Search results for delta white solo
1,
05:09,
2009-02-02 11:59:45 Description: Unfallen - Live 2009.01.31 @ Quebec, L'Agitée - Intro & Delta 9 THC
Channel: youtubeTags: aftermath and approached beat beneath blast blastbeat burned by chapel charlevoix chicoutimi clermont death deathcore despised diseased dissonance drum god gravity hard hardcore heartless hot icon ion jonquiere la live malbaie massacre math mathcore metal montreal nu productions quebec rest section seventh solo speed the to tought tour trs trurockstar unfallen white
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8,
09:28,
2007-10-31 07:43:17 Description: Garrick in a performance/interview with Kathleen Lawton on her "Crazy 'Bout The Blues" show on KCSM radio. The video begins with hearing Blues originator Son House singing "John (More) Garrick in a performance/interview with Kathleen Lawton on her "Crazy 'Bout The Blues" show on KCSM radio. The video begins with hearing Blues originator Son House singing "John The Revelator" in the background. GD was asked to bring in songs to play on the air by artists that inspired his career. Other artists chosen for the broadcast were Hendrix, Bukka White, Muddy Waters and the Rolling Stones. (Less)
Channel: youtubeTags: acoustic blues davis delta garrick garrickdavis guitar in interview johnson kcsm live love radio robert solo vain vocal
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29,
02:59,
2008-04-17 15:12:50 Description: Big Walter Horton or Walter "Shakey" Horton (April 6, 1917 December 8, 1981) was an American blues harmonica player. Born Walter Horton in Horn Lake, Mississippi, he was playing a harmonica (More) Big Walter Horton or Walter "Shakey" Horton (April 6, 1917 December 8, 1981) was an American blues harmonica player. Born Walter Horton in Horn Lake, Mississippi, he was playing a harmonica by the time he was five years old. In his early teens, he lived in Memphis, Tennessee and claimed that his earliest recordings were done there in the late 1920s with the Memphis Jug Band, although there is no documentation, and many have since disputed this claim. (He also claimed to have taught some harmonica to Little Walter and the original Sonny Boy Williamson, although these claims are unsubstantiated, and in the case of the older Williamson, somewhat suspect.) As with many of his peers, he spent much of his career existing on a meagre income and living with constant discrimination in a segregated America. In the 1930s he played with various blues performers across the Mississippi delta region. It's generally accepted that his first recordings were made in Memphis, backing guitarist Little Buddy Doyle on recordings for the Okeh and Vocalion Records labels, in 1939. These recordings were in the acoustic duo format popularized by Sleepy John Estes with his harmonicist Hammie Nixon, among others. On these recordings, Walter's style is not yet fully realized, but there are clear hints of what is to come. He eventually stopped playing the harp for a living due to poor health, and worked mainly outside of music in the 1940s. By the early 1950s, he was playing music again, and was among the first to record for Sam Phillips at Sun Records in Memphis, who would later record rock and roll superstars Elvis Presley, Carl Perkins, and country giant Johnny Cash. The early Big Walter recordings from Sun include performances from a young Phineas Newborn on piano, who later gained fame as a jazz pianist. During the early 1950s he first appeared on the Chicago blues scene, where he frequently played with fellow Memphis and Delta musicians who had also moved north, including guitarists Eddie Taylor and Johnny Shines. When Junior Wells left the Muddy Waters band at the end of 1952, Horton replaced him in Muddy's band long enough to play on one session with Muddy in January of 1953. Big Walter's style had by then fully matured, and he was playing in the heavily amplified style that became one of the trademarks of the Chicago blues sound. His harmonica playing is characterized by a deep, rich tone, and precise articulation, using the full register of the harp and utilizing the higher notes of the harp with great dexterity. His tone was consistently deeper or 'heavier' than Little Walter's, but with phrasing that was more in keeping with the Memphis traditions, and less adventurous and improvisational than the jazzier explorations employed by his chief harmonica rival Little Walter. He also made great use of techniques such as tongue-blocking. Many blues harmonica aficionados consider Horton's solo on Jimmy Rogers' 1956 Chess recording "Walking By Myself" to be his greatest moment, and a high