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Bobby Bare

60,

03:34,

2008-04-17 15:10:15

Description: Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit (More) Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit City."-----------------------------Early career Bare had many failed attempts to sell his songs in the 1950s.[citation needed] He finally signed with Capitol Records and recorded a few rock and roll songs without much chart success.[citation needed] Just before he was drafted into the Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons."--------------------------------------Career at RCA (1962-1970) Bare's big break in country music came when RCA Records' Chet Atkins signed him. The first song he released on the label, "Shame On Me," sold nearly a million copies in 1962.[citation needed] His second RCA release, "Detroit City," won him a Grammy Award for the best song of the year in 1963.[citation needed] Then a surge of hits followed, including "500 Miles Away From Home" (his only Pop Top 10) and Ian Tyson's "Four Strong Winds." He also recorded two successful albums with Skeeter Davis[citation needed]. Additionally, he had a major hit in 1966 as part of a trio with Norma Jean (singer) and Liz Anderson, "The Game of Triangles". In 1968, he recorded an album with a group from England called The Hillsiders. In 1969, he had a Top 5 hit with Tom T. Hall's "Margie's At The Lincoln Park Inn."---------------------------------------Career at Mercury (1970-1972) Bare moved to Mercury Records in 1970 and immediately scored a Top 3 hit with "That's How I Got To Memphis" and had two Top 10 hits from early Kris Kristofferson compositions, "Come Sundown" (1970) and "Please Don't Tell Me How The Story Ends," (1971)[citation needed]. He also scored a #12 hit in 1972 with a version of Dr. Hook and the Medicine Show's Pop hit Sylvia's Mother written by Shel Silverstein.---------------------------------Second Career at RCA (1973-1977) After a couple of years at Mercury, Bobby returned to RCA Records in 1973 and immediately scored with Billy Joe Shaver's "Ride Me Down Easy" which nearly made the Top 10. Bobby Bare is a versatile singer, and in the 1970s, he started to release novelty songs recorded live with selected audiences. One such song, "Marie Lavaux," reached the number one position on the country chart in 1974; it was his only number one (and final top ten) hit. This song was co-written by his friends Shel Silverstein and Baxter Taylor, who received a BMI Award for the song in 1975. Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five year old son, Bobby Bare, Jr. The song was an immediate success as well not only reaching #2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabyes, Legends and Lies" became his most commercially successful album and Bobby had a new audience with pop radio once again playing his songs and a new following with college kids. Surprisingly, these two songs would become Bobby's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bobby himself.[citation needed] He continued to record critically acclaimed albums and singles. His biggest hits during this time were "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus" (1976 (The world's only Christian football waltz). He also recorded a duet with his wife Jeannie in 1977 called "Vegas". He later took chances in recording controversial material, such as "Dropkick Me Jesus (Through The Goalposts Of Life)" (a 1976 Grammy nominee), and the expletive-driven "Redneck Hippie Romance." Concept albums were nothing new for Bobby, In 1967, Bare came up with a concept album called "Bird Named Yesterday," which was very successful.[citation needed] His most successful concept album is "Lullabyes, Legends and Lies". He also is the first to be given full control of his work and thus the very first Outlaw.-------------------------------------------Career at Columbia Records (1978-1983) Bobby signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Whereever I Fall". In 1979, he started off Roseanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern Rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980's. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".-------------------------------------Film Career Bobby Bare was also given an opportunity to star in the movies. He acted in a Western with Troy Donahue, A Distant Trumpet[citation needed], and a few episodes of the TV series, No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.-------------------------------Later career in country music and today From 1983 to 1988, Bobby hosted "Bobby Bare and Friends" on The Nashville Network which featured Bobby interviewing songwriters with the songwriters singing their hit songs on the show. In 1985, Bobby signed with EMI America Records where he scored 3 charted singles but none of these reached the upper regions of the charts. In 1998, he formed the band, Old Dogs, with his friends Jerry Reed, Mel Tillis and Waylon Jennings. In nearly 50 years of making music, Bobby has made many firsts in country music. Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well- known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newbury, Tom T. Hall, Shel Silverstein, Baxter Taylor and Kris Kristofferson.[citation needed] In 2006, he recorded a new album after over 20 years, called "The Moon Was Blue," produced by his son Bobby Bare, Jr., who is also a musician. (Less)

