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In Memory - super 8 and DV experimental film ( kodac...

10:01,

2008-02-24 03:49:00

Description: Andy Marsh's haunting 'In Memory' unfolds a Lynchian story of a woman whose traumatic experience has caused her to lose her memory. As a creepy hypnotist delves into her brain and past, (More)

Channel: youtube

Tags: 40 8mm bcuc cine david dreams experimental film kodachrome lynch lynchian memory nightmare screentestfest short super

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David Bowie - Warszawa

16,

06:24,

2009-02-19 13:36:56

Description: "Warszawa" is a mostly instrumental song by David Bowie, co-written with Brian Eno and originally released in 1977 on the album Low. The arrangement is meant to evoke the desolation of (More) "Warszawa" is a mostly instrumental song by David Bowie, co-written with Brian Eno and originally released in 1977 on the album Low. The arrangement is meant to evoke the desolation of Warsaw at the time of Bowie's visit in 1973. The mysterious lyrics and the piece of melody in the middle part of the song are based upon a recording of a Polish folk choir "Śląsk". Probably this theme based on the melody and words of the old Polish Silesian song "Helokanie", recorded in advance by choir "Śląsk". However, there is no information about this, and it remains more or less unanswered. The piece was developed using many of Eno's spontaneous and deeply experimental techniques, with Bowie choosing the creation of a texture over creating a piece that fit in context with his other songs. Resorting to Eno's techniques of "planned accidents," first a click track of 430 clicks was created by hand. From these clicks, a few were selected at random and catalogued. Eno and Bowie would each wait for their randomly selected clicks to sound, which would cue them to play a chord. When the clicks were removed, the song's basic skeleton of chord changes remained, and the gaps were filled by their writing, with Eno on instrumentals and Bowie on vocals. The result is a stunning piece in four sections. The first section is sparse and mainly in octaves. Then at 1 minute 17 seconds the harmony fills out and the key changes to F# and the second section - the longest in the piece - starts. At 3 minutes 47 seconds there is another striking key change, the texture thins out again and Bowie's vocal part starts. At 5 minutes 24 seconds the final section starts and this section basically comprises a repeat of a chunk of the second section. All vocals were composed and performed entirely by Bowie, despite the presence of 110 voices. Eno remarked that despite his tendency to work slowly as his own synthesizer technician, Bowie managed to complete his portion of the track rather quickly, recording all his voices in 20 minutes. It was used as a live opener on Bowie's 1978 and 2002 tours. Rather than quickly delving deeply into loud rock music, the song was used to intentionally provoke the audience into a calm, holding them initially in deep suspense. Bowie's choice to maintain a low profile during 1978 was expressed through his entrance to the stage during this song, not singing, but simply sinking into the band and playing the Chamberlin until his cue to sing the lyrics. The band Joy Division was originally named Warsaw in honor of this song, and it features in the 2007 film about Ian Curtis called 'Control'. (Less)

Channel: youtube

Tags: avant berlin bowie brian david electronic eno experimental garde heroes lodger low music tony trilogy visconti

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of Love (deconstructed mix)

05:53,

2009-08-21 23:21:50

Description: This is a song I wrote a couple years ago, inspired by a woman who I had been going out with for a few years at the time. It was about 75% finished a month or so before we broke up... I actually quit (More) This is a song I wrote a couple years ago, inspired by a woman who I had been going out with for a few years at the time. It was about 75% finished a month or so before we broke up... I actually quit work on it after we broke up, and then got used to hearing it in it's state of "suspended animation". The song became a sore spot and I put it "on the shelf"! I pulled it up on a mixing board at one point not too long ago, with the faders/eq/mutes/fx, etc. still up from a session before (one of my little quirks... I do that all the time). Things in this mix were muted, the vocal was kind of obstructed, the lead guitar in the middle wasn't there. It felt like it conveyed this kind of weird perspective that the song had come to take on for me. It's as if you aren't "in the middle" like in a normal mix... you are in some weird Dali-esque sonic landscape. Which was the original intention anyway! Very influenced by Brian Wilson, Edwin Astley, and the High Llamas. In the back of my mind, I feel like I am going to go back and do a "full" mix, and "whip it into" a regular "pop" setting, because this one is a little out there. It will make people complain about not hearing the vocal well, some odd turns... but I secretly like how these kind of odd ball things sound more than the "normal perspective". On the "of love" harmony... probably 48 tracks? Can't quite remember, but there are some weird harmony and phase inversions going on, because I remember recording this using "erect audio" techniques (lol.... a thing that I was experimenting with at the time, in conjunction with Steve Gursky, to record and mix for an experimental playback system with two speakers high, two low, so that up and down could be perceived in the stereo [really quad] mix.) Because of that, some of the things have an interesting phase correlation when mixed in regular stereo. It seems like I also probably used some experimental techniques taken from an idea invented but never really utilized by Dolby to keep one ear from hearing what the other ear hears. I didn't mix it with that in mind, so that probably doesn't come across too much. This also makes extensive use of "crystal element" microphones, which have gone by the wayside, and aren't really used at all in traditional recording, as they are severely skewed frequency wise and have horrible signal to noise ratio. I use them more like an eq in combination with other microphones. There is nothing "looped" or edited in this recording, even though it may sound like it... and every part/track was played from the first second of the song to the last, one take, no edits. If I screwed up 80% of the way into the song, that entire track would get scratched. There are definitely some hard mute/unmutes though. I really had to spend a great deal of time to achieve the "loop like" effect by playing some of these parts exactly over and over.... though at this point in my life I would probably spare myself and just loop the crap! To achieve such a consistent but simple drum part with the exact groove was probably the hardest part. The cymbals may have been played at a different time than the kick/snare/toms, since that was a pretty common technique I was using at the time, so that cymbals wouldn't effect the compression settings on the main kit. I also think that it is actually double or triple tracked kit... that all comes out of Mack Emerman / Steve Gursky stuff. The animations are all Quartz Composer, and are mainly a mix of 3 different setups. One is a particle composition (kineme) inside of GLSL shaders that were from toneburst's desaxismundi solids example, that is being blurred with v002 plugs, and also Quartz Crystal motion blur at one point. All of it was rendered through Quartz Crystal, but had another pass through iMovie to synch up the music... There's another macro with a panorama, and polygonish looking particle thing on top of a man-hole (when the music get "grittier"...lol, I don't get that "gritty). That's been posted here before, not too long ago. Then there is a "woodblock" looking universe setup that also uses kineme particle tools, and the "bullet time" idea, which Steve Mokris included in his demonstration of particle tools. That's also been posted (been working on this one for awhile). The earth in that example is setup with a sphere and a standard GLSL image map.... all in a render in image with a custom core image kernel that was setup to be a higher res version of the stock "edge work" patch that is included in Quartz Composer. Just tweaked from trial and error on that one, no logic involved...! Visually, it's inspired by Matisse's Icarus, Michelangelo Antonioni, Picasso's Taureau et Picador... and a local fellow who comes to many of the art festivals in town and has woodblock prints (it's killing me that I can't remember his name) though I'm sure it doesn't really look like any of that! The part where there are the triangles over the manhole... was partially inspired by vimeo.com/1730392 , "tracker01" by tsaworks... though it was more of a case of having used this setup many times, and seeing his and the positive reaction it was getting and going "why haven't I used that?". All of the tsaworks stuff looks really eye catching. I used the panorama concept macro that I came about through Chris Wright as a way of getting the background. Basically a particle generator, inside of GLSL, inside of a wireframe mode on one side. Sooo..... probably going to come back to this one and change it up some later. But this is ok for the "deconstructed" version, and I'm putting it out there in lieu of putting it back up on the shelf. This is like the "bootleg / Beatles Anthology" version, of the release that hasn't been released! (Less)

Channel: vimeo

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Experimental Piece

02:14,

2009-08-29 07:20:09

Description: "A super human comes down to earth to make a video. He storyboards it. However when filming it something goes wrong... but can he rectify the problem?!" Back story: In 2008 as part of my (More)

Channel: vimeo

Tags: after effects edit experimental hero super human special adobe 3d 2d

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In Memory - super 8 and DV experimental film

00:00,

2009-11-24 08:37:57

Description: Andy Marsh's haunting 'In Memory' unfolds a Lyn... (more) Added: February 24, 2008 Andy Marsh's haunting 'In Memory' unfolds a Lynchian story of a woman whose traumatic (More)

Channel: revver

Tags: 8mm short super8mm film kodachrome screentestfest bcuc nightmare cine 40 david experimental lynch memory lynchian 8 super shortfilm dreams super8

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Experimental Techniques

03:16,

2009-07-26 03:51:24

Description: Experimental Techniques for the Narrative Filmmaker by Carl mclaughlin

Channel: youtube

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Experimental Techniques 1 2 The Open University

00:30,

2009-08-12 14:08:09

Description: One of the great programs now available on demand from onedvd. Go to www.onedvd.com and order your DVD now.

Channel: youtube

Tags: The Open University Experimental Techniques OU

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dance/movement test for experimental film

04:42,

2008-08-30 01:26:25

Description: a test done for a new experimental film i am going to shoot with designer erica frank this is just a test shot up at cal arts in a white room - the final film will have make up and costumes this was (More)

Channel: youtube

Tags: art asian cinema experimental film ligeti mass penderecki sound

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1 Minute Experimental for Sequential Media 1

00:58,

2008-10-02 02:23:15

Description: Did this a few months ago. We had to thing of something experimental. Mostly you were just supposed get used to the camera and try some different techniques. (More)

Channel: youtube

Tags: art design experimental fd31 film foundation media minute one school sequential vancouver vfs visual

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= - {} sequence of pseudo-random sound. Sometimes t...

01:00,

2009-06-15 09:54:41

Description: Why dont you read the description ? :; Leave comment, why dont you watch these videos as many times as you want to? Lets make the numbers go up. www.youtube.com www.myspace.com www.youtube.com The (More)

Channel: youtube

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EAT 2009 - STOP BEING IN TWO PLACES AT ONCE

00:44,

2009-07-29 19:51:59

Description: A cutout animation I made for my Experimental Animation Class at Evergreen. I'm pretty happy with how it turned out. Music is not mine, it's by The Sword, one of the greatest bands known to (More)

Channel: youtube

Tags: animation the sundering sword evergreen eat experimental techniques

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How to Flush a Toilet poopface

00:00,

2009-08-29 11:15:43

Description: A thorough examination of experimental techniques used to flush toilets. poopfaceproductions.com

Channel: vimeo

Tags: toilet flush funny experimental poopface poopface productions

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Experimental Ghillie Suit

07:10,

2009-06-17 05:59:23

Description: Showing off an experimental ghillie suit I made and tried out at warfighters . co . uk

Channel: youtube

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Experimental Video "Urban Flows"

03:50,

2009-08-29 07:29:20

Description: Cities are like big hubs in the global network. London, New York, Shanghai, Singapur and Tokyo appear as big knots in the network. Heraclitus famous sentence „everything flows“ has gained (More)

Channel: vimeo

Tags: Urban Flows Experimental Film Jens Schwengel Philip Fricker Tokyo

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