Search results for direct sound driver
123, 
03:09, 
2007-02-19 10:49:01 Description: http://www.floridamusicco.com/proddetail~prod~99004107600.htm
features of the fast track pro by chris brackenbury from floridamusicco.com
M-Audio Fast Track Pro
USB bus-powered 4 x 4 24-bit/48kHz (More) http://www.floridamusicco.com/proddetail~prod~99004107600.htm
features of the fast track pro by chris brackenbury from floridamusicco.com
M-Audio Fast Track Pro
USB bus-powered 4 x 4 24-bit/48kHz audio interface with dual mic/ instrument preamps
balanced/unbalanced analog, S/PDIF and MIDI I/O
S/PDIF digital; MIDI I/O
¼" headphone output with level control and A/B source switch
Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher
The M-Audio Fast Track Pro delivers all the mobile recording flexibility of the Fast Track USB, plus even more professional features. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones, inserts for outboard effects balanced and unbalanced analog outputs, S/PDIF digital I/O, MIDI I/O, and more. M-Audio Fast Track Pro also features near-zero latency direct hardware monitoring and low-latency ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style cueing. Fast Track Pro is compatible with most popular PC and Mac music software. USB connection and bus power along with class compliancy for Mac OS X* make it a breeze to set up.
* Class compliancy supports 16-bit/44.1kHz 2 x 4 operation on OS X 10.3.9 and higher. Driver installation required to access more I/O.
M-Audio Fast Track Pro - Professional Recording—Anywhere, Anytime
Fast Track Pro is designed to let you record with professional results whenever and wherever you want. A single USB connection gives you access to all the I/O you need for microphones and instruments like guitars, as well as MIDI- and S/PDIF-equipped digital audio gear. The microphone inputs are even phantom powered to accommodate the studio-quality condenser microphones like the M-Audio Luna and Solaris. Our time-tested driver software gives you total routing control over the 4 x 4 I/O—including setting up an effects loop with external devices.
M-Audio Fast Track Pro - Monitoring Galore
One of the hallmarks of a great audio interface is its monitoring flexibility—and M-Audio Fast Track Pro delivers. M-Audio Fast Track Pro features a powerful headphone amp with volume control. Hardware direct monitoring eliminates the latency or delay inherent in even the best internal circuitry while listening to your input and existing tracks. You can also listen to your input complete with effects while recording by using extremely the low-latency ASIO monitoring we've perfected over the years. Two pairs of analog outputs let you connect to a DJ mixer and use the front-panel A/B source switch to audition cues.
M-Audio Fast Track Pro - GT Player Express
M-Audio Fast Track Pro ships with GT Player Express software, delivering a variety of effects and virtual stomp boxes that eliminate the need for a guitar amp for basic recording and practice. GT Player Express also plays standard audio files like AAC, MP3 and WAV, allowing you to learn and jam along with your favorite music at variable speeds. With Fast Track Pro and GT Player Express, your computer can be your entire guitar rig.
M-Audio Fast Track Pro - Ableton Live Lite 4
This special edition of the multi-award winning Ableton Live 4 software lets you experience what the critics have been raving about. Live 4's revolutionary loop-based paradigm makes production as simple as dragging and dropping audio clips in real time. You can also record linear tracks, add effects, perform live remixes and much more.
M-Audio Fast Track Pro Full Features
4 x 4 24-bit/48kHz audio interface
2 front panel mic/instrument preamp inputs (Neutrik XLR/ ¼" TRS) with:
gain controls
signal/peak lights
pads for each input
insert jack (¼" TRS) for outboard processors
2 balanced outputs (¼" TRS)
4 unbalanced outputs (RCA)
S/PDIF digital I/O with w/ 2-channel PCM
S/PDIF out also supports pass-through of AC-3/DTS surround-encoded content
1 x 1 MIDI I/O with activity LEDs
headphone output (¼" TRS) with level control
headphone A/B source switch for DJ-style cueing
input/playback mix control for hardware direct monitoring
mono switch for input/playback direct monitoring
master output level control
near zero-latency hardware direct monitoring
low-latency ASIO software monitoring
USB connection to computer
powered via USB or optional AC power adapter
Kensington lock port
Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher
* 16-bit/44.1kHz 2 x 4 operation is class-compliant. Driver installation required to access more I/O.
WDM
ASIO 2
Core Audio (Less)
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45, 03:09, 2008-04-22 10:15:17 Description: http://www.floridamusicco.com/proddetail~prod~99004107600.htm features of the fast track pro by chris brackenbury from floridamusicco.com M-Audio Fast Track Pro USB bus-powered 4 x 4 24-bit/48kHz (More) http://www.floridamusicco.com/proddetail~prod~99004107600.htm features of the fast track pro by chris brackenbury from floridamusicco.com M-Audio Fast Track Pro USB bus-powered 4 x 4 24-bit/48kHz audio interface with dual mic/ instrument preamps balanced/unbalanced analog, S/PDIF and MIDI I/O S/PDIF digital; MIDI I/O ¼" headphone output with level control and A/B source switch Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher The M-Audio Fast Track Pro delivers all the mobile recording flexibility of the Fast Track USB, plus even more professional features. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones, inserts for outboard effects balanced and unbalanced analog outputs, S/PDIF digital I/O, MIDI I/O, and more. M-Audio Fast Track Pro also features near-zero latency direct hardware monitoring and low-latency ASIO software monitoring, plus an A/B source switch and dual output pairs for DJ-style cueing. Fast Track Pro is compatible with most popular PC and Mac music software. USB connection and bus power along with class compliancy for Mac OS X* make it a breeze to set up. * Class compliancy supports 16-bit/44.1kHz 2 x 4 operation on OS X 10.3.9 and higher. Driver installation required to access more I/O. M-Audio Fast Track Pro - Professional Recording—Anywhere, Anytime Fast Track Pro is designed to let you record with professional results whenever and wherever you want. A single USB connection gives you access to all the I/O you need for microphones and instruments like guitars, as well as MIDI- and S/PDIF-equipped digital audio gear. The microphone inputs are even phantom powered to accommodate the studio-quality condenser microphones like the M-Audio Luna and Solaris. Our time-tested driver software gives you total routing control over the 4 x 4 I/O—including setting up an effects loop with external devices. M-Audio Fast Track Pro - Monitoring Galore One of the hallmarks of a great audio interface is its monitoring flexibility—and M-Audio Fast Track Pro delivers. M-Audio Fast Track Pro features a powerful headphone amp with volume control. Hardware direct monitoring eliminates the latency or delay inherent in even the best internal circuitry while listening to your input and existing tracks. You can also listen to your input complete with effects while recording by using extremely the low-latency ASIO monitoring we've perfected over the years. Two pairs of analog outputs let you connect to a DJ mixer and use the front-panel A/B source switch to audition cues. M-Audio Fast Track Pro - GT Player Express M-Audio Fast Track Pro ships with GT Player Express software, delivering a variety of effects and virtual stomp boxes that eliminate the need for a guitar amp for basic recording and practice. GT Player Express also plays standard audio files like AAC, MP3 and WAV, allowing you to learn and jam along with your favorite music at variable speeds. With Fast Track Pro and GT Player Express, your computer can be your entire guitar rig. M-Audio Fast Track Pro - Ableton Live Lite 4 This special edition of the multi-award winning Ableton Live 4 software lets you experience what the critics have been raving about. Live 4's revolutionary loop-based paradigm makes production as simple as dragging and dropping audio clips in real time. You can also record linear tracks, add effects, perform live remixes and much more. M-Audio Fast Track Pro Full Features 4 x 4 24-bit/48kHz audio interface 2 front panel mic/instrument preamp inputs (Neutrik XLR/ ¼" TRS) with: gain controls signal/peak lights pads for each input insert jack (¼" TRS) for outboard processors 2 balanced outputs (¼" TRS) 4 unbalanced outputs (RCA) S/PDIF digital I/O with w/ 2-channel PCM S/PDIF out also supports pass-through of AC-3/DTS surround-encoded content 1 x 1 MIDI I/O with activity LEDs headphone output (¼" TRS) with level control headphone A/B source switch for DJ-style cueing input/playback mix control for hardware direct monitoring mono switch for input/playback direct monitoring master output level control near zero-latency hardware direct monitoring low-latency ASIO software monitoring USB connection to computer powered via USB or optional AC power adapter Kensington lock port Mac and PC compatible; class compliant with Mac OS X 10.3.9 and higher * 16-bit/44.1kHz 2 x 4 operation is class-compliant. Driver installation required to access more I/O. WDM ASIO 2 Core Audio (Less)
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285, 02:46, 2008-04-22 16:25:33 Description: "THE CREATOR" - FOR STICK "EL CREADOR" - FOR STICK FOR MORE: http://www.soyelcreador.com.ar http://www.historietayanimacion.com "Animé" redirects here. For the (More) "THE CREATOR" - FOR STICK "EL CREADOR" - FOR STICK FOR MORE: http://www.soyelcreador.com.ar http://www.historietayanimacion.com "Animé" redirects here. For the oleo-resin, see Animé (oleo-resin). Anime (アニメ, Anime? IPA pronunciation: /ɑnime/ listen (help·info) in Japanese, but typically /ˈænɪˌme(ɪ)/ or /ˈænɪmə/ in English) (pl. anime) is an abbreviation of the word "animation". Outside Japan, the term most popularly refers to animation originating in Japan. To the West, not all animation is considered anime; and anime is considered a subset of animation. While some anime is hand drawn, computer assisted animation techniques have become quite common in recent years. Like any entertainment medium, the story lines represent most major genres of fiction. Anime is broadcast on television, distributed on media such as DVD and VHS, and included in video games. Additionally, some are produced as full length motion pictures. Anime often draws influence from manga, light novels, and other cultures. Some anime storylines have been adapted into live action films and television series. History Main article: History of anime The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia.[citation needed] Animation became notable in Japan as it provided an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, where live-action shows and films have generous budgets, the live-action industry in Japan is a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. The varied use of animation allowed artists to create any characters and settings.[1] During the 1970s, there was a surge of growth in the popularity of manga— which were often later animated — especially those of Osamu Tezuka, who has been called a "legend"[2] and the "god of manga".[3][4] As a result of his work and that of other pioneers in the field, anime developed characteristics and genres that are fundamental elements of the art today. The giant robot genre (known as "mecha" outside Japan), for instance, took shape under Tezuka, developed under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino. Robot anime like Gundam and Macross became instant classics in the 80s, and the robot genre of anime is still one of the most heard of in Japan and worldwide today. In the 1980s, anime was accepted in the mainstream in Japan, and experienced a boom in production (It should be noticed that, manga has significantly more mainstream exposure than anime in Japan). The mid-to-late '90s, on into the 2000s, saw an increased acceptance of anime in overseas markets. Terminology Etymology and pronunciation Note: This page or section contains IPA phonetic symbols in Unicode. See IPA chart for English for a pronunciation key. The Japanese term for animation is アニメーション (animēshon, pronounced /ɑnime:ɕoɴ/), written in katakana. It is borrowed from the French word for animation, "l'animé" (it's lacking the article--both are pronounced similarly). Both the words "animation" and "l'animé" come from the Latin word "anima" which means to move. [5] The Japanese term is spelled アニメ (anime, pronounced /ɑnime/). Both the original and abbreviated forms are valid and interchangeable in Japanese, but as could be expected the shorter form is more commonly used. The pronunciation of anime in English differs significantly from Japanese. The first vowel is further forward in English than Japanese: /æ/ is more likely than /ɑ/. As English stresses words differently than Japanese, the second vowel is likely to emerge as an unstressed schwa /ə/ or /I/ in English, whereas in Japanese each mora carries equal stress. As with a few other Japanese words such as Pokémon and Kobo Abé, anime is sometimes spelled as animé in English with an acute accent over the final e to cue the reader that the letter is pronounced as a Japanese /e/. However, this accent does not appear in any commonly used system of romanized Japanese, and English native speakers may produce /eI/. Definition An example of an anime drawing styleLinguistically, the anime definition is subject to interpretation. In Japan, the term does not specify an animation's nation of origin or style; instead, it is used as a blanket term to refer to all forms of animation from around the world.[6] In English, main dictionary sources define anime as "a Japanese style of motion-picture animation" or "a style of animation developed in Japan".[7] Thus, non-Japanese works are sometimes called anime-influenced animation if they borrow stylistically from Japanese animation. In western countries the word is used usually only to refer to animated programming of Japanese origin, with the term "cartoon" or "animated series" used for most other visual styles. The online anime database AniDB generally defines anime (in the singular form) as "an animated, professionally produced, feature film created by a Japanese company for the Japanese market".