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Tags: Bare Bobby Bobby Bare - Detroit City

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Bobby Bare

24,

01:53,

2008-04-17 15:10:15

Description: Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit (More) Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit City."-----------------------------Early career Bare had many failed attempts to sell his songs in the 1950s.[citation needed] He finally signed with Capitol Records and recorded a few rock and roll songs without much chart success.[citation needed] Just before he was drafted into the Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons."--------------------------------------Career at RCA (1962-1970) Bare's big break in country music came when RCA Records' Chet Atkins signed him. The first song he released on the label, "Shame On Me," sold nearly a million copies in 1962.[citation needed] His second RCA release, "Detroit City," won him a Grammy Award for the best song of the year in 1963.[citation needed] Then a surge of hits followed, including "500 Miles Away From Home" (his only Pop Top 10) and Ian Tyson's "Four Strong Winds." He also recorded two successful albums with Skeeter Davis[citation needed]. Additionally, he had a major hit in 1966 as part of a trio with Norma Jean (singer) and Liz Anderson, "The Game of Triangles". In 1968, he recorded an album with a group from England called The Hillsiders. In 1969, he had a Top 5 hit with Tom T. Hall's "Margie's At The Lincoln Park Inn."---------------------------------------Career at Mercury (1970-1972) Bare moved to Mercury Records in 1970 and immediately scored a Top 3 hit with "That's How I Got To Memphis" and had two Top 10 hits from early Kris Kristofferson compositions, "Come Sundown" (1970) and "Please Don't Tell Me How The Story Ends," (1971)[citation needed]. He also scored a #12 hit in 1972 with a version of Dr. Hook and the Medicine Show's Pop hit Sylvia's Mother written by Shel Silverstein.---------------------------------Second Career at RCA (1973-1977) After a couple of years at Mercury, Bobby returned to RCA Records in 1973 and immediately scored with Billy Joe Shaver's "Ride Me Down Easy" which nearly made the Top 10. Bobby Bare is a versatile singer, and in the 1970s, he started to release novelty songs recorded live with selected audiences. One such song, "Marie Lavaux," reached the number one position on the country chart in 1974; it was his only number one (and final top ten) hit. This song was co-written by his friends Shel Silverstein and Baxter Taylor, who received a BMI Award for the song in 1975. Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five year old son, Bobby Bare, Jr. The song was an immediate success as well not only reaching #2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabyes, Legends and Lies" became his most commercially successful album and Bobby had a new audience with pop radio once again playing his songs and a new following with college kids. Surprisingly, these two songs would become Bobby's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bobby himself.[citation needed] He continued to record critically acclaimed albums and singles. His biggest hits during this time were "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus" (1976 (The world's only Christian football waltz). He also recorded a duet with his wife Jeannie in 1977 called "Vegas". He later took chances in recording controversial material, such as "Dropkick Me Jesus (Through The Goalposts Of Life)" (a 1976 Grammy nominee), and the expletive-driven "Redneck Hippie Romance." Concept albums were nothing new for Bobby, In 1967, Bare came up with a concept album called "Bird Named Yesterday," which was very successful.[citation needed] His most successful concept album is "Lullabyes, Legends and Lies". He also is the first to be given full control of his work and thus the very first Outlaw.-------------------------------------------Career at Columbia Records (1978-1983) Bobby signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Whereever I Fall". In 1979, he started off Roseanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern Rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980's. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".-------------------------------------Film Career Bobby Bare was also given an opportunity to star in the movies. He acted in a Western with Troy Donahue, A Distant Trumpet[citation needed], and a few episodes of the TV series, No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.-------------------------------Later career in country music and today From 1983 to 1988, Bobby hosted "Bobby Bare and Friends" on The Nashville Network which featured Bobby interviewing songwriters with the songwriters singing their hit songs on the show. In 1985, Bobby signed with EMI America Records where he scored 3 charted singles but none of these reached the upper regions of the charts. In 1998, he formed the band, Old Dogs, with his friends Jerry Reed, Mel Tillis and Waylon Jennings. In nearly 50 years of making music, Bobby has made many firsts in country music. Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well- known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newbury, Tom T. Hall, Shel Silverstein, Baxter Taylor and Kris Kristofferson.[citation needed] In 2006, he recorded a new album after over 20 years, called "The Moon Was Blue," produced by his son Bobby Bare, Jr., who is also a musician. (Less)

