Search results for father n daughter fucking
41, 
04:59, 
2008-02-03 08:47:22 Description: Lyrics :
Whatever
Dre just let it run
Ay yo turn the beat up a little bit
Ay yo, this song is for anyone
Fuck it just shut up and listen
Ay yo
I sit back with this pack of zigzags
(More) Lyrics :
Whatever
Dre just let it run
Ay yo turn the beat up a little bit
Ay yo, this song is for anyone
Fuck it just shut up and listen
Ay yo
I sit back with this pack of zigzags
And this bag of this weed
It gives me the shit needed to be
The most meanest emcee on this - on this earth
Cause since birth I've been cursed with this curse to just cursed
And just blurt this bezerk and bizarre shit that works
And it sells and it helps in its self
To relieve all this tension dispensing me
Sentence is getting it, stress has been eating me recently
All through this chest and I rest to get peacefully
But at least have the decency in you to leave me alone
When you freaks see me out in the streets when I'm eating or feedin' my daughter
To not come and speak to me
I don't know you and no I don't owe you a motherfuckin thing
I'm not Mr. NSYNC and I'm not what your friends think
I'm not Mr. Friendly
I can be a prick, if you tip me my tank is on empty
No patience is in me and if you offend me I'm lifting you ten feet
In the air, I don't care who was there and who saw me just jaw you
Go call you a lawyer file you a lawsuit
I'll smile in the courtroom and buy you a wardrobe
I'm tired of arguing - I don't mean to mean but it's all I can be
It's just me
And I am
Whatever you say I am
If I wasn't, then why would I say I am?
In the papers, the news, everyday I am
Radio won't even play my jam
Cause I am
Whatever you say I am
If I wasn't, then why would I say I am?
In the papers, the news, everyday I am
I don't know it's just the way I am
Sometimes I just feel like my father, I hate to be bothered
With all of this nonsense it's constant
And "oh it's just lyrical content!"
The song "Guilty Conscience" has gotten such rotten responses
And all of this controversy circles me
And it seems like the media immediately points a finger at me
So I point one back at 'em
But not the index or the pinky or the ring or the thumb
It's the one you put up when you don't give a fuck
When you won't just put up with the bullshit they pull
Cause they full of shit too
When a dude's gettin bullied and shoots up your school
And they blame it on Marilyn - and the heroin
Where were the parents at?
And look at where it's at middle America
Now it's a tragedy
Now it's so sad to see
An upper class city having this happening
Then attack Eminem cause I rap this way
But I'm glad cause they feed me the fuel
That I need for the fire to burn and it's burnin' and I have returned
And I am
Whatever you say I am
If I wasn't, then why would I say I am?
In the papers, the news, everyday I am
Radio won't even play my jam
Cause I am
Whatever you say I am
If I wasn't, then why would I say I am?
In the papers, the news, everyday I am
I don't know it's just the way I am
I'm so sick and tired of being admired
That I wish that I would just die or get fired
And drop from my label and stop with the fables
I'm not gonna be able to top what my name is
And pigeon holdin' to some poppy sensations
They cop me rotation at Rock 'N' Roll stations
And I just do not have the patience
To deal with this cocky Caucasians
Who think I'm some wigga who just tries to be black
Cause I talk with an accent and grab on my balls
So they always keep asking the same fucking questions
What school did I go to?
What hood I grew up in?
The why? The who, what?
When and where and the how?
Till I'm grabbing my hair and I'm tearing it out
You've been driving me crazy, I can't take it
I'm racing, I'm pacing, I stand and I sit
And I'm thankful for every fan that I get
But I can't take a shit in the bathroom
Without someone standing by it
No I won't sign your autograph
You can call me an asshole
I'm glad cause
And I am
Whatever you say I am
If I wasn't, then why would I say I am?
In the papers, the news, everyday I am
Radio won't even play my jam
Cause I am
Whatever you say I am
If I wasn't, then why would I say I am?
In the papers, the news, everyday I am
I don't know it's just the way I am (Less)
Channel: youtube Rate it: Rate:
53, 05:44, 2008-05-05 11:12:37 Description: Enjoy! :-)
Lyrics:
These ideas are nightmares for white parents
Whose worst fear is a child with dyed hair and who likes earrings
Like whatever they say has no bearing
Its so scary in a house (More) Enjoy! :-)
Lyrics:
These ideas are nightmares for white parents
Whose worst fear is a child with dyed hair and who likes earrings
Like whatever they say has no bearing
Its so scary in a house that allows no swearing
To see him walking around with his headphones blaring
Alone in his own zone, cold and he don't care
He's a problem child, what bothers him all comes out
When he talks about his fuckin' dad walkin out
'Cause he hates him so bad that he blocks him out
But if he ever saw him again, he'd prolly knock him out
His thoughts are whacked, he's mad so he's talkin' back
Talkin black, brainwashed from rock and rap
He sags his pants, 2 rags and a stocking cap
His step-father hit him so he socked him back
And broke his nose, this house is a broken home
There's no control, he just lets his emotions go
Come on
[refrain]:
Sing with me, sing for the year
Sing for the laughter, sing for the tear
(Come on)Sing with me, just for today
Maybe tomorrow, the good Lord will take you away
Entertainment is danger, intertwine it with gansters
In the land of the killers, a sinner's mind is a sanctum
Only you're unholy, only have one homey
Only this gun, lonely, 'cause don't anyone know me
But everybody just feels like they can relate
I guess words are a motherfucker, they can be great
Or they can be great, or even worse, they can teach hate
Its like kids hang on every single statement we make
Like they worship us, plus all the stores ship us platinum
Now how the fuck did this metamorphasis happen?