point of post-war Chicago blues. Also known as "Mumbles", and "Shakey" because of his head motion while playing the harmonica, Horton was active on the Chicago blues scene during the 1960s as blues music gained popularity with white audiences. From the early 1960s onward, he recorded and appeared frequently as a sideman with Eddie Taylor, Johnny Shines, Johnny Young, Sunnyland Slim, Willie Dixon and many others. He toured extensively, usually as a backing musician, and in the 1970s he performed at blues and folk festivals in the U.S. and Europe, frequently with Willie Dixon's Chicago Blues All-Stars. He has also appeared as a guest on recordings by blues and rock stars such as Fleetwood Mac and Johnny Winter. In the late 1970's he toured the country with Homesick James Williamson, Richard Molina, Bradley Pierce Smith and Paul Nebenzahl, and appeared on National Public Radio broadcasts. His musical output was somewhat inconsistent over the course of his career, unpredictably wavering between brilliant and workmanlike, and much of his best work was done as a sideman. Some of the best compilations of his own work are Mouth-Harp Maestro and Fine Cuts. Also notable is the low-key but excellent Big Walter Horton and Carey Bell album released by Alligator Records in 1972. A quiet, unassuming man,[citation needed] Horton is remembered as one of the most gifted harmonica players in the history of blues music. He died in Chicago in 1981, and was buried in the Restvale Cemetery in Alsip, Illinois. (Less)
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22,
02:37,
2008-04-21 16:23:30 Description: http://www.youtunerecords.com/daddystovepipe.html Click on the link and find out about my new cd. "Blues and Gospel from the 78rpm Era" daddystovepipe - Youtune Records For those who (More) http://www.youtunerecords.com/daddystovepipe.html Click on the link and find out about my new cd. "Blues and Gospel from the 78rpm Era" daddystovepipe - Youtune Records For those who wish to download it here's the info of the liner notes. 1. Big Road Blues Gibson 12 string LG12 1969 Key : dropped D tuned down 1 step I reworked this Tommy Johnson song; compared to the one on Youtube it's longer, has more solo's and slightly different vocal approach and lyrics. 2. Kate Allen Stella Concert 1930ies Key : open A I also reworked this traditional in Mance Lipscomb's slide style; it's already on youtube under the title "Joe Turner Killed a Man". Since I dropped the verse about Joe Turner I retitled it as "Kate Allen", a Mississippi riverboat. 3. Leavin' Blues Gréven L-00v (copy of a L-00 Gibson 1934) Key : open D A slide original inspired by Crying Sam Collins and a bunch of others. 4. Needed Time Supertone 1930ies Key : E position capo I This version of a Gospel traditional in Lightning Hopkins style is longer and slower than the one on Youtube. 5. Georgia Blues Supertone 1930ies Key : C postition capo I One of Blind Blake's bouncy raggy tunes. 6. Whiskey Moan Delta Resonator Key : open G I nicked the lyrics of a Clifford Gibson song and put them on a slide arrangement. 7. Risin' River Blues Gibson 12 string LG12 1969 Key : E tuned 1 step down George Carter recorded this song in 1929. Very unusual is the use of a A6 chord. The second verse illustrates a law in some southern states that outlawed blacks on the street during a flood... 8. Gospel Medley Tony Francis Weissenborn copy Key : open D A mix of Blind Willie McTell's "River of Jordan" and Roosevelt Holt's "I'm Gonna Build on that Shore". 9. Bad Luck Blues Supertone 1930ies Key : C position capo I My interpretation of a Blind Lemon Jefferson song with some Blind Boy Fuller and Reverend Gary Davis licks added. 10. Woke Up This Morning With My Mind On Jesus Stella Concert 1930ies Key : open D This slide arrangement is based on a Mississippi Fred McDowell song he recorded only once (it's on the Rounder cd "The First Recordings"). A real gem and I'm surprised Fred didn't record it more often. 11. Crow Jane Gréven L-00v Key : E position capo I This is not the 8-bar blues traditional Crow Jane but an arrangement of Carl Martin who recorded this in 1935. The tremolo brush is very unusual in country blues. 12. One Kind Favor Tony Francis Weissenborn copy Key : open C I reworked this Blind Lemon Jefferson classic to a lapslide song. My version is also based on an intrumental arrangement by a great Japanese guitarist called Tokyo Uchida. 13. Boogie Dance Gréven L-00v Key : dropped D An instrumental piece based on the playing of Lonnie Johnson, Tampa Red and the Dutch wizzard Ton Van Bergeyk 14. Bye Bye Blues Supertone Handkraft Lindbergh model 1927 Key : G A nice arrangement of a Little Hat Jones song. Has no blues structure and sounds more as white country blues. (Less)
