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2009-02-15 20:57:15 Description: "Ahh," she breathed out in pleasure. Whether it's at the gym, in the shower, on the playing field, at work or at a bar. Debi was still playing with her pussy and it had been very (More) "Ahh," she breathed out in pleasure. Whether it's at the gym, in the shower, on the playing field, at work or at a bar. Debi was still playing with her pussy and it had been very difficult to do the task at hand. And later I am stroking fast. I hold you in place with one hand while the other moves the ice cube around in little circles. I was lying on the bed having a nice long slow hand job and thinking how good it would be to have my wife was doing it for me and finishing me off orally. I had no more fear. Celeste pulled away from Kara?s grip, and she and Mom took care of licking up my cum. Kara spread Celeste?s legs wide apart, and Celeste reached out for my cock again, guiding it to her pussy lips, and slowly inserting it. Smith, she first saw the dissipated side of his character soon after he started work at the factory. And we came together. I was lying on the bed having a nice long slow hand job and thinking how good it would be to have my wife was doing it for me and finishing me off orally. I envy a couple of your boyfriends at times . knowing the two of you were in bed and I gather playing bedtime Olympics. Becky and Billy?s house was very secluded and since no one in the town knew who they were they simply lived as husband and wife. She is beautiful. She clutched Zeta's head and reared her body up and mashed her yoni on her mouth, grinding it around. He walked to the living room and stopped short. "Thanks. We lay together naked as we were and I loved the feel of her body against mine. It was about 3-4 feet in diameter and the long lush looking fur waved about as though there might be a breeze blowing through the room. She jabbed her tongue back and forth, tongue-fucking the pussy. Celeste was the first to cum, as her pussy drooled all over Mom?s face. She hunched her quim up on Debbie's tongue as she bobbed her head and sucked Gerald's cock. She placed some pillows beneath his head, then moved on top of him, sat astride his lap and shuffled her bottom forward until her moist labia were kissing the end of his cock. He felt my hot cheek and my breathing on him. He closed his door and we walked over to the passenger side and I opened the rear passenger door. Then I gave her my third movement . I slid my little finger into her ass. It was big, stiff and throbbing. Stone.I don't think.I mean.I." "Ms. too, intense. I walked to his desk. Kara began sucking her tits at the same time, and I heard another long moan from our mother. She grabbed it with her hand and looked up at him with eyes that said way more than she could've said out loud. She dressed casually, pulling on a pair of short cutoff jeans and a tee-shirt. He stood at the door with the most devious smirk ?Hi Bells, I missed you and I had to find you?. I pulled out abruptly just as she orgasmed on Carly's tongue. The preacher was speechless, shocked at his wife's behavior, but that didn't stop his prick from growing stiff. will just watch for the moment thanks. I am putting myself on top of you; my tongue is going up and down between your breasts, licking them both one by one. I turned to face him and asked him if he liked it. She then licked up slowly until she reached Kara?s clit, which she circled with her tongue, never quite hitting her love button directly. Mom turned the hot water on as she began to blow my cock again. Never before have I cum so hard. Jeannie thrust her cunt up and tightened her muscles. I could almost come just by thinking about it. ?Have you had sex with each other before? We all told her how we started together, then Mom said ?I?m getting tired of all this talk. Your mother told me to keep an eye on you when she brought you here. ?I want you to eat me first? instructed Mom. but I?m getting married tomorrow, MMMMMMMMMMMMMMMMM? Emma?s teeth gently nibbled her neck. I was lying on the bed having a nice long slow hand job and thinking how good it would be to have my wife was doing it for me and finishing me off orally. " The music was soft and dreamy and they danced slowly to it. He hurriedly unbuckled and unzipped his pants and pulled his cock out. (Less)
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318, 04:05, 2006-07-01 09:53:14 Description: (new edit!) Hilarious parody of four classic teen sex comedies-- See if you can name them! New song from new band featuring ex-members of Ultimate Fakebook and Podstar. Directed by Eric Melin, (More) (new edit!) Hilarious parody of four classic teen sex comedies-- See if you can name them! New song from new band featuring ex-members of Ultimate Fakebook and Podstar. Directed by Eric Melin, unorthodox film critic at Scene-Stealers.com (and contestant on VH1's 2007 World Series of Pop Culture as Westerburg High). Power pop heaven. Album co-produced by Stephen Egerton of Descendents/All.
Video produced by Footage Productions
Beatles Badfinger Cheap Trick Plimsouls Beat Nerves Clash Thin Lizzy Guided by Voices T.Rex Supergrass Superdrag Teenage Fanclub Swervedriver Posies Ben Folds Dinosaur Jr. Jason Falkner Jon Brion Matthew Sweet Soul Asylum Wilco Flaming Lips Aimee Mann Pixies Superchunk Nada Surf Zombies Neil Young Pavement Foo Fighters Coldplay Replacements Husker Du Pernice Brothers Sloan Lemonheads Fall Out Boy Get Up Kids Reggie Full Effect A.F.I. Panic Disco Phoebe Cates swimming pool centerfold Killers My Chemical Romance Evanescence Tenacious D Avenged Sevenfold Red Hot Chili Peppers +44 New Found Glory Dashboard Confessional Fray Plain White Tees Keane Against Me Angels Airwaves MXPX westerburg high world series of pop culture vh1 2007 scene-stealers (Less)
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30, 04:05, 2008-04-21 16:18:13 Description: (new edit!) Hilarious parody of four classic teen sex comedies-- See if you can name them! New song from new band featuring ex-members of Ultimate Fakebook and Podstar. Directed by Eric Melin, (More) (new edit!) Hilarious parody of four classic teen sex comedies-- See if you can name them! New song from new band featuring ex-members of Ultimate Fakebook and Podstar. Directed by Eric Melin, unorthodox film critic at Scene-Stealers.com (and contestant on VH1's 2007 World Series of Pop Culture as Westerburg High). Power pop heaven. Album co-produced by Stephen Egerton of Descendents/All. Video produced by Footage Productions Beatles Badfinger Cheap Trick Plimsouls Beat Nerves Clash Thin Lizzy Guided by Voices T.Rex Supergrass Superdrag Teenage Fanclub Swervedriver Posies Ben Folds Dinosaur Jr. Jason Falkner Jon Brion Matthew Sweet Soul Asylum Wilco Flaming Lips Aimee Mann Pixies Superchunk Nada Surf Zombies Neil Young Pavement Foo Fighters Coldplay Replacements Husker Du Pernice Brothers Sloan Lemonheads Fall Out Boy Get Up Kids Reggie Full Effect A.F.I. Panic Disco Phoebe Cates swimming pool centerfold Killers My Chemical Romance Evanescence Tenacious D Avenged Sevenfold Red Hot Chili Peppers +44 New Found Glory Dashboard Confessional Fray Plain White Tees Keane Against Me Angels Airwaves MXPX westerburg high world series of pop culture vh1 2007 scene-stealers (Less)
Channel: youtubeTags: animal anything cusack fakebook fast house parody pop power ridgemont say science times ultimate weezer weird westerburg
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172, 02:02, 2008-04-21 16:42:36 Description: Crazy stunts with a mountainbike: One-hand wheelies, stoppies (nose wheelies), jumps, downhill ride, ..... Best scene: Very, very fast wheelie on cobblestone pavement (approx. 50 km/h)! Location: (More) Crazy stunts with a mountainbike: One-hand wheelies, stoppies (nose wheelies), jumps, downhill ride, ..... Best scene: Very, very fast wheelie on cobblestone pavement (approx. 50 km/h)! Location: Austria Title: Cobblestone Madness Blur Song 2 Ramstein Rammstein Feuer Frei Outkast Hey Ya Roses Maroon 5 Queen King We are the champions radio gaga The Beatles Elvis Presley Frank Sinatra Michael Jackson Bing Crosby ABBA The Bee Gees Celine Dion Elton John Madonna God Jesus George W. Bush Barack Obama Bill Hillary Clinton Osama Bin Laden Heinz Fischer Britney Spears Lindsay Lohan Amy Winehouse Cher Christina Aguilera Jessica Simpson Ashley Tisdale Robbie Williams Robin Batman Superman The Rolling Stones AC/DC Backstreet Boys The Beach Boys Bon Jovi Dieter Bohlen DSDS Stefan Raab Whitney Houston drugs U2 The Who Black Sabbath Guns N' Roses Metallica collection compilation Roxette Shakira Spice Girls Shania Twain Red Hot Chili Peppers Californication Under The Bridge Arnold Schwarzenegger governor governour Silvester Stallone war doping kill death pain suffer blood fuck sex girls ass pussy blowjob porn cum cumshot dick black chicks monster Robbie Ozzy Osbourne Playboy Bunnies Hugh Hefner Pamela Anderson sex tape paris hilton one night in paris baywatch david hasselhoff knight rider ghost rider death wheely stoppie nose wheely jump naked Oasis Kylie Minogue Nirvana The Seekers Cat Stevens Yussuf Islam Koran Scharia church bible christians jews muslim world war two 2 1 nazi kz kh hh ss sa fbi cia kgb ddr usa winston churchill adolf hitler berlin josef stalin Nürnberg communism capitalism capitol germany austria girls girl accident deadly fatal error Bloodhound Gang president united states of america vote gun gunfight tank afghanistan iraq irak attack apache comanche kills f14 f15 f16 f18 f117 tomcat cat dogfight f22 raptor mini titan helicopter rc plane a380 Boeing 747 777 737 787 Dreamliner V22 Osprey crash fire firefigher new york 911 fahrenheit michael moore wtc world trade center shocking shock parachuting shooting m16 projectile test usas12 spas12 beretta colt barrett light 50 fifty m1a1 main battle battlefield operation flashpoint vietnam napalm cruel soldier mine transplantation anti war sun bild new york times die zeit b2 mind brain headshot counterstrike record mtb mountainbike competition red bull air race staircase stairway friend friends girlfriend boyfriend brad pitt angelina jolie julia roberts matt damon devil satan moon Stiege Treppe hurt injury skateboard bmx park funbox bob marley halfpipe skate rollerblades life is beautiful municycle impossible wheel bmw mercedes benz ferrari bugatti veyron slr slk m3 m5 m6 Enzo versus speed vs. track acceleration test mark aston martin james bond Fahrtreppe Kris Holm Tony Hawk Ryan Nyquist backflip fun happy clips funny Stufen Treppe enough (Less)
