Search results for Don't We All Have the Right
12, 
02:58, 
2009-09-30 11:36:16 Description: Ricky van Shelton / Don't we all have the right
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6, 03:11, 2008-04-21 18:49:17 Description: Yeah, this is a little something I decided to make for all of those Juggalos and Juggalettes out there. Chipmunk nation is always too busy to make user requests (unless you wanted to wait a year), (More) Yeah, this is a little something I decided to make for all of those Juggalos and Juggalettes out there. Chipmunk nation is always too busy to make user requests (unless you wanted to wait a year), and they currently have 0 Psychopathic songs. So I decided to make chipmunk videos for all of the Juggalos and Juggalettes. Lyrics: We ain't underground by accident There's only a select few that can handle this Freek shit Apparition of a poltergeist Blessed with heart But is cold as ice and broken twice Now I walk with an axe Dressed in all jet black with contacts Straight maniac Warlock, Samhain and Salem's Lot Sand through the hour glass ticking of the clock If you don't know by now it's too late We the most serious thing on the market since date rape We the dead We don't explain or feel pain, beserko Keep it underground to maintain Bitch you better checknuts I'm doing voodoo in 66 in 6 months Ridin' in a digged out hearse with gold spokes Puffin' on 2 ton blunt with dead folks and it's like that Axe Murderers, we don't die Serial Killas, we don't die Freeks of the Night, we don't die We get high, we don't die Coming up outta the ground From the underground tunnel of dirt Keep away from the mainstream lover Just want somebody to move and get hurt Got your hole dug deep in the dirt Can't hurt? What bitch muthafuckas makin' love to the press? With a bitch name tatted on your chest Me and muthafuckin' madrox, hauntin' the joint Bringin' death to the people who don't get the point We dont die Uh huh, we unreal Just like a seven dollar bill Voice my opinion regardless on how you feel Freek shit It ain't about being rich It's about juggalos and runnin' with lunatics As long as y'all rock this we won't quit We do it all for y'all, I mean that shit Everyone of y'all means everything to me We breathe for y'all, that's why we call it the family Axe Murderers, we don't die Serial Killas, we don't die Freeks of the Night, we don't die We get high, we don't die It's hard to explain the element my Self inflicted pain Were not positive, and upliftin' Fuck you, walk a mile in our shoes Experience hard times and payin' helly dues Freek shit What I live what I breath Casted out Mutant X like his disease Still trying to ban our sound Cuz supposedly it would be resurrecting The dead from under hollow ground You in the dead zone, 10 points for us You smellin' cigarette smokes right before your lungs bust Plus, you can't trust him But I can bust him in half Sit back and laugh at all the shit I did Can you do that? Could you school that? Better yet, I'm a wigged serial killa Type war death Freekshow, different from the rest But I, love it though Put you to the test [x4] Axe Murderers, we don't die Serial Killas, we don't die Freeks of the Night, we don't die We get high, we don't die (Less)
Channel: youtubeTags: Alvin Chip Chipmunk ChipmunkNation Clown Die Don't Freek ICP Insane Juggalo Munk Nation Psychopathic Show Twiztid We
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14, 03:59, 2008-04-22 16:30:41 Description: *Disclaimer* - Many have wrote in regarding the vocals of this song. Note that, the vocals (Darius) is NOT from Starlight. We merely played the music. Played by Starlight featuring Black Diary (More) *Disclaimer* - Many have wrote in regarding the vocals of this song. Note that, the vocals (Darius) is NOT from Starlight. We merely played the music. Played by Starlight featuring Black Diary (Vocals) and Slap! (Drummer) We had only two hours practice before the performance. The agent contacted us and informed us in such short notice. So go easy on us! And give comments! Vocals: Darius (Black Diary) Guitar 1: Edwin (Starlight) Guitar 2: Frankie (Starlight) Bass: Ambrose (Starlight) Keyboard and Synthesizer: Morgan (Starlight) Drums: Leslie (Slap!) Lyrics: Well, when you go Don't ever think I'll make you try to stay And maybe when you get back I'll be off to find another way And after all this time that you still owe You're still the good-for-nothing I don't know So take your gloves and get out Better get out While you can When you go Would you even turn to say "I don't love you Like I did Yesterday" Sometimes I cry so hard from pleading So sick and tired of all the needless beating But baby when they knock you Down and out It's where you oughta stay And after all the blood that you still owe Another dollar's just another blow So fix your eyes and get up Better get up While you can Whoa, whooa When you go Would you even turn to say "I don't love you Like I did Yesterday" Well come on, come on When you go Would you have the guts to say "I don't love you Like I loved you Yesterday" I don't love you Like I loved you Yesterday I don't love you Like I loved you Yesterday P.s. If you like it, don't hesitate to click the little orange button on the top right of your screen. http://www.youtube.com/starlighttheband (Less)
Channel: youtube Rate it: Rate:
21, 04:16, 2008-02-07 21:34:28 Description: Look Me in the Eyes Tour
Gibson Amphitheatre-Los Angeles, California
2/2/08-4pm show
Of the 6 NEW songs they played, this one has to be my fav! It just has a really catchy tune!! At 1:36-1:40, Nick (More) Look Me in the Eyes Tour
Gibson Amphitheatre-Los Angeles, California
2/2/08-4pm show
Of the 6 NEW songs they played, this one has to be my fav! It just has a really catchy tune!! At 1:36-1:40, Nick points, stares, and blow kisses to us! And when I say us, I mean everyone around us too!
*I went to all three shows if you're asking. And my rows for the 4pm show was Section 5 (Nick's side) Row FF (Row 6). My row for the 8pm show was Section 2(Kevin/Joe side) Row RR(Row 13). My row for the 12pm show was Section 5(Nick's side) row RR (row 13).