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Tags: Bare Bobby Bobby Bare - Jambalaya

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Bobby Bare

52,

01:15,

2008-04-17 15:10:15

Description: Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit (More) Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit City."-----------------------------Early career Bare had many failed attempts to sell his songs in the 1950s.[citation needed] He finally signed with Capitol Records and recorded a few rock and roll songs without much chart success.[citation needed] Just before he was drafted into the Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons."--------------------------------------Career at RCA (1962-1970) Bare's big break in country music came when RCA Records' Chet Atkins signed him. The first song he released on the label, "Shame On Me," sold nearly a million copies in 1962.[citation needed] His second RCA release, "Detroit City," won him a Grammy Award for the best song of the year in 1963.[citation needed] Then a surge of hits followed, including "500 Miles Away From Home" (his only Pop Top 10) and Ian Tyson's "Four Strong Winds." He also recorded two successful albums with Skeeter Davis[citation needed]. Additionally, he had a major hit in 1966 as part of a trio with Norma Jean (singer) and Liz Anderson, "The Game of Triangles". In 1968, he recorded an album with a group from England called The Hillsiders. In 1969, he had a Top 5 hit with Tom T. Hall's "Margie's At The Lincoln Park Inn."---------------------------------------Career at Mercury (1970-1972) Bare moved to Mercury Records in 1970 and immediately scored a Top 3 hit with "That's How I Got To Memphis" and had two Top 10 hits from early Kris Kristofferson compositions, "Come Sundown" (1970) and "Please Don't Tell Me How The Story Ends," (1971)[citation needed]. He also scored a #12 hit in 1972 with a version of Dr. Hook and the Medicine Show's Pop hit Sylvia's Mother written by Shel Silverstein.---------------------------------Second Career at RCA (1973-1977) After a couple of years at Mercury, Bobby returned to RCA Records in 1973 and immediately scored with Billy Joe Shaver's "Ride Me Down Easy" which nearly made the Top 10. Bobby Bare is a versatile singer, and in the 1970s, he started to release novelty songs recorded live with selected audiences. One such song, "Marie Lavaux," reached the number one position on the country chart in 1974; it was his only number one (and final top ten) hit. This song was co-written by his friends Shel Silverstein and Baxter Taylor, who received a BMI Award for the song in 1975. Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five year old son, Bobby Bare, Jr. The song was an immediate success as well not only reaching #2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabyes, Legends and Lies" became his most commercially successful album and Bobby had a new audience with pop radio once again playing his songs and a new following with college kids. Surprisingly, these two songs would become Bobby's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bobby himself.[citation needed] He continued to record critically acclaimed albums and singles. His biggest hits during this time were "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus" (1976 (The world's only Christian football waltz). He also recorded a duet with his wife Jeannie in 1977 called "Vegas". He later took chances in recording controversial material, such as "Dropkick Me Jesus (Through The Goalposts Of Life)" (a 1976 Grammy nominee), and the expletive-driven "Redneck Hippie Romance." Concept albums were nothing new for Bobby, In 1967, Bare came up with a concept album called "Bird Named Yesterday," which was very successful.[citation needed] His most successful concept album is "Lullabyes, Legends and Lies". He also is the first to be given full control of his work and thus the very first Outlaw.-------------------------------------------Career at Columbia Records (1978-1983) Bobby signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Whereever I Fall". In 1979, he started off Roseanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern Rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980's. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".-------------------------------------Film Career Bobby Bare was also given an opportunity to star in the movies. He acted in a Western with Troy Donahue, A Distant Trumpet[citation needed], and a few episodes of the TV series, No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.-------------------------------Later career in country music and today From 1983 to 1988, Bobby hosted "Bobby Bare and Friends" on The Nashville Network which featured Bobby interviewing songwriters with the songwriters singing their hit songs on the show. In 1985, Bobby signed with EMI America Records where he scored 3 charted singles but none of these reached the upper regions of the charts. In 1998, he formed the band, Old Dogs, with his friends Jerry Reed, Mel Tillis and Waylon Jennings. In nearly 50 years of making music, Bobby has made many firsts in country music. Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well- known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newbury, Tom T. Hall, Shel Silverstein, Baxter Taylor and Kris Kristofferson.[citation needed] In 2006, he recorded a new album after over 20 years, called "The Moon Was Blue," produced by his son Bobby Bare, Jr., who is also a musician. (Less)