[6] However, some anime are co-productions with non-Japanese companies like the Cartoon Network. Thus, anime is no longer specific to the Japanese market. Syntax and morphology Anime can be used as a common noun, "Do you watch anime?" or as a suppletive adjective, "The anime Guyver is different from the movie Guyver." It may also be used as a mass noun, as in "How much anime have you collected?" and therefore is never pluralized "animes" (nouns are never pluralized in Japanese). However, in other languages where anime has been adopted as a loan word, it is sometimes used as a count noun in singular and in plural as in Danish "Jeg tror, jeg vil se en anime" ("I think I'll watch an anime") and "Hvor mange anime'er har du nu?" ("How many animes do you have now?"). Synonyms Anime is sometimes referred to as Japanimation, but this term has fallen into disuse. Japanimation saw the most usage during the 1970s and 1980s, which broadly comprise the first and second waves of anime fandom, and had continued use up until before the mid-1990s anime resurgence. In general, the term now only appears in nostalgic contexts. The term is much more commonly used within Japan to refer to domestic animation. Since anime or animēshon is used to describe all forms of animation, Japanimation is used to distinguish Japanese work from that of the rest of the world. In more recent years, anime has also frequently been referred to as manga in European countries, a practice that may stem from the Japanese usage: In Japan, manga can refer to both animation and comics (although the use of manga to refer to animation is mostly restricted to non-fans). Among English speakers, manga usually has the stricter meaning of "Japanese comics". An alternate explanation is that it is due to the prominence of Manga Entertainment, a distributor of anime to the US and UK markets. Because Manga Entertainment originated in the UK the use of the term is common outside of Japan. The portmanteau "animanga" has been used to collectively refer to anime and manga, though it is also a term used to describe comics produced from animation cels. Characteristics Dragon Ball Z (1989) is a popular shōnen anime based on the original manga series which spanned 291 episodes and 13 movies.Anime features a wide variety of artistic styles. They vary from artist to artist or by studio to studio. They are generally characterized by detailed backgrounds and stylized characters in a variety of different settings and storylines, aimed at a wide range of audiences. It is usually coloured and designed to look as realistic as possible. Unlike Manga, which uses slightly exaggerated colours and designs. But, anime fantasy creatures, (e.g witches, spirits etc.) can have exaggerated facial and physical features. But, they will always be designed to look as realistic as possible, and bright colours would be rarely used unless needed to. Genres Anime has many genres typically found in any mass media form. Such genres include action, adventure, children's stories, comedy, drama, erotica (hentai), medieval fantasy, occult/horror, romance, and science fiction. Most anime includes content from several different genres, as well as a variety of thematic elements. Thus, some series may be categorized under multiple genres. For example, Neon Genesis Evangelion might be considered to fall into the genres of post-apocalyptic, mecha, drama, and shonen-ai. A show may have a seemingly simple surface plot, but at the same time may feature a far more complex, deeper storyline and character development. It is not uncommon for an action themed anime to also involve humor, romance, and even social commentary. The same can be applied to a romance themed anime in that it may involve an action element, or in some cases brutal violence. The following is a list of the major genres and designations that are specific to anime and manga.[8] For other possible genres, see film genre. Genres with Western Counterparts: Action/Adventure: Anime that primarily focuses on martial arts, sword fighting, or other action oriented material. Examples: Ninja Scroll. Horror: Anime or manga which contains darker themes or science-fictional characters. Examples: Vampire Hunter D series or Wicked City. Progressive: "Art films" or extremely stylized anime. Examples: Voices of a Distant Star or Byōsoku 5 Centimetre. Demographic Genres: Shōjo: Japanese for 'young lady' or 'little girl'. Refers to anime or manga targeted at girls. Examples: Fruits Basket or Mermaid Melody Pichi Pichi Pitch. Shōnen: Japanese for 'young boy'. Refers to anime or manga targeted at younger boys. Examples: Dragon Ball Z or Digimon. Seinen: Japanese for 'young man'. Anime or manga targeted at teenage or young male adults. Examples: Oh My Goddess!, Outlaw Star or Cowboy Bebop. Josei: Japanese for 'young woman'. Anime or manga that is aimed at young women. Examples: Gokusen. Kodomo: Japanese for 'child'. Anime or manga that is aimed at young children. Examples: Doraemon, Hello Kitty, Keroppi, Pokémon or Panda-Z. Thematic Genres Bishōjo: Japanese for 'beautiful girl'. A blanket term that can be used to describe any anime that features pretty girl characters. Examples: Magic Knight Rayearth. Bishōnen: Japanese for 'beautiful boy'. A blanket term that can be used to describe any anime that features "pretty" and elegant boys and men. Examples: Fushigi Yūgi or most CLAMP shows. Sentai: Literally "fighting team" in Japanese. Refers to any show that involves a superhero team. Examples: Cyborg 009. Robot/Mecha: Anime or manga featuring super robots. Examples: Mobile Suit Gundam or Mazinger Z. Post-Apocalyptic: Anime dealing with a post-apocalyptic world. Examples: Neon Genesis Evangelion, Trigun, Akira, Wolf's Rain, or Nausicaä of the Valley of the Wind Mahō shōjo: Subgenre of shōjo known for 'Magical Girl' stories. Examples: Sailor Moon. Mahō shōnen: Male equivalent of Mahō Shōjo. Examples: D.N.Angel. Moe: Anime or manga featuring characters that are extremely perky or cute. Examples: A Little Snow Fairy Sugar. Expertise: Anime that deals with a specific topic in depth, such as Eyeshield 21 and football, Hikaru no Go and the game Go, Yakitate! Japan and bread-making, etc. Romantic Genres Harem: A genre where several girl characters are attracted to a single boy character (or sometimes to multiple boy characters). It is more often than not a Shonen Anime and may be considered a sub-genre. Examples: Ranma ½ or Love Hina. Reverse Harem: As a Harem anime, but where several boy characters are attracted to a single girl character (or sometimes to multiple girl characters). It is more often than not a Shojo Anime and may be considered a sub-genre. Examples: Ouran Host Club or Fruits Basket. Ecchi: Japanese for 'indecent sexuality', derived from the pronunciation of the letter 'H', (the origin of the term is not well known, even in Japan. See main article for more information.) Contains sexual humor, and some fan service. Examples: Love Hina, Oruchuban Ebichu or He Is My Master. Hentai: Japanese for 'abnormal' or 'perverted'. While Western audiences may use the term to refer to pornographic anime or erotica, in Japan the term used to refer to the same material is typically Poruno or Ero. Examples: La Blue Girl or "Bible Black". Shōjo-ai/Yuri: Japanese for 'girl-love'. Refers to anime or manga that focus on love and romance between female characters. It is often being replaced by the term "Girls Love" (GL). Yuri is like Shōjo-ai, but sometimes involves older characters or explicit sexual activity. Examples: Revolutionary Girl Utena or Kannazuki no Miko. Shōnen-ai: Japanese for 'boy-love'. Refers to anime or manga that focus on love and romance between male characters. The term "Shōnen-ai" is being phased out in Japan due to its other meaning of pederasty, and is being replaced by the term "Boys Love" (BL). Examples: Loveless, Gravitation Yaoi: Like "Shōnen-ai" but often involving older characters and explicit sexual activity. Examples: "Sensitive Pornograph" Some anime titles are written for a very specific audience, even narrower than those described above. For example, Initial D, Wangan Midnight and éX-Driver concern street racing and car tuning. Ashita No Joe, Hajime no Ippo were about boxing. Hanaukyo Maid Team is based on the French maid fantasy. Style While different titles and different artists have their own artistic styles, many stylistic elements have become so common such that they are described as being definitive of anime in general. These elements have been given names of their own. The anime drawing style can be learned, particularly with the aid of books such as How to Draw Manga. Such books come complete with information and instructions on the styles used in anime. A common approach is the large eyes style drawn on many anime and manga characters, credited to the influence of Osamu Tezuka, who was inspired by the exaggerated features of American cartoon characters such as Betty Boop and Mickey Mouse and from Disney's Bambi. Tezuka found that large eyes style allowed his characters to show emotions distinctly. Cultural anthropologist Matt Thorn argues that Japanese animators and audiences do not perceive such stylized eyes as inherently more or less foreign.[1] When Tezuka began drawing Ribbon no Kishi, the first manga specifically targeted at young girls, Tezuka further exaggerated the size of the characters' eyes. Indeed, through Ribbon no Kishi, Tezuka set a stylistic template that later shōjo artists tended to follow. Another variation of this style is "super deformed"; which usually feature huge eyes, an enlarged head, and small body. Other stylistic elements are common as well; often in comedic anime, characters that are shocked or surprised will perform a "face fault", in which they display an extremely exaggerated expression. Angry characters may exhibit a "vein" or "stressmark" effect, where lines representing bulging veins will appear on their forehead. Angry women will sometimes summon a mallet from nowhere and strike someone with it, leading to the concept of Hammerspace and cartoon physics. Male characters will develop a bloody nose around their female love interests (typically to indicate arousal, based on an old wives' tale).[9] Embarrassed characters will invariably produce a massive sweat-drop, which has become one of the most widely recognized stereotype motifs of anime. The degree of stylization varies from title to title. Some titles make extensive use of common stylization: FLCL, for example, is known for its wild, exaggerated stylization. In contrast, titles such as Only Yesterday, a film by Isao Takahata, take a much more realistic approach, and feature few stylistic exaggerations. Distribution Licensing Main article: Anime licensing Anime is available outside of Japan in localized form. Licensed anime is modified by distributors through dubbing into the language of the country. The anime may also be edited to alter cultural references that may not be understood by a non-Japanese person and certain companies may remove what may be perceived as objectionable content. This process was far more common in the past (e.g. One Piece), when anime was largely unheard of in the west, but its use has declined in recent years because of the demand for anime in its original form. This "light touch" approach to localization has proved popular with fans as well as viewers formerly unfamiliar with anime. The popularity of such methods is evident by the success of Naruto, Dragon Ball Z, and Cartoon Network's Adult Swim programming block, both of which employ minor edits. The "light touch" approach also applies to DVD releases as they often include both the dubbed audio and the original Japanese audio with subtitles, are typically unedited. Anime edited for television is usually released on DVD "uncut," with all scenes intact. Anime has also been a commercial success in Asia, Europe and Latin America, where anime has become even more mainstream than in the United States. For example, the Saint Seiya video game was released in Europe due to the popularity of the show even years after the series has been off-air. Fansubs Main article: Fansub Although it is a violation of copyright laws in many countries, some fans watch fansubs, recordings of anime series that have been subtitled by fans. Watching subtitled Japanese versions, though not necessarily downloaded fansubs, is seen by many enthusiasts as the preferred method of watching anime. The ethical implications of producing, distributing, or watching fansubs are topics of much controversy even when fansub groups do not profit from their activities and cease distribution of their work once the series has been licensed outside of Japan. Television TV networks regularly broadcast anime programming. Cable channels such as Cartoon Network, Disney, Sci-Fi, and others dedicate some of their time slots for anime. Then the Anime Network specifically shows anime. In Japan, major national TV networks broadcast anime regularly. Anime beyond Japan Early anime in the United States The United States saw its first exposure to anime in June of 1961, when Shônen Sarutobi Sasuke (Magic Boy) was released by MGM, followed a few weeks later by Hakuja den (Panda and the Magic Serpent, or The Tale of the White Serpent). Anime then got its running jump in September of 1963, when NBC syndicated a dubbed version of the Japanese series Astro Boy. Not counting such Japanese/American co-productions as The King Kong Show and Johnny Cypher in Dimension Zero[1], only seven more anime TV series were released in the United States in the 1960s. These were 8 Man (1965), Gigantor (1966), Kimba the White Lion (1966), Prince Planet (1966), Marine Boy (1966), The Amazing 3 (1967) and Speed Racer (1967). Speed Racer would be the last anime series released in the United States until 1978 when the 1972 series Kagaku ninja tai Gatchaman was adapted for American audiences as Battle of the Planets.