Search results for facade 1 4
30,
09:26,
2008-05-27 06:41:31 Description: From: truthinfo
Part 1/4
The NEXT 9/11 New World Order False Flag Terror Attack on the Pope in Rome!
With pressure mounting to bring the 9/11 criminals to justice the Administration and the (More) From: truthinfo
Part 1/4
The NEXT 9/11 New World Order False Flag Terror Attack on the Pope in Rome!
With pressure mounting to bring the 9/11 criminals to justice the Administration and the Global Power Elite have no choice left but to push for War III in the form of a Global Holy War.
The 'stars' are literally 'lining up' for global genocide and all the proof you need is right here!
Building on their evangelical fundamentalist Christian (and occult) base, those at the top of the pyramid now plan to use an assassination of the Pope to unite the West into a Religious War for Empire and the establishment of the Global Market State (fascism).
This NEW WAR will be based on manmade and institutional false prophecies like those of the 'Fatima Secrets' and the '112th Pope of Saint Malachy' that will give the war the appearance of legitimacy from God.
The Bilderburg Group, Trilateral Commission, CFR, Jesuits, NWO, NAU, EU, Elite Round Table Groups and other 'Power Brokers' are counting on the gullibility of the public and lack of biblical knowledge, in order to declare 'Martial Law' and start the shreading of the Constitution and round up of dissenters. Beware!!
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Channel: youtubeTags: 2012 9/11 attack documentary false flag italia italy nations new news nibiru nwo order paul political pope roma rome ron terror united venus world
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5,
03:20,
2008-08-04 11:16:59 Description: DJ Skirts are a LOT better, but if you've spent all your money, and you need something to get you buy until you can afford a nice DJ Skirts Facade, you can do this.
The boards are 2 foot x 4 (More) DJ Skirts are a LOT better, but if you've spent all your money, and you need something to get you buy until you can afford a nice DJ Skirts Facade, you can do this.
The boards are 2 foot x 4 foot boards, 1/4" thickness. Can be found at Home Depot or Lowes.
If you don't like cutting your own wood, just measure how tall you want your Facade before getting the wood, and both Home Depot and Lowes will cut it down to the size you need for your. Then you just have to get some contact cement, carpet, and some hinges, and away you go. Glue the carpet on OUTSIDE though, particularly if you use contact cement, it will stink up your house while it dries otherwise... (Less)
Channel: youtube Rate it: Rate:
36,
05:15,
2008-05-05 14:57:02 Description: 1. Noisia radio scanning various intro
2. Noisia & Mayhem - Exodus [Vision]
3. Noisia, Mayhem & MC Verse - Choke (Accapella) [Vision 002]
4. Noisia - Square Feet
5. Noisia - Facade [Ram (More) 1. Noisia radio scanning various intro
2. Noisia & Mayhem - Exodus [Vision]
3. Noisia, Mayhem & MC Verse - Choke (Accapella) [Vision 002]
4. Noisia - Square Feet
5. Noisia - Facade [Ram 059]
6. Noisia - Untitled
7. Noisia - Vomit Shake
8. Noisia - Gutterpump [Passenger 028]
9. Freestylers & Pendulum - Painkiller (Noisia Remix) [Against The Grain]
10. Noisia Hiphop Outro (Less)
Channel: youtubeTags: Annie Bass Choke Drum Exodus Facade Feet Gutterpump Mac Mash Mini Mix Noisia Painkiller Shake Square Untitled Up Vomit
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15,
09:53,
2008-01-31 16:11:39 Description: Part 1 of my latest mix, been a long while coming because my laptop has been funny about recording sound directly from the sound card, all I was getting for sound on the videos was the webcam mic, (More) Part 1 of my latest mix, been a long while coming because my laptop has been funny about recording sound directly from the sound card, all I was getting for sound on the videos was the webcam mic, which sounded crap, thank god it works again...
Tracks list:
1. Noisia - Facade VIP
2. Jonny L - Back to Your Roots (Friction and K-Tee remix)
3. G Dub - Beast City
4. TC - Lighters Up (roll out mix)
5. Drumsound and Bassline Smith - Skumbag RIP
www.myspace.com/rootandality (Less)
Channel: youtubeTags: Ality Bass club dance DJ dnb Drum Dub Generation jump lighters mix mixing roots sex TC tenminmix up wobble
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62,
10:02,
2008-04-21 16:25:06 Description: Caucasus - is a cradle of ancient civilisations, created by people inhabited this territory, which preserved rich material and cultural legacy of ancient state Albania. Azerbaijan is a heir of (More) Caucasus - is a cradle of ancient civilisations, created by people inhabited this territory, which preserved rich material and cultural legacy of ancient state Albania. Azerbaijan is a heir of Caucasian Albania and subsequent formations at its territory, and Albanians are the ones of ancestors of Azerbaijan nation. The most ancient Christian church in Caucasus - is Albanian church Kish, established in 1 -2 century A.D by apostle Elysee in Sheki region, and also temples Gandzasar and Amaras in Karabagh are still remained uptoday at places where at present live descendants of gunns, gels, alpnas, legs and udins. Albanian architecture of Karabagh. Karabagh is the most beuatiful and plenty land of Azerbaijan Republic. History of Karabagh starts from its deep anciency - land between two rivers Kura and Arax is one of most ancient centres of civilisation. There are a lot of facts which allow to suppose that this territory together with areas of the Meditteranean countries and Africa included in zone of humanity's motherland, that here also was a development of human being, as biosocial and social creature. And just here, in Azikh cave, were discovered the most ancient signs of life and human's activity. Owing to materials, discovered discovered in this cave, we start our history from very ancient period - age of ancient stony century (paleolith), more than 1 million years before. In Azikh was discovered a fragment of woman's jaw, lived approximately 350-400 thousand years before, what has a great significance. No doubt, that creators of Azikh culture already had mentality and developing speech, and also some elements of spiritual culture. Azikh human (azikhantrop) already knew what is the fire, arithmetic, had some initial notions about environment, at the base of which the religion originates. We have a suffiecient base to suppose, that azikhantrop has more than 300 hundred years before cosmological observations and etc. Karabakh's culture of Bronze Age and early Iron Age is reflected in funeral monuments. Monuments of this period prove close contacts wit southern countries. Bronze century brought many important changes. Especially it is seen from labour production increase. Develops half nomadic stock-breeding , crop-growing, craft, especially metallurgical production, ceramic work and etc. Second half of II- beginning of I thousand year B.C. - late Bronze Age and beginning of Iron century at the territory of Southern Caucusus, characterised by prosperity of metallurgy of the region which we are interested in, which stood in one range with metallurgical centres of Ancient East. This time of primitive society's decay and transition to early class relations in Karabagh zone. From number of most important and very interesting funeral monuments can be named Khojali, Archadzorski, Akhmakhinskiy burial-mound grave, Karabulag necropolis and others. War passes the same time together with stock-breeding, crop-growing and craft one of the main occupations of region's population. More fast rates are developing relations with Front Asia's countries. In graves of this period of time are discovered gold goods, obects made from mother-of-pearl and elephant's ivory, glazed vessels, cylindrical stamps, frozen beads, and at last, famous agate bead with a name of assirian kung Adadnerari, related, to the end of XIV-beginning XIII century A.D. In the beginning of I century B.C in south-western surroundings of Karabagh comes a new power-urarti. But they couldn't capture Karabagh. They suppose, that western part of Karabagh in urart sources was called Urtekhe-Urtekhini. To be correctly supposition about the fact that later name of the zone - Arcakh comes from Urtekhe, then, in spite of armenian authors' affirmations, it is completely indisputable , that it (name Arcakh) is not armenian, although because of the fact that during this period and later on there were no any armenians. In midian-akhamenidian age power of midians, and later Persians spreaded in South-Eastern Trans-Caucasus, including Karabakh. Range of circumstances allows to suppose, that this picture leads to midian age. That is why it is impossible not to agree with compilers of «Historical Information» (Upper Karabagh, Yerevan, 1988), that Arcakh, where lived utis, was located in «complement of Yerevandid Armeniya». For this fact they do not have any reasons. There are also no any facts to consider that even later (in IV century B.C ) Karabagh zone was a part of Armenia. If it would be so, in this case persian satrap of Midiya Atropat wouldn't have any possiblity to manage sakesins, populated in the land between two rivers Kura and Terter. And meanwhile it is know, that in Gavgamel fight (last third IV century B.C.)midians, whom managed Atropat, were united «with kadusians, albans and sakesins». Atropat and Atropatids controled these regions, evidently, accoridng to traditions and being political successors of midian and persian rulers. History catches Albanian tribes not only on the left coast of Kura, but also at the territory of the right coast. Speaking about ethnical population's belonging of Central and Eastern Trans-Caucasus in ancient age, it is important to note, that alhtough the zone during that period was out of written sources, we have no facts, in accordance with specialists' opinion, to think that before north-eastern-caucasian languages in this region were spreaded any other languages. For the last time more insistantly and more probably into north-eastern-caucasian language family, which composed from four and five branches, except khurrit, urart, and also nakh-dagestan languages, include some languages of Small Asia, Cyprus and Lemnos islands and others. Therefore etrus is also related here. There are some reasons to relate this family kutiy language - ancient population of Southern Azerbaijan and some adjacent regions. Also to this family relate the language of native population of Caucasian Albania -Albanian, which usually identificated with utiy (udiy) language. Speaking about ethnolanguage belonging of Albanians, it is necessary to note, that ancient writers, describing them, mark their beauty, high height, light hairs and grey eyes. Two last features-distinctive characteristics of ancient aborigen population, so called caucausian type, widely presented at present time in mountanious regions of Caucausian isthmus. And only one this feature allows to consider Albanians native population - autokhtons of South-Eastern Caucausus. All this mentioned above confirmed by others, particularly, archeological and language materials, and also historical tradition, connecting Albanians with utians - udians, speaking one of north-eastern-caucasian languages. Albanian tribes, as it is definitely testify archeology's data, couldn't come from outside not at the end of II, not beginning I thousand B.C, when in areas of Trans-Caucasus start establishing major cultur-ethnical units, including, as we suppose, - protoalbanian tribe union. It is important to note, that archeological cultures of Central and Eastern Trans-Caucases in age of late Bronze and early Iron were very close to each other and sharply distinguished about synchronic culture of Western Trans-Caucasus. All this is definitely signals establishment of bases of tribes union at the base of part of nakh-dagestan-khurrit tribes groups, about origin of conturs of future Albanian unity of tribes. Nothing confirms, that khodjali-kedabek, nakhichevan, talysh-mugan, kayakent-khorochoev cultures of Azerbaijan, connection of which with cultures preceded and consequent ages on the territory of Albania is indisputable, were brought to Azerbaijan or, that development of these ethnocultural units on the territory of Albania was stopped by processes of migrations, natural phenomenon and etc. To this north-eastern-caucasian languages family also is related the language of native population of Caucasian Albania, including Garabaga-utiy (udiy), with which is identificated the language of Albanians. As we do not have written memorials, which can consider Albanian, question about Albanian language can be decided only with the aid of indirect materials, data about uddins, uddin language and some other materials. It is undoubt, that modern udins, living in Kabalin (before Kutkashen) region, are heirs of utis -otens, about whom first informs Herodot, according to his data, they were included in XIV satrapiya of Akhemenid Power. Utis, as their neighbours, miki (muki), come out to historical arena in first quarter of V century B.C. , participating in Kserx march to Greece. Utiya area (Otena, Utik), located on the right coast of Kura, on the territory of Karabagh (approximately modern Barda-Imishli zone up to Arax), was one of most important areas of Caucasian Albania. No doubt that utis of Herodot - it is one of Albanian tribes (usually, as it was marked out before identificated with Albanians) utis-otens-uddins, lived in ancient time and in middle ages in Utita and neighbour areas. Also in period of middle ages the populate on very significant territory. In Karabagh uddins are testified in XIX century. At present time this tribe is about 6-7 thousand people live n Kabalin region. «Father of Armenian History» Movses Khorenaci considered utis as a tribe, comes from Aran - legendary ancestor - eponim aloan, i.e. Albanians. He wrote: «they say from descendants of Aran origin tribes - utiyns, gardmans, codeys and Gargar principality...» It is very important, that historical tradition, particularly armenian (and this fact is very important!), co-ordinates modern uddins with ancient Albanians, and uddins themselves up to recent times remembered, that according to origin - they are Albanians. In known letter for the name of Peter the First they wrote: «...we agvans (i.e. Albanians. ) are uttis by nation. Belonging of udins to dagestan group of north-eastern-caucasian languages family at present time is indisputable. In such a way Albanian language should be related to called language family, especially, that there are enough facts testifying hypothesis about uddin belonging of famous mingechaur inscriptions, language of which can be only Albanian - language of rulling tribe in Albania. Thus, all mentioned above allows to announce, that Albanians, speaking language and dialects of north-eastern-caucasian language family, people who spoke this language populated from Nothern Caucasus and till islands of