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314, 04:46, 2008-04-17 15:07:56 Description: The Turkish Wizard of Oz Turkish cinema has proven time and time again that whatever we can do, they can do much, much worse. The Turkish Wizard of Oz, or Aysecik ve Sihirlib Cucler Ruyalar (More) The Turkish Wizard of Oz Turkish cinema has proven time and time again that whatever we can do, they can do much, much worse. The Turkish Wizard of Oz, or Aysecik ve Sihirlib Cucler Ruyalar Ulkesinde, is the latest in their series of no-budget remakes of American film classics. The movie starts with scenes of Dorothy and her family working on their farm in Turkish Kansas (a rocky, mountainous wasteland). Several minutes into the montage of Dorothy�s skipping and her father raking dirt and rocks, the film editor forgets about Dorothy and switches entirely to long, lingering shots of her father naked from the waist up. Good news if you wanted a full three minutes to take in his sweaty, aged form. Mmmm. When the twister arrives, the movie switches to a cartoon, because it�s easier to scribble a picture of a twister than to create one through special effects. The movie remains a cartoon as Dorothy and her mother scramble to get Dorothy into the attic. Their panic is brilliantly depicted by someone slooowwwly pulling animated drawings of the two women across the screen. Dorothy wakes up and dances with midgets dressed as nutcrackers. And the strange thing is, I did not skip anything. The scene cuts directly from her opening her eyes to her in the center of a dwarf hoedown. After a short fit of clapping and stomping, the midgets magically blink out of existence and Dorothy steals the sneakers off an unexplained corpse she finds under her house. You have to hand it to Dorothy, she�s hard to rattle. The introduction of the Scarecrow marks the point where the movie goes from queer to FABULOUS! Why the Turks chose to make Scarecrow gay will forever remain another Turkish film enigma. But they don�t stop at just making him gay, the scarecrow is so stereotypically homosexual that Dorothy�s eyes almost burst into flames. Every line this lunatic straw construct coos through his lipstick is accentuated with a limp wrist and a hip thrust. What I�m trying to say is that if there was a world championships of acting gay, no one else would even bother to show up, and after the awards ceremony, the Scarecrow would be elected President Gay. The two make fast friends and skip off together. Once they get to a clearing, they start dancing. And oh God, this does not stop. In normal musicals, the songs, although lame, explain areas of the plot. Not in The Turkish Wizard of Oz. Here, the story just stops for 20 minutes so we can watch Dorothy and the Scarecrow jig to instrumental music. The only pause from this is an awkward point in between line dances and curtseys where Dorothy slightly lifts her dress and, if I�m not mistaken, tries to seduce the Scarecrow. He prances a step forward and points toward her crotch, saying what I�m positive is Turkish for, �I�m not getting anywhere near that horrible thing.� Before long, they hear the muffled voice of the Tin Man, who is rusted in place. The rest of the sequence is similar to the American version, except that while Dorothy is oiling the Tin Man�s joints, the Scarecrow, and I�m deadly serious here, humps him. He just interrupts their rescue attempt to ram his crotch into the Tin Man. They soon skip off to dance. Ten minutes into the trio�s prancing marathon, the Scarecrow backs into a campfire and lights his ass on fire. In a brilliant move by the special effects wizards, they let the audience witness this with their own imaginations by having no actual fire on the Scarecrow as he runs around trying to put himself out. Once Dorothy repairs the Scarecrow�s damaged ass, they skip on through the sunshine. In the next set of woods they come across the Cowardly Lion. He starts a fight with the group, which Dorothy quickly finishes by slapping him across the face. This not only makes him cry, it hits him so hard that it�s suddenly nighttime. A camera cut later, it�s daytime again and the nutcracker midgets magically appear behind the group to make a strange foreign gesture and vanish. If you can�t translate that into something you can understand, I�ll do it for you: Turkish cinema is awesome. The group fights their way through a spooky forest filled with people shaking tree branches at them from off camera, and eventually get to a town populated by children mannequins and tiny cardboard houses. Given their production values and lack of budget, it�s hard to tell if the set designers meant for this to be layer after layer of creepy horror, but no one in Dorothy�s group seems to care. They lay down and go to sleep in the tiny streets. That�s when two of the girl dolls spring to life and wake Dorothy up with a synchronized blood-curdling scream. This, of course, doesn�t bother Dorothy. As the four heroes continue, the magic dwarves appear a few more times. Once to help them get across a river, once to cackle at them for absolutely no discernable reason, and once to create a picnic where they kill another twenty minutes of film with a group dance. Soon they reach the Emerald City, home of the Wizard of Oz. This is such a crappy model that it would have cost MORE to make it out of macaroni. The wizard, who is a skull placed on a bedsheet near a campfire, gives the group a menacing speech leading to them skipping out of the cave and soon line dancing. They run into the wicked witch, who comes out of her cave to howl. This next part is a little strange, even for Turkey: The Scarecrow tears himself apart and, while the witch stands and watches him, creates a haystack for Dorothy and the Lion to hide under. The Tin Man then wanders around for a minute or two until deciding to tear them out from their hiding spot. Trust me, if I knew why, I wouldn�t be sitting here watching a group of bad actors pound the Turkish Tin Man with giant cardboard rocks; I�d be running our civilization with the power of my mind. Dorothy is thrown into a prison cell from which she quickly escapes, although exactly how this happens is never shown. She wanders through the hallways of the wicked witch�s cave until she steps into the witch�s brilliant death trap �� a thick rope tied across the hallway that makes its victim gently lay herself down. Angered by this sinister treachery, Dorothy melts the witch with a bucket of water and makes friends with her soldiers. The group celebrates with a dance. This is one of the shortest dance sequences of the film, probably because they all want to go somewhere not filled with the smell of seared witch meat. They travel back to the Wizard�s macaroni palace where he�s revealed by Toto to not be a skull, but an actual pointy-hatted wizard. There�s a celebratory parade that ends in a culmination of all Turkish effects technology. The Wizard flies away in a hot air balloon, and by using a simple blindfold you can hardly tell it�s just a toy wizard tied to a helium balloon. Six or seven dances later, the movie ends with Dorothy returning to the rocky mountains of Kansas. But right before that is the plot twist. In a normal movie, this is where the villain turns out to still be alive or you find out it was all a dream. In Turkey, a plot twist is an army of charging cavemen getting exploded by a magic cannon conjured up by midgets. Maybe no one else in their film industry knows what they�re doing, but the Turkish screenwriters are amazing. (Less)
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36, 03:06, 2008-01-08 11:33:01 Description: DJ Jean has been heard all over the world, he has performed in over 20 countries, every club, at every festival and on any occasion you can think of!
DJ Jeans' career started out as he won (More) DJ Jean has been heard all over the world, he has performed in over 20 countries, every club, at every festival and on any occasion you can think of!
DJ Jeans' career started out as he won the Dutch mix&scratch championships back in the late eighties. From that moment on, his career sped up very fast. He performs every week in the IT club in Amsterdam at his own party Madhouse. Madhouse is a club night with all groovy House and Club Trance music. Madhouse has become one of the most popular party experiences in the last ten years!
DJ Jean spun not only in the IT, he has been performing all around the world and at the most popular parties in Berlin, Tel Aviv, Paris and Oslo. From 1995 onwards, DJ Jean played at national and international festivals like Innercity, Sensation, Mysteryland and Dance Valley entertaining crowds of over 40.000 people. He also played in Australia, Poland, U.S.A., Russia, Germany, U.K and South Africa at Festivals of similar sizes.
In 1996 he produced his first hit I give my life together with DJ/producer Peran. The track hit the Tipparade. Together, these DJs also produced several remixes for Sylvester, PM Project, Full Intentension, Lil' Louis and Airscape. These remixes made DJ Jean the best Club DJ in 1996 and won him the Dance Update Award. He won this prestigious Award again in 1999.
His tracks Let yourself go and I give my life gained absolute fame with the legendary anthem The Launch on top, selling over 1.000.000 copies worldwide! His power-charisma and popularity is mainly caused by his technical skills and his ability to play awesome and pumpin' Club as well as Trance and Hardstyle. He is now more present in the scene than ever with several club residencies all over the country, a very successful radio show at Holland's Nr. 1 radio station 538 and more bookings nationally and internationally than he can handle.
