Search results for boy being felt up
0, 
00:45, 
2009-12-01 04:44:09 Description: Nick's POV Oh sweet Jesus that bitch!!! I dropped to my knees, holding my dick in pain. "You whore! I'll get you for that! Ow!" I bent over and lay my head on the cold cement (More) Nick's POV Oh sweet Jesus that bitch!!! I dropped to my knees, holding my dick in pain. "You whore! I'll get you for that! Ow!" I bent over and lay my head on the cold cement feeling dizzy. Those bitches just laughed at me. I felt arms loop through mine and I was being picked up. I looked to my left and then to my right to see my brothers. Kevin and Joe were looking at me sympathetically, "Sorry about your dick bro." Gabby and her friends stopped laughing, my brothers including me smirked at ... (Less)
Channel: youtube Rate it: Rate:
1, 05:57, 2007-12-14 00:04:51 Description: That being said, I didn't make it too obvious cause I wanted it to be universal.
Here are the Lyrics:
There's a boy
Well there's half a boy
There's a boy who's (More) That being said, I didn't make it too obvious cause I wanted it to be universal.
Here are the Lyrics:
There's a boy
Well there's half a boy
There's a boy who's lost his soul
And he's haunting up a quiet town
He's a freak
Well he's half a freak
And he's crying for his furry other half
He never felt alone before
Chorus
If everyone was beautiful
Would we even have to breath
He had a friend who could rival an angel
A picture of all that he was inside
She would change when his heart changed
Stay when his heart stayed
Now he is only half a boy
Now he is only half
verse two:
Where is my daemon said half a boy
In shock and in tears I reply I don't know
He could stand being just half a boy
So he died for the best in the snow
Bridge:
I'm just rambling, I'll solidify this later
Chorus
That's it, hope you like it! (Less)
Channel: youtube Rate it: Rate:
54, 09:59, 2008-03-24 00:40:15 Description: This is a collection of the funniest moments from the show "Boy Meets World". I grew up watching this show and I felt like composing all of its funniest moments together in a video for (More) This is a collection of the funniest moments from the show "Boy Meets World". I grew up watching this show and I felt like composing all of its funniest moments together in a video for myself and other fans of the show. The majority of these scenes were taken from seasons six and seven, because there were so many great Eric moments in those seasons. Eric is definitely the funniest character of the show and you'll see him and his antics the most throughout this video. So here it is, The Ultimate "Boy Meets World" Funny Moments Collection. Enjoy!
Here's a summary of the series:
One of the most durable offerings of ABC's Friday night TGIF sitcom lineup, Boy Meets World premiered September 24, 1993. Set in Philadelphia, the series starred Ben Savage as Cornelius A. "Cory" Matthews, who at the outset of the program was 11 years old. Hoping to make sense of the world around him and to hack his way through the thorny thicket of "tween-age" (and later teenage) life, Cory found a kindred spirit in fellow 11-year-old Shawn Hunter (Rider Strong), who lived in a trailer camp with his combative parents. Cory himself resided in a comfortable suburban home with dad Alan (William Russ), mom Amy (Betsy Randle), footloose older brother Eric (Will Friedle) and precocious kid sister Morgan (played first by Lily Nicksay, then by Lindsay Ridgeway); near the end of the series' run, Amy gave birth to a fourth child, a boy named Joshua. At school, Cory was kept in a state of constant terror and confusion by his mercurial teacher George Feeny (William Daniels) -- and making things worse, Feeny lived right next door to the Matthews family. On a more pleasant note, Cory harbored a crush for his classmate Topanga Lawrence (Danielle Fishel), a feeling that would blossom into true love as the series rolled on. During his elementary school years, Cory also palled around with a nerdish intellectual named Stuart Minkus (Lee Norris). When Cory entered John Adams High School, he discovered, to his horror, that Mr. Feeny was now his principal. Also, Cory was faced with a new nemesis in the form of the bullying Harley Kiner (Danny McNulty). Even so, high school had its good points, including the presence of Cory's old friends Shawn and Topanga and his new buddies Joey (Blake Soper) and Frankie (Ethan Suplee) -- not to mention the school's coolest teacher, cycle-riding Mr. Jonathan Turner (Anthony Tyler Quinn). The bond between Cory and Mr. Turner grew stronger when the latter became legal guardian of Shawn, whose parents had briefly vanished. (Shawn would later move back with his truck driver dad, Chet [Blake Clark]). During their high school graduation, Topanga impulsively proposed to Cory. The following year, they both enrolled in nearby Penbrook College, which was already being attended by Cory's brother Eric. Eric, in turn, was rooming with Jack Newman (Matthew Lawrence)...and when it turned out that Jack was the long-lost half brother of Shawn Hunter, Shawn moved in as well, simultaneously inaugurating a romance with Angela Moore (Trina McGee-Davis). Eventually, Shawn left, whereupon Eric and Jack found themselves with a new roomie, a no-nonsense, take-charge gal named Rachel McGuire (Maitland Ward). Penbrook College also proved to be a life-altering experience for dour Mr. Feeny, who fell in love with and married the schools Dean of Admissions, Ms. Bolander (Bonnie Bartlett). During the series' final season, Cory and Topanga were wed and moved to New York with Shawn and Eric, Angela moved to Europe with her dad, and Rachel and Jack joined the Peace Corps. Boy Meets World remained an ABC Friday night fixture until its cancellation on September 8, 2000.
Special thanks to Anna Marie for uploading all episodes of Boy Meets World on her site! http://www.angelfire.com/crazy/annamarieuploads/main.html (Less)
Channel: youtube Rate it: Rate:
129, 00:39, 2009-01-12 22:11:32 Description: Here you guys go chapter 2!
*Leah Pov*
I should be studying right now but oh well. There is the bar. Saint Queens Bar. Expenive. Oh Marco Luis. I guess being a hitman pays off well. You'll be (More) Here you guys go chapter 2!
*Leah Pov*
I should be studying right now but oh well. There is the bar. Saint Queens Bar. Expenive. Oh Marco Luis. I guess being a hitman pays off well. You'll be finding that out later. I parked my car and got into the bar. I may only be 18(in a week) , but have a fake I.D. works out well. I found Marco at the counter drinking. Enjoy that drink you little bastard. After about three drinks for him, I don't drink, he started to leave. I slyly started to follow him out when I bumped into the one person I didn't need to see. Kevin...
"Leah? Leah Thanos? In a Bar?" He smiled as he pulled me back to the counter. Looks like Marco will have to wait.
"Hey Jonas. One diet soda please." I said to the bar tender.
"Ooo, don't drink to much or go to a regular soda with sugar. Next thing you know your in my bed after the best night of you life." He smirked.
"Get a life. I'm not intrested in having sex. With you at least." I lied. I did like him, a little. But emotions can get the better of you. Then you end up on a table, just like my victims. Morgan was the only one I could reach out too, until she got into boys. Then I felt like I lost her a little. Don't get me wrong we love eachother, but I've always been an emotional outcast since my real parents death.
"I bet you are. Come on. We've know eachother since we were little. And I've wanted you to get in my pants since we were 13."
"Nice." I said as the bar tender gave me my drink. "Listen Kev. If you- Ah viberator!!!" I squealed as I grabbed my phone.
"Hot." Kevin laughed.
"Haha." I aswered my phone.
"Leah! Home! You need to study!!!" Morgan yelled. Younger sister always watches out for me.
"Kay. I'll be home soon." I hung up.
"Morgan?" Kevin asked.
"Yup."
"Joe tells me that she awesome in bed. I couldn't believe that she would have sex before you."
I got up and grabbed my purse, "For your info, Just because I haven't slept with you doesn't mean I haven't had," I got to his ear and whispered in a sexy manor, "Hot steamy, and long lasting sex."
Then, I left slapping my ass in front off him.
Fanatastic. Fanatasic! Kevin and Morgan both have to ruin my night. Marco better thank them. He has another night to live.
I finally got there. I used my keys and walked in. Morgan was there watching T.V. Oh so innocent Morgan. Maybe not. Theres Joe, too. They most likely had sex while I was gone. Oh well, shes a big girl. She can handle it.
"Hey!" I smiled as I plopped down in my chair.
"Why do I smell achol?" Morgan asked.
"I found A friend walking in a bar and I had to get them out. Also Kevin was there too. I didn't expect that." Thats what Kevin gets for making fun of me. I am such a superbitch.
"Kevin was at a bar! Damn it! He promised since what he did to that girl!" Joe said jumping off the couch.
"Yeah. Don't tell him I told you." I fakely pleaded.
"No problem. Gotta go get him. Bye hottass." Joe said as he passionatly kissed my sister. I cleared my throat right after Joe started to go back on the couch.
The next you know they'll start licking clit and sucking dick while I'm watching T.V. They better watch themselves. Things can happen...
"Sorry. Bye Joe." Morgan said as Joe left.
"You and Joe are getting a little showy aren't 'cha?" I ask.
"So? I'm just glad I changed him."
"You can't just change people like that, Mor."
"Joe hasn't been having sex with others girls at once. Like he used too."
"He would have 3ways?"
"No. More like him and 3 girls or more."
"Nice way to talk about your love."
"Umm..yeah...I haven't told him I love him yet..." Morgan said looking down.
Well,well,well. Looks like Morgans not in love yet, after 7 months. And she still has sex. ....Wow!