Aegean sea are autokhons of south-eastern Trans-Caucasus. It can not be said about armenians and armenian language, which could appear in areas of Trans-Caucasus (until not Garabagh) not earlier the age of expasionist wars of Artaxiy and Zariadriy, i.e. after II century B.C. All importunate affirmations of armenian nationalist scientists of culture in different suits about «autoakhton» of armenians and armenian language in Trans-Caucasus do not have any relation to the science and is considered as falcification. Now it is known that Armenia is not a motherland of armenian ethnos. History catches armenian tribes far away from Armenia. Authoritative scientists (particularly I.M Dyakonov), suppose, that ancient armenian nation turned out to Upper Euphrates valley approximately II --first I thousand B.C. For the short period of time armenians, moved to wider territory, capture it and assimilate population. Thus, in 11-1 B.C was created «Great Armenia». Armenian Aggression couldn't be inperceptible by Strabon, who wrote: «...Armenia, before was a small country, increased by wars of Artaksiy and Zariadriy...They together widened their domains, reduced part of areas of surrounded nations, and precisely: they took away from midians (atropatens. -- editor) Caspiana, Favnitida and Basoropedu; from ibers -- foothills of Pariadra, Khorzen and Xerkxen, from kataons -- Akilisen and area around Antitavra: and from sirians -- Taropitilu. So already at the dawn of their history armenians acting according to their ethical social-psychological character, robbing their neighbors, conquering their lands, and this evidently aggressive process in spite of obvious facts armenian scientists try to represent it as " unification of armenian speaking areas" . Armenian expansion in different periods spreaded around and to some Trans-Caucasian areas. However Karabagh in age of creation "Great Armenia" in II-I c B.C was not conquered by armenians. And in I-IV c "Great Armenia" couldn't lead afessive politics, as it was itself in alternative dependence now Rome now Parfia. Armenian in the whole range of considerations couldn't be , of course, autokhtons of Karabagh zone. Last odontologist investigations once more testify that as a fact of matter armenians on the territory of Karabagh - an element absolutely alien. The fact that armenians by considerable mass moved to Karabagh in late age, after completion of russian-iranian and russian-turkish wars in 20-30 XIX c., is testified by many written sources, and also armenians themselves, it seems, up to recent time didn't reject it, as in 1978 in Mardakert was established monument in honor of 150 anniversary installation of armenians to this district of Azerbaijan. True, later figure "150" was scraped off the monument. That zone of Karabagh (right coast of Kura) was conquered by armenians and was a constituent part of Albanian state, established approximately in III c B.C. testify the words of armenian author Movses Khorenani that Arap (legendary ancestor of albans) inherited the whole Albanian plain with its mountainous part ..., from river Eraskh (i.e. Arax - Editor) till fortress called Khnarakert (Astafa-Kazakh zone - Editor) " and that from descendants of Arap arised tribes - utis, gardmans, tsodeys and Gargar princedom. From numerous tribes mentioned above utis and tsavdeys - undoubtedly, and gargars - almost undoubtedly populated territory of Karabagh, on the right coast of Kura. That's why affirmation of many armenian scientists about the fact that border of " Great Armenia" passed by Kura is lie. Excluding accident attacks, and possibly, temporary captures of any albanian territories by Armenia, Albania I-IV c.., south borders of which passed by river Kura, owned by land between Kura and Arax. At the end of antiquity Karabagh zone remained ethnically and politically uti-albanian area of independent Albanian state. Colonization and armenization of population on this territory - are late facts, which were described by academicians I.A. Orbeli, S.T. Yeremyan and other scientists. S.T. Yeremyan wrote: "Great number of Christian monuments, significant part of which related to before - Arabic period, saved in armenisied part of ancient Albania on the territories of ancient albanian areas Artsakh (autonomous area of Upper Karabagh and neighborly north-eastern spurs of Maly Caucasus, including Shamshadil and Idjivan districts of Armenian S.S.R) and Utik, where at present time basically live armenian population". Academician I.A. Orbeli wrote plainly about capture by "armenian feudals" areas of Upper Karabagh. Completely indisputable, that present armenian speaking population of Upper Karabagh, except those, which were resettled here in XIX c - these are no armenians but descendants of armenisied albanian population. This truth was well known to educated people already in XIX c. V.L. Velichenko wrote on this fact: "An exception was wrong called by armenians citizens of Karabagh., confessing armenian-grigorian faith... and armenisied only three-four centuries ago". In political attitude zone of Upper Karabakh in I-VI c was indisputably under authority of albanian Arshakids, and in VII-VIII c - great princes Mikhraneeds. In the beginning of VIII c in result of arabian conquer albanian princedom fell. Tragically events of this period, active participant of which was armenian church, started progressive de-etisation of albanian ethos and grigorianisation, and later armenisation of part of population of Upper Karabagh zone. But albanian spirit was alive and thanks to this fact already in IX c Albanian princedom particularly was re-established and precisely on the territory of Upper Karabagh. In XII-XIII c in zone of Artsakh and Uti had been raising Khachen princedom, which, as trully considered by academician I.A. Orbeli , "was a part of ancient Albania". Brilliant development of this princedom, ruler of which was called also "prince of Albania", "surroundings' ruler of Albania", comes to the time of Hasan Jalal (1215-1261). It was a time of albanian renascence. Precisely in times of Hasan Jalal's ruling was built majestic Gandzasar monastery complex, later converted into "patronal cathedral of Albania", which armenians claim as armenian monument. It is important that in official documents of XVIII c were used such wordusages: "patriarch of saint great Kantsesar (Gandzasar -Editor) throne Agvan countries (Albanian - Editor)." It is very interesting that armenian author XVIII c Arakel Tavrizskiy names Karabagh "Country of Agvaees" (i.e. albanians - Editor). Ethical assimilation of grigorianised and in definite measure of armenisied population (that was a result of when arabians ended with sovereignty of Albania, and albanian church was under authority of armenian) mountainous Karabagh happened later. From all mentioned above comes indisputable conclusion, that so called armenians of Karabagh and properly azerbaijanians (which are descendants of albanian population) of North Azerbaijan are half brothers. And those and others - are completely undoubtedly former albanians and already that is why armenians for the territory of Upper Karabagh, where they moved by great mass after first quarter XIX c., do not have any rights. In age of middle ages zone of Upper Karabagh was included into azerbaijanian Karabagh (Ganja) beglyarbekstvo (princedom). From middle of XVIII till beginning of XIXc. on the territory of Karabagh existed azerbaijanian Karabagh khanate with suprematiya of azerbaijanians-"moslems". Karabagh had been joined to Russia not like armenian land, but as "moslem" property, what was testified in documents of those times. Creature in soviet times of UKAA was planned in advance by far-seeing armenian nationalists. This was a bomb of slow action, installed in the heart of azerbaijanian nation, tragically consequences of which our nation experienced repeatedly, and especially - last eight years of undeclared war. Started from age of early middle ages armenians not only try by different tricks "to prove", that Karabagh - is armenian land, but also make various attempts to conquer these our long-standing lands. Next attempt was done in the beginning of 1988... Undeclared war started. Armenians conquered not only territory of Upper Karabagh, but a lot of adjacent to it lands. Sacred war is going on. Armenians behave themselves on conquered territories like real robbers and bandits. Breaking regulations of UNESCO, they barbarianly destroy our monuments. It is enough to say that conquered Shusha armenians destroyed a lot. They not only destroyed monuments to Uzeir Gadjibekov, Bul-Bul, Natavan, but brutally shooted these monuments. These monuments were liberated from captivity owing to georgians and presently are in Art Museum. On the monuments are shown traces of brutality ... traces of numerous sub-machine guns and rifles bullets. Wise, peacemaking politics of President G.A. Aliyev allow to hope for soonest liberation of all azerbaijanian territories from armenian occupants and celebration of justice and peace on Karabagh land, on the whole territory of our republic. Truth is ours. Upper Karabagh - long-standing azerbaijanian land. Karabagh was and will be our land, in spite of all efforts and intrigues of our enemies. Monuments of Architecture Ancient land of Karabagh is very important hearth of Azerbaijan's civilization, where was formatted monumental memorials of architecture of great artistic and historical value for different purposes. Creators of these works of art, which were created in trade-handicraft cities and settlements on wide territory of the country, participated in complicated process of architecture formation of Middle East and by this way they brought weighty contribution into the treasury of world construction art. Monuments of ancient construction art of Karabagh, scrupulously and comprehensively studied during last decades, showed that they have significance in complicated cultural-historical process and take important place in architecture of azerbaijanianian nation. Successfully taken by scientists-historians, archeologists, architectures great systematic works on exposure, fixation and dimensions, deep study and restoration, with consequent regular publication of valuable results of these works created a base, leaning on which it will be necessary to continue scientific research and widely, deeply, introducing into range of monuments of national architectural -construction culture of the past more new masterpieces of our far ancestors - nameless experts, working under command of talented architectures. On the territory of Karabagh region of Azerbaijan located great number of monuments of moslem architecture and Caucasian Albania. These - are fortresses, palaces, mausoleums, mosques, monasteries, temples, caravansaries, bath-houses, bridges and people's habitable houses. (pic. 1) In this work we will pay attention on unique architectural monuments of Caucasian Albania Karabagh - complexes of structure of Agopan monastery in Lachin district, Khotavank monastery in Kelbajar district, Amarass monastery in Khodjavend district, monastery of saint Elysee and Gandzasar monastery in Agderen district of Azerbaijan. Complex of Agoglan monastery. To the number of most interesting culted structures related significant on dimensions temple of monasterial complex near river Agoglan in Lachin district (pic.2, 3). Temple's right-angled basilica has more significant dimensions. Two ranges from eight square supporting, columns-pylons divide internal space into three sections. Central, having four meters bay, section is twice more than lateral. Its height is also significant. All sections of praying hall blocked by arches of cylindrical forms, carried out from thoroughly cutted and durably brought to each other stones. Three sectional in plan building has a stretch proportion. Main section with big half rounded apsid and altar in bay and two narrow lateral sections with right-angled official premises-side-chapels located on both sides of altar niche. On big half - compasses form strong aperture of apsid located three narrow arched apertures, marking compositional center of temple. Monumental building of basilica, built from compact local stone - gray basalt, harmonizes with its severe environment beautiful itself mountainous land. Smooth facade flatness of building erupted in upper part by rarely located narrow window openings, through which illuminated internal space of the hall, with single entry on the lateral saide of facade. Symmetrically built balanced composition of stepped form of facades cutted by different sized light apertures - in center paired and of significant size illuminating main section and small - in two circles -- for lateral sections. Well-proportioned refined rotunda on thin columns, crowned by pyramid hipped roofs, located on hipped roofs of temple, what alives severe and expressive capacity of culted building. Revetment of walls inside of temple carried out from large roughly cutted stones, laid into laying with wide opened joints. This is explained by the fact that in the past walls of temple carried plaster cover, on the surface of which were carried tematical by subjects polychromatic paintings. This is testified by particularly saved on the north wall fragments with fresco paintings. Supporting pylon-columns and archvolts of arches over them reveted by well cutted large stony blocks. In upper parts of hall's interior was used decorative carving on the stone. Monastery on r. Agoglan is the main construction of existing in the past of monasteries complex with different purposes by habited and economic structures, grouping in yard's territory. Borders of monastery were taken in stony strong walls with existing arched aperture-entry. Presently from these numerous constructions remained only ruins. Monastery near r. Agoglap related to IXc. About Agoglan monastery there are works of M.Useynov, L. Bretanistskiy, A. Salamzade and K. Mamedzade. Complex of Khotavank monastery. One of the most ancient monasteries complexes is Khotavank monastery, located on the left coast of the river Terter in Kelbajar region. Complex includes: basilica, temple and chapel. Basilica is a long hall without internal collumns. Eastern part was completed by half rounded apsida. Window openings of the temple has a form of horse shoe (pic. 4, 5). On both sides of altar apsida located rounded in the plan vestries. Succeeded to find out, that they were built significantly later, than temple itself. Entry to these vestries leads from altar apsid, which is met rarely. During the research of the left vestry on its ceiling was discovered writing of one of the abbots of Khotavank monastery, lived in XIII c. Monasteries complex badly saved, only in relative safety we could see cathedral, built by albanian ruler Oganes Khachenskiy. This interesting creature of architectures of Caucasian Albania is very distinguished from culted architectural works of neighbored nations. Cathedral done asymmetrically in plan and in