Search results for i swallow peter
Results 1-15 of about 20 (Found in 0.223s)
132,
00:59,
2009-07-04 09:09:00
Description: Check out the girls who where able to swallow his load and the ones who couldn't
Channel: megaporn
14,
03:37,
2008-04-18 13:23:03
Description: Another video I made.
Channel: myspace
5,
01:53,
2007-12-03 09:59:49
Description: A league game from 1998.During a sicilian defence opening,i show how it may be profitable to sacrifice a pawn in order to prevent(by utilisation of phrophalaxis)the opponent from realising his plan of (More) A league game from 1998.During a sicilian defence opening,i show how it may be profitable to sacrifice a pawn in order to prevent(by utilisation of phrophalaxis)the opponent from realising his plan of advance in the centre.The game then pivots on the imbalances of material vs quality of position.White fails to assess these imbalances correctly loses his way,and as a direct result,is turned upside down.Finally,due to the onset of time pressure,white blunders and loses the game.A good example of how it is sometimes neccessary(right or wrong) to sacrifice in the opening phase by playing according to the basic requirements of the position at hand.(Compare with Benko Gambit). (Less) Channel: youtube
31,
06:21,
2007-11-19 03:14:02
Description: Training game vs the Fritz 3 chess programme played under tournament conditions.After an obscure variation of the sicilian defence,the position becomes somewhat open,and in particular,the white king (More) Training game vs the Fritz 3 chess programme played under tournament conditions.After an obscure variation of the sicilian defence,the position becomes somewhat open,and in particular,the white king is exposed.By the utilisation of tactics,i achieve a decisive advantage,turning Chessmaster upside down by an unexpected queen sacrifice.At first sight my compensation appears meagre.Eventually however,the central black pawns find their devastating mobility and begin to squeeze Chessmaster like a boa constrictor.The game ends when white cannot move without immediate loss. (Less) Channel: youtube
15,
07:26,
2007-11-16 05:07:10
Description: A round 2 encounter at the 1980 Blackpool open tournament versus strong FIDE master John Littlewood who was one of the top players in England at the time.The game begins by revolving around (More) A round 2 encounter at the 1980 Blackpool open tournament versus strong FIDE master John Littlewood who was one of the top players in England at the time.The game begins by revolving around Littlewoods'pet dragon variation of the sicilian defence.My approach is to adopt a positional construction of my pieces,by which i attempt to increase my advantage in increments.A tense and fascinating middlegame,in which my queen is chased 'from pillar to post',results in a transference of my forces to the black king side.Black tries a seemingly promising exchange sacrifice,but is thwarted when a mutual time scramble unexpectedly leaves me with the opportunity of a sweet finish by the utilisation of tactics.Certainly a game which contains the essence of what chess is all about. (Less) Channel: youtube
8,
08:57,
2007-11-15 05:06:39
Description: Chess game versus international grandmaster Vlastimil Hort from a simultaneous exhibition in Leeds in january 1976.I play the opening of a c3 sicilian badly.From this,Hort obtains the two bishops and (More) Chess game versus international grandmaster Vlastimil Hort from a simultaneous exhibition in Leeds in january 1976.I play the opening of a c3 sicilian badly.From this,Hort obtains the two bishops and the greater space in the centre,leaving him with a clear positional plus.An optimistic excursion by my queen results in an ever so slight weakening of Hort's king side.After Hort makes a positional error by exchanging his light squared bishop for my knight,i seize control of the important e4 square resulting in a passed pawn for me.An endgame ensues,whereby i contrive to sacrifice my passed pawn so as to gain mobility for my bishop on the long h1-a8 fragnal.This,together with a terrific rook on the seventh rank,i assume the initiative resulting in a decisive advantage for me.Failing to notice a simple winning line involving the advance of my g-pawn,i blunder and allow Hort deadly counterplay which he converts to a win.A good example of the strength and effect of a rook on the seventh rank for both players. (Less) Channel: youtube
