the group limousine the other four Temptations used. Ruffin missed a number of rehearsals, concerts, and group meetings; and began regularly using cocaine. After seeing how Motown had made Diana Ross the focus of the Supremes by renaming the group Diana Ross & the Supremes, Ruffin demanded that his group be renamed, as well -- to David Ruffin & the Temptations. Additionally, Ruffin was demanding an accounting of the Temptations' earnings, which caused friction between him and Berry Gordy. There was general agreement among the rest of group that Ruffin needed to be replaced. Otis Williams insists that Ruffin was given fair warning that if he did not change his attitude he would be fired. When Ruffin missed a June 1968 engagement at a Cleveland supper club in order to attend a show by his new girlfriend (Dean Martin's daughter Gail), it was decided that he had crossed the line. The other four Temptations drew up legal documentation firing Ruffin from the group, and Dennis Edwards, formerly of the Contours, was hired to replace him. Edwards and Ruffin were good friends, and Ruffin at first went along with the changing of the guard. After a short time, however, Ruffin began turning up at Temptations shows, jumping onstage during performances of the songs he once sang lead on and stealing the spotlight. The audiences were delighted, but the Temptations and Motown were frustrated and embarrassed. Extra security guards were hired to prevent Ruffin from attending other Temptations' performances. Ruffin sued Motown in October 1968, seeking a release from the label, and Motown settled by offering Ruffin a solo recording deal. Beginning in 1968, Berry Gordy commissioned a number of collaborations for the Temptations with Diana Ross & the Supremes. The results included a joint tour, two studio albums (Diana Ross & the Supremes Join the Temptations, which featured the number-two hit single "I'm Gonna Make You Love Me", and Together), and two NBC television specials, TCB (aired December 9, 1968) and G.I.T. on Broadway (aired November 12, 1969). The tracks for Diana Ross & the Supremes Join the Temptations included Dennis Edwards' first studio recordings with the Temptations. Psychedelic soul Dennis Edwards' addition to the Temptations coincided with producer Norman Whitfield's adoption of a new sound for the group. In the fall of 1968, Whitfield began producing psychedelic-based material for the Temptations, derived primarily from the sound of funk band Sly & the Family Stone. This new style, which debuted with the Top 10 hit single "Cloud Nine" in October 1968, was a marked departure from the David Ruffin-era ballads. The instrumentation was funkier, the beat was hard-driving, and all five Temptations traded lead vocals, similar to Sly & the Family Stone. "Cloud Nine", the centerpiece of the group's landmark Cloud Nine LP, was a Top 10 hit and won Motown its first Grammy Award, for Best R&B Vocal Group Performance of 1969. The blending of the Motown sound and psychedelic rock sound resulted in a new subgenre of music called "psychedelic soul", also evident in the work of Diana Ross and the Supremes ("Reflections", "Love Child"), Marvin Gaye's version of "I Heard It Through the Grapevine", and the music of the Fifth Dimension and War. More Temptations psychedelic soul singles would follow in 1969 and 1970, among them "Runaway Child, Running Wild" (a number-one R&B hit), "I Can't Get Next to You" (a number-one pop hit), "Psychedelic Shack" , "Ball of Confusion (That's What the World Is Today)", and "Ungena Za Ulimwengu (Unite the World)". Exit Eddie Kendricks and Paul Williams During the late-1960s, Paul Williams' physical and mental health began to decline sharply. Williams suffered from both depression and sickle-cell disease, and also developed alcoholism, all of which made it hard for him to continue performing. Oxygen tanks were kept in the wings of performance venue stages for Williams, and the other four Temptations made valiant efforts to raid and drain his alcohol stashes. By 1969, former Distant Richard Street, now lead singer of Motown act The Monitors, was touring with the group as a backup replacement for Williams. For most shows, Street would sing Williams' parts (save for his solo numbers) from offstage behind a curtain, while Williams danced and lip-synched onstage. At other shows, and during most of the second half of 1970, Street took Williams' place onstage. As Paul Williams' health failed, Eddie Kendricks became detached from the group. He regularly picked fights with Otis Williams and Melvin Franklin over the group's leadership. In addition, Kendricks was uncomfortable with the psychedelic soul material the group was now performing, preferring the ballad material from the earlier days. Kendricks rekindled his friendship with David Ruffin, who persuaded him to quit the Temptations and go solo. After another confrontation between himself, Otis Williams, and Franklin during a November 1970 Copacabana engagement, Kendricks walked out in-between shows and did not return. Both Franklin and Otis Williams agreed at this time that Kendricks would be leaving the group. Before Kendricks officially left the Temptations, he and Paul Williams recorded the lead vocals for "Just My Imagination (Running Away with Me)", a lush, wistful ballad that became Kendricks' Temptations swan song. Released as a single in January 1971, "Just My Imagination" began steadily climbing the U.S. pop singles chart. By the time "Just My Imagination" hit number-one in March, Kendricks had negotiated his release from the group and signed a solo deal with Motown's Tamla imprint. Kendricks' original replacement was Ricky Owens, from the Los Angeles-based vocal group the Vibrations. However, Owens gave poorly-received performances during the few shows he performed with the group, and he was dropped after only a few weeks. During most of the spring of 1971, the Temptations remained a quartet, and re-recorded the single "It's Summer" without a fifth member. In April, Paul Williams quit the Temptations, after a medical declaration that he was unable to continue performing. Richard Street officially took his place, while Williams remained on the group's payroll as an advisor and choreographer. After Williams had recovered enough to perform again, Motown made plans for a Paul Williams solo career, but he died at age 34 in Detroit on August 17, 1973. Williams' death was ruled a suicide. The Temptations in the early 1970s By May, The Temptations had found a permanent replacement first tenor in twenty-year-old Baltimore native Damon Harris. Otis Williams, Edwards, Franklin, Street, and Harris continued recording and performing, and Norman Whitfield continued producing hits for them. Among these were Top 40 hits such as "Superstar (Remember How You Got Where You Are)" (1971), a message from the Temptations to the estranged David Ruffin and Eddie Kendricks, and "Take a Look Around" (1972). The fall of 1972 saw the release of Whitfield's magnum opus, "Papa Was a Rollin' Stone". Originally a three-minute record written and produced for the Undisputed Truth, Whitfield took the sombre tune and created a sprawling, dramatic eleven and -minute version for the Temptations. An edited seven-minute version was released as a single in September 1972, hitting number-one on the pop charts and number-five on the R&B charts. In 1973, "Papa Was a Rollin' Stone" won the Temptations their second Grammy for Best R&B Performance by a Group. Whitfield and arranger/conductor Paul Riser won the award for Best R&B Instrumental Performance with the instrumental version of "Papa" on the single's b-side, and Whitfield and Barrett Strong won the songwriters' Grammy for Best R&B Song. After "Papa Was a Rollin' Stone", Whitfield stopped working with Barrett Strong, and began writing the Temptations' material on his own. The success of "Papa" led Whitfield to create more elongated, operatic pieces, including the Top 40 hit "Masterpiece" (1973) and several of the tracks on the resulting Masterpiece album. Tensions developed between Whitfield and the group, who found Whitfield arrogant and difficult to work with. The group cited his habitual tardiness, his emphasis of the instrumental tracks over the vocals on many of his productions, and the declining singles and albums sales as other sources of conflict. Otis Williams complained about Whitfield's actions and the Temptations' stagnant sales to Berry Gordy, who intervened and reassigned them to Jeffrey Bowen, co-producer of the 1967 In a Mellow Mood album. The final Norman Whitfield-produced Temptations album, 1990, was released in late 1973, and included the Top 30 single "Let Your Hair Down". Whitfield left Motown shortly afterwards, and in 1975 established Whitfield Records, taking with him the Undisputed Truth, Willie Hutch, and Rose Royce, who performed the instrumental track for "Let Your Hair Down". Dry spell Bowen's first LP with the Temptations was January 1975's A Song for You, which included a cover of the titular Leon Russell tune (popularized with soul audiences by Donny Hathaway), along with the pop Top 40/R&B number-one hits "Happy People" (featuring the Commodores as the instrumentalists) and "Shakey Ground" (featuring instrumentation by Funkadelic's Eddie Hazel and Billy Bass Nelson), and "Glasshouse", the group's final Top 40 Pop hit. Damon Harris was fired from the group during the recording of A Song for You, as his behavior and work ethic were deemed unprofessional.