--
Oooooo, naughty naughty, Joe. Its starting to get a little more intresting. Huh? 5 comments. (Less)
Channel: youtube Rate it: Rate:
1618, 04:00, 2008-04-01 22:34:16 Description: This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series (More) This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. (Less)
Channel: megavideoTags: and it s 1900 yesterday step brother step sister full video behind the scene double anal sister gets naked
Rate it: Rate:
501, 04:00, 2008-04-01 22:49:01 Description: This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series (More) This is the account of the repeated encounter between a humanoid being and a 23 years old Italian from Pretare d'Arquata, who took a series of 6 Polaroid pictures of the being.The alleged series of encounters starts in Pretare d'Arquata, a small sector in the province of Ascoli Piceno, at the top of the Monte Vettore, a few kilometres after one leaves the road to Salaria. They show, in sequence, a being in a various positions, seated, nearly erected, in seemingly painful physical conditions although this may be only an anthropomorphic impression. The being seems to have small dimensions, rather sturdy, with the skin that in some instantaneous ones appears burnished and thick and in last photograph, completely red, moisted, with the aspect of a badly wounded skin. The photos were published in the weekly magazine "Visto" n. 43 on 28 October 1993, and then produced on TV during the program "I Fatti Vostri" ("Your facts") on Friday, November 5, 1993, hosted by Giancarlo Magalli. The first photo showed a small shadow, as Caponi stated. The effect of the mysterious combustion of the two first pictures, altering the zone where the being was, resulted in this. May 24, 1993.The first investigation was headed by the CUN and consisted of several inspections, interviews of Caponi and his relatives and the answers to their questions to other indirect witnesses. At the end of the investigation, they had a detailed report on the case but drew no firm conclusion whatsoever. At the same time, other investigators approached Caponi and obtained from him similar statements, substantially coinciding with those published by the CUN. Some of them gave their interpretation of the events, such as Massimo Fratini Maximum from the CETI, in Rome, who stated that he has always been convinced by the sincerity of the witness. "In the course of our inquiry and during last the three years, we have had to reconsider, step by step, all the vicissitude, to reconstruct all the details, meeting Filiberto Caponi several more times and trying to collect other testimonies." "We are not still in a position to give the conclusions - today - but we are approaching the possible truth of what happened in the outskirts of Pretare d'Arquata (Marches), on the Monte Vettore, starting in May 1993." Caponi's photograph remain disturbing to this day. There were, however, some contradictions and omissions which emerged when investigations started to put more pressure on Caponi. Yet there seems to be no way to differentiate if these contradictions and omissions are simply caused by the confusion between investigators, and the stress put on Caponi who was literally sieged by Italian and foreign journalists as his photographs were just published in a weekly Magazine in Milan. Essentially, the story told by Filiberto Caponi was quite consistent over time, chronologically always consistent, but some parts of his story was slightly at odds with the photographs themselves. This prompted the chief investigator of the CUN, Roberto Pinotti, to insist that he needs to look at the photographic material in good conditions, first to elucidate some points, and also because CUN thought that the witness should have the right to manage his material. Indeed, in an unprecedented and utterly unexplainable manner, the magistracy of Ascoli Piceno had seized and confiscated the photographs from Caponi, and started a judicial procedure against Caponi under the never heard of motive that his photograph might disturb the civil peace. Because of this confiscation, CUN could only analyze them visually but not instrumentally. Caponi told to CUN's Roberto Pinotti, Gianfranco Lollino and Massimo Angelucci, and Fabio Della Balda of the CROVNI of Saint Marino about his first encounter; "I first thought it was a small cat complaining, trapped in a plastic bag.""It was the evening of 9 May 1993. As usually I re-entered from a ride on my motorbike and I was closing the garage, just near the country, when I heard I complain, different from those typical of usual animals. I was also thinking that it may be a drunk coming down from the same road making noises. Then, in an angle of a house, I saw a "white [palleta,]" it seemed to me that the strange complain came from it. Smiling, as I thought I had found an abandoned cat, wrapped in a plastic bag, I stretched a hand to touch it, but on reflection I stopped because it occurred to me that it might scratch me. So I limited myself give the bag a little kick to see if it would come out on itself. And I was terrified, because the "old plastic bag" jumped on, showing that it had a head, arms and legs. It raised from the ground, and went to the wall that I have shown to you before. Anyway, it was quite fast, it had wrapped legs and it carried something that tripped, it looked like a bag that it had on the back, but it was not skin. I only saw the skin of its head and from its small arms which it did not use and not move.""I thought to myself that what I saw may not have existed, that I have been tired, that it must have been some animal..." However, back home, his mother noticed that something was wrong, as the boy was very pale. She managed to get her son tell what happened, and, with his father, he decided to return on location of the encounter in order to find some trace of the "animal." On the wall, behind which the being disappeared, the father found a "medical gauze covered with blood" but he did not take it home because it was disgusting and instead he put it under an old washing machine in the courtyard, planning to go to Ascoli Piceno in order to have it analyzed. In the night, Caponi still heard the strange complain, went down again to the road, but he saw nothing this time. "Nothing, just nothing, it was impossible," explained Caponi. "...and my father was there so that I could show him, and I have said to him 'I have heard it, but I do not know where it is' and he told me to go up in my room because from there we could see better. We stayed up there for roughly an hour, then my father was tired and went to bed again. Just at that moment 'the thing' reappeared... I called my father and so he has been able to see it too, for a moment, while it went away under that arch, in the blink of an eye, and my father looked at me as if he wanted to say 'so you were not joking!'... anyway he told me to go to bed, because it was late (3 in the morning)."The next morning, Filiberto's sister went to control the gauze, but it had disappeared. "It must have been a dog that smelled the odor of the blood," says Filiberto. "However it has been at that time that I decided to lend a camera from my brother-in-law. I put it right on the bedside table. For a week then I waited there (indicates the night place) thinking that perhaps the being would come again and that I could photograph it."15 days went by and nothing happened, so Caponi decided to forget all about it, when one evening: "It was approximately the two o'clock in the night and I heard the strange scream again. I sent up, I took the camera (a Polaroid 660) and opened the door, - while I felt that something was walking in the alley. I saw it arrive, from far away enough, to not fast, nearly walking. I took a first photo, the Polaroid ejects it, and I take it away, ready to take an other photo. In the light of the flash it had stopped, as if it had noticed the light, maybe but it must have been deaf... because I have made some noise when I opened the door, and it continued to come in my direction. It had stopped and turned around only when I took the photo. I have thought 'I will race with it, take a photo and run after it, this is a unique opportunity' and what I did, I went towards it, advancing a few meters, I photographed it again, and then I escaped screaming 'I have photographed it!', without watching where I went, so I ended against a wall. My father woke up and asked me what had happened. The photos developed under the eyes of my relatives: on the first one only a dark shadow was visible, but on the second, the head and the hanging arms wrapped with something, were visible. I looked at it intensively. I explained that when I have taken the second photo it had slightly turned its head towards me, without turning its body at all. My father felt it was quite a hair riser. My mother said 'My god, what is he?' And then I had calmed down and I told them 'a lot of it in the photos, let's put them in a secured place, let's not have everyone see them' and we decided to put them in a wooden box, in order to study them with calm on the next day."The first picture where the small being is clearly seen, at least as for the head, a hand, and some dark clothing on its back and whitish cover on its lower body. "I found the cover of the box curved, blackened underneath, filled with smoke. I ask what can have happened . Then I opened it I feel a smell of burnt similar to burned plastic's odor. The photo was burned around and where the being was shown, it was swollen and ruined... I detach the second photo and the image was also swollen, only in surface, it was not destroyed."Later, CUN investigators tried to determine if the ruined photos were explicitly attacked, and considered the possibility that the film may have been the Polaroid for a long time and maybe expired. But the hypothesis of a normal deterioration due to expiration revealed not valid, because the following photos were made with the same film and were not ruined at all. The only possible explanation that remained was that of a chemical interaction between the photos and an old past due battery conserved in the wooden box where the images were stored, which is what Caponi also proposed. The problem is that all the material, including the wooden box, have been delivered to the Police officers of the station of Arquata of the Tronto, subsequently to their first publication in a magazine. Moreover it must be emphasized that Caponi had circulated the photos (reproduced in dias) among roman newspapers and press agencies. Back on May 24, 1993. The news by now had been diffused, in because Caponi told about it in confidence to a friend: "I have made a big mistake, the day when I went at a friend who is a carpenter and told him all about it. He had sworn to me that he would not tell a word about it, but one evening he had drunk a glass too much and three days later the whole country knew the story and the "Messagero di Ascoli Piceno" newspaper telephoned, and a few days later they published the burnt photos.""The story still diffused more, even if many did not believe it and created popular legends about me or people hunting in the country. One evening I went to the circle and encountered the friend who had spilled the story out; in spite of that I have made peace with him, and we were walking outside with two others. And then all of us heard 'the scream,' coming from behind the gate of a house which is shown in the published photos. We decide to go check it out and I begin to climb up, while a friend remains a little behind, an the other progress in order, and when we get close to the direction of the complain, it stops immediately. We return to the bar and some sort of expedition gets organized, with others, in all 15 to 20 people, some of them with knives - everyone excited - torches and photographic cameras.An interesting point regarding this first encounter, it that Caponi suffered from an inexplicable cutaneous blackening on the right foot, the foot that he used to touch the entity. The blackening disappeared after three days.The second picture was also damaged, but the being is more distinguishable, although partly covered with "something." The arrow indicates where the head is. Caponi thought that he was the victim of some confusion, but he has been very frightened so he decided to reopen the garage and to rest a little moment on his motorbike and think about it, and to calm his nerves listening to the radio.One them has a hunting dog. We all go back the gate. We here the complain and the dog heads on and leaves us, crosses the gate and begins to bark, nearly as if fighting, and there are more and more screaming. Then the dog 'jumps down the road', throwing itself from a wall, falls on his back, stands up on his legs again and flees to hide in a corner. The other people present begin to look at me speechless. But, when I propose to locate the source of the sound in order to discover what it is they all say no. However from that moment, people in the area begun to believe me a little and I get interviewed from a journalist of 'Stop' magazine, but when he sees the burnt photos he does not think opportune to acquire them."Over time, the feeling that something strange and interesting is really happening spreads in the small country. And then on August 8, Pretare is the location of a new unusual phenomenon: many hens in the country die mysteriously, some enduring amputations of limbs or of the head, but without signs of blood or bites. They have been recovered all piled up. The fact remains stunning, because it is difficult to imagine that a predator, such as a fox or a vixen, can do so much damages in one night. So far Caponi had had two encounters with the being. But on August 11, 1993, when Caponi was somewhere outside on a bench, watching shooting stars: "It was five o'clock in the morning and all at once, in front of the door of my laboratory, I saw again that white pack, moving; at the start I thought that it was my cat, but then, looking with more attention, I understood that it was 'it' again, seated, and watching around. Then I went into the house, took the Polaroid camera, and looked at it through the Window. It was still here, so I went down and made one photo of it. In the light of flash the being turns its head, raises, tilts its back, turns and runs away. Then I said to myself that I have photographed it just right, and I hoped the photo does not get ruined like the others, and I decides not to say anything not even to my parents and I held it in the drawer."The being shown on this picture is apparently still wrapped in its "external protecting covering", and partially covered with gauzes or whitish wraps. Filiberto describes its covering: "it may be pants, in a strange way, and the being had some sort of leather on the shoulders, with some bandage." Nine days passed, and on August 20, another encounter gave Caponi the opportunity two take two new pictures, still using the same Polaroid, in spite of the allegation by the "Visto" weekly magazine that the pictures were made with a professional camera. "No, it was always with the Polaroid, I literally lived with it, while a friend of mine lend me another one, I declined, I gave it back to him without having ever used it. I open the window and I see it seated to the center of the courtyard. I come down and I make one first photo of it. It made the usual movement, turns the head slowly and I take a second picture, moving to the side. At this point it escaped. They are not successful to dirgli nothing, I would have intentional. The being had always appeared with gauze around the legs, and something similar to leather on its back, but this time it did not wear its covering anymore, but appeared with two tubes on the thorax that seemed to slightly move under its skin, like from air or liquid pressure, or some fluid, I don't know, maybe for its respiration. The small tubes both moved rhythmically. And an other important thing: I was convinced that the body was wet, it drained water, it dripped. But not much. From its head, water passed beside the eyes like some sweat. I want to emphasize that that evening my sister had also heard the noises, on the small terrace of our house, where my father had two drums in which he put water for watering the flowers.We have thought that perhaps it had gone to bathe itself. The drums were supposed to be full, but instead one was half empty. Maybe during the night, it had "undressed", dipped in a drum, washed, and jumped from the terrace, producing the noise of a jump in water that my sister heard. They came down, to see if it had left its coveralls, but there was nothing. Except a small hole, under the house, not wider than 25-30 centimetres, that opens on a bulwark. I have illuminated it with a torch, but I have not been able to see correctly within it." An other particular thing, maybe of great importance emerges then, when the enquirers ask Caponi greater details about the physical aspect of the creature and the color of its skin. One assumes that its epiderm, as it appears in the two photos of the seated humanoid, is really in "coveralls" that joins perfectly to the body and wraps it completely. The difference, in the photos handed by Caponi between the humanoid with and without its kind of "protection" appears clearly from the last picture, in which the being is half seated half erected and seems to be "naked." A month passed, and the next encounter was on September 20, 1993. "Every night I waited, by now. I still did not sleep more. So, towards at about 3 o'clock in the morning, I see it under the house. 