capacity-space construction. In consequent centuries near basilica temple, was raised a range of right-angled in plan churches and chapels, owing to which raised great culted complex, which became a residence of albanian bishop and one of the most important culted-instructive centers. From X up to XV c. Khotavank becomes Christian ecclesiastic centre of albanian Khachen princedom. In period of governing albanian ruler Vakhtank, son of Asan Jalal in Khotavank, monastery complex is widening. Here was activated coaching inn, library and church, constructed in 1214 by Vakhtank's wife Arzu-Khatun. Church was constructed for the memory of her husband and two sons. Good saved church is one of valuable monuments of architecture of early middleaged Albania. Church is not large, has two bas-reliefs: on eastern side over the window painted up to the waist prince and one saint - both of them keeping the temple's model, and on southern wall - two princes keeping the temple's model as well. In first case we should see in the picture husband of Arzu-Khatun with saint, and in the second - her two sons. Discovered ceramic goods during excavations of south-eastern temple's foundation allows to date it to VI-VII c. But further several times there were carried out renovation and repair works. About Khotavank complex there are works of R. Geyushev, K. Mamedzade, D. Akhundov Complex of Amarass monastery. Complex of Amarass monastery is located in settlement of Soye Khodjavend region. It consists from church - basilica, underground part, inhabited and economic constructions and stony serfed fence. (pic. 6, 7). Church in plan is right-angled. Internal space of church is divided by four pylons, located by two in a range, on three sections, and central - is more wide. Central section from eastern part ends with raised over the ceiling by altar apsyda, crowned half cupola. This is more higher section blocked by lancet arch. Lateral sections, with adjacent to them small premises, have usual cylindrical arches. Facades of church reveted with well worked stony blocks. Roof of the building - is gable, and western butt-end crowned with small six collumns belfry with tent pyramid cover. Doorway is fixed in the western wall. In 1970 during archeological research under altar apsyda of the church was dicovered underground premises (2x4m)*. It is blocked with arch and level of the ceiling is located at the depth of 5, 2 m from mark of church's ceiling. Slope to underground part of the church is laid by stony stairs, located from both sides: on eastern part of the premises there is a doorway. Sources inform about the period of this temple's construction - IVc. Territory of the church's complex is surrounded from four sides by serfed fence, which in plan has right-angled form and strenghtened by angled towers. On the south wall of the fortress located aperture with half compasses arch. Internal yard of fortress is divided into two parts. First is - house - hold yard, where located service premises and stable. Second part - is church yard, where located a church and inhabited houses. All inhabited and house-hold constructions are adjacent to serf wall. Their roofs give an opportunity to walk easily by the whole parameter of the walls, watching surroundings and in case of necessity to fight with a help gun-slots, located on all walls and angled towers. To the roof lead opened stony stairs, located near with angled towers. Archivolts of inhabited and house-hold constructions are laid from well cutted stones. External and internal walls are done from chopped stones. Date of complex's construction is related to IX c. Later there were carried out renovation works and present condition of the monument is dated XIII c. Characteristics of Amarass complex found a reflection in works of R. Geyushev, K. Mamedzade, D. Akhundov. Complex of St. Elysee's temple. Complex of St. Elysee's temple is located in settlement Magavuz of Agtseren region - on the left coast of river Egyshe at the height of 2000 m over the level of the sea. By a legend, the temple was constructed in IV c in honor of first preacher of Christianity in Albanina Elysee. Presently existed complex dated to XIV c. (pic 8). However archeological excavations, carried out in 1970 near eastern wall of the main temple, discovered many ancient constructive remains and domestic subjects. Complex is surrounded from all sides by serf fence. Fortress has western and eastern gates. Main entry is western gates - from point of view of defence attracts a very special attention. On the territory of fortress located eighteen objects of differrent purposes. This main temple, chapels, two floors inhabited house, house-hold premises and stables. Main temple consists from two premises. First - is a hall, which has in plan square form. Internal space is divided by 2 columns and shelves near the walls for three simalteneous sections, and central is higher. Sections blocked by cylindrical arch. Second premises - prayer hall - has right-angled form. Overhead cover is arched. Facades of temple reveted by cutted stones. On the roof of first premises is located a bell-tower. Second relatively small building - church - located on the right side of the main temple. In plan it has a right-angled form, internal space of which consists from right-angled in plan hall and adjacent to it from eastern part two apsyds. From the left and right side of the temple located six chapels. Inhabited house and one of house-holds premises located in south-eastern corner, another in the centre, and stables in north-eastern corner of the fortress. Connection with right coast territory could be established only with the help of one bay stony bridge via river Egyshe, ruins of which located at the distance of one killometer from fortress. Date of construcitve complex is related to XIVc. About the complex of St. Elysee there is data in works of R. Geyushev, K. Mamedzade. Complex of Gandzasar monastery. One of interesting culted constructions of XIII c is Gandzasar monastery, located in settlement Vanklu of Agderen region (pic. 9-11). Complex of Gandzasar monastery consists of main construction - temple, bell tower and fixed to it from western side a range of additional constructions, which are adjacent to serf walls from north side. In initial sources construction of Gandzasar complex is connected with the name of Khachen prince Asan Jalal. Construction of the monument started in 1216 and first constructions were completed in 1238. However it should be supposed that Asan Jalal had not constructed, but just reconstructed already existed albanian temple, possibly, of heathen period. Temple was illuminated in 1240. Vestibule was constructed by wife of Asan Jalal Mamkan-Khatun. Temple's architecture is cross-cupola composition, sources of which go back to VIII-IX c. It is necessary to note, that such planned composition is not met in culted buildings of eastern countries in IX c. In building's corners are located 2 elongated premises, connected by half rounded apsyda. In lower corners of the building in 2 floors are located choirs. Inside of the building by vertical rods stressed corners fo undercupola space, which frame central part of the temple. Arches of cross's branches (from the side of undercupola space) have lancet contour. Each spherical sail mounted by two carved plates with reserved not repeated ornaments (star, circle, square). In upper part of each spherical sail, on the plane, framed rod, painted high reliefs, heads of saint animals - bull, sheep. Temple inside is round and brough up of eight pairs of thin semi-columns - plaits, passing to hanging arches. External facades of Gandzasar temple transmit its internal cross-cupola composition. Building was put at five - stepped socle, which gives to it not only additional steady, but also compositional expression. In architectural composition of Gandzasar temple's facades very well used plane arches, formed by relief of double half rollers. Planes of walls of temple's north and south facades decorated by plastic relief identical by sizes of five arches. Over middle arch there is strictly profiled big cross. Undercupola drum of temple - 16 grains and each grain ends with small pediment-tongs. Accordingly to such completion of drum pyramidal cover of cupola got original folded-umbellate form. High drum and its completing tent rise above the whole building. Decoration of drum has a definite sense content, which gives to it sculptural pictures. Architecture of arch, leaned to complex system of layer stalactites, is a compositional kernel of vestibule. It should be noticed the completion of composition and perfection of architectural forms. Numerous elements of diophysit character testify the fact that temple is not Armenian but Albanian. About Gandzasar monastery there are works of R. Gsushev, A. Yakobson, K. Mamedzade, A. Akhadov. Such is a brief architectural characteristics of five monuments of Caucasian Albanian, located on the territory of Karabagh district of Azerbaijan. It is known that Armenian scientists try to prove by different ways that Caucasian Albania and its whole architecture is related to historical Armenia. Their claims for Albanian lands are deprived of any scientific foundation. Architectural - planning and constructive modes of monuments of Caucasian Albania differ from architectural monuments of Armenia. Distinctive feature of Albanian culted constructions, and especially monasteries and temples, is internal space - in type of four arched composition, which brings to cruciform in plan form. It is necessary to note that cross-cupola composition of temples first used in architecture of Azerbaijan. Sources of this composition go back to VIIIc. We also note that cross-cupola composition gets its further development not only in culted constructions, but also in memorial monuments of Azerbaijan. From other side, typical for Albanian temples planning mode in the way of four- and six columns three sectional basilica is seldom met in architectural monuments of Armenia. Typical way of compositional mode in culted construction, as in Moslem, and so in Albanian Christian architecture is settlement, on main facade sides, of monuments of open galleries. We can give as an example "Juma Mosque" in Shemakha, "Geokhar-Aga and The Lower Mosque" in Shusha, "Ambarass Mosque" in Ordubad, "Zardabi" Mosque, "Shakhsevanlar" and "Tatlar" in Gandja, main temple of Khotavank complex and so on. Albanian architects of Azerbaijan worked out its own constructive and constructional methods, achieved of great perfectness in artistic carving on stone. It is known from considered by us beautiful monuments of Karabagh region of Azerbaijan. (Less)
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24,
10:26,
2007-07-05 13:58:15 Description: Please go to Part-2: http://www.youtube.com/watch?v=PcpFtSahbBw
...for the remaining four (4) minutes of this full length video that shows the first images of the SCEDULED IMPLOSION of WTC7 and an (More) Please go to Part-2: http://www.youtube.com/watch?v=PcpFtSahbBw
...for the remaining four (4) minutes of this full length video that shows the first images of the SCEDULED IMPLOSION of WTC7 and an illustration to evidence the manner in which the FIRST 'original' Pearl Harbor achieved full occupation and acquisition of the Pacific... and the 'resistance' to the German Nazi's provided an ALLIANCE to accomplish the same in Europe... the primary steps necessary to the supplemental steps that today bring us that much closer to the NEW WORLD ORDER... coming SOON to a Country near you!
As a medically retired Fire Captain, Training Officer, Fire Investigator, Fire Prevention Officer and Hazardous Materials Specialist INSTRUCTOR [To teach firefighters to consider the unthinkable, "Who might I SAVE if I do NOTHING!?!"] ...who has had both the lives of those who relied heavily on me for competent, prudent direction as we all risked our lives for the very lives we committed ourselves to SAVE! ...the events of 911 affected me in ways few outside the fire service will likely ever understand.
Every First Responder learns in the moments of extreme STRESS, though we may EXPERIENCE every detail of an event, we are only able to fully comprehend and interact with what our minds are PREPARED to deal with and thus able to process. Children are the prime example, but emergency personnel must WORK to break this natural 'Tunnel-Vision' reaction AFTER regular and repeat exposure to high levels of STRESS which in turn makes us more effective to OBSERVE 'more' details at the next emergency incidents. Only the well seasoned catch 'most' of the details as lives are hanging in the midst.
Just ask any attorney who admits he would think twice about stopping to help his own mother as she 'bleeds-out' while she hangs upside in a car accident as he drives by on his way home from an afternoon of golf out of PURE FEAR of responsibility of being SUED for exactly what he has does everyday to justify 'NEGLIGENCE' against those [of 'US'] for not 'interacting' to the level of our 'training' when we're in the middle of total CHAOS and he is in his perfect element (the SAFETY and SECURITY of an UNREALISTIC CONTROLLED courtroom presentation) months later!
The morning of 911 was no different! I EXPERIENCED the SAME FIVE (5) airplane crashes as you... but EXACTLY as you listen to them here... perhaps for the FIRST TIME EVER! ...even though it was broadcast on literally EVERY network internationally via the AP [Amateur Propaganda] 'NET-WORK.' I was able to hear every word as you listen to this video but only after years of prior experience in which the SAFETY of my crew demanded I LISTEN and COMPREHEND literally every syllable on my two-way radio regardless of how much BLACK SMOKE plumed from the horizon or the depths of screams that were heard in the background of every transmission from the on-scene units ahead of me as victims lie in the wake of absolute PERIL and DANGER.
Perhaps you missed the incredible COINCIDENCE of the DATE (911) and TARGET [Camp David] which was emphasized REPEATEDLY to bring the whole day's events together as one [SELF-IMPOSED] 'TERRORIST' ATTACK to point that all mighty CONVICTING finger once again at the world's most notorious fugitive - President George H.W. Bush's own BILLION DOLLAR CARLYLE GROUP BUSINESS ASSOCIATE - Mr. Osama bin Laden himself!
To find out truly how Bin Laden and others 'BENEFITED' from that 'Day-In-Infamy!' please visit:
http://www.youtube.com/watch?v=puWqNJI8Mjo
Truly, to be better INFORMED of REALITY regarding OPEN FLAME FIRES and STEEL MELTING TEMPERATURES, please visit:
http://www.youtube.com/watch?v=tIx2CVRxRXg
...and the words of the leaseholder of the WTC complex himself at:
http://www.youtube.com/watch?v=EZ9BofDUXv0
I ask anyone, "Why would anyone fabricate anything when first asked to comment on what they experienced first hand... what they saw... or would even think twice upon being INSTRUCTED (media commentators) what to state... especially AFTER the TRUTH was revealed!?!"