[14] His replacement was Washington, D.C. native Glenn Leonard, formerly of the Unifics.[15] A number of producers, including Bowen, Brian Holland, James Carmichael, and even the Temptations themselves tried producing hits for the next three LPs, House Party (November 1975), Wings of Love (March 1976), and The Temptations Do the Temptations (August 1976). None of these recordings were as commercially successful as A Song for You, and none of their singles entered the Billboard Hot 100 Top 40.[16] As time progressed, Bowen pushed Dennis Edwards further to the front. This was evident in on Wings of Love, which features Edwards' voice more prominently than the other Temptations' backing vocals.[17] Otis Williams felt that this was hurting the group, and after The Temptations Do the Temptations was recorded in 1976, Edwards was fired from the group.[18] His replacement was Louis Price. The Temptations left Motown for Atlantic Records, citing Motown's inattention as the reason for their declining sales and popularity.[19] However, the group's releases on Atlantic -- Hear to Tempt You (1977), Bare Back (1978), and their associated singles -- failed to perform better than their last handful of Motown singles, and in 1979 Atlantic released the group from its contract.[17] Shortly afterwards, the Temptations met with Smokey Robinson and Berry Gordy, and the group re-signed with Motown in 1980.[20] ] Return to Motown and Reunion Upon the return to Motown, Louis Price departed from the group and joined the Drifters. Dennis Edwards, who had been inactive for the previous three years despite remaining with Motown as a solo act, returned to the lineup. Berry Gordy co-wrote and produced the Temptations' first single under the new contract, "Power", from the album of the same name. "Power" missed the Billboard Hot 100 Top 40, but hit number 11 on the R&B charts. Two years of underperforming singles and albums followed, including an eponymous album with Philadelphia-based producer Thom Bell, until Motown began planning a Temptations reunion tour in 1982. Eddie Kendricks and David Ruffin agreed to rejoin the group for the Reunion album and tour. Melvin Franklin's nephew, Motown funk star Rick James (who had previously used the Temptations as backup vocalists on his 1981 hit "Super Freak"), wrote, produced, and guested on the Reunion album's lead single, "Standing on the Top", which featured Ruffin, Kendricks, and Edwards on lead. The single went to number-six on the R&B charts. While the ensuing Reunion tour with all seven Temptations (Ruffin, Kendricks, Otis Williams, Franklin, Edwards, Richard Street, and Glenn Leonard) was financially successful, it ended up being a stressful venture: Kendricks' voice had weakened after decades of chain smoking, and Ruffin, still addicted to drugs, missed a number of the performances. At the conclusion of the Reunion tour, Ruffin and Kendricks were fired, and they began touring and performing together as a duo. One more album, Surface Thrills, was released in 1983. It featured a sharp departure in the group's sound by incorporating elements of then-current rock. Following its release, Glenn Leonard left and was replaced by Ron Tyson. Tyson had been a songwriter at Atlantic during the Temptations' time there, and co-wrote several songs on the album Hear To Tempt You. [edit] From the 1980s to the 1990s By this time, the Temptations' releases were no longer performing well on the pop charts, though they sometimes made the R&B Top 20. "Love on My Mind Tonight", a single from Surface Thrills, made it to number 17. "Sail Away", produced by a returning Norman Whitfield and featuring Ron Tyson's first lead vocal, peaked at number 13. Dennis Edwards was again fired in 1984, this time for missing rehearsals, or showing up hungover. He attempted a second solo career, and his place was taken by Ali-Ollie Woodson, who had been a potential candidate to replace Edwards back in 1977. The album Back to Basics was released; it was the first album featuring Ron Tyson, and featured one track with Woodson, "Stop the World Right Here (I Wanna Get Off)". Woodson's first lead on a single was 1984's "Treat Her Like a Lady", co-written by himself and Otis Williams, and co-produced by Al McKay and Ralph Johnson, formerly of Earth, Wind and Fire. The single became their biggest success on R&B radio in some time, reaching number-two on the R&B charts, and just missing the Pop Top 40. The group experienced similar success the following year with the single "Lady Soul", another Top 5 R&B smash. On July 13th 1985, Eddie Kendricks and David Ruffin would achieve "World comeback" recognition for their performances with Pop/Rock superstars Daryl Hall and John Oates(Hall and Oates) in a performance given at the "Live Aid" concert in Philadelphia televised world wide. The segment with Kendricks and Ruffin included a Medley of "Get ready/The way you do the things you do/My Girl. The combination of Hall, Oates, Ruffin and Kendricks went on to perform the resurrected Hall and Oates hit (made popular by the English artist Paul Young), "Every time you go away". This was the exact performance the singing quartet had just recorded live in a sold out performance for the "reopening" of the historic Apollo Theater. The medley recorded on "Live at the Apollo" for RCA, became a top 20 hit on the pop charts. Ollie Woodson remained with the Temptations until 1987, when he was fired and replaced by an again-returning Dennis Edwards. The group recorded one album during Edwards' third tenure, Together Again, released in late 1987. The following year, Otis Williams published his autobiography, Temptations, co-written with Patricia Romanowski, chronicling the careers of the group from the Primes/Distants days to the present, and focusing on the lives of Williams and Melvin Franklin. An updated version of the book was published in 2002. Edwards was fired for the third and final time in late 1989, with Woodson re-joining the lineup. Also that year, the Temptations were inducted into the Rock and Roll Hall of Fame, honoring Edwards, Franklin, Otis Williams, David Ruffin, Eddie Kendricks (now performing as "Eddie Kendrick"), and, posthumously, Paul Williams. Most of the Temptations, present and former, showed no ill feelings towards each other, although Otis Williams reported that Kendricks would not speak to him during the ceremony. [21] The Temptations ended their induction with Paul Willaims' signature song, "Don't Look Back", dedicated to his memory. After reuniting at the induction ceremony, Edwards, Ruffin, and Kendrick made plans to tour and record as "Ruffin/Kendrick/Edwards, Former Leads of The Temptations". The tour was carried out, much to the chagrin of Otis Williams and Motown, but production on an album was terminated when Ruffin, age 50, died on June 1, 1991 in Philadelphia after a drug overdose. Kendrick was diagnosed with lung cancer but continued to perform; he died on October 5, 1992 at the age of 52, in his native Birmingham. The Temptations in the 1990s From the 1990s on, the Temptations' lineup began to change more frequently than before. Richard Street missed a performance in 1992 after undergoing emergency surgery to remove kidney stones. Otis Williams was not aware of Street's surgery, and called him, angry about Street's absence. Street felt Williams was unsympathetic, and as a result, he left the group in 1993 after twenty-two years. His replacement was St. Louis native Theo Peoples. Two