'Stavolta, I say to myself, before photographing I call someone. I woke up my grandmother, that sleeps in the room besides, but she was not able to see it from her window, although it was just under. It was standing. Then we came down and my grandmother finally saw it in all its splendor - she was frightened because she thought that she was seeing some sort of malignant entity - and she started to scream, while I tried to calm her, I approached and photographed it." Then a scene already wintessed repeated: the being bent, turned the head a little bit, and looked at Caponi. The grandmother, Perla Antonia, told about this experience, explained how frightened she was that the being may hurt her grandson: "Filiberto, let's go away from here, because I am frightened now. But by now I run after it up to the arch, in the country, under the rainy night, I was all wet, in the middle of the grass I have lost it from sight." Other important details emerge from the questions of investigators: "The being made noise when moving, its dorsal structure is rather grip, but its sides seems wide, which is practically the contrary of the way we are made. It seems built to run, the arms are not used, remember how he raced to the nearby door with leaps like those of an ostrich. Its dimensions? It is very small, not more than 70 centimetres, the way it had its feet on the ground, it seems that it weighs the double than it really weighs. It has two nostrils for the nose, but no ears."This is clearly not a human skull, we have been fed a variety of unlogical explanations as to why this skull has this formation. Several like it were found in Peru with small variations. Many artifacts that were clearly of Egyptian origin were also found in Peru dating back to the time of the Ancient Egyptians. However these two cultures and countries were not supposed to have had contact back then being so far from each other. Many odd things are found in Peru, the Nazca lines, a set of animal and geometrical lines engraved onto the ground which extend for miles. Engraving these lines would require a view from above to do them correctly, yet they were not supposed to have aircraft back then. So how did they do it?? This skull gives us a good idea. If they had brains big enough to fit into these skulls they could obviously find ways to fly in aircraft or spacecraft no doubt.US serial number gives clue to mystery of the alien in the attic -Patrick Barkham-Monday February 6, 2006-The Guardian When Barney Broom began renovating his cottage he did not expect to be confronted by a pair of black eyes staring from a cloudy jar. But the mysterious discovery of an alien in his attic has spooked the 54-year-old screenwriter and bewildered extraterrestrial experts, who yesterday suggested the US military could be involved.The delicate 30cm (12 inch) figure of a baby alien is stored in a pungent liquid and has a US serial number painted on its four-toed foot. Possibly sculpted from a clay-like substance and painted grey, the model closely resembles the aliens depicted in a hoax film of an autopsy of the infamous "Roswell incident".Curiously, the alien was discovered stored in an old toffee jar wrapped in a copy of the Daily Mirror dating from October 1947. In July of that year, officials at the American air base of Roswell reported and then denied finding the remains of a flying saucer. The Roswell incident sparked a popular fascination with UFOs and led the US air force to collect data on sightings. One theory is that the alien was left in the loft by a US serviceman working at a nearby US air base. Mr Broom's two-bedroom cottage at Gunthorpe, north Norfolk, which he bought eight months ago, is 45 miles from two large US air bases at RAF Lakenheath and RAF Mildenhall. Many US servicemen and women live and work in the region. Mr Broom told the Guardian he was "a bit spooked" by the discovery but said he was not yet living in fear of being beamed up by aliens."It was stuffed in the corner of the loft with other old newspapers. Before me, an old spinster lived in the house. I don't think anybody had been up there for years. I haven't got three heads and I'm not the sort of eccentric lunatic to think it's an alien but it's a funny thing to find in your loft."Mr Broom reported his finding to the Sci Fi Channel, who called in Professor Adam Roberts, an expert in science fiction literature, to examine the creature. "The easy thing to do is dismiss it all and say it's a hoax. It may be or may not be," said Prof Roberts. "The fact that it was found near a US air base suggests there may be a military component to it." A spokeswoman for the US air force said it had never made such models of an alien, the figure was not government property and the serial number could mean it had been catalogued by a museum. "It's a hoax," the spokeswoman said. Prof Roberts admitted it could be a film prop dating from the 1960s, but said he was not surprised at US denials: "That is the US air force line. They deny these alien encounters. It is quite possible they concoct stories to cover up for more nefarious activities."And the Marcabians don't know everything either. Oh, they think they do. But they only know what they have to do to keep their status. And that's coming down from Marcab. At least they are not doing implanting anymore. But remember it's not all that cleanly cut as I'm saying. You always have Marcabians who are working for the implanters and implanters that are infiltrating the Marcabians, and people that try to take us over and fail. And we are always going inside their lines and look and see what they are doing. But basically you have all the truth here. And you have the decision, and you have now the data with which you can see what it's doing and who is doing it. So without the help of Ron and the beginning of the tech project we could not have done this. And what is the key to all this that he gave us? He didn't just say - Here's the tech project and one or two of you can do it, and maybe you go free. He set up a system where one person could help another. Now that is what differentiates a real games master from interference people and just take-over people. You notice the implanters are not teaching anyone how to help anybody. You heard what they had down there on level 5 and 6 and 7. And the Marcabians are not here to help you, because they still want to maintain the control. They'll let you have a little freedom as long as you conform. But they don't teach you how to help each other, because if you could help each other you might grow big and expand and get free. You might start your own company and make a better car than the Mercedes. Yeah. You see? So they ain't gonna help you either. They will allow you to exist. And the implanters will also allow you to exist. But you won't even know it. OK. So that is the game and that is the control measures and thanks to LRH we have the way out. We never until this moment understood all of what he was saying and how wide it covers. It's a whole intergalactic game and it has something to do with this planet. And now you are in possession of as much truth as we know about at the moment on the intergalactic scenario. You know more than the leaders of your government. You know more than the MJ 12 Committee. If they've heard any rumors about this they're afraid of it. And they can't believe it. The implanters have told them We have all the power, we have all the technology, you know. But they don't, you see? So you have now more truth and knowledge about what is happening on this planet than anyone else. What are you gonna do about it? I think that you might all agree at this point that an idea can influence a whole civilization. And the idea of a free zone planet where everyone can choose for themselves, if they know all the data, I think you'll agree that that's a pretty good idea. You know something? Because of the rules and regulations that have been laid down, decrees about this area, no one can stop you from doing that. They can try to interfere with you and all that. You might find it a little hard to get it done, but you'll also find a lot of cooperation. Because people are tired of being lied to all the time. They really know deep down there is some truth somewhere. So it would be a good idea to get this around on a proper gradient with perhaps the help of the video and so on like that. Invite your friends and so on. Make it into a big thing. And you'll find that all of a sudden you know what that story in the newspaper means. You know when this comes. Oh yeah, I know about that, Yeah. See? You're in a position of power on this datum. And one of the rules of power: Don't disconnect. Use your connections to spread the power. OK? Again I thank LRH for the opportunity and the chance to do this. And I thank all of you for being here, because you have in your hands now the key to the future. Use it well! Thank you very much. OK. Thank you very much for coming. I thank Doro for the translation. Let's give her a hand. Maria and Stephan for helping set up the event. Diane for telling us of Mr. Hamilton. And also before we go I'd like to tell you that we still have some tapes left from the UFO tapes that could be a good introduction to other people. Just listen to these tapes about UFO's. They are actual stories. And they have in there the Free Zone Decree, the Non Interference Decree talked against a background of sort of spacy music and it's very interesting tape, if you want to disseminate a little bit about...what, to go to the event or something. Hear this tape, see what you like about that. It's just stories and music about UFO's. And it can't hurt anybody, if they don't know about it. OK? So thank you very much and have a safe drive home. And let's have a good future.The following is a list of questions that were directed to former Dulce Base Security officer Thomas Edwin Castello approximately a year before his death [or disappearance]. They are followed by his responses:QUESTION - When exactly was the [upper human-occupied level of the] Archuleta installation constructed? ANSWER - I heard Dulce was started in 1937-38 by the Army engineers, enlarged over the years, most recent work was completed 1965-66 to connect tunnels to the Page [Arizona] Base, site of one of the older underground facilities. The four corners base is called PERICA. Most of the Native Americans [the Indians] living in that area are aware of that base, and could tell us about the underground life forms that frequently are spotted near those communities, Bigfoot, etc. (Note: The references to the Dulce base here deal mainly with the upper levels, not the extreme lower levels which include vast natural caverns and, some believe, very ancient tunnel systems as well. This would include the tunnels illuminated by phosphorus pentoxide which the alien grays avoid, and the origin of which is unknown. In fact sources have informed us that some of the underground NORAD facilities of Colorado were constructed within already-existing cavern systems, suggesting that Ray Palmer and Richard Shaver were correct when as early as the mid-1940's they wrote about the government's search for ancient underground cave and tunnel systems to be converted for their own use. - Branton)Q -- By what means was the [upper] installations constructed? Are you familiar with the alleged developments made by the Rand Corporation of a highly-efficient bore or mole machine capable of melting rock using nuclear powered wolfram-graphite tipped 'drill-cones'? A -- According to several senior maintenance workers, part of it was blasted by nuclear devices in the sixties. There are sections, like the shuttle tunnels, that were formed by an advanced tunneling machine that leaves the tunnel walls smooth. The finished walls in those tubes resemble polished black glass.Q -- By WHOM was the Dulce installation originally constructed? A -- Nature started the caverns. The Draco [reptilian humanoids] used the caverns and tunnels for centuries. Later, through RAND Corporation plans, it was enlarged repeatedly. The original caverns included ice caves and sulfur springs that the 'aliens' found perfect for their needs. The Dulce caverns rival Carlsbad caverns in size. (Note: Carlsbad caverns and especially the adjacent Lecheguilla caves are 'officially' among the largest and deepest in the world, with several 'leads' that remain to be explored by professional speleonauts - Branton)Q -- What exactly are the cattle [and human] organs such as blood, anal tissue, eyes, reproductive organs, tongues, etc. used for -- i.e. the organs obtained via cattle and human mutilations? A -- Read the so-called Dulce papers [for more information].Q -- Are the various electromagnetically-controlled air or space craft -- [that have been seen] leaving from and arriving at Mt. Archuleta -- manned by humans, the 'alien entities', or both? A -- Archuleta Mesa is a minor area... the craft leave [and are stored] in five areas. One is SE of DULCE, one near Durango Co., one at Taos, N. M., and the main fleet is stored at LOS