To top it all off, he scored more hits with his tracks Love come home, Lift me up, Feel it, Supersounds and Every single day. He also has his own compilation CD Madhouse; More than 12 editions of this album were made and spread all over the world.
Since he has started as a DJ he won six Best DJ AWARDS at several elections in Holland and around the globe, and was nominated more than 15 times on occasions such as the Silver Star Dance Awards in the UK, the TMF Awards and the Basic Groove Dutch Dance Awards.
The year 2007 was also a killer-year for DJ Jean, starting with his new hot track Sexy lady, which was a single/vinyl release on Dance Villa (a division of White Villa). This track will be one more must-have, an essential for every collection. A classic track with uplifting beats and a female vocal singer.
Fans of DJ Jean won't be disappointed cause in January 2008 the world hit The Launch will be Relaunched with 6 brand new remixes and will hit the charts more than ever before...
Info : www.whitevilla.nl / www.djjean.com
Bookings : www.anna-agency.nl (Less)
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24, 03:03, 2008-04-21 16:18:43 Description: FIRST A LOOK AT THE WEEK'S HOT SEARCHES...COURTESY OF GOOGLE. COLTS AT 5...THEY'RE IN THE BIG BOWL COACHELLA AT 4 -- THE MUSIC FESTIVAL TICKETS RECENTLY WENT ON SALE. JAGUARS AT THREE... (More) FIRST A LOOK AT THE WEEK'S HOT SEARCHES...COURTESY OF GOOGLE. COLTS AT 5...THEY'RE IN THE BIG BOWL COACHELLA AT 4 -- THE MUSIC FESTIVAL TICKETS RECENTLY WENT ON SALE. JAGUARS AT THREE... OSCAR NODS AT TWO - AND HILLARY AT ONE. WHO SAYS SHE'S IN FOR 2008. WINDOWS GETTING A LONG OVERDUE UPGRADE... WITH WORLDWIDE FANFARE - MICROSOFT INTRODUCED VISTA - THE NEWEST VERSION OF THEIR OPERATING SYSTEM. XP'S SUCCESSOR FEATURES SLICK GRAPHICS AND TOOLS TO MAKE MANAGING YOUR DIGITAL LIFE EASIER. PARENTAL CONTROLS ARE BUILT RIGHT IN AND SECURITY GETS A BIG BOOST. BEFORE YOU UPGRADE -- CHECK IF YOUR SYSTEM CAN HANDLE IT -- THE FULL VISTA EXPERIENCE NEEDS A FAST, POWERFUL COMPUTER. THEY SAY ANY PUBLICITY IS GOOD PUBLICITY...BUT TELL THAT TO THE GUY CAME UP WITH A GUERRILLA MARKETING CAMPAIGN THAT TURNED INTO A TERRORISM SCARE. LOTS OF COMMOTION IN BOSTON WHEN DEVICES WITH WIRES AND LIGHTS DISCOVERED THROUGHOUT THE CITY... POLICE AND BOMB SQUADS ON THE SCENE... THE DEVICES SUPPOSED TO PROMOTE THE CARTOON NETWORK SHOW AQUA TEEN HUNGER FORCE. PARENT COMPANY TURNER BROADCASTING HAS APOLOGIZED. TECHNOLOGY HEATED UP IN THE PALM SPRINGS DESERT... THE ANNUAL DEMO 07 CONFERENCE UNVEILED TONS OF COOL NEW STUFF...THIS IS THE PLACE WHERE PALM AND TIVO GOT THEIR START. 68 COMPANIES ALL HOPING TO BE THE NEXT BIG THING... AMONG THEM -- EYEJOT -- VIDEO MESSAGING... QTECH'S REQALL MEMORY AID TO LET YOU RECORD NOTES FROM YOUR COMPUTER OR PHONE. PLUS THE POLAROID OF THE 21ST CENTURY -- ZINK IMAGING. THEY INTRODUCED A POCKET-SIZED WAY TO PRINT PICTURES WITHOUT INK... SPECIAL PAPER EMBEDDED WITH COLOR-DYE CRYSTALS REACTS TO HEAT. SONY SETTLING WITH THE FTC OVER CHARGES SOME OF IT'S CD'S SECRETLY INSTALLED COMPUTER PROGRAMS AND SPIED. THE SOFTWARE ALSO MADE IT TOUGH TO TRANSFER THE MUSIC TO IPODS...AND RESTRICTED THE NUMBER OF TIMES THE AUDIO FILES COULD BE COPIED. ANNOYING ENOUGH -- BUT THE PROGRAM ALSO PUT COMPUTERS AT SECURITY RISK AND WAS REALLY TOUGH TO UNINSTALL. CUSTOMERS CAN EXCHANGE AFFECTED CD'S THROUGH JUNE 31, 2007 AND GET UP TO $150 REIMBURSED TO REPAIR DAMAGE DONE TO THEIR COMPUTERS. FINALLY -- THE BETA OF WEEK... FOR 11 SEASONS, AL BUNDY SOLD SHOES AT THE MALL IN MARRIED WITH CHILDREN... BUT NEVER LIKE THIS. ENDLESS DOT COM -- AMAZON'S NEW SHOE AND HANDBAG WEBSITE -- IS A STYLE LOVER'S DREAM... 250 BRANDS AND 15-THOUSAND CHOICES... BUT THE COOLEST PART IS THE CUTTING EDGE FEATURES... A DETAILED SEARCH LETS YOU SHOP BY PRICE, STYLE, BRAND, SIZE AND COLOR IN THE SIMPLEST WAY I'VE EVER SEEN -- AND ALL ON ONE PAGE. A ZOOM FEATURE LETS YOU GET IN SO CLOSE YOU CAN SEE THE STITCHING. TOSS IN FREE OVERNIGHT SHIPPING AND RETURNS...AND ZAPPOS HAS SOME STIFF COMPETITION. (Less)
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16, 03:06, 2008-04-21 16:28:08 Description: DJ Jean has been heard all over the world, he has performed in over 20 countries, every club, at every festival and on any occasion you can think of! DJ Jeans' career started out as he won the (More) DJ Jean has been heard all over the world, he has performed in over 20 countries, every club, at every festival and on any occasion you can think of! DJ Jeans' career started out as he won the Dutch mix&scratch championships back in the late eighties. From that moment on, his career sped up very fast. He performs every week in the IT club in Amsterdam at his own party Madhouse. Madhouse is a club night with all groovy House and Club Trance music. Madhouse has become one of the most popular party experiences in the last ten years! DJ Jean spun not only in the IT, he has been performing all around the world and at the most popular parties in Berlin, Tel Aviv, Paris and Oslo. From 1995 onwards, DJ Jean played at national and international festivals like Innercity, Sensation, Mysteryland and Dance Valley entertaining crowds of over 40.000 people. He also played in Australia, Poland, U.S.A., Russia, Germany, U.K and South Africa at Festivals of similar sizes. In 1996 he produced his first hit I give my life together with DJ/producer Peran. The track hit the Tipparade. Together, these DJs also produced several remixes for Sylvester, PM Project, Full Intentension, Lil' Louis and Airscape. These remixes made DJ Jean the best Club DJ in 1996 and won him the Dance Update Award. He won this prestigious Award again in 1999. His tracks Let yourself go and I give my life gained absolute fame with the legendary anthem The Launch on top, selling over 1.000.000 copies worldwide! His power-charisma and popularity is mainly caused by his technical skills and his ability to play awesome and pumpin' Club as well as Trance and Hardstyle. He is now more present in the scene than ever with several club residencies all over the country, a very successful radio show at Holland's Nr. 1 radio station 538 and more bookings nationally and internationally than he can handle. To top it all off, he scored more hits with his tracks Love come home, Lift me up, Feel it, Supersounds and Every single day. He also has his own compilation CD Madhouse; More than 12 editions of this album were made and spread all over the world. Since he has started as a DJ he won six Best DJ AWARDS at several elections in Holland and around the globe, and was nominated more than 15 times on occasions such as the Silver Star Dance Awards in the UK, the TMF Awards and the Basic Groove Dutch Dance Awards. The year 2007 was also a killer-year for DJ Jean, starting with his new hot track Sexy lady, which was a single/vinyl release on Dance Villa (a division of White Villa). This track will be one more must-have, an essential for every collection. A classic track with uplifting beats and a female vocal singer. Fans of DJ Jean won't be disappointed cause in January 2008 the world hit The Launch will be Relaunched with 6 brand new remixes and will hit the charts more than ever before... Info : www.whitevilla.nl / www.djjean.com Bookings : www.anna-agency.nl (Less)
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287, 08:16, 2007-04-13 06:52:15 Description: SLAYER perform Bitter Peace & Death's Head on the "Diabolus In Music" world tour @ Sacramento Memorial Auditorium 1998...also on the bill were FEAR FACTORY, KILGORE & THE (More) SLAYER perform Bitter Peace & Death's Head on the "Diabolus In Music" world tour @ Sacramento Memorial Auditorium 1998...also on the bill were FEAR FACTORY, KILGORE & THE COUNCIL...Slayer is an American thrash metal band, formed in 1981 by guitarists Jeff Hanneman and Kerry King. Slayer rose to fame as a leader of the American thrash metal movement with their 1986 release Reign in Blood, which has been called "the heaviest album of all time.The band is credited as one of the "Big Four" thrash metal bands, along with Megadeth, Metallica, and Anthrax.
Slayer is known for its musical traits, involving fast tremolo picking, guitar solos, double bass drumming, and shouting vocals. The band's lyrics and album art, which cover topics such as serial killers, Satanism, religion and warfare have generated album bans, delays, lawsuits and strong criticism from religious groups and the public.
Since their debut record in 1983, the band has released two live albums, one box set, two DVDs, two EPs, and ten albums, four of which have received gold certification. The band has received two Grammy nominations, winning one in 2007 for the song "Eyes of the Insane", and headlined music festivals worldwide, including Ozzfest, The Unholy Alliance and the Download Festival. http://slayer.net Early days (1981--1982)
Slayer formed in 1981, when guitarist Kerry King met Jeff Hanneman while auditioning for a band. The two recruited bassist and vocalist Tom Araya, who had played with King in a band called Quits, and drummer Dave Lombardo who met King while delivering pizzas. The band began playing cover versions of Iron Maiden and Judas Priest songs at clubs and parties in Southern California. Early shows relied on a Satanic image, which featured pentagrams, make-up, spikes, and inverted crosses A rumor has the band originally known as Dragonslayer, after the 1981 movie of the same name. However, when King was asked "How did you come up with the name Dragonslayer, King responded "We never did; it's a myth to this day."
The band was offered to open for Bitch at the Woodstock Club in Los Angeles, performing eight songs — six being covers. While performing the song "Phantom of the Opera" by Iron Maiden the band was spotted by Brian Slagel, a former music journalist who had recently founded Metal Blade Records. Impressed with Slayer's performance, Slagel met with the band backstage and asked them to record an original song, "Aggressive Perfector"(sample (help·info)) for his upcoming Metal Massacre III compilation. The band agreed and the song created underground buzz, which led to Slagel offering the band a recording contract with Metal Blade. http://myspace.com/slayer
Show No Mercy (1983--1984)
Without a recording budget, the band was forced to self-finance its debut album. Combining the savings of Araya, who was employed as a respiratory therapist,[9] and money borrowed from King's father,[2] the band entered the studio in November 1983. The album was rushed into release, hitting shelves three weeks after tracks were completed. Show No Mercy, released in December 1983 by Metal Blade Records, generated underground popularity for the band, and they began their first national club tour in 1984 to promote the album traveling in Araya's Camaro towing a U-Haul trailer.[2] The tour gave the band additional popularity; sales of Show No Mercy reached more than 20,000 in the US and another 20,000 worldwide.[8]
Slayer's Show No Mercy covered topics such as Satanism, Hell, and the Devil.
Slayer's Show No Mercy covered topics such as Satanism, Hell, and the Devil.
In August 1984, Slayer released a three song EP, entitled Haunting the Chapel. The EP featured a darker, more thrash-oriented style than its predecessor, and laid the groundwork for the future direction of the band.[10] The opening track, "Chemical Warfare," has become a live staple, played at nearly every show since 1984. After the release of Haunting the Chapel, Slayer made its live European debut at the Heavy Sounds Festival in Belgium opening for UFO,[11] returning to the US to begin the Haunting The West Coast tour.[12]
Following the tour, King temporarily left Slayer to join Dave Mustaine's new band Megadeth.[13] Hanneman was worried about King's decision, stating in an interview "I guess we're gonna get a new guitar player".[2] While Mustaine wanted King to stay on a permanent basis, King rejoined Slayer after five shows, stating Megadeth was "taking too much of my time".[2] The split caused a rift between King and Mustaine, which evolved into a long running feud between the two bands.[14] Following King's return, the band embarked on the 1984 Combat Tour, with Venom and Exodus, and released a live album titled Live Undead in November.
[edit] Hell Awaits (1985--1986)
Slayer released its first live home video in 1985, dubbed Combat Tour: The Ultimate Revenge. The video featured live footage filmed at New York's Studio 54 club, on the band's 1984 tour with Venom and Exodus. By early 1985, Show No Mercy had sold over 40,000 copies,[8] which lead to the band returning to the studio to record a second full length album. Metal Blade financed a recording budget, which allowed the band to hire producer Ron Fair.
Released in September 1985, Slayer's second full length release Hell Awaits expanded on the darkness of Haunting the Chapel, with hell and Satan as common song subjects. The album was the band's most progressive offering, featuring longer and more complex song structures.[2] The intro is a backwards recording of a demonic-sounding voice repeating "Join us," ending with "Welcome back" before the track begins.[15]
[edit] Reign in Blood (1986--1987)
Following the success of Hell Awaits, Slayer was offered a recording contract with Rick Rubin's newly founded Def Jam Records, a largely rap-based label.[2] The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore influenced song structures.[2]
The release of Reign in Blood was delayed due to the nature of its artwork and lyrical themes.
The release of Reign in Blood was delayed due to the nature of its artwork and lyrical themes.
Def Jam's distributor, Columbia Records refused to release the album Reign in Blood, due to its graphic graphic cover art and lyrical themes.[2] "Angel of Death", detailed the Nazi concentration camps and human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy Reign in Blood did not appear on Geffen Records release schedule.[2] Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at #94,[16] and the band's first album certified gold in the United States.[17]
In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band were added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid."[2] To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo's wife convinced Dave to return in 1987.[2] At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero.[2] Although the band was not happy with the final product, Hanneman deeming it a poor representation of Slayer and King labeling it "a hunk of shit", it was the first songs to garner radio airplay.[2]
[edit] South of Heaven (1988--1989)
Slayer returned to the studio to record their fourth studio album. To contrast the speed of Reign in Blood, the band consciously decided to slow down the tempo incorporating melodic singing, rather than screaming. Hanneman asserted; "We knew we couldn't top Reign in Blood, so we had to slow down. We knew whatever we did was gonna be compared to that album, and I remember we actually discussed slowing down. It was weird—we've never done that on an album, before or since."[2]
1988's South of Heaven received mixed responses from both fans and critics, although it was Slayer's most commercially successful release at the time, debuting at #57 on the Billboard 200,[16] and the second album to receive gold certification in the United States.[17] Press response to the album was mixed, with All Music Guide citing the album as "disturbing and powerful",[18] and Rolling Stone calling it "genuinely offensive satanic drivel".[19] King says "that album was my most lackluster performance," although Araya called it a "late bloomer" which eventually grew on people.[2]
[edit] Seasons in the Abyss (1990--1993)
Slayer returned to the studio with co-producer Andy Wallace in 1989, to record their fifth studio album. Following the backlash created by South of Heaven, Slayer returned to the "pounding speed of Reign in Blood", while retaining their new found melodic sense.[20] Seasons in the Abyss, released in October 1990, was the first Slayer album to be released under Rubin's new Def American label, as he parted ways with Def Jam owner Russell Simmons over creative differences. The album debuted at #44 on the Billboard 200,[16] and was certified gold in 1992.[17] The title track, spawned Slayer's first music video, which was filmed in front of the Giza pyramids in Egypt prior to the Gulf War.
Slayer returned as a live act in September 1990 to co-headline the European Clash of the Titans tour with Megadeth, Suicidal Tendencies, and Testament. With the popularity of American thrash at its peak, the tour was extended to the US beginning in May 1991, with Megadeth, Anthrax and opening act Alice in Chains. The band released a double live album, Decade of Aggression in 1991, to celebrate ten years. The compilation debuted at #55 on the Billboard 200.[16]
In May 1992, Lombardo quit the band due to conflicts with other members, as well as arguments over his wish to bring his wife on tour.[21] Lombardo formed his own band Grip Inc, with Voodoocult guitarist Waldemar Sorychta,[22] and Slayer recruited former Forbidden drummer Paul Bostaph to fill his place. Slayer made its debut appearance with Bostaph at the 1992 Monsters of Rock festival at Castle Donington. Bostaph's first studio effort was a medley of three Exploited songs, "War", "UK '82", and "Disorder", with rapper Ice-T, for the Judgment Night movie soundtrack in 1993.[23]
[edit] Divine Intervention (1994--1995)
In 1994 Slayer released Divine Intervention, the band's first record with drummer Bostaph. The record became the band's highest charting at that time, debuting at #8 on the Billboard 200.[16] The album featured songs boasting about Reinhard Heydrich, an architect of the Holocaust, Jeffrey Dahmer, "213" his apartment number where he murdered, raped, and tortured seventeen victims. Other themes included murder, the evils of church, and the lengths to which governments will go to wield power, Araya's interest in serial killers inspired much of the lyrical content.[9][24]
Music sample:
* "SS-3" (1994) (file info) — [Play media] play in browser (beta)
o SS-3 is about Reinhard Heydrich, an architect of the Holocaust. SS-3 refers to the license plate number of the car he was killed in.
o Problems listening to the file? See media help.
Slayer geared up for a world tour in 1995, with openers Biohazard and Machine Head. A video of concert footage, Live Intrusion was released, featuring a joint cover of Venom's "Witching Hour" with Machine Head. Relations between Slayer and Machine Head have since badly deteriorated.[25] Following the tour, Slayer were billed fourth at the 1995 Monsters of Rock festival, headlined by Metallica.
[edit] Undisputed Attitude (1996--1997)
In 1996, Undisputed Attitude, an album of punk covers, was released. The band covered songs by Minor Threat, T.S.O.L., D.R.I., D.I., Dr. Know, Verbal Abuse and Iggy and the Stooges. The album featured three original tracks, "Gemini", "Can't Stand You", "Ddamm" written by Hanneman in 1984--1985 for a side project entitled "Pap Smear". Bostaph left Slayer shortly after the album's release to work on his own project, The Truth about Seafood. With Bostaph's departure, Slayer recruited Testament drummer Jon Dette, and headlined the 1996 Ozzfest alongside Ozzy Osbourne, Danzig, Biohazard, Sepultura, and Fear Factory. Dette was fired after a year, due to a fallout with band members; Bostaph returned to continue the tour.[26]
A lawsuit was brought against the band in 1996, by the parents of Elyse Pahler, who accused the band of encouraging their daughter's murderers through their lyrics.[27] Elyse was drugged, strangled, stabbed, trampled on, and raped as a sacrifice to the devil by three fans of the band.[27] The case was unsealed by the court on May 19, 2000, stating Slayer and related business markets distribute harmful products to teens, encouraging violent acts through their lyrics,[27] and "none of the vicious crimes committed against Elyse Marie Pahler would have occurred without the intentional marketing strategy of the death-metal band Slayer".[28] The lawsuit was dismissed in 2001, for multiple reasons including "principles of free speech, lack of a duty and lack of foreseeability".[29] A second lawsuit was filed by the parents, an amended complaint for damages against Slayer, their label, and other industry and label entities. The lawsuit was dismissed; Judge E. Jeffrey Burke stated "I do not consider Slayer's music obscene, indecent or harmful to minors."[29]
[edit] Diabolus in Musica (1998--2000)
Diabolus in Musica (Latin for "The Devil in Music")[30] was released in 1998, and debuted at #31 on the Billboard 200, selling over 46,000 copies.[31] The album received a mixed critical reception and was criticized for adopting characteristics of nu-metal music such as tuned down guitars, murky chord structures, and churning beats. Blabbermouth.net reviewer Borijov Krgin described the album as "a feeble attempt at incorporating updated elements into the group's sound, the presence of which elevated the band's efforts somewhat and offered hope that Slayer could refrain from endlessly rehashing their previous material for their future output.",[32] while New York Time's Ben Ratliff had similair sentiments by saying "eight of the 11 songs on Diabolus in Musica, a few of which were played at the show, are in the same gray key".[33] However, Adrien Begrand of PopMatters said the songs "Bitter Peace", "Death's Head", and "Stain of Mind"; "blow away anything that young pretenders like Slipknot have put out."[34]
The album was the band's first with drop D tuning, as featured on the lead track, "Bitter Peace",(sample (help·info)) making use of the musical range referred to in the Middle Ages as the tritone or Devil's scale.[35] Slayer teamed up with digital hardcore group Atari Teenage Riot to record a song for the Spawn soundtrack titled "No Remorse (I Wanna Die)". The band later payed tribute to Black Sabbath by recording a cover of "Hand of Doom" for the second of two tribute albums, entitled Nativity in Black II. A world tour followed to support the new album, with Slayer making an appearance at the United Kingdom Ozzfest 1998 alongside Black Sabbath, Ozzy Osbourne, Foo Fighters, Pantera, Soulfly, Fear Factory, and Therapy?.
[edit] God Hates Us All (2001--2005)
The original cover of God Hates Us All was deemed "too graphic", so a slip-insert was created to allow the album to be distributed.
The original cover of God Hates Us All was deemed "too graphic", so a slip-insert was created to allow the album to be distributed.
After delays regarding remixing and artwork,[36] including slip covers created to cover the original artwork as it was deemed "too graphic", God Hates Us All was released on September 11, 2001. The band received its first Grammy nomination for the lead track "Disciple", although the Grammy was awarded to Tool, for "Schism".[37] Promotional material announcing the album title and release drew an unintended connection with the September 11 terrorist attacks.
The attacks jeopardized the 2001 European tour Tattoo the Planet originally set to feature Pantera, Static X, Biohazard and Vision of Disorder. Dates were canceled or postponed due to flight restrictions, with a majority of bands deciding to withdraw, leaving Slayer and Static X remaining for the European leg of the tour.[38] Pantera, Vision of Disorder and Biohazard were replaced by Cradle of Filth and other bands dependent on location; Amorphis, In Flames, Moonspell, Children of Bodom, and Necrodeath. Drummer Bostaph left Slayer before Christmas in 2001, due to a chronic elbow injury which would hinder his ability to play.[39] Slayer's "God Hates Us All" tour was unfinished so King contacted original drummer Lombardo, and asked if he would like to finish the remainder of the tour. Lombardo accepted the offer, and stayed as a permanent member.[39]
Slayer toured playing Reign in Blood in its entirety throughout the fall of 2003, under the tour banner "Still Reigning". Their playing of the final song "Raining Blood" culminated with the band drenched in a rain of fake blood. Live footage of this was recorded at the Augusta Civic Center in Augusta, Maine, on July 11, 2004 and released on the 2004 DVD Still Reigning. The band also released War at the Warfield and a box set, Soundtrack to the Apocalypse featuring rarities, live CD and DVD performances and various Slayer paraphernalia.
From 2002 to 2004 the band performed over 250 tour dates, headlining major music festivals including H82k2, Summer tour, Ozzfest 2004, the Download Festival and a European tour with Slipknot. While preparing for the Download Festival in England, Metallica drummer Lars Ulrich was rushed to hospital with a mysterious illness, and was unable to perform.[40] Metallica vocalist James Hetfield searched for volunteers at the last minute to replace Ulrich; Lombardo and Slipknot drummer Joey Jordison volunteered, with Lombardo performing the songs "Battery" and "The Four Horsemen".[40]
[edit] Christ Illusion (2006--present)
The album Christ Illusion was originally scheduled for release on June 6, 2006, and would be the first album with original drummer Lombardo since 1990's Seasons in the Abyss.[41]. However, the band decided to delay the release of the record as they did not want to be among the many, according to King, "half-ass, stupid fucking loser bands" releasing records on June 6,[42] although USA Today reported the idea was thwarted because the band failed to secure sufficient studio recording time.[43] Instead, Slayer released Eternal Pyre on June 6 as a limited-edition EP. Eternal Pyre featured the song "Cult", a live performance of "War Ensemble" in Germany, video footage of the band recording "Cult", and a five minute video of a Slayer fan carving the band's name onto his forearm. Five thousand copies were released and sold exclusively through Hot Topic chain stores, and sold out within hours of release.[44] On June 30, Nuclear Blast Records released a 7" vinyl picture disc version limited to a thousand copies.[45]
Christ Illusion was released on August 8, 2006, and debuted at #5 on the Billboard 200, selling over 62,000 copies in its first week.[46] The album became Slayer's highest charting, improving on its previous highest charting album, Divine Intervention, which had debuted at #8. However, despite its high positioning, the album dropped to #44 in the following week.[47] Three weeks after the album's release Slayer were inducted into the Kerrang! Hall of Fame for their influence to the heavy metal scene.[48]
Slayer performing at The Unholy Alliance Tour
Slayer performing at The Unholy Alliance Tour
A worldwide tour dubbed The Unholy Alliance, was undertaken to support the new record. The tour was originally set to launch on June 6, but was postponed to June 10, as Araya had to undergo gall bladder surgery.[49] In Flames, Mastodon, Children of Bodom, Lamb of God, and Thine Eyes Bleed, Which features Araya's brother Johnny Araya, were supporting Slayer.[50] The tour made its way through America and Europe and the bands who participated, apart from Thine Eyes Bleed, reunited to perform at Japan's Loud Park Festival on October 15, 2006.[51]
The video for the album's first single, "Eyes of the Insane", was released on October 30, 2006.[52] The track was featured on the Saw III soundtrack, and won a Grammy-award for "Best Metal Performance" at the 49th Grammy Awards, although the band were unable to attend due to touring obligations.[53] A week later, the band visited the 52nd Services Squadron located on the Spangdahlem U.S. Air Force Base in Germany to meet and play a show. This was the first visit ever to a military base for the band.[54] The band made its first network TV appearance on the show Jimmy Kimmel Live! on January 19, playing the song "Eyes of the Insane", and four additional songs for fans after the show, although footage from "Jihad" was cut due to its controversial lyrical themes. Slayer toured Australia and New Zealand in April with Mastodon, and appeared at the Download Festival and Rock Am Ring.[56] The band planned to attend the Heineken Jammin' Festival,[57] Switzerland's Greenfield Festival, and a summer tour with Marilyn Manson.[58] In May 2007, Blabbermouth.net announced that a 'first English language Slayer biography' was being written by British author Joel McIver, although no release date was announced.[59]
[edit] Influence
Slayer is credited as one of the "Big four" thrash metal bands along with Megadeth, Anthrax and Metallica, all of which rose to fame in the early 1980s.[1] These four bands have had a great influence on thrash and death metal scenes. "Their downtuned rhythms, infectious guitar licks, graphically violent lyrics and grisly artwork set the standard for dozens of emerging thrash bands, and Slayer's music was directly responsible for the rise of death metal" states MTV, ranking Slayer as the sixth "greatest metal band of all time,"[15] also ranking number 50 on VH1's "100 Greatest Artists of Hard Rock".[60] Hanneman and King ranked number 10 in Guitar World's "100 greatest metal guitarists of all time" in 2004,[61] and were voted "Best Guitarist/Guitar Team" in Revolver's reader's poll. Lombardo was also voted "Best Drummer" and the band entered the top five in the categories "Best Band Ever," "Best Live Band," "Album of the Year" (for Christ Illusion), and "Band of the Year."[62]
The band's 1986 release, Reign in Blood has been an influence to extreme and thrash metal bands since its release. The album was hailed the "heaviest album of all time" by Kerrang! Magazine,[3] a "genre-definer" by Stylus Magazine,[63] and a "stone-cold classic upon its release" by All Music Guide.[64] In 2006 it was named the best metal album of the last 20 years by Metal Hammer.[65] Richard Christy, former member of Death was blown away by Dave's performance on the album Reign in Blood,[66] as was Cannibal Corpse drummer Paul Mazurkiewicz.[67]
Drummer Lombardo has been an influence on many modern metal drummers including Ray Herrera of Fear Factory,[68] Pete Sandoval of Morbid Angel,[69] former Cradle of Filth drummer Adrian Erlandsson,[70] and Krisiun drummer Max Kolesne.[71] Patrick Grün of Caliban's inspiration to play drums came from Lombardo,[72] with Jason Bittner of Shadows Fall inspired by Lombardo's double bass, utilizing double bass when starting his own music career.[73]
[edit] Style
Early works were praised for their "breakneck speed and instrumental prowess," combining the structure of hardcore tempos and speed metal the band released fast, aggressive material.[1] The album Reign in Blood is the band's fastest, performed at an average of 250 beats per minute.[74] The album Diabolus in Musica was the band's first with drop D tuning, God Hates Us All the first with drop B tuning - utilizing seven-string guitars.[75] All Music Guide cited the album as "abandoning the extravagancies and accessibility of their late-'80s/early-'90s work and returning to perfect the raw approach",[76] with some fans labeling it nu-metal.[77]
Hanneman's and King's dual guitar solos have been called "wildly chaotic,"[1] and "twisted genius."[78] Drummer Lombardo uses two bass drums, instead of the double kick which is used on a single bass drum. Lombardo's speed and aggression earned him the title of the "godfather of double bass" by Drummerworld. Lombardo states his reasons for using two bass drums: "When you hit the bass drum the head is still resonating. When you hit it in the same place right after that you kinda get a "slapback" from the bass drum head hitting the other pedal. You're not letting them breathe." When playing the double bass Lombardo uses the "heel-up" technique, angling his pedals.