Channel: youtubeTags: accoustic blues bottleneck cd country daddystovepipe fingerpicking fingerstyle guitar religious slide stella unplugged
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27,
09:18,
2008-04-22 09:21:11 Description: The Blue Riders: Ben Andrews guitars Tim Jarvis drums and percussion Hugh Feeley harmonicas The screams and whoops in the background through this whole thing(there was no audience mic, just intensly (More) The Blue Riders: Ben Andrews guitars Tim Jarvis drums and percussion Hugh Feeley harmonicas The screams and whoops in the background through this whole thing(there was no audience mic, just intensly into it!) tell you this tune was a deep-groove, steady burner ...a REAL strong set opener and when the wait staff is letting you dance on the tables in a nearly empty club, IT´S A BALL! Ben's rippin' into the vocals and Hugh takes his solo to the sonic edge ...Ben wanted him to step out past that, but Hugh had made his statement with some sharp talking, so he just kicked it back to Ben, who mellows it down, then stokes it a little. Sorry if the recording looks a little funky(grainy). Its a transfer from a VHS and I don't know if the service I used for this did the best job on it. If anyone can recommend a good one...please do. I'm just learning about this kind thing. In answer to a question I got...yes, we did play up at Penn State College, Pennsylvania, once __great crowd! _tymjar If you like any of the country folk blues artists, whether Mississippi delta , Ragtime or Piedmont fingerstyle acoustic guitar greats... please give this a listen: George Harmonica Smith Big Walter Horton Little Walter Long John Baldry Mayall Paul Butterfield Carey Bell Junior Wells William Clarke James Cotton Howlin Wolf Charlie Musselwhite Junior Wells Jimmy Reed Slim Harpo Sonnyboy Williamson James "Peck" Curtis Bobby Blue Bland Harmonica Slim James Harman George Smith WILLIE JOHNSON WILLIE WALKER RAMBLIN' THOMAS DR. ROSS Sam Chatmon furry lewis Tampa Red Scrapper Blackwell Willie Doss Doc Reese Tampa Red Earl Hooker Ishman Son House Charley Patton Tommy Johnson Robert Johnson Blind Lemon Jefferson Blind Willie McTell Sleepy John Estes Fred McDowell Karen Neumann Robert Pete Williams Skip James Bukka White Barbecue Bob Kokomo Arnold Mississippi John Hurt Elizabeth Cotten Etta Baker Reverend Gary Davis Furry Lewis Big Bill Roy Rogers Broonzy Blind Boy Fuller Brownie McGhee Jorma Kaukonen John Hammond Jr or just fingerstyle thumbstyle blues guitar. Blue Riders acoustic blues trio recorded in 1995. A tip of the hat to the D.C. area hierarchy page listing... Roy Clark - Link Wray - Roy Buchanan - Danny Gatton - Bobby Parker - Sonny Forrest - Walt Namuth - Wayne Tomlinson - Hudie Ledbetter (Leadbelly) - Jimmy Reed ( okay so he was from the Piedmont) - Eddie Jones - John Cephas - Bo Diddley - John Van Horn - Chick Hall Sr. - Charlie Daniels - Frank Shegogue - Demetri Callas - Skip James - John Hurt - Charlie Byrd - Archie Edwards - John Jackson - Vernon Sandusky - Jorma Kaukonen - Catfish Hodge - Henry Vestine - John Fahey - Clarence Perry - JB Hutto - Hal Lindes - John Phillips - Zal Yanovsky - Johnny Hopkins - Marty Friedman - Nils Lofgren - Joe Tass - Punky Meadows - Kenny Definis - Bobby Radcliff - Jimmy Nalls - Tommy Keene - Jimmy Thackery - Steve Jordan - Bobby Manriquez - Rick Whitehead - Chick Hall Jr. - Greg Wright - Tom Principato - Steve Jacobs - Bob Margolin - Terry "T.I." Gleason - Donal Leace - Flora Molton - David Ziebarth - Cesar Diaz - Paul Reed Smith - Bill Kirchen - Evan Johns - Stuart Smith -Rusty Bogart - Linwood Taylor - Dave Sherman - Larry Burnett - Joan Jett - Dan Hovey - Chuck Brown - James Mabry - Richie Burns - Dave Chappell - Robert Lighthouse - Danny Morris - Pete Kanaras - David Earl - Erik Cartwright - Tom Mitchell - Sam Gunderson - Ben Andrews - Jerry Gordon - Johnny Tictin - Jim Stephanson - Eric Rose - Carl Filipiak - Armand Lenchek - Steve Kramer - Bob Swenson - Mary Chapin Carpenter - Michael Dutton - Memphis Gold - Mike Korpi - Cathy Ponton King - Andy Rutherford - Scott Mattern - Terrence McArdle - David Kitchen - Ivan Appelrouth - Rick Oliveras - Brian Gross - Michael "Jr" Tash On Mississippi saxaphone = Mark Wenner, Charlie Hubel, Bruce Ewan, Doug Jay, Phil Wiggins, Jimmy Powers (Less)
Channel: youtubeTags: Archie Blake Blind Broonzy Bukka Davis Earl Edwards Fred Fuller Gary Hooker Horton Leadbelly Lemon McDowell Rev. Walter
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84,
00:20,
2007-05-12 09:01:41 Description: check out CyberWoodstock Group by strat2caster!