*when they sang "Just Friends", I went over to the aisle section, which no one was supposed to be at so I stood out from everyone else, and I had this HUGE nick jonas poster and I started jumping up and down, and just screaming so much, and yelling "I LOVE YOU NICK!", and I was waving at Nick, and he waved back!!!I was in his YouTube video, the one where they talk about making history on the Gibson Amphitheatre, I'm the girl with the poster around :24 and I brought the same poster to the concert, so that's the poster if you're wondering what it was. If you want to see that video here's the link: http://www.youtube.com/watch?v=v5MVPmrmtzE . If you've never met them and if you got waved or pointed at, that's like an AMAZING feeling! I'm still freaked out! It's like "he actually notice me! I'm not 'nothing' to my future husband!" I was like OMJ.I would show you the video that my friend taped, but I accidentally deleted it so I could get more memory for my camera:[[
*He also pointed at us during Hold On!we were on the aisle again, but this time we didn't film it.every time they sang Hold On, me and my friend would hold hands and raise them up high, like I can't explain it, but like when we did that a couple times, he saw us getting into it, he stared at us for a couple of seconds, and then he pointed at us!!! We were screaming our heads off.
*On "Take on Me", I think during around 1:26he stares at us!
http://youtube.com/watch?v=xS8VQfRBQXw
*For the 8pm show, YES, Kenny Ortega sat right behind us and we posed for a picture together:] He waved at us, smiled at us, and blew kisses to us!!!First, before the concert I asked for a pic/autograph but the guards didn't let me so he smiled for my camera and when he blew a kiss to me, I like reached out my hand to him and started screaming! We also saw Miranda Cosgrove.But like after the concert we were waiting at Starbucks and then I saw this girl that looked a lot like Miranda Cosgrove. And then when she left I was like to my friend, that looks a lot like Miranda Cosgrove!Then she looked and she was like that IS Miranda Cosgrove!I was standing TWO FEET AWAY FROM MIRANDA COSGROVE! Like I wanted to chase her and ask for an autograph and picture, but I decided not to. Like you know how her hair is always curly on the show and everything, her hair was straight so it didn't look like regular her. She didn't look like I expected, actually she's taller than I thought, she's really pretty actually, and I heard her talk to her friend and her voice is actually really kind of high! I just love her singing and her acting SO much! I have the iCarly theme song and I watch her show all the time! So it was a total honor to be close to her! Her co-star, Jennette McCurry, was also there! Other people were backstage including: Miley Cyrus, Emily Osment, Mitchel Musso, Madison Pettis, and Selena Gomez.
*For the Sunday show at 12pm, Selena Gomez, David Henrie(Justin Russo), and his girlfriend was there!
*Chelsea Staub was at all three concerts also. She sat at the middle in row 5.
Lyrics:
VERSE 1:
She's such a flirt
I am the lonely heart
Give it a chance
For our love to start
You'll never see
If you don't give me a shot
To show you what I got
CHORUS:
It's too late to pretend.
You know me better than I know myself.
Don't take my heart and put it on a shelf.
Always someone else
The next guy who will
Leave your cold heart melt
I'm gonna give my love to someone else.
VERSE 2:
I held your hand
It felt like a movie
I made some plans
But you were already moving on
Now I'm stuck under a rainy cloud
But you don't seem to care
But it's all I can take
CHORUS:
It's too late to pretend.
You know me better than I know myself.
Don't take my heart and put it on a shelf.
Always someone else
The next guy who will
Leave your cold heart melt
I'm gonna give my love to someone else.
BRIDGE:
I'm tired of wasting all my time
My heart is hanging on the line
Is it me, girl, or someone else?
Don't leave it on the shelf.
It's too late to pretend
You know me better than I know myself
Don't take my heart and put it on a shelf
Baby, see?
How much it hurts to be alone like me?
So go ahead and put your heart on a shelf
La la la la la
La la la la la
Always someone else
The next guy
Who will make your cold heart melt
I'm gonna give my love to someone else yeah (Less)
Channel: youtubeTags: amphitheatre and angeles brothers california don't gibson heart it jonas los lyrics my new on put shelf song take
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5, 03:11, 2008-02-13 11:01:26 Description: Yeah, this is a little something I decided to make for all of those Juggalos and Juggalettes out there.
Chipmunk nation is always too busy to make user requests (unless you wanted to wait a year), (More) Yeah, this is a little something I decided to make for all of those Juggalos and Juggalettes out there.
Chipmunk nation is always too busy to make user requests (unless you wanted to wait a year), and they currently have 0 Psychopathic songs. So I decided to make chipmunk videos for all of the Juggalos and Juggalettes.
Lyrics:
We ain't underground by accident
There's only a select few that can handle this
Freek shit
Apparition of a poltergeist
Blessed with heart
But is cold as ice and broken twice
Now I walk with an axe
Dressed in all jet black with contacts
Straight maniac
Warlock, Samhain and Salem's Lot
Sand through the hour glass ticking of the clock
If you don't know by now it's too late
We the most serious thing on the market since date rape
We the dead
We don't explain or feel pain, beserko
Keep it underground to maintain
Bitch you better checknuts
I'm doing voodoo in 66 in 6 months
Ridin' in a digged out hearse with gold spokes
Puffin' on 2 ton blunt with dead folks and it's like that
Axe Murderers, we don't die
Serial Killas, we don't die
Freeks of the Night, we don't die
We get high, we don't die
Coming up outta the ground
From the underground tunnel of dirt
Keep away from the mainstream lover
Just want somebody to move and get hurt
Got your hole dug deep in the dirt
Can't hurt?
What bitch muthafuckas makin' love to the press?
With a bitch name tatted on your chest
Me and muthafuckin' madrox, hauntin' the joint
Bringin' death to the people who don't get the point
We dont die
Uh huh, we unreal
Just like a seven dollar bill
Voice my opinion regardless on how you feel
Freek shit
It ain't about being rich
It's about juggalos and runnin' with lunatics
As long as y'all rock this we won't quit
We do it all for y'all, I mean that shit
Everyone of y'all means everything to me
We breathe for y'all, that's why we call it the family
Axe Murderers, we don't die
Serial Killas, we don't die
Freeks of the Night, we don't die
We get high, we don't die
It's hard to explain the element my
Self inflicted pain
Were not positive, and upliftin'
Fuck you, walk a mile in our shoes
Experience hard times and payin' helly dues
Freek shit
What I live what I breath
Casted out Mutant X like his disease
Still trying to ban our sound
Cuz supposedly it would be resurrecting
The dead from under hollow ground
You in the dead zone, 10 points for us
You smellin' cigarette smokes right before your lungs bust
Plus, you can't trust him
But I can bust him in half
Sit back and laugh at all the shit I did
Can you do that?