Writing lyrics and music
Hanneman, King and Araya contribute to the band's lyrics, and Lombardo, King and Hanneman create the music. Araya's first contribution to lyrical content was 1988's South of Heaven, forming a lyric writing partnership with Hanneman, which can overshadow the creative input of King.Hanneman states writing lyrics and music is a "free for all"; "It's all just whoever comes up with what. Sometimes I'll be more on a roll and I'll have more stuff, same with Kerry — it's whoever's hot, really. Anybody can write anything; if it's good we use it, if not we don't."
When writing new material the band writes the music before incorporating lyrics. King or Hanneman will use a 24-track and drum machine to show band members the riff they have created, and to get their opinion. Either King or Hanneman and Lombardo will mention if any alterations can be made. The band will play the riff to get the basic song structure, and figure out where the lyrics and solos will be placed.
Feuds
As of 2007, Araya and King have an ongoing feud with Dave Mustaine of Megadeth. It began when Mustaine attempted to convince King to stay with Megadeth rather than the "lame spikes" and "eyeliner" with the "poseurs" in 1984. Mustaine proceeded to tell Araya he liked it when he "sucked his dick" at the 1991 "Clash of the Titans" tour. Araya rebutted calling him a "homo" on stage. Since their falling out at the tour, King lashed out at Mustaine in several interviews stating he is a "cocksucker", "everybody hates him", and he is a "dictator". Recently in GuitarWorld.com's Dear Guitar Hero, King "admires him to this day" but as a guitarist even though he considers Mustaine as a "hypocrite".
Relations between Machine Head and Slayer deteriorated when King labeled Machine Head as "sell-outs" after the release of its 2001 album Supercharger. King continued to criticize the band stating "They're responsible for rap-metal", "they fooled me into thinking they're metal", "'they have no integrity left." Machine Head front man Robb Flynn stated King was not provoked, and these comments had come from nowhere. Flynn, who once idolized King rebutted "Oh, Mr. SUM 41 video has so much fuckin' integrity now!? Shit?!" after King appeared in Sum 41's music video "What We're All About", also stating "King's eaten so many cheeseburgers his brain's starting to clog up." However, on June 16, 2007 Flynn reported that the two sorted out their 'beef' at the Metal Hammer Awards, at which Slayer won an award for 'Metal Icon'.
Controversy
The lyrics of "Angel of Death" were inspired by the acts of Josef Mengele during World War II
Slayer has been accused of holding Nazi sympathies, due to the band's eagle logo bearing resemblance to the Eagle atop swastika, Schutzstaffel stickers on guitars, and the lyrics of "Angel of Death". The lyrics of "Angel of Death" were inspired by the acts of Josef Mengele, the doctor who conducted human experiments on Jewish and Roma prisoners during World War II at the Auschwitz concentration camp, and was dubbed the "Angel of Death" by inmates. Throughout their career, the band members were asked about these accusations, and have stated numerous times they do not condone Nazism, and are merely interested in the subject.
Slayer's cover of Minor Threat's "Guilty Of Being White" raised questions about a possible message of white supremacy in the band's music. The controversy surrounding the cover involved the changing of the refrain "guilty of being white" to "guilty of being right", at the song's ending. This incensed Minor Threat frontman Ian MacKaye, who stated "that is so offensive to me".
In a 2004 interview with Araya, when asked, "did critics realize you were wallowing in parody?", Araya replied, "No. People thought we were serious!...back then you had that PMRC, who literally took everything to heart, when in actuality you're trying to create an image. You're trying to scare people on purpose". Araya also denied rumors that Slayer members are Satanists, but they find the subject of Satanism interesting and "we are all on this planet to learn and experience".
The controversial cover of "Christ Illusion"
The song "Jihad" of the album Christ Illusion sparked controversy among families of the September 11 victims. The song deals with the attack from the perspective of a religious terrorist. The band stated the song is spoken through perspective without being sympathetic to the cause, and supports neither side. Seventeen bus benches promoting the album in Fullerton, California were deemed offensive by city officials. They felt the Antichrist and skull were inappropriate, and felt the name "Slayer" pertains to a murderer. City officials contacted the band's record label and demanded that the ads be removed. All seventeen benches were removed.
In India, the album was recalled by EMI India after protests with Muslim and Christian religious groups due to the nature of the graphic artwork. The album cover depicts Christ mutilated, missing arms and an eye, in a sea of blood with severed heads. On October 11, 2006 EMI announced that all stocks had been destroyed, noting it had no plans to re-release the record in India in the future.
Main article: Slayer discography
Studio albums
* 1983: Show No Mercy
* 1985: Hell Awaits
* 1986: Reign in Blood #94 US[16]
* 1988: South of Heaven #57 US[16]
* 1990: Seasons in the Abyss #40 US[16]
* 1994: Divine Intervention #8 US[16]
* 1996: Undisputed Attitude #34 US[16]
* 1998: Diabolus in Musica #31 US[16]
* 2001: God Hates Us All #28 US[16]
* 2006: Christ Illusion #5 US[16]
EPs/Box Sets
* 1984: Haunting the Chapel
* 2003: Soundtrack to the Apocalypse
* 2006: Eternal Pyre
DVDs/Live CDs
* 1984: Live Undead
* 1991: Decade of Aggression
* 1995: Live Intrusion
* 2003: War at the Warfield
* 2004: Still Reigning
[edit] Band members
[edit] Current members
* Tom Araya - bass, lead vocals (1981--present)
* Jeff Hanneman - guitar (1981--present)
* Kerry King - guitar (1981-present)
* Dave Lombardo - drums (1981--1986, 1987--1992, 2001--present)
[edit] Former members
* Paul Bostaph - drums (1992--1996, 1997--2001)
* Jon Dette - drums (1996--1997)
* Tony Scaglione - drums (1986--1987) (Less)
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24, 03:03, 2007-02-02 12:30:40 Description: FIRST A LOOK AT THE WEEK'S HOT SEARCHES...COURTESY OF GOOGLE.
COLTS AT 5...THEY'RE IN THE BIG BOWL
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1993, 01:25, 2008-07-08 14:50:14 Description: as my video got deleted 2 times, i re-uploaded it. seems that some people aren't able to identify the ironic parts of this video....
people (especially muslims) wo might be offended by the (More) as my video got deleted 2 times, i re-uploaded it. seems that some people aren't able to identify the ironic parts of this video....
people (especially muslims) wo might be offended by the content - so do, i don't care!
*************************************
women are forced to wear the 'traditional' burka or niqab, in arabic countries but even in europe!
STOP THE BURKA AND THE NIQAB!
HUMANIZE ISLAM
**************************************
DON'T DELETE THIS VIDEO! CAN'T YOU SEE WHAT IT DEALS ABOUT? ABOUT SUPRESSION OF WOMEN!