years later, Melvin Franklin was forced to stop performing because of failing health. He died on February 23, 1995 at the age of 52, after suffering a brain seizure. Ray Davis from Parliament/Funkadelic came on as new bass, and the group recorded the pop standards album For Lovers Only, which contained two tracks led by Melvin Franklin. Davis left shortly after completing the album, due to a throat cancer diagnosis. The group continued as a quartet for a short time, before recruiting bass Harry McGilberry, a former member of The Futures. For Lovers Only would also be the last for lead Ali-Ollie Woodson; he was released from the group in 1996 due to health problems, having suffered two battles with throat cancer. He was replaced by his fill-in from his first health concern, new member Terry Weeks. The new Temptations lineup, consisting of Otis Williams, Ron Tyson, Theo Peoples, and newcomers Harry McGilberry and Terry Weeks, debuted at the halftime show of Super Bowl XXXII, which celebrated the 40th anniversary of Motown. In 1998, The Temptations released Phoenix Rising, their first million-selling album in over twenty years. The album was anchored by the Theo Peoples-led single "Stay", a number-one hit on the adult contemporary charts that featured a sample from The Temptations' "My Girl". During the recording of Phoenix Rising, however, Theo Peoples departed, and was replaced by Barrington "Bo" Henderson. The completed album features both Henderson and Peoples (who later joined the Four Tops) on different tracks. A scene from the 1998 Temptations NBC miniseries. The Temptations mini-series Main entry: The Temptations (miniseries). Nineteen ninety-eight also saw the debut of The Temptations, a four-hour television miniseries based on Otis Williams' Temptations autobiography. It was broadcast in two parts on NBC on November 1 and November 2, 1998. The miniseries was a ratings success and won an Emmy award for Best Direction; it was subsequently rerun on the VH-1 cable television network and released to VHS and DVD. Otis Williams' former wife Josephine, Melvin Franklin's mother Rose Franklin, and David Ruffin's family, jointly filed a lawsuit against Williams, Motown, de Passe Entertainment, Hallmark Entertainment, and NBC for a number of charges, including defamations of character. The judges ruled in favor of the defendants, and the ruling was upheld when the plaintiffs appealed in 2001. Williams later claimed that, although his book was used as the source material for the film, he did not have a great deal of control over how the material was presented. From 2000 to the present day The Temptations were inducted into the Vocal Group Hall of Fame in 1999. In 2001, their 2000 album Ear-Resistible won the group its third Grammy, this one for Best Traditional R&B Vocal Performance. Three classic Temptations songs, "My Girl", "Ain't Too Proud to Beg", and "Papa Was a Rollin' Stone", are among The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. Bo Henderson was fired from the group in 2003, prompting a wrongful termination lawsuit [22]. His replacement was former Spinners lead G.C. Cameron. The lineup of Cameron, Otis Williams, Ron Tyson, Harry McGilberry, and Terry Weeks recorded for a short time before Harry McGilberry was dismissed;[23] his replacement was former Spaniels bass Joe Herndon. McGilberry died on April 3, 2006, at age 56. The group's final Motown album, Legacy, was released in 2004. Later that year, The Temptations asked to be released from their Motown contract, and moved to another Universal Motown Records Group label, New Door Records. Their latest album, Reflections, was released on January 31, 2006, and contains covers of several popular Motown songs, including Diana Ross & the Supremes' "Reflections", the Miracles' "Ooo Baby Baby", Marvin Gaye and Tammi Terrell's "Ain't Nothing Like the Real Thing", and the Jackson 5's "I'll Be There".[24] The Temptations were nominated for the 2007 Grammy Award for Best Traditional R&B Vocal Performance, for their version of Gaye's "How Sweet It Is (To Be Loved by You)" from Reflections. G.C. Cameron left the group in June of 2007 to focus on his solo career.[25]. The current lineup is Otis Williams, Ron Tyson, Terry Weeks, Joe Herndon, and new member Bruce Williamson. Splinter groups Several former Temptations continue to perform outside of the group in spin-off or offshoot acts. The most well known splinter was "Ruffin/Kendrick/Edwards: Former Leads of the Temptations", which featured the three former Temptations and three other members (David Sea, who'd been a consideration to replace Edwards in 1984, Nate Evans, a former member of The Impressions, and a female vocalist). Following David Ruffin's death, Dennis Edwards and Eddie Kendrick began touring as "The Temptations", still with David Sea and Nate Evans, and bringing in another former Temptation, Damon Harris. The group had different sixth vocalists at different times, including Charles Blackmon and Curtis Taylor.[26] This prompted a legal battle with Otis Williams. Following Kendrick's death, the group splintered: Dennis formed "Dennis Edwards and the Temptations Review," Damon formed "Damon Harris and the Temptations Review" (featuring future Temptation Joe Herndon), David Sea went on to a solo career[27], and Evans and Taylor formed a Temptations tribute band[28]. Dennis Edwards' group tours to this day. The group has appeared on several PBS music specials. The lineup is Edwards, David Sea (baritone, returning in 1999), Mike Patillo (bass since 1993), Chris Arnold (first tenor/falsetto, joined post-2000)[29], and another former Temptation, Ali-Ollie Woodson. Woodson previously fronted an act called Ali-Ollie Woodson & the Emperors of Soul--Emperors of Soul being the name of the 1994 Temptations boxed set. He replaced Bernard Gibson[30][31] in 2007; Gibson was an original 1993 addition, and was in the group for all of their PBS performances. Damon Harris split from his group in the late 1990s; the other four members then joined with another former Temptation, Glenn Leonard, to become "Glenn Leonard and the Temptations Experience." Joe Herndon left this group to join the Temptations[32] His spot was filled by former Temptations bass Ray Davis, and, following Davis' death on July 5, 2005, Harry McGilberry, another former Temptations bass (McGilberry died on April 3, 2006). Damon Harris would form a new group later, billed as "Damon Harris and the Temptations Tribute." Richard Street also leads a group, billed as "Richard Street" or "Richard Street's Temptations"[33]. Street is in the process of writing a book regarding his time with The Temptations entitled Ball of Confusion. If it is published, it will be the second autobiography regarding the group. [edit] Musical style The Temptations' songs depended upon the individual members' interaction as a group; unlike many other R&B groups, each member of the Temptations was a lead singer of some capacity. Although the group always had an appointed main lead singer who dominated most the lead vocals (from Paul Williams to David Ruffin, Dennis Edwards, and later singers such as Louis Price, Ali-Ollie Woodson, and Terry Weeks), that singer was never given more of a promotional push than the other members. Co-lead songs, with two or more of the singers sharing the lead vocals, are common in the Temptations catalog, particularly among the psychedelic-era recordings of the late 1960s/early 1970s The "Motown Sound" The group would alter their style several times over the years following their first Motown hit, adapting to the popular styles of the day while retaining their signature visual and vocal styles. The earliest Temptations recordings reflect the influence of producers Berry Gordy and Smokey Robinson, featuring a blend of black rhythm and blues and white pop music that came to be later identified as the "Motown Sound". Backed by Motown's stalwart studio band, the Funk Brothers, pre-1966 Temptations recordings were built around songs (usually ballads like "My Girl") with simple, direct lyrics supported by an R&B rhythm section with orchestral strings and horns added for pop appeal. During this period, each recording usually featured only one lead singer, usually David Ruffin or Eddie Kendricks, although Paul Williams, Melvin Franklin, and Otis Williams each had solo numbers of their own at various times. Like most Motown groups, melisma and other complicated vocalization techniques were eschewed by the