9,
07:26,
2008-04-21 16:47:21
Description: A round 2 encounter at the 1980 Blackpool open tournament versus strong FIDE master John Littlewood who was one of the top players in England at the time.The game begins by revolving around (More) A round 2 encounter at the 1980 Blackpool open tournament versus strong FIDE master John Littlewood who was one of the top players in England at the time.The game begins by revolving around Littlewoods'pet dragon variation of the sicilian defence.My approach is to adopt a positional construction of my pieces,by which i attempt to increase my advantage in increments.A tense and fascinating middlegame,in which my queen is chased 'from pillar to post',results in a transference of my forces to the black king side.Black tries a seemingly promising exchange sacrifice,but is thwarted when a mutual time scramble unexpectedly leaves me with the opportunity of a sweet finish by the utilisation of tactics.Certainly a game which contains the essence of what chess is all about. (Less) Channel: youtube
11,
04:33,
2008-04-21 16:47:21
Description: The seventh game from my 2001 match with Chessmaster 5K.This game has just about everything - A highly interesting opening variation in the Nimzovitch-Larsen/Reti,a terrific middlegame tussle in which (More) The seventh game from my 2001 match with Chessmaster 5K.This game has just about everything - A highly interesting opening variation in the Nimzovitch-Larsen/Reti,a terrific middlegame tussle in which i turn Chessmaster upside down,and a combination leading to a completely winning rook and pawn endgame for me.Who could ask for more from one game of chess? Highly entertaining and extremely instructive! (Less) Channel: youtube
6,
08:57,
2008-04-21 21:07:03
Description: Chess game versus international grandmaster Vlastimil Hort from a simultaneous exhibition in Leeds in january 1976.I play the opening of a c3 sicilian badly.From this,Hort obtains the two bishops and (More) Chess game versus international grandmaster Vlastimil Hort from a simultaneous exhibition in Leeds in january 1976.I play the opening of a c3 sicilian badly.From this,Hort obtains the two bishops and the greater space in the centre,leaving him with a clear positional plus.An optimistic excursion by my queen results in an ever so slight weakening of Hort's king side.After Hort makes a positional error by exchanging his light squared bishop for my knight,i seize control of the important e4 square resulting in a passed pawn for me.An endgame ensues,whereby i contrive to sacrifice my passed pawn so as to gain mobility for my bishop on the long h1-a8 fragnal.This,together with a terrific rook on the seventh rank,i assume the initiative resulting in a decisive advantage for me.Failing to notice a simple winning line involving the advance of my g-pawn,i blunder and allow Hort deadly counterplay which he converts to a win.A good example of the strength and effect of a rook on the seventh rank for both players. (Less) Channel: youtube
9,
06:57,
2008-04-21 21:07:09
Description: A game from 1981 at a simultaneous display in Leeds by a young Nigel Short.The display was given in Austicks bookshop in Leeds,where Nigel faced about 20 opponents at once. Following a Ruy Lopez Open (More) A game from 1981 at a simultaneous display in Leeds by a young Nigel Short.The display was given in Austicks bookshop in Leeds,where Nigel faced about 20 opponents at once. Following a Ruy Lopez Open variation,i follow the game Short-Korchnoi from the Phillips & Drew tournament 1980 which i knew of.Short offers a pawn on move 14 which i refuse,prefering instead to centralise my knight and then my bishop.The white king position becomes a little loose,whereupon i attempt a daring,yet totally unsound bishop sacrifice.This has the effect of turning Short upside down as he fails to find the winning line,and eventually finds himself in a totally lost endgame.A good win vs a famous opponent. (Less) Channel: youtube
0,
04:24,
2009-12-08 07:06:20
Description: ATTENTION!!!! This is a spoof of some my favorite youtubers, except for Supermac18, he sucks ASS. So yeah sit down, swallow that "hot dawg" if you know what I mean ;). And enjoy Jordan Crona (More) ATTENTION!!!! This is a spoof of some my favorite youtubers, except for Supermac18, he sucks ASS. So yeah sit down, swallow that "hot dawg" if you know what I mean ;). And enjoy Jordan Crona try to take on the roles of some Youtubers!! (Less) Channel: youtube
25,
00:00,
2008-04-21 16:35:31
Description: JOHN SCOFIELD, considered along with Pat Metheny and Bill Frisell, to be one of the three greatest jazz guitarists at this time, John Scofield, (Dayton, Ohio, USA, 1951), is known for his modern (More) JOHN SCOFIELD, considered along with Pat Metheny and Bill Frisell, to be one of the three greatest jazz guitarists at this time, John Scofield, (Dayton, Ohio, USA, 1951), is known for his modern interpretations, his extraordinary capacity for improvisation and his ability to compose songs that are sharp, rhythmic, and extremely danceable. His sound, with its roots firmly in rock and soul, is influenced by early Chuck Berry, Albert King and B.B. King. As a teenager, he began to play rock and roll, urban blues and rhythm and blues. Between 1982 and 1985 he accompanied Miles Davis and since then has preferred to lead his own groups, although this has not stopped him working together with Gary Burton, John Abercrombie, Larry Coryell, Bennie Wallace, Peter Erskine, Hal Galper, Jack DeJohnette, Joe Lovano, Bill Stewart and Brad Mehldau, amongst other, as well as recording with Charlie Mingus and Chet Baker. His discography is as extensive as it is great and among his more than 30 albums, perhaps the most outstanding are Still warm (86), Loud Jazz (87), Hand Jive (93) and Oh! (03), in the company of Joe Lovano, Dave Holland and Al Foster. Last September he brought out This meets that, which includes, amongst other tracks, a version of "(I can't get no) Satisfaction" by The Rolling Stones. The Malaga concert of THE JOHN SCOFIELD TRIO plus HORNS - "This Meets That", features: JOHN SCOFIELD -- guitar, STEVE SWALLOW -- bass, BILL STEWART -- drums, PHIL GRENADIER -- trumpet and flugelhorn, EDDIE SALKIN -- tenor sax, flute and clarinet, FRANK VACIN -- baritone sax and clarinet. Embed at www.tvspain.tv (Less) Channel: youtube
767,
05:44,
2007-04-20 17:36:01
Description: http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential (More) http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential avant-progressive experimental rock group formed in Northern California in 1985. Created while the members were still in high school and named after a children's educational film, they released four demo tapes in the mid to late 1980s, before being signed to Warner Bros. Records, who subsequently released three full-length studio albums between 1991 and 1999. Mr. Bungle have not been active since touring in 2000 to support their last album, and a recent media interview has confirmed the group is now disbanded.[1] While early in their career Mr. Bungle went through several line up changes, the bands most long serving members were vocalist Mike Patton, guitarist Trey Spruance, bassist Trevor Dunn, drummer Danny Heifetz, and Clinton "Bär" McKinnon on saxophone and other woodwind instruments.
Mr. Bungle were known for their distinctive musical traits, often blending and cycling through several musical genres within the course of a single song and fusing radically different musical styles together. Many of their songs had a non-conventional structure and utilized a wide array of instruments and samples. Distinguished by their live shows, which often featured members dressing up and an array of unlikely cover songs, their style has influenced many recent funk metal bands. During the course of their career the band also had an ongoing feud with Red Hot Chili Peppers frontman Anthony Kiedis, which escalated in the late 90s with Kiedis having Mr. Bungle removed from a number of large music festivals in Europe and Australasia where the Chili Peppers were headlining.
Although signed to a major record label, Mr. Bungle never had significant commercial success and only released one music video. They did, however, gain a reasonable amount of worldwide popularity due to a large cult following. Mr. Bungle formed in 1985 in Eureka, California while the members were still in high school; initially consisting of Trevor Dunn, Mike Patton, Trey Spruance, Theo Lengyel, and Jed Watts. Watts was subsequently replaced by Hans Wagner, and he by Danny Heifetz, while Clinton "Bär" McKinnon joined in 1989.[2] The band's name was taken from a children's educational film devised to teach children good manners and hygiene, which was featured in a Pee Wee Herman HBO special in the early '80s. A puppet named Mr. Bungle was the main character, used to represent the kind of person no clean, polite child would wish to be. In 1989 Faith No More bassist Billy Gould told Patton about a pornographic video called Sharon's Sex Party, which also starred a character known as Mr. Bungle.[2]
Soon after forming, the band's first demo, The Raging Wrath of the Easter Bunny, was recorded during Easter of 1986. It generally featured a fast, low-fi, death metal style, though it also utilized a trainwhistle, a saxophone, bongos, and a kazoo. The Raging Wrath of the Easter Bunny was followed by the demo Bowel of Chiley in 1987; this recording featured a completely different style incorporating the sounds of ska, swing, and funk. In 1988 Mr. Bungle released their third demo, Goddammit I Love America!, which was musically similar to Bowel of Chiley. Their final demo tape was OU818, released in 1989; this recording was the first to feature tenor sax player Clinton "Bär" McKinnon and drummer Danny Heifetz. OU818 combined songs from the earlier demos along with some new tracks having a heavier overall sound than the previous releases.[3][4] In 1989 Mike Patton landed the lead vocalist slot with San Francisco's Faith No More, getting the job after Jim Martin of Faith No More heard him on a Mr. Bungle demo.[5] Patton decided not to break up Mr. Bungle, and continued to be a member of both bands simultaneously. Having established a strong following in Northern California, Mr. Bungle was signed to Warner Bros., who released their self-titled debut in 1991. Their debut, Mr. Bungle, was recorded a year after Mike Patton was recruited into Faith No More and was produced by jazz experimentalist John Zorn. Released on August 13, 1991 the album contained several new songs but overall the sound was in a similar style as OU818. The record mixed metal, funk, ska, carnival music, and free jazz, but was normally described as "funk metal" by music critics.[3] The content is, however, very hard to pin down using specific genres, and the structure and musical style of any single track frequently changes dramatically.[6] Critic Steve Huey wrote in All Music Guide "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song."[7]
The album featured numerous samples, including Kentucky Fried Chicken commercial outtakes, items from the videogames "Super Mario Bros", "Smash TV", and "RBI Baseball", the movies Blue Velvet and Sharon's Sex Party, and the pinball games "Cyclone," "Earthshaker," and "Haunted House." Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold.[2]
The first track on the self-titled recording was originally called "Travolta"(sample (help·info)); however, the actor John Travolta took issue with this title and threatened legal action. With the encouragement of Warner Bros. the song name was changed and on later pressings of the album was called "Quote Unquote", which is also the title of an unauthorized John Travolta biography by Bob McCabe.[2] They created a video for "Travolta" and submitted it to MTV. However, the station refused to air the video because of images of bodies dangling on meat hooks.[6]
The album sold well despite MTV refusing to air their video and a lack of radio airplay. It received mostly positive reviews with Journalist Bill Pahnelas calling it "an incredible musical tour de force, and hands down the best alternative rock record of the year so far".[8] Following the release of the album the band toured North America successfully building a large and loyal cult following. Their popularity was partly due to unique stage shows where they often performed with masks to hide their identities and played unlikely covers during their set such as Billy Squier's "The Stroke," "The Star Wars Theme", and John Sebastian's "Welcome Back". Due to artwork delays and the band members' many side-projects, it was another 4 years before Disco Volante was released in October 1995.[3] This, their second major release, has a completely different tone and style to earlier Mr. Bungle recordings.[9] While the self-titled album was described as "funk metal", with Disco Volante this was replaced with the label "avant-garde" or "experimental."[6]
The music was complex and unpredictable with the band continuing with their extreme shifts of musical style during songs. Some the tracks were in foreign languages and would radically change genres mid-song, arguably making it Mr. Bungle's most difficult and inaccessible release.[6] Featuring lyrics about death, suicide, and child abuse,[ along with plodding death metal, deranged children's songs, and a Middle Eastern techno number, music critic Greg Prato described the album as having "a totally original and new musical style that sounds like nothing that currently exists". Not all critics were impressed with the album, with The Washington Post describing it as "an album of cheesy synthesizers, mangled disco beats, virtuosic playing and juvenile noises", calling it "self-indulgent" and adding that "Mr. Bungle musicians like to show off their classical, jazz and world-beat influences in fast, difficult passages which are technically impressive but never seem to go anywhere".
Disco Volante included influences from contemporary classical music, avant-garde jazz, electronic music pioneer Pierre Henry, Edgar Allan Poe, John Zorn, Frank Zappa, Penderecki, and European film music of the 1960s and 1970s such as those composed by Ennio Morricone and Peter Thomas.
The album notes also contained an invitation to participate in an "unusual scam" - if $2 was sent to the bands address, participants would receive additional artwork, lyrics to the songs "Ma Meeshka Mow Skwoz" and "Chemical Marriage", and some stickers. Mr. Bungle supported this record with extensive tours through the United States, Europe, and Australia during '95 and '96, with the tours successfully widening the groups fan base. In 1996 Theo Lengyel retired as Bungle's original sax player and keyboardist due to creative differences. After another 4 year break between albums, the band's third album, California, was released on July 13 1999.[16] California is said to be Mr. Bungles most accessible[17][18] and while the genre shifts are still present, they are less frequent, with succinct song formats giving the album a less chaotic and more stable feel.[19] This resulted in what All Music Guide described as "their most concise album to date; and while the song structures are far from traditional, they're edging more in that direction and that greatly helps the listener in making sense of the often random-sounding juxtapositions of musical genres".[20] California continues the bands musical, lyrical, and thematic experimentation, although it has a much lighter tone.[21] On the different style of this album, Mike Patton explained that to the band "the record is pop-y", before adding "but to some fucking No Doubt fan in Ohio, they're not going to swallow that."[22] The album was generally well received with music critic Robert Everett-Green stating "The band's newest and greatest album does not reveal itself quickly, but once the bug bites, there is no cure. The best disc of the year, by a length."[23]
Additionally, the recording process for California became much more complex. The group chose to record the disc on analog rather than digitally[24] and some songs required several 24-track machines while utilizing more than 50 analog tracks.[19] As a result each song contains detailed layers of original samples, keyboards, percussion, and melodies.[6]
Mr Bungle live in 1999
Mr Bungle live in 1999
The album displays numerous influences, including exotica, Burt Bacharach, and The Beach Boys, while blending lounge, pop, jazz, funk, thrash-metal, Hawaiian, Middle Eastern, kecak, and avant-garde soundscapes.[17][18][21][25][20] The band did 5 tours to support this record. For the most part, perhaps with the exception of the Sno-Core 2000 tour where they were often booed, the band did have success attracting an audience. Following the 2000 tour the band again went on hiatus. Rumors circulated that the band had dissolved, with some members stating that the band was "over" while others insisted it was just "in limbo".[3] In 2003 Patton alluded to the fact that the band would probably not record any more albums stating "I think it is over. The guys are spread all over the world and we don't talk to each other. I have not spoken to a couple of the guys since the last tour, years ago."[28] While no official break-up announcement ever materialized, a 2004 Rolling Stone interview with Patton confirmed Mr. Bungle had disbanded with him revealing "We could have probably squeezed out a couple more records but the collective personality of this group became so dysfunctional, this band was poisoned by one person's petty jealousy and insecurity, and it led us to a slow, unnatural death. And I'm at peace with that, because I know I tried all I could."[1] When asked about a possible reunion, Mike Patton said, "It could happen, but I won't be singing. Some bridges have definitely been burned. It was a fun time and sometimes you just have to move on. I've got a lot on my plate now."[29] Trevor Dunn adds, on his website, "Bungle is dead and I'm happy about it" and that "the members of Mr. Bungle will never work together as such again".[30] Spruance,[31] Heifetz, and McKinnon[32] have been more optimistic; to quote Spruance, in response to the standard 'Mr. Bungle regrouping' question: "I hope so because that band could take over the fucking world if it wanted to."[31]
After the dissolution of Mr. Bungle the members have gone on to numerous different projects. Mike Patton co-founded the record label Ipecac Recordings[33] and is involved with several other ventures, most notably the bands Fantômas,[34] Tomahawk,[35] and Peeping Tom.[36] He also acted in the motion picture Firecracker.[37] Trey Spruance is involved with various bands, including Secret Chiefs 3 and Faxed Head. Trevor Dunn joined Patton in Fantômas as well as forming his own jazz band, Trevor Dunn's Trio Convulsant; he also occasionally played bass with Secret Chiefs 3.[6][38] Danny Heifetz's projects included playing with Secret Chiefs 3 and in a country/punk band called Dieselhed;[6] he now resides in Sydney, Australia, and plays in outfits such as The Tango Saloon and The Fantastic Terrific Munkle.[39][40] Clinton McKinnon also played with Secret Chiefs 3; he now lives in Melbourne, Australia, and plays with The Ribbon Device. Mr. Bungle were generally regarded as an experimental rock or avant-progressive rock group. All Music described Mr. Bungles music as a "unique mix of the experimental, the abstract, and the absurd",[4] while The Seattle Times characterized their music as "harsh, grating, unstructured, blasting, squeaky, speedy, slow, eerie and strangely compelling".[10] Distinctive features of the music were the utilization of numerous different instruments, unique vocals, and the use of unpredictable song formats and a number of different musical genres.
Along with the normal instruments of a rock band, Mr. Bungle would also incorporate additions such as bongos, woodblocks, tenor sax, Jews harp, xylophone, glockenspeil, clarinet, piano, and organ.[14] Journalist John Serba commented that the instrumentation "sounded kind of like drunken jazz punctuated with Italian accordions and the occasional Bavarian march, giant power chord, or feedback noise thrown in"[42] Overlaying this was Mike Patton's vocals, who often used death metal growls, crooning, screeching, gurgling, or simply whispering. The arrangement of their songs was also unique, normally displaying a total lack of any structured song format and rotating through different genres ranging from slow melodies to thrash-metal.[19] Critic Patrick Macdonald commented "In the middle of hard-to-follow, indecipherable noise, a relatively normal, funky jazz organ solo will suddenly drift in, it doesn't seem to fit but you can't stop listening to it".[10] Similarly New York Times journalist Jon Pareles described it as music that "leaps from tempo to tempo, key to key, style to style, all without warning".[43] Some of the notable genres they utilized include heavy metal,[20] funk,[20] free jazz,[20] surf rock,[17] punk,[43] klezmer music,[43] ska,[6] kecak,[25] avant-jazz,[21] folk music,[44] pop,[20] doo-wop,[44] funk metal,[25] electronica,[45] swing music,[20] space age pop,[20] death metal,[20][44] rockabilly,[20][25] bossa nova,[20] progressive rock,[18] country and western,[20] circus music [20] and even video game and cartoon music.[25] Critic Greg Prato stated they "may be the most talented rock instrumentalists today, as they skip musical genres effortlessly, while Mike Patton illustrates why many consider him to be the best singer in rock".[11]
Mr. Bungle's style has influenced many recent funk and metal chart-toppers, most notably Korn, whose guitarists utilize what they've dubbed the "Mr. Bungle chord".[1] Brandon Boyd of Incubus also cited Mr. Bungle as an influence.[46] Although, Patton has stated that he considers it an insult when people cite him as a forefather of Korn and Limp Bizkit, stating "I feel no responsibility for that, it's their mothers' fault, not mine." Mr. Bungle were well-known for their stage shows, where all of the band members would dress up in outrageous costumes and masks, often wearing a uniform of mechanic's jumpsuits along with masks such as Madonna, Nixon, Darth Vader, an executioner's hood, or plastic clown or gimp masks.[13] Bassist Trevor Dunn explained that initially the reason for the masks and dressing up was to assure anonymity.[48]
The shows for the California tours, while still involving various members in costumes, were largely devoid of the trademark masks and outfits due to the increased demands of the music.[19][49] Often the theme was related to California with palm tree props and the band members wearing beach party outfits including Hawaiian shirts and khaki pants.[19][50] Occasionally, the band would simply appear in black suits with white dress shirts or dress up in chef costumes, cowboy suits, or as the Village People.[42][51]
Throughout their career Mr. Bungle also performed numerous covers in their live shows, ranging from tiny snippets to whole songs. The covers were by a wide variety of artists and genres encompassing movie scores by Ennio Morricone, Henry Mancini, and John Williams, pop songs by Elton John and Jennifer Lopez, hip hop by Public Enemy and Ol' Dirty Bastard, to punk and metal songs by the Dead Kennedys, Metallica, and Slayer.Mr. Bungle is known to have had a bad relationship with the Red Hot Chili Peppers' frontman Anthony Kiedis.[2] The feud began when Kiedis saw singer Mike Patton performing with Faith No More and accused him of imitating his style. Stating "Yeah I watch that 'Epic' video, and I see him jumping up and down, rapping, and it looked like I was looking in the mirror. The thing is, I had no problem with him personally. I mean, I love 'The Real Thing,' and I liked his vocals on that record. I mean, when I heard the record I noticed subtle similarities, but when I saw that video it was like, 'Wait a second here, what the fuck?".[2] Mike Patton and Mr. Bungle took offense to Kiedis' comment, sarcastically threatening Kiedis in the press. In the early nineties, Patton met with Kiedis; the two were polite to each other and the feud seemed to have ended.[2]
However, in 1999 Mr. Bungle's album California was scheduled to be released on June 8, but their label, Warner Bros. Records, pushed it back so as not to coincide with the Red Hot Chili Peppers similarly titled album, Californication, which was to be released on the same day. This appeared to reignite the old feud with Kiedis having Mr. Bungle removed from a series of summer festivals in Europe; as the headlining act at the festivals The Chili Peppers had final word on the bands that would appear.[2][28] Patton stated "Our agent was in the process of booking these festivals, and it was becoming apparent that we'd landed some pretty good ones—one in France, another one in Holland, some big-name festivals. Turns out someone's holding a grudge! We were booted off several bills, including a really big festival in Australia, specifically because Anthony Kiedis did not want us on the bill. He threatened to pull the Chili Peppers if Mr. Bungle was on the bill. Now, rationalize that one! That's so fucking pathetic! I mean, this guy's selling a million records! We are not even a speck of dust on this guy's ass! What's the fucking problem?"[52] Trey Spruance added "We were booked, months in advance, to do eleven festival dates in Europe. Come Summer, we get a call from the three biggest of those festivals, all of them the same day, saying that we can't play, because the headlining band retains the right to hire and fire whomever they wish. We found out it was the Red Hot Chili Peppers, so our manager called their manager to find out what the hell was going on, and their manager was very apologetic, and said, 'We're really sorry, we want you to know this doesn't reflect the management's position, or the band's for that matter, it's Anthony Kiedis who wants this.'"[53]
As a result, Mr. Bungle parodied the Red Hot Chili Peppers in Detroit, Michigan on Halloween of 1999. Patton introduced each Mr. Bungle band member with the name of one of the Red Hot Chili Peppers before covering the songs Give It Away, Around The World, Under the Bridge and Scar Tissue, with Patton deliberately using incorrect lyrics. Mr. Bungle also satirized many of the mannerisms of the band, mocking their frequent heroin injections and on-stage antics. Kiedis responded by having them removed from the 2000 Big Day Out festival in Australia and New Zealand,[2][28] stating "I would not have given two fucks if they played with us there, but after I heard about some Halloween show where they mocked us and read another interview where Patton talked shit about us, and I was like, you know what, fuck him and fuck the whole band." (Less) Channel: youtube
12,
08:31,
2008-05-27 00:06:31
Description: This channel includes the beautiful not rude-i-full soul, spirit, person straight live and in person thru Sweeter Peter Palpin! All the way from the Spirit World along of course with the ONE AND ONLY (More) This channel includes the beautiful not rude-i-full soul, spirit, person straight live and in person thru Sweeter Peter Palpin! All the way from the Spirit World along of course with the ONE AND ONLY SOURSE as more than usual! And NO Stan Musual will not be channeling, but he will be more than laughing on the parts where Richard Pryer come more than shinning thru, true blue! Just like Dino D. Laurantis, who got a ten year break our of the bad, mad, sad part of the Spirit World for telling the truth about Arnold Schwart-sin-shit-cel and all the rest of the un-best out of Lost Angle Less and Un Holy Wood and New York City Shity of Pity and Non Witty!
And get ready for tomorrow, not to wallow, but it will be more than a hard act to follow, and if you're part of the black ball list a Hell of a act to have to swallow to the tune of 222 lifetimes for all their spiritual slime and unshine in this the most important time in the history of mother earth to give her back her mirth and rebirth! So tell me all of yous bad news bad news bad news yous! How much is a guy worth that can more than obviously channel one of the greatest standup comedians of any day? Just like he is channeling and for sure more than paneling me the Love, the Light, and the Way? So what will you all say when you see this more than obvious kiss of pure un adulterated bliss of Richard Mother Fucken Pryer come more than shinning thru talking the only way Richard Pryer can do! And think about all the Richard Pryer Fans that will want to watch this more than obvous boy/man Peter Palpin channel their once upon a time favorite comedian to them of all time, rain or shine they will all want to pay far more than a dime, time after mother fuckin time! That's why we put all this more than obvious stand up Comedy Central black ball list kiss of bliss up here for free on youtube for all the ugly, smugly and down wrong fugly to more than see! Because WAKE UP AND SMELL THE MOTHER FUCKIN COFFEE IN YOUR BADLY ABUSED AND I AM NOT AT ALL AMUZED UNUSED HEARTS AND SOULS AS YOU ALL CON-TINUE TO PLAY THE UN-HOLY-WOOD-ROLE! SO GET READY TO ROCK AND SOUL! GET READY TO ROCK AND SOUL! GET READY TO ROCK! GET READY TO ROCK! GET READY TO ROCK AND ROLL! GET READY TO ROCK AND SOUL! ALL YOU BAD NEWS, BAD NEWS, BAD NEWS JEWS! WHO ALL ARE MORE THAN SINGING THE JEWS BLUES! NOT THE BLUE CLUES! CAUSE AS DINO D. WOULD SAY! PETER-A PALPIN-A WAS BORN-A A JEW-A! A JEW-A, A JEW-A, JUST-A, LIKE-A, YOU-A! A JEW-A! THRU-A AND THRU-A! JUST-A, LIKE-A, YOU-A! A JEW-A! (Less) Channel: youtube
15,
09:46,
2008-05-27 02:14:10
Description: This channel includes the beautiful not rude-i-full soul, spirit, person straight live and in person thru Sweeter Peter Palpin! All the way from the Spirit World along of course with the ONE AND ONLY (More) This channel includes the beautiful not rude-i-full soul, spirit, person straight live and in person thru Sweeter Peter Palpin! All the way from the Spirit World along of course with the ONE AND ONLY SOURSE as more than usual! And NO Stan Musual will not be channeling, but he will be more than laughing on the parts where Richard Pryer come more than shinning thru, true blue! Just like Dino D. Laurantis, who got a ten year break our of the bad, mad, sad part of the Spirit World for telling the truth about Arnold Schwart-sin-shit-cel and all the rest of the un-best out of Lost Angle Less and Un Holy Wood and New York City Shity of Pity and Non Witty!
And get ready for tomorrow, not to wallow, but it will be more than a hard act to follow, and if you're part of the black ball list a Hell of a act to have to swallow to the tune of 222 lifetimes for all their spiritual slime and unshine in this the most important time in the history of mother earth to give her back her mirth and rebirth! So tell me all of yous bad news bad news bad news yous! How much is a guy worth that can more than obviously channel one of the greatest standup comedians of any day? Just like he is channeling and for sure more than paneling me the Love, the Light, and the Way? So what will you all say when you see this more than obvious kiss of pure un adulterated bliss of Richard Mother Fucken Pryer come more than shinning thru talking the only way Richard Pryer can do! And think about all the Richard Pryer Fans that will want to watch this more than obvous boy/man Peter Palpin channel their once upon a time favorite comedian to them of all time, rain or shine they will all want to pay far more than a dime, time after mother fuckin time! That's why we put all this more than obvious stand up Comedy Central black ball list kiss of bliss up here for free on youtube for all the ugly, smugly and down wrong fugly to more than see! Because WAKE UP AND SMELL THE MOTHER FUCKIN COFFEE IN YOUR BADLY ABUSED AND I AM NOT AT ALL AMUZED UNUSED HEARTS AND SOULS AS YOU ALL CON-TINUE TO PLAY THE UN-HOLY-WOOD-ROLE! SO GET READY TO ROCK AND SOUL! GET READY TO ROCK AND SOUL! GET READY TO ROCK! GET READY TO ROCK! GET READY TO ROCK AND ROLL! GET READY TO ROCK AND SOUL! ALL YOU BAD NEWS, BAD NEWS, BAD NEWS JEWS! WHO ALL ARE MORE THAN SINGING THE JEWS BLUES! NOT THE BLUE CLUES! CAUSE AS DINO D. WOULD SAY! PETER-A PALPIN-A WAS BORN-A A JEW-A! A JEW-A, A JEW-A, JUST-A, LIKE-A, YOU-A! A JEW-A! THRU-A AND THRU-A! JUST-A, LIKE-A, YOU-A! A JEW-A! (Less) Channel: youtube
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