For eight (8) hours 'THEY' referenced Camp David because they UNKNOWINGLY made such a BIG DEAL about something that unfortunately NEVER OCCURRED that first hour... but was VITAL to maintain the MYTH... until 'THEY' had no choice AFTER the TRUTH was exposed! ...and then dropped all FALSE ALLEGATIONS as quickly as they were presented as any reference to this 'INCREDIBLE COINCIDENCE' by day two (2) was completed eliminated BEFORE your 'awareness' to look beyond the immediate needs of your family were just beginning to become restored.
But No, wait a minute! It was four (4)! No, 'THEY' said FIVE (5) but MEANT only four (4)! No, 'THEY' retracted that an HOUR LATER and said there were only Four (4) PERIOD! Oh! You're right! 'THIER' PRE-WRITTEN SCRIPT...
[Just as the LIVE CNN and BBC PRE-MATURE REPORTS that WTC7 HAD 'mysteriously fallen' BEFORE it had actually been 'PULLED!')
Please go to: http://www.youtube.com/watch?v=2GEAnn3uN30
...to describe the plane [RADIO CONTROLLED DRONE! JUST GET OVER IT FOLKS! We have HAD this TECHNOLOGY for DECADES!!] ...that 'continued' the same RADAR flight path of Flight 93 back to the East.
[The ACTUAL Flight 93 LANDED SAFELY in Cincinnati and ALL passengers were disembarked under a Bomb-Threat as evidenced by the REQUIRED PUBLIC RECORD of the MUTUAL AID response from the City of Cincinnati to Hopkins Airport for resource support!]
A single engine DRONE that was SHOT DOWN over the skies of Shanksville, thus scattering debris over 4 miles and leaving one (1), single, very, very SMALL HOLE!
[Not anywhere large enough to fit any portion of a Boeing 767 and absolutely NO bodies for the Somerset County Coroner to investigate let alone search and recover! His job was done in less than twenty (20) minutes!]
The alleged Flight 93 simply never reached it's SCHEDULED and REPORTED 'SMOKING GUN' TARGET - Camp David! The PERFECT site as another patch of SACRED GOVERNMENT REAL ESTATE was going to be utilized so no other NON-CONNECTED 'YES SIR/MAM' GOVERNMENT officials would be questioned for ELIMINATING the DEBRIS of yet another CRIME SCENE as we witnessed 'OFFICE EMPLOYEES' pick-up each PIECE of EVIDENCE in a perfect sweeping Grid-Search of the lawn area in front of the Pentagon!
Just as 'THEY' did at Ground-Zero where the PIECES of the bodies of my comrades (protected within their shock resistant Kevlar Turn-Out gear) were thrown into a disposal pile and hauled off on trucks with the rest of the CRIME SCENE DEBRIS to be sold off as SCRAP! ...while my fellow firefighters were held back at FEDERAL Gun-Point as they observed this from the HIGH Security fence line and screamed, "THAT'S MY BROTHER!" "HE DESERVES A FORMAL BURIAL!"
But each firefighter was WARNED to remain PEACEFUL or else! No, this did NOT make headlines on our MAINSTREAM media! ...but an OUTRAGE in the face of every Commission Report believing indoctrinated ignoramus who refuses to consider let alone accept these FACTS!
Reality is HARD! Don't even go there with me that I am in left field! If you have something to state that is backed by actual Laws of Physics and disproves any reference I make here, I am all ears!
Otherwise, return to your hole as the rest of us acknowledge many other FIRSTS in HISTORY including three (3) separate steel reinforced structures that EVER collapsed due to fire and an unprecedented 'Stand-DOWN' order to NOT intercept the alleged hijacked commercial aircraft...
[No visible passenger windows, a re-fueling pod discharge port at the tail, and an EXTRA 'baggage compartment' [MISSILE POD] CONVENIENTLY attached to the bottom of the fuselage adjacent to the Starboard wing!?!]
...traveling off-course as proven by for the IMPOSSIBLE longest NON-Intercept response time than any other 'in-flight' emergency in aviation HISTORY... EVER! Just imagine waiting an hour or so for your 'local' fire department to respond to your 911 call! Doesn't this happen every day!?!
IGNORANCE plays an incredible role in the indoctrinated minds of the masses who only want PEACE of mind in exchange for their hard earned money to make 'em FEEL SAFE!'
Literally no REAL FDNY personnel questioned entering 1300 feet BELOW the fire floors KNOWING only the TOP building of the three (3) separately stacked buildings were involved! Yes! WTC 1 & 2 [TOWERS... not buildings) were comprised of six (6) completely separate buildings... three (3) in each! Just look at nearly every photo! You can clearly see the separation lines between each separate self-contained stacked BUILDING!
I do NOT like what I now KNOW as TRUTH, I base my position ONLY ON FACTS. ...but what can I expect from my learned abilities as a trained Fire Investigator/Peace Officer and that as a trusted Crew Leader [LIFE MOTTO: No one EVER gets hurt on my shift!] caused me to discover! I can't refute twenty-two years of service, training, and experience which has now forced me to swallow an extremely revealing, unavoidable 'RED PILL!'
Just like learning there is NO Santa Clause, there is no unsubstantiated, ignorant, hearsay, third party (Oh please, just believe the majority and be happy sell-out attitude...) evidence or any feeble attempt to indoctrinate me will ever get me to turn back!
I KNEW by noon that day it could only be an INSIDE JOB! WTC 7 only further confirmed that for me at 2:00pm PDT. GOD be with us all! Just wait 'til you see what's coming next to justify IRAN! Ask President Bush why he is boosting our troop strength in Iraq and Afghanistan? Because we can't hit IRAN with everything we have until our STRENGTH is adequate... we are almost there! Just listen to FAIRY TALE events on the mainstream media as we inch closer everyday!
Know I searched high and low, near and far to find PEACE... only to find what has now forced me to accept a reality I now know as TRUTH. ...yet as I will always remain all ears to any TRUE EVIDENCE you have to the contrary! Just don't try to 'share' some line of '&#$@' RHETORIC that fits YOUR MOMENT that you know in your heart you can neither fully articulate nor present the FACT(s) there of to verify same!
I will never change as I despise ALL who remain 'Politically Correct' just to BE exactly that... to fit in the proper crowd where life can be a SAFE facade. I have and will never respect such individuals! In the meantime, shut the '@%$&' up and plug yourself back into your umbilical cord!
Do us all a favor, melt a metal coat hanger with a Bic Lighter, then we'll talk!
The MATRIX is a CHOICE! 'WHO' are you!?! (Less)
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35,
10:02,
2007-05-28 00:25:19 Description: Caucasus - is a cradle of ancient civilisations, created by people inhabited this territory, which preserved rich material and cultural legacy of ancient state Albania. Azerbaijan is a heir of (More) Caucasus - is a cradle of ancient civilisations, created by people inhabited this territory, which preserved rich material and cultural legacy of ancient state Albania. Azerbaijan is a heir of Caucasian Albania and subsequent formations at its territory, and Albanians are the ones of ancestors of Azerbaijan nation. The most ancient Christian church in Caucasus - is Albanian church Kish, established in 1 -2 century A.D by apostle Elysee in Sheki region, and also temples Gandzasar and Amaras in Karabagh are still remained uptoday at places where at present live descendants of gunns, gels, alpnas, legs and udins.
Albanian architecture of Karabagh.
Karabagh is the most beuatiful and plenty land of Azerbaijan Republic. History of Karabagh starts from its deep anciency - land between two rivers Kura and Arax is one of most ancient centres of civilisation. There are a lot of facts which allow to suppose that this territory together with areas of the Meditteranean countries and Africa included in zone of humanity's motherland, that here also was a development of human being, as biosocial and social creature. And just here, in Azikh cave, were discovered the most ancient signs of life and human's activity. Owing to materials, discovered discovered in this cave, we start our history from very ancient period - age of ancient stony century (paleolith), more than 1 million years before. In Azikh was discovered a fragment of woman's jaw, lived approximately 350-400 thousand years before, what has a great significance. No doubt, that creators of Azikh culture already had mentality and developing speech, and also some elements of spiritual culture. Azikh human (azikhantrop) already knew what is the fire, arithmetic, had some initial notions about environment, at the base of which the religion originates. We have a suffiecient base to suppose, that azikhantrop has more than 300 hundred years before cosmological observations and etc. Karabakh's culture of Bronze Age and early Iron Age is reflected in funeral monuments. Monuments of this period prove close contacts wit southern countries. Bronze century brought many important changes. Especially it is seen from labour production increase. Develops half nomadic stock-breeding , crop-growing, craft, especially metallurgical production, ceramic work and etc. Second half of II- beginning of I thousand year B.C. - late Bronze Age and beginning of Iron century at the territory of Southern Caucusus, characterised by prosperity of metallurgy of the region which we are interested in, which stood in one range with metallurgical centres of Ancient East. This time of primitive society's decay and transition to early class relations in Karabagh zone. From number of most important and very interesting funeral monuments can be named Khojali, Archadzorski, Akhmakhinskiy burial-mound grave, Karabulag necropolis and others. War passes the same time together with stock-breeding, crop-growing and craft one of the main occupations of region's population. More fast rates are developing relations with Front Asia's countries. In graves of this period of time are discovered gold goods, obects made from mother-of-pearl and elephant's ivory, glazed vessels, cylindrical stamps, frozen beads, and at last, famous agate bead with a name of assirian kung Adadnerari, related, to the end of XIV-beginning XIII century A.D. In the beginning of I century B.C in south-western surroundings of Karabagh comes a new power-urarti. But they couldn't capture Karabagh. They suppose, that western part of Karabagh in urart sources was called Urtekhe-Urtekhini. To be correctly supposition about the fact that later name of the zone - Arcakh comes from Urtekhe, then, in spite of armenian authors' affirmations, it is completely indisputable , that it (name Arcakh) is not armenian, although because of the fact that during this period and later on there were no any armenians. In midian-akhamenidian age power of midians, and later Persians spreaded in South-Eastern Trans-Caucasus, including Karabakh. Range of circumstances allows to suppose, that this picture leads to midian age. That is why it is impossible not to agree with compilers of «Historical Information» (Upper Karabagh, Yerevan, 1988), that Arcakh, where lived utis, was located in «complement of Yerevandid Armeniya». For this fact they do not have any reasons. There are also no any facts to consider that even later (in IV century B.C ) Karabagh zone was a part of Armenia. If it would be so, in this case persian satrap of Midiya Atropat wouldn't have any possiblity to manage sakesins, populated in the land between two rivers Kura and Terter. And meanwhile it is know, that in Gavgamel fight (last third IV century B.C.)midians, whom managed Atropat, were united «with kadusians, albans and sakesins». Atropat and Atropatids controled these regions, evidently, accoridng to traditions and being political successors of midian and persian rulers. History catches Albanian tribes not only on the left coast of Kura, but also at the territory of the right coast. Speaking about ethnical population's belonging of Central and Eastern Trans-Caucasus in ancient age, it is important to note, that alhtough the zone during that period was out of written sources, we have no facts, in accordance with specialists' opinion, to think that before north-eastern-caucasian languages in this region were spreaded any other languages. For the last time more insistantly and more probably into north-eastern-caucasian language family, which composed from four and five branches, except khurrit, urart, and also nakh-dagestan languages, include some languages of Small Asia, Cyprus and Lemnos islands and others. Therefore etrus is also related here. There are some reasons to relate this family kutiy language - ancient population of Southern Azerbaijan and some adjacent regions. Also to this family relate the language of native population of Caucasian Albania -Albanian, which usually identificated with utiy (udiy) language. Speaking about ethnolanguage belonging of Albanians, it is necessary to note, that ancient writers, describing them, mark their beauty, high height, light hairs and grey eyes. Two last features-distinctive characteristics of ancient aborigen population, so called caucausian type, widely presented at present time in mountanious regions of Caucausian isthmus. And only one this feature allows to consider Albanians native population - autokhtons of South-Eastern Caucausus. All this mentioned above confirmed by others, particularly, archeological and language materials, and also historical tradition, connecting Albanians with utians - udians, speaking one of north-eastern-caucasian languages. Albanian tribes, as it is definitely testify archeology's data, couldn't come from outside not at the end of II, not beginning I thousand B.C, when in areas of Trans-Caucasus start establishing major cultur-ethnical units, including, as we suppose, - protoalbanian tribe union. It is important to note, that archeological cultures of Central and Eastern Trans-Caucases in age of late Bronze and early Iron were very close to each other and sharply distinguished about synchronic culture of Western Trans-Caucasus. All this is definitely signals establishment of bases of tribes union at the base of part of nakh-dagestan-khurrit tribes groups, about origin of conturs of future Albanian unity of tribes. Nothing confirms, that khodjali-kedabek, nakhichevan, talysh-mugan, kayakent-khorochoev cultures of Azerbaijan, connection of which with cultures preceded and consequent ages on the territory of Albania is indisputable, were brought to Azerbaijan or, that development of these ethnocultural units on the territory of Albania was stopped by processes of migrations, natural phenomenon and etc. To this north-eastern-caucasian languages family also is related the language of native population of Caucasian Albania, including Garabaga-utiy (udiy), with which is identificated the language of Albanians. As we do not have written memorials, which can consider Albanian, question about Albanian language can be decided only with the aid of indirect materials, data about uddins, uddin language and some other materials. It is undoubt, that modern