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25, 03:40, 2009-09-06 01:48:06 Description: Ray Stevens (geboren Harold Ray Ragsdale, januari 24, 1939) is een Amerikaanse land muziek en pop singer-songwriter bekend voor zijn nieuwheid nummers alsook meer ernstig werken. He was born in (More) Ray Stevens (geboren Harold Ray Ragsdale, januari 24, 1939) is een Amerikaanse land muziek en pop singer-songwriter bekend voor zijn nieuwheid nummers alsook meer ernstig werken. He was born in Clarkdale , Georgia , a small town west of Atlanta . Hij werd geboren in Clarkdale, Georgië, een kleine stad ten westen van Atlanta. Contents Inhoud [show] * 1 Style 1 Stijl * 2 Career 2 Carrière o 2.1 Early career 2.1 Vroege carrière o 2.2 1970s 2.2 1970 o 2.3 1980s and after 2-3 jaren 1980 en na o 2.4 Videos 2.4 Video's * 3 Awards 3 Awards * 4 Discography 4 Discografie * 5 Awards 5 Awards * 6 References 6 Referenties * 7 External links 7 Externe links Style Stijl Stevens music seems to be mostly influenced by traditional country western and gospel music. Stevens muziek lijkt vooral beïnvloed door de traditionele westerse land en gospel muziek. He has done a few satire songs using other styles such as Surfing USSR. Hij heeft een paar liedjes satire met andere stijlen zoals surfen USSR. Many of his novelty songs include long sections of dialog between two people both played by Stevens, such as in the Streak, or between him and an unheard character over the telephone, such as in the Shriner Convention or It's Me Again Margret. Veel van zijn novelty songs bevatten lange gedeelten van dialoog tussen twee mensen beide gespeeld door Stevens, zoals in de streak, of tussen hem en een ongehoorde karakter via de telefoon, zoals in het Verdrag of Shriner It's Me Again Margret. Unlike most novelty Artists, such as "Weird Al" Yankovic , Stevens has also had several successful serious songs. In tegenstelling tot de meeste nieuwheid Artiesten, zoals "Weird Al" Yankovic, Stevens heeft ook een aantal succesvolle serieuze liedjes. Career Loopbaan Early career Vroege carrière Stevens' recording career began in the mid-1950s with two singles released on Prep Records . Stevens' opname carrière begon in het midden van 1950 met twee singles uitgebracht op Prep Records. He then signed a contract with Capitol Records with the help of Atlanta, Georgia music maven Bill Lowery . Hij ondertekende een contract bij Capitol Records met de hulp van Atlanta, Georgia muziek Maven Bill Lowery. In 1958, Stevens joined Lowery's National Recording Corporation (NRC), playing numerous instruments, arranging music, and performing background vocals for its band. In 1958, Stevens trad Lowery Nationale Recording Corporation (NRC), spelen tal van instrumenten, het regelen van de muziek, en het uitvoeren van de achtergrond vocalen voor zijn band. After NRC filed for bankruptcy, he signed with Mercury Records with whom Stevens recorded a series of hit records in the 1960s that included songs such as " Ahab the Arab ", "Harry the Hairy Ape", "Funny Man", the original recording of "Santa Claus is Watching You", and " Jeremiah Peabody's Polyunsaturated Quick-Dissolving, Fast-Acting Pleasant-Tasting Green and Purple Pills ". Na NVO faillissement, hij ondertekende met Mercury Records met wie Stevens boekte een reeks hit records in de jaren 1960 die opgenomen nummers zoals "Ahab de Arabische", "Harry de Hairy Ape", "Funny Man", de originele opname van "Santa Claus is watching you", en "Jeremiah Peabody's poly Quick-Oplossen, Fast-Acting Pleasant-Degustatie Green en Purple Pills". Stevens often employed canned laugh tracks in his comedic novelty songs, such as " The Streak ", "Harry the Hairy Ape", "It's Me Again, Margaret" and others, which contributed to his success in the 60s and 70s (during a time when canned laughter was used to "punch up" TV sitcoms). Stevens vaak werkzaam in blik lachen tracks in zijn comedic novelty songs, zoals "De streak", "Harry de Hairy Ape", "It's Me Again, Margaret" en anderen, die hebben bijgedragen aan zijn succes in de jaren'60 en'70 (in een tijd wanneer ingeblikte gelach werd gebruikt om "punch-up" TV sitcoms). Stevens continues to use canned laugh tracks in recent recordings. Stevens blijft gebruiken ingeblikte lach tracks in recente opnames. In 1968, Stevens signed with Monument Records and started to release serious material such as "Mr. Businessman" in 1968, a Top 30 pop hit, and "Have A Little Talk With Myself" and the original version of " Sunday Morning Coming Down " in 1969, which became Ray's first two singles to reach the country music charts; Johnny Cash 's recording of "Sunday Morning Coming Down" was a hit in 1970. In 1968, Stevens ondertekend met Monument Records en begon om ernstige materiële zoals "Mr Zakenman" in 1968, een Top 30 pop hit, en "Have A Little Talk with Myself" en de originele versie van "Sunday Morning Coming Down" in 1969, die werd Ray's eerste twee singles te bereiken het land muziek charts; Johnny Cash 's opname van "Sunday Morning Coming Down" werd een hit in 1970. Stevens continued releasing novelty songs, and in 1969 he had a million-selling Top 10 pop hit with " Gitarzan ". Stevens bleef vrijgeven nieuwheid nummers, en in 1969 had hij een miljoen verkochte Top 10 pop hit met "Gitarzan". Stevens also became a regular on The Andy Williams Show during the 19691970 season, and even hosted his own summer show ( The Ray Stevens Show ) in 1970. Stevens werd ook regelmatig op The Andy Williams Show tijdens het seizoen 1969-1970, en zelfs zijn eigen gehoste zomer show (De Ray Stevens Show) in 1970. 1970s 1970 Starting in the 1970s, Stevens became a producer and well-known studio musician on the Nashville scene. Vanaf de jaren 1970, Stevens is een producent en bekende studio muzikant op de Nashville-scene. He recorded hits for Barnaby Records and Warner Brothers during 19701979. Hij heeft hits voor Barnaby Records en Warner Brothers gedurende 1970-1979. Stevens' biggest hit in the US was his gospel-inflected single " Everything Is Beautiful " (1970), a plea for love and tolerance. Stevens grootste hit in de VS was zijn evangelie-verbogen single "Everything Is Beautiful" (1970), een pleidooi voor de liefde en tolerantie. The single won a Grammy, was the theme song for his summer 1970 TV show, and marked his first time in the Top 40 on the country charts, peaking at #39. De single won een Grammy, werd de theme song voor de zomer van 1970 zijn tv-show, en gemarkeerd zijn eerste keer in de Top 40 over het land charts, met een piek op # 39. His other 1970 singles were "America, Communicate With Me" and "Unwind", both minor pop successes. Zijn andere 1970 singles waren "Amerika, communiceren With Me" en "Ontspan", beide kleine pop successen. His novelty song "Bridget the Midget (The Queen of The Blues)" made #2 on the UK chart in 1971, but in the US it only reached #50. Zijn nieuw lied "Bridget de Midget (The Queen van The Blues)" made # 2 op de Britse chart in 1971, maar in de VS alleen bereikt # 50. Ray had a gospel/country hit single in early 1972 with " Turn Your Radio On ", reaching the country Top 20. Ray had een gospel / land hit single in begin 1972 met "Turn Your Radio On", het bereiken van het land Top 20. Two more of Ray's songs in 1972 were also minor pop hits, "A Mama and a Papa" and "All My Trials", but both crossed over to the Top 40 Adult-Contemporary lists. Twee meer van Ray's songs in 1972 werden ook kleine pop hits, "Een mama en een papa" en "All My Trials', maar beide overgestoken naar de Top 40 Adult Contemporary-lijsten. In 1973, Stevens had a top 40 country hit with the title track of his album "Nashville". In 1973, Stevens had een top 40 land hit met het titelnummer van zijn album "Nashville". In 1974, Stevens recorded perhaps his most famous hit, " The Streak ", which poked fun at the early-1970s fad of running nude in public, known as " streaking ". In 1974, Stevens geregistreerd wellicht zijn bekendste hit, "The streak", die poked plezier op de vroege jaren 1970 bevlieging van stromend naakt in het openbaar, bekend als "strepen". It made No. 1 in both the UK and the USA and No. 3 on the country chart. Het maakte nummer 1 in zowel het Verenigd Koninkrijk en de Verenigde Staten en nr. 3 op het land grafiek. Ray's tenure with Barnaby came to an end in early 1976, after he had racked up several more hit singles; " The Moonlight Special " is a spoof of the TV program "The Midnight Special". Ray's tenure met Barnaby kwam een einde in het begin van 1976, nadat hij was geïnstalleerd, een aantal meer hit singles "The Moonlight Special" is een spoof van de TV-programma "The Midnight Special". In 1975, he released the Grammy-winning " Misty ", which became his biggest country hit (reaching #3 on the country charts and #14 on the pop charts); he also hit the country Top 40 with a doo-wop version of " Indian Love Call ", " Everybody Needs a Rainbow ", and a ballad version of " Young Love " in early 1976. In 1975 bracht hij de Grammy-winnende "Misty", dat werd zijn grootste hit land (het bereiken # 3 van het land, grafieken en # 14 op de hitlijsten), hij moet ook het land getroffen Top 40 met een doo-Spaghettivreter versie van "Indian Love Call", "Everybody Needs a Rainbow", en een ballad-versie van "Young Love" in het begin van 1976. In the spring of 1976, Stevens joined Warner Brothers, where his debut was a strong showing with three hit singles in a row. In het voorjaar van 1976, Stevens trad Warner Brothers, waar zijn debuut was een sterke blijkt met drie hit singles op een rij. The first was the up-tempo version of " You Are So Beautiful ", which reached the country Top 20, then " Honky Tonk Waltz ", which reached the Top 30. De eerste was de up-tempo versie van "You Are So Beautiful", die op het land Top 20, dan "Honky Tonk Waltz", die tot de Top 30. He then released a novelty single, billing himself as a choir of chickens: under the pseudonym "Henhouse Five Plus Too", Stevens recorded a version of Glenn Miller 's " In The Mood " in the style of a clucking chicken; it became a Top 40 hit in the US and UK in early 1977. Hij vervolgens vrijgegeven een noviteit enkel, facturering zichzelf als een koor van kippen: onder het pseudoniem "kippenhok Vijf Plus Too", Stevens boekte een versie van Glenn Miller 's "In The Mood" in de stijl van een clucking kip; werd een Top 40 hit in de VS en het Verenigd Koninkrijk in het begin van 1977. Ray never made it to the Top 40 throughout the rest of 1977 on either the pop or country charts. Ray nooit naar de Top 40 in de rest van 1977 op de pop of land charts. In 1978 he had a hit with " Be Your Own Best Friend " on the country charts, and in 1979 he had his final hit, as of 2007 [update] , on the Hot 100 pop chart with the novelty " I Need Your Help, Barry Manilow ". In 1978 had hij een hit met "Be Your Own Best Friend" op het land grafieken, en in 1979 had hij zijn laatste hit, met ingang van 2007 [update], op de Hot 100 pop chart met de nieuwheid "Ik heb je hulp nodig, Barry Manilow. He joined RCA in late 1979, releasing new material in 1980. Hij trad RCA eind 1979, waarbij het nieuwe materiaal in 1980. 1980s and after Jaren 1980 en na After joining RCA in 1980, Ray continued having hit singles with somewhat less success than in the previous decade. Na toetreding tot RCA in 1980, Ray voortgezet met hit singles met iets minder succes dan in het vorige decennium. His debut single, the Top 10 " Shriner's Convention " and then the Top 20 love ballad " Night Games " performed relatively well on the charts. Zijn debuut single de Top 10 "Shriner het Verdrag" en daarna de Top 20 love ballad "Night Games" uitgevoerd relatief goed op de hitlijsten. In 1981, only one single made the charts, the Top 40 hit "One More Last Chance". In 1981, slechts een enkele maakte de kaarten, de Top 40 hit "One More Last Chance". In 1982 a few more singles were released, notably the Top 40 "Written Down in My Heart". In 1982 nog een paar singles werden uitgebracht, met name de Top 40 "opgeschreven in mijn hart". Stevens left RCA and returned to Mercury Records, the label that made him a star in the early 1960s. Stevens links RCA en keerde terug naar Mercury Records, het label dat maakte hem tot een ster in de vroege jaren 1960. This resulted in only one album, the 1983 project "Me", and only one chart hit, "My Dad", in early 1984. Dit resulteerde in slechts een album, het 1983-project "Me", en alleen een grafiek hit, "Mijn vader", in het begin van 1984. Ray then joined MCA in 1984 as a "country comedy" act and thereafter released only novelty song albums. Ray vervolgens trad MCA in 1984 als een "land komedie" daad en daarna pas vrijgegeven nieuwheid song albums. Ray's first two albums for MCA were both hugely successful, both hitting sales of over half a million. Ray's eerste twee albums voor MCA waren beide enorm succes, zowel raakt de verkoop van meer dan een half miljoen. His next series of albums were high sellers as well. Zijn volgende reeks albums waren hoog verkopers ook. The fan-voted Music City News awards named Stevens Comedian of the Year annually for 9 consecutive years from 1986 to 1994. De fan-gestemd Music City News Award vernoemd Stevens Cabaretier van het Jaar jaarlijks voor 9 achtereenvolgende jaren 1986 tot 1994. Ray's singles were no longer making the Top 40 charts as they were comedy/novelty and country radio resisted playing songs that weren't serious. Ray's singles werden niet meer maken van de Top 40 hitlijsten als zij waren komedie / nieuwheid en land radio weerstaan spelen songs die waren niet ernstig. Even though it meant little airplay, the sales and overall popularity Ray was enjoying during the 1980s and into the 1990s because of the switch to all-comedy was a runaway success. Ook al betekende weinig airplay, de verkoop en de algemene populariteit Ray was genieten tijdens de jaren 1980 en in de jaren 1990 als gevolg van de overstap naar all-comedy was een succes. His newer and younger fans bought many of the greatest hits albums MCA and other record labels had released during the 1980s. Zijn nieuwere en jongere fans kochten veel van de grootste hits albums MCA en andere platenmaatschappijen hadden vrijgegeven tijdens de jaren 1980. A few of Ray's commercial singles charted on the Single Sales charts during this time, but only one single actually made it to the radio-dominated Top 40, "Mississippi Squirrel Revival" reached the Top 20, making that Ray's final single to hit the Top-40 portion of the country chart. Een paar van Ray's commerciële singles in kaart gebracht op de interne Sales grafieken in deze tijd, maar slechts een daadwerkelijk gemaakt naar de radio gedomineerde Top 40, "Mississippi Squirrel Revival" bereikte de Top 20, waardoor deze Ray definitieve enkel te raken de Top -40 gedeelte van het land grafiek. "Would Jesus Wear a Rolex" is the only single during his 1984-1989 stint on MCA that came close to reaching the Top 40, stalling at #41 in 1987. "Zou Jezus Draag een Rolex" is het slechts enkele tijdens zijn 1984-1989 bekrimpen op MCA dat kwam dicht bij het bereiken van de Top 40, blokkering op # 41 in 1987. Second to that, the other single close to hitting the Top 40 on the country chart was the #45 hit "The Haircut Song". Tweede tot en dat, de andere enkel dichtbij raken de Top 40 over het land was de grafiek # 45 hit "Het surpluspercentage Song". Ray left MCA in 1989 for Curb/Capitol in 1990. Ray links MCA in 1989 voor Curb / Capitol in 1990. The two labels split apart after a few years joined together and Ray continued with Curb Records afterwards. De twee labels gesplitst afgezien na een paar jaar samen en Ray voortgezet met Curb Records achteraf. Ray's last chart record on the country charts came in 2002 with "Osama Yo' Mama" which made the Top 50 and became Ray's first gold record since " The Streak " in 1974. Ray's laatste grafiek record op het land charts kwam in 2002 met "Osama Yo 'Mama" die de Top 50 en werd Ray's eerste gouden plaat sinds "De streak" in 1974. Videos Video's Stevens' songs have been showcased in several videos. Stevens' songs zijn tentoongesteld in verschillende video's. " Gitarzan " was featured on Disc 1 of the Dr. "Gitarzan" was featured on Disc 1 van de dr. Demento 20th Anniversary Collection. Demento 20th Anniversary Collection. Ray Stevens videos were frequently offered via television commercials. Ray Stevens video's werden vaak aangeboden via de televisie commercials. 1992's "Comedy Video Classics" contained 8 music videos, winning the Home Video of the Year in 1993 as well as other awards. 1992's "Humor Videobeschrijving Classics" bevatte 8 muziek video's, het winnen van de Home Video van het Jaar in 1993 en andere prijzen. Two videos filmed at his Branson, Missouri theatre "Ray Stevens Live!" Twee video's gefilmd op zijn Branson, Missouri theater "Ray Stevens Live!" and "More Ray Stevens Live!!" en "Meer Ray Stevens Live!" were released in 1993, although the second collection was only available to fan club members at the time. zijn uitgebracht in 1993, hoewel de tweede collectie is alleen beschikbaar voor fanclub leden op dat moment. In 1995 he released a movie Get Serious!! which contained 10 music videos inserted at appropriate times throughout the spoken dialogue. In 1995 bracht hij een film Get Serious! Waarin 10 muziek video's geplaatst op de juiste momenten van de gesproken dialoog. The video collection Latest and Greatest was released in 1996. De video collectie nieuwste en beste werd uitgebracht in 1996. In 2000 he released Funniest Video Characters including the video to his 1985 song "The Ballad of the Blue Cyclone". In 2000 is hij vrijgelaten Funniest Video tekens inclusief de video op zijn 1985 nummer "The Ballad of the Blue Cyclone". In 2004 Greatest Video Characters was released; this was a large collection of 1990s Ray Stevens music videos including three newer ones, "Osama Yo' Mama", "Hello Mama", and "Thank You". In 2004 Greatest Video Personages werd uitgebracht, dit was een grote collectie 1990 Ray Stevens muziekvideo's, waaronder drie nieuwere zijn, "Osama Yo 'Mama", "Hallo Mama" en "Thank You". Ray's video albums are released by mail order on his own label, Clyde Records. Ray's video albums worden uitgebracht per post bestellen op zijn eigen label, Clyde Records. Curb Records also offers retail distribution. Curb Records biedt ook de detailhandel. Awards Awards Stevens has won two Grammy Awards : one for "Everything Is Beautiful" and one for the arrangement of his country and western version of the jazz standard " Misty " (1975). Stevens won twee Grammy Awards: een voor 'Everything is beautiful "en een voor de regeling van zijn land-en West-versie van de jazz-norm" Misty "(1975). Ray Stevens was inducted into the Nashville Songwriters Hall of Fame in 1980. Ray Stevens werd inducted in de Nashville Songwriters Hall of Fame in 1980. (Less)
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