Search results for arab house wife
Results 1-15 of about 56 (Found in 0.087s)
1001,
00:21,
2008-04-21 17:09:58
Description: Borred Arab House Wife Having Fun!
Channel: youtube
1341,
01:30,
2009-02-16 08:36:27
Description: Arab house wife showing off her great ass.
Channel: megaporn
7278,
02:43,
2009-02-16 08:36:27
Description: Horny Egyptian house wife getting nasty.
Channel: megaporn
28779,
03:33,
2009-02-16 08:36:27
Description: Egyptian house wife covered with hijab getting fucked by her hubby
Channel: megaporn
408,
03:38,
2007-12-18 18:12:05
Description: The opera house in Damascus was a long time coming. Hafez al-Assad, the iron-willed military man who ruled Syria for three decades, was in power just a few years when he laid the cornerstone. But lack (More) The opera house in Damascus was a long time coming. Hafez al-Assad, the iron-willed military man who ruled Syria for three decades, was in power just a few years when he laid the cornerstone. But lack of materials and equipment, hard economic times and a devastating fire delayed the project year after year. It fell to Assad's son and successor, Bashar, to finish the job. He opened Al Assad opera house with his wife, Asma, last year. Decorated with paintings and sculptures by Syrian artists, offering up classical concerts and works by Arab playwrights, the building expresses something of the elder Assad's vision of Damascus as the Arab capital of cultural, if not political, enlightenment. The name of his controlling party, Baath, means resurrection, and nothing could better reflect an Arab renaissance than achievement in the arts. (Less) Channel: youtube
37,
02:55,
2008-04-21 17:05:32
Description: Dee singing A-r-a-b..........Lyrics-I don't know what you heard about me But I got two sandals on my feet I drive a Benz, yeah drive Mercedes Cuz I'm a Middle-Eastern A-R-A-B don't (More) Dee singing A-r-a-b..........Lyrics-I don't know what you heard about me But I got two sandals on my feet I drive a Benz, yeah drive Mercedes Cuz I'm a Middle-Eastern A-R-A-B don't know what you heard about me But the ladies all call me Habib I drive a Beamer of Mercedes Cuz I'm a Middle-Eastern A-R-A-B See a lady in the club, she's an Arab beauty She's got a thing for that kibbeh, falafel, tabbouleh I see her on the dance floor, she's shakin' her booty I try to talk to her but she be actin' all majnooni I talk a little game, cuz I don't want to dance alone I tell her "Hey, give me the number to your telephone" Invite her over to my house for some mango juice We sit and talk in the fancy room we never use She likes my clothes, she likes my nose, she likes the way I talk She a Tikriti, says she likes me cuz I'm from Iraq I'm not that Arab with the guns trying to be dead I be that Arab with the hummus and the pita bread She takes a whiff, and it's as if she wants to leave the home Cuz she can tell I only use half bottle of cologne Look, lady, this is simple, you can't see? You're rollin' with me, you're rollin' with an A-R-A-B Remy Remz, and I'm all up in the city, yo Remy, man, get the hell out of my video But I can drop mad lines, man I'm not a fool You kidding me? I got more lines than the college ruled. Take 2, and I'm all up at the therapist Cuz it seems people think that I'm a terrorist Come hang with me, and you'll see that I'm not so tough We'll sit and talk, drink some coffee out of little cups. "But Habib, I would like to be an Arab player" Nah, man, you're whiter than Saddam's underwear You need a beard, and you got to let the chest hair grow Don't know how? Give a call to my Uncle Joe Or ask me, I got the nose that knows I'm not opposed to expose I got more hoes than Lowe's Everybody come and be my friend Cuz I'm a Middle-Eastern C-O-M-E-D-I-A-N I don't know what you heard about me But my wife walks ten feet behind me I drive a Benz, yeah drive Mercedes Cuz I'm a Middle-Eastern A-R-A-B I don't know what you heard about me But I got two sandals on my feet I drive a Beamer of Mercedes Cuz I'm a Middle-Eastern A-R-A-B (Less) Channel: youtube
93,
03:38,