udins, living in Kabalin (before Kutkashen) region, are heirs of utis -otens, about whom first informs Herodot, according to his data, they were included in XIV satrapiya of Akhemenid Power. Utis, as their neighbours, miki (muki), come out to historical arena in first quarter of V century B.C. , participating in Kserx march to Greece. Utiya area (Otena, Utik), located on the right coast of Kura, on the territory of Karabagh (approximately modern Barda-Imishli zone up to Arax), was one of most important areas of Caucasian Albania. No doubt that utis of Herodot - it is one of Albanian tribes (usually, as it was marked out before identificated with Albanians) utis-otens-uddins, lived in ancient time and in middle ages in Utita and neighbour areas. Also in period of middle ages the populate on very significant territory. In Karabagh uddins are testified in XIX century. At present time this tribe is about 6-7 thousand people live n Kabalin region. «Father of Armenian History» Movses Khorenaci considered utis as a tribe, comes from Aran - legendary ancestor - eponim aloan, i.e. Albanians. He wrote: «they say from descendants of Aran origin tribes - utiyns, gardmans, codeys and Gargar principality...» It is very important, that historical tradition, particularly armenian (and this fact is very important!), co-ordinates modern uddins with ancient Albanians, and uddins themselves up to recent times remembered, that according to origin - they are Albanians. In known letter for the name of Peter the First they wrote: «...we agvans (i.e. Albanians. ) are uttis by nation. Belonging of udins to dagestan group of north-eastern-caucasian languages family at present time is indisputable. In such a way Albanian language should be related to called language family, especially, that there are enough facts testifying hypothesis about uddin belonging of famous mingechaur inscriptions, language of which can be only Albanian - language of rulling tribe in Albania. Thus, all mentioned above allows to announce, that Albanians, speaking language and dialects of north-eastern-caucasian language family, people who spoke this language populated from Nothern Caucasus and till islands of Aegean sea are autokhons of south-eastern Trans-Caucasus. It can not be said about armenians and armenian language, which could appear in areas of Trans-Caucasus (until not Garabagh) not earlier the age of expasionist wars of Artaxiy and Zariadriy, i.e. after II century B.C. All importunate affirmations of armenian nationalist scientists of culture in different suits about «autoakhton» of armenians and armenian language in Trans-Caucasus do not have any relation to the science and is considered as falcification. Now it is known that Armenia is not a motherland of armenian ethnos. History catches armenian tribes far away from Armenia. Authoritative scientists (particularly I.M Dyakonov), suppose, that ancient armenian nation turned out to Upper Euphrates valley approximately II --first I thousand B.C. For the short period of time armenians, moved to wider territory, capture it and assimilate population. Thus, in 11-1 B.C was created «Great Armenia». Armenian Aggression couldn't be inperceptible by Strabon, who wrote: «...Armenia, before was a small country, increased by wars of Artaksiy and Zariadriy...They together widened their domains, reduced part of areas of surrounded nations, and precisely: they took away from midians (atropatens. -- editor) Caspiana, Favnitida and Basoropedu; from ibers -- foothills of Pariadra, Khorzen and Xerkxen, from kataons -- Akilisen and area around Antitavra: and from sirians -- Taropitilu. So already at the dawn of their history armenians acting according to their ethical social-psychological character, robbing their neighbors, conquering their lands, and this evidently aggressive process in spite of obvious facts armenian scientists try to represent it as " unification of armenian speaking areas" . Armenian expansion in different periods spreaded around and to some Trans-Caucasian areas. However Karabagh in age of creation "Great Armenia" in II-I c B.C was not conquered by armenians. And in I-IV c "Great Armenia" couldn't lead afessive politics, as it was itself in alternative dependence now Rome now Parfia. Armenian in the whole range of considerations couldn't be , of course, autokhtons of Karabagh zone. Last odontologist investigations once more testify that as a fact of matter armenians on the territory of Karabagh - an element absolutely alien. The fact that armenians by considerable mass moved to Karabagh in late age, after completion of russian-iranian and russian-turkish wars in 20-30 XIX c., is testified by many written sources, and also armenians themselves, it seems, up to recent time didn't reject it, as in 1978 in Mardakert was established monument in honor of 150 anniversary installation of armenians to this district of Azerbaijan. True, later figure "150" was scraped off the monument. That zone of Karabagh (right coast of Kura) was conquered by armenians and was a constituent part of Albanian state, established approximately in III c B.C. testify the words of armenian author Movses Khorenani that Arap (legendary ancestor of albans) inherited the whole Albanian plain with its mountainous part ..., from river Eraskh (i.e. Arax - Editor) till fortress called Khnarakert (Astafa-Kazakh zone - Editor) " and that from descendants of Arap arised tribes - utis, gardmans, tsodeys and Gargar princedom. From numerous tribes mentioned above utis and tsavdeys - undoubtedly, and gargars - almost undoubtedly populated territory of Karabagh, on the right coast of Kura. That's why affirmation of many armenian scientists about the fact that border of " Great Armenia" passed by Kura is lie. Excluding accident attacks, and possibly, temporary captures of any albanian territories by Armenia, Albania I-IV c.., south borders of which passed by river Kura, owned by land between Kura and Arax. At the end of antiquity Karabagh zone remained ethnically and politically uti-albanian area of independent Albanian state. Colonization and armenization of population on this territory - are late facts, which were described by academicians I.A. Orbeli, S.T. Yeremyan and other scientists. S.T. Yeremyan wrote: "Great number of Christian monuments, significant part of which related to before - Arabic period, saved in armenisied part of ancient Albania on the territories of ancient albanian areas Artsakh (autonomous area of Upper Karabagh and neighborly north-eastern spurs of Maly Caucasus, including Shamshadil and Idjivan districts of Armenian S.S.R) and Utik, where at present time basically live armenian population". Academician I.A. Orbeli wrote plainly about capture by "armenian feudals" areas of Upper Karabagh. Completely indisputable, that present armenian speaking population of Upper Karabagh, except those, which were resettled here in XIX c - these are no armenians but descendants of armenisied albanian population. This truth was well known to educated people already in XIX c. V.L. Velichenko wrote on this fact: "An exception was wrong called by armenians citizens of Karabagh., confessing armenian-grigorian faith... and armenisied only three-four centuries ago". In political attitude zone of Upper Karabakh in I-VI c was indisputably under authority of albanian Arshakids, and in VII-VIII c - great princes Mikhraneeds. In the beginning of VIII c in result of arabian conquer albanian princedom fell. Tragically events of this period, active participant of which was armenian church, started progressive de-etisation of albanian ethos and grigorianisation, and later armenisation of part of population of Upper Karabagh zone. But albanian spirit was alive and thanks to this fact already in IX c Albanian princedom particularly was re-established and precisely on the territory of Upper Karabagh. In XII-XIII c in zone of Artsakh and Uti had been raising Khachen princedom, which, as trully considered by academician I.A. Orbeli , "was a part of ancient Albania". Brilliant development of this princedom, ruler of which was called also "prince of Albania", "surroundings' ruler of Albania", comes to the time of Hasan Jalal (1215-1261). It was a time of albanian renascence. Precisely in times of Hasan Jalal's ruling was built majestic Gandzasar monastery complex, later converted into "patronal cathedral of Albania", which armenians claim as armenian monument. It is important that in official documents of XVIII c were used such wordusages: "patriarch of saint great Kantsesar (Gandzasar -Editor) throne Agvan countries (Albanian - Editor)." It is very interesting that armenian author XVIII c Arakel Tavrizskiy names Karabagh "Country of Agvaees" (i.e. albanians - Editor). Ethical assimilation of grigorianised and in definite measure of armenisied population (that was a result of when arabians ended with sovereignty of Albania, and albanian church was under authority of armenian) mountainous Karabagh happened later. From all mentioned above comes indisputable conclusion, that so called armenians of Karabagh and properly azerbaijanians (which are descendants of albanian population) of North Azerbaijan are half brothers. And those and others - are completely undoubtedly former albanians and already that is why armenians for the territory of Upper Karabagh, where they moved by great mass after first quarter XIX c., do not have any rights. In age of middle ages zone of Upper Karabagh was included into azerbaijanian Karabagh (Ganja) beglyarbekstvo (princedom). From middle of XVIII till beginning of XIXc. on the territory of Karabagh existed azerbaijanian Karabagh khanate with suprematiya of azerbaijanians-"moslems". Karabagh had been joined to Russia not like armenian land, but as "moslem" property, what was testified in documents of those times. Creature in soviet times of UKAA was planned in advance by far-seeing armenian nationalists. This was a bomb of slow action, installed in the heart of azerbaijanian nation, tragically consequences of which our nation experienced repeatedly, and especially - last eight years of undeclared war. Started from age of early middle ages armenians not only try by different tricks "to prove", that Karabagh - is armenian land, but also make various attempts to conquer these our long-standing lands. Next attempt was done in the beginning of 1988... Undeclared war started. Armenians conquered not only territory of Upper Karabagh, but a lot of adjacent to it lands. Sacred war is going on. Armenians behave themselves on conquered territories like real robbers and bandits. Breaking regulations of UNESCO, they barbarianly destroy our monuments. It is enough to say that conquered Shusha armenians destroyed a lot. They not only destroyed monuments to Uzeir Gadjibekov, Bul-Bul, Natavan, but brutally shooted these monuments. These monuments were liberated from captivity owing to georgians and presently are in Art Museum. On the monuments are shown traces of brutality ... traces of numerous sub-machine guns and rifles bullets. Wise, peacemaking politics of President G.A. Aliyev allow to hope for soonest liberation of all azerbaijanian territories from armenian occupants and celebration of justice and peace on Karabagh land, on the whole territory of our republic. Truth is ours. Upper Karabagh - long-standing azerbaijanian land. Karabagh was and will be our land, in spite of all efforts and intrigues of our enemies. Monuments of Architecture Ancient land of Karabagh is very important hearth of Azerbaijan's civilization, where was formatted monumental memorials of architecture of great artistic and historical value for different purposes. Creators of these works of art, which were created in trade-handicraft cities and settlements on wide territory of the country, participated in complicated process of architecture formation of Middle East and by this way they brought weighty contribution into the treasury of world construction art. Monuments of ancient construction art of Karabagh, scrupulously and comprehensively studied during last decades, showed that they have significance in complicated cultural-historical process and take important place in architecture of azerbaijanianian nation. Successfully taken by scientists-historians, archeologists, architectures great systematic works on exposure, fixation and dimensions, deep study and restoration, with consequent regular publication of valuable results of these works created a base, leaning on which it will be necessary to continue scientific research and widely, deeply, introducing into range of monuments of national architectural -construction culture of the past more new masterpieces of our far ancestors - nameless experts, working under command of talented architectures. On the territory of Karabagh region of Azerbaijan located great number of monuments of moslem architecture and Caucasian Albania. These - are fortresses, palaces, mausoleums, mosques, monasteries, temples, caravansaries, bath-houses, bridges and people's habitable houses. (pic. 1) In this work we will pay attention on unique architectural monuments of Caucasian Albania Karabagh - complexes of structure of Agopan monastery in Lachin district, Khotavank monastery in Kelbajar district, Amarass monastery in Khodjavend district, monastery of saint Elysee and Gandzasar monastery in Agderen district of Azerbaijan. Complex of Agoglan monastery. To the number of most interesting culted structures related significant on dimensions temple of monasterial complex near river Agoglan in Lachin district (pic.2, 3). Temple's right-angled basilica has more significant dimensions. Two ranges from eight square supporting, columns-pylons divide internal space into three sections. Central, having four meters bay, section is twice more than lateral. Its height is also significant. All sections of praying hall blocked by arches of cylindrical forms, carried out from thoroughly cutted and durably brought to each other stones. Three sectional in plan building has a stretch proportion. Main section with big half rounded apsid and altar in bay and two narrow lateral sections with right-angled official premises-side-chapels located on both sides of altar niche. On big half - compasses form strong aperture of apsid located three narrow arched apertures, marking compositional center of temple. Monumental building of basilica, built from compact local stone - gray basalt, harmonizes with its severe environment beautiful itself mountainous land. Smooth facade flatness of building erupted in upper part by rarely located narrow window openings, through which illuminated internal space of the hall, with single entry on the lateral saide of facade. Symmetrically built balanced composition of stepped form of facades cutted by different sized light apertures - in center paired and of significant size illuminating main section and small - in two circles -- for lateral sections. Well-proportioned refined rotunda on thin columns, crowned by pyramid