From standin' on corners and porches just rappin'
To havin' a fortune, no more kissin' ass
But then these critics crucify you, journalists try to burn you
Fans turn on you, attorney's all gonna turn at you
To get their hands on every dime you have
They want you to lose your mind every time you mad
So they can try to make you out to look like a loose canon
You need to spew, don't hesitate to produce hand-guns
Thats why these prosecutors wanna convict me
Swiftly just to get me offa these streets quickly
But all their kids been listen'n to me religiously
So I'm signing cds while police fingerprint me
They're for the judges daughter, but his grudge is against me
If I'm such a fuckin' menace, this shit doesnt make sense, Pete
It's all political, if my music is litteral then I'm a criminal
How the fuck can I raise a little girl?
I couldn't. I wouldn't be fit to
You're full of shit too, Guerrera, that was a fist that hit you
[refrain]
They say music can alter moods and talk to you
But can it load a gun for you and cock it too?
Well if it can, then the next time you assault a dude
Just tell the judge it was my fault, and I'll get sued
See what these kids do, is hear about us toting pistols
And they want to get one, 'cause they think the shit's cool
Not knowin' we're really just protectin' ourselves
We're entertainers, of course this shit's affecting our sales
You ignoramus. but music is reflection of self
We just explain it, and then we get our cheques in the mail
It's fucked up ain't it, how we can come from practically nothin'
To bein' able to have any fuckin' thing that we wanted
That's why we sing for these kids who don't have a thing
Except for a dream and a fucking rap magazine
Who post pinup pictures on their walls all day long
Idolize their favourite rappers and know all they songs
Or for anyone who's ever been through shit in there lives
So they sit and they cry at night, wishing they die
Till they throw on a rap record, and they sit and they vibe
We're nothing to you, but we're the fuckin' shit in their eyes
That's why we sieze the moment, and try to freeze it and own it
Squeeze it and hold it, 'cause we consider these minutes golden
And maybe they'll admit it when we're gone
Just let our spirits live on, through our lyrics that you hear in our songs
And we can
[refrain]
[refrain]
\m/, -_- ,\m/
"Sing For The Moment" Performed by The Chipmunks.
Original song by Eminem.
I already have and I will be uploading more Chipmunk songs in the future so comment for wishes. (Less)
Channel: youtube Rate it: Rate:
9, 04:59, 2008-04-22 09:10:47 Description: Lyrics : Whatever Dre just let it run Ay yo turn the beat up a little bit Ay yo, this song is for anyone Fuck it just shut up and listen Ay yo I sit back with this pack of zigzags And this (More) Lyrics : Whatever Dre just let it run Ay yo turn the beat up a little bit Ay yo, this song is for anyone Fuck it just shut up and listen Ay yo I sit back with this pack of zigzags And this bag of this weed It gives me the shit needed to be The most meanest emcee on this - on this earth Cause since birth I've been cursed with this curse to just cursed And just blurt this bezerk and bizarre shit that works And it sells and it helps in its self To relieve all this tension dispensing me Sentence is getting it, stress has been eating me recently All through this chest and I rest to get peacefully But at least have the decency in you to leave me alone When you freaks see me out in the streets when I'm eating or feedin' my daughter To not come and speak to me I don't know you and no I don't owe you a motherfuckin thing I'm not Mr. NSYNC and I'm not what your friends think I'm not Mr. Friendly I can be a prick, if you tip me my tank is on empty No patience is in me and if you offend me I'm lifting you ten feet In the air, I don't care who was there and who saw me just jaw you Go call you a lawyer file you a lawsuit I'll smile in the courtroom and buy you a wardrobe I'm tired of arguing - I don't mean to mean but it's all I can be It's just me And I am Whatever you say I am If I wasn't, then why would I say I am? In the papers, the news, everyday I am Radio won't even play my jam Cause I am Whatever you say I am If I wasn't, then why would I say I am? In the papers, the news, everyday I am I don't know it's just the way I am Sometimes I just feel like my father, I hate to be bothered With all of this nonsense it's constant And "oh it's just lyrical content!" The song "Guilty Conscience" has gotten such rotten responses And all of this controversy circles me And it seems like the media immediately points a finger at me So I point one back at 'em But not the index or the pinky or the ring or the thumb It's the one you put up when you don't give a fuck When you won't just put up with the bullshit they pull Cause they full of shit too When a dude's gettin bullied and shoots up your school And they blame it on Marilyn - and the heroin Where were the parents at? And look at where it's at middle America Now it's a tragedy Now it's so sad to see An upper class city having this happening Then attack Eminem cause I rap this way But I'm glad cause they feed me the fuel That I need for the fire to burn and it's burnin' and I have returned And I am