2008-04-21 17:09:48
Description: The opera house in Damascus was a long time coming. Hafez al-Assad, the iron-willed military man who ruled Syria for three decades, was in power just a few years when he laid the cornerstone. But lack (More) The opera house in Damascus was a long time coming. Hafez al-Assad, the iron-willed military man who ruled Syria for three decades, was in power just a few years when he laid the cornerstone. But lack of materials and equipment, hard economic times and a devastating fire delayed the project year after year. It fell to Assad's son and successor, Bashar, to finish the job. He opened Al Assad opera house with his wife, Asma, last year. Decorated with paintings and sculptures by Syrian artists, offering up classical concerts and works by Arab playwrights, the building expresses something of the elder Assad's vision of Damascus as the Arab capital of cultural, if not political, enlightenment. The name of his controlling party, Baath, means resurrection, and nothing could better reflect an Arab renaissance than achievement in the arts. (Less) Channel: youtube
17,
02:01,
2008-04-21 17:44:19
Description: adel starts a fight with his wife in a coffe house
Channel: youtube
3164,
01:21,
2009-02-16 08:36:28
Description: Poor Egyptian house wife getting fucked up the ass and begging her husband to take it easy.
Channel: megaporn
44,
07:46,
2007-07-07 04:48:13
Description: http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to (More) http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to Lebanon after a 28-year absence. Atom Egoyan at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007
Atom Egoyan, (born July 19, 1960) is a critically acclaimed Canadian-Armenian film maker. Born in Cairo, Egypt, he and his sister Eve Egoyan (who is now a concert pianist based in Toronto) were raised by their Armenian parents in Victoria, British Columbia, Canada. During his teen years, he nurtured his interest in writing and reading plays, finding particular inspiration in the works of Samuel Beckett and Harold Pinter. It was also during his adolescence that Egoyan found unlikely inspiration for his future films by working as a hotel employee. He would later remark that preparing a hotel room and making a movie were similar in their creation of an illusion (an idea that would manifest itself most overtly in his 1989 film Speaking Parts, which takes place largely in a hotel).
Atom Egoyan graduated from Trinity College in the University of Toronto, where he came into contact with Harold Nahabedian, a Canadian also of Armenian descent who was then the Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Following his graduation, Egoyan joined Toronto's Tarragon Theatre as a playwright. In 1984, he acted as editor, producer, screenwriter, and director for Next of Kin, a film concerning issues of identity and Armenian heritage. Funded by the Ontario Arts Council and the Canada Council, it was his first feature-length film. Exotica (1994), an exploration of the interweaving lives of the various denizens of a strip club was first shown at the 1994 Cannes Festival, where it won the International Critics' Prize. Egoyan finally attained widespread international recognition and acclaim three years later, with the release of The Sweet Hereafter. A sobering adaptation of Russell Banks' novel of the same name, the film was honored with the 1997 Special Grand Jury Prize at Cannes, and Egoyan himself received Academy Award nominations for Best Director and Best Adapted Screenplay.
Egoyan is based in Toronto, where he lives with his wife, Arsinée Khanjian, an actress who appears in many of Egoyan's films, and their son, Arshile. In 1999, Egoyan was made an Officer of the Order of Canada. Atom has directed three different opera productions. In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto. Canadian actors such as Sarah Polley, Bruce Greenwood, Elias Koteas, and Don McKellar are frequent collaborators, as are cinematographer Paul Sarossy, composer Mychael Danna, and producer Camelia Frieberg.