hipped roofs, located on hipped roofs of temple, what alives severe and expressive capacity of culted building. Revetment of walls inside of temple carried out from large roughly cutted stones, laid into laying with wide opened joints. This is explained by the fact that in the past walls of temple carried plaster cover, on the surface of which were carried tematical by subjects polychromatic paintings. This is testified by particularly saved on the north wall fragments with fresco paintings. Supporting pylon-columns and archvolts of arches over them reveted by well cutted large stony blocks. In upper parts of hall's interior was used decorative carving on the stone. Monastery on r. Agoglan is the main construction of existing in the past of monasteries complex with different purposes by habited and economic structures, grouping in yard's territory. Borders of monastery were taken in stony strong walls with existing arched aperture-entry. Presently from these numerous constructions remained only ruins. Monastery near r. Agoglap related to IXc. About Agoglan monastery there are works of M.Useynov, L. Bretanistskiy, A. Salamzade and K. Mamedzade. Complex of Khotavank monastery. One of the most ancient monasteries complexes is Khotavank monastery, located on the left coast of the river Terter in Kelbajar region. Complex includes: basilica, temple and chapel. Basilica is a long hall without internal collumns. Eastern part was completed by half rounded apsida. Window openings of the temple has a form of horse shoe (pic. 4, 5). On both sides of altar apsida located rounded in the plan vestries. Succeeded to find out, that they were built significantly later, than temple itself. Entry to these vestries leads from altar apsid, which is met rarely. During the research of the left vestry on its ceiling was discovered writing of one of the abbots of Khotavank monastery, lived in XIII c. Monasteries complex badly saved, only in relative safety we could see cathedral, built by albanian ruler Oganes Khachenskiy. This interesting creature of architectures of Caucasian Albania is very distinguished from culted architectural works of neighbored nations. Cathedral done asymmetrically in plan and in capacity-space construction. In consequent centuries near basilica temple, was raised a range of right-angled in plan churches and chapels, owing to which raised great culted complex, which became a residence of albanian bishop and one of the most important culted-instructive centers. From X up to XV c. Khotavank becomes Christian ecclesiastic centre of albanian Khachen princedom. In period of governing albanian ruler Vakhtank, son of Asan Jalal in Khotavank, monastery complex is widening. Here was activated coaching inn, library and church, constructed in 1214 by Vakhtank's wife Arzu-Khatun. Church was constructed for the memory of her husband and two sons. Good saved church is one of valuable monuments of architecture of early middleaged Albania. Church is not large, has two bas-reliefs: on eastern side over the window painted up to the waist prince and one saint - both of them keeping the temple's model, and on southern wall - two princes keeping the temple's model as well. In first case we should see in the picture husband of Arzu-Khatun with saint, and in the second - her two sons. Discovered ceramic goods during excavations of south-eastern temple's foundation allows to date it to VI-VII c. But further several times there were carried out renovation and repair works. About Khotavank complex there are works of R. Geyushev, K. Mamedzade, D. Akhundov Complex of Amarass monastery. Complex of Amarass monastery is located in settlement of Soye Khodjavend region. It consists from church - basilica, underground part, inhabited and economic constructions and stony serfed fence. (pic. 6, 7). Church in plan is right-angled. Internal space of church is divided by four pylons, located by two in a range, on three sections, and central - is more wide. Central section from eastern part ends with raised over the ceiling by altar apsyda, crowned half cupola. This is more higher section blocked by lancet arch. Lateral sections, with adjacent to them small premises, have usual cylindrical arches. Facades of church reveted with well worked stony blocks. Roof of the building - is gable, and western butt-end crowned with small six collumns belfry with tent pyramid cover. Doorway is fixed in the western wall. In 1970 during archeological research under altar apsyda of the church was dicovered underground premises (2x4m)*. It is blocked with arch and level of the ceiling is located at the depth of 5, 2 m from mark of church's ceiling. Slope to underground part of the church is laid by stony stairs, located from both sides: on eastern part of the premises there is a doorway. Sources inform about the period of this temple's construction - IVc. Territory of the church's complex is surrounded from four sides by serfed fence, which in plan has right-angled form and strenghtened by angled towers. On the south wall of the fortress located aperture with half compasses arch. Internal yard of fortress is divided into two parts. First is - house - hold yard, where located service premises and stable. Second part - is church yard, where located a church and inhabited houses. All inhabited and house-hold constructions are adjacent to serf wall. Their roofs give an opportunity to walk easily by the whole parameter of the walls, watching surroundings and in case of necessity to fight with a help gun-slots, located on all walls and angled towers. To the roof lead opened stony stairs, located near with angled towers. Archivolts of inhabited and house-hold constructions are laid from well cutted stones. External and internal walls are done from chopped stones. Date of complex's construction is related to IX c. Later there were carried out renovation works and present condition of the monument is dated XIII c. Characteristics of Amarass complex found a reflection in works of R. Geyushev, K. Mamedzade, D. Akhundov. Complex of St. Elysee's temple. Complex of St. Elysee's temple is located in settlement Magavuz of Agtseren region - on the left coast of river Egyshe at the height of 2000 m over the level of the sea. By a legend, the temple was constructed in IV c in honor of first preacher of Christianity in Albanina Elysee. Presently existed complex dated to XIV c. (pic 8). However archeological excavations, carried out in 1970 near eastern wall of the main temple, discovered many ancient constructive remains and domestic subjects. Complex is surrounded from all sides by serf fence. Fortress has western and eastern gates. Main entry is western gates - from point of view of defence attracts a very special attention. On the territory of fortress located eighteen objects of differrent purposes. This main temple, chapels, two floors inhabited house, house-hold premises and stables. Main temple consists from two premises. First - is a hall, which has in plan square form. Internal space is divided by 2 columns and shelves near the walls for three simalteneous sections, and central is higher. Sections blocked by cylindrical arch. Second premises - prayer hall - has right-angled form. Overhead cover is arched. Facades of temple reveted by cutted stones. On the roof of first premises is located a bell-tower. Second relatively small building - church - located on the right side of the main temple. In plan it has a right-angled form, internal space of which consists from right-angled in plan hall and adjacent to it from eastern part two apsyds. From the left and right side of the temple located six chapels. Inhabited house and one of house-holds premises located in south-eastern corner, another in the centre, and stables in north-eastern corner of the fortress. Connection with right coast territory could be established only with the help of one bay stony bridge via river Egyshe, ruins of which located at the distance of one killometer from fortress. Date of construcitve complex is related to XIVc. About the complex of St. Elysee there is data in works of R. Geyushev, K. Mamedzade. Complex of Gandzasar monastery. One of interesting culted constructions of XIII c is Gandzasar monastery, located in settlement Vanklu of Agderen region (pic. 9-11). Complex of Gandzasar monastery consists of main construction - temple, bell tower and fixed to it from western side a range of additional constructions, which are adjacent to serf walls from north side. In initial sources construction of Gandzasar complex is connected with the name of Khachen prince Asan Jalal. Construction of the monument started in 1216 and first constructions were completed in 1238. However it should be supposed that Asan Jalal had not constructed, but just reconstructed already existed albanian temple, possibly, of heathen period. Temple was illuminated in 1240. Vestibule was constructed by wife of Asan Jalal Mamkan-Khatun. Temple's architecture is cross-cupola composition, sources of which go back to VIII-IX c. It is necessary to note, that such planned composition is not met in culted buildings of eastern countries in IX c. In building's corners are located 2 elongated premises, connected by half rounded apsyda. In lower corners of the building in 2 floors are located choirs. Inside of the building by vertical rods stressed corners fo undercupola space, which frame central part of the temple. Arches of cross's branches (from the side of undercupola space) have lancet contour. Each spherical sail mounted by two carved plates with reserved not repeated ornaments (star, circle, square). In upper part of each spherical sail, on the plane, framed rod, painted high reliefs, heads of saint animals - bull, sheep. Temple inside is round and brough up of eight pairs of thin semi-columns - plaits, passing to hanging arches. External facades of Gandzasar temple transmit its internal cross-cupola composition. Building was put at five - stepped socle, which gives to it not only additional steady, but also compositional expression. In architectural composition of Gandzasar temple's facades very well used plane arches, formed by relief of double half rollers. Planes of walls of temple's north and south facades decorated by plastic relief identical by sizes of five arches. Over middle arch there is strictly profiled big cross. Undercupola drum of temple - 16 grains and each grain ends with small pediment-tongs. Accordingly to such completion of drum pyramidal cover of cupola got original folded-umbellate form. High drum and its completing tent rise above the whole building. Decoration of drum has a definite sense content, which gives to it sculptural pictures. Architecture of arch, leaned to complex system of layer stalactites, is a compositional kernel of vestibule. It should be noticed the completion of composition and perfection of architectural forms. Numerous elements of diophysit character testify the fact that temple is not Armenian but Albanian. About Gandzasar monastery there are works of R. Gsushev, A. Yakobson, K. Mamedzade, A. Akhadov. Such is a brief architectural characteristics of five monuments of Caucasian Albanian, located on the territory of Karabagh district of Azerbaijan. It is known that Armenian scientists try to prove by different ways that Caucasian Albania and its whole architecture is related to historical Armenia. Their claims for Albanian lands are deprived of any scientific foundation. Architectural - planning and constructive modes of monuments of Caucasian Albania differ from architectural monuments of Armenia. Distinctive feature of Albanian culted constructions, and especially monasteries and temples, is internal space - in type of four arched composition, which brings to cruciform in plan form. It is necessary to note that cross-cupola composition of temples first used in architecture of Azerbaijan. Sources of this composition go back to VIIIc. We also note that cross-cupola composition gets its further development not only in culted constructions, but also in memorial monuments of Azerbaijan. From other side, typical for Albanian temples planning mode in the way of four- and six columns three sectional basilica is seldom met in architectural monuments of Armenia. Typical way of compositional mode in culted construction, as in Moslem, and so in Albanian Christian architecture is settlement, on main facade sides, of monuments of open galleries. We can give as an example "Juma Mosque" in Shemakha, "Geokhar-Aga and The Lower Mosque" in Shusha, "Ambarass Mosque" in Ordubad, "Zardabi" Mosque, "Shakhsevanlar" and "Tatlar" in Gandja, main temple of Khotavank complex and so on. Albanian architects of Azerbaijan worked out its own constructive and constructional methods, achieved of great perfectness in artistic carving on stone. It is known from considered by us beautiful monuments of Karabagh region of Azerbaijan. (Less)
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2008-04-17 15:10:48 Description: Tough Guys Don't Dance (1987) 6 out of 6 people found the following comment useful :- A very funny and perverse diversion, This is one of my favorite movies. A strange mixture of seemingly (More) Tough Guys Don't Dance (1987) 6 out of 6 people found the following comment useful :- A very funny and perverse diversion, This is one of my favorite movies. A strange mixture of seemingly unintentional humor , macabre plot twists, and the charm of off-season Provincetown. I wouldn't call it a drama. HILARIOUS. Patty L. is a real overdone nostril flaring trailer park siren. Ryan O'Neil seems to play the straight man to everyone else. I don't know how he maintained such a bland facade - I guess that's his style. He mostly stood around looking haggard, and so managed to provide something like a foil for all the circus freaks. At one point in the beginning of the film during a scene with his hard drinking crustacean of a father (L. T. is great), I thought I saw something like a suppressed smile cross the faces of both actors - a great moment that I'm sure was totally unintentional. Who wouldn't crack under the weight of all the corny dialoge? Contains the funniest dad and son out "fishing" in the rowboat at night scene ever filmed. I can still hear the foghorns. Despite all the corniness, its all somehow...so...mesmerizing.... Was the above comment useful to you? 4 out of 4 people found the following comment useful :- simultaneously funny and haunting neo-noir, 3 September 2003 9/10 Author: chrisdfilm from los angeles, ca. There are a lot of people who really hate this movie. Then strangely they go on and on detailing the things that bother them about it but that they also find fascinating and relentlessly hypnotic. It's unfortunate that people are so rigid in their definition of what makes a 'good' movie. Norman Mailer is by no means a terrible director. He actually does a very credible and commendable job of adapting his own novel to the screen. The dialogue is at times overblown and purplish, but it is never boring and frequently it's downright brilliant. Every performer acquits themselves well, even Debra Sandlund as Patty Laureine, Wings Hauser as the sociopathic macho police chief and John Bedford Lloyd as the eccentric, messed-up millionaire, all of whom can be accused of overacting. But ultimately their performances are completely in tune with their insane characters and draw us into a nasty labyrinth of twisted emotions and nightmarish memories. Ryan O'Neal actually gives one of his finest performances as an alcoholic loser who has messed up his life and who is so prone to blackouts, he's not even sure if he's killed someone. Lawrence Tierney is excellent as his tough guy dad who helps him make sense of the chaos in their small-shut-up-for-the-winter-and-consequently-spooky-as-hell Provincetown coastal neighborhood. Isabella Rossellini is also great in what appears to be an, at first impression, thankless role, but who in fact turns out to be the character who gets the last word and the best revenge. The great thing about this film is it manages to have its cake and eat it, too. It's not only an at times very creepy modern film noir, it's also a frequently hilarious black comedy. Also, contrary to some people's perceptions, the film has a complex narrative structure that pulls the viewer in, much like the best mysteries. If you go in not expecting a conventional mystery thriller but more of a cross between David Lynch, Roman Polanski, Jules Feiffer, Hal Ashby and maybe Arthur Penn(when he directed NIGHT MOVES), I guarantee you you will not be disappointed. Was the above comment useful to you? 4 out of 6 people found the following comment useful :- Essential Viewing - a milestone, 9 August 2001 10/10 Author: hugoconductshugo (hugoconductshugo@yahoo.com) from Chicago, IL I always quote this as one of my two favorite movies (the other being "The Ninth Configuration"). Like that film, it's unpolished, awkward and brilliant. Ryan O'Neal, a brilliant empty vessel, as in "Barry Lyndon", is the perfect receptical for Mailer's essentially passive protagonist. Grotesque, awkwardly paced and fascinating, this should be considered manditory viewing. Mailer's hand is so heavy and the film feels so writerly that the experience is play-like and unusual. This exploratory quality is to be hugely prized (see "Kids", "Ninth Configuration", "Safe", "Dancer in the Dark" to see vastly different but equally praiseworthy examples of what can happen when Hollywood outsiders are allowed access to decent budgets and distribution). Was the above comment useful to you? 1 out of 1 people found the following comment useful :- supremely awful, like its author, 31 March 2006 Author: vandino1 from United States Norman Mailer used to mean something, literary-wise. He was a Big Noise back in the fifties and sixties trying to be the heir apparent to his hero Hemingway, but since Mailer was really just a small-statured city boy with no interest in the outdoors he resorted to games of thumb-wrestling and head butting men (and assaulting women) instead of hunting and traveling. Like this movie, Mailer is a juvenile, woman-hating, gay-hating, faux-tough guy obviously obsessed with his fragile masculinity. Decades of hype and bad writing and activities (including the notorious Abbott disaster) have reduced his noisy reputation to virtual silence. He has become as pathetic as this movie, based on another one of his terrible novels. Granted this film is more coherent than his previous directorial attempts way-back-when (i.e. 'Wild 90,' 'Maidstone') there is still no reason to give it any more credibility considering its supreme awfulness. Of course, there IS the 'Showgirls'-like aroma of a risible good time to be had for those inclined to cheer on the execrable disasters of filmmakers who thought they were making something worthwhile and were so very wrong. For other viewers this is a stupefying experience mirrored by the consistently haggard look of Ryan O'Neal throughout. Like Spike Lee, Mailer MUST include his obsessions on screen. Ala Spike, consider this a 'Norman Mailer Joint.' That means you will hear men grousing to other men about "being men" and "not being fags" and how spiteful and cruel all women are, and it will be spoken in purplish film-noir-meets-gym-locker-room dialogue (my favorite: "Don't tickle my stick.") There will be countless scenes of women degrading themselves for no reason or men complaining/crying because those ruthless harpies have emasculated them. Since it's directed by a rank amateur, naturally the actors look either lost or unhinged. In short, this film, like its author, is an embarrassment. Was the above comment useful to you? 1 out of 1 people found the following comment useful :- Norman Mailer's wildly uneven but often provocative rhapsody on noir themes, 21 October 2002 7/10 Author: bmacv from Western New York When Lawrence Tierney utters the line that gives Tough Guys Don't Dance its title, he evokes the stoic, hard-boiled codes of post-war noir, felt in films he made like Born to Kill, The Bodyguard and The Devil Thumbs A Ride. And when Isabella Rossellini shows up, she suggests David Lynch's kooky and subversive Reagan-era suspense movies like Blue Velvet. These homages mark two of the many streams that flow into Norman Mailer's rhapsody on themes of sexual intrigue, multi-tiered duplicity and garish murders. (Mailer directed his movie from his 1984 novel.) It's a baroque contraption that comes close to self-parody - and may even cross the threshold - but neither is it just a fling at film making by a celebrity author intoxicated by his own publicity. The forlorn setting is Cape Cod under the sign of Sagittarius: the dunes and the bars empty, and the Atlantic is choppy and gunmetal grey. Ex-con Ryan O'Neal (his boyish superstardom well behind him) has been drinking heavily since his wealthy if white-trash wife (Debra Sandlund) left him; one morning he wakes to find a tattoo on his arm and his jeep's upholstery soaked in blood. Circumstances lead him to a burrow where he stashes his marijuana harvest; in it he finds the severed heads of his wife and a woman he had picked up (along with her boyfriend) a few nights before. The clues he starts piecing together lead him back down paths that wend through his own none-too-savory past. There's the out-of-town `couple' with whom he had spent a hard-drinking night (Frances Fisher and R. Patrick Sullivan); a woman he had once loved (Rossellini) now married to Provincetown's sadistic Chief of Police (Wings Hauser); another woman he had met when she was married to a wife-swapping Christian preacher (Penn Jillette) and who later wed a rich, spoiled Southern boy (John Bedford Lloyd) then, ultimately, O'Neal, whom she recently left. Helping him find his way is his gruff, cancer-ridden father (Tierney). What plot line there is hangs on cocaine (maybe) and several millions, but that's but a pretext for Mailer to worry the preoccupations, even obsessions, which crop up again and again in his work, most notably the yin/yang of eroticism and violence. The women come across as predatory sirens but end up being almost beside the point - they're prizes for sexual competition between males, conflict that shades into edgy attraction, right up to taunting flirtation. (The movie is loaded with homosexual references, generally pejorative - the bisexual boyfriend is even given the name `Pangborn' - and the continuum of couplings, both on screen and in the back story, results in a very kinky daisy chain in which everybody save Tierney might just as well have slept with everybody else. Mailer comes close to suggesting that two men who have slept with the same woman share an implicit homosexual relationship themselves.) Coming to Tough Guys Don't Dance expecting anything like a conventional suspense film (even something `post-' or `neo-') is to court disappointment. One comes for Mailer, who's like the little girl with the curl right in the middle of her forehead: When he's good, he's very, very good, but when he's bad, he's horrid. How the proportions weight out in this movie can be argued, but adventurous and provocative nuggets nestle among some very bad choices (the acting runs the gamut from rather good to execrable, often within the same performance). Caveat spectator: wildly uneven and sometimes grotesquely macho, Tough Guys Don't Dance is far from negligible. Was the above comment useful to you? 1 out of 1 people found the following comment useful :- Only for Mailer imagery fans, 7 November 2001 7/10 Author: akhilles84 from Turku,Finland *** This comment may contain spoilers *** This is a hard film to stomach.It has a lot of intense,extreme scenes of sex,violence and obscurity.Ryan O'Neal could have done better.Wings Hauser outshines all in his role of sadistic,sex crazy chauvinist police officer.Who at the end turns insane.And thats what he isnt alone in.There are even more obscure characters here,like southern reverend Big Stoop and his "friendly" ex-wife Patty.They create a spiral of sex and intrigues which ends in suicide of the first and death of the other. All in all,a movie every sado-masochist would love to own.For normal people-a torturingly mad 2 hour experience. Was the above comment useful to you? 1 out of 1 people found the following comment useful :- Painful in the Extreme, 11 January 1999 1/10 Author: SaintNo1 from Canberra Norman Mailer is one of America's great writers, however, he came spectacularly unstuck when scripting and directing this movie. The dialogue is appalling - it might have worked on the printed page but it's embarrassingly bad when spoken. The direction is flat as a pancake, much of the acting is over the top, and usually coupled with bad Southern accents, and the plot descends into ridiculous melodrama almost immediately. It would be totally forgettable except for the presence of the radiant Isabella Rossellini - just fast forward to her scenes or don't watch it in the first place. You'll be missing nothing. Was the above comment useful to you? 2 out of 3 people found the following comment useful :- Nor Can They Direct, 5 February 2003 Author: patrickboyle-1 (patrickboyle@patrickboyle.net) from Oakland I read the book last year. After so many years of disappointments I tried once again to find a piece by Norman Mailer that had the impact on me of "The Naked and the Dead". Alas "Tough Guys" is not that book. However it is a genuine hoot. A hard boiled mystery with a rapid succession of over the top scenes and characters. Not by any means an important book but a a great light (or lite) read. The movie however is just a mess with the exception of Wings Hauser. I was charmed that Mr. Hauser the King of the B Movies finally got a part that let him eat the scenery. John Bedford Lloyd is a problem as the protagonist's effete and ineffective rich college buddy. Lloyd is a big guy and a superior actor. He has been type cast as the the big guy in "The Abyss" and several other roles. He towers over poor little Ryan O'Neal. The nerdy Lloyd character was supposed to have always looked up to the physical O'Neal character. Mailer the director wouldn't change the lines written by Mailer the writer. Poor Lloyd spends all of his scenes hunched over trying to look smaller. It's even worse than the Shawshank Redemption where a 6'5" Tim Robbins tried to be the small weak guy the other cast members talk about. We keep hearing that most of directing is casting but why do we get Peter O'Toole a foot to tall for Lawrence and Mel Gibson a foot to short for Wallace? Was the above comment useful to you? Warning: For Intelligent and Advanced Film Buffs Only!, 10 March 2007 7/10 Author: AlanSquier from United States Okay, now that I have your attention, I don't guarantee that you will rate this the 7/10 I do, even if you qualify as an intelligent and advanced film buff. However, I do believe you will find something to chew on here. It's written and directed by noted author Norman Maileer. And it's tough in every meaning of the word. The rough plot sounds like a rather typical noir. An excessively drinking author given to memory blackouts doesn't know if he committed a murder or not. Believe me, it's not that simple and Mailer takes us down a long winding and convoluted path before we know the whole story. At times, it seems ludicrous, and although I disagree with the Razzie noms it got, I understand. This is the type of movie which some will find inexorably bad. However, it weaves a spell and the tough will stay with it because it's addictive. You will laugh at inappropriate times and groan sometimes, and yet the very serious film buff will continue watching it, and be glad he/she did. And I do believe that many will find this rewarding although certainly not unflawed. Maybe Mailer wanted it flawed. As others mentioned, Wings Hauser is the perfect actor in this. However, Ryan O'Neal gave this his all, and veteran B film noir actor Lawrence Tierney also adds to this. Some will love it; some will hate it. I did neither, but I did enjoy it. There was a point, the chain connecting the characters in their sex lives and in the chain of violence. Love it or hate it, I suspect you will remember this one and not consider it a waste of time. Was the above comment useful to you? Ridiculous, 18 December 2004 Author: (dj_bassett) from Philadelphia *** This comment may contain spoilers *** Outside of some nice location shooting in and around Provincetown, this is just awful, incompetently made from start to finish. Ryan O'Neal, in one long lugubrious flashback, tries to explain to his Dad why there's severed heads in his basement and a tattoo on his arm. The problem all started, you see, when he answered a SCREW ad..... Bad acting, ranging from stiff and wooden (O'Neal, Rosselini) to over the top (Tierney, who nevertheless gets a couple of good lines in, and Hauser, hamming it up as a semi-psychotic sheriff). Prose as purple as all get-out, probably inevitable when you consider Mailer's involvement. Incompetently put together, mostly told in flashback for reasons I can't understand, other than Mailer couldn't figure out a better way to get the information in. A story that doesn't make a lick of sense, although future scholars of Mailer will have to see this to see all of Mailer's issues dramatized: mostly women as either whores or maternal mothers who entrap you and faux Hemingway macho romanticism. Laugh out-loud funny at some points, although I'm not sure if it has enough brio to recommend it to fans of bad movies, as not a lot really happens, all in all. Better just to avoid it. (Less)
Channel: 123videoTags: DANCE DIES DON MAILER NEIL NORMAN O RYAN T TOUGH NORMAN MAILER: RYAN ONEIL: Tough Guys Dont Dance (1987)
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27,
00:29,
2008-01-30 10:48:14 Description: Bully Scholarship edition pictures
Disclaimer: I Do Not Own Bully Scholarship Edition Or Bully In Anyway
The Game Belongs To Rockstar Vancouver.