Whatever you say I am If I wasn't, then why would I say I am? In the papers, the news, everyday I am Radio won't even play my jam Cause I am Whatever you say I am If I wasn't, then why would I say I am? In the papers, the news, everyday I am I don't know it's just the way I am I'm so sick and tired of being admired That I wish that I would just die or get fired And drop from my label and stop with the fables I'm not gonna be able to top what my name is And pigeon holdin' to some poppy sensations They cop me rotation at Rock 'N' Roll stations And I just do not have the patience To deal with this cocky Caucasians Who think I'm some wigga who just tries to be black Cause I talk with an accent and grab on my balls So they always keep asking the same fucking questions What school did I go to? What hood I grew up in? The why? The who, what? When and where and the how? Till I'm grabbing my hair and I'm tearing it out You've been driving me crazy, I can't take it I'm racing, I'm pacing, I stand and I sit And I'm thankful for every fan that I get But I can't take a shit in the bathroom Without someone standing by it No I won't sign your autograph You can call me an asshole I'm glad cause And I am Whatever you say I am If I wasn't, then why would I say I am? In the papers, the news, everyday I am Radio won't even play my jam Cause I am Whatever you say I am If I wasn't, then why would I say I am? In the papers, the news, everyday I am I don't know it's just the way I am (Less)
Channel: youtube Rate it: Rate:
275, 08:16, 2007-04-13 06:52:15 Description: SLAYER perform Bitter Peace & Death's Head on the "Diabolus In Music" world tour @ Sacramento Memorial Auditorium 1998...also on the bill were FEAR FACTORY, KILGORE & THE (More) SLAYER perform Bitter Peace & Death's Head on the "Diabolus In Music" world tour @ Sacramento Memorial Auditorium 1998...also on the bill were FEAR FACTORY, KILGORE & THE COUNCIL...Slayer is an American thrash metal band, formed in 1981 by guitarists Jeff Hanneman and Kerry King. Slayer rose to fame as a leader of the American thrash metal movement with their 1986 release Reign in Blood, which has been called "the heaviest album of all time.The band is credited as one of the "Big Four" thrash metal bands, along with Megadeth, Metallica, and Anthrax.
Slayer is known for its musical traits, involving fast tremolo picking, guitar solos, double bass drumming, and shouting vocals. The band's lyrics and album art, which cover topics such as serial killers, Satanism, religion and warfare have generated album bans, delays, lawsuits and strong criticism from religious groups and the public.
Since their debut record in 1983, the band has released two live albums, one box set, two DVDs, two EPs, and ten albums, four of which have received gold certification. The band has received two Grammy nominations, winning one in 2007 for the song "Eyes of the Insane", and headlined music festivals worldwide, including Ozzfest, The Unholy Alliance and the Download Festival. http://slayer.net Early days (1981--1982)
Slayer formed in 1981, when guitarist Kerry King met Jeff Hanneman while auditioning for a band. The two recruited bassist and vocalist Tom Araya, who had played with King in a band called Quits, and drummer Dave Lombardo who met King while delivering pizzas. The band began playing cover versions of Iron Maiden and Judas Priest songs at clubs and parties in Southern California. Early shows relied on a Satanic image, which featured pentagrams, make-up, spikes, and inverted crosses A rumor has the band originally known as Dragonslayer, after the 1981 movie of the same name. However, when King was asked "How did you come up with the name Dragonslayer, King responded "We never did; it's a myth to this day."
The band was offered to open for Bitch at the Woodstock Club in Los Angeles, performing eight songs — six being covers. While performing the song "Phantom of the Opera" by Iron Maiden the band was spotted by Brian Slagel, a former music journalist who had recently founded Metal Blade Records. Impressed with Slayer's performance, Slagel met with the band backstage and asked them to record an original song, "Aggressive Perfector"(sample (help·info)) for his upcoming Metal Massacre III compilation. The band agreed and the song created underground buzz, which led to Slagel offering the band a recording contract with Metal Blade. http://myspace.com/slayer
Show No Mercy (1983--1984)
Without a recording budget, the band was forced to self-finance its debut album. Combining the savings of Araya, who was employed as a respiratory therapist,[9] and money borrowed from King's father,[2] the band entered the studio in November 1983. The album was rushed into release, hitting shelves three weeks after tracks were completed. Show No Mercy, released in December 1983 by Metal Blade Records, generated underground popularity for the band, and they began their first national club tour in 1984 to promote the album traveling in Araya's Camaro towing a U-Haul trailer.[2] The tour gave the band additional popularity; sales of Show No Mercy reached more than 20,000 in the US and another 20,000 worldwide.[8]
Slayer's Show No Mercy covered topics such as Satanism, Hell, and the Devil.