Atom Egoyan is the author of Atom Egoyan (1994) in collaboration with Paul Virilio and Patrick de Haas, The Event Horizon (1998) with Michael Tarantino, Michelangelo Pistoletto, and Declan McGonagle, Inside the Pleasure Dome: Fringe Film in Canada (2001) with Mike Hoolboom, Weird Sex and Snowshoes: And Other Canadian Film Phenomena (2002) with Katherine Monk, Subtitles: On the Foreignness of Film (Alphabet City) (2004) with Ian Balfour and Ararat: The Shooting Script (Newmarket Shooting Script Series) (2002) with Timothy Taylor.
Atom Egoyan's films include Howard in Particular (1979), After Grad with Dad (1980), Peep Show (1981), Open House (1982), Next of Kin (1984), Men: A Passion Playground (1985), Family Viewing (1987), Looking for Nothing (1988), Speaking Parts (1989), The Adjuster (1991), Montréal vu par... / Montreal Sextet (1991), Calendar (1993), Exotica (1994), A Portrait of Arshile (1995), The Sweet Hereafter (1997), Felicia's Journey (1999), The Line (2000), Diaspora (2001), Ararat (2002), Citadel (2003), Where the Truth Lies (2005), Chacun son cinéma / To Each His Cinema (2007) and Adoration (2008). (Less) Channel: youtube
40,
07:16,
2007-07-07 03:45:35
Description: http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to (More) http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to Lebanon after a 28-year absence. Atom Egoyan at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007
Atom Egoyan, (born July 19, 1960) is a critically acclaimed Canadian-Armenian film maker. Born in Cairo, Egypt, he and his sister Eve Egoyan (who is now a concert pianist based in Toronto) were raised by their Armenian parents in Victoria, British Columbia, Canada. During his teen years, he nurtured his interest in writing and reading plays, finding particular inspiration in the works of Samuel Beckett and Harold Pinter. It was also during his adolescence that Egoyan found unlikely inspiration for his future films by working as a hotel employee. He would later remark that preparing a hotel room and making a movie were similar in their creation of an illusion (an idea that would manifest itself most overtly in his 1989 film Speaking Parts, which takes place largely in a hotel).
Atom Egoyan graduated from Trinity College in the University of Toronto, where he came into contact with Harold Nahabedian, a Canadian also of Armenian descent who was then the Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Following his graduation, Egoyan joined Toronto's Tarragon Theatre as a playwright. In 1984, he acted as editor, producer, screenwriter, and director for Next of Kin, a film concerning issues of identity and Armenian heritage. Funded by the Ontario Arts Council and the Canada Council, it was his first feature-length film. Exotica (1994), an exploration of the interweaving lives of the various denizens of a strip club was first shown at the 1994 Cannes Festival, where it won the International Critics' Prize. Egoyan finally attained widespread international recognition and acclaim three years later, with the release of The Sweet Hereafter. A sobering adaptation of Russell Banks' novel of the same name, the film was honored with the 1997 Special Grand Jury Prize at Cannes, and Egoyan himself received Academy Award nominations for Best Director and Best Adapted Screenplay.
Egoyan is based in Toronto, where he lives with his wife, Arsinée Khanjian, an actress who appears in many of Egoyan's films, and their son, Arshile. In 1999, Egoyan was made an Officer of the Order of Canada. Atom has directed three different opera productions. In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto. Canadian actors such as Sarah Polley, Bruce Greenwood, Elias Koteas, and Don McKellar are frequent collaborators, as are cinematographer Paul Sarossy, composer Mychael Danna, and producer Camelia Frieberg.
Atom Egoyan is the author of Atom Egoyan (1994) in collaboration with Paul Virilio and Patrick de Haas, The Event Horizon (1998) with Michael Tarantino, Michelangelo Pistoletto, and Declan McGonagle, Inside the Pleasure Dome: Fringe Film in Canada (2001) with Mike Hoolboom, Weird Sex and Snowshoes: And Other Canadian Film Phenomena (2002) with Katherine Monk, Subtitles: On the Foreignness of Film (Alphabet City) (2004) with Ian Balfour and Ararat: The Shooting Script (Newmarket Shooting Script Series) (2002) with Timothy Taylor.