ALAMOS [under]. (Note: I believe Thomas Castello is referring to the 'joint-operational' fleet. From combined sources however it appears as if Dulce is absolutely SURROUNDED ON ALL SIDES by 'alien' bases, and that Archuleta peak -- although apparently the central NEXUS of the entire underground network -- is nevertheless just one part of an overall complex that some claim is nearly the size of Manhattan! One source has indicated that there are chambers a few hundred feet below the very town of Dulce itself that are part of level one of the facility. This close proximity may explain why it has usually been described as the 'Dulce Base'. Apparently even with his high-security clearance, Thomas Castello was only familiar with one part of the overall mega-complex which underlies the area. Whatever amount of activity is taking place there, different sources seem to indicate that the town of Dulce nevertheless lies over a major crossroads, convergence or 'intersection' area of alien activity even though the 'core' of alien activity has been extended to Los Alamos. Los Alamos and the mountainous regions east and southeast of it in and around the Santa Fe National Forest seem to be the MAJOR 'nest' of Reptiloid/Gray forces in North America, although there is also a large number of 'dens' scattered throughout the underground networks between Dulce and Area 51. Dulce seems to be a major 'through' point for exterran and subterran reptilian activity, a central 'infiltration' zone for surface operatives, as well as an operational base for abduction-implantation-mutilation agendas and also a major convergence for sub-shuttle terminals, UFO ports, and so on. - Branton)Q -- Others have suggested that some of the entities below Dulce are not of 'extraterrestrial' ORIGIN, and that they are actually descended from saurian or reptiloid beings such as the Velociraptors or Stenonychosaurus Equallus -- a 'serpentine' race or races similar to that hinted at in the third chapter of the book of Genesis? A -- Yes, some 'reptoids' are native to this planet. The ruling caste of 'aliens' ARE reptilian. The beige or white beings are called The Draco. Other reptilian beings are green, and some are brown. They were an ancient race on Earth, living underground. It may have been one of the Draconian beings that 'tempted' Eve in the Garden of Eden. Reptoids rightly consider themselves "native Terrans." Perhaps they are the ones we call the Fallen Angels. Maybe not, either way, we are [considered] the 'squatters' on Earth.Q -- Some have suggested that the so-called underground 'E.T.' bases and tunnels may, for a large part, be literally thousands of years old... constructions of an antediluvian race which attained to a considerable level of scientific complexity, and who were destroyed by a Divinely-initiated cataclysm which took place after they attempted to merge their science with occult/supernatural forces. For instance some have suggested that the Bermuda Triangle phenomena may be the result of an out-of-control Atlantean experiment that led to a space-time disaster which produced "electromagnetic fallout" in the Triangle area and elsewhere after they had accidentally loosed powerful forces and energies into the world that they knew very little about. Do your observations tend to confirm or refute such a possibility? A -- I'm not sure about the Divine part, but these 'aliens' consider themselves 'NATIVE TERRANS.'A -- Where do the little gray Aliens fit in? Q -- They work for, and are controlled by the Draco. There are other gray skinned beings that are not in league with the Draco.Q -- Did you ever talk to any of the 'Aliens' at the Base? A -- Since I was the Senior Security Technician at that base, I had to communicate with them on a daily basis. If there were any problems that involved security or video camera's, I was the one they called. It was the reptilian "working caste" that usually did the physical labor in the lower levels at Dulce. Decisions involving that caste were usually made by the white Draco. When human workers caused problems for the working caste, the reptoids went to the white Draconian 'boss', and the Draco called me. At times, it felt like it was a never ending problem. Several human workers resented the "no nonsense" or "get back to work" attitude the working caste lives by. When needed, intervention became a vital tool. The biggest problem were human workers who foolishly wandered around near the "OFF LIMITS" areas of the "Alien Section." I guess it's human nature to be curious and to wonder what is past the barriers. Too often someone found a way to bypass the barriers and nosed around. The camera's near the entrance usually stopped them before they got themselves in serious trouble. A few times I had to formerly request the return of a human worker.Q -- Are there other sites tied-in to the 'shuttle network' other than those which you mentioned, and if so, where are the entrances? A -- WHERE!?! EVERYWHERE! THEY CRISS CROSS THE WORLD AS AN ENDLESS SUBTERRANEAN HIGHWAY. LIKE A FREEWAY, EXCEPT THIS ONE IS UNDERGROUND... The subterranean highway in America is like a freeway except it's underground. That highway depends on electric motors [for trucks, cars and buses] for the paved roads, and it is for limited travel. There is another style of transit for freight and for passengers that is for rapid travel. That world wide network is called the "Sub-Global System." It has "check points" at each country entry. There ARE shuttle tubes that 'shoot' the trains at incredible speeds using a mag-lev and vacuum method. They travel at a speed that excels the speed of sound. Part of your question involves the location of entrances to that base. The easiest way to answer is to say every state in the U.S.A. has them. Frequently, the entrances are camouflaged as sand quarries, or mining operations. Other complex portals are found on military bases. New Mexico and Arizona have the largest amounts of entrances followed by California, Montana, Idaho, Colorado, Pennsylvania, Kansas, Arkansas and Missouri. Of all the state's Florida and North Dakota have the least amount of entrances. Wyoming has a road that opens directly into the subterranean freeway. That road is no longer in use, but could be reactivated if they decide to do so, with minimal cost. It's located near Brooks Lake.Q -- Are there any 'bases' in the state of Utah? (Note: Thomas mentioned several areas surrounding Utah -- Colorado, New Mexico, Arizona, Nevada and Idaho, where there are 'connections', but little on Utah which according to some sources lies directly over one of the largest NATURAL cavern systems in North America, one that is said to reach deep beneath the Western Rockies as well as beneath the Bonneville basin) Have you heard anything about an alleged underground installation within the Wasatch Mountains...? A -- Salt Lake, Lake Powell Area, Dark Canyon, Dougway Grounds, Modena, Vernal. All have exits there. Others too. (Note: There have been many rumors of ancient 'tunnel' systems being intersected during the excavations of sub-basement levels below major industrial and mall areas in downtown Salt Lake City. Various stories surrounding these tunnels include: explorers who have entered the tunnels and never returned; reports of 'lizard people' down in the labyrinths; reports of grays working with humans on electronic equipment and massive building projects going on in huge caverns beneath the mountains to the east; reports of humans who are part of an Asian-based 'Agharti' kingdom who maintain colonies within the tunnels and caverns below -- and who are in conflict with the reptiloids, grays, and a group collaborating human fascists from a network of massive underground facilities beneath the Neu Shwabenland region of Antarctica; reports of men in suits having been seen pacing back and forth through large underground chambers carrying uzi machine guns; reports of seemingly bottomless shafts; large tunnels strung with lights that are "big enough to drive a semi-truck through"; sections of tunnel walls that looked solid yet which one could put their hands through; rooms which emanate a strange greenish phosphorescent glow; abductees who are taken below and encounter all types of aliens; discs that have been seen emerging from the mountains to the east and attacking incoming UFOs over the valley; Dungeons & Dragons fanatics who have been down in the tunnels and tell wild stories of hundreds of miles of maze-like passages; reports of connections to the tunnel systems via the sewer-drainage network especially underneath the downtown "Crossroads" area; reports of alien activity similar to that which has been described in connection to Dulce New Mexico; and reports of a huge cavern network that reaches beyond the border of the state in all directions -- a huge network that connects the underground systems of Nevada with those of New Mexico. There is a famous story which is not openly talked about -- there are two versions... both may be true. In one version a Mormon Temple worker penetrated an underground tunnel below the 'square' in downtown Salt Lake City and traveled for some distance through a series of underground catacombs until running into a 'lizard' like man. The creature attempted to attack him but the man escaped and managed to find his way back to the surface. He began telling other people what had happened and soon afterwards the 'government' arrived in the area and went in and closed off many of the tunnels leading to the sub-basements of the Temple. Presumably there was some heated debates over how much of the underground system this denomination was allowed to control. A similar dispute apparently occurred to the southwest where the LDS church maintained a large storage facility under Granite Mountain in Little Cottonwood canyon, within the upper levels of a vast network of caverns. Fascist CIA elements and the Grays came in and took control of the larger caverns deeper within the mountain and ordered the 'vault' workers to stay out of the 'forbidden' areas -- and stated that the "U.S. Government" was now using them for "National Security" purposes and that it was their "patriotic duty" to maintain the secret. The other version concerned a custodian who entered a tunnel near the cinemas area below the Crossroads Mall across the street and to the south from the temple square, while excavation was being carried out in a that part of the Mall. The worker entered the tunnel and before long encountered a 'serpent' type man, beat a hasty retreat, and told his fellow workers what he had seen. The FBI and/or the local police soon arrived and sealed the tunnel. Another story involved a young man who, along with a friend, had used a chain tied to his pickup truck to rip-up a manhole cover in the area near the 'Mall' and the 'Square'. They navigated through a maze of sewer passages underneath and came to a shaft that descended in a series of 5 small 'rooms' one below the other, and from the bottom room a tunnel led south into a large chamber wherein they saw a seemingly bottomless shaft, a large southwest tunnel strung with lights and 'large enough to drive a semi through', and the footprints of some type of three-toed bi-pedal creature. Other sources imply that early pioneers and settlers of the area who explored these tunnels came in contact with and in some cases even joined with some of the Telosian-Agharti-Melchizedek-Mayan underground colonies below the Salt Lake Flats, the Salt Lake Valley and the Western Rockies. These subterraneans had formerly established territorial agreements with the Reptiloids and Grays before the aliens begun invading their subterranean lands below the intermountain west en-masse in the early 1900's. The treaties were part of an attempt to stave off a possible inter-species conflict, as skirmishes between the humanoids [Teros] and reptiloids [Deros] within the cavern networks of North America had been increasing since the 1920's, 30's and 40's. Because of a somewhat non-exclusive collective-mind with which these humans interacted, it was decided that one possible way to 'convert' the reptilians into becoming beings of emotion and compassion was to allow them access to the group consciousness. The reptiloids however, once given access, immediately began taking advantage of the collective and used it to CONTROL the humans on a subliminal basis. The ease with which this occurred may have been enhanced by the fact that the Reptiloids and Grays were already operating as part of a collective or group mind, one which was far more complex than the Ashtar or Astarte collective itself which many of the 'Aghartians' depended on. This suggests that the reptilian 'collective' or HIVE itself is absolutely void of any and all care, concern or compassion for human beings. Individual reptiloids operating distinct from the draconian collective might however be 'tamed' by other collective-free humanoids in some cases -- as some have reportedly been 'tamed' by the Andro-Pleiadean worlds. If the non-humans could be severed from the 'collective' they might be deprogrammed and reprogrammed so-to-speak and even attain individual awareness and a degree of emotionalism. In such cases it would not be advisable to give these creatures equal standing among humans, and absolute subservience and monitoring should be enforced even if means were found to sever them from the collective mind network. When dealing with the reptilian forces, unconditional surrender should be first offered, and if this is not accepted than direct military action would be justified especially in light of the many permanent 'abductees' whom the Greys and Reptiloids have taken captive [those who are still alive] to their underground systems. Most of the treaties that the humanoids had made with the reptiloids 'down under' have since been broken... especially following the Groom Wars of 1975 and the Dulce Wars of 1979, during which time much of the underground U.S. base networks [which were funded by American tax dollars by the way] were taken over by the Grays. Some sources have implied that the aliens took advantage of the chaos especially during the Dulce wars and commenced to invade and conquer several of the older underground colonies. This apparently led to a rift in the 'Ashtar' collective, with many humanoids and hybrids splitting off and joining with the Andro-Pleiadean Federation non-interventionists, and many reptiloids and heartless humanoid agents splitting off and joining with the interventionists of the Draco-Orion Empire. The Sirius-B system which -- aside from Arcturus and Sol -- has been the major center of 'Ashtar' activity, has since been shaken by this split between the two opposing Ashtarian factions and war had reportedly raged through the Sirius system for several years, according to some 'contactees'... an apparent reflection of the division within the underground networks of North America between the Pleiadean-backed Sirian humanoids and Orion-backed Sirian reptiloids which both had maintained operations within the underground levels before the "Dulce Wars" broke out. The Dulce wars were just the mere tip of the proverbial iceberg when we consider that the overall events which happened at Dulce had a chain reaction effect throughout this whole sector of not the galaxy. Before the division occurred, the reptiloids