join the group and submit your videos at:
http://www.youtube.com/group/CyberWoodstock
submissions to CyberWoodstock Group must be cover tunes of (More) check out CyberWoodstock Group by strat2caster!
join the group and submit your videos at:
http://www.youtube.com/group/CyberWoodstock
submissions to CyberWoodstock Group must be cover tunes of an artist or group that played at the 1969 Woodstock music festival.
Performing artists and sequence of events
A stamp commemorating the original concert
Friday, August 15
Richie Havens (opened the festival - performed 7 encores)
High Flyin' Bird
I Can't Make It Anymore
With A Little Help from My Friends
Strawberry Fields Forever
Hey Jude
I Had A Woman
Handsome Johnny
Freedom/Motherless Child
Swami Satchidananda - gave the invocation for the festival
Country Joe McDonald, played separate set from his band, The Fish
I Find Myself Missing You
Rockin All Around The World
Flyin' High All Over the World
Seen A Rocket flyin
The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-To-Die Rag
John Sebastian
How Have You Been
Rainbows Over Your Blues
I Had A Dream
Younger Generation
Sweetwater
What's Wrong
Motherless Child
Look Out
For Pete's Sake
Day Song
Crystal Spider
Two Worlds
Why Oh Why
Incredible String Band
Invocation
The Letter
This Moment
When You Find Out Who You Are
Bert Sommer
Jennifer
The Road To Travel
I Wondered Where You Be
She's Gone
Things Are Going my Way
And When It's Over
Jeanette
America
A Note That Read
Smile
Tim Hardin, an hour-long set
If I Were A Carpenter
Misty Roses
Ravi Shankar, with a 5-song set, played through the rain
Raga Puriya-Dhanashri/Gat In Sawarital
Tabla Solo In Jhaptal
Raga Manj Kmahaj
Iap Jor
Dhun In Kaharwa Tal
Melanie
Tuning My Guitar
Beautiful People
Arlo Guthrie--order of set list unknown
Coming Into Los Angeles
Walking Down the Line
Story about Moses and the Brownies
Amazing Grace (which closed set)
Joan Baez
Story about how the Federal Marshalls came to take David Harris into custody.
Joe Hill
Sweet Sir Galahad
Drugstore Truck Driving Man
Sweet Sunny South
Warm and Tender Love
Swing Low Sweet Chariot
We Shall Overcome
Baez Source: Arthur Levy, annotator of the expanded editions of the 12 Joan Baez CDs on Vanguard
Saturday, August 16
The day opened at 12:15 pm, and featured some of the event's biggest psychedelic and guitar rock headliners.
Quill, forty minute set of four songs
They Live the Life
BBY
Waitin' For You
Jam
Keef Hartley Band
Spanish Fly
Believe In You
Rock Me Baby
Medley
Leavin' Trunk
Sinnin' For You
Santana
Waiting
You Just Don't Care
Savior
Jingo
Persuasion
Soul Sacrifice
Fried Neckbones
Canned Heat
A Change Is Gonna Come/Leaving This Town
Going Up The Country
Let's Work Together
Woodstock Boogie
Mountain, hour-long set including Jack Bruce's "Theme For An Imaginary Western"
Blood of the Sun
Stormy Monday
Long Red
Who Am I But You And The Sun
Beside The Sea
For Yasgur's Farm (then untitled)
You and Me
Theme For An Imaginary Western
Waiting To Take You Away
Dreams of Milk and Honey
Blind Man
Blue Suede Shoes
Southbound Train
Janis Joplin (Performed 2 encores; Piece of My Heart and Ball & Chain
Raise Your Hand
As Good As You've Been To This World
To Love Somebody
Summertime
Try (Just A Little Bit Harder)
Kosmic Blues
Can't Turn you Loose
Work Me Lord
Piece of My Heart
Ball & Chain
Sly & the Family Stone started at 1:30 am (3 encores. Actually played just before The Who)
M'Lady
Sing A Simple Song
You Can Make It If You Try
Everyday People
Dance To The Music
I Want To Take You Higher
Love City
Stand!