Bully Scholarship Edition Video I Made Old (More) Bully Scholarship edition pictures
Disclaimer: I Do Not Own Bully Scholarship Edition Or Bully In Anyway
The Game Belongs To Rockstar Vancouver.
Bully Scholarship Edition Video I Made Old Account Banned So I Uploaded Again.
Chapter 1: Making New Friends and Enemies: Jimmy comes to Bullworth Academy and immediately runs into trouble with the Bullies.
Chapter 2: Rich Kid Blues: Jimmy is now more popular, but he must deal with the spoiled Preppies.
Chapter 3: Love Makes the World Go Around: Jimmy gets mixed in with the love affairs of Lola and Johnny Vincent, leader of the Greasers.
Chapter 4: A Healthy Mind in a Healthy Body and Other Lies: Jimmy decides to take on the Jocks, but he first needs to convince the Nerds to help him.
Chapter 5: The Fall and Rise of Jimmy Hopkins, Age 15: Jimmy, after briefly enjoying his power as king of Bullworth Academy, is expelled. He has to clear his name and get re-enrolled back into the Academy while regaining control of the cliques.
Chapter 6: Endless Summer: Jimmy can tie up any loose ends, such as finishing races, finding collectibles, etc.
School classes themselves are done in the form of minigames, broken into five levels of increasing difficulty. English, for example, is a word scramble minigame, and as Jimmy completes the level, he learns to apologize to bullies, deliver better taunts, apologize to prefects and finally to apologize to the police.
Jimmy has a multitude of weapons available, although they tend to run along the lines of things a school boy might actually attain, such as slingshots, bags of marbles, stink bombs, and later in the game, a bottle rocket launcher and a spud gun. He also has an assortment of vehicles to operate - mainly bicycles with different abilities, but also a moped, a go-kart, a lawn mower, and a skateboard.
The game takes place at Bullworth Academy, a fictional independent boarding school in the New England area of the United States. Jimmy ends up enrolled in the school when his newly married mother and fifth stepfather go on her year-long honeymoon cruise. The school is located in the also fictional town of Bullworth, which resembles Connecticut (this would also explain the high prevalence of 'Old money' and 'Nouveau Riche' influences). The school itself is a classical neo-gothic design and is similar to many other schools and colleges in the United Kingdom and New England, in particular Fettes School in Edinburgh. A reference to the year being 1995 as the setting can be seen in one of the various arcade machine minigames but school sports flags show the school as champions as recently as 1999.
The Rockstar tradition of groundbreaking, original gameplay and humorous tongue-in-cheek storytelling invades an entirely new setting: the schoolyard.
As a mischievous schoolboy, you'll stand up to bullies, get picked on by teachers, play pranks, win or lose the girl, and ultimately learn to navigate the obstacles of the worst school around, Bullworth Academy - a corrupt and crumbling prep school with an uptight facade.
The story follows Jimmy Hopkins, a teenager who's been expelled from every school he's ever attended. Left to fend for himself after his mother abandons him at Bullworth to go on her fifth honeymoon, Jimmy has a whole year at Bullworth ahead of him, working his way up the social ladder of this demented institution of supposed learning, standing up for what he thinks is right and taking on the liars, cheats and snobs who are the most popular members of the student body and faculty. If Jimmy can survive the school year and outsmart his rivals, he
Could rule the school.
All the mayhem, pranks, nerds, jocks, crushes, clueless professors and despotic administration that made the original release great -- now with added education!
All new classes and missions - plus optimized graphics and controls for both systems.
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
The critically acclaimed and fan favorite PlayStation®2 game, Bully, is making its debut on the WiiTM and Xbox 360® by popular demand on March 4, 2008 with Bully: Scholarship Edition. (Less)
Channel: youtubeTags: Academy Bullworth Bully Canis Game Games Glitch movie Playstation PS2 Review Rockstar rockstargames trailer Wii Xbox360
Rate it: Rate:
104,
00:34,
2008-01-28 08:49:40 Description: Disclaimer: I Do Not Own Bully Scholarship Edition Or Bully In Anyway
The Game Belongs To Rockstar Vancouver.
Bully Scholarship Edition Video I Made Old Account Banned So I Uploaded Again.
(More) Disclaimer: I Do Not Own Bully Scholarship Edition Or Bully In Anyway
The Game Belongs To Rockstar Vancouver.
Bully Scholarship Edition Video I Made Old Account Banned So I Uploaded Again.
Chapter 1: Making New Friends and Enemies: Jimmy comes to Bullworth Academy and immediately runs into trouble with the Bullies.
Chapter 2: Rich Kid Blues: Jimmy is now more popular, but he must deal with the spoiled Preppies.
Chapter 3: Love Makes the World Go Around: Jimmy gets mixed in with the love affairs of Lola and Johnny Vincent, leader of the Greasers.
Chapter 4: A Healthy Mind in a Healthy Body and Other Lies: Jimmy decides to take on the Jocks, but he first needs to convince the Nerds to help him.
Chapter 5: The Fall and Rise of Jimmy Hopkins, Age 15: Jimmy, after briefly enjoying his power as king of Bullworth Academy, is expelled. He has to clear his name and get re-enrolled back into the Academy while regaining control of the cliques.
Chapter 6: Endless Summer: Jimmy can tie up any loose ends, such as finishing races, finding collectibles, etc.
School classes themselves are done in the form of minigames, broken into five levels of increasing difficulty. English, for example, is a word scramble minigame, and as Jimmy completes the level, he learns to apologize to bullies, deliver better taunts, apologize to prefects and finally to apologize to the police.
Jimmy has a multitude of weapons available, although they tend to run along the lines of things a school boy might actually attain, such as slingshots, bags of marbles, stink bombs, and later in the game, a bottle rocket launcher and a spud gun. He also has an assortment of vehicles to operate - mainly bicycles with different abilities, but also a moped, a go-kart, a lawn mower, and a skateboard.
The game takes place at Bullworth Academy, a fictional independent boarding school in the New England area of the United States. Jimmy ends up enrolled in the school when his newly married mother and fifth stepfather go on her year-long honeymoon cruise. The school is located in the also fictional town of Bullworth, which resembles Connecticut (this would also explain the high prevalence of 'Old money' and 'Nouveau Riche' influences). The school itself is a classical neo-gothic design and is similar to many other schools and colleges in the United Kingdom and New England, in particular Fettes School in Edinburgh. A reference to the year being 1995 as the setting can be seen in one of the various arcade machine minigames but school sports flags show the school as champions as recently as 1999.
The Rockstar tradition of groundbreaking, original gameplay and humorous tongue-in-cheek storytelling invades an entirely new setting: the schoolyard.
As a mischievous schoolboy, you'll stand up to bullies, get picked on by teachers, play pranks, win or lose the girl, and ultimately learn to navigate the obstacles of the worst school around, Bullworth Academy - a corrupt and crumbling prep school with an uptight facade.
The story follows Jimmy Hopkins, a teenager who's been expelled from every school he's ever attended. Left to fend for himself after his mother abandons him at Bullworth to go on her fifth honeymoon, Jimmy has a whole year at Bullworth ahead of him, working his way up the social ladder of this demented institution of supposed learning, standing up for what he thinks is right and taking on the liars, cheats and snobs who are the most popular members of the student body and faculty. If Jimmy can survive the school year and outsmart his rivals, he could rule the school.
Ready yourself for a hilarious return to campus living with Bully, the outrageously funny debut title from Rockstar Vancouver, available exclusively for PlayStation®2 computer entertainment system this October.
All the mayhem, pranks, nerds, jocks, crushes, clueless professors and despotic administration that made the original release great -- now with added education!
All new classes and missions - plus optimized graphics and controls for both systems.
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
Bully Scholarship Edition
The critically acclaimed and fan favorite PlayStation®2 game, Bully, is making its debut on the WiiTM and Xbox 360® by popular demand on March 4, 2008 with Bully: Scholarship Edition. (Less)
Channel: youtubeTags: Bully Bullyscholarshipedition Canem Canis CCE Edit Edition Glitch Nintendo Rockstar Scholarship Videogame Wii Xbox360
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0,
02:30,
2009-08-21 22:27:04 Description: The project “Jump” is focusing on mapped video projection with a strict reference to architectural structure. The house front has been rebuilt in a studio setting with a proportion of (More) The project “Jump” is focusing on mapped video projection with a strict reference to architectural structure. The house front has been rebuilt in a studio setting with a proportion of 1:1,4. The setup becomes a stage for artists and performers. Later the captured video content is projected on the building. For further information visit urbanscreen.com Music by Jan Jelinek (Less)
Channel: vimeoTags: parkour urbanscreen projection augmented reality videokunst mediafacade architecture videoart interactive streetart guerilla lichtkunst videobeamer lumentektur creative industries illumination video mapping augmented architecture
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0,
03:50,
2009-12-23 16:56:43 Description: Shot with 5DmkII, 50mm f/1.4, 17-40mm f/4.0 L and Sigma 150mm f/2.8. Not too sure about the result though (had a very short time limit to finish this vid). I chose to shoot almost everything handheld (More) Shot with 5DmkII, 50mm f/1.4, 17-40mm f/4.0 L and Sigma 150mm f/2.8. Not too sure about the result though (had a very short time limit to finish this vid). I chose to shoot almost everything handheld purposely by the way, but with a second look I think it's too disturbing. Ah well. You learn from your mistakes I guess.. Music: The American Dollar - Anything You Synthesize (Less)
Channel: vimeoTags: anything trace photography dollar synthesize mark american 5dmkii music forest ambient facade the you post-rock
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1,
03:25,
2008-04-17 12:20:35 Description: Mutating quartet of Aces to quartet of Kings 1. Riffle Shuffle 2. Extract the Aces quartet 3. Spread the Aces 4. Mutate Front to Back Facade 1 card at a time 5. Turn over the quartet and reveal (More) Mutating quartet of Aces to quartet of Kings 1. Riffle Shuffle 2. Extract the Aces quartet 3. Spread the Aces 4. Mutate Front to Back Facade 1 card at a time 5. Turn over the quartet and reveal that the Aces have turned to Kings 6. Reverse the mutation 7. End (Less)
Channel: metacafe Rate it: Rate:
2,
01:11,
2009-05-24 11:53:49 Description: Behind its discrete facade in Benowa Waters hides a near-new contemporary and private haven graced with functional excellence, superb finishes and a wonderful indoor/outdoor flow for those seeking (More) Behind its discrete facade in Benowa Waters hides a near-new contemporary and private haven graced with functional excellence, superb finishes and a wonderful indoor/outdoor flow for those seeking style and ease in living, making it your ideal family or entertainment home. This 2-storey 5 bedroom home on a generous 1/4 acre block presents with 65 squares of absolute luxury and is the ultimate in contemporary styling. Enjoy a sensational lifestyle in your new home offering you indoor and ... (Less)
Channel: youtubeTags: real estate luxury homes gold coast real estate benowa real estate marquette turner waterfront real estate waterfront homes
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07:28,
2009-07-15 00:58:04 Description: Library, 2004 LED continuous-motion image with attached Plexiglas and photogravure, 26-1/4" x 31-1/2" x 3", Edition of 6 Library is composed of a high-resolution photogravure of the New (More) Library, 2004 LED continuous-motion image with attached Plexiglas and photogravure, 26-1/4" x 31-1/2" x 3", Edition of 6 Library is composed of a high-resolution photogravure of the New York Public Library, printed on rice paper and placed in a Plexiglas frame suspended in front of an LED surface containing a 25-minute video chip loop of low-resolution moving images. Indistinct images of birds and people appear to move in and out of the library and across the facade. Library is first in a ... (Less)
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