were invited to take part in 'peace talks' in Telos and elsewhere as an act of good faith, but the reptiloid-grey collectivists were more interested in expanding their empire and feeding their insatiable appetite for conquest than they were in making peace, although they agreed to peace treaties that they never intended to keep for 'Trojan horse' manipulation purposes. There is a remnant collaboration such as that taking place in the underground facilities near Paradox Nevada where collectivist humanoids and reptiloids from Sirius and Sol still maintain a collaboration of necessity -- in order to establish a global control system, however a large number of humanoids within the underground systems are at war with the collectivist-interventionist Reptilian infiltrators who would otherwise 'assimilate' these humanoids into their collective through deception, espionage and mind control. Now several contactees like Alex Collier, Ray Keller, Stan Johnson and others are claiming that the conflicts in Sirius between the Andro-Pleiadean backed Ashtar forces and the Draco-Orion backed Ashtar forces -- which were infiltrated and commandeered by Draco-Orion agents -- have now spread to the Sol system, as both stellar superpowers have focused on this most strategic system, intent on protecting their respective 'interests' here from being subverted by the other side. - Branton)Q -- Did you notice any involvement of high-level Freemasons, Rosicrucians or Jesuits within the underground installation and/or with the aliens? (This question is based on the assumption made by some researchers that many of the Masonic lodges were, beginning about 1776, infiltrated by the Bavarian Illuminati. Much of the Masonic world is ultimately controlled by the Bavarian-lodge-backed 33+ degrees of Scottish Rite Masonry, a 'Rite' which according to early Masonic authority Rebold can be traced back to the JESUIT college atClermont in Paris -- a Rite which advocates the destruction of national sovereignties in exchange for world government, the destruction of religious and especially Judeo-Christian movements, and the destruction of the family-structure to be replaced by 'State' control of children, etc., as opposed to the more traditional Protestant-Christianized YORK RITE of Masonry which the SCOTTISH RITE has attempted to subvert since its inception into Masonry. This question was also based on claims from a former 33rd degree Mason, James Shaw, that the Scottish Rite headquarters in the "House of the Temple" -- which lies at the northern apex of the pentagram-like street layout of Washington D.C. -- is filled with all kinds of indications of serpent worship in the form of murals, carvings, statues, etc., depicting serpentine figures.Actually, from what my sources tell me, not only are there degrees beyond the 33rd degree, but the 33rd degree itself is made up of two cores, an inner and outer core, the 33rd degree and the 33+ degree.In the past when the 33rd degree initiation was reached a potential initiate might have been given a Bible or a Cross and asked to spit on it or desacrate it in some manner. (Less)
Channel: megavideo Rate it: Rate:
531, 02:43, 2008-04-17 15:10:59 Description: Ray Price Portrait of a Legend Stories About Ray The lights dim. The sixtyish-looking woman beside me, a complete stranger until fifteen minutes ago, clutches my arm in excitement. It's the (More) Ray Price Portrait of a Legend Stories About Ray The lights dim. The sixtyish-looking woman beside me, a complete stranger until fifteen minutes ago, clutches my arm in excitement. It's the first time she'll see Ray Price in person. This mature audience in Laughlin, Nevada, seems to appreciate the fact that the living legend on stage, now in his early seventies, is still youthfully handsome, his voice as powerful and melodious as ever. Near the end of the show, Ray introduces a song written, he tells us, by a "dear friend" who brought him as a young Texas kid to Nashville and got him on the Grand Ole Opry. "I lived with my friend for almost a year before he passed away." He pauses, his eyes seeming to wander back to that long-ago time. "So, if you-all don't mind, I'd like to sing you one of the late Hank Williams' songs." The crowd responds with a huge ovation as Ray begins Hank's "Mansion on the Hill." After the show I'm set to interview Ray Price. I want to learn more about that famed friendship. It's a dramatic story, I feel, one that will say much about how a true friend can ease your path, whether you're on the way up--or the way down. The year was 1951. Early autumn. There was a slight chill in the air outside on Nashville's streets. Inside Studio C at station WSM, the atmosphere was tense for the dark-haired young singer from Texas. He had just driven all the way to Nashville, probably breaking a few speed laws on the way. If there were stars in the newcomer's intense blue eyes, he had every reason to be thrilled and enormously impressed. Ray Price was about to meet Hank Williams, the reigning country music star of the day. Not only that, Ray was going to sing on his show. Ray had a few minor recordings and some local Texas performances behind him. Twenty-eight-year-old Hank Williams was already a national phenomenon. Songs he'd written were blasting from every radio and juke box across the country. But ole Hank didn't let that stand between them. Ray, recalling that first meeting, says. "It was one of those instant friendships. I liked him; he liked me. For some reason we hit it off right away." They went to Hank's home after the show and talked for hours about their hopes and dreams. Price, a 25-year-old former veterinary student, had a clear, vibrant voice that many felt might be wasted just talking to horses. He had recently signed with Columbia Records. "All you need," Hank told him, "is a hit record. And I'm going to write one for you." Quite an offer. At that time Hank's songs were being grabbed up by big-name pop singers like Tony Bennett, Jo Stafford and Rosemary Clooney. Tunes like "Cold, Cold Heart," and "I Can't Help It If I'm Still In Love With You" were hitting the tops of the charts in both country and pop markets. Hank followed up on his promise. The day after they met, he took Ray with him to a singing engagement in Evansville, Indiana. During the miles of rolling countryside between Nashville and Southern Indiana, creative ideas flew back and forth. Hank and Ray ended up writing "Weary Blues from Waiting" together. Said Ray, "We'd think up a line, each one of us, and then we'd do another. When we got there it was all written. I didn't put my name on it because I couldn't; I was with another company." Quite a team. Hank, who has been dubbed "The Hillbilly Shakespeare," could capture heartfelt emotion with ease in a few poetic word pictures. By the end of his brief life, he'd written 129 songs, many of them still favorites today. Ray, a fine songwriter too, had the more powerful impressive voice. But in mid-October 1951, it must have made sense for Ray to record "Weary Blues from Waiting" in Hank's highly popular plaintive style. Columbia released "Weary Blues" in November and gave it a big advertising/publicity splash because it was, after all, a Hank Williams song. But it didn't turn out to be the big hit hoped for, the hit that would have led to the Grand Ole Opry, the mecca of all country music performers. Hank didn't let that stop him. A few weeks later, he phoned Ray, who was performing back in Texas, and gave him the big news. If he could be in Nashville by the next day, he had a spot on the Grand Ole Opry. Another frantic trip. Ray burned rubber off four tires getting there. In January 1952, Ray moved to Nashville and soon became a regular on the Grand Ole Opry. A world of possibilities was opening up for him. But while Ray was moving upward in his climb to fame, Hank began to hurtle into free fall. He'd reached the pinnacle of his brief career, and his meteoric blaze in the sun would soon burn out. Separation that January from his wife, Audrey, started off the downhill plunge. Severe problems from a recent back operation added fuel to increase the periodic drinking that had long plagued him. Hank began to drink more and more to ease the the pain and heartache. His career suffered. Although he was still writing and selling songs, he began to miss perfomances or, worse yet, stagger on stage drunk. Ray was quick to defend Hank on that score. "He was not the type to go out in public drunk. When he drank, he drank a glassful at one time, and then another glassful, until he was totally wiped out. And he would stay in his room. The operators or the promoters would drag him out drunk." Ray was hired to accompany Hank on his singing engagements. "They used to send me along to sort of look out for him," Ray explained. "They knew Hank liked me, that he'd listen to me." But Hank's drinking put Ray in a tight spot more than a few times. In a scathing review, a newspaper reporter described one of these performances in Richmond, Virginia, on Jan. 29, 1952. It told how Ray Price had to come on stage and apologize for Hank, stall the crowd by singing Hank's songs, and then declare a half-hour intermission. When Hank finally appeared, he was so drunk that fans began to demand their money back. Ray tried to calm everyone down, calling out, "We all love you, Hank, don't we?" How did it feel filling in for Hank on these tours? Ray's response was fond and overly modest. "There was no way I could fill in for Hank; all I could do was kill time for him." With a reminiscent smile, he added, "He was the top dog." Ray was not about to let Hank down. After Hank and his wife separated and Hank needed a place to stay, Ray came to his rescue. The two moved into a two-story stone duplex in Nashville. Ray lived upstairs and Hank on the first floor. Ray did most of the housework and looked after Hank while he recuperated from the back operation he'd undergone a few weeks earlier. At that point, Hank was optimistic he could patch things up with Audrey and go back to his home and family. But taking care of Hank proved as much of a challenge as touring with him. His alcoholism had advanced to the point where he wouldn't eat while he was drinking. But if Ray could get him to start eating, he'd straighten out. If the food wouldn't stay down, however, he'd reach for the bottle right away and just sit in his room and keep on drinking. The last straw was when Hank lost hope that Audrey would reconcile with him. When she filed for divorce Hank was devastated. According to Ray, who accompanied Hank to the property settlement discussions, Hank was overly generous, giving Audrey much more than was required. He wanted to prove to her how much he still loved her. The divorce went through anyway and plunged Hank into further gloom. In the brief year Hank and Ray knew each other, there was not much time for light-hearted moments, for the hunting and fishing they might have shared in happier times. "We went and tried to fish, but..." Ray's voice trailed off, seemingly reluctant to explain just why the fishing trip never came off. He shifted the subject. "He liked to shoot a pistol. We'd go out on the target range." Hank continued to write songs for Ray. One of them was "I Can't Escape From You," which Ray duly recorded. But Hank also offered Ray some of his biggest hits, songs like "Jambalaya," and "Take These Chains From My Heart." Hank would bounce them off Ray and ask "What do you think of it? I wrote it for you." When Ray predicted they would be hits, Hank would often change his mind and take them back to record himself. Possibly Hank recognized Ray's ability to spot a hit, an ability proven later when Ray helped "launch" the songwriting careers of such "greats" as Willie Nelson, Roger Miller, Harlan Howard, Bill Anderson and Kris Kristofferson. During the early months of 1952, living in the same house with Hank as his alcoholism progressed must have been difficult. One evening, Hank is said to have double-dated with singer Faron Young, but Hank preferred Faron's girl to his own. By the end of the evening when Hank was loaded, he called Faron into a bedroom and pointed a gun at him. He wanted to switch girls; he claimed to have fallen for Faron's date. Faron, understandably, agreed. Whether that story is true or not, Hank did end up marrying the girl, Billie Jean, later that year. But Billie Jean couldn't stop Hank on his downhill plunge. Hank finally became so far gone in his alcoholism that Ray, along with Don Helms, a member of Hank's band, were afraid he'd drink himself to death. They arranged to have him sedated and committed to the Madison Sanitarium to undergo treatment. Hank Williams' biographers have written that Hank was so furious that he ordered Ray to move out of the house, then later apologized and begged him not to leave. Ray, who was already loading a truck, is said to have responded. "I've got to." Ray revealed to me that he moved out of the house at that time, but not out of Hank's life. He moved for personal reasons that had nothing to do with Hank. He continued to be very much involved with Hank's activities. In August, Hank's drinking problem became too much for the Grand Ole Opry, where he had been a top star. They fired him. After Audrey and the divorce, it was another devastating loss for Hank. He left town to go to work for the Louisiana Hayride in Shreveport. Ray remembers the day Hank left Nashville. As he was driving into town, he saw Hank in a service station, standing beside his Cadillac. Hank lifted his hand and motioned for Ray to stop. "Where are you going?" Hank asked as Ray pulled in. "Where are you going?" Ray wanted to know. "Back to Shreveport." He kind of laughed when he asked Ray, "You wanta come?" "I better not," Ray said. He would only see Hank alive one more time after that. Ray's career success continued to escalate in Nashville that fall as he became one of the the hottest entertainers in town. Hank had dreams of straightening out his life and returning to the Grand Ole Opry. It never happened. The final meeting of the two friends occurred at the Big D Jamboree in Dallas shortly before Christmas 1952. Hank caught sight of his friend and walked toward him smiling, singing a few lines from Ray's latest hit, "Don't Let the Stars Get in Your Eyes." They talked, and Hank suggested to Ray and his mother that he "might just come over and spend Christmas with you." They warmly invited him to do so, but Hank went back to his family in Alabama instead. Hank and Ray did make plans to get together in Ohio, however. They both had engagements in that state on New Year's Eve--Ray in Cleveland, Hank in Canton, fifty miles away. They arranged to meet in Canton on New Year's Day. By the end of 1952, the mid-section of the country was in the throes of a fierce winter storm. Hank, who had planned to fly to Canton, hired a chauffeur instead to drive him North in his powder blue Cadillac sedan. Ray was able to get the last flight out of Nashville. Hank couldn't sleep the night before that trip. He told his new wife, Billie Jean, that he saw "God comin' down the road." His health had been deteriorating. The trip was to prove his undoing. He died somewhere in West Virginia in the back seat of his Cadillac. The driver knew Hank had been drinking heavily and thought he had merely passed out. The death wasn't