Grateful Dead
St. Stephen
Mama Tried
Dark Star/High Time
Turn On Your Love Light
Grateful Dead's performance was plagued by technical problems, including a faulty electrical ground (which their roadie insisted on being fixed prior to the band's performance) and members Jerry Garcia and Bob Weir reported getting shocked every time they touched their guitars. While bootleg footage and audio of this performance exists, the Dead called it their worst performance ever and they were left out of the movie. At one point, Jerry Garcia appears in the film holding a joint, saying, "Marijuana. Exhibit A."
Creedence Clearwater Revival
Born on the Bayou
Green River
Ninety-Nine and a Half (Won't Do)
Commotion
Bootleg
Bad Moon Rising
Proud Mary
I Put A Spell On You
Night Time is the Right Time
Keep On Chooglin'
Suzy Q
The Who began at 3 AM, kicking off a 24-song set including Tommy
Heaven and Hell
I Can't Explain
It's a Boy
1921
Amazing Journey
Sparks
Eyesight to the Blind
Christmas
Tommy Can You Hear Me?
Acid Queen
Pinball Wizard
Abbie Hoffman Incident (see section below)
Fiddle About
There's a Doctor
Go to the Mirror
Smash the Mirror
I'm Free
Tommy's Holiday Camp
We're Not Gonna Take It
See Me, Feel Me
Summertime Blues
Shakin' All Over
My Generation
Naked Eye
Jefferson Airplane began at 8 a.m. with an eight-song set, capping off the overnight marathon.
Volunteers
Somebody To Love
The Other Side of This Life
Plastic Fantastic Lover
Won't You Try/Saturday Afternoon
Eskimo Blue Day
Uncle Sam's Blues
White Rabbit
The Original Woodstock Poster with the Wallkill, New York location
Sunday, August 17 to Monday, August 18
Joe Cocker was the first act on the last officially booked day (Sunday); he opened up the day's events at 2 PM.
Joe Cocker
Delta Lady
Some Things Goin' On
Let's Go Get Stoned
I Shall Be Released
With a Little Help from My Friends
After Joe Cocker's set, a storm disrupted the events for several hours.
Country Joe and the Fish resumed the concert around 6 p.m.
Rock and Soul Music
Thing Called Love
Love Machine
The "Fish" Cheer/I-Feel-Like-I'm-Fixin'-To-Die Rag
Ten Years After
Good Morning Little Schoolgirl
I Can't Keep From Crying Sometimes
I May Be Wrong, But I Won't Be Wrong Always
Hear Me Calling
I'm Going Home
The Band - Set list confirmed via Levon Helm's book "This Wheel's On Fire"
Chest Fever
Tears of Rage
We Can Talk
Don't You Tell Henry
Don't Do It
Ain't No More Cane
Long Black Veil
This Wheel's On Fire
I Shall Be Released
The Weight
Loving You Is Sweeter Than Ever
Blood, Sweat & Tears ushered in the midnight hour with five songs.
More and More
I Love You Baby More Than You Ever Know
Spinning Wheel
I Stand Accused
Something Coming On
Johnny Winter featuring Edgar Winter, his brother, on two songs.
Mama, Talk to Your Daughter
To Tell the Truth
Johnny B. Goode
Six Feet In the Ground
Leland Mississippi Blues/Rock Me Baby
Mean Mistreater
I Can't Stand It (With Edgar Winter)
Tobacco Road (With Edgar Winter)
Mean Town Blues
Crosby, Stills, Nash & Young began around 3 a.m. with separate acoustic and electric sets.