Slayer's Show No Mercy covered topics such as Satanism, Hell, and the Devil.
In August 1984, Slayer released a three song EP, entitled Haunting the Chapel. The EP featured a darker, more thrash-oriented style than its predecessor, and laid the groundwork for the future direction of the band.[10] The opening track, "Chemical Warfare," has become a live staple, played at nearly every show since 1984. After the release of Haunting the Chapel, Slayer made its live European debut at the Heavy Sounds Festival in Belgium opening for UFO,[11] returning to the US to begin the Haunting The West Coast tour.[12]
Following the tour, King temporarily left Slayer to join Dave Mustaine's new band Megadeth.[13] Hanneman was worried about King's decision, stating in an interview "I guess we're gonna get a new guitar player".[2] While Mustaine wanted King to stay on a permanent basis, King rejoined Slayer after five shows, stating Megadeth was "taking too much of my time".[2] The split caused a rift between King and Mustaine, which evolved into a long running feud between the two bands.[14] Following King's return, the band embarked on the 1984 Combat Tour, with Venom and Exodus, and released a live album titled Live Undead in November.
[edit] Hell Awaits (1985--1986)
Slayer released its first live home video in 1985, dubbed Combat Tour: The Ultimate Revenge. The video featured live footage filmed at New York's Studio 54 club, on the band's 1984 tour with Venom and Exodus. By early 1985, Show No Mercy had sold over 40,000 copies,[8] which lead to the band returning to the studio to record a second full length album. Metal Blade financed a recording budget, which allowed the band to hire producer Ron Fair.
Released in September 1985, Slayer's second full length release Hell Awaits expanded on the darkness of Haunting the Chapel, with hell and Satan as common song subjects. The album was the band's most progressive offering, featuring longer and more complex song structures.[2] The intro is a backwards recording of a demonic-sounding voice repeating "Join us," ending with "Welcome back" before the track begins.[15]
[edit] Reign in Blood (1986--1987)
Following the success of Hell Awaits, Slayer was offered a recording contract with Rick Rubin's newly founded Def Jam Records, a largely rap-based label.[2] The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore influenced song structures.[2]
The release of Reign in Blood was delayed due to the nature of its artwork and lyrical themes.
The release of Reign in Blood was delayed due to the nature of its artwork and lyrical themes.
Def Jam's distributor, Columbia Records refused to release the album Reign in Blood, due to its graphic graphic cover art and lyrical themes.[2] "Angel of Death", detailed the Nazi concentration camps and human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy Reign in Blood did not appear on Geffen Records release schedule.[2] Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at #94,[16] and the band's first album certified gold in the United States.[17]
In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band were added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid."[2] To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo's wife convinced Dave to return in 1987.[2] At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero.[2] Although the band was not happy with the final product, Hanneman deeming it a poor representation of Slayer and King labeling it "a hunk of shit", it was the first songs to garner radio airplay.[2]
[edit] South of Heaven (1988--1989)
Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempo incorporating melodic singing, rather than screaming. Hanneman asserted; "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird—we've never done that on an album, before or since."[2]
1988's South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at #57 on the Billboard 200,[16] and the second album to receive gold certification in the United States.[17] Press response to the album was mixed, with All Music Guide citing the album as "disturbing and powerful",[18] and Rolling Stone calling it "genuinely offensive satanic drivel".[19] King says "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.[2]
[edit] Seasons in the Abyss (1990--1993)
Slayer returned to the studio with co-producer Andy Wallace in 1989, to record their fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood", while retaining their new found melodic sense.[20] Seasons in the Abyss, released in October 1990, was the first Slayer album to be released under Rubin's new Def American label, as he parted ways with Def Jam owner Russell Simmons over creative differences. The album debuted at #44 on the Billboard 200,[16] and was certified gold in 1992.[17] The title track, spawned Slayer's first music video, which was filmed in front of the Giza pyramids in Egypt prior to the Gulf War.