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Tags: Bare Bobby Bobby Bare - Ride Me Down Easy

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Bobby Bare

21,

05:14,

2008-04-17 15:10:15

Description: Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit (More) Bobby Bare (born Robert Joseph Bare on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He won a "Song of the Year" Grammy in 1963 for "Detroit City."-----------------------------Early career Bare had many failed attempts to sell his songs in the 1950s.[citation needed] He finally signed with Capitol Records and recorded a few rock and roll songs without much chart success.[citation needed] Just before he was drafted into the Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons."--------------------------------------Career at RCA (1962-1970) Bare's big break in country music came when RCA Records' Chet Atkins signed him. The first song he released on the label, "Shame On Me," sold nearly a million copies in 1962.[citation needed] His second RCA release, "Detroit City," won him a Grammy Award for the best song of the year in 1963.[citation needed] Then a surge of hits followed, including "500 Miles Away From Home" (his only Pop Top 10) and Ian Tyson's "Four Strong Winds." He also recorded two successful albums with Skeeter Davis[citation needed]. Additionally, he had a major hit in 1966 as part of a trio with Norma Jean (singer) and Liz Anderson, "The Game of Triangles". In 1968, he recorded an album with a group from England called The Hillsiders. In 1969, he had a Top 5 hit with Tom T. Hall's "Margie's At The Lincoln Park Inn."---------------------------------------Career at Mercury (1970-1972) Bare moved to Mercury Records in 1970 and immediately scored a Top 3 hit with "That's How I Got To Memphis" and had two Top 10 hits from early Kris Kristofferson compositions, "Come Sundown" (1970) and "Please Don't Tell Me How The Story Ends," (1971)[citation needed]. He also scored a #12 hit in 1972 with a version of Dr. Hook and the Medicine Show's Pop hit Sylvia's Mother written by Shel Silverstein.---------------------------------Second Career at RCA (1973-1977) After a couple of years at Mercury, Bobby returned to RCA Records in 1973 and immediately scored with Billy Joe Shaver's "Ride Me Down Easy" which nearly made the Top 10. Bobby Bare is a versatile singer, and in the 1970s, he started to release novelty songs recorded live with selected audiences. One such song, "Marie Lavaux," reached the number one position on the country chart in 1974; it was his only number one (and final top ten) hit. This song was co-written by his friends Shel Silverstein and Baxter Taylor, who received a BMI Award for the song in 1975. Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five year old son, Bobby Bare, Jr. The song was an immediate success as well not only reaching #2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabyes, Legends and Lies" became his most commercially successful album and Bobby had a new audience with pop radio once again playing his songs and a new following with college kids. Surprisingly, these two songs would become Bobby's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bobby himself.[citation needed] He continued to record critically acclaimed albums and singles. His biggest hits during this time were "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus" (1976 (The world's only Christian football waltz). He also recorded a duet with his wife Jeannie in 1977 called "Vegas". He later took chances in recording controversial material, such as "Dropkick Me Jesus (Through The Goalposts Of Life)" (a 1976 Grammy nominee), and the expletive-driven "Redneck Hippie Romance." Concept albums were nothing new for Bobby, In 1967, Bare came up with a concept album called "Bird Named Yesterday," which was very successful.[citation needed] His most successful concept album is "Lullabyes, Legends and Lies". He also is the first to be given full control of his work and thus the very first Outlaw.-------------------------------------------Career at Columbia Records (1978-1983) Bobby signed with Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Whereever I Fall". In 1979, he started off Roseanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with Southern Rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980's. In 1983, he released a Top 30 duet with Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".-------------------------------------Film Career Bobby Bare was also given an opportunity to star in the movies. He acted in a Western with Troy Donahue, A Distant Trumpet[citation needed], and a few episodes of the TV series, No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.-------------------------------Later career in country music and today From 1983 to 1988, Bobby hosted "Bobby Bare and Friends" on The Nashville Network which featured Bobby interviewing songwriters with the songwriters singing their hit songs on the show. In 1985, Bobby signed with EMI America Records where he scored 3 charted singles but none of these reached the upper regions of the charts. In 1998, he formed the band, Old Dogs, with his friends Jerry Reed, Mel Tillis and Waylon Jennings. In nearly 50 years of making music, Bobby has made many firsts in country music. Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well- known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newbury, Tom T. Hall, Shel Silverstein, Baxter Taylor and Kris Kristofferson.[citation needed] In 2006, he recorded a new album after over 20 years, called "The Moon Was Blue," produced by his son Bobby Bare, Jr., who is also a musician. (Less)