Atom Egoyan's films include Howard in Particular (1979), After Grad with Dad (1980), Peep Show (1981), Open House (1982), Next of Kin (1984), Men: A Passion Playground (1985), Family Viewing (1987), Looking for Nothing (1988), Speaking Parts (1989), The Adjuster (1991), Montréal vu par... / Montreal Sextet (1991), Calendar (1993), Exotica (1994), A Portrait of Arshile (1995), The Sweet Hereafter (1997), Felicia's Journey (1999), The Line (2000), Diaspora (2001), Ararat (2002), Citadel (2003), Where the Truth Lies (2005), Chacun son cinéma / To Each His Cinema (2007) and Adoration (2008). (Less) Channel: youtube
26,
09:47,
2007-07-06 04:51:06
Description: http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to (More) http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to Lebanon after a 28-year absence. Atom Egoyan at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007
Atom Egoyan, (born July 19, 1960) is a critically acclaimed Canadian-Armenian film maker. Born in Cairo, Egypt, he and his sister Eve Egoyan (who is now a concert pianist based in Toronto) were raised by their Armenian parents in Victoria, British Columbia, Canada. During his teen years, he nurtured his interest in writing and reading plays, finding particular inspiration in the works of Samuel Beckett and Harold Pinter. It was also during his adolescence that Egoyan found unlikely inspiration for his future films by working as a hotel employee. He would later remark that preparing a hotel room and making a movie were similar in their creation of an illusion (an idea that would manifest itself most overtly in his 1989 film Speaking Parts, which takes place largely in a hotel).
Atom Egoyan graduated from Trinity College in the University of Toronto, where he came into contact with Harold Nahabedian, a Canadian also of Armenian descent who was then the Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Following his graduation, Egoyan joined Toronto's Tarragon Theatre as a playwright. In 1984, he acted as editor, producer, screenwriter, and director for Next of Kin, a film concerning issues of identity and Armenian heritage. Funded by the Ontario Arts Council and the Canada Council, it was his first feature-length film. Exotica (1994), an exploration of the interweaving lives of the various denizens of a strip club was first shown at the 1994 Cannes Festival, where it won the International Critics' Prize. Egoyan finally attained widespread international recognition and acclaim three years later, with the release of The Sweet Hereafter. A sobering adaptation of Russell Banks' novel of the same name, the film was honored with the 1997 Special Grand Jury Prize at Cannes, and Egoyan himself received Academy Award nominations for Best Director and Best Adapted Screenplay.
Egoyan is based in Toronto, where he lives with his wife, Arsinée Khanjian, an actress who appears in many of Egoyan's films, and their son, Arshile. In 1999, Egoyan was made an Officer of the Order of Canada. Atom has directed three different opera productions. In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto. Canadian actors such as Sarah Polley, Bruce Greenwood, Elias Koteas, and Don McKellar are frequent collaborators, as are cinematographer Paul Sarossy, composer Mychael Danna, and producer Camelia Frieberg.
Atom Egoyan is the author of Atom Egoyan (1994) in collaboration with Paul Virilio and Patrick de Haas, The Event Horizon (1998) with Michael Tarantino, Michelangelo Pistoletto, and Declan McGonagle, Inside the Pleasure Dome: Fringe Film in Canada (2001) with Mike Hoolboom, Weird Sex and Snowshoes: And Other Canadian Film Phenomena (2002) with Katherine Monk, Subtitles: On the Foreignness of Film (Alphabet City) (2004) with Ian Balfour and Ararat: The Shooting Script (Newmarket Shooting Script Series) (2002) with Timothy Taylor.