Could you school that?
Better yet, I'm a wigged serial killa
Type war death
Freekshow, different from the rest
But I, love it though
Put you to the test
[x4]
Axe Murderers, we don't die
Serial Killas, we don't die
Freeks of the Night, we don't die
We get high, we don't die (Less)
Channel: youtubeTags: Alvin Chip Chipmunk ChipmunkNation Clown Die Don't Freek ICP Insane Juggalo Munk Nation Psychopathic Show Twiztid We
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29, 03:40, 2008-04-17 13:17:36 Description: Shakira Ft. Wyclef Jean - Hips Don't Lie (Official Music Video) Download the ringtone at http://SuperDrifting.com Shakira Ft. Wyclef Jean - Hips Don't Lie Lyrics Ladies up in here tonight (More) Shakira Ft. Wyclef Jean - Hips Don't Lie (Official Music Video) Download the ringtone at http://SuperDrifting.com Shakira Ft. Wyclef Jean - Hips Don't Lie Lyrics Ladies up in here tonight No fighting, no fighting We got the refugees up in here No fighting, no fighting Shakira, Shakira I never really knew that she could dance like this She makes a man wants to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I'm starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Hey Girl, I can see your body moving And it's driving me crazy And I didn't have the slightest idea Until I saw you dancing And when you walk up on the dance floor Nobody cannot ignore the way you move your body, girl And everything so unexpected - the way you right and left it So you can keep on taking it I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I am starting to feel you boy Come on lets go, real slow Don't you see baby asi es perfecto Oh I know I am on tonight my hips don't lie And I am starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Shakira, Shakira Oh boy, I can see your body moving Half animal, half man I don't, don't really know what I'm doing But you seem to have a plan My will and self restraint Have come to fail now, fail now See, I am doing what I can, but I can't so you know That's a bit too hard to explain Baila en la calle de noche Baila en la calle de d?a Baila en la calle de noche Baila en la calle de d?a I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama, bonita, mi casa, su casa Shakira, Shakira Oh baby when you talk like that You know you got me hypnotized So be wise and keep on Reading the signs of my body Senorita, feel the conga, let me see you move like you come from Colombia Mira en Barranquilla se baila as?, say it! Mira en Barranquilla se baila as? Yeah She's so sexy every man's fantasy a refugee like me back with the Fugees from a 3rd world country I go back like when 'pac carried crates for Humpty Humpty I need a whole club dizzy Why the CIA wanna watch us? Colombians and Haitians I ain't guilty, it's a musical transaction No more do we s****h ropes Refugees run the seas 'cause we own our own boats I'm on tonight, my hips don't lie And I'm starting to feel you boy Come on let's go, real slow Baby, like this is perfecto Oh, you know I am on tonight and my hips don't lie And I am starting to feel it's right The attraction, the tension Baby, like this is perfection No fighting No fighting (Less)
Channel: metacafe Rate it: Rate:
13, 03:38, 2008-04-17 13:30:44 Description: Shakira featuring Wyclef Jean - Hips Don't Lie (Official Music Video) Download the ringtone at http://SuperDrifting.com Shakira featuring Wyclef Jean - Hips Don't Lie Lyrics Ladies (More) Shakira featuring Wyclef Jean - Hips Don't Lie (Official Music Video) Download the ringtone at http://SuperDrifting.com Shakira featuring Wyclef Jean - Hips Don't Lie Lyrics Ladies up in here tonight No fighting, no fighting We got the refugees up in here No fighting, no fighting Shakira, Shakira I never really knew that she could dance like this She makes a man wants to speak Spanish Como se llama (si), bonita (si), mi casa (si, Shakira Shakira), su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I'm starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Hey Girl, I can see your body moving And it's driving me crazy And I didn't have the slightest idea Until I saw you dancing And when you walk up on the dance floor Nobody cannot ignore the way you move your body, girl And everything so unexpected - the way you right and left it So you can keep on shaking it I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama (si), bonita (si), mi casa (si, Shakira Shakira), su casa Shakira, Shakira Oh baby when you talk like that You make a woman go mad So be wise and keep on Reading the signs of my body And I'm on tonight You know my hips don't lie And I am starting to feel you boy Come on lets go, real slow Don't you see baby asi es perfecto Oh I know I am on tonight my hips don't lie And I am starting to feel it's right All the attraction, the tension Don't you see baby, this is perfection Shakira, Shakira Oh boy, I can see your body moving Half animal, half man I don't, don't really know what I'm doing But you seem to have a plan My will and self restraint Have come to fail now, fail now See, I am doing what I can, but I can't so you know That's a bit too hard to explain Baila en la calle de noche Baila en la calle de día Baila en la calle de noche Baila en la calle de día I never really knew that she could dance like this She makes a man want to speak Spanish Como se llama (si), bonita (si), mi casa (si, Shakira Shakira), su casa Shakira, Shakira Oh baby when you talk like that You know you got me hypnotized So be wise and keep on Reading the signs of my body Senorita, feel the conga, let me see you move like you come from Colombia Mira en Barranquilla se baila así, say it! Mira en Barranquilla se baila así Yeah She's so sexy every man's fantasy a refugee like me back with the Fugees from a 3rd world country I go back like when 'pac carried crates for Humpty Humpty I need a whole club dizzy Why the CIA wanna watch us? Colombians and Haitians I ain't guilty, it's a musical transaction No more do we snatch ropes Refugees run the seas 'cause we own our own boats I'm on tonight, my hips don't lie And I'm starting to feel you boy Come on let's go, real slow Baby, like this is perfecto Oh, you know I am on tonight and my hips don't lie And I am starting to feel it's right The attraction, the tension Baby, like this is perfection No fighting No fighting (Less)
Channel: metacafeTags: Official Music Video Lyrics Shakira Wyclef Jean Hips Don't Lie Dance Pop Latin Hip-hop Rap R&b