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Tags: Bare Bobby Bobby Bare - The Winner

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Cambodia: WHY MALCOLM WAS MURDERED?(COINCIDE WITH HA...

41,

01:58,

2008-02-26 03:01:02

Description: BEFORE Hanoi Dracula Leaders sent its aggressive troops to invade Cambodia in late 1978. Pol Pot might have wanted the Western Journalists to see his revolution in Cambodia so Pol Pot invited a few (More) BEFORE Hanoi Dracula Leaders sent its aggressive troops to invade Cambodia in late 1978. Pol Pot might have wanted the Western Journalists to see his revolution in Cambodia so Pol Pot invited a few Westerners at his Government's request. When Malcolm Caldwell, Richard Dudman and Elizabeth Becker were in Cambodia and what they saw was happening to Cambodia was the Ghost City of Phnom Penh and Tuol Sleng. If Pol Pot invited him and his two other colleagues to come to Cambodia. But who killed Malcolm Caldwell? Why did they kill him like that? The First Pol Pot and the First Angkar Leur/Cap Tren, whose brain was all but Yuon secret agents who didn't really want their killing fields being revealed to the people in the outside world because if UN knew what was happening to Cambodia, would, perhaps, send UN' peace-keeping forces to oust the second Pol Pot's regime, could destroy all Yuon secret agents' super-dirty Demonic Tricky Plans. They didn't want their pots to be emptied by the Western intervention because they made them since 1930 of Indochinese Communist Party/Federation, by the mad-cow disease Ho Chi Minh. If, in those days, the UN started from the West overthrowing the second Pol Pot's regime, the Yuon secret agents, who secretly had impersonated themselves as the leaders of the Super-illiterate-ignorant Khmer Rouge and former cruel bandits, many of whom would be captured alive for their interrogations. So the first Pol Pot and the First Yuon Angkar Leur/Cap Tren had to get rid of Malcolm Caldwell first who, perhaps, knew too well about the atrocities were boiling so fiercely in the countryside. Yuon Dracula Communist leaders who already used to do this dirty trick many times against Khmer Krom people, who were naively invited to the meeting that was going to be held in the rice stores, which were tightly locked from the outside, were brutally burned alive. It's really foolish of you to invite someone into your house and then you started to kill him/her. It's Phnom Penh Government's official invitation. It's not a secret invitation between the second Pol Pot and the Western Journalists. Why didn't the second Pol Pot kill a group of Yugoslavian journalists who were cordially invited to see his revolutionary in 1976? No, the First Yuon Angkar Leur/Cap Tren could not do it..Why? Because they are the same communists who supported each other during the Yuon Warmongering period of fighting against the American imperialists from 1969 to 1975. So the First Yuon Angkar Leur/Cap Tren had to keep all communist countries as their good friends in supporting their invasion of Cambodia to overthrow the second Pol Pot when a right time comes. The right time came was in 1978 when Yuon Dracula leaders started to send its hundreds of thousands of troops to fully take over Cambodia as a piece of cake after Malcolm Caldwell was killed. Malcolm Caldwell never had the opportunity to look back at the Pol Pot-Ieng Sary regime after it was overturned by Vietnamese troops. He was killed only days before the invasion began, while in Phnom Penh. Caldwell, along with Richard Dudman and Elizabeth Becker were the first Western journalists (Caldwell's London Times curiously titled article, "Inside Cambodia: another side to the picture," qualified him as a journalist) to be invited into Cambodia in December 1978. Malcolm Caldwell's last conversation with Elizabeth Becker, a correspondent for the Washington Post, is our last entry for him. Becker recounts their conversation the evening of his death: After dinner, Dudman went to his room to type up notes and Caldwell and I stayed at the table to have our last argument about Cambodia. Caldwell took what he considered the longer view and said the revolution was worth it. I said, on the contrary, I was more convinced of the truth of the refugee stories which is what I eventually wrote. That night Caldwell tried once more to get me to change my mind. He compared Cambodia to Scotland he was a Scottish nationalist and said Cambodia feared Vietnam the way Scotland feared the English. I saw no relevance to such a remark, and he retired to his room with the prophecy that Scotland would be independent of England by the middle of the 1980s. Later that December night, Caldwell was murdered by a Khmer Rouge assassin in a "plot meant to embarrass the regime on the eve of war." Becker adds that, "Circumstantial evidence inside the confessions [of the assassins] suggests that Caldwell was selected because he was the "friend" of the revolution.." Becker surmises that the assassination was planned by someone in the "inner party circle" opposed to Pol Pot. Also from confessions exacted from two men who were tortured at Tuol Sleng for the murder of Caldwell, Becker concludes in her Epilogue that "Caldwell's death would show that the revolution could not even care for its friends, that it was fraught with chaos. (Less)