[10] Many anime series that made it to American television from the 1960s through the 1980s tended to be science fiction or action-oriented, such as Star Blazers (the English dub of Space Battleship Yamato) and Robotech and Voltron (both Americanized amalgamations of unrelated anime series cobbled together into a single story). As the 1980s wore on, more anime series and films targeted at very young children also found their way to U.S. TV screens, often on cable television channels or in syndication. Nickelodeon broadcast many mostly Canadian-made English dubs of anime films during its early years, including TV series such as Mysterious Cities of Gold, Adventures of the Little Koala, Belle and Sebastian, The Adventures of the Little Prince, Noozles, Maya the Bee, Grimm's Fairy Tale Classics, and The Littl' Bits, many of which were aired on "Nick Jr.", the network's block of programming for very young viewers. The Disney Channel broadcast both of the feature-length anime films starring Osamu Tezuka's famous unicorn character Unico, and CBN redubbed and broadcast its Bible-based anime TV series co-produced with Tatsunoko, Superbook and The Flying House. HBO also showed juvenile-targeted anime on occasion, including TV series such as Tales of Little Women, The Adventures of Tom Sawyer, The Wonderful Wizard of Oz, and Saban's Adventures of Pinocchio and feature films such as Gisaburo Sugii's 1974 Jack and the Beanstalk. A great many anime films and feature-length TV series compilations were also released direct-to-video in the U.S., and were often available for rental at mainstream video stores. Some titles which were distributed in the U.S. in this fashion included Candy Candy, Captain Future, Angel, Serendipity the Pink Dragon, Taro the Dragon Boy, Robby the Rascal (Cybot Robotchi), and Ninja the Wonder Boy (Manga Sarutobi Sasuke). For the most part, though, these TV series and films were not actively promoted as being of Japanese origin; in fact, many of them went so far as to remove most or all Japanese names from the credits except for credits to the animation studios. In the series themselves, character names were often changed and Japanese cultural references removed to make them more accessible to English-speaking audiences, such as Genshi being changed to Flint in Space-Time Detective Genshi-kun. In the late 1990s and early 2000s, this trend began to change as more openly Japanese works, such as Sailor Moon, Gundam Wing, Pokémon, Dragon Ball Z, Digimon, and Yu-Gi-Oh! achieved mainstream popularity on American television. Although many of these shows did undergo some kind of "Americanization" in the form of character name changes and edits for violence, language, and the occasional nudity, viewers were more aware of the shows' country of origin, which might perhaps pique their curiosity to seek out other works in a similar style. Current reception in the United States AnimeNation's John Oppliger had this to say on the matter: The support for anime among American anime fans is very strong. The availability of anime in America is truly impressive, especially within the anime fan community. Awareness of Japanese animation in America is at an all time high. However, mainstream acceptance of anime in America lags far behind the advances anime has made in other respects. A close examination of the support for anime on American television may provide a revealing and realistic gauge of the actual penetration of anime into America and American culture. Anime may seem like it's tremendously successful in America because its high profile, but the facts tell another story. According to AC Nielsen, Pixar's The Incredibles sold 16 million copies on DVD in America last year. Shark Tale sold nearly 10 million copies. Even the DVD release of Bambi sold 6 million copies in 2005. In comparison, all four Inuyasha movies combined have sold just over 1 million copies in the past year and a half. Evidently, the success of anime in America is very relative. American anime fans are very devoted. Through underground means hardcore American fans now have access to brand new Japanese anime before even many Japanese residents do. America's anime fan community is influential because it's affluent, intelligent, and motivated; but it's not very large.[11] Despite assessments like that, and its rare and limited release in American theaters, anime's legitimacy and respect in North America has grown well enough to garner major native artistic awards such as the Academy Award for Best Animated Feature in 2002 for Spirited Away by Hayao Miyazaki. Anime has a dedicated fan following in English speaking countries, particularly active on the internet, and at conventions regularly held throughout the US and UK. Commercial appeal Anime has become commercially profitable in western countries as early commercially successful western adaptations of anime, such as Astro Boy, have revealed.[12] The phenomenal success of Nintendo's multi-billion dollar Pokémon franchise[13] was helped greatly by the spin-off anime series that, first broadcast in the late 1990s, is still running worldwide to this day. Influence on Western culture Western Animation Main article: Anime-influenced animation Anime-influenced animation refers to non-Japanese works of animation that emulate the visual style of anime. Though most of these works are created by and primarily shown in the United States, many also involve production studios from Europe and non-Japanese Asia. These generally adapted anime stylizations and anime methods described in anime physics into their own. Such examples exist in Totally Spies!, The Boondocks, W.I.T.C.H. and Megas XLR. In addition, works such as Avatar: The Last Airbender features Asian themes. While these examples are not considered anime by the fanbase majority, they are best noted for being "influenced by anime". Conventions Main article: Anime convention Fan-based conventions have long existed. Conventions for anime began to appear in the early 1990's, starting with Anime Expo, Animethon, Otakon, and JACON. Eventually, anime conventions are held annually in various cities across the United States, Canada, and Europe. http://en.wikipedia.org/wiki/Anime (Less)
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"Animé" redirects here. For the oleo-resin, see Animé (oleo-resin).
Anime (アニメ, Anime? IPA pronunciation: /ɑnime/ listen (help·info) in Japanese, but typically /ˈænɪˌme(ɪ)/ or /ˈænɪmə/ in English) (pl. anime) is an abbreviation of the word "animation". Outside Japan, the term most popularly refers to animation originating in Japan. To the West, not all animation is considered anime; and anime is considered a subset of animation.
While some anime is hand drawn, computer assisted animation techniques have become quite common in recent years. Like any entertainment medium, the story lines represent most major genres of fiction. Anime is broadcast on television, distributed on media such as DVD and VHS, and included in video games. Additionally, some are produced as full length motion pictures. Anime often draws influence from manga, light novels, and other cultures. Some anime storylines have been adapted into live action films and television series.
History
Main article: History of anime
The history of anime begins at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in France, Germany, the United States, and Russia.[citation needed]
Animation became notable in Japan as it provided an alternative format of storytelling compared to the underdeveloped live-action industry in Japan. Unlike America, where live-action shows and films have generous budgets, the live-action industry in Japan is a small market and suffered from budgeting, location, and casting restrictions. The lack of Western-looking actors, for example, made it next to impossible to shoot films set in Europe, America, or fantasy worlds that do not naturally involve Japan. The varied use of animation allowed artists to create any characters and settings.[1]
During the 1970s, there was a surge of growth in the popularity of manga— which were often later animated — especially those of Osamu Tezuka, who has been called a "legend"[2] and the "god of manga".[3][4] As a result of his work and that of other pioneers in the field, anime developed characteristics and genres that are fundamental elements of the art today. The giant robot genre (known as "mecha" outside Japan), for instance, took shape under Tezuka, developed under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino. Robot anime like Gundam and Macross became instant classics in the 80s, and the robot genre of anime is still one of the most heard of in Japan and worldwide today. In the 1980s, anime was accepted in the mainstream in Japan, and experienced a boom in production (It should be noticed that, manga has significantly more mainstream exposure than anime in Japan). The mid-to-late '90s, on into the 2000s, saw an increased acceptance of anime in overseas markets.
Terminology
Etymology and pronunciation
Note: This page or section contains IPA phonetic symbols in Unicode. See IPA chart for English for a pronunciation key.
The Japanese term for animation is アニメーション (animēshon, pronounced /ɑnime:ɕoɴ/), written in katakana. It is borrowed from the French word for animation, "l'animé" (it's lacking the article--both are pronounced similarly). Both the words "animation" and "l'animé" come from the Latin word "anima" which means to move. [5] The Japanese term is spelled アニメ (anime, pronounced /ɑnime/). Both the original and abbreviated forms are valid and interchangeable in Japanese, but as could be expected the shorter form is more commonly used.
The pronunciation of anime in English differs significantly from Japanese. The first vowel is further forward in English than Japanese: /æ/ is more likely than /ɑ/. As English stresses words differently than Japanese, the second vowel is likely to emerge as an unstressed schwa /ə/ or /I/ in English, whereas in Japanese each mora carries equal stress. As with a few other Japanese words such as Pokémon and Kobo Abé, anime is sometimes spelled as animé in English with an acute accent over the final e to cue the reader that the letter is pronounced as a Japanese /e/. However, this accent does not appear in any commonly used system of romanized Japanese, and English native speakers may produce /eI/.
Definition
An example of an anime drawing styleLinguistically, the anime definition is subject to interpretation. In Japan, the term does not specify an animation's nation of origin or style; instead, it is used as a blanket term to refer to all forms of animation from around the world.[6] In English, main dictionary sources define anime as "a Japanese style of motion-picture animation" or "a style of animation developed in Japan".[7] Thus, non-Japanese works are sometimes called anime-influenced animation if they borrow stylistically from Japanese animation.
In western countries the word is used usually only to refer to animated programming of Japanese origin, with the term "cartoon" or "animated series" used for most other visual styles. The online anime database AniDB generally defines anime (in the singular form) as "an animated, professionally produced, feature film created by a Japanese company for the Japanese market".[6] However, some anime are co-productions with non-Japanese companies like the Cartoon Network. Thus, anime is no longer specific to the Japanese market.
Syntax and morphology
Anime can be used as a common noun, "Do you watch anime?" or as a suppletive adjective, "The anime Guyver is different from the movie Guyver." It may also be used as a mass noun, as in "How much anime have you collected?" and therefore is never pluralized "animes" (nouns are never pluralized in Japanese). However, in other languages where anime has been adopted as a loan word, it is sometimes used as a count noun in singular and in plural as in Danish "Jeg tror, jeg vil se en anime" ("I think I'll watch an anime") and "Hvor mange anime'er har du nu?" ("How many animes do you have now?").
Synonyms
Anime is sometimes referred to as Japanimation, but this term has fallen into disuse. Japanimation saw the most usage during the 1970s and 1980s, which broadly comprise the first and second waves of anime fandom, and had continued use up until before the mid-1990s anime resurgence. In general, the term now only appears in nostalgic contexts. The term is much more commonly used within Japan to refer to domestic animation. Since anime or animēshon is used to describe all forms of animation, Japanimation is used to distinguish Japanese work from that of the rest of the world.
In more recent years, anime has also frequently been referred to as manga in European countries, a practice that may stem from the Japanese usage: In Japan, manga can refer to both animation and comics (although the use of manga to refer to animation is mostly restricted to non-fans). Among English speakers, manga usually has the stricter meaning of "Japanese comics". An alternate explanation is that it is due to the prominence of Manga Entertainment, a distributor of anime to the US and UK markets. Because Manga Entertainment originated in the UK the use of the term is common outside of Japan. The portmanteau "animanga" has been used to collectively refer to anime and manga, though it is also a term used to describe comics produced from animation cels.
Characteristics
Dragon Ball Z (1989) is a popular shōnen anime based on the original manga series which spanned 291 episodes and 13 movies.Anime features a wide variety of artistic styles. They vary from artist to artist or by studio to studio. They are generally characterized by detailed backgrounds and stylized characters in a variety of different settings and storylines, aimed at a wide range of audiences. It is usually coloured and designed to look as realistic as possible. Unlike Manga, which uses slightly exaggerated colours and designs. But, anime fantasy creatures, (e.g witches, spirits etc.) can have exaggerated facial and physical features. But, they will always be designed to look as realistic as possible, and bright colours would be rarely used unless needed to.
Genres
Anime has many genres typically found in any mass media form. Such genres include action, adventure, children's stories, comedy, drama, erotica (hentai), medieval fantasy, occult/horror, romance, and science fiction.
Most anime includes content from several different genres, as well as a variety of thematic elements. Thus, some series may be categorized under multiple genres. For example, Neon Genesis Evangelion might be considered to fall into the genres of post-apocalyptic, mecha, drama, and shonen-ai. A show may have a seemingly simple surface plot, but at the same time may feature a far more complex, deeper storyline and character development. It is not uncommon for an action themed anime to also involve humor, romance, and even social commentary. The same can be applied to a romance themed anime in that it may involve an action element, or in some cases brutal violence.
The following is a list of the major genres and designations that are specific to anime and manga.[8]
For other possible genres, see film genre.
Genres with Western Counterparts:
Action/Adventure: Anime that primarily focuses on martial arts, sword fighting, or other action oriented material. Examples: Ninja Scroll.