Slayer returned as a live act in September 1990 to co-headline the European Clash of the Titans tour with Megadeth, Suicidal Tendencies, and Testament. With the popularity of American thrash at its peak, the tour was extended to the US beginning in May 1991, with Megadeth, Anthrax and opening act Alice in Chains. The band released a double live album, Decade of Aggression in 1991, to celebrate ten years. The compilation debuted at #55 on the Billboard 200.[16]
In May 1992, Lombardo quit the band due to conflicts with other members, as well as arguments over his wish to bring his wife on tour.[21] Lombardo formed his own band Grip Inc, with Voodoocult guitarist Waldemar Sorychta,[22] and Slayer recruited former Forbidden drummer Paul Bostaph to fill his place. Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington. Bostaph's first studio effort was a medley of three Exploited songs, "War", "UK '82", and "Disorder", with rapper Ice-T, for the Judgment Night movie soundtrack in 1993.[23]
[edit] Divine Intervention (1994--1995)
In 1994 Slayer released Divine Intervention, the band's first record with drummer Bostaph. The record became the band's highest charting at that time, debuting at #8 on the Billboard 200.[16] The album featured songs boasting about Reinhard Heydrich, an architect of the Holocaust, Jeffrey Dahmer, "213" his apartment number where he murdered, raped, and tortured seventeen victims. Other themes included murder, the evils of church, and the lengths to which governments will go to wield power, Araya's interest in serial killers inspired much of the lyrical content.[9][24]
Music sample:
* "SS-3" (1994) (file info) — [Play media] play in browser (beta)
o SS-3 is about Reinhard Heydrich, an architect of the Holocaust. SS-3 refers to the license plate number of the car he was killed in.
o Problems listening to the file? See media help.
Slayer geared up for a world tour in 1995, with openers Biohazard and Machine Head. A video of concert footage, Live Intrusion was released, featuring a joint cover of Venom's "Witching Hour" with Machine Head. Relations between Slayer and Machine Head have since badly deteriorated.[25] Following the tour, Slayer were billed fourth at the 1995 Monsters of Rock festival, headlined by Metallica.
[edit] Undisputed Attitude (1996--1997)
In 1996, Undisputed Attitude, an album of punk covers, was released. The band covered songs by Minor Threat, T.S.O.L., D.R.I., D.I., Dr. Know, Verbal Abuse and Iggy and the Stooges. The album featured three original tracks, "Gemini", "Can't Stand You", "Ddamm" written by Hanneman in 1984--1985 for a side project entitled "Pap Smear". Bostaph left Slayer shortly after the album's release to work on his own project, The Truth about Seafood. With Bostaph's departure, Slayer recruited Testament drummer Jon Dette, and headlined the 1996 Ozzfest alongside Ozzy Osbourne, Danzig, Biohazard, Sepultura, and Fear Factory. Dette was fired after a year, due to a fallout with band members; Bostaph returned to continue the tour.[26]
A lawsuit was brought against the band in 1996, by the parents of Elyse Pahler, who accused the band of encouraging their daughter's murderers through their lyrics.[27] Elyse was drugged, strangled, stabbed, trampled on, and raped as a sacrifice to the devil by three fans of the band.[27] The case was unsealed by the court on May 19, 2000, stating Slayer and related business markets distribute harmful products to teens, encouraging violent acts through their lyrics,[27] and "none of the vicious crimes committed against Elyse Marie Pahler would have occurred without the intentional marketing strategy of the death-metal band Slayer".[28] The lawsuit was dismissed in 2001, for multiple reasons including "principles of free speech, lack of a duty and lack of foreseeability".[29] A second lawsuit was filed by the parents, an amended complaint for damages against Slayer, their label, and other industry and label entities. The lawsuit was dismissed; Judge E. Jeffrey Burke stated "I do not consider Slayer's music obscene, indecent or harmful to minors."[29]
[edit] Diabolus in Musica (1998--2000)
Diabolus in Musica (Latin for "The Devil in Music")[30] was released in 1998, and debuted at #31 on the Billboard 200, selling over 46,000 copies.[31] The album received a mixed critical reception and was criticized for adopting characteristics of nu-metal music such as tuned down guitars, murky chord structures, and churning beats. Blabbermouth.net reviewer Borijov Krgin described the album as "a feeble attempt at incorporating updated elements into the group's sound, the presence of which elevated the band's efforts somewhat and offered hope that Slayer could refrain from endlessly rehashing their previous material for their future output.",[32] while New York Time's Ben Ratliff had similair sentiments by saying "eight of the 11 songs on Diabolus in Musica, a few of which were played at the show, are in the same gray key".[33] However, Adrien Begrand of PopMatters said the songs "Bitter Peace", "Death's Head", and "Stain of Mind"; "blow away anything that young pretenders like Slipknot have put out."[34]
The album was the band's first with drop D tuning, as featured on the lead track, "Bitter Peace",(sample (help·info)) making use of the musical range referred to in the Middle Ages as the tritone or Devil's scale.[35] Slayer teamed up with digital hardcore group Atari Teenage Riot to record a song for the Spawn soundtrack titled "No Remorse (I Wanna Die)". The band later payed tribute to Black Sabbath by recording a cover of "Hand of Doom" for the second of two tribute albums, entitled Nativity in Black II. A world tour followed to support the new album, with Slayer making an appearance at the United Kingdom Ozzfest 1998 alongside Black Sabbath, Ozzy Osbourne, Foo Fighters, Pantera, Soulfly, Fear Factory, and Therapy?.
[edit] God Hates Us All (2001--2005)
The original cover of God Hates Us All was deemed "too graphic", so a slip-insert was created to allow the album to be distributed.
The original cover of God Hates Us All was deemed "too graphic", so a slip-insert was created to allow the album to be distributed.
After delays regarding remixing and artwork,[36] including slip covers created to cover the original artwork as it was deemed "too graphic", God Hates Us All was released on September 11, 2001. The band received its first Grammy nomination for the lead track "Disciple", although the Grammy was awarded to Tool, for "Schism".[37] Promotional material announcing the album title and release drew an unintended connection with the September 11 terrorist attacks.
The attacks jeopardized the 2001 European tour Tattoo the Planet originally set to feature Pantera, Static X, Biohazard and Vision of Disorder. Dates were canceled or postponed due to flight restrictions, with a majority of bands deciding to withdraw, leaving Slayer and Static X remaining for the European leg of the tour.[38] Pantera, Vision of Disorder and Biohazard were replaced by Cradle of Filth and other bands dependent on location; Amorphis, In Flames, Moonspell, Children of Bodom, and Necrodeath. Drummer Bostaph left Slayer before Christmas in 2001, due to a chronic elbow injury which would hinder his ability to play.[39] Slayer's "God Hates Us All" tour was unfinished so King contacted original drummer Lombardo, and asked if he would like to finish the remainder of the tour. Lombardo accepted the offer, and stayed as a permanent member.[39]
Slayer toured playing Reign in Blood in its entirety throughout the fall of 2003, under the tour banner "Still Reigning". Their playing of the final song "Raining Blood" culminated with the band drenched in a rain of fake blood. Live footage of this was recorded at the Augusta Civic Center in Augusta, Maine, on July 11, 2004 and released on the 2004 DVD Still Reigning. The band also released War at the Warfield and a box set, Soundtrack to the Apocalypse featuring rarities, live CD and DVD performances and various Slayer paraphernalia.
From 2002 to 2004 the band performed over 250 tour dates, headlining major music festivals including H82k2, Summer tour, Ozzfest 2004, the Download Festival and a European tour with Slipknot. While preparing for the Download Festival in England, Metallica drummer Lars Ulrich was rushed to hospital with a mysterious illness, and was unable to perform.[40] Metallica vocalist James Hetfield searched for volunteers at the last minute to replace Ulrich; Lombardo and Slipknot drummer Joey Jordison volunteered, with Lombardo performing the songs "Battery" and "The Four Horsemen".[40]
[edit] Christ Illusion (2006--present)
The album Christ Illusion was originally scheduled for release on June 6, 2006, and would be the first album with original drummer Lombardo since 1990's Seasons in the Abyss.[41]. However, the band decided to delay the release of the record as they did not want to be among the many, according to King, "half-ass, stupid fucking loser bands" releasing records on June 6,[42] although USA Today reported the idea was thwarted because the band failed to secure sufficient studio recording time.[43] Instead, Slayer released Eternal Pyre on June 6 as a limited-edition EP. Eternal Pyre featured the song "Cult", a live performance of "War Ensemble" in Germany, video footage of the band recording "Cult", and a five minute video of a Slayer fan carving the band's name onto his forearm. Five thousand copies were released and sold exclusively through Hot Topic chain stores, and sold out within hours of release.[44] On June 30, Nuclear Blast Records released a 7" vinyl picture disc version limited to a thousand copies.[45]
Christ Illusion was released on August 8, 2006, and debuted at #5 on the Billboard 200, selling over 62,000 copies in its first week.[46] The album became Slayer's highest charting, improving on its previous highest charting album, Divine Intervention, which had debuted at #8. However, despite its high positioning, the album dropped to #44 in the following week.[47] Three weeks after the album's release Slayer were inducted into the Kerrang! Hall of Fame for their influence to the heavy metal scene.[48]
Slayer performing at The Unholy Alliance Tour
Slayer performing at The Unholy Alliance Tour
A worldwide tour dubbed The Unholy Alliance, was undertaken to support the new record. The tour was originally set to launch on June 6, but was postponed to June 10, as Araya had to undergo gall bladder surgery.[49] In Flames, Mastodon, Children of Bodom, Lamb of God, and Thine Eyes Bleed, Which features Araya's brother Johnny Araya, were supporting Slayer.[50] The tour made its way through America and Europe and the bands who participated, apart from Thine Eyes Bleed, reunited to perform at Japan's Loud Park Festival on October 15, 2006.[51]
The video for the album's first single, "Eyes of the Insane", was released on October 30, 2006.[52] The track was featured on the Saw III soundtrack, and won a Grammy-award for "Best Metal Performance" at the 49th Grammy Awards, although the band were unable to attend due to touring obligations.[53] A week later, the band visited the 52nd Services Squadron located on the Spangdahlem U.S. Air Force Base in Germany to meet and play a show. This was the first visit ever to a military base for the band.[54] The band made its first network TV appearance on the show Jimmy Kimmel Live! on January 19, playing the song "Eyes of the Insane", and four additional songs for fans after the show, although footage from "Jihad" was cut due to its controversial lyrical themes. Slayer toured Australia and New Zealand in April with Mastodon, and appeared at the Download Festival and Rock Am Ring.[56] The band planned to attend the Heineken Jammin' Festival,[57] Switzerland's Greenfield Festival, and a summer tour with Marilyn Manson.[58] In May 2007, Blabbermouth.net announced that a 'first English language Slayer biography' was being written by British author Joel McIver, although no release date was announced.[59]
[edit] Influence
Slayer is credited as one of the "Big four" thrash metal bands along with Megadeth, Anthrax and Metallica, all of which rose to fame in the early 1980s.[1] These four bands have had a great influence on thrash and death metal scenes. "Their downtuned rhythms, infectious guitar licks, graphically violent lyrics and grisly artwork set the standard for dozens of emerging thrash bands, and Slayer's music was directly responsible for the rise of death metal" states MTV, ranking Slayer as the sixth "greatest metal band of all time,"[15] also ranking number 50 on VH1's "100 Greatest Artists of Hard Rock".[60] Hanneman and King ranked number 10 in Guitar World's "100 greatest metal guitarists of all time" in 2004,[61] and were voted "Best Guitarist/Guitar Team" in Revolver's reader's poll. Lombardo was also voted "Best Drummer" and the band entered the top five in the categories "Best Band Ever," "Best Live Band," "Album of the Year" (for Christ Illusion), and "Band of the Year."[62]
The band's 1986 release, Reign in Blood has been an influence to extreme and thrash metal bands since its release. The album was hailed the "heaviest album of all time" by Kerrang! Magazine,[3] a "genre-definer" by Stylus Magazine,[63] and a "stone-cold classic upon its release" by All Music Guide.[64] In 2006 it was named the best metal album of the last 20 years by Metal Hammer.[65] Richard Christy, former member of Death was blown away by Dave's performance on the album Reign in Blood,[66] as was Cannibal Corpse drummer Paul Mazurkiewicz.[67]
Drummer Lombardo has been an influence on many modern metal drummers including Ray Herrera of Fear Factory,[68] Pete Sandoval of Morbid Angel,[69] former Cradle of Filth drummer Adrian Erlandsson,[70] and Krisiun drummer Max Kolesne.[71] Patrick Grün of Caliban's inspiration to play drums came from Lombardo,[72] with Jason Bittner of Shadows Fall inspired by Lombardo's double bass, utilizing double bass when starting his own music career.[73]
[edit] Style
Early works were praised for their "breakneck speed and instrumental prowess," combining the structure of hardcore tempos and speed metal the band released fast, aggressive material.[1] The album Reign in Blood is the band's fastest, performed at an average of 250 beats per minute.[74] The album Diabolus in Musica was the band's first with drop D tuning, God Hates Us All the first with drop B tuning - utilizing seven-string guitars.[75] All Music Guide cited the album as "abandoning the extravagancies and accessibility of their late-'80s/early-'90s work and returning to perfect the raw approach",[76] with some fans labeling it nu-metal.[77]
Hanneman's and King's dual guitar solos have been called "wildly chaotic,"[1] and "twisted genius."[78] Drummer Lombardo uses two bass drums, instead of the double kick which is used on a single bass drum. Lombardo's speed and aggression earned him the title of the "godfather of double bass" by Drummerworld. Lombardo states his reasons for using two bass drums: "When you hit the bass drum the head is still resonating. When you hit it in the same place right after that you kinda get a "slapback" from the bass drum head hitting the other pedal. You're not letting them breathe." When playing the double bass Lombardo uses the "heel-up" technique, angling his pedals.
Writing lyrics and music
Hanneman, King and Araya contribute to the band's lyrics, and Lombardo, King and Hanneman create the music. Araya's first contribution to lyrical content was 1988's South of Heaven, forming a lyric writing partnership with Hanneman, which can overshadow the creative input of King.Hanneman states writing lyrics and music is a "free for all"; "It's all just whoever comes up with what. Sometimes I'll be more on a roll and I'll have more stuff, same with Kerry — it's whoever's hot, really. Anybody can write anything; if it's good we use it, if not we don't."
When writing new material the band writes the music before incorporating lyrics. King or Hanneman will use a 24-track and drum machine to show band members the riff they have created, and to get their opinion. Either King or Hanneman and Lombardo will mention if any alterations can be made. The band will play the riff to get the basic song structure, and figure out where the lyrics and solos will be placed.