discovered until they pulled into the town of Oak Hill on New Year's day. Officially his demise was attributed to a heart attack. The meeting in Canton, Ohio, on New Year's Day between the two friends never took place. Instead, Ray was among a host of fellow performers bidding goodbye to the great Hank Williams at a massive funeral in Montgomery, Alabama, on January 4, 1953. All the stars of the Opry were there. The radio stations had been playing his music night and day. Fans wept. Hank was back in the fold again, a country music legend for all time. Hank Williams's career was brief, but unforgettable. In 1962, he one of the first performers to be inducted into the Country Music Hall of Fame. Ray Price is still a star, a living legend, who has helped revolutionize more than a few changes in country music. In 1956, Ray's unique recording of "Crazy Arms" was a top hit for forty-five weeks, knocking even Elvis off the charts. It clearly established Ray Price as a leading light in country music. But Ray, in 1967, went in a new direction and with his concert-calibre voice, backed by dozens of violins, soared into a beautiful, show-stopping rendition of the classic, "Danny Boy." Unperturbed by criticism that he had deserted country music, Ray went on to new cross-over heights with his early 1970's hits, "For the Good Times," and "I Won't Mention it Again." Erasing the boundaries between country and pop became a vital issue for Ray Price. He had long resented the fact that Hank's songs were eagerly gobbled up by the pop world, but the country singer himself found it more difficult to cross over at that time. Today, however, Hank Williams is a household word, and Ray, still touring throughout the country, pays tribute to his mentor at each concert. In 1996, Ray Price was inducted into the Country Music Association Hall of Fame. In 1999, he celebrates his fiftieth successful year in the music business. Hank would have been proud of his protege. If you have a story or anecdote about Ray Price that you think Ray's fans would enjoy, we invite you to submit it for possible publication on this site. We're looking for anecdotes that are amusing, cute, heartwarming, or illustrative of the qualities that have made Ray Price a legendary performer. Please email your entry to fan club president SANDRA ORWIG at rpfc40@aol.com. The Day Ray Price almost fell for me Every Sunday back in the 50's the Country Music stars came to the Lyric theater in Indianapolis IN, and I never missed a one. One Sunday when I was around sixteen or there abouts, I had went to see George Hamilton the 4th, and was sitting in the first row, when this good looking guy tried to go pass me for a seat (you know how those theater seats are *S*) and I stuck out my foot to trip him, he just about fell!! Then in a little bit, George said We have a special guest with us tonight and we'd like to get him up here to sing a song for you. Well this good-looking guy got up and went on stage, George said,we'd like for you to meet Mr. Ray Price! Boy was I embarrassed. So I'll never forget how Ray almost fell for me! *S* I have loved Ray ever since! Written by:Liz Puett Reprinted with permission from Dick Shuey's Country Music Stories His Usual Considerate Self It had been many years since I had seen Ray when he was at the Choctaw Festival in Tuskahoma, Ok, a few years ago. I was so excited at seeing him again, so I made a special shirt to wear. It was a red t'shirt and had the slogan, "I love Ray Price" printed in white. My greatest desire was to have my picture made with Ray. After the show he was signing autographs and I waited until he was almost through then asked him to sign my shirt. Then my son took our picture. My son then told me he thought the flash malfunctioned and he was not sure it would be a good picture. I said we would wait until he was finished and maybe try again. Before Ray had signed the last autograph someone was calling from the bus to hurry, they were running late and had to go. He said ok, but first he had one more picture. Then he walked over to me, smiling, and said, "Now, let's get a good picture." He had heard my son's comment and took time to redo the picture although he was running behind schedule. What a guy!!!. Oh, yes both pictures were good. At another concert some months later in Omaha, Texas, I had injured my leg and was on crutches or wheelchair. After the show the line was very, very long and I knew I could not stand that long. So I resorted to the wheelchair. As we approached the table we were talking with Cliff and I mentioned I wanted to take a picture with Ray. And I was wearing another special shirt that said 'I still love Ray Price' Ray heard us and immediately got up and came around the table. He helped me out of the chair, signed my shirt and my son took our picture. On that particular night Ray was fighting a severe cold and was very sick, but that did not keep him from being his usual wonderful, considerate self. I could go on and on and on about Ray. He sure made a hit with my son who grew up on Ray Price music. I even told Ray my son, also named Clifton, could say Ray Price almost as soon as he could say Mommy. Thanks for all you do to promote 'our guy'. Florine It Wasn't Just A Cock-and-Bull Story The first time I met Ray Price was at the Travis County Live Stock Show & Rodeo. My husband and I had only been married a couple of years and I told him I would love to go and see Ray Price. He told me sure we could go and that he had known Ray for many, many years and that he used to handle game roosters for Ray when Ray would fight them in Oklahoma and Louisiana. At this point I was glad to get to go but had major doubts about how well he knew Ray. We bought 4 front and center tickets and waited for what seemed like forever. The night finally come. We got all made up in our best rodeo clothes to go and see the great Ray Price. I didn't watch much of the rodeo for looking to see if Ray was at the autograph table and waiting to hear him sing. The whole way to the rodeo ( an hour drive one way) my husband kept saying him and Ray this, him and Ray did that. Me and the boys were really getting tired of hearing this and thinking that he was full of BS. Before Ray sang they announced he would sign autographs after the show. I set through the show in pure heaven. Ray's voice melting every bone. Right before he finished the last song I told my husband we had to hurry to the autograph place. We went and were first in line. In a few minutes a long, long line had formed. Earlier in the night I had bought a double album to get Ray to sign. My husband said don't buy it I'll get Ray to give you one. Again sure you will. I bought it anyway. We waited for what seemed like hours. The whole time my husband telling us more cute stories. Finally the lady behind us said sure you know him and laughed. That was what we had thought. About that time Ray came out stopped,looked at my husband and said 'Damn, boy, I haven't seen you for years.' They hugged and started talking as if they had just seen each other the day before. After we picked up our jaws, even the lady behind us, Ray chewed my husband out for buying the album and signed it for me. He told my husband that Duke and some of the other old group were up in the Ball Room. He told someone there with him to take us up to the Ball Room which was a black tie or suit and tie place. We were in jeans, western shirts, and boots. The materdee at the door told us you can't come in here you're not properly dressed an your not the type of people that come here. About that time the guy from Ray's band caught up with us and told him that they are guests of Mr. Price. You should have seen that guy jump threw the hoop. It was great. From then on we were believers. Every time we go and see Ray I ask for him to sing my favorite song For the Good Times and we stand in front of the band and it seems as if he is singing for just us. We had plans to go and see him again in Llano but he was sick. There would have been a second favorite to ask for this time Soft Rain. One day we will catch up with him and get it done. Friends and fans, The Skinners A Fan Club President Has Some Stories Too These reminiscences of fan club president Sandra Orwig are reprinted from her most recent newsleter. Ray was playing one of the largest Pennsylvania fairs with three other well-known country artists. Before the show began the head of the fair committee came to the bus and told Ray that if he did not want to autograph after the show he did not have to do so as the others were not going to do so. Ray's reply made me so proud. He said, "I don't care who autographs, I am." He was the top billed star and the only one that cared enough about his fans to stay out in the cold and sign every autograph. It was a very cold September night and Ray closed the show so it was very dark on the race track when he autographed. When he finished, Blondie said to him, "Let's go," and he said, "No, I have to go talk to Sandra's Dad." As most of you know, my father is handicapped and does not get to go see Ray often, but Ray made sure we were escorted to park by the bus and then, regardless of the cold, late hour and long trip ahead of him back to Texas, he took the time to talk with my Dad. Only one reason why he has "Touched My Heart." Sandra Orwig (from her newsletter #55) "His timeless music, incredible voice, and innovative genius have yet to be equalled by any other singer in today's country-music world." Ray Price is one of American music's truly great stars. He was inducted into Nashville's Country Music Hall of Fame in 1996, but has long shown his genius in other genres as well. After more than a half-century in the business, Ray can still belt out a song with the best of them, whether it's honky-tonk, country, pop, blues, jazz, or anything in between. With his May 2000 Buddha Records release--"Prisoner of Love"--Ray has delightfully proven this once again with a big-band-backed medley in many moods and styles. Audiences full of cheering fans still flock to his concerts whenever he's in town, and that's fairly often, for this vigorous Texan maintains a hefty tour schedule. On Inauguration Eve 2001, Ray was proud to be on stage in Washington, D.C., as one of the Texas performers who entertained enormous crowds at the Texas Black Tie and Boots Ball. This dynamic artist can be proud also of his role in the history of country music. In fact, he has helped to write that history as well as live it. He was born Noble Ray Price on January 12, 1926, near Perryville, Texas, and his musical talents became evident at an early age. While in college, Ray became a regular on KRLD radio's "Big D Jamboree" show in Dallas. On March 15, 1951, Ray signed with prestigious Columbia Records, and in 1952, moved to Nashville where his great friend and supporter was the legendary Hank Williams. Hank got Ray on the Grand Ole Opry and the two shared bachelor quarters during the last year of Hank's brief but memorable life. Ray's band was initially formed from the remnants of Hank Williams' band, the Drifting Cowboys. The band would later become the Cherokee Cowboys, and Ray himself would become known as the Cherokee Cowboy. Ray has always had an uncanny talent for recognizing quality in both music and musicians. The careers of many country music superstars, such as Willie Nelson, Roger Miller, Johnny Paycheck, Darrell McCall, Buddy Emmons, and Johnny Bush, began with Ray Price and the Cherokee Cowboys. Ray Price became noted for his magnificent show-stopping voice and honky-tonk hits throughout the 1950's. On the way to the top, he also helped revolutionize more than a few changes in country music. In 1956, when rock and roll was threatening to drown out the sounds of traditional country music, it took Ray's rendition of "Crazy Arms" to knock Elvis off the charts. That recording's 45 weeks at the top of the charts got people listening to country music again and clearly established Ray Price as a leader in the field. But Ray has never been so traditional that he didn't innovate. During the "Crazy Arms" recording session, he added drums and a 4-4 bass and shuffle rhythm that redefined the way country music was played for years to come. Then, just when everyone else in country was turning to that sound, Ray, in 1967, went in a new direction and added a large string section and with his concert-calibre voice soared into a beautiful, show-stopping rendition of the classic, "Danny Boy." Audiences were stunned by its beauty. His "Danny Boy" album made him new fans in sections of the country far beyond the Mason- Dixon line. But some in Nashville and the South thought he had deserted country music and didn't take it well. Unperturbed, Ray went on to new heights with his early 1970's hits, "For the Good Times," and "I Won't Mention it Again." He refused to accept boundaries between country and pop. Music was music. A lot of Ray's strong feeling about artificial boundaries in music goes back to his close association with his mentor and close friend, Hank Williams. Ray resented the fact that Hank's songs were eagerly accepted by the pop world but the country singer himself was not. At least in that day and age. A few year later he would have been, according to Ray. But not then. Erasing the lines between country and pop became a vital issue for Ray Price. With his own brand of individualism, he continues to cross musical boundaries and create songs and sounds for everyone. His latest album, "Prisoner of Love," was recorded with a 50-piece orchestra. It combines old country standards with beautiful ballads from all eras, and includes a few new songs never before recorded. This Country Music Hall of Fame legend is the soul of country music. He continues to be creative and expand conventional boundaries with his music, while never forgetting his roots. His timeless music and incredible commitment to performing has made him a bridge between the early days of country to today's contemporary country music. The Los Angeles Times has declared Ray Price to be 'a national treasure.' Another newspaper has compared him to Frank Sinatra. Ask any Ray Price fan, however, if that's true. Most of them will tell you that Ray Price has no equal anywhere when it comes to delivering a song and pleasing an audience. Born: January, 12, 1926 Years Active: 50's 60's 70's 80's 90's 2000's Related Artists: Kitty Wells, Harlan Howard, Carl Butler, Allan Sisters, Ferlin Husky sponsored content by biggerboat Released: 10/30/2007 1 disc / 21 Tracks Label: Warner Bros. Compare Prices Click for Additional Details Larry the Cable Guy Christmastime in Lar... Track Hear Sample Track Time 1 Introduction & Opening Monol... 6:41 2 Lapquest 0:31 3 Eulogy 2:59 4 Tobacco Company Choir 1:20 5 Plus-Sized Fashion Shorts 1:06 6 Nativity Scene 6:36 7 Farting Jingle Bells 0:38 8 Bobblehead Heating Dolls 1:06 9 Comedian Muhammad & Oscar 0:47 10 Holiday Carols 1:52 11 Santa's Q&A 10:58 12 Nutcracker 0:34 13 Dysfunctional Family Christmas 3:34 14 Liberal Commie Environmental... 3:25 15 Magic O' the Mime 1:43 16 1-900... 