Horror: Anime or manga which contains darker themes or science-fictional characters. Examples: Vampire Hunter D series or Wicked City.
Progressive: "Art films" or extremely stylized anime. Examples: Voices of a Distant Star or Byōsoku 5 Centimetre.
Demographic Genres:
Shōjo: Japanese for 'young lady' or 'little girl'. Refers to anime or manga targeted at girls. Examples: Fruits Basket or Mermaid Melody Pichi Pichi Pitch.
Shōnen: Japanese for 'young boy'. Refers to anime or manga targeted at younger boys. Examples: Dragon Ball Z or Digimon.
Seinen: Japanese for 'young man'. Anime or manga targeted at teenage or young male adults. Examples: Oh My Goddess!, Outlaw Star or Cowboy Bebop.
Josei: Japanese for 'young woman'. Anime or manga that is aimed at young women. Examples: Gokusen.
Kodomo: Japanese for 'child'. Anime or manga that is aimed at young children. Examples: Doraemon, Hello Kitty, Keroppi, Pokémon or Panda-Z.
Thematic Genres
Bishōjo: Japanese for 'beautiful girl'. A blanket term that can be used to describe any anime that features pretty girl characters. Examples: Magic Knight Rayearth.
Bishōnen: Japanese for 'beautiful boy'. A blanket term that can be used to describe any anime that features "pretty" and elegant boys and men. Examples: Fushigi Yūgi or most CLAMP shows.
Sentai: Literally "fighting team" in Japanese. Refers to any show that involves a superhero team. Examples: Cyborg 009.
Robot/Mecha: Anime or manga featuring super robots. Examples: Mobile Suit Gundam or Mazinger Z.
Post-Apocalyptic: Anime dealing with a post-apocalyptic world. Examples: Neon Genesis Evangelion, Trigun, Akira, Wolf's Rain, or Nausicaä of the Valley of the Wind
Mahō shōjo: Subgenre of shōjo known for 'Magical Girl' stories. Examples: Sailor Moon.
Mahō shōnen: Male equivalent of Mahō Shōjo. Examples: D.N.Angel.
Moe: Anime or manga featuring characters that are extremely perky or cute. Examples: A Little Snow Fairy Sugar.
Expertise: Anime that deals with a specific topic in depth, such as Eyeshield 21 and football, Hikaru no Go and the game Go, Yakitate! Japan and bread-making, etc.
Romantic Genres
Harem: A genre where several girl characters are attracted to a single boy character (or sometimes to multiple boy characters). It is more often than not a Shonen Anime and may be considered a sub-genre. Examples: Ranma ½ or Love Hina.
Reverse Harem: As a Harem anime, but where several boy characters are attracted to a single girl character (or sometimes to multiple girl characters). It is more often than not a Shojo Anime and may be considered a sub-genre. Examples: Ouran Host Club or Fruits Basket.
Ecchi: Japanese for 'indecent sexuality', derived from the pronunciation of the letter 'H', (the origin of the term is not well known, even in Japan. See main article for more information.) Contains sexual humor, and some fan service. Examples: Love Hina, Oruchuban Ebichu or He Is My Master.
Hentai: Japanese for 'abnormal' or 'perverted'. While Western audiences may use the term to refer to pornographic anime or erotica, in Japan the term used to refer to the same material is typically Poruno or Ero. Examples: La Blue Girl or "Bible Black".
Shōjo-ai/Yuri: Japanese for 'girl-love'. Refers to anime or manga that focus on love and romance between female characters. It is often being replaced by the term "Girls Love" (GL). Yuri is like Shōjo-ai, but sometimes involves older characters or explicit sexual activity. Examples: Revolutionary Girl Utena or Kannazuki no Miko.
Shōnen-ai: Japanese for 'boy-love'. Refers to anime or manga that focus on love and romance between male characters. The term "Shōnen-ai" is being phased out in Japan due to its other meaning of pederasty, and is being replaced by the term "Boys Love" (BL). Examples: Loveless, Gravitation
Yaoi: Like "Shōnen-ai" but often involving older characters and explicit sexual activity. Examples: "Sensitive Pornograph"
Some anime titles are written for a very specific audience, even narrower than those described above. For example, Initial D, Wangan Midnight and éX-Driver concern street racing and car tuning. Ashita No Joe, Hajime no Ippo were about boxing. Hanaukyo Maid Team is based on the French maid fantasy.
Style
While different titles and different artists have their own artistic styles, many stylistic elements have become so common such that they are described as being definitive of anime in general. These elements have been given names of their own. The anime drawing style can be learned, particularly with the aid of books such as How to Draw Manga. Such books come complete with information and instructions on the styles used in anime.
A common approach is the large eyes style drawn on many anime and manga characters, credited to the influence of Osamu Tezuka, who was inspired by the exaggerated features of American cartoon characters such as Betty Boop and Mickey Mouse and from Disney's Bambi. Tezuka found that large eyes style allowed his characters to show emotions distinctly. Cultural anthropologist Matt Thorn argues that Japanese animators and audiences do not perceive such stylized eyes as inherently more or less foreign.[1] When Tezuka began drawing Ribbon no Kishi, the first manga specifically targeted at young girls, Tezuka further exaggerated the size of the characters' eyes. Indeed, through Ribbon no Kishi, Tezuka set a stylistic template that later shōjo artists tended to follow. Another variation of this style is "super deformed"; which usually feature huge eyes, an enlarged head, and small body.
Other stylistic elements are common as well; often in comedic anime, characters that are shocked or surprised will perform a "face fault", in which they display an extremely exaggerated expression. Angry characters may exhibit a "vein" or "stressmark" effect, where lines representing bulging veins will appear on their forehead. Angry women will sometimes summon a mallet from nowhere and strike someone with it, leading to the concept of Hammerspace and cartoon physics. Male characters will develop a bloody nose around their female love interests (typically to indicate arousal, based on an old wives' tale).[9] Embarrassed characters will invariably produce a massive sweat-drop, which has become one of the most widely recognized stereotype motifs of anime.
The degree of stylization varies from title to title. Some titles make extensive use of common stylization: FLCL, for example, is known for its wild, exaggerated stylization. In contrast, titles such as Only Yesterday, a film by Isao Takahata, take a much more realistic approach, and feature few stylistic exaggerations.
Distribution
Licensing
Main article: Anime licensing
Anime is available outside of Japan in localized form. Licensed anime is modified by distributors through dubbing into the language of the country. The anime may also be edited to alter cultural references that may not be understood by a non-Japanese person and certain companies may remove what may be perceived as objectionable content. This process was far more common in the past (e.g. One Piece), when anime was largely unheard of in the west, but its use has declined in recent years because of the demand for anime in its original form. This "light touch" approach to localization has proved popular with fans as well as viewers formerly unfamiliar with anime. The popularity of such methods is evident by the success of Naruto, Dragon Ball Z, and Cartoon Network's Adult Swim programming block, both of which employ minor edits. The "light touch" approach also applies to DVD releases as they often include both the dubbed audio and the original Japanese audio with subtitles, are typically unedited. Anime edited for television is usually released on DVD "uncut," with all scenes intact.
Anime has also been a commercial success in Asia, Europe and Latin America, where anime has become even more mainstream than in the United States. For example, the Saint Seiya video game was released in Europe due to the popularity of the show even years after the series has been off-air.
Fansubs
Main article: Fansub
Although it is a violation of copyright laws in many countries, some fans watch fansubs, recordings of anime series that have been subtitled by fans. Watching subtitled Japanese versions, though not necessarily downloaded fansubs, is seen by many enthusiasts as the preferred method of watching anime. The ethical implications of producing, distributing, or watching fansubs are topics of much controversy even when fansub groups do not profit from their activities and cease distribution of their work once the series has been licensed outside of Japan.
Television
TV networks regularly broadcast anime programming. Cable channels such as Cartoon Network, Disney, Sci-Fi, and others dedicate some of their time slots for anime. Then the Anime Network specifically shows anime. In Japan, major national TV networks broadcast anime regularly.
Anime beyond Japan
Early anime in the United States
The United States saw its first exposure to anime in June of 1961, when Shônen Sarutobi Sasuke (Magic Boy) was released by MGM, followed a few weeks later by Hakuja den (Panda and the Magic Serpent, or The Tale of the White Serpent). Anime then got its running jump in September of 1963, when NBC syndicated a dubbed version of the Japanese series Astro Boy. Not counting such Japanese/American co-productions as The King Kong Show and Johnny Cypher in Dimension Zero[1], only seven more anime TV series were released in the United States in the 1960s. These were 8 Man (1965), Gigantor (1966), Kimba the White Lion (1966), Prince Planet (1966), Marine Boy (1966), The Amazing 3 (1967) and Speed Racer (1967). Speed Racer would be the last anime series released in the United States until 1978 when the 1972 series Kagaku ninja tai Gatchaman was adapted for American audiences as Battle of the Planets.[10] Many anime series that made it to American television from the 1960s through the 1980s tended to be science fiction or action-oriented, such as Star Blazers (the English dub of Space Battleship Yamato) and Robotech and Voltron (both Americanized amalgamations of unrelated anime series cobbled together into a single story).
As the 1980s wore on, more anime series and films targeted at very young children also found their way to U.S. TV screens, often on cable television channels or in syndication. Nickelodeon broadcast many mostly Canadian-made English dubs of anime films during its early years, including TV series such as Mysterious Cities of Gold, Adventures of the Little Koala, Belle and Sebastian, The Adventures of the Little Prince, Noozles, Maya the Bee, Grimm's Fairy Tale Classics, and The Littl' Bits, many of which were aired on "Nick Jr.", the network's block of programming for very young viewers. The Disney Channel broadcast both of the feature-length anime films starring Osamu Tezuka's famous unicorn character Unico, and CBN redubbed and broadcast its Bible-based anime TV series co-produced with Tatsunoko, Superbook and The Flying House. HBO also showed juvenile-targeted anime on occasion, including TV series such as Tales of Little Women, The Adventures of Tom Sawyer, The Wonderful Wizard of Oz, and Saban's Adventures of Pinocchio and feature films such as Gisaburo Sugii's 1974 Jack and the Beanstalk.
A great many anime films and feature-length TV series compilations were also released direct-to-video in the U.S., and were often available for rental at mainstream video stores. Some titles which were distributed in the U.S. in this fashion included Candy Candy, Captain Future, Angel, Serendipity the Pink Dragon, Taro the Dragon Boy, Robby the Rascal (Cybot Robotchi), and Ninja the Wonder Boy (Manga Sarutobi Sasuke).
For the most part, though, these TV series and films were not actively promoted as being of Japanese origin; in fact, many of them went so far as to remove most or all Japanese names from the credits except for credits to the animation studios. In the series themselves, character names were often changed and Japanese cultural references removed to make them more accessible to English-speaking audiences, such as Genshi being changed to Flint in Space-Time Detective Genshi-kun. In the late 1990s and early 2000s, this trend began to change as more openly Japanese works, such as Sailor Moon, Gundam Wing, Pokémon, Dragon Ball Z, Digimon, and Yu-Gi-Oh! achieved mainstream popularity on American television. Although many of these shows did undergo some kind of "Americanization" in the form of character name changes and edits for violence, language, and the occasional nudity, viewers were more aware of the shows' country of origin, which might perhaps pique their curiosity to seek out other works in a similar style.
Current reception in the United States
AnimeNation's John Oppliger had this to say on the matter:
The support for anime among American anime fans is very strong. The availability of anime in America is truly impressive, especially within the anime fan community. Awareness of Japanese animation in America is at an all time high. However, mainstream acceptance of anime in America lags far behind the advances anime has made in other respects. A close examination of the support for anime on American television may provide a revealing and realistic gauge of the actual penetration of anime into America and American culture. Anime may seem like it's tremendously successful in America because its high profile, but the facts tell another story.
According to AC Nielsen, Pixar's The Incredibles sold 16 million copies on DVD in America last year. Shark Tale sold nearly 10 million copies. Even the DVD release of Bambi sold 6 million copies in 2005. In comparison, all four Inuyasha movies combined have sold just over 1 million copies in the past year and a half. Evidently, the success of anime in America is very relative. American anime fans are very devoted. Through underground means hardcore American fans now have access to brand new Japanese anime before even many Japanese residents do. America's anime fan community is influential because it's affluent, intelligent, and motivated; but it's not very large.[11]
Despite assessments like that, and its rare and limited release in American theaters, anime's legitimacy and respect in North America has grown well enough to garner major native artistic awards such as the Academy Award for Best Animated Feature in 2002 for Spirited Away by Hayao Miyazaki. Anime has a dedicated fan following in English speaking countries, particularly active on the internet, and at conventions regularly held throughout the US and UK.
Commercial appeal
Anime has become commercially profitable in western countries as early commercially successful western adaptations of anime, such as Astro Boy, have revealed.[12] The phenomenal success of Nintendo's multi-billion dollar Pokémon franchise[13] was helped greatly by the spin-off anime series that, first broadcast in the late 1990s, is still running worldwide to this day.
Influence on Western culture
Western Animation
Main article: Anime-influenced animation
Anime-influenced animation refers to non-Japanese works of animation that emulate the visual style of anime. Though most of these works are created by and primarily shown in the United States, many also involve production studios from Europe and non-Japanese Asia. These generally adapted anime stylizations and anime methods described in anime physics into their own. Such examples exist in Totally Spies!, The Boondocks, W.I.T.C.H. and Megas XLR. In addition, works such as Avatar: The Last Airbender features Asian themes. While these examples are not considered anime by the fanbase majority, they are best noted for being "influenced by anime".
Conventions
Main article: Anime convention
Fan-based conventions have long existed. Conventions for anime began to appear in the early 1990's, starting with Anime Expo, Animethon, Otakon, and JACON. Eventually, anime conventions are held annually in various cities across the United States, Canada, and Europe.
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7, 02:27, 2009-02-07 22:03:24 Description: A short video showing my first plasma speaker in action.
I'm using a NE555 in astable mode and an IRFP250N. Power supply is a scooter battery 12V @ ??A
The audio is so low because i was using the (More) A short video showing my first plasma speaker in action.
I'm using a NE555 in astable mode and an IRFP250N. Power supply is a scooter battery 12V @ ??A
The audio is so low because i was using the direct audio output from the iPod without any amplifier and the battery wasn't fully charge, soon i will make another video with a better quality sound (using the audio from my PC and the battery fully charge)... stay tuned!
Piccolo video che mostra il mio primo speaker al plasma in azione.
Uso un NE555 in configurazione astabile e un IRFP250N, l'alimentazione è data da una batteria da scoote a 12V @ ??A
L'audio è basso perchè ho usato l'uscita audio dell'iPod diretta senza alcun amplificatore e la batteria non era completamente carica. A breve farò un altro video con una migliore qualità audio usando il mio computer e la batteria completamente carica... state sintonizzati! (Less)
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73, 01:55, 2008-04-26 07:46:45 Description: The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were (More) The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were the first car to carry the CLK moniker.
The W209 is available in two body styles, a coupe and a cabriolet, and is manufactured with diesel and petrol engines ranging from four cylinder (CLK200) to eight cylinder (CLK500 and CLK63AMG). The cabriolet (Designated with an A, as in CLK500A) features a fully automatic retractable soft top covered by a metal tonneau that can be raised and lowered from outside the vehicle using the key fob.
A W209 CLK 63 AMG DTM "Black Series" was produced as a MY2006 in both a coupe and later cabriolet model. Styling cues were taken from the full race car version for the German Deutsche Tourenwagen Masters racing series. The car includes a wider body, carbon fiber accents, and upgraded suspension.
The CLK is designed to fill the mid-luxury market position for coupes and convertibles. It is Mercedes-Benz's only 4-seat cabriolet. Its direct competitors in the cabriolet market are the Volvo C70 and the Lexus SC430, although it is available with larger engines than any of its direct competitors. The CLK is positioned midway between the BMW 3 series coupe/cabriolet and the 6 series coupe/cabriolet.
The CLK is a superlative vehicle whose handling is exceptionally precise even under extreme cornering, road, and weather conditions, and whose performance is equal to the fastest readily available sports cars on the market. Performance is electronically limited to 135mph in the CLK350 and CLK500 models, and to 155mph in the CLK55 model. An AMG factory option is available for an unrestricted top speed.
The Electronic Stability Control (ESP) and Anti-lock braking system (ABS) are both excellent aids to handling, making such feats as a 90' degree turn on a typical two lane intersection from 50mph possible using simple hard braking and turning with no significant fishtailing. Although the ESP system can be manually turned off, it never actually allows the wheels to spin completely freely. For example, the ESP system makes drifting (intentional high-power fishtailing) impossible without shutting the ESP system off using a factory test protocol that end-users cannot enable.
Each model seats four and in the US this includes an all-leather interior with burl walnut trim. For Europe the models are available as "Elegance" or "Avantgarde" versions, basically Luxury or Sport specification where the Elegance uses Burr Walnut trim and polished alloy wheels the Avantgarde uses alloy trim and chunky wheels. The price and specification for European models is otherwise the same. The 4 cyl. cars wear 16" wheels While the CLK320, CLK350 and CLK500 come with 17 inch (432 mm) alloy wheels, the CLK55 AMG sports 18 inch (457 mm) wheels. The cabriolets have a remote-operated automatic soft-top and sensor-controlled roll bars. Since 2000, all US cars come standard with a Tele Aid emergency assistance system, automatic dual-zone air conditioning, 10-way power front seats and rain-sensing windshield wipers. Seven-channel digital surround sound comes standard. A Keyless Go system, navigation system, Parktronic system, and bi-xenon HID headlamps are all available as options. All models come with four side airbags.European cars differ considerably and are usually specced depending on the buyer's needs.
The cars have a manual sport/comfort mode switch that sets the transmission to start in 2nd gear and shift earlier in comfort mode. The new 7-speed transmission ads about 20% better fuel mileage in real driving conditions over the 5-speed with no loss in performance, although the additional shifting can be noticeable. In the CLK500, at 80mph, the 5-speed transmission runs at about 3000rpm, while the 7-speed runs at about 2200rpm. Both transmissions include automatic best gear finding so that the driver need not keep track of which gear the car is in during performance driving, and in the AMG model, the transmission can be set to stay in the highest possible gear for the best possible performance.
The 5-speed CLK500 gets an average of 15mpg in real city driving conditions, whereas the 7-speed CLK500 get an average of about 18mpg under the same conditions. Both add about 3mpg for highway driving.
The W209 CLK-Class is 2.4 inches (61 mm) longer, 0.7 inches (18 mm) wider and 1.1 inch (28 mm) higher than its predecessor.
In Europe there was also the CLK 200 K (1.8 R4), CLK 220 CDI (2.1 R4 diesel), CLK 240 (2.6 V6), CLK 270 CDI (2.7 R5 diesel), CLK 280 (3.0 V6), CLK 320 CDI (3.0 V6 diesel); (all standard with 6-speed manual transmission, automatic transmission is optional) 2004 Mercedes-Benz CLK55 AMG cabriolet 2004 Mercedes-Benz CLK55 AMG cabriolet. (Less)
Channel: youtubeTags: 760i A8 AMG Benz C63 CL65 E55 E63 M5 M6 Mercedes RS4 RS6 S211 S4 S55 S6 S63 S65 S8 SL55 SL65 SLR W12 W211
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60, 09:57, 2006-11-17 10:59:39 Description: The music in the circle is "Yakety Sax" from the Benny Hill Show. If you can't bother reading this, then don't bother asking about it because I'm fed up with answering!
(More) The music in the circle is "Yakety Sax" from the Benny Hill Show. If you can't bother reading this, then don't bother asking about it because I'm fed up with answering!
Watch this video in higher quality:
http://www.youtube.com/watch?v=qQV7um58KIs&fmt=18
Very high quality version available for downloading at FileFront:
http://tinyurl.com/yvukjd
Direct download link:
http://tinyurl.com/6e2bsb
Game: Need for Speed: Most Wanted
Platform: PC
Controller: Keyboard
Event: Challenge Series #40/69
Mission: Evade police after pursuit length of at least 10 minutes.
Heat level: 4 (5 after 10 minutes)
Car: Mercedes-Benz SLR McLaren
Car modifications: None (stock version)
Measurements: Metric (kilometers per hour)
Time: 12:37.13
Bounty: 1,245,000
Cheats or trainers: None
Recording program: Fraps
Editing program: Windows Movie Maker
Original video quality: XviD 320x240 1244kb/s 30fps
Original sound quality: MP3 128kb/s CBR 44100Hz
Songs:
#1 "The Black Eyed Peas - Pump It"
#2 "The Benny Hill Show - Yakety Sax"
#3 "Nightwish - Over the Hills and Far Away"
#4 "The Benny Hill Show - Yakety Sax"
#5 "Rammstein - Feuer Frei"
#6 "The Benny Hill Show - Yakety Sax"
#7 "Dr. Bombay - Calcutta (Taxi, Taxi, Taxi)"
#8 "Caater - Secret Place"
Description: This is my second Need for Speed: Most Wanted video. It shows how stupid the cops really are as most of the time they do absolutely nothing while I just drive around the same roundabout for 10 minutes just exiting it a few times to reduce the number of cops in pursuit with pursuit breakers. Thereafter is my succesful evasion which almost ended before it even started when I crashed and flipped my car. But the stupid cops did nothing so I got away quite easily. NO CHEATS, TRAINERS ETC. WERE USED. Just pure skill and luck.
Translations from L337 (Leet) to English and definitions of all abbreviations:
"wtf" = what the fuck
"pwn3d" = mispelling of owned
"owned" = Getting showed up/embarressed in a public event by someone/something; To be made a fool of; To make a fool of; To confound or prove wrong; embarrasing someone: Being embarrased.
"Rhino" = SUV cop car
"SUV" = Sport Utility Vehicle; Suburban Utility Vehicle; Suburban Vehicle
"P.I.T. maneuver" = Precision Immobilization Technique, Pursuit Intervention Technique, Parallel Immobilization Technique, or Precision Intervention Tactic in which one car pursuing another can force the pursued vehicle to abruptly turn sideways to the direction of travel, causing the driver to lose control and stop. (Less)
Channel: youtubeTags: Benny Black Challenge Cops Eyed For Heat Hill McLaren Most Need NFS Peas Pursuit Rammstein Series Speed Stupid Wanted
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20, 01:45, 2008-04-12 06:28:16 Description: The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were (More) The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were the first car to carry the CLK moniker.
The W209 is available in two body styles, a coupe and a cabriolet, and is manufactured with diesel and petrol engines ranging from four cylinder (CLK200) to eight cylinder (CLK500 and CLK63AMG). The cabriolet (Designated with an A, as in CLK500A) features a fully automatic retractable soft top covered by a metal tonneau that can be raised and lowered from outside the vehicle using the key fob.
A W209 CLK 63 AMG DTM "Black Series" was produced as a MY2006 in both a coupe and later cabriolet model. Styling cues were taken from the full race car version for the German Deutsche Tourenwagen Masters racing series. The car includes a wider body, carbon fiber accents, and upgraded suspension.
The CLK is designed to fill the mid-luxury market position for coupes and convertibles. It is Mercedes-Benz's only 4-seat cabriolet. Its direct competitors in the cabriolet market are the Volvo C70 and the Lexus SC430, although it is available with larger engines than any of its direct competitors. The CLK is positioned midway between the BMW 3 series coupe/cabriolet and the 6 series coupe/cabriolet.
The CLK is a superlative vehicle whose handling is exceptionally precise even under extreme cornering, road, and weather conditions, and whose performance is equal to the fastest readily available sports cars on the market. Performance is electronically limited to 135mph in the CLK350 and CLK500 models, and to 155mph in the CLK55 model. An AMG factory option is available for an unrestricted top speed.
The Electronic Stability Control (ESP) and Anti-lock braking system (ABS) are both excellent aids to handling, making such feats as a 90' degree turn on a typical two lane intersection from 50mph possible using simple hard braking and turning with no significant fishtailing. Although the ESP system can be manually turned off, it never actually allows the wheels to spin completely freely. For example, the ESP system makes drifting (intentional high-power fishtailing) impossible without shutting the ESP system off using a factory test protocol that end-users cannot enable.
Each model seats four and in the US this includes an all-leather interior with burl walnut trim. For Europe the models are available as "Elegance" or "Avantgarde" versions, basically Luxury or Sport specification where the Elegance uses Burr Walnut trim and polished alloy wheels the Avantgarde uses alloy trim and chunky wheels. The price and specification for European models is otherwise the same. The 4 cyl. cars wear 16" wheels While the CLK320, CLK350 and CLK500 come with 17 inch (432 mm) alloy wheels, the CLK55 AMG sports 18 inch (457 mm) wheels. The cabriolets have a remote-operated automatic soft-top and sensor-controlled roll bars. Since 2000, all US cars come standard with a Tele Aid emergency assistance system, automatic dual-zone air conditioning, 10-way power front seats and rain-sensing windshield wipers. Seven-channel digital surround sound comes standard. A Keyless Go system, navigation system, Parktronic system, and bi-xenon HID headlamps are all available as options. All models come with four side airbags.European cars differ considerably and are usually specced depending on the buyer's needs.
The cars have a manual sport/comfort mode switch that sets the transmission to start in 2nd gear and shift earlier in comfort mode. The new 7-speed transmission ads about 20% better fuel mileage in real driving conditions over the 5-speed with no loss in performance, although the additional shifting can be noticeable. In the CLK500, at 80mph, the 5-speed transmission runs at about 3000rpm, while the 7-speed runs at about 2200rpm. Both transmissions include automatic best gear finding so that the driver need not keep track of which gear the car is in during performance driving, and in the AMG model, the transmission can be set to stay in the highest possible gear for the best possible performance.
The 5-speed CLK500 gets an average of 15mpg in real city driving conditions, whereas the 7-speed CLK500 get an average of about 18mpg under the same conditions. Both add about 3mpg for highway driving.
The W209 CLK-Class is 2.4 inches (61 mm) longer, 0.7 inches (18 mm) wider and 1.1 inch (28 mm) higher than its predecessor.
In Europe there was also the CLK 200 K (1.8 R4), CLK 220 CDI (2.1 R4 diesel), CLK 240 (2.6 V6), CLK 270 CDI (2.7 R5 diesel), CLK 280 (3.0 V6), CLK 320 CDI (3.0 V6 diesel); (all standard with 6-speed manual transmission, automatic transmission is optional) 2004 Mercedes-Benz CLK55 AMG cabriolet 2004 Mercedes-Benz CLK55 AMG cabriolet. (Less)
Channel: youtubeTags: 760i A8 AMG Benz C63 CL65 E55 E63 M5 M6 Mercedes RS4 RS6 S211 S4 S55 S6 S63 S65 S8 SL55 SL65 SLR W12 W211
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7, 00:31, 2008-04-12 06:06:06 Description: The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were (More) The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were the first car to carry the CLK moniker.
The W209 is available in two body styles, a coupe and a cabriolet, and is manufactured with diesel and petrol engines ranging from four cylinder (CLK200) to eight cylinder (CLK500 and CLK63AMG). The cabriolet (Designated with an A, as in CLK500A) features a fully automatic retractable soft top covered by a metal tonneau that can be raised and lowered from outside the vehicle using the key fob.
A W209 CLK 63 AMG DTM "Black Series" was produced as a MY2006 in both a coupe and later cabriolet model. Styling cues were taken from the full race car version for the German Deutsche Tourenwagen Masters racing series. The car includes a wider body, carbon fiber accents, and upgraded suspension.
The CLK is designed to fill the mid-luxury market position for coupes and convertibles. It is Mercedes-Benz's only 4-seat cabriolet. Its direct competitors in the cabriolet market are the Volvo C70 and the Lexus SC430, although it is available with larger engines than any of its direct competitors. The CLK is positioned midway between the BMW 3 series coupe/cabriolet and the 6 series coupe/cabriolet.
The CLK is a superlative vehicle whose handling is exceptionally precise even under extreme cornering, road, and weather conditions, and whose performance is equal to the fastest readily available sports cars on the market. Performance is electronically limited to 135mph in the CLK350 and CLK500 models, and to 155mph in the CLK55 model. An AMG factory option is available for an unrestricted top speed.
The Electronic Stability Control (ESP) and Anti-lock braking system (ABS) are both excellent aids to handling, making such feats as a 90' degree turn on a typical two lane intersection from 50mph possible using simple hard braking and turning with no significant fishtailing. Although the ESP system can be manually turned off, it never actually allows the wheels to spin completely freely. For example, the ESP system makes drifting (intentional high-power fishtailing) impossible without shutting the ESP system off using a factory test protocol that end-users cannot enable.
Each model seats four and in the US this includes an all-leather interior with burl walnut trim. For Europe the models are available as "Elegance" or "Avantgarde" versions, basically Luxury or Sport specification where the Elegance uses Burr Walnut trim and polished alloy wheels the Avantgarde uses alloy trim and chunky wheels. The price and specification for European models is otherwise the same. The 4 cyl. cars wear 16" wheels While the CLK320, CLK350 and CLK500 come with 17 inch (432 mm) alloy wheels, the CLK55 AMG sports 18 inch (457 mm) wheels. The cabriolets have a remote-operated automatic soft-top and sensor-controlled roll bars. Since 2000, all US cars come standard with a Tele Aid emergency assistance system, automatic dual-zone air conditioning, 10-way power front seats and rain-sensing windshield wipers. Seven-channel digital surround sound comes standard. A Keyless Go system, navigation system, Parktronic system, and bi-xenon HID headlamps are all available as options. All models come with four side airbags.European cars differ considerably and are usually specced depending on the buyer's needs.
The cars have a manual sport/comfort mode switch that sets the transmission to start in 2nd gear and shift earlier in comfort mode. The new 7-speed transmission ads about 20% better fuel mileage in real driving conditions over the 5-speed with no loss in performance, although the additional shifting can be noticeable. In the CLK500, at 80mph, the 5-speed transmission runs at about 3000rpm, while the 7-speed runs at about 2200rpm. Both transmissions include automatic best gear finding so that the driver need not keep track of which gear the car is in during performance driving, and in the AMG model, the transmission can be set to stay in the highest possible gear for the best possible performance.
The 5-speed CLK500 gets an average of 15mpg in real city driving conditions, whereas the 7-speed CLK500 get an average of about 18mpg under the same conditions. Both add about 3mpg for highway driving.
The W209 CLK-Class is 2.4 inches (61 mm) longer, 0.7 inches (18 mm) wider and 1.1 inch (28 mm) higher than its predecessor.
In Europe there was also the CLK 200 K (1.8 R4), CLK 220 CDI (2.1 R4 diesel), CLK 240 (2.6 V6), CLK 270 CDI (2.7 R5 diesel), CLK 280 (3.0 V6), CLK 320 CDI (3.0 V6 diesel); (all standard with 6-speed manual transmission, automatic transmission is optional) 2004 Mercedes-Benz CLK55 AMG cabriolet 2004 Mercedes-Benz CLK55 AMG cabriolet. (Less)
Channel: youtubeTags: 760i A8 AMG Benz C63 CL65 E55 E63 M5 M6 Mercedes RS4 RS6 S211 S4 S55 S6 S63 S65 S8 SL55 SL65 SLR W12 W211
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165, 01:23, 2008-05-01 09:47:59 Description: AbbyTone Screwed Driver ,Addrock Not So Ol' Yeller,Addrock Ol' Yeller,Advance Tube Technology BoostCatDrive,Advance Tube Technology OverCatDrive,Alden SOD-1 Overdrive,Alden SOD-2 Super (More) AbbyTone Screwed Driver ,Addrock Not So Ol' Yeller,Addrock Ol' Yeller,Advance Tube Technology BoostCatDrive,Advance Tube Technology OverCatDrive,Alden SOD-1 Overdrive,Alden SOD-2 Super Overdrive,Allen Sole-Mate,Ampeg A-3 Over Drive,AMT FT Fatal Tube,AMT FTClone Fatal Tube Clone,Analog.Man King Of Tone,AnalogPro Jetdrive,,Aphek Peanut Butter Model T Overdrive,Aphek Sunday Driver,Aramat Green Machine,Aria AOD-1 Overdrive,Aria HR-1 Hard Rocker,Aria OD-1 Overdrive,Aria OD-10 Overdrive,Aria WD-1 Warp Driver,Arion SOD-1 Stereo Overdrive,Artec CDV-1 CoolDrive,Artec TWH-1 TwinHead,Asama Over Drive,Ashdown Bass Drive Plus,Audible Disease CN-1 Convulsion,Audiotech PD-1 Pro-verdrive, Austone Millenium Overdrive,Awenda Blue Brat,Awenda The Crunch,Awenda The Valve,Awenda Tube TronAXL TOD-9 Tube Overdrive,B&B 808 Overdrive,Bad Cat 2-Tone,Bad Cat X-Treme Tone,Banzai Cold Fusion Overdrive,Banzai Fireball II Dual Overdrive,Banzai Fireball Overdrive,Barber Burn Unit,Barber Burn Unit 2,Barber Burn Unit EQ,Barber Deep Fryer,Barber Direct Drive,Barber Direct Drive SS,Barber Edge Hog,Barber L.T.D,Barber Silver L.T.D,Barber Small Fry Burn Unit,Barber Tone Pump,Barber Tone Pump EQ,Barber Tone Pump II,Bartolini Tube-It,BBE Green Screamer,Behringer BO100 Blues Overdrive,Behringer BOD100 Bass Overdrive,Behringer OD100 Overdrive/Distortion,Behringer TO100 Tube Overdrive,Behringer TO800 Vintage Tube Overdrive,Belcat OVD-302 Overdrive,Beta Aivin BOD-1 Bass Overdrive,Beta Aivin OD-100 Overdrive,Big Tone Music Brewery Classic Overdrive+,Big Tone Music Brewery Parametric Overdrive,BJFE Baby Blue Overdrive,BJFE Honey Bee Overdrive,BJFE Little Green Wonder Overdrive,Blackbox Cobalt,Blackbox X-Ray,Blackbox X-Ray Bass,Blackstone MosFET Overdrive,Boot-Leg GHP-1.0 Gain Helper,Boot-Leg HZM-1.0 Hizumi,Boot-Leg HZM-1.2 Hizumi,Boot-Leg HZM-2.0 Hizumi Quattro Valvole,Boot-Leg JBK-1.0 Jaw Breaker,Boot-Leg RRP-1.0 Rock'n Roll Party,Boot-Leg RRP-2.0 Rock'n Roll Party,Boss BD-2 Blues Driver,Boss DB-5 Driver,Boss OD-1 OverDrive,Boss OD-2 Turbo OverDrive,Boss OD-20 Drive Zone,Boss OD-2r Turbo OverDrive,Boss OD-3 OverDrive,Boss ODB-3 Bass OverDrive,Boss OS-2 OverDrive/Distortion,Boss PW-2 Power Driver,Boss SD-1 Super OverDrive,boss SD-2 Dual OverDrive,Boston Over Drive,Boulevard BOD-10 Overdrive,Bros Over Drive,Bruce Bennett Music Labs Brown Sound,Brunetti Overtone,Brunetti Overtone 2,Build Your Own Clone Screamer Clone,Bumper Crop Studio General Driveoe satriani, seamoon funk machine, hand made, custom effects pedals,tube zipper, the zipper, bassballs, mini qtron,wahrer,Wirkungen,distorsion,pédalez,Les effets,vraie déviation,Effectuez,Effettui,'aggiramento vero,la distorsione,pedali,Efectúe,distorsión,,pedale,la verdadera desviación,zvex,z-vex,handmade stomp boxes,Machine,Fuzz Factory,Octane 3, ZACHARY VEX EFFECTS,Super Hard-On ,Doubleshot Distortion,Hot British Tube Distortion Pedal,Line 6 DM-4 Distortion Modeler Pedal,DigiTech XMM Metal Master Distortion Pedal,Maxon DS830 Distortion Master,Arion SMM-1 Metal Master,DigiTech XHR Hot Rod