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438, 00:37, 2008-04-17 15:10:48 Description: Tough Guys Don't Dance (1987) 6 out of 6 people found the following comment useful :- A very funny and perverse diversion, This is one of my favorite movies. A strange mixture of seemingly (More) Tough Guys Don't Dance (1987) 6 out of 6 people found the following comment useful :- A very funny and perverse diversion, This is one of my favorite movies. A strange mixture of seemingly unintentional humor , macabre plot twists, and the charm of off-season Provincetown. I wouldn't call it a drama. HILARIOUS. Patty L. is a real overdone nostril flaring trailer park siren. Ryan O'Neil seems to play the straight man to everyone else. I don't know how he maintained such a bland facade - I guess that's his style. He mostly stood around looking haggard, and so managed to provide something like a foil for all the circus freaks. At one point in the beginning of the film during a scene with his hard drinking crustacean of a father (L. T. is great), I thought I saw something like a suppressed smile cross the faces of both actors - a great moment that I'm sure was totally unintentional. Who wouldn't crack under the weight of all the corny dialoge? Contains the funniest dad and son out "fishing" in the rowboat at night scene ever filmed. I can still hear the foghorns. Despite all the corniness, its all somehow...so...mesmerizing.... Was the above comment useful to you? 4 out of 4 people found the following comment useful :- simultaneously funny and haunting neo-noir, 3 September 2003 9/10 Author: chrisdfilm from los angeles, ca. There are a lot of people who really hate this movie. Then strangely they go on and on detailing the things that bother them about it but that they also find fascinating and relentlessly hypnotic. It's unfortunate that people are so rigid in their definition of what makes a 'good' movie. Norman Mailer is by no means a terrible director. He actually does a very credible and commendable job of adapting his own novel to the screen. The dialogue is at times overblown and purplish, but it is never boring and frequently it's downright brilliant. Every performer acquits themselves well, even Debra Sandlund as Patty Laureine, Wings Hauser as the sociopathic macho police chief and John Bedford Lloyd as the eccentric, messed-up millionaire, all of whom can be accused of overacting. But ultimately their performances are completely in tune with their insane characters and draw us into a nasty labyrinth of twisted emotions and nightmarish memories. Ryan O'Neal actually gives one of his finest performances as an alcoholic loser who has messed up his life and who is so prone to blackouts, he's not even sure if he's killed someone. Lawrence Tierney is excellent as his tough guy dad who helps him make sense of the chaos in their small-shut-up-for-the-winter-and-consequently-spooky-as-hell Provincetown coastal neighborhood. Isabella Rossellini is also great in what appears to be an, at first impression, thankless role, but who in fact turns out to be the character who gets the last word and the best revenge. The great thing about this film is it manages to have its cake and eat it, too. It's not only an at times very creepy modern film noir, it's also a frequently hilarious black comedy. Also, contrary to some people's perceptions, the film has a complex narrative structure that pulls the viewer in, much like the best mysteries. If you go in not expecting a conventional mystery thriller but more of a cross between David Lynch, Roman Polanski, Jules Feiffer, Hal Ashby and maybe Arthur Penn(when he directed NIGHT MOVES), I guarantee you you will not be disappointed. Was the above comment useful to you? 4 out of 6 people found the following comment useful :- Essential Viewing - a milestone, 9 August 2001 10/10 Author: hugoconductshugo (hugoconductshugo@yahoo.com) from Chicago, IL I always quote this as one of my two favorite movies (the other being "The Ninth Configuration"). Like that film, it's unpolished, awkward and brilliant. Ryan O'Neal, a brilliant empty vessel, as in "Barry Lyndon", is the perfect receptical for Mailer's essentially passive protagonist. Grotesque, awkwardly paced and fascinating, this should be considered manditory viewing. Mailer's hand is so heavy and the film feels so writerly that the experience is play-like and unusual. This exploratory quality is to be hugely prized (see "Kids", "Ninth Configuration", "Safe", "Dancer in the Dark" to see vastly different but equally praiseworthy examples of what can happen when Hollywood outsiders are allowed access to decent budgets and distribution). Was the above comment useful to you? 1 out of 1 people found the following comment useful :- supremely awful, like its author, 31 March 2006 Author: vandino1 from United States Norman Mailer used to mean something, literary-wise. He was a Big Noise back in the fifties and sixties trying to be the heir apparent to his hero Hemingway, but since Mailer was really just a small-statured city boy with no interest in the outdoors he resorted to games of thumb-wrestling and head butting men (and assaulting women) instead of hunting and traveling. Like this movie, Mailer is a juvenile, woman-hating, gay-hating, faux-tough guy obviously obsessed with his fragile masculinity. Decades of hype and bad writing and activities (including the notorious Abbott disaster) have reduced his noisy reputation to virtual silence. He has become as pathetic as this movie, based on another one of his terrible novels. Granted this film is more coherent than his previous directorial attempts way-back-when (i.e. 'Wild 90,' 'Maidstone') there is still no reason to give it any more credibility considering its supreme awfulness. Of course, there IS the 'Showgirls'-like aroma of a risible good time to be had for those inclined to cheer on the execrable disasters of filmmakers who thought they were making something worthwhile and were so very wrong. For other viewers this is a stupefying experience mirrored by the consistently haggard look of Ryan O'Neal throughout. Like Spike Lee, Mailer MUST include his obsessions on screen. Ala Spike, consider this a 'Norman Mailer Joint.' That means you will hear men grousing to other men about "being men" and "not being fags" and how spiteful and cruel all women are, and it will be spoken in purplish film-noir-meets-gym-locker-room dialogue (my favorite: "Don't tickle my stick.") There will be countless scenes of women degrading themselves for no reason or men complaining/crying because those ruthless harpies have emasculated them. Since it's directed by a rank amateur, naturally the actors look either lost or unhinged. In short, this film, like its author, is an embarrassment. Was the above comment useful to you? 1 out of 1 people found the following comment useful :- Norman Mailer's wildly uneven but often provocative rhapsody on noir themes, 21 October 2002 7/10 Author: bmacv from Western New York When Lawrence Tierney utters the line that gives Tough Guys Don't Dance its title, he evokes the stoic, hard-boiled codes of post-war noir, felt in films he made like Born to Kill, The Bodyguard and The