0:58 17 Chitmunks 4:06 18 Patriotic Poem 2:57 19 Medley of Carols 0:49 20 Closing Monologue 3:22 more tracks... Released: 10/30/2007 1 disc / 21 Tracks Label: Warner Bros. Hear Samples Click for Additional Details Seller Availability Price Buy.com In Stock $12.98 Amazon Usually ships in 24 hours $13.97 CDUniverse In Stock $14.74 Walmart Check site $14.88 J&R In Stock $14.99 Barnes & Noble Usually ships in 24 hours $18.99 You Might Also Like... Larry the Cable Guy Christmastime in Larryland Upcoming Concerts 12/01/07 Stafford Centre for the Performing Arts - Amphitheater Stafford TX view all tour information Ray Price has covered -- and kicked up -- as much musical turf as any country singer of the postwar era. He's been lionized as the man who saved hard country when Nashville went pop, and vilified as the man who went pop when hard country was starting to call its own name with pride. Actually, he was -- and still is -- no more than a musically ambitious singer, always looking for the next challenge for a voice that could bring down roadhouse walls. Circa 1949, Price cut his first record for Bullet in Dallas. In 1951, he was picked up by Columbia, the label for which he would record for more than 20 years. After knocking around in Lefty Frizzell's camp for six months or so (his first Columbia single was a Frizzell composition) Price befriended Hank Williams. The connection brought him to the Opry and profoundly affected his singing style. After Hank died, Price starting stretching out more as a singer and arranger. His experimentation culminated in the 4/4 bass-driven "Crazy Arms," the country song of the year for 1956. The intensely rhythmic sound he discovered with "Crazy Arms" would dominate his -- and much of country in general's -- music for the next six years. To this day, people in Nashville refer to a 4/4 country shuffle as the "Ray Price beat." Heavy on fiddle, steel, and high tenor harmony, his country work from the late '50s is as lively as the rock & roll of the same era. Price tired of that sound, however, and started messing around with strings. His lush 1967 version of "Danny Boy" and his 1970 take on Kris Kristofferson's "For the Good Times" were, in their crossover way, landmark records. But few of his old fans appreciated the fact. In the three decades following "For the Good Times," Price's career was often an awkward balancing act in which twin Texas fiddles are weighed against orchestras. Born in tiny Perryville, TX, Price spent most of his youth in Dallas. It was there where he learned how to play guitar and sing. Following his high school graduation, he studied veterinary medicine at North Texas Agricultural College in Abilene before he left school to join the Marines in 1942. Price stayed in the service throughout World War II, returning to Texas in 1946. After leaving the Marines, he initially returned to college, yet he began to perform at local clubs and honky tonks, as well as on the local radio station KRBC, where he was dubbed the Cherokee Cowboy. Three years later, he was invited to join the Dallas-based The Big D Jamboree, which convinced him to make music his full-time career. Shortly after joining The Big D Jamboree, the show began to be televised by CBS, which helped him release a single, "Your Wedding Corsage"/"Jealous Lies," on the independent Dallas label Bullet. Price moved to Nashville to pursue a major-label record contract in 1951. After auditioning and failing several times, Ray finally signed to Columbia Records, after A&R representative Troy Martin convinced the label's chief executive, Don Law, that Decca was prepared to give the singer a contract. Previously, Law was uninterested in Price -- he turned him down 20 times and threatened Martin never to mention his name again -- but he was unprepared to give a rival company a chance at the vocalist. Just before "Talk to Your Heart" became a number three hit for Price in the spring of 1952, Ray met his idol, Hank Williams, who immediately became a close friend. Over the next year, Hank performed a number of favors for Price, including giving him "Weary Blues" to record and helping him join the Grand Ole Opry. Ray also became the permanent substitute for Hank whenever he was missing or too drunk to perform. Following Williams' death in 1953, Price inherited the Drifting Cowboys. Following the success of "Don't Let the Stars Get in Your Eyes" in the fall of 1952, Price was quiet for much of 1953. It wasn't until 1954 that he returned to the charts with "I'll Be There (If You Ever Want Me)," a number two hit that kicked off a successful year for Price that also included the Top Ten singles "Release Me" and "If You Don't, Somebody Else Will." Instead of capitalizing on that success, he disappeared from the charts during 1955, as he spent the year forming the Cherokee Cowboys. Over the course of the past two years, he had realized that performing with the Drifting Cowboys had made him sound too similar to Hank Williams, so he decided to form his own group. Originally, most of the members were lifted from Lefty Frizzell's Western Cherokees, but over the years a number of gifted musicians began their careers in this band, including Roger Miller, Johnny Paycheck, Buddy Emmons, Johnny Bush, and Willie Nelson. Ray returned to the charts in 1956, first with "Run Boy" and then with "Crazy Arms," a driving honky tonk number that immediately became a country classic. The song was one of the first country records to be recorded with a drum kit, which gave it a relentless, pulsating rhythm. Until Price, most country artists were reluctant to use drums and the instrument was even banned from the stage of the Grand Ole Opry. The blockbuster status of the single helped change that situation. Spending an astonishing 20 weeks at the top of the country charts, "Crazy Arms" not only crossed over into the lower reaches of the pop charts, but it also established Price as a star. After the success of the single, he remained at or near the top of the charts for the next ten years, racking up 23 Top Ten singles between the 1956 and 1966. During this time, he recorded a remarkable number of country classics, including "I've Got a New Heartache" (number two, 1956), "My Shoes Keep Walking Back to You" (number one, 1957), "Make the World Go Away" (number two, 1963), and "City Lights," which spent 13 weeks at the top of the charts in 1958. The momentum of Price's career had slowed somewhat by the mid-'60s; though he was still having hits, they weren't as frequent nor as big. His musical inclinations were also shifting, bringing him closer to the crooning styles of traditional pop singers. Ray abandoned the cowboy suits and brought in strings to accompany him, making him one of the first to explore the smooth, orchestrated sounds of late-'60s and early-'70s country-pop. While it alienated some hardcore honky tonk fans, the change in approach resulted in another round of Top Ten hits. However, it took a little while for the country audience to warm to this new sound -- it wasn't until 1970, when his cover of Kris Kristofferson's "For the Good Times" hit number one, that he returned to the top of the charts. Over the next three years, he scored an additional three number one singles ("I Won't Mention It Again," "She's Got to Be a Saint," "You're the Best Thing That Ever Happened to Me"). By the mid-'70s, the appeal of his string-laden country-pop hits had diminished, and he spent the rest of the decade struggling to get into the charts. In 1974, he left his long-time home of Columbia Records to sign to Myrrh, where he had two Top Ten hits over the next year. By the end of 1975, he had left the label, signing to ABC/Dot. Though he hadn't changed his style, his records became less popular around the same time he signed to ABC/Dot; only 1977's "Mansion on the Hill" gained much attention. In 1978, he switched labels again, signing with Monument, which proved to be another unsuccessful venture. In 1980, Price reunited with his old bassist Willie Nelson, recording the duet album San Antonio Rose, which was a major success, spawning the number three hit "Faded Love." San Antonio Rose reignited Ray's career, and in 1981 he had two Top Ten singles -- "It Don't Hurt Me Half as Bad" and "Diamonds in the Stars" -- for his new label, Dimension. Price left Dimension in 1983, signing with Warner Records. He remained at the label for one year, and by that time, his new spell of popularity had cooled down considerably; now, he was having trouble reaching the Top 40. That situation didn't remedy itself for the remainder of the decade, even though he signed with two new labels: Viva (1983-1984) and Step One (1985-1989). By the late '80s, Price had stopped concentrating on recording and had turned his efforts toward a theater he owned in Branson, MO. For most of the '90s, he sang and performed at his theater in Branson, occasionally stopping to record. Of all of his '90s records, the most notable is the 1992 album Sometimes a Rose, which was produced by Norro Wilson. (Less)
Channel: 123videoTags: faron young songs
Rate it: Rate:
6, 02:52, 2008-04-17 12:47:25 Description: 20 comments!! Ok sorry it took so long but i am kind of grounded, but my parents are at work and im with my aunt and uncle soo i decided to post one!!! i will try to put another one thats not boring, (More) 20 comments!! Ok sorry it took so long but i am kind of grounded, but my parents are at work and im with my aunt and uncle soo i decided to post one!!! i will try to put another one thats not boring, but i dont promise anything
About two weeks had passed and Jasmine was practicing her song to get it Perfect. She had also been thinking about what Miranda Told her about Kristen and Amy not being real friends. Nick had also finished his song and had been practicing a lot.
It was Friday and the day of the Talent Show...
"I am so nervous ! What if they don't like my song!" Jasmine said as she paced around backstage
"Don't Worry you will be great!" said Miranda giving Jasmine a supporting hug.
"You are up next Jasmine" said the lady taking care of backstage.
"Well I'm gonna go find my seat" said Miranda as she gave Jasmine one last hug
Jasmine just stayed there waiting for till she heard the principal call her out. She walked out on stage and saw all the people clapping and smiling at her, so she felt a little less nervous.
"Okay everyone this is a song I wrote called "I'd Lie", so I hope you like it" Jasmine said as she sat on a stool with her guitar. {AN: I changed the lyrics a little to match}
She starts playing the guitar and then singing...
I don't think that passenger seat
Has ever looked this good to me
He tells me about his night
And I count the colors in his eyes
He'll never fall in love he swears
As he runs my fingers through his hair
I'm laughing cause I hope he's wrong
I don't think it ever crossed his mind
He tells a joke I fake a smile
That I know all his favorite songs
And..
[chorus]
I could tell you his favorite colors Blue
He loves to argue, born on the Sixteenth
His Brothers beautiful, he has his father's eyes
And if you ask me if I love him,
I'd lie
He looks around the room
Innocently overlooks the truth
Shouldn't a light go on?
Doesn't he know I've had him memorized for so long?
He sees everything black and white
Never let nobody see him cry
I don't let no body see me wishing he was mine
and..
I could tell you his favorite colors Blue
He loves to argue, born on the Sixteenth
His Brothers beautiful, he has his father's eyes
And if you ask me if I love him,
I'd lie
He stands there then walks away
My god if I could only say
I'm holding every breathe for you...
He'd never tell you but he can play guitar
I think he can see through everything
But my heart
First thought when I wake up is
My god he's beautiful
So I put on my make up
And pray for a miracle
Yes I could tell you his favorite colors blue
He loves to argue oh and it kills me
His brothers beautiful he has his father's eyes
And if you asked me if I love him
If you ask me if I love him
I'D LIE
As Jasmine finished singing everyone started clapping and cheering for her. She bowed and walked of stage. (Less)
Channel: youtube Rate it: Rate:
14, 01:11, 2008-04-19 15:26:10 Description: http://www.plurbis.com collaborate!
I woke from a dream where I was a butterfly. I fluttered through space and time. I was as free as wind and courageous as a storm.
Waking up, I noticed that my (More) http://www.plurbis.com collaborate!
I woke from a dream where I was a butterfly. I fluttered through space and time. I was as free as wind and courageous as a storm.
Waking up, I noticed that my wings were lost and that time here only marched in one direction. Replacing my wings were my fears and shames from the day before as if the marching ants of the second hands on the walls, cell phones and my wrist carried them back to me.
I liked my life at night more than my life at day. So I asked the wisest person I could find, "How can I fly during my days and be as courageous as the storms?"
"You will need to find a wiser teacher than I," said the teacher with white hair. "When you do, tell me so. I too want to be as free in the day as I am in my dreams!"
Walking home with my head down so that the tears would fall onto my shoes instead of my shirt, I felt my pockets for the lunch money I had spent. Then I felt my arms and chest for the bruises of the beating I had bought.
Now hungry and sore in my neck I thought, "My hunger may not go away but I can ease the sore in my neck." I tilted my head far back to look up into the sky. I saw in the vast blue a lone eagle high above me. I recognized her from my dream before. And last night too, she was high above me.
Then I remembered my words from the night before, "Wise eagle, wise eagle, how do I
too fly that high?"
"Cry! Cry! You must transform again little butterfly!"
Now, with the loudest voice of a little boy, I screamed up again, "Wise eagle, wise eagle, how did you bring your flying form from the dream world to the real world? - I know there's a way!"
"Cry! Cry!" She said again, but this time, i couldn't understand her latter words.
So there I fell. I cried and I cried. I melted onto the grass beneath, to cry some more. As all my troubles and fears rolled down their own blades of grass, I started feeling free again. But I still couldn't fly.
Tired and sleepy, squinting through my teary eyes, I saw again the wise eagle hovering above me.
"Wise eagle, wise eagle! I feel free but I cannot yet fly!"
"Cry! Cry! Look long and hard at yourself. Transform again little butterfly."
Squinting, twisting and turning, I began to see my colorful little wings become bronze and expansive ones. Squinting, twisting and turning some more I noticed my little catterpillar feet transform into great golden talons.
Racing up to the eagle high above, I spent hardly a single flutter, I asked again for the words I had missed, "Wise friend, Wise friend, I've done it now in this world but when I awake as a boy, how can I still be as free as the wind and courageous as a storm?"
"Cry! Cry! Be it as a little boy or as a lion's roar, let your true self be heard so your true self can soar. Then, change your way of seeing. Look long and hard at yourself. Transform again, Human Being!"
Volume Two Beginning:
My tears of pain transformed into soft globes of light. I thanked my friend, I shook her wing confident that I could bring my flying form into the light of day with eyes wide open.
As I let my dream fade way, with one last breath I heard her say (this time transformed as an Owl), "Who! Who! says that light of day and eyes wide open mean you are awake?"