Temptations for a more direct, yet obviously gospel-rooted vocal approach, to make the songs more palpable for white audiences. Creative control remained primarily in Smokey Robinson's hands, although the Temptations, most frequently Eddie Kendricks, periodically co-wrote some of their material. Kendricks also handled the vocal arrangements for all of the Temptations' material. In 1966, Norman Whitfield changed the group's dynamic, moving them away from the previous one lead singer model and adding elements derived from the rougher soul of artists like James Brown, Wilson Pickett, and the performers at Stax Records. Whitfield and his lyricists crafted Temptations songs with shifts of dynamics, syncopated horn stabs, and more intricate harmony arrangements which spotlighted each singer's unique vocal range. Onstage, this change was reflected in the group's use of a custom-made four-headed microphone, which allowed each member freedom to perform without having to all crowd around one or two microphones. Under Whitfield's control, the Temptations retained their white pop appeal, but also gained popularity amongst black audiences as well. Psychedelic and cinematic soul When David Ruffin was replaced by Dennis Edwards, and Sly and the Family Stone became popular, Whitfield again restructured the Temptations' sound, this time driving the group almost completely into a "psychedelic soul" sound. Recordings from this period (such as "Cloud Nine" and "Psychedelic Shack") featured echoed vocal tracks, distorted guitar lines with prominent use of the wah-wah pedal, hard-hitting drums, and various stereo effects and sound effects. The majority of these songs feature at least two lead singers; often, all five Temptations sang lead, trading bars a la the Family Stone. Dennis Edwards, whose vocal style had a rougher, more Southern-soul based sound than David Ruffin's, was featured prominently on most of these recordings. The lyrics for these songs, inspired heavily by Sly Stone's concurrent works, centered primarily around social issues such as integration, the Vietnam War, and self-consciousness. Ballads in the group's traditional style were still being recorded as b-sides and album fillers (the exception being "Just My Imagination"). Many of the psychedelic soul recordings were presented in extended-length mixes longer than the typical three-minute Motown song. Tracks such as the album version of "Run Away Child, Running Wild" from Cloud Nine, "Take a Stroll Thru Your Mind" from Psychedelic Shack, and "Smiling Faces Sometimes" from Sky's the Limit, all run at least eight minutes in length. Much of the running time for each song consists of instrumental passages without vocals, at Whitfield's insistence. The hit version of their smash 1972 single "Papa Was a Rolling Stone" was nearly seven minutes long, with an instrumental intro that was almost two minutes long -- a rarity for songs of that era. "Psychedelic soul" soon gave way to "cinematic soul": Long recordings with detailed orchestration and extended instrumental introductions and bridging passages, oten focusing on lyrics about the ghettos and inner cities of black America. These songs were heavily influenced by the work of singer/songwriters Isaac Hayes and Curtis Mayfield. Unlike Hayes and Mayfield, the Temptations had no creative control over their recordings, and were not fond of the twelve and thirteen-minute long songs that Norman Whitfield was now producing for them. Whitfield's contributions were the focal point of Temptations albums such as Solid Rock, All Directions, and particularly Masterpiec. From funk to disco to adult contemporary After Whitfield was dismissed as the Temptations' producer in 1974, the group altered its sound to accommodate a balance of both up-tempo dance material and ballads. The vocal arrangements began to again focus primarily on one lead singer per track, although leads were still being periodically shared. In addition, the Temptations themselves, after fighting Motown and Berry Gordy for creative control, began to write and produce some of their material. From this point on, the Temptations focused almost exclusively on songs about romance; songs about social issues similar to the Whitfield-era recordings were periodically recorded as well. Mid-1970s Temptations recordings focused significantly on funk music influences from artists such as Parliament Funkadelic and Sly and the Family Stone; members of both acts contributed to Temptations material during this period. The group's ballads, reduced to filler material during much of the Whifield period, were restored to the lush sound of the earlier Smokey Robinson-produced hits. After a brief diversion into disco in the late-1970s, the Temptations settled into an adult contemporary-rooted form of R&B, a style in which they continue to record. As the ages of its members increased, the Temptations' live shows have focused on less intricate choreography, although dancing remains an important aspect of the group's act. Legacy and influence The Temptations, with their tailored suits and detailed choreography, set the bar for male soul and R&B groups. Before the Temptations became popular, most black vocal groups were rough, high-energy acts with rawer vocals and more improvisational dance movements. Only a few performers, including contemporaries Marvin Gaye, Sam Cooke, and the Four Tops, showed the refined style that would be popularized by the Temptations. Berry Gordy insisted his acts be equally appealing to white and black audiences, and employed a creative team to help tailor Motown talent for crossover success. Paul Williams and Motown choreographer Cholly Atkins created the Temptation's trademark precise and energetic, yet refined, dance steps. The most famous of these, the "Temptation Walk", or "Temptation Strut", was adapted from similar moves by the Flamingoes and the Vibrations. From those two sources, Paul Williams crafted the group's signature dance routine. During the 1960s and 1970s, a number of soul groups showed significant influence from the Temptations, among them the Delfonics, the Stylistics, George Clinton's original Parliaments, the Dramatics, and Motown labelmates the Jackson Five. These acts, and others, showed the influence of the Temptations in both their vocal performances and their onstage choreography. Several more recent soul and R&B vocal groups, including the Johnny Gill-led version of New Edition, Jodeci, BLACKstreet, Dru Hill, and, most notably, 1990s Motown act Boyz II Men, also showed significant influence from the Temptations. Temptations songs have been covered by scores of musicians, from R&B singers such as Luther Vandross ("Since I Lost My Baby"), to pop vocalists such as Bette Midler ("Just My Imagination"), to rock bands such as Rare Earth ("Get Ready"), Duran Duran ("Ball of Confusion (That's What the World Is Today)") and the Rolling Stones ("Ain't Too Proud to Beg"). In 1991, British singer Rod Stewart collaborated with the Temptations on the single "The Motown Song". The lives and careers of The Temptations were one of several inspirations for Robert Townsend's 1991 film about a 1960s Motown-esque male group, The Five Heartbeats. In 2004, Rolling Stone Magazine ranked The Temptations #67 on their list of the 100 Greatest Artists of All Time.[34] (Less)
Channel: 123video Rate it: Rate:
26, 02:55, 2007-10-22 06:14:50 Description: Click that blue link that reads "more".
Premise: How to put this....
First off, I probably should say, if you're a straight male, this won't be your cup of tea, more than (More) Click that blue link that reads "more".
Premise: How to put this....
First off, I probably should say, if you're a straight male, this won't be your cup of tea, more than likely. XD But there is more than your fair share of hott females out there for you guys, and I'm sure the subtlety of this would be uninteresting to you. Or maybe I'm assuming too much? Well, we'll see. This AMV really has very little to do with Gunslinger Girls, though.
It's about that "Tie Thing" that José does that inspired this. Hmmmm. Or, as my wonderiffic best friend put it, "Tie Pron". XD
Specifically, it's the way José pulls at his collar or tie when he's nervous and/or making an important decision. But in a broader sense, it's that unconscious thing, that certain action, that when that certain someone does it, kinda makes you drool.. ~.^ There's gotta be someone out there who knows what I'm trying to say. Here's hoping!
I could make thousands of these just to the stuff that Abel Nightroad, of "Trinity Blood" infamy, does that is freaking drool-worthy. =D This time, however, I chose José from "Gunslinger Girl". But believe me, Father Nightroad isn't off the hook just yet. Muhaha!
So, just what did I do in this AMV...
First, I introduce you to our hero, José, who will be asking an unseen lady out on a date. Yep. ^.^ You'll see him get up the nerve to go ask her, have a drink at her place, and then spend sometime thinking about her and that upcoming date when really, he should be working.
Next, just like any one in love, he goes outside to admire nature, and espies some lovebirds in the sky. Then the date...he shows up with a present for his girl, makes sweet faces, takes her to see the ocean, worries about the restaurant choice, and finally eats! Of course, there are a few days of him contemplating the timing of calling her after the date, noted by the close ups of his face.
Finally, he decides to pay her a surprise visit. How that went can be left to your imaginations. At the end, we see José waving farewell to our unseen heroine with a kinda confused look on his face, and speeding off into the night in his Porsche.
Yes, José, we women know that we're mad confusing. ~.^ That's the story, and I worked in some imagery evoactive of the lyrics. I'm going for drool-worthy here, maybe even swoon-worthy. ^.^
All in fun, and more an homage to my fellow fan girls than anything since the only thing it has in common with the "Gunslinger Girl" anime is José, the character. Fan service in a way. LOL! I hope someone "gets" this! Enjoy.
~Six
Six's Gunslinger Girl AMV
Featuring José
"The Way You Do The Things You Do" by UB40
from "Labour of Love II"
Buy the anime & song on iTunes!
Made on A Mac by Sixxx
youtube.com/SixRR1073
All Rights Reserved to The Respective Copyright Holders ©2007
http://www.gunslingergirl.tv/
The brilliant mind behind Gunslinger Girl, Yu Aida:
Official Website - http://www.remus.dti.ne.jp/~jewelbox/
Blog - http://yu65026.hp.infoseek.co.jp/
Lyrics:
You got a smile so bright
You know you could have been a candle
I'm holding you so tight
You know you could have been a handle
The way you swept me off my feet
You know you could've been a broom
And babe you smell so sweet
You know you could've been some perfume
(Chorus)
Well you could've been anything that you wanted to
I can tell
The way you do the things you do
I like the way you do the things you do
As pretty as you are
You know you could've been a flower
If good looks were minutes
You know you could have been an hour
The way you stole my love
You know you could have been a crook
And baby you're so smart
You know you could have been a school book
(Chorus)
Well you could've been anything that you wanted to
I can tell
The way you do the things you do
I like the way you do the things you do
You make my life so rich
You know you could've been some money
And baby you're so sweet
You know you could have been some honey
(Chorus)
Well you could've been anything that you wanted to
I can tell
The way you do the things you do
I like the way you do the things you do
As pretty as you are
You know you could've been a flower
If good looks were minutes
You know you could have been an hour
The way you stole my love
You know you could have been a crook
And baby you're so smart
You know you could have been a school book
(Chorus)
Well you could've been anything that you wanted to
I can tell
The way you do the things you do
I like the way you do the things you do
Well you could've been anything that you wanted to
I can tell
The way you do the things you do
I like the way you do the things you do(x5)
You make my life so sweet(x4)
The way you do the things you do (Less)
Channel: youtube Rate it: Rate:
8, 03:21, 2007-07-27 20:25:07 Description: Setlist and Information : ----↓
UB40 Official Page:
http://www.ub40.co.uk/
In December 2003 over 30,000 fans packed out the Ahoy Rotterdam over three nights, to welcome back to their (More) Setlist and Information : ----↓
UB40 Official Page:
http://www.ub40.co.uk/
In December 2003 over 30,000 fans packed out the Ahoy Rotterdam over three nights, to welcome back to their second home the band that Holland has taken to its heart.
Drawing from over twenty years of hits and an unrivalled setlist, as well as showcasing new material from their "Homegrown" album, the band responded as only they know how, by playing a blistering series of gigs that seasoned UB40 fans have rated as some of their best ever.
This unique live show captures the special bond between a band, ranked amongst the finest live performers in the world, and its audience who realise they are enjoying something very special.
(¯`·.The way You Do The Things You Do.·´¯)
╔╦╦═╦╦╦═╗ ╔══════╗╔╦╦═╦╦╦═╗
║║║╗╚╗║║║ ║« Setlist »║║║║╗╚╗║║║
╚═╩══╩╩═╝ ╚══════╝╚═╩══╩╩═╝
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
1. ♫ Present Arms ♫
http://www.youtube.com/watch?v=LTqCA6V6w-c
2. ♫ One In Ten ♫
http://www.youtube.com/watch?v=8dRQ0aLIYMo
3. ♫ Keep On Moving ♫
http://www.youtube.com/watch?v=jau2d3DIwLI
4. ♫ Maybe Tomorrow ♫
http://www.youtube.com/watch?v=-jxJ7hZ3Q7o
5. ♫ So Destructive ♫
http://www.youtube.com/watch?v=nqTv_ukP0sg
6. ♫ Young Guns ♫
http://www.youtube.com/watch?v=p64JC16QaMI
7. ♫ Please Dont Make Me Cry ♫
http://www.youtube.com/watch?v=Tw6PEl_A6bs
8. ♫ Someone Like Me ♫
http://www.youtube.com/watch?v=Z5lsOuTpu2I
9. ♫ Groovin ♫
http://www.youtube.com/watch?v=iBmvfh2LT-g
10. ♫ Rudie ♫
http://www.youtube.com/watch?v=lOD5tdrwuXw
11. ♫ Freestyler ♫
http://www.youtube.com/watch?v=mAHt-fF47Og
12. ♫ Love It When You Smile ♫
http://www.youtube.com/watch?v=azpe3Xqu9ys
13. ♫ I knew You ♫
http://www.youtube.com/watch?v=_RVh79PiK2M
14. ♫ Here I Am (Come e Take Me) ♫
http://www.youtube.com/watch?v=oJ6wgGxiA6Q
15. ♫ Rat In Mi Kitchen ♫
http://www.youtube.com/watch?v=XRXvfA6GV_o
16. ♫ Wear You To The Ball ♫
http://www.youtube.com/watch?v=wEuMJLeuk5c
17. ♫ Red Red Wine ♫
http://www.youtube.com/watch?v=LpG_FfuTACo
18. ♫ Cant Help Falling In Love ♫
http://www.youtube.com/watch?v=g3y3w89nEwc
19. ♫ Food For Thought ♫
http://www.youtube.com/watch?v=50JzRodGHXE
20. ♫ The way You Do The Things You Do ♫
http://www.youtube.com/watch?v=SjrTkUpkBMg
21. ♫ Cherry Oh Baby ♫
http://www.youtube.com/watch?v=WPS6Nu9Wvjk
22. ♫ Kingston Town ♫
http://www.youtube.com/watch?v=2hxlCUm_tVA
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* (Less)
Channel: youtubeTags: 2003 ahoy ali bob campbell Do holland live marley red reggae robin rottedam The ub40 way wine You
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8, 03:21, 2008-04-21 18:50:07 Description: Setlist and Information : ----↓ UB40 Official Page: http://www.ub40.co.uk/ In December 2003 over 30,000 fans packed out the Ahoy Rotterdam over three nights, to welcome back to their second (More) Setlist and Information : ----↓ UB40 Official Page: http://www.ub40.co.uk/ In December 2003 over 30,000 fans packed out the Ahoy Rotterdam over three nights, to welcome back to their second home the band that Holland has taken to its heart. Drawing from over twenty years of hits and an unrivalled setlist, as well as showcasing new material from their "Homegrown" album, the band responded as only they know how, by playing a blistering series of gigs that seasoned UB40 fans have rated as some of their best ever. This unique live show captures the special bond between a band, ranked amongst the finest live performers in the world, and its audience who realise they are enjoying something very special. (¯`·.The way You Do The Things You Do.·´¯) ╔╦╦═╦╦╦═╗ ╔══════╗╔╦╦═╦╦╦═╗ ║║║╗╚╗║║║ ║« Setlist »║║║║╗╚╗║║║ ╚═╩══╩╩═╝ ╚══════╝╚═╩══╩╩═╝ *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* 1. ♫ Present Arms ♫ http://www.youtube.com/watch?v=LTqCA6V6w-c 2. ♫ One In Ten ♫ http://www.youtube.com/watch?v=8dRQ0aLIYMo 3. ♫ Keep On Moving ♫ http://www.youtube.com/watch?v=jau2d3DIwLI 4. ♫ Maybe Tomorrow ♫ http://www.youtube.com/watch?v=-jxJ7hZ3Q7o 5. ♫ So Destructive ♫ http://www.youtube.com/watch?v=nqTv_ukP0sg 6. ♫ Young Guns ♫ http://www.youtube.com/watch?v=p64JC16QaMI 7. ♫ Please Dont Make Me Cry ♫ http://www.youtube.com/watch?v=Tw6PEl_A6bs 8. ♫ Someone Like Me ♫ http://www.youtube.com/watch?v=Z5lsOuTpu2I 9. ♫ Groovin ♫ http://www.youtube.com/watch?v=iBmvfh2LT-g 10. ♫ Rudie ♫ http://www.youtube.com/watch?v=lOD5tdrwuXw 11. ♫ Freestyler ♫ http://www.youtube.com/watch?v=mAHt-fF47Og 12. ♫ Love It When You Smile ♫ http://www.youtube.com/watch?v=azpe3Xqu9ys 13. ♫ I knew You ♫ http://www.youtube.com/watch?v=_RVh79PiK2M 14. ♫ Here I Am (Come e Take Me) ♫ http://www.youtube.com/watch?v=oJ6wgGxiA6Q 15. ♫ Rat In Mi Kitchen ♫ http://www.youtube.com/watch?v=XRXvfA6GV_o 16. ♫ Wear You To The Ball ♫ http://www.youtube.com/watch?v=wEuMJLeuk5c 17. ♫ Red Red Wine ♫ http://www.youtube.com/watch?v=LpG_FfuTACo 18. ♫ Cant Help Falling In Love ♫ http://www.youtube.com/watch?v=g3y3w89nEwc 19. ♫ Food For Thought ♫ http://www.youtube.com/watch?v=50JzRodGHXE 20. ♫ The way You Do The Things You Do ♫ http://www.youtube.com/watch?v=SjrTkUpkBMg 21. ♫ Cherry Oh Baby ♫ http://www.youtube.com/watch?v=WPS6Nu9Wvjk 22. ♫ Kingston Town ♫ http://www.youtube.com/watch?v=2hxlCUm_tVA *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* (Less)
Channel: youtubeTags: 2003 ahoy ali bob campbell Do holland live marley red reggae robin rottedam The ub40 way wine You
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18, 02:55, 2008-04-22 09:09:12 Description: Click that blue link that reads "more". Premise: How to put this.... First off, I probably should say, if you're a straight male, this won't be your cup of tea, more than (More) Click that blue link that reads "more". Premise: How to put this.... First off, I probably should say, if you're a straight male, this won't be your cup of tea, more than likely. XD But there is more than your fair share of hott females out there for you guys, and I'm sure the subtlety of this would be uninteresting to you. Or maybe I'm assuming too much? Well, we'll see. This AMV really has very little to do with Gunslinger Girls, though. It's about that "Tie Thing" that José does that inspired this. Hmmmm. Or, as my wonderiffic best friend put it, "Tie Pron". XD Specifically, it's the way José pulls at his collar or tie when he's nervous and/or making an important decision. But in a broader sense, it's that unconscious thing, that certain action, that when that certain someone does it, kinda makes you drool.. ~.^ There's gotta be someone out there who knows what I'm trying to say. Here's hoping! I could make thousands of these just to the stuff that Abel Nightroad, of "Trinity Blood" infamy, does that is freaking drool-worthy. =D This time, however, I chose José from "Gunslinger Girl". But believe me, Father Nightroad isn't off the hook just yet. Muhaha! So, just what did I do in this AMV... First, I introduce you to our hero, José, who will be asking an unseen lady out on a date. Yep. ^.^ You'll see him get up the nerve to go ask her, have a drink at her place, and then spend sometime thinking about her and that upcoming date when really, he should be working. Next, just like any one in love, he goes outside to admire nature, and espies some lovebirds in the sky. Then the date...he shows up with a present for his girl, makes sweet faces, takes her to see the ocean, worries about the restaurant choice, and finally eats! Of course, there are a few days of him contemplating the timing of calling her after the date, noted by the close ups of his face. Finally, he decides to pay her a surprise visit. How that went can be left to your imaginations. At the end, we see José waving farewell to our unseen heroine with a kinda confused look on his face, and speeding off into the night in his Porsche. Yes, José, we women know that we're mad confusing. ~.^ That's the story, and I worked in some imagery evoactive of the lyrics. I'm going for drool-worthy here, maybe even swoon-worthy. ^.^ All in fun, and more an homage to my fellow fan girls than anything since the only thing it has in common with the "Gunslinger Girl" anime is José, the character. Fan service in a way. LOL! I hope someone "gets" this! Enjoy. ~Six Six's Gunslinger Girl AMV Featuring José "The Way You Do The Things You Do" by UB40 from "Labour of Love II" Buy the anime & song on iTunes! Made on A Mac by Sixxx youtube.com/SixRR1073 All Rights Reserved to The Respective Copyright Holders ©2007 http://www.gunslingergirl.tv/ The brilliant mind behind Gunslinger Girl, Yu Aida: Official Website - http://www.remus.dti.ne.jp/~jewelbox/ Blog - http://yu65026.hp.infoseek.co.jp/ Lyrics: You got a smile so bright You know you could have been a candle I'm holding you so tight You know you could have been a handle The way you swept me off my feet You know you could've been a broom And babe you smell so sweet You know you could've been some perfume (Chorus) Well you could've been anything that you wanted to I can tell The way you do the things you do I like the way you do the things you do As pretty as you are You know you could've been a flower If good looks were minutes You know you could have been an hour The way you stole my love You know you could have been a crook And baby you're so smart You know you could have been a school book (Chorus) Well you could've been anything that you wanted to I can tell The way you do the things you do I like the way you do the things you do You make my life so rich You know you could've been some money And baby you're so sweet You know you could have been some honey (Chorus) Well you could've been anything that you wanted to I can tell The way you do the things you do I like the way you do the things you do As pretty as you are You know you could've been a flower If good looks were minutes You know you could have been an hour The way you stole my love You know you could have been a crook And baby you're so smart You know you could have been a school book (Chorus) Well you could've been anything that you wanted to I can tell The way you do the things you do I like the way you do the things you do Well you could've been anything that you wanted to I can tell The way you do the things you do I like the way you do the things you do(x5) You make my life so sweet(x4) The way you do the things you do (Less)