Devil Thumbs A Ride. And when Isabella Rossellini shows up, she suggests David Lynch's kooky and subversive Reagan-era suspense movies like Blue Velvet. These homages mark two of the many streams that flow into Norman Mailer's rhapsody on themes of sexual intrigue, multi-tiered duplicity and garish murders. (Mailer directed his movie from his 1984 novel.) It's a baroque contraption that comes close to self-parody - and may even cross the threshold - but neither is it just a fling at film making by a celebrity author intoxicated by his own publicity. The forlorn setting is Cape Cod under the sign of Sagittarius: the dunes and the bars empty, and the Atlantic is choppy and gunmetal grey. Ex-con Ryan O'Neal (his boyish superstardom well behind him) has been drinking heavily since his wealthy if white-trash wife (Debra Sandlund) left him; one morning he wakes to find a tattoo on his arm and his jeep's upholstery soaked in blood. Circumstances lead him to a burrow where he stashes his marijuana harvest; in it he finds the severed heads of his wife and a woman he had picked up (along with her boyfriend) a few nights before. The clues he starts piecing together lead him back down paths that wend through his own none-too-savory past. There's the out-of-town `couple' with whom he had spent a hard-drinking night (Frances Fisher and R. Patrick Sullivan); a woman he had once loved (Rossellini) now married to Provincetown's sadistic Chief of Police (Wings Hauser); another woman he had met when she was married to a wife-swapping Christian preacher (Penn Jillette) and who later wed a rich, spoiled Southern boy (John Bedford Lloyd) then, ultimately, O'Neal, whom she recently left. Helping him find his way is his gruff, cancer-ridden father (Tierney). What plot line there is hangs on cocaine (maybe) and several millions, but that's but a pretext for Mailer to worry the preoccupations, even obsessions, which crop up again and again in his work, most notably the yin/yang of eroticism and violence. The women come across as predatory sirens but end up being almost beside the point - they're prizes for sexual competition between males, conflict that shades into edgy attraction, right up to taunting flirtation. (The movie is loaded with homosexual references, generally pejorative - the bisexual boyfriend is even given the name `Pangborn' - and the continuum of couplings, both on screen and in the back story, results in a very kinky daisy chain in which everybody save Tierney might just as well have slept with everybody else. Mailer comes close to suggesting that two men who have slept with the same woman share an implicit homosexual relationship themselves.) Coming to Tough Guys Don't Dance expecting anything like a conventional suspense film (even something `post-' or `neo-') is to court disappointment. One comes for Mailer, who's like the little girl with the curl right in the middle of her forehead: When he's good, he's very, very good, but when he's bad, he's horrid. How the proportions weight out in this movie can be argued, but adventurous and provocative nuggets nestle among some very bad choices (the acting runs the gamut from rather good to execrable, often within the same performance). Caveat spectator: wildly uneven and sometimes grotesquely macho, Tough Guys Don't Dance is far from negligible. Was the above comment useful to you? 1 out of 1 people found the following comment useful :- Only for Mailer imagery fans, 7 November 2001 7/10 Author: akhilles84 from Turku,Finland *** This comment may contain spoilers *** This is a hard film to stomach.It has a lot of intense,extreme scenes of sex,violence and obscurity.Ryan O'Neal could have done better.Wings Hauser outshines all in his role of sadistic,sex crazy chauvinist police officer.Who at the end turns insane.And thats what he isnt alone in.There are even more obscure characters here,like southern reverend Big Stoop and his "friendly" ex-wife Patty.They create a spiral of sex and intrigues which ends in suicide of the first and death of the other. All in all,a movie every sado-masochist would love to own.For normal people-a torturingly mad 2 hour experience. Was the above comment useful to you? 1 out of 1 people found the following comment useful :- Painful in the Extreme, 11 January 1999 1/10 Author: SaintNo1 from Canberra Norman Mailer is one of America's great writers, however, he came spectacularly unstuck when scripting and directing this movie. The dialogue is appalling - it might have worked on the printed page but it's embarrassingly bad when spoken. The direction is flat as a pancake, much of the acting is over the top, and usually coupled with bad Southern accents, and the plot descends into ridiculous melodrama almost immediately. It would be totally forgettable except for the presence of the radiant Isabella Rossellini - just fast forward to her scenes or don't watch it in the first place. You'll be missing nothing. Was the above comment useful to you? 2 out of 3 people found the following comment useful :- Nor Can They Direct, 5 February 2003 Author: patrickboyle-1 (patrickboyle@patrickboyle.net) from Oakland I read the book last year. After so many years of disappointments I tried once again to find a piece by Norman Mailer that had the impact on me of "The Naked and the Dead". Alas "Tough Guys" is not that book. However it is a genuine hoot. A hard boiled mystery with a rapid succession of over the top scenes and characters. Not by any means an important book but a a great light (or lite) read. The movie however is just a mess with the exception of Wings Hauser. I was charmed that Mr. Hauser the King of the B Movies finally got a part that let him eat the scenery. John Bedford Lloyd is a problem as the protagonist's effete and ineffective rich college buddy. Lloyd is a big guy and a superior actor. He has been type cast as the the big guy in "The Abyss" and several other roles. He towers over poor little Ryan O'Neal. The nerdy Lloyd character was supposed to have always looked up to the physical O'Neal character. Mailer the director wouldn't change the lines written by Mailer the writer. Poor Lloyd spends all of his scenes hunched over trying to look smaller. It's even worse than the Shawshank Redemption where a 6'5" Tim Robbins tried to be the small weak guy the other cast members talk about. We keep hearing that most of directing is casting but why do we get Peter O'Toole a foot to tall for Lawrence and Mel Gibson a foot to short for Wallace? Was the above comment useful to you? Warning: For Intelligent and Advanced Film Buffs Only!, 10 March 2007 7/10 Author: AlanSquier from United States Okay, now that I have your attention, I don't guarantee that you will rate this the 7/10 I do, even if you qualify as an intelligent and advanced film buff. However, I do believe you will find something to chew on here. It's written and directed by noted author Norman Maileer. And it's tough in every meaning of the word. The rough plot sounds like a rather typical noir. An excessively drinking author given to memory blackouts doesn't know if he committed a murder or not. Believe me, it's not that simple and Mailer takes us down a long winding and convoluted path before we know the whole story. At times, it seems ludicrous, and although I disagree with the Razzie noms it got, I understand. This is the type of movie which some will find inexorably bad. However, it weaves a spell and the tough will stay with it because it's addictive. You will laugh at inappropriate times and groan sometimes, and yet the very serious film buff will continue watching it, and be glad he/she did. And I do believe that many will find this rewarding although certainly not unflawed. Maybe Mailer wanted it flawed. As others mentioned, Wings Hauser is the perfect actor in this. However, Ryan O'Neal gave this his all, and veteran B film noir actor Lawrence Tierney also adds to this. Some will love it; some will hate it. I did neither, but I did enjoy it. There was a point, the chain connecting the characters in their sex lives and in the chain of violence. Love it or hate it, I suspect you will remember this one and not consider it a waste of time. Was the above comment useful to you? Ridiculous, 18 December 2004 Author: (dj_bassett) from Philadelphia *** This comment may contain spoilers *** Outside of some nice location shooting in and around Provincetown, this is just awful, incompetently made from start to finish. Ryan O'Neal, in one long lugubrious flashback, tries to explain to his Dad why there's severed heads in his basement and a tattoo on his arm. The problem all started, you see, when he answered a SCREW ad..... Bad acting, ranging from stiff and wooden (O'Neal, Rosselini) to over the top (Tierney, who nevertheless gets a couple of good lines in, and Hauser, hamming it up as a semi-psychotic sheriff). Prose as purple as all get-out, probably inevitable when you consider Mailer's involvement. Incompetently put together, mostly told in flashback for reasons I can't understand, other than Mailer couldn't figure out a better way to get the information in. A story that doesn't make a lick of sense, although future scholars of Mailer will have to see this to see all of Mailer's issues dramatized: mostly women as either whores or maternal mothers who entrap you and faux Hemingway macho romanticism. Laugh out-loud funny at some points, although I'm not sure if it has enough brio to recommend it to fans of bad movies, as not a lot really happens, all in all. Better just to avoid it. (Less)
Channel: 123videoTags: DANCE DIES DON MAILER NEIL NORMAN O RYAN T TOUGH NORMAN MAILER: RYAN ONEIL: Tough Guys Dont Dance (1987)
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160, 02:37, 2008-04-17 15:11:00 Description: Johnny Cash: An American Original Returns By ANTHONY DeCURTIS - Feb. 24, 2002 - On the cover of his album "Ragged Old Flag," Johnny Cash stands resolute, staring directly at the viewer and (More) Johnny Cash: An American Original Returns By ANTHONY DeCURTIS - Feb. 24, 2002 - On the cover of his album "Ragged Old Flag," Johnny Cash stands resolute, staring directly at the viewer and pointing to an American flag that is torn and tattered but still flying. His face looks as if it could grace Mount Rushmore. Like the flag behind him, that face is weathered and battle-worn, but nonetheless defiant. "She's been through the fire before," Mr. Cash intones on the album's title track, alluding to the flag and the country it represents," and I believe she can take a whole lot more." When "Ragged Old Flag" was first released in 1974, Mr. Cash intended the flag's scars to symbolize the shocks of American history, from the Revolutionary War to more contemporary upheavals like the Vietnam War and the Watergate scandal. When the album was reissued on Dec. 11, three months to the day after the terrorist attacks on the World Trade Center and the Pentagon, it took on an unmistakable new meaning. The flag on the cover clearly evokes the one recovered at the World Trade Center and recently displayed at the Winter Olympics, a stirring image of the country's determination to survive a devastating blow. What better artist to summon all that is worthwhile in the American spirit than the redoubtable Mr. Cash? Since 1997, he has struggled with autonomic neuropathy, a severe neurological disorder that has brought him close to death. For that reason, Mr. Cash was not feeling strong enough to participate in the various music-industry events that were organized immediately after Sept. 1 1. But with the rerelease of "Ragged Old Flag," along with his 1972 concept album, "America: A 200-Year Salute in Story and Song," Mr. Cash made an eloquent statement of his own. "Sept. 11 broke my heart," Mr. Cash said by telephone from Jamaica, where he can often be found when he is not at his home outside Nashville. "I watched it on television, and I guess I wanted to kill somebody myself. I do love this country, and I saw somebody take a really good shot at it. It was a striking blow at our morale. But I've recovered from that, just as this country is recovering. I believe this country will prevail." Interest in Mr. Cash has intensified at a time when his music - with its patriotic themes and dark undercurrents, its independent-mindedness and its spiritual reach - seems eminently suited to the cultural mood of the country. Tuesday marks Mr. Cash's 70th birthday, and to commemorate that event, Columbia/Legacy has begun an extensive reissue campaign that draws on the dozens of albums Mr. Cash recorded for Columbia between 1958 and 1993. Earlier this month saw the release of "The Essential Johnny Cash," a superb two-disc collection that also includes eight of the legendary tracks (like "I Walk the Line" and "Big River") Mr. Cash recorded between 1955 and 1958 for the influential Sun label, where Elvis Presley also established his career. In addition, remastered versions (with additional, contemporaneous tracks) of five of Mr. Cash's albums that have been out of print for years will be issued on March 19: "The Fabulous Johnny Cash" (1958), "Hymns by Johnny Cash" (1959), "Ride This Train" (1960), "Orange Blossom Special" (1965) and "Carryin' On With Johnny Cash and June Carter" (1967). Five more of Mr. Cash's albums will be reissued in July. While they represent just a small portion of Mr. Cash's recorded output, the five albums that will come out next month demonstrate how all of the qualities that have made Mr. Cash an American icon were present at the very start of his career. Most tellingly, in their stylistic range and ambition, they dramatize Mr. Cash's