Atom Egoyan's films include Howard in Particular (1979), After Grad with Dad (1980), Peep Show (1981), Open House (1982), Next of Kin (1984), Men: A Passion Playground (1985), Family Viewing (1987), Looking for Nothing (1988), Speaking Parts (1989), The Adjuster (1991), Montréal vu par... / Montreal Sextet (1991), Calendar (1993), Exotica (1994), A Portrait of Arshile (1995), The Sweet Hereafter (1997), Felicia's Journey (1999), The Line (2000), Diaspora (2001), Ararat (2002), Citadel (2003), Where the Truth Lies (2005), Chacun son cinéma / To Each His Cinema (2007) and Adoration (2008). (Less) Channel: youtube
27,
09:25,
2007-07-06 01:09:14
Description: http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to (More) http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to Lebanon after a 28-year absence. Atom Egoyan at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007
Atom Egoyan, (born July 19, 1960) is a critically acclaimed Canadian-Armenian film maker. Born in Cairo, Egypt, he and his sister Eve Egoyan (who is now a concert pianist based in Toronto) were raised by their Armenian parents in Victoria, British Columbia, Canada. During his teen years, he nurtured his interest in writing and reading plays, finding particular inspiration in the works of Samuel Beckett and Harold Pinter. It was also during his adolescence that Egoyan found unlikely inspiration for his future films by working as a hotel employee. He would later remark that preparing a hotel room and making a movie were similar in their creation of an illusion (an idea that would manifest itself most overtly in his 1989 film Speaking Parts, which takes place largely in a hotel).
Atom Egoyan graduated from Trinity College in the University of Toronto, where he came into contact with Harold Nahabedian, a Canadian also of Armenian descent who was then the Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Following his graduation, Egoyan joined Toronto's Tarragon Theatre as a playwright. In 1984, he acted as editor, producer, screenwriter, and director for Next of Kin, a film concerning issues of identity and Armenian heritage. Funded by the Ontario Arts Council and the Canada Council, it was his first feature-length film. Exotica (1994), an exploration of the interweaving lives of the various denizens of a strip club was first shown at the 1994 Cannes Festival, where it won the International Critics' Prize. Egoyan finally attained widespread international recognition and acclaim three years later, with the release of The Sweet Hereafter. A sobering adaptation of Russell Banks' novel of the same name, the film was honored with the 1997 Special Grand Jury Prize at Cannes, and Egoyan himself received Academy Award nominations for Best Director and Best Adapted Screenplay.
Egoyan is based in Toronto, where he lives with his wife, Arsinée Khanjian, an actress who appears in many of Egoyan's films, and their son, Arshile. In 1999, Egoyan was made an Officer of the Order of Canada. Atom has directed three different opera productions. In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto. Canadian actors such as Sarah Polley, Bruce Greenwood, Elias Koteas, and Don McKellar are frequent collaborators, as are cinematographer Paul Sarossy, composer Mychael Danna, and producer Camelia Frieberg.
Atom Egoyan is the author of Atom Egoyan (1994) in collaboration with Paul Virilio and Patrick de Haas, The Event Horizon (1998) with Michael Tarantino, Michelangelo Pistoletto, and Declan McGonagle, Inside the Pleasure Dome: Fringe Film in Canada (2001) with Mike Hoolboom, Weird Sex and Snowshoes: And Other Canadian Film Phenomena (2002) with Katherine Monk, Subtitles: On the Foreignness of Film (Alphabet City) (2004) with Ian Balfour and Ararat: The Shooting Script (Newmarket Shooting Script Series) (2002) with Timothy Taylor.
Atom Egoyan's films include Howard in Particular (1979), After Grad with Dad (1980), Peep Show (1981), Open House (1982), Next of Kin (1984), Men: A Passion Playground (1985), Family Viewing (1987), Looking for Nothing (1988), Speaking Parts (1989), The Adjuster (1991), Montréal vu par... / Montreal Sextet (1991), Calendar (1993), Exotica (1994), A Portrait of Arshile (1995), The Sweet Hereafter (1997), Felicia's Journey (1999), The Line (2000), Diaspora (2001), Ararat (2002), Citadel (2003), Where the Truth Lies (2005), Chacun son cinéma / To Each His Cinema (2007) and Adoration (2008). (Less) Channel: youtube
27,
09:25,
2008-04-21 16:41:23
Description: http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to (More) http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to Lebanon after a 28-year absence. Atom Egoyan at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007 Atom Egoyan, (born July 19, 1960) is a critically acclaimed Canadian-Armenian film maker. Born in Cairo, Egypt, he and his sister Eve Egoyan (who is now a concert pianist based in Toronto) were raised by their Armenian parents in Victoria, British Columbia, Canada. During his teen years, he nurtured his interest in writing and reading plays, finding particular inspiration in the works of Samuel Beckett and Harold Pinter. It was also during his adolescence that Egoyan found unlikely inspiration for his future films by working as a hotel employee. He would later remark that preparing a hotel room and making a movie were similar in their creation of an illusion (an idea that would manifest itself most overtly in his 1989 film Speaking Parts, which takes place largely in a hotel). Atom Egoyan graduated from Trinity College in the University of Toronto, where he came into contact with Harold Nahabedian, a Canadian also of Armenian descent who was then the Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Following his graduation, Egoyan joined Toronto's Tarragon Theatre as a playwright. In 1984, he acted as editor, producer, screenwriter, and director for Next of Kin, a film concerning issues of identity and Armenian heritage. Funded by the Ontario Arts Council and the Canada Council, it was his first feature-length film. Exotica (1994), an exploration of the interweaving lives of the various denizens of a strip club was first shown at the 1994 Cannes Festival, where it won the International Critics' Prize. Egoyan finally attained widespread international recognition and acclaim three years later, with the release of The Sweet Hereafter. A sobering adaptation of Russell Banks' novel of the same name, the film was honored with the 1997 Special Grand Jury Prize at Cannes, and Egoyan himself received Academy Award nominations for Best Director and Best Adapted Screenplay. Egoyan is based in Toronto, where he lives with his wife, Arsinée Khanjian, an actress who appears in many of Egoyan's films, and their son, Arshile. In 1999, Egoyan was made an Officer of the Order of Canada. Atom has directed three different opera productions. In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto. Canadian actors such as Sarah Polley, Bruce Greenwood, Elias Koteas, and Don McKellar are frequent collaborators, as are cinematographer Paul Sarossy, composer Mychael Danna, and producer Camelia Frieberg. Atom Egoyan is the author of Atom Egoyan (1994) in collaboration with Paul Virilio and Patrick de Haas, The Event Horizon (1998) with Michael Tarantino, Michelangelo Pistoletto, and Declan McGonagle, Inside the Pleasure Dome: Fringe Film in Canada (2001) with Mike Hoolboom, Weird Sex and Snowshoes: And Other Canadian Film Phenomena (2002) with Katherine Monk, Subtitles: On the Foreignness of Film (Alphabet City) (2004) with Ian Balfour and Ararat: The Shooting Script (Newmarket Shooting Script Series) (2002) with Timothy Taylor. Atom Egoyan's films include Howard in Particular (1979), After Grad with Dad (1980), Peep Show (1981), Open House (1982), Next of Kin (1984), Men: A Passion Playground (1985), Family Viewing (1987), Looking for Nothing (1988), Speaking Parts (1989), The Adjuster (1991), Montréal vu par... / Montreal Sextet (1991), Calendar (1993), Exotica (1994), A Portrait of Arshile (1995), The Sweet Hereafter (1997), Felicia's Journey (1999), The Line (2000), Diaspora (2001), Ararat (2002), Citadel (2003), Where the Truth Lies (2005), Chacun son cinéma / To Each His Cinema (2007) and Adoration (2008). (Less) Channel: youtube