Rock Distortion Pedal,Ampeg Scrambler, Apollo Fuzz,Boss Heavy Metal HM-2,Boss PD-1 Rocker Distortion Pedal,Boss Super Feedbacker & Distortion DF-2 , Custom Audio Electronics Freddy Fuzz ,Dallas Fuzz Face ,DeArmond Square Wave Distortion ,Electro Harmonix Graphic Fuzz,Foxx Tone Machine,Gretsch Contro Fuzz ,Guyatone TZ2 Fuzz,Hornby Skewes Zonk Machine,Ibanez DS10 Distortion Charger,Ibanez Fat Cat FC10,Ibanez SD9 Sonic Distortion,Ibanez Standard Fuzz,Ibanez Super Metal,Interfax Harmonic Percolator,Jen HF Modulator,Maestro Fuzz-Tone,Mica Fuzz,Mosrite Fuzz Rite,Pearl Distortion,Prescription Electronics Experience,Prescription Electronics Outbox,ProCo Rat,PROEL,Distortion,Rocktron Purple Haze,Roger Mayer Mongoose Fuzz,Roland Bee,Roland Funnycat,Ron Sound Hairpie,Ron Sound Stone Machine,Sam Ash Fuzz Box,Sam Ash Fuzzola,Schaller Fuzz,Tokai MetalDriver,Univox Unifuzz,Visual Sound Jekyll & Hyde,Wyllie Fuzz X,Wyllie Fuzzmite,Z.VEX Effects Machine,Z.VEX Effects Octane,Z.VEX Fuzz Factory,Tube Works
Real Tube Overdrive,Arion SOD-1 Stereo Overdrive,Boss SD-1 Super OverDrive,Yngwie J Malmsteen Signature,tibe distortion pedal,overdrive,mesa, vtwin,Mesa/Boogie V-1 Bottle Rocket Overdrive, Mesa/Boogie V-1 Bottle Rocket Overdrive,Mesa/Boogie V-1 ,soldano super charger gto, slo,The Button Tube Overdrive Pedal,tube factor,valvula distorção,Trimode, Hot British ,Plexitube, Headbone VT,Headbone SS,Cabbone,Headbone TS,Switchbone,Bassbone,Loopbone,PZ-Pre pedals,radial engineering,super charger gto pedal,το πεντάλι της διαστρέβλωσης, overdrive, επίδραση, διαστρέβλωση σωλήνων, συνήθεια, κιθάρα, βαρύς, επίδειξη κατασκευής, δοκιμή, επίδειξη, επηρεάζει τα πεντάλια,Radial Tonebone Plexitube Tube Distortion Pedal.prueba,MT2 Metal Zone boss,Boss BD2 Blues Driver ,Electro-Harmonix Metal Muff big,Tube Overdrive Pedal,Ibanez TK999HT Tube King Pedal,Tonebone Classic Tube Distortion Pedal,Damage Control Liquid Blues,Hughes and Kettner Tube Factor , (Less)
Channel: youtubeTags: boogie demonizer distortion dr drive dual duncan framus mesa rectifier seymour tube twin vtwin womanizer
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57, 01:36, 2008-05-21 09:43:54 Description: AbbyTone Screwed Driver ,Addrock Not So Ol' Yeller,Addrock Ol' Yeller,Advance Tube Technology BoostCatDrive,Advance Tube Technology OverCatDrive,Alden SOD-1 Overdrive,Alden SOD-2 Super (More) AbbyTone Screwed Driver ,Addrock Not So Ol' Yeller,Addrock Ol' Yeller,Advance Tube Technology BoostCatDrive,Advance Tube Technology OverCatDrive,Alden SOD-1 Overdrive,Alden SOD-2 Super Overdrive,Allen Sole-Mate,Ampeg A-3 Over Drive,AMT FT Fatal Tube,AMT FTClone Fatal Tube Clone,Analog.Man King Of Tone,AnalogPro Jetdrive,,Aphek Peanut Butter Model T Overdrive,Aphek Sunday Driver,Aramat Green Machine,Aria AOD-1 Overdrive,Aria HR-1 Hard Rocker,Aria OD-1 Overdrive,Aria OD-10 Overdrive,Aria WD-1 Warp Driver,Arion SOD-1 Stereo Overdrive,Artec CDV-1 CoolDrive,Artec TWH-1 TwinHead,Asama Over Drive,Ashdown Bass Drive Plus,Audible Disease CN-1 Convulsion,Audiotech PD-1 Pro-verdrive, Austone Millenium Overdrive,Awenda Blue Brat,Awenda The Crunch,Awenda The Valve,Awenda Tube TronAXL TOD-9 Tube Overdrive,B&B 808 Overdrive,Bad Cat 2-Tone,Bad Cat X-Treme Tone,Banzai Cold Fusion Overdrive,Banzai Fireball II Dual Overdrive,Banzai Fireball Overdrive,Barber Burn Unit,Barber Burn Unit 2,Barber Burn Unit EQ,Barber Deep Fryer,Barber Direct Drive,Barber Direct Drive SS,Barber Edge Hog,Barber L.T.D,Barber Silver L.T.D,Barber Small Fry Burn Unit,Barber Tone Pump,Barber Tone Pump EQ,Barber Tone Pump II,Bartolini Tube-It,BBE Green Screamer,Behringer BO100 Blues Overdrive,Behringer BOD100 Bass Overdrive,Behringer OD100 Overdrive/Distortion,Behringer TO100 Tube Overdrive,Behringer TO800 Vintage Tube Overdrive,Belcat OVD-302 Overdrive,Beta Aivin BOD-1 Bass Overdrive,Beta Aivin OD-100 Overdrive,Big Tone Music Brewery Classic Overdrive+,Big Tone Music Brewery Parametric Overdrive,BJFE Baby Blue Overdrive,BJFE Honey Bee Overdrive,BJFE Little Green Wonder Overdrive,Blackbox Cobalt,Blackbox X-Ray,Blackbox X-Ray Bass,Blackstone MosFET Overdrive,Boot-Leg GHP-1.0 Gain Helper,Boot-Leg HZM-1.0 Hizumi,Boot-Leg HZM-1.2 Hizumi,Boot-Leg HZM-2.0 Hizumi Quattro Valvole,Boot-Leg JBK-1.0 Jaw Breaker,Boot-Leg RRP-1.0 Rock'n Roll Party,Boot-Leg RRP-2.0 Rock'n Roll Party,Boss BD-2 Blues Driver,Boss DB-5 Driver,Boss OD-1 OverDrive,Boss OD-2 Turbo OverDrive,Boss OD-20 Drive Zone,Boss OD-2r Turbo OverDrive,Boss OD-3 OverDrive,Boss ODB-3 Bass OverDrive,Boss OS-2 OverDrive/Distortion,Boss PW-2 Power Driver,Boss SD-1 Super OverDrive,boss SD-2 Dual OverDrive,Boston Over Drive,Boulevard BOD-10 Overdrive,Bros Over Drive,Bruce Bennett Music Labs Brown Sound,Brunetti Overtone,Brunetti Overtone 2,Build Your Own Clone Screamer Clone,Bumper Crop Studio General Driveoe satriani, seamoon funk machine, hand made, custom effects pedals,tube zipper, the zipper, bassballs, mini qtron,wahrer,Wirkungen,distorsion,pédalez,Les effets,vraie déviation,Effectuez,Effettui,'aggiramento vero,la distorsione,pedali,Efectúe,distorsión,,pedale,la verdadera desviación,zvex,z-vex,handmade stomp boxes,Machine,Fuzz Factory,Octane 3, ZACHARY VEX EFFECTS,Super Hard-On ,Doubleshot Distortion,Hot British Tube Distortion Pedal,Line 6 DM-4 Distortion Modeler Pedal,DigiTech XMM Metal Master Distortion Pedal,Maxon DS830 Distortion Master,Arion SMM-1 Metal Master,DigiTech XHR Hot Rod
Rock Distortion Pedal,Ampeg Scrambler, Apollo Fuzz,Boss Heavy Metal HM-2,Boss PD-1 Rocker Distortion Pedal,Boss Super Feedbacker & Distortion DF-2 , Custom Audio Electronics Freddy Fuzz ,Dallas Fuzz Face ,DeArmond Square Wave Distortion ,Electro Harmonix Graphic Fuzz,Foxx Tone Machine,Gretsch Contro Fuzz ,Guyatone TZ2 Fuzz,Hornby Skewes Zonk Machine,Ibanez DS10 Distortion Charger,Ibanez Fat Cat FC10,Ibanez SD9 Sonic Distortion,Ibanez Standard Fuzz,Ibanez Super Metal,Interfax Harmonic Percolator,Jen HF Modulator,Maestro Fuzz-Tone,Mica Fuzz,Mosrite Fuzz Rite,Pearl Distortion,Prescription Electronics Experience,Prescription Electronics Outbox,ProCo Rat,PROEL,Distortion,Rocktron Purple Haze,Roger Mayer Mongoose Fuzz,Roland Bee,Roland Funnycat,Ron Sound Hairpie,Ron Sound Stone Machine,Sam Ash Fuzz Box,Sam Ash Fuzzola,Schaller Fuzz,Tokai MetalDriver,Univox Unifuzz,Visual Sound Jekyll & Hyde,Wyllie Fuzz X,Wyllie Fuzzmite,Z.VEX Effects Machine,Z.VEX Effects Octane,Z.VEX Fuzz Factory,Tube Works
Real Tube Overdrive,Arion SOD-1 Stereo Overdrive,Boss SD-1 Super OverDrive,Yngwie J Malmsteen Signature,tibe distortion pedal,overdrive,mesa, vtwin,Mesa/Boogie V-1 Bottle Rocket Overdrive, Mesa/Boogie V-1 Bottle Rocket Overdrive,Mesa/Boogie V-1 ,soldano super charger gto, slo,The Button Tube Overdrive Pedal,tube factor,valvula distorção,Trimode, Hot British ,Plexitube, Headbone VT,Headbone SS,Cabbone,Headbone TS,Switchbone,Bassbone,Loopbone,PZ-Pre pedals,radial engineering,super charger gto pedal,το πεντάλι της διαστρέβλωσης, overdrive, επίδραση, διαστρέβλωση σωλήνων, συνήθεια, κιθάρα, βαρύς, επίδειξη κατασκευής, δοκιμή, επίδειξη, επηρεάζει τα πεντάλια,Radial Tonebone Plexitube Tube Distortion Pedal.prueba,MT2 Metal Zone boss,Boss BD2 Blues Driver ,Electro-Harmonix Metal Muff big,Tube Overdrive Pedal,Ibanez TK999HT Tube King Pedal,Tonebone Classic Tube Distortion Pedal,Damage Control Liquid Blues,Hughes and Kettner Tube Factor , (Less)
Channel: youtubeTags: boogie demonizer distortion dr drive dual duncan framus mesa rectifier seymour tube twin vtwin womanizer
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24, 02:07, 2008-04-12 02:19:20 Description: The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were (More) The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were the first car to carry the CLK moniker.
The W209 is available in two body styles, a coupe and a cabriolet, and is manufactured with diesel and petrol engines ranging from four cylinder (CLK200) to eight cylinder (CLK500 and CLK63AMG). The cabriolet (Designated with an A, as in CLK500A) features a fully automatic retractable soft top covered by a metal tonneau that can be raised and lowered from outside the vehicle using the key fob.
A W209 CLK 63 AMG DTM "Black Series" was produced as a MY2006 in both a coupe and later cabriolet model. Styling cues were taken from the full race car version for the German Deutsche Tourenwagen Masters racing series. The car includes a wider body, carbon fiber accents, and upgraded suspension.
The CLK is designed to fill the mid-luxury market position for coupes and convertibles. It is Mercedes-Benz's only 4-seat cabriolet. Its direct competitors in the cabriolet market are the Volvo C70 and the Lexus SC430, although it is available with larger engines than any of its direct competitors. The CLK is positioned midway between the BMW 3 series coupe/cabriolet and the 6 series coupe/cabriolet.
The CLK is a superlative vehicle whose handling is exceptionally precise even under extreme cornering, road, and weather conditions, and whose performance is equal to the fastest readily available sports cars on the market. Performance is electronically limited to 135mph in the CLK350 and CLK500 models, and to 155mph in the CLK55 model. An AMG factory option is available for an unrestricted top speed.
The Electronic Stability Control (ESP) and Anti-lock braking system (ABS) are both excellent aids to handling, making such feats as a 90' degree turn on a typical two lane intersection from 50mph possible using simple hard braking and turning with no significant fishtailing. Although the ESP system can be manually turned off, it never actually allows the wheels to spin completely freely. For example, the ESP system makes drifting (intentional high-power fishtailing) impossible without shutting the ESP system off using a factory test protocol that end-users cannot enable.
Each model seats four and in the US this includes an all-leather interior with burl walnut trim. For Europe the models are available as "Elegance" or "Avantgarde" versions, basically Luxury or Sport specification where the Elegance uses Burr Walnut trim and polished alloy wheels the Avantgarde uses alloy trim and chunky wheels. The price and specification for European models is otherwise the same. The 4 cyl. cars wear 16" wheels While the CLK320, CLK350 and CLK500 come with 17 inch (432 mm) alloy wheels, the CLK55 AMG sports 18 inch (457 mm) wheels. The cabriolets have a remote-operated automatic soft-top and sensor-controlled roll bars. Since 2000, all US cars come standard with a Tele Aid emergency assistance system, automatic dual-zone air conditioning, 10-way power front seats and rain-sensing windshield wipers. Seven-channel digital surround sound comes standard. A Keyless Go system, navigation system, Parktronic system, and bi-xenon HID headlamps are all available as options. All models come with four side airbags.European cars differ considerably and are usually specced depending on the buyer's needs.
The cars have a manual sport/comfort mode switch that sets the transmission to start in 2nd gear and shift earlier in comfort mode. The new 7-speed transmission ads about 20% better fuel mileage in real driving conditions over the 5-speed with no loss in performance, although the additional shifting can be noticeable. In the CLK500, at 80mph, the 5-speed transmission runs at about 3000rpm, while the 7-speed runs at about 2200rpm. Both transmissions include automatic best gear finding so that the driver need not keep track of which gear the car is in during performance driving, and in the AMG model, the transmission can be set to stay in the highest possible gear for the best possible performance.
The 5-speed CLK500 gets an average of 15mpg in real city driving conditions, whereas the 7-speed CLK500 get an average of about 18mpg under the same conditions. Both add about 3mpg for highway driving.
The W209 CLK-Class is 2.4 inches (61 mm) longer, 0.7 inches (18 mm) wider and 1.1 inch (28 mm) higher than its predecessor.
In Europe there was also the CLK 200 K (1.8 R4), CLK 220 CDI (2.1 R4 diesel), CLK 240 (2.6 V6), CLK 270 CDI (2.7 R5 diesel), CLK 280 (3.0 V6), CLK 320 CDI (3.0 V6 diesel); (all standard with 6-speed manual transmission, automatic transmission is optional) 2004 Mercedes-Benz CLK55 AMG cabriolet 2004 Mercedes-Benz CLK55 AMG cabriolet. (Less)
Channel: youtubeTags: 760i A8 AMG Benz C63 CL65 E55 E63 M5 M6 Mercedes RS4 RS6 S211 S4 S55 S6 S63 S65 S8 SL55 SL65 SLR W12 W211
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13, 07:18, 2008-04-12 01:54:33 Description: The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were (More) The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were the first car to carry the CLK moniker.
The W209 is available in two body styles, a coupe and a cabriolet, and is manufactured with diesel and petrol engines ranging from four cylinder (CLK200) to eight cylinder (CLK500 and CLK63AMG). The cabriolet (Designated with an A, as in CLK500A) features a fully automatic retractable soft top covered by a metal tonneau that can be raised and lowered from outside the vehicle using the key fob.
A W209 CLK 63 AMG DTM "Black Series" was produced as a MY2006 in both a coupe and later cabriolet model. Styling cues were taken from the full race car version for the German Deutsche Tourenwagen Masters racing series. The car includes a wider body, carbon fiber accents, and upgraded suspension.
The CLK is designed to fill the mid-luxury market position for coupes and convertibles. It is Mercedes-Benz's only 4-seat cabriolet. Its direct competitors in the cabriolet market are the Volvo C70 and the Lexus SC430, although it is available with larger engines than any of its direct competitors. The CLK is positioned midway between the BMW 3 series coupe/cabriolet and the 6 series coupe/cabriolet.
The CLK is a superlative vehicle whose handling is exceptionally precise even under extreme cornering, road, and weather conditions, and whose performance is equal to the fastest readily available sports cars on the market. Performance is electronically limited to 135mph in the CLK350 and CLK500 models, and to 155mph in the CLK55 model. An AMG factory option is available for an unrestricted top speed.
The Electronic Stability Control (ESP) and Anti-lock braking system (ABS) are both excellent aids to handling, making such feats as a 90' degree turn on a typical two lane intersection from 50mph possible using simple hard braking and turning with no significant fishtailing. Although the ESP system can be manually turned off, it never actually allows the wheels to spin completely freely. For example, the ESP system makes drifting (intentional high-power fishtailing) impossible without shutting the ESP system off using a factory test protocol that end-users cannot enable.
Each model seats four and in the US this includes an all-leather interior with burl walnut trim. For Europe the models are available as "Elegance" or "Avantgarde" versions, basically Luxury or Sport specification where the Elegance uses Burr Walnut trim and polished alloy wheels the Avantgarde uses alloy trim and chunky wheels. The price and specification for European models is otherwise the same. The 4 cyl. cars wear 16" wheels While the CLK320, CLK350 and CLK500 come with 17 inch (432 mm) alloy wheels, the CLK55 AMG sports 18 inch (457 mm) wheels. The cabriolets have a remote-operated automatic soft-top and sensor-controlled roll bars. Since 2000, all US cars come standard with a Tele Aid emergency assistance system, automatic dual-zone air conditioning, 10-way power front seats and rain-sensing windshield wipers. Seven-channel digital surround sound comes standard. A Keyless Go system, navigation system, Parktronic system, and bi-xenon HID headlamps are all available as options. All models come with four side airbags.European cars differ considerably and are usually specced depending on the buyer's needs.
The cars have a manual sport/comfort mode switch that sets the transmission to start in 2nd gear and shift earlier in comfort mode. The new 7-speed transmission ads about 20% better fuel mileage in real driving conditions over the 5-speed with no loss in performance, although the additional shifting can be noticeable. In the CLK500, at 80mph, the 5-speed transmission runs at about 3000rpm, while the 7-speed runs at about 2200rpm. Both transmissions include automatic best gear finding so that the driver need not keep track of which gear the car is in during performance driving, and in the AMG model, the transmission can be set to stay in the highest possible gear for the best possible performance.
The 5-speed CLK500 gets an average of 15mpg in real city driving conditions, whereas the 7-speed CLK500 get an average of about 18mpg under the same conditions. Both add about 3mpg for highway driving.
The W209 CLK-Class is 2.4 inches (61 mm) longer, 0.7 inches (18 mm) wider and 1.1 inch (28 mm) higher than its predecessor.
In Europe there was also the CLK 200 K (1.8 R4), CLK 220 CDI (2.1 R4 diesel), CLK 240 (2.6 V6), CLK 270 CDI (2.7 R5 diesel), CLK 280 (3.0 V6), CLK 320 CDI (3.0 V6 diesel); (all standard with 6-speed manual transmission, automatic transmission is optional) 2004 Mercedes-Benz CLK55 AMG cabriolet 2004 Mercedes-Benz CLK55 AMG cabriolet. (Less)
Channel: youtubeTags: 760i A8 AMG Benz C63 CL65 E55 E63 M5 M6 Mercedes RS4 RS6 S211 S4 S55 S6 S63 S65 S8 SL55 SL65 SLR W12 W211
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26, 00:58, 2008-04-11 13:30:39 Description: The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were (More) The Mercedes-Benz W209 cars have been produced since 2002. They are sold under the CLK-Class model names. The W209 is based on the W203 C-Class. It replaced the C208 CLK-Class after 2004 which were the first car to carry the CLK moniker.
The W209 is available in two body styles, a coupe and a cabriolet, and is manufactured with diesel and petrol engines ranging from four cylinder (CLK200) to eight cylinder (CLK500 and CLK63AMG). The cabriolet (Designated with an A, as in CLK500A) features a fully automatic retractable soft top covered by a metal tonneau that can be raised and lowered from outside the vehicle using the key fob.
A W209 CLK 63 AMG DTM "Black Series" was produced as a MY2006 in both a coupe and later cabriolet model. Styling cues were taken from the full race car version for the German Deutsche Tourenwagen Masters racing series. The car includes a wider body, carbon fiber accents, and upgraded suspension.
The CLK is designed to fill the mid-luxury market position for coupes and convertibles. It is Mercedes-Benz's only 4-seat cabriolet. Its direct competitors in the cabriolet market are the Volvo C70 and the Lexus SC430, although it is available with larger engines than any of its direct competitors. The CLK is positioned midway between the BMW 3 series coupe/cabriolet and the 6 series coupe/cabriolet.
The CLK is a superlative vehicle whose handling is exceptionally precise even under extreme cornering, road, and weather conditions, and whose performance is equal to the fastest readily available sports cars on the market. Performance is electronically limited to 135mph in the CLK350 and CLK500 models, and to 155mph in the CLK55 model. An AMG factory option is available for an unrestricted top speed.
The Electronic Stability Control (ESP) and Anti-lock braking system (ABS) are both excellent aids to handling, making such feats as a 90' degree turn on a typical two lane intersection from 50mph possible using simple hard braking and turning with no significant fishtailing. Although the ESP system can be manually turned off, it never actually allows the wheels to spin completely freely. For example, the ESP system makes drifting (intentional high-power fishtailing) impossible without shutting the ESP system off using a factory test protocol that end-users cannot enable.
Each model seats four and in the US this includes an all-leather interior with burl walnut trim. For Europe the models are available as "Elegance" or "Avantgarde" versions, basically Luxury or Sport specification where the Elegance uses Burr Walnut trim and polished alloy wheels the Avantgarde uses alloy trim and chunky wheels. The price and specification for European models is otherwise the same. The 4 cyl. cars wear 16" wheels While the CLK320, CLK350 and CLK500 come with 17 inch (432 mm) alloy wheels, the CLK55 AMG sports 18 inch (457 mm) wheels. The cabriolets have a remote-operated automatic soft-top and sensor-controlled roll bars. Since 2000, all US cars come standard with a Tele Aid emergency assistance system, automatic dual-zone air conditioning, 10-way power front seats and rain-sensing windshield wipers. Seven-channel digital surround sound comes standard. A Keyless Go system, navigation system, Parktronic system, and bi-xenon HID headlamps are all available as options. All models come with four side airbags.European cars differ considerably and are usually specced depending on the buyer's needs.
The cars have a manual sport/comfort mode switch that sets the transmission to start in 2nd gear and shift earlier in comfort mode. The new 7-speed transmission ads about 20% better fuel mileage in real driving conditions over the 5-speed with no loss in performance, although the additional shifting can be noticeable. In the CLK500, at 80mph, the 5-speed transmission runs at about 3000rpm, while the 7-speed runs at about 2200rpm. Both transmissions include automatic best gear finding so that the driver need not keep track of which gear the car is in during performance driving, and in the AMG model, the transmission can be set to stay in the highest possible gear for the best possible performance.
The 5-speed CLK500 gets an average of 15mpg in real city driving conditions, whereas the 7-speed CLK500 get an average of about 18mpg under the same conditions. Both add about 3mpg for highway driving.
The W209 CLK-Class is 2.4 inches (61 mm) longer, 0.7 inches (18 mm) wider and 1.1 inch (28 mm) higher than its predecessor.
In Europe there was also the CLK 200 K (1.8 R4), CLK 220 CDI (2.1 R4 diesel), CLK 240 (2.6 V6), CLK 270 CDI (2.7 R5 diesel), CLK 280 (3.0 V6), CLK 320 CDI (3.0 V6 diesel); (all standard with 6-speed manual transmission, automatic transmission is optional) 2004 Mercedes-Benz CLK55 AMG cabriolet 2004 Mercedes-Benz CLK55 AMG cabriolet (Less)
Channel: youtubeTags: 760i A8 AMG Benz C63 CL65 E55 E63 M5 M6 Mercedes RS4 RS6 S211 S4 S55 S6 S63 S65 S8 SL55 SL65 SLR W12 W211
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11, 03:07, 2008-02-04 08:16:41 Description: London to Hull in 3 minutes. A straight remake of the classic London-Brighton film but transferred a few hundred miles north to promote the new direct services offered by Hull Trains. The addition of (More) London to Hull in 3 minutes. A straight remake of the classic London-Brighton film but transferred a few hundred miles north to promote the new direct services offered by Hull Trains. The addition of sound effects and a journey "status bar" mean that the viewer can enjoy a driver's eye view. (Less)
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