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17, 02:58, 2008-04-22 16:34:50 Description: This is a video with pics of travis, kevin, jj, and v with "Do It Like I Love It" by NLT. Thanks 4 watchin!!! Hope u like it!!! _________________________________ LYRICS : Hurt me do it (More) This is a video with pics of travis, kevin, jj, and v with "Do It Like I Love It" by NLT. Thanks 4 watchin!!! Hope u like it!!! _________________________________ LYRICS : Hurt me do it like I love it doe Hurt me do it like I love it doe Hurt me do it like I love it doe [Verse 1:] Yo girl tell me whats poppin up in your world Imma bring my boys you bring your girls up in the spotlight baby lets get it right we can just, just [Group:] Lean to left and lean on to the right and rock this party rock it all night Oh Yeah! we're gone get it jumpin off Oh Yeah! Texas boys is crunk on yall [Chorus:] Hey young girl shake that thang for me Do it like I love it Do it like I love it When lean wit it rock that thang for me Do it like I love it Do it like I love it I love the way you droppin that and I love the way you doin that bounce bounce bounce bounce that thang for me Do it like I love it Do it like I love it [Verse 2:] Dont stop switching that switch it baby Dont stop give it like you give it baby So hot out on the dance floor makin me want more We should just, just [Group:] Lean to left and lean on to the right and rock this party rock it all night Oh Yeah! we're gonna get it jumpin off Oh Yeah! Texas boys is crunk on yall [Chrous:] Hey young girl shake that thang for me Do it like I love it Do it like I love it When u lean wit it rock that thang for me Do it like I love it Do it like I love it I love the way you droppin that and I love the way you doin that bounce bounce bounce bounce that thang for me Do it like I love it Do it like I love it [Fabo:] She superwoman we she dont stop getty getty toostie roll lean wit it Do it Do it Get real low Pop one time then lean wit it Smile for Bankhead do it like i love it doe drop it to the floor drop drop it to the floor Owwww she tippin proud Stop 2Dolla stop Fabo She wild she makin gorilla and she do it slow Help me,hurt me do it like you love it doe Whats happenin young gurl You do it like my cuzin though [Chrous x2] Hey young girl shake that thang for me Do it like I love it Do it like I love it When lean wit it rock that thang for me Do it like I love it Do it like I love it I love the way you droppin that and I love the way you doin that bounce bounce bounce bounce that thang for me Do it like I love it Do it like I love it (Less)
Channel: youtube Rate it: Rate:
8, 04:39, 2009-02-13 06:47:15 Description: Just the Way You Are" is a love song from Billy Joel's 1977 pop rock album, The Stranger. It was written as a birthday gift to Joel's first wife Elizabeth Weber. After they divorced, (More) Just the Way You Are" is a love song from Billy Joel's 1977 pop rock album, The Stranger. It was written as a birthday gift to Joel's first wife Elizabeth Weber. After they divorced, Joel said that when performing the song, he would imagine what he would eat for dinner or what he would do after the show, or even accidentally sing alternate lyrics written by Liberty DeVitto ("She took the dog, the house, the car"). This was his first US Top 10 (reaching #3) and UK Top 20 single, and it was also Joel's first Gold single in the US. "Just the Way You Are" won the 1978 Grammy Awards for Record of the Year and Song of the Year.
The track features an alto sax solo by jazz artist Phil Woods, who replaced Richie Cannata (who played sax for most of the songs on The Stranger) when the latter's style of playing was deemed unfit for the song. Guitarist Steve Khan, who played on most of the songs on The Stranger missed playing this one because he was on a trip, and had to be replaced. The bossa nova style of the song was strongly encouraged by producer Phil Ramone. Upon learning this would be the beat used for the song, drummer Devitto threw his drumsticks at Joel and said, "I'm not a damned cocktail lounge drummer!"
Joel has gone on record stating that he personally dislikes the song and was originally going to leave it off the album. However, at the request of both Linda Ronstadt and Phoebe Snow (both were recording in other studios in the same building at the time), Joel and Ramone agreed to leave it on the album. Joel has not performed "Just the Way You Are" live in many years. (Less)
Channel: youtube Rate it: Rate:
178, 03:54, 2009-05-27 09:14:25 Description: English rendition of "Saying I Love you" by the Wonder Girls Download mp3 links: http://soundclick.com/share?songid=7234540 (More) English rendition of "Saying I Love you" by the Wonder Girls Download mp3 links: http://soundclick.com/share?songid=7234540 http://www.4shared.com/file/80394975/b603478f/Saying_I_LOVE_YOU.html Lyrics: http://www.mediafire.com/?sharekey=dd498c8df082edb891b20cc0d07ba4d2bcb795644b75386b "You would always say I'm the one but how come you never say I Love YOU?, do you really love me?" you asked But ofcourse i do, you are my everything, But i want something sweeter,just like all those lovers from movies, so you won't forget I don't know what the future holds for us but i know my feeling for you is so true and strong I LOVE YOU, your smile brighter than blue sky, your soft gentle touch, from your lovely smile to your loving heart I LOVE YOU, I LOVE YOU Promise you that i'll never leave you and I'll be there for you when the world seems too much. So you know now, I'm here to stay "Why does it seems so hard for you to say what you gotta say? do you really love me?" you asked But ofcourse I do, you are my happiness,But i want something sweeter, so special you'll always remember, so you won't forget I don't know what the future holds for us but i know my feeling for you is so true and strong I LOVE YOU, your smile brighter than the blue sky, your soft gentle touch, from your lovely smile to your loving heart I LOVE YOU, I LOVE YOU Promise you that i'll never leave you and I'll be there for you when the world seems too much. So you know now, I'm here to stay I love the way you make me feel I'm floating on a cloud I love the way how you hold both of my hands and make my fears go away I LOVE YOU I LOVE YOU, (i love you yeah) your smile brighter than the blue sky, (lovely smile to your loving heart yeah) your soft gentle touch, from your lovely smile to your loving heart I LOVE YOU, (i love you) I LOVE YOU (oh my love) Promise you that i'll never leave you and (i promise i'll never, never leave you oohh) I'll be there for you when the world seems too much. (when the world seems too much) So you know now, I'm here to stay yeah...coz'I LOVE YOU, coz' I Love YOU yeah, I LOVE YOU, I LOVE YOU, babe I LOVE YOU yeah 193 views | 0 comments Click here to watch the video (03:54) Submitted By: JeAnnEhriel Tags: Bin Cover Ehriel English Eun Girls Kim Hee-sun Jeann Jeanne Jeannehriel Jyp Love Mi Min Park Rendition Saying So Version Wonder Ye Yoo You Categories: Entertainment Music & Dance (Less)
Channel: metacafe Rate it: Rate:
45, 02:39, 2008-04-18 10:54:28 Description: Diana Ross & The Supremes <br />You Keep Me Hanging On <br /> <br />Set me free, why don't cha babe <br />Get out my life, why don't cha babe <br (More) Diana Ross & The Supremes <br />You Keep Me Hanging On <br /> <br />Set me free, why don't cha babe <br />Get out my life, why don't cha babe <br />'Cause you don't really love me <br />You just keep me hangin' on <br />You don't really need me <br />But you keep me hangin' on <br /> <br />Why do you keep a coming around <br />Playing with my heart? <br />Why don't you get out of my life <br />And let me make a new start? <br />Let me get over you <br />The way you've gotten over me <br /> <br />Set me free, why don't cha babe <br />Let me be, why don't cha babe <br />'Cause you don't really love me <br />You just keep me hangin' on <br />Now you don't really want me <br />You just keep me hangin' on <br /> <br />You say although we broke up <br />You still wanna be just friends <br />But how can we still be friends <br />When seeing you only breaks my heart again <br />And there ain't nothing I can do about it <br /> <br />Woo, set me free, why don't cha babe <br />Woo, get out my life, why don't cha babe <br />Set me free, why don't cha babe <br />Get out my life, why don't cha babe <br /> <br />You claim you still care for me <br />But your heart and soul needs to be free <br />Now that you've got your freedom <br />You wanna still hold on to me <br />You don't want me for yourself <br />So let me find somebody else Hey! <br /> <br />Why don't you be a man about it <br />And set me free <br />Now you don't care a thing about me <br />You're just using me <br />Go on, get out, get out of my life <br />And let me sleep at night <br />'Cause you don't really love me <br />You just keep me hangin' on... <br /> <br /> (Less)
Channel: dailymotion Rate it: Rate:
11, 03:32, 2008-04-23 22:14:24 Description: Baby I just love when you tell me that we aint ordinary
Cause I just love how we don't argue like tom and jerry
Because you bring me a smile
When I see things that are hella scary
How you (More) Baby I just love when you tell me that we aint ordinary
Cause I just love how we don't argue like tom and jerry
Because you bring me a smile
When I see things that are hella scary
How you spread your love and joy that I will always carry
Cause you and me together are partners like bonnie and clyde
You just so awesome I so much feelins that I can't hide
You got me sprung because I know your heart is always true
So baby that's the reason why I really do love you
[Bridge]
I love the way you kiss me on my lips
And I love how your always holdin tight on my hands
I love the way you wrap your arms around me
And I love the way how you much you sayin that you love me
[chorus]
The things you do girl just make me happy
It's what I love about you
You keep me smiling
[x2]
See everday baby when were talking on the phone
You make me laugh you make me smile
Nothing could go wrong
Cause everything you do just makes me fall in love with you
More and more everday
there's nothing more I can say
You leave me speechless
You take my breath away
It's what I love about you
These little things you do to me
Every little thing you do
From the ways were kissin boo
To every momement you got me missin you
[Bridge]
I love the way you kiss me on my lips
And I love how your always holdin tight on my hands
I love the way you wrap your arms around me
And I love the way how you much you sayin that you love me
[Chorus]
The things you do girl just make me happy
It's what I love about you
You keep me smiling
[x2]
Haha
Listen
I just love how you always put a smile on my face
Just like that one time I remember you added me on my myspace
That moment from then on you know baby girl we were together
Cause you and me will always last always and forevea
You know I just love the many thangs that you do
And that's the reason why you're the girl that I will always persure
So you just gotta listen
Because whatever I do say
Will always be there with you because forever is how long I'm gonna stay
[Bridge]
I love the way you kiss me on my lips
And I love how your always holdin tight on my hands
I love the way you wrap your arms around me
And I love the way how you much you sayin that you love me
[Chorus]
The things you do girl just make me happy
It's what I love about you
You keep me smiling
[x2] (Less)
Channel: youtube Rate it: Rate:
20, 03:41, 2008-04-21 17:29:41 Description: Robin loves everything about Marian. Song: Everything You Do By: Marc Anthony. I love the way you smile when I look in your eyes. I love the way you laugh when I try to be funny. And how the tears (More) Robin loves everything about Marian. Song: Everything You Do By: Marc Anthony. I love the way you smile when I look in your eyes. I love the way you laugh when I try to be funny. And how the tears roll down your face When I say no one could ever take your place. Cause baby when you sleep, I watch you breathing. And baby when you dream, I dream with you. Cause everywhere you are is where I wanna be, it's true. Everything you do makes me know how much I love you. The way you touch my lips right after every kiss, And softly whisper that I'm your everything. The way you pray our love won't die Every night just before you close your eyes. Cause baby when you sleep, I watch you breathing. And baby when you dream, I dream with you. Cause everywhere you are is where I wanna be, it's true. Everything you do makes me know how much I love you. I believe some things were meant to be. As sure as there is love, yours is meant for me. Cause baby when you sleep, (I believe) I watch you breathing. (When I see you in my dreams, it's in everything.) And baby when you dream, (I believe) I dream with you. (When I see you in my dreams, it's in everything.) Cause everywhere you are is where I wanna be. (Oh, it's true) Everything you do makes me know how much I love you. Clips from BBC Robin Hood. No copyright infringement intended. For entertainment purposes only. (Less)
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3, 04:07, 2008-12-27 18:55:56 Description: see you comb your hair and gimme that grin
It's making me spin now, spinnin' within,
before I melt like snow I say Hello
HOW DO YOU DO (How do you do)
I love the way you undress now, baby (More) see you comb your hair and gimme that grin
It's making me spin now, spinnin' within,
before I melt like snow I say Hello
HOW DO YOU DO (How do you do)
I love the way you undress now, baby begin,
do you caress honey my heart's in a mess,
I love your blue-eyed voice,
like Tiny Tim shines thru
HOW DO YOU DO (How do you do)
How do you do, the things that you do,
No one I know could ever keep up with you
How do you do, did it ever make sense to you
to say BYE, BYE, BYE
How do you do, the things that you do,
No one I know could ever keep up with you
How do you do, did it ever make sense to you
to say BYE, BYE, BYE
(How do you do)
I see you in that chair, perfect skin,
well how have you been, baby living the sin,
hey I gotta know would you say Hello
HOW DO YOU DO (How do you do)
We'll here we are, spending time at the louder part of town
and it feels like everything so real,
when I get old I will wait outside your house,
couse your hands have got a power meant to hear!
How do you do, the things that you do,
No one I know could ever keep up with you
How do you do, did it ever make sense to you
to say BYE, BYE, BYE
OH
How do you do, the things that you do,
No one I know could ever keep up with you
How do you do, did it ever make sense to you
to say BYE, BYE, BYE
How do you do, the things that you do,
No one I know could ever keep up with you
How do you do, did it ever make sense to you
to say BYE, BYE, BYE (Less)
Channel: youtube Rate it: Rate:
![Anything's Possible... I like the way you move! [competition entry]](http://i.ytimg.com/vi/iGQN_eCoM1s/2.jpg "Anything's Possible... I like the way you move! [competition entry]")
0, 01:45, 2009-09-09 00:02:37 Description: Haha I know I said I'd shut up for a while but I couldn't resist this competition and this song haha. The competition said to pick a song that represented your horse, and I thuoght of so (More) Haha I know I said I'd shut up for a while but I couldn't resist this competition and this song haha. The competition said to pick a song that represented your horse, and I thuoght of so many soppy songs I could do but then decided to do this one cause it's soooooo Coco hahaa I love it. I would have made it longer but after this the song just literally repeats itself and it would have got boring lol. Hope you all likeyy i love it haha I'm never one to bother with effects but I made the ... (Less)
Channel: youtube Rate it: Rate:
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