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Tags: Becker Caldwell Cambodia Dudman Elizabeth Ieng Kampuchea Malcolm Pol Pot Richard Sary

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Cambodia: WHY MALCOLM WAS MURDERED?(COINCIDE WITH HA...

9,

01:58,

2008-04-21 21:47:12

Description: BEFORE Hanoi Dracula Leaders sent its aggressive troops to invade Cambodia in late 1978. Pol Pot might have wanted the Western Journalists to see his revolution in Cambodia so Pol Pot invited a few (More) BEFORE Hanoi Dracula Leaders sent its aggressive troops to invade Cambodia in late 1978. Pol Pot might have wanted the Western Journalists to see his revolution in Cambodia so Pol Pot invited a few Westerners at his Government's request. When Malcolm Caldwell, Richard Dudman and Elizabeth Becker were in Cambodia and what they saw was happening to Cambodia was the Ghost City of Phnom Penh and Tuol Sleng. If Pol Pot invited him and his two other colleagues to come to Cambodia. But who killed Malcolm Caldwell? Why did they kill him like that? The First Pol Pot and the First Angkar Leur/Cap Tren, whose brain was all but Yuon secret agents who didn't really want their killing fields being revealed to the people in the outside world because if UN knew what was happening to Cambodia, would, perhaps, send UN' peace-keeping forces to oust the second Pol Pot's regime, could destroy all Yuon secret agents' super-dirty Demonic Tricky Plans. They didn't want their pots to be emptied by the Western intervention because they made them since 1930 of Indochinese Communist Party/Federation, by the mad-cow disease Ho Chi Minh. If, in those days, the UN started from the West overthrowing the second Pol Pot's regime, the Yuon secret agents, who secretly had impersonated themselves as the leaders of the Super-illiterate-ignorant Khmer Rouge and former cruel bandits, many of whom would be captured alive for their interrogations. So the first Pol Pot and the First Yuon Angkar Leur/Cap Tren had to get rid of Malcolm Caldwell first who, perhaps, knew too well about the atrocities were boiling so fiercely in the countryside. Yuon Dracula Communist leaders who already used to do this dirty trick many times against Khmer Krom people, who were naively invited to the meeting that was going to be held in the rice stores, which were tightly locked from the outside, were brutally burned alive. It's really foolish of you to invite someone into your house and then you started to kill him/her. It's Phnom Penh Government's official invitation. It's not a secret invitation between the second Pol Pot and the Western Journalists. Why didn't the second Pol Pot kill a group of Yugoslavian journalists who were cordially invited to see his revolutionary in 1976? No, the First Yuon Angkar Leur/Cap Tren could not do it..Why? Because they are the same communists who supported each other during the Yuon Warmongering period of fighting against the American imperialists from 1969 to 1975. So the First Yuon Angkar Leur/Cap Tren had to keep all communist countries as their good friends in supporting their invasion of Cambodia to overthrow the second Pol Pot when a right time comes. The right time came was in 1978 when Yuon Dracula leaders started to send its hundreds of thousands of troops to fully take over Cambodia as a piece of cake after Malcolm Caldwell was killed. Malcolm Caldwell never had the opportunity to look back at the Pol Pot-Ieng Sary regime after it was overturned by Vietnamese troops. He was killed only days before the invasion began, while in Phnom Penh. Caldwell, along with Richard Dudman and Elizabeth Becker were the first Western journalists (Caldwell's London Times curiously titled article, "Inside Cambodia: another side to the picture," qualified him as a journalist) to be invited into Cambodia in December 1978. Malcolm Caldwell's last conversation with Elizabeth Becker, a correspondent for the Washington Post, is our last entry for him. Becker recounts their conversation the evening of his death: After dinner, Dudman went to his room to type up notes and Caldwell and I stayed at the table to have our last argument about Cambodia. Caldwell took what he considered the longer view and said the revolution was worth it. I said, on the contrary, I was more convinced of the truth of the refugee stories which is what I eventually wrote. That night Caldwell tried once more to get me to change my mind. He compared Cambodia to Scotland he was a Scottish nationalist and said Cambodia feared Vietnam the way Scotland feared the English. I saw no relevance to such a remark, and he retired to his room with the prophecy that Scotland would be independent of England by the middle of the 1980s. Later that December night, Caldwell was murdered by a Khmer Rouge assassin in a "plot meant to embarrass the regime on the eve of war." Becker adds that, "Circumstantial evidence inside the confessions [of the assassins] suggests that Caldwell was selected because he was the "friend" of the revolution.." Becker surmises that the assassination was planned by someone in the "inner party circle" opposed to Pol Pot. Also from confessions exacted from two men who were tortured at Tuol Sleng for the murder of Caldwell, Becker concludes in her Epilogue that "Caldwell's death would show that the revolution could not even care for its friends, that it was fraught with chaos. (Less)

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Tags: Becker Caldwell Cambodia Dudman Elizabeth Ieng Kampuchea Malcolm Pol Pot Richard Sary

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True Grit - Original Trailer 1969

35,

03:47,

2009-01-09 10:37:22

Description: In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied (More) In fine Hollywood tradition, John Wayne had to play a "one-eyed fat man" before the Motion Picture Academy considered him worthy of an Oscar. In True Grit, Wayne plays grumpy, pot-bellied U.S. marshal "Rooster" Cogburn, hired by 14-year-old Mattie Ross (Kim Darby) to find Tom Chaney (Jeff Corey), who killed her father. The headstrong Mattie could have had her pick of lawmen, but selects the aging Cogburn because she believes he has "true grit" (she talks this way all through the picture, so be prepared). Also heading into Indian territory in search of Chaney is Texas Ranger La Boeuf (Glen Campbell), who wants to collect the reward placed on the fugitive's head for his earlier crimes. Complicating matters are Chaney's scurrilous cronies Ned Pepper (Robert Duvall), Quincy (Jeremy Slate), and Moon (Dennis Hopper), who have no qualms about killing a troublesome teenaged girl like Mattie. While the plot of True Grit, adapted (and streamlined) by Marguerite Roberts from the novel by Charles Portis, maintains audience interest throughout, the glue that truly holds this Western together is John