continuing conviction that he should be guided by no one's musical lights but his own. By the time of "The Fabulous Johnny Cash," Mr. Cash and his band, the Tennessee Two, had already established themselves as architects of the rockabilly sound, which blended the twang of country music with the raucousness of then-nascent rock 'n' roll. Just as important, Mr. Cash had already defined his persona as one of popular music's most incorrigible wild men, an amphetamine-fueled hellcat who had no patience for either country music's pieties or rock 'n' roll's teen-pop sentimentality. Indeed, anyone who brings preconceived notions to Mr. Cash's music is likely to get upended. For example, Mr. Cash was an early, avid admirer of Bob Dylan at a time when conservative country audiences found little to like in Mr. Dylan's bohemian lifestyle or his politics of social protest. "Orange Blossom Special" includes three songs written by Mr. Dylan, and limned connections between folk music, country and rock 'n' roll that are now taken for granted. "There's no doubt about Bob Dylan's influence on my music and myself," Mr. Cash said. "We became friends, but I already was a fan of his. I still am. I go to the record shop with every release he has and buy his new CD - and his latest one, by the way, is the best yet. Bob is timeless. Invariably, before every day ends, there will be a Bob Dylan song that'll float through me." When Mr. Cash left Sun Records for Columbia in 1958, he cited the label's refusal to allow him to record an album of spirituals as one of the reasons for his departure. That particularly surprises younger listeners, for whom Mr. Cash is primarily known for being the forbidding "Man in Black," a precursor of hip-hop stars for whom courtrooms, boardrooms and the top of the charts are equally familiar. "Hymns by Johnny Cash," in fact, was Mr. Cash's second Columbia release. "I could not convince Sam Phillips about how important that music was to me," Mr. Cash said, referring to the founder of Sun Records. "His answer always was, 'I don't know how to sell hymns.' I understood that Sun was a very small company. But I didn't want to be restrained. I didn't want to be held back from doing anything that I felt was important for me to do on record or as a writer." Over the intervening decades, gospel music has remained one of the mainstays of Mr. Cash's repertory. In 2000, Mr. Cash released a thematically organized three-disc compilation called "Love God Murder," with each disc addressing one of the primary subjects that has preoccupied him throughout his life. He sees little difference among the three concerns. "My faith in God has always been a solid rock that I have stood on," Mr. Cash said. "I was a bad boy at times, but God was always there for me, and I knew that. I guess I even took advantage of that fact. It's hard to justify, I'm sure, so far as you're concerned. But to me it's not." "Roy Orbison wrote a song called 'My Best Friend,' and there's a line in there that says, 'A diamond is a diamond/ And a stone is a stone/ But man is part good/ And part bad.' I've always believed that the good will ultimately prevail, but there's a bad side of us that we have to keep warring against. I know I do." Because of his illness, Mr. Cash no longer performs in front of audiences, and his public appearances are rare. But he does continue to record, and he is up for a Grammy this week in the category of best male country vocal. Since he left Columbia in 1993, Mr. Cash has made three albums with the producer Rick Rubin that are regarded as among his finest. They are notable both for their austere sound - emphasizing the gravitas of Mr. Cash's incomparable voice - and the boldness of their song selection. On those records, Mr. Cash has performed versions of his own songs, traditional ballads, spirituals and material written by artists as varied as Beck, Glenn Danzig, Neil Diamond and Nick Cave. WHEN I signed with Rick's label about 10 years ago," Mr. Cash recalled, "I asked him what he would do with me that nobody else had done. He said, 'I would like for you to sit in front of a microphone with your guitar and sing every song you want to record.' I said: 'Whoa, that's a tall order. There are lots of songs over the years that I've wanted to do.' He said, 'Well, those are the ones that I want to hear.'" The two men are now collaborating on a fourth album, which they plan to release later this year. On the cusp of 70, Mr. Cash sees no reason to cease being adventurous or to be content with a tasteful celebration of the work he has already done. "The songs are coming from every direction," Mr. Cash said of his forthcoming album. "I've written two or three new ones, and I recorded a Sting song called 'I Hung My Head.' I've recorded a Marty Robbins song called 'Big Iron.' I'm recording 'The First Time Ever I Saw Your Face,' that Roberta Flack song. And I'm recording 'Hurt' by Nine Inch Nails." One of the more ominous characters on the contemporary music scene, Trent Reznor of Nine Inch Nails can be seen as one of Mr. Cash's many unruly progeny. That notion brings Mr. Cash delight. "When I heard that song, I thought, 'That sounds like something I could have written in the 60's,' " he said of "Hurt." "There's more heart, soul and pain in that song than any I've heard in a long time. I love it." (Less)
Channel: 123videoTags: AMPHETAMINE CASH JOHNNY ON ONE RIGHT SKULL THE JOHNNY CASH: ONE ON THE RIGHT: amphetamine-fueled hellcat SKULL
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10, 00:17, 2008-04-17 05:43:54 Description: Chapter 24:
[The next morning, everyone was awake except Nick and Kevin]
HALEY: I'm going to go eat or something; do you guys have any milk?
JOE: Nope, it was all wasted on Kelly's head
(More) Chapter 24:
[The next morning, everyone was awake except Nick and Kevin]
HALEY: I'm going to go eat or something; do you guys have any milk?
JOE: Nope, it was all wasted on Kelly's head
KELLY: Thanks again for that.
[Haley walked away]
JOE: so... how was your sleep?
KELLY: meh, pretty good. This was fun.
JOE: Yeah, I really like hanging out with you.
[Kelly remembered what Haley had said the night before]
KELLY: y-yeah... me too
JOE: Something wrong?
KELLY: Nope
JOE: ...Okay
[Joe walked inside]
KELLY: ... not yet.
KEVIN: Nick- dude wake up
NICK: Is it even morning?
KEVIN: No, that's why the suns out, there are birds chirping and the grass is damp
NICK: Well I'm still sleeping so go away.
KEVIN: do you think Kelly's ... falling... for Joe?
NICK: ask her
KEVIN: ... yeah
[Kevin got out and walked inside]
KELLY: Oh, hey!
KEVIN: Hey, how-
KELLY: Joe just said the funniest thing- he did-
KEVIN: Yeah, Joe's the funny one
KELLY : ... is something wrong?
KEVIN: No, does something seem wrong?
KELLY: Well no... but-
KEVIN: Then nothings wrong.
HALEY: Is Nick awake?
KEVIN: He is, but he's trying to fall asleep
HALEY: I'm going to go wake him up
KELLY: I forgot that my hair dried with milk in it
[She grabbed a piece of hair]
KELLY: Ew, ugh Joe I hate you. I have to shower.
[Kelly ran upstairs]
JOE: So...
KEVIN: Where did Kelly and you go?
JOE: ... why the anger in your voice?
KEVIN: Just tell me
JOE: We went for a walk- so what?
KEVIN: Don't. Touch. Her.
JOE: ...I-
KEVIN: I know you like her, but seriously Joe, She's my girlfriend.
JOE: Kevin, that's not how-
KEVIN: Just don't.
[Haley walked outside and opened the tent 'door']
HALEY: Wake up sleepy-head
NICK: Nooo!
[Haley snuggled close to him]
HALEY: It's morning, silly.
[Nick put held her tight, but still didn't open his eyes]
NICK: Doesn't mean I can't sleep
[He smiled]
HALEY: fine, I'll just go out to the beach or something today in my BIKINI and talk to all the GUYS without you there
[Nick opened his eyes]
NICK: Alright. I'm awake
[Haley giggled and stole a kiss from him]
[She scrunched her face]
HALEY: Morning breath!
NICK: Hey-
HALEY: Lets go
NICK: Sure- Your wearing my other sweater
HALEY: huh? OH... yeah I was cold! And the other one was-
NICK: That's alright
[They got up and walked inside]
JOE: SERIOUSLY, GROW UP
KEVIN: ME? OH PLEASE, SHOW SOME RESPECT
JOE: I DON'T NEED THIS FROM YOU
[Joe walked upstairs]
KEVIN: YOU KNOW I'M RIGHT
JOE: SUUURE
HALEY: ... what happened?
KEVIN: He's being stupid
NICK: how?
KEVIN: Just... it's not important (Less)
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11, 03:27, 2007-12-19 22:44:31 Description: After reviewing some of the comments made on my last cover of this song, I feel the need to try it again. It's pretty late, I only did one take, (hence the chord fault at the end), but (More) After reviewing some of the comments made on my last cover of this song, I feel the need to try it again. It's pretty late, I only did one take, (hence the chord fault at the end), but here's a less grating cover of this song.
It ain't no use to sit and wonder why, babe
It don't matter, anyhow
An' it ain't no use to sit and wonder why, babe
If you don't know by now
When your rooster crows at the break of dawn
Look out your window and I'll be gone
You're the reason I'm trav'lin' on
Don't think twice, it's all right
It ain't no use in turnin' on your light, babe
That light I never knowed
An' it ain't no use in turnin' on your light, babe
I'm on the dark side of the road
Still I wish there was somethin' you would do or say
To try and make me change my mind and stay
We never did too much talkin' anyway
So don't think twice, it's all right
It ain't no use in callin' out my name, gal
Like you never did before
It ain't no use in callin' out my name, gal
I can't hear you any more
I'm a-thinkin' and a-wond'rin' all the way down the road
I once loved a woman, a child I'm told
I give her my heart but she wanted my soul
But don't think twice, it's all right
I'm walkin' down that long, lonesome road, babe
Where I'm bound, I can't tell
But goodbye's too good a word, gal
So I'll just say fare thee well
I ain't sayin' you treated me unkind
You could have done better but I don't mind
You just kinda wasted my precious time
But don't think twice, it's all right (Less)
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5, 02:09, 2006-12-18 23:18:49 Description: This is a recent creation. My inspiration was the phrase, "Elvis has left the building...." cause I was just thinking about American glam, Hollywood, Las Vegas and other far away places. (More) This is a recent creation. My inspiration was the phrase, "Elvis has left the building...." cause I was just thinking about American glam, Hollywood, Las Vegas and other far away places. This seemingly random thought led to other thoughts of the distance we all have from one another (even just from brain to brain) and the different realities that encompass "US" as a whole. I guess I feel like I haven't said what I needed to say many times in life, nor did I feel like explaining myself. How is it we are all so different?
Lyrics:
Verse - When Elvis left the building, he was drenched with sweat
The girl threw the towel to see what she could get, and
As he got in the limo, he said that girl's a Psycho
He wiped his face tand threw the towel in her Direction yet, and
Chorus - Oh - - it's all been just a dream, it's just a dream
I know I over-complicate even the simple things, And
Oh - - I don't know what to say, no I can
Can't tell you what I'm really feeling
You don't care anyway, do you?
Hm - -
Verse - The desert is a darkness, the dry seeps In my Bones
I turn the wheel and try to feel out my direction Home, and
Out here nothing ages, the image burns right Through
I trying to take this, trying to make it back to Me and and, and
(Chorus Repeats) (Less)
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0, 03:00, 2008-04-18 17:25:56 Description: So this is the people at the Strawberry Fields. The song is Imagine but w/a different chorus and an upbeat tempo. I don't know if they were 'commercial' or real. (More) So this is the people at the Strawberry Fields. The song is Imagine but w/a different chorus and an upbeat tempo. I don't know if they were 'commercial' or real. (Less)
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0, 01:05, 2009-12-14 00:49:20 Description: We all have the right to meet our friends and to work together in peace to defend our rights. Nobody can make us join a group if we don't want to. (More) We all have the right to meet our friends and to work together in peace to defend our rights. Nobody can make us join a group if we don't want to. (Less)
Channel: youtubeTags: human rights public assembly
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0, 02:20, 2009-05-09 01:24:45 Description: The Four Freedoms Franklin D Roosevelt- A little idealist, utopian and even a naive but I still respect his thoughts but we all have the right to defend ourselves we don't need anyone telling us (More) The Four Freedoms Franklin D Roosevelt- A little idealist, utopian and even a naive but I still respect his thoughts but we all have the right to defend ourselves we don't need anyone telling us what we can and cannot have to defend ourselves whether it is a bb gun for personal use or a ICBM for government use. His league of nations turned into the UN which is not favorable towards our nation at all whatesoever. Odd how he mentions New Order about a society that cannot protect itself against ... (Less)
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