Feuds
As of 2007, Araya and King have an ongoing feud with Dave Mustaine of Megadeth. It began when Mustaine attempted to convince King to stay with Megadeth rather than the "lame spikes" and "eyeliner" with the "poseurs" in 1984. Mustaine proceeded to tell Araya he liked it when he "sucked his dick" at the 1991 "Clash of the Titans" tour. Araya rebutted calling him a "homo" on stage. Since their falling out at the tour, King lashed out at Mustaine in several interviews stating he is a "cocksucker", "everybody hates him", and he is a "dictator". Recently in GuitarWorld.com's Dear Guitar Hero, King "admires him to this day" but as a guitarist even though he considers Mustaine as a "hypocrite".
Relations between Machine Head and Slayer deteriorated when King labeled Machine Head as "sell-outs" after the release of its 2001 album Supercharger. King continued to criticize the band stating "They're responsible for rap-metal", "they fooled me into thinking they're metal", "'they have no integrity left." Machine Head front man Robb Flynn stated King was not provoked, and these comments had come from nowhere. Flynn, who once idolized King rebutted "Oh, Mr. SUM 41 video has so much fuckin' integrity now!? Shit?!" after King appeared in Sum 41's music video "What We're All About", also stating "King's eaten so many cheeseburgers his brain's starting to clog up." However, on June 16, 2007 Flynn reported that the two sorted out their 'beef' at the Metal Hammer Awards, at which Slayer won an award for 'Metal Icon'.
Controversy
The lyrics of "Angel of Death" were inspired by the acts of Josef Mengele during World War II
Slayer has been accused of holding Nazi sympathies, due to the band's eagle logo bearing resemblance to the Eagle atop swastika, Schutzstaffel stickers on guitars, and the lyrics of "Angel of Death". The lyrics of "Angel of Death" were inspired by the acts of Josef Mengele, the doctor who conducted human experiments on Jewish and Roma prisoners during World War II at the Auschwitz concentration camp, and was dubbed the "Angel of Death" by inmates. Throughout their career, the band members were asked about these accusations, and have stated numerous times they do not condone Nazism, and are merely interested in the subject.
Slayer's cover of Minor Threat's "Guilty Of Being White" raised questions about a possible message of white supremacy in the band's music. The controversy surrounding the cover involved the changing of the refrain "guilty of being white" to "guilty of being right", at the song's ending. This incensed Minor Threat frontman Ian MacKaye, who stated "that is so offensive to me".
In a 2004 interview with Araya, when asked, "did critics realize you were wallowing in parody?", Araya replied, "No. People thought we were serious!...back then you had that PMRC, who literally took everything to heart, when in actuality you're trying to create an image. You're trying to scare people on purpose". Araya also denied rumors that Slayer members are Satanists, but they find the subject of Satanism interesting and "we are all on this planet to learn and experience".
The controversial cover of "Christ Illusion"
The song "Jihad" of the album Christ Illusion sparked controversy among families of the September 11 victims. The song deals with the attack from the perspective of a religious terrorist. The band stated the song is spoken through perspective without being sympathetic to the cause, and supports neither side. Seventeen bus benches promoting the album in Fullerton, California were deemed offensive by city officials. They felt the Antichrist and skull were inappropriate, and felt the name "Slayer" pertains to a murderer. City officials contacted the band's record label and demanded that the ads be removed. All seventeen benches were removed.
In India, the album was recalled by EMI India after protests with Muslim and Christian religious groups due to the nature of the graphic artwork. The album cover depicts Christ mutilated, missing arms and an eye, in a sea of blood with severed heads. On October 11, 2006 EMI announced that all stocks had been destroyed, noting it had no plans to re-release the record in India in the future.
Main article: Slayer discography
Studio albums
* 1983: Show No Mercy
* 1985: Hell Awaits
* 1986: Reign in Blood #94 US[16]
* 1988: South of Heaven #57 US[16]
* 1990: Seasons in the Abyss #40 US[16]
* 1994: Divine Intervention #8 US[16]
* 1996: Undisputed Attitude #34 US[16]
* 1998: Diabolus in Musica #31 US[16]
* 2001: God Hates Us All #28 US[16]
* 2006: Christ Illusion #5 US[16]
EPs/Box Sets
* 1984: Haunting the Chapel
* 2003: Soundtrack to the Apocalypse
* 2006: Eternal Pyre
DVDs/Live CDs
* 1984: Live Undead
* 1991: Decade of Aggression
* 1995: Live Intrusion
* 2003: War at the Warfield
* 2004: Still Reigning
[edit] Band members
[edit] Current members
* Tom Araya - bass, lead vocals (1981--present)
* Jeff Hanneman - guitar (1981--present)
* Kerry King - guitar (1981-present)
* Dave Lombardo - drums (1981--1986, 1987--1992, 2001--present)
[edit] Former members
* Paul Bostaph - drums (1992--1996, 1997--2001)
* Jon Dette - drums (1996--1997)
* Tony Scaglione - drums (1986--1987) (Less)
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