23,
07:46,
2008-04-21 16:41:23
Description: http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to (More) http://www.egs.edu/ Filmmaker Atom Egoyan discussing the screening of Citadel, a documentary filmed on a camcorder in Beirut, Lebanon. It traces the deeply personal return of actor Arsinee Khanjian to Lebanon after a 28-year absence. Atom Egoyan at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007 Atom Egoyan, (born July 19, 1960) is a critically acclaimed Canadian-Armenian film maker. Born in Cairo, Egypt, he and his sister Eve Egoyan (who is now a concert pianist based in Toronto) were raised by their Armenian parents in Victoria, British Columbia, Canada. During his teen years, he nurtured his interest in writing and reading plays, finding particular inspiration in the works of Samuel Beckett and Harold Pinter. It was also during his adolescence that Egoyan found unlikely inspiration for his future films by working as a hotel employee. He would later remark that preparing a hotel room and making a movie were similar in their creation of an illusion (an idea that would manifest itself most overtly in his 1989 film Speaking Parts, which takes place largely in a hotel). Atom Egoyan graduated from Trinity College in the University of Toronto, where he came into contact with Harold Nahabedian, a Canadian also of Armenian descent who was then the Anglican Chaplain of Trinity College. In interviews Egoyan credited Nahabedian for introducing him to the language and history of his ethnic heritage. Following his graduation, Egoyan joined Toronto's Tarragon Theatre as a playwright. In 1984, he acted as editor, producer, screenwriter, and director for Next of Kin, a film concerning issues of identity and Armenian heritage. Funded by the Ontario Arts Council and the Canada Council, it was his first feature-length film. Exotica (1994), an exploration of the interweaving lives of the various denizens of a strip club was first shown at the 1994 Cannes Festival, where it won the International Critics' Prize. Egoyan finally attained widespread international recognition and acclaim three years later, with the release of The Sweet Hereafter. A sobering adaptation of Russell Banks' novel of the same name, the film was honored with the 1997 Special Grand Jury Prize at Cannes, and Egoyan himself received Academy Award nominations for Best Director and Best Adapted Screenplay. Egoyan is based in Toronto, where he lives with his wife, Arsinée Khanjian, an actress who appears in many of Egoyan's films, and their son, Arshile. In 1999, Egoyan was made an Officer of the Order of Canada. Atom has directed three different opera productions. In 2004, Egoyan opened Camera Bar, a 50-seat cinema-lounge on Queen Street West in Toronto. Canadian actors such as Sarah Polley, Bruce Greenwood, Elias Koteas, and Don McKellar are frequent collaborators, as are cinematographer Paul Sarossy, composer Mychael Danna, and producer Camelia Frieberg. Atom Egoyan is the author of Atom Egoyan (1994) in collaboration with Paul Virilio and Patrick de Haas, The Event Horizon (1998) with Michael Tarantino, Michelangelo Pistoletto, and Declan McGonagle, Inside the Pleasure Dome: Fringe Film in Canada (2001) with Mike Hoolboom, Weird Sex and Snowshoes: And Other Canadian Film Phenomena (2002) with Katherine Monk, Subtitles: On the Foreignness of Film (Alphabet City) (2004) with Ian Balfour and Ararat: The Shooting Script (Newmarket Shooting Script Series) (2002) with Timothy Taylor. Atom Egoyan's films include Howard in Particular (1979), After Grad with Dad (1980), Peep Show (1981), Open House (1982), Next of Kin (1984), Men: A Passion Playground (1985), Family Viewing (1987), Looking for Nothing (1988), Speaking Parts (1989), The Adjuster (1991), Montréal vu par... / Montreal Sextet (1991), Calendar (1993), Exotica (1994), A Portrait of Arshile (1995), The Sweet Hereafter (1997), Felicia's Journey (1999), The Line (2000), Diaspora (2001), Ararat (2002), Citadel (2003), Where the Truth Lies (2005), Chacun son cinéma / To Each His Cinema (2007) and Adoration (2008). (Less) Channel: youtube
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