Acoustic Set
Suite: Judy Blue Eyes
Blackbird
Helplessly Hoping
Guinnevere
Marrakesh Express
4 + 20
Mr. Soul
Wonderin'
You Don't Have To Cry
Electric Set
Pre-Road Downs
Long Time Gone
Bluebird
Sea of Madness
Wooden Ships
Find the Cost of Freedom
49 Bye-Byes
Paul Butterfield Blues Band
Everything's Gonna Be Alright
Driftin'
Born Under A Bad Sign
Morning Sunrise
Love March
Sha-Na-Na
Na Na Theme
Yakety Yak
Teen Angel
Jailhouse Rock
Wipe Out
(Who Wrote) The Book of Love
Duke of Earl
At the Hop
Na Na Theme
Jimi Hendrix. The full list of Hendrix's Woodstock performance:
Fire
Message to Love
Hear My Train A Comin'
Spanish Castle Magic
Red House
Mastermind
Lover Man
Foxy Lady
Jam Back At The House
Izabella
Gypsy Woman
Voodoo Child (Slight Return)/Stepping Stone
Star Spangled Banner
Purple Haze
Woodstock Improvisation/Villanova Junction
Hey Joe (Less)
Channel: youtubeTags: crosby Cyber CyberWoodstock dead grateful janis jimi mike nash rice santana stills strat2caster Woodstock young
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5,
01:30,
2009-10-04 08:26:31 Description: This installation by Ellen Driscoll is so gigantic that I thought that only a video fly-through can really help experience the piece. smackmellon.org Two Solo Exhibitions Exhibition dates: September (More) This installation by Ellen Driscoll is so gigantic that I thought that only a video fly-through can really help experience the piece. smackmellon.org Two Solo Exhibitions Exhibition dates: September 26 - November 8, 2009 Artists’ reception: Saturday, September 26, 5-8pm Smack Mellon is pleased to present Ellen Driscoll’s installation FASTFORWARDFOSSIL: Part 2 and Fernando Souto’s photographic series The End of the Trail. The two concurrent solo exhibitions compress layers of time to explore industries and lifestyles that go beyond geographic borders. Composed of thousands of discarded plastic bottles collected by Ellen Driscoll, FASTFORWARDFOSSIL: Part 2 takes a critical look at the environmental and human damage inflicted by the oil and water industries in the last two centuries on regions as diverse as Nigeria and the United States. During extended trips to cattle ranches in the American West, Australia, and Uruguay, Fernando Souto photographed the fading culture of ranchers, creating black-and-white environmental portraits in the tradition of iconic photographers such as Walker Evans and Robert Frank. Both Driscoll and Souto are intimately tied to their craft—painstakingly cutting up salvaged bottles and printing large-scale silver gelatin photographs—asserting a tactile personal connection in their work. Ellen Driscoll FASTFORWARDFOSSIL: Part 2 “This installation is a continuation of a multi-year series which explores the dynamics of resource harvesting and consumption. This part of the series focuses on oil and water. Rising at 5:30AM, I harvest #2 plastic bottles from the recycling bags put out for collection on the streets of Brooklyn. For one hour, one day at a time, I immerse myself in the tidal wave of plastic that engulfs us by collecting as many bottles as I can carry. The sculptural installation for Smack Mellon comprises 2600 bottles transformed into a 28 foot landscape. Constructed solely of harvested #2 plastic, the sculpture collapses three centuries into a ghostly translucent visual fugue in which a nineteenth century trestle bridge plays host to an eighteenth century water-powered mill which spills a twenty-first century flood from its structure. The flow contains North American, Middle Eastern, and African landmasses (sites of oil harvesting and their consumer destination) buoyed by a sea of plastic water molecules. The piece looks back to eighteenth century American industry powered by water, and forward to the oil refineries of the Niger Delta, site of prolonged guerilla warfare against oil corporations and the source of over fifty percent of crude oil for the United States—the oil that produces the plastic within which our privatized water is currently bought and sold. The wall drawings in the exhibition are based on a close study of the inner workings of an oil refinery. By using huge shifts of scale between the macro and the micro, they depict a dystopic future based on rampant oil consumption. An oil rig shares the horizon with ocean fires and garbage scows, mega shopping malls are abandoned to spontaneous communities of slums, and a refugee camp is inundated by the waters of a melting glacier. The worlds in the drawings are drained of color, but filled with the flux and spillage of a potentially chaotic future.” Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum, Phillip Morris, As Above, So Below for Grand Central Terminal (a suite of 20 mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), Catching the Drift, a restroom for the Smith College Museum of Art, and Wingspun for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major public and private collections including the Metropolitan Museum of Art and the Whitney Museum of Art. She is a Professor of Sculpture at Rhode Island School of Design. Smack Mellon 92 Plymouth Street @ Washington Brooklyn, NY 11201 Gallery hours are Wednesday-Sunday, 12-6pm. (Less)
Channel: vimeoTags: opening art reception NYC New York Fine Art 2009 Gothamist Dumbo Art Festival events festival Ellen Driscoll installation sculpture Smack Mellon
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8,
02:31,
2008-04-21 16:22:41 Description: Conrad Oberg, self taught visually impaired, piano and guitar player, performs the Robert Johnson classic "Ramblin' On My Mind." Conrad has already posted "Sweet Home (More) Conrad Oberg, self taught visually impaired, piano and guitar player, performs the Robert Johnson classic "Ramblin' On My Mind." Conrad has already posted "Sweet Home Chicago", "Dust My Broom" and "Crossroads" on YouTube. He plans to eventually have all 29 songs posted. We hope you like this one, please subscribe! www.conradoberg.com Conrad Oberg was born three and a half months prematurely in the Summer of 1994. Weighing only one and a half pounds at birth, Conrad was left with no eyesight in his left eye and only 15% of the vision in his right. At age two, Conrad taught himself to play the piano, and again taught himself the guitar at age ten. Conrad has been performing solo live performances since he was four years-old, and has been fortunate enough to meet and/or perform with some of the greats of the entertainment industry. Conrad has been performing with his own band "The One Elevens" for the past two years, playing his own brand of blues,roots, and rock music. For more information, photos and booking contacts please check out his website....and please remember to SUBSCRIBE!! www.conradoberg.com copyright 2007 Conrad Oberg Conrad's musical influences are varied and include: Ray Charles, Pinetop Perkins, Charles Brown, Dr. John, Edgar Winter, Reese Wymans, Jerry Lee Lewis, Fats Domino, Stevie Wonder, Stevie Ray Vaughan, T-Bone Walker, Robert Johnson, Son House, Muddy Waters,John Hammond Jr., Johnny Winter, Jimi Hendrix, Billy Gibbons, Rory Gallagher, Eric Johnson, Bob Dylan, Eric Clapton, B.B. King, Steve Morse,Elton John, Blind Lemon Jefferson, Blind Willie McTell, Jeff Healy, Joe Walsh, Allan Collins, Gary Rossington, Albert King, Albert Collins, Alvin Youngblood Hart, Skip James, Buddy Guy, Freddie King, George Thorogood, John Fogerty, Pete Townsend, Keith Richards, Peter Frampton, EVH, Ted Nugent, Cat Stevens, Brian May, J.B. Lenoir, Hound Tog Taylor, Buddy Holly, Chuck Berry and Bukka White . He will continue to post videos in the coming months, many in the style of his musical heroes that he's listed! (Less)
Channel: youtubeTags: acoustic blues conrad delta guitar hammond hendrix jimi john johnson oberg resonator robert rock slide SRV stella
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18,
09:28,
2008-04-21 16:52:59 Description: Garrick in a performance/interview with Kathleen Lawton on her "Crazy 'Bout The Blues" show on KCSM radio. The video begins with hearing Blues originator Son House singing "John (More) Garrick in a performance/interview with Kathleen Lawton on her "Crazy 'Bout The Blues" show on KCSM radio. The video begins with hearing Blues originator Son House singing "John The Revelator" in the background. GD was asked to bring in songs to play on the air by artists that inspired his career. Other artists chosen for the broadcast were Hendrix, Bukka White, Muddy Waters and the Rolling Stones. (Less)
Channel: youtubeTags: acoustic blues davis delta garrick garrickdavis guitar in interview johnson kcsm live love radio robert solo vain vocal
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2,
02:07,
2008-04-22 11:06:55 Description: Chan Marshall, AKA, Cat Power has put together her new touring band for 2007, The Dirty Delta Blues Band, and Cat talks about performing solo vs with her band. Keywords:The Greatest, Judah Bower, Jim (More) Chan Marshall, AKA, Cat Power has put together her new touring band for 2007, The Dirty Delta Blues Band, and Cat talks about performing solo vs with her band. Keywords:The Greatest, Judah Bower, Jim White, Langerado Festival (Less)
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