XXXXX
Please pick a part in this story and film yourself wearing all white and please submit as a video response
alchemy butterfly nature dreams (Less)
Channel: youtube Rate it: Rate:
223, 05:12, 2008-03-28 01:28:30 Description: EDIT: Did you guys know that you can SUBSCRIBE FOR FREE? O: It's amazing i know. :)
I felt I needed to tell this story. I don't know why. Sorry for not getting videos up recently, not much (More) EDIT: Did you guys know that you can SUBSCRIBE FOR FREE? O: It's amazing i know. :)
I felt I needed to tell this story. I don't know why. Sorry for not getting videos up recently, not much time :P
Oh yeah
Credits to
Waiting on the World to Change - John Mayer
Believe - The Bravery
Random Tags:
pokemon pikachu charmander charizard squirtle blastoise bulbasaur diamond pearl nintendo ds domo kun naruto sasuke sakura ichigo ishida chad bankai domokun chinese fly to the sky ssk xman korea japanese aqua toybox ddr funny justin timberlake linkin park michael jackson smosh wassabi productions hilarious blog vlog kevjumba pokemon wii winekone brock misty dragonball z chinese fob show shinhwa hot hyori actress theme song 24 300 desperate housewives family guy entourage greys anatomy heroes 22 fr harry potter lost minutes to midnight maroon 5 pirates of the caribbean prison break psp shrek 3 smallville sopranos spiderman 3 sunshine windows vista akon paris hilton dogs cars anime fall out boy games music avril lavigne girlfriend fergie dog jessica simpson 50 cent american idol sanjaya malakar carmen electra jessica alba lindsay lohan rihanna chris brown beach ludacris kelly clarkson green day pictures movies iphone simpsons pizza mp3 guitar pick paper dust blower scissors dime nickel penny quarter video random amazing black strokes cell phone green blue (Less)
Channel: youtube Rate it: Rate:
69, 01:51, 2008-01-01 08:39:50 Description: EPISODE 7: BROOKE LOST HER SPIRIT
ROMANTIC PHOTO SHOOT WITH FABIO ─ Tyra picks up her camera for a "scary" impromptu photo shoot. But a few models struggle when burlesque icon Dita (More) EPISODE 7: BROOKE LOST HER SPIRIT
ROMANTIC PHOTO SHOOT WITH FABIO ─ Tyra picks up her camera for a "scary" impromptu photo shoot. But a few models struggle when burlesque icon Dita VonTeese asks them to get in touch with their sexy side. Romance novel cover boy Fabio shows up for an unforgettable photo shoot. Special guests include Tyra Banks, model Kylie Bax, editor-in-chief of Seventeen magazine, Atoosa Rubenstein, Beau Quillian of Seventeen magazine, photographer Jeffrey Jones, photographer Randee St. Nicholas and guest judge Elite Director, Cathy Gould.
EPISODE HIGHLIGHTS
Brooke, a student from Keller, Texas, was the sixth girl eliminated during the seventh cycle of The CW's hit dramality series "America's Next Top Model," reducing the pool from 8 girls to 7.
Tyra surprised the girls in their backyard with an impromptu black and white photo shoot where the girls were asked to express anger while maintaining their sex appeal. While many of the girls thrived, Brooke found it difficult. "Being younger is sometimes a little bit overwhelming. I don't have the experience that these girls have," Brooke said.
The next day the girls were taught about the fundamentals of being sexy by burlesque entertainer Dita Von Teese. Dita encouraged the girls to be confident as she gave each girl a prop to perform a seductive dance, and noticed that Brooke seemed the most nervous to be sexy. "I have to be seductive and sexy and that's not something I normally am. I felt totally uncomfortable," Brooke said.
The following day the girls met with the director of Elite Model Management Cathy Gould, who threw a party where the girls were the main course. Each girl strutted down the dining room table, and though several of the girls struggled with the unique challenge, Cathy was not convinced by Brooke's performance. "I had to focus the whole time on staying engaged and not on how uncomfortable I was," Brooke said. In the end, Melrose won the challenge and chose Brooke, Michelle and Amanda to join her in a photo shoot for an editorial spread in Seventeen Magazine.
To test their new knowledge on the fine line between sexy and sleezy, Jay Manuel met the girls for a fashion shoot depicting romance novels with model Fabio. Brooke was asked to depict "desperately holding on to her man," but Jay was not impressed with her performance, and even Fabio noticed that her inexperience showed. "I walk into the room and I'm a little bit nervous to be honest," Brooke said.
During the judging, Nigel commented that he was still getting more of a pageant feel from Brooke. Though the judges loved Brooke's personality, they weren't sure she had the potential to become a model. On the night of her high school graduation, Brooke was eliminated from the race to become "America's Next Top Model."
America American America's Next Top Model ANTM Cycle 7 Episode Ep 7 Photos Pictures Portfolio Photoshoot
+ 1 2 3 4 5 6 7 8 9 10 11 12 FINAL FINALE
Romance Romantic Novels
Black and White Beauty Shoot
America American America's Next Top Model ANTM Cycle 7 Episode Ep 7 Photos Pictures Portfolio Photoshoot
+ 1 2 3 4 5 6 7 8 9 10 11 12 FINAL FINALE
Romance Romantic Novels
Black and White Beauty Shoot
America American America's Next Top Model ANTM Cycle 7 Episode Ep 7 Photos Pictures Portfolio Photoshoot
+ 1 2 3 4 5 6 7 8 9 10 11 12 FINAL FINALE
Romance Romantic Novels
Black and White Beauty Shoot
America American America's Next Top Model ANTM Cycle 7 Episode Ep 7 Photos Pictures Portfolio Photoshoot
+ 1 2 3 4 5 6 7 8 9 10 11 12 FINAL FINALE
Romance Romantic Novels
Black and White Beauty Shoot (Less)
Channel: youtube Rate it: Rate:
25, 06:06, 2008-04-21 16:43:12 Description: Album: Paul's Boutique [1989](Lyrics) hello brooklyn Hello brooklyn... New york new york it's a hell of a town You know the bronx is up and I'm (More) Album: Paul's Boutique [1989](Lyrics) hello brooklyn Hello brooklyn... New york new york it's a hell of a town You know the bronx is up and I'm brooklyn down Because they don't know my name only know my initials Building bombs in the attic for elected officials I quit my job I cut my hair You know I cut my boss because I don't care You tried to get slick you bust a little chuckle You're gonna get smacked with my gold finger knuckle Cause being as fly as me is something you never thought of You'll be sticking up old ladies with the hand gun or the sawed-off I'm a buffalo soldier broader than broadway Keep keepin' on I don't care what they say I play my stereo loud I disturb my neighbors I want to enjoy the fruits of my labor Cause I am the holder of the 3-pack bonanza If you open the book then you will get your hand slapped I am the keeper of the 3-pack bonanza If you ask a question you will get your answer Her breast I saw I reached I felt M.o.n.e.y. the belt I stay at home just like a hermit I got the jammy but I don't got the permit You know why You got a boyfriend and his name is nick Annabelle caught with the shrimpy limp dick trick I ride around town cause my ride is fly I shot a man in brooklyn *just to watch him die* Take p.c.p. F) dropping names He thrusts his fists against the post and still insists he sees a ghost He thrusts his fists against the post and still insists he sees a ghost She's slippin through his fingers as she's movin' out to the coast He thrusts his fists against the post and still insists he sees a ghost Well if your world was all black and if your world was all white Then you wouldn't get much color out of life now right I'm nicknamed shamrock but my name is not shamus Girlies on the tip cause my homie is famous My name is not o'houigheighi nor is it brian If I said that I was weak man you know I'd be a lion Suckers try to bite they try to pursue it Yea explain to a musician them knew it, but them can't do G) lay it on me Agh, funky baby Lay it on me now... Not so hard man... Yo, I got chinese eyes and chinese suits Smokin' much buddha and smokin' much boots More updated on the hip-hop lingo My favorite new york knick was hawthorne wingo Met a girl at a party and I gave her my card Man you know that it said napoleon bonaparte Peepin' out the colors I be buggin' on cezanne They call me mike d joe blow the lover man well Your face turns red as your glass of wine That you spilled on my lyrics as you wasted my time Girl you should be with me you should drop that bum Cause I got more flavor than fruit striped gum With that big round butt of yours I'd like to butter your muffin I'm not bluffin' Serve you on a platter like thanksgiving stuffin' And what it Stuffin', stuffin' Stuffin' buddy... H) mike on the mic Here's another one for y'all to pee It's called m.i.k.e. on the m.i.c. C. I met this girl last night with a peculiar cackle I laid the bait and then she took the tackle Had too much to drink at the red lobster Now the room is spinning around like the blades of a helicopter I never met a girl that was too finicky If the press has their way then they're going to finish me You might know this but you've never been this see If I ate spinach then I'd be called spinach d I shed light like cats shed fur Ride around town like a raymond burr I'm so high that they call me your highness If you don't know me then pardon my shyness I live in the village wherever I go I walk to I keep my friends around so I have someone to talk to I play my music loud because you know it's got clout to it It's a trip it's got a funky beat and I can bug out to it I) a.w.o.l. Dj hurricane... When mike d's in the house, what you gonna do I go a.w.o.l. Adrock's in the house, what you gonna do I go a.w.o.l. When mca's in the house, what you gonna do I go a.w.o.l. When hurricane's, what you gonna do He goes a.w.o.l. St. james in the house, what's you gonna do Home-1, what you gonna do Got busy in the house, what you gonna do Dust bros. in the house, what you gonna do Warren g. in the house, what you gonna do Lou gains in the house, what you gonna do Hollis crew, what you gonna do John mish in the house, what you gonna do Killa cutty in the house, what you gonna do Jannet j. in the house (Less)
Channel: youtube Rate it: Rate:
1, 05:57, 2008-04-21 16:42:17 Description: That being said, I didn't make it too obvious cause I wanted it to be universal. Here are the Lyrics: There's a boy Well there's half a boy There's a boy who's lost his (More) That being said, I didn't make it too obvious cause I wanted it to be universal. Here are the Lyrics: There's a boy Well there's half a boy There's a boy who's lost his soul And he's haunting up a quiet town He's a freak Well he's half a freak And he's crying for his furry other half He never felt alone before Chorus If everyone was beautiful Would we even have to breath He had a friend who could rival an angel A picture of all that he was inside She would change when his heart changed Stay when his heart stayed Now he is only half a boy Now he is only half verse two: Where is my daemon said half a boy In shock and in tears I reply I don't know He could stand being just half a boy So he died for the best in the snow Bridge: I'm just rambling, I'll solidify this later Chorus That's it, hope you like it! (Less)
Channel: youtube Rate it: Rate:
![Black Keys [A Nick Jonas Bad Boy Story] (Episode 15)](http://i.ytimg.com/vi/Yb16tdBAEFo/2.jpg "Black Keys [A Nick Jonas Bad Boy Story] (Episode 15)")
0, 00:05, 2009-12-13 17:38:31 Description: (Danyellas POV) I sat in my room for almost 2 hours, crying. I went to the mirror and saw my face red and eyes puffy and swollen from crying so much. I just stood there for a little while.. I finally (More) (Danyellas POV) I sat in my room for almost 2 hours, crying. I went to the mirror and saw my face red and eyes puffy and swollen from crying so much. I just stood there for a little while.. I finally got up and went downstairs.. Nick was sitting on the couch watching TV. I walked into the kitchen. I put my hands and leaned over the sink..and puked. And I couldn't stop. I felt a hand on top of one of mine and my hair being held back. I looked at who's hand it was..it wasn't Nicks, his ring ... (Less)
Channel: youtube Rate it: Rate:
1, 03:24, 2008-04-21 18:42:00 Description: this video is about both ron and harry being in love with somebody.for example ron was in love with fleur,she felt the same way only that she was afraid what her friends would say..And harry was in (More) this video is about both ron and harry being in love with somebody.for example ron was in love with fleur,she felt the same way only that she was afraid what her friends would say..And harry was in love with cho same story as ron's the girl liked him but not enough to start a relationship.....then at the en ron ends up with hermione,and harry with ginny (Less)
Channel: youtube Rate it: Rate:
1 2 3 4 5 6 7 8 9 10 11 12 [»] [12]
Recent searches
1h 3s ago a la moda lyrics 2s ago awek 2s ago ben foster sex video 2s ago big boobs 2s ago changeroom hidden cam 60 1s ago dare dorm videos 3s ago hot sexy indian fuck 3s ago indian boobs 2s ago mother dauther sex 1s ago ninja love movie part2 1s ago phat assez tube 2s ago priya rai 2s ago ruben fux lucky joe videos 4s ago telcel model 3s ago top rated 3s ago young preteen twink orgy 3s ago
Recently watched videos
What is viral today ?
Quicklist (0)
No videos on quicklist
This list is temporary even if You are logged in. You can save it to permanent list.
My video lists
You must be logged to see all your lists. Please log in here.
![[SITD] - Suffering in Solitude](http://img.rutube.ru/thumbs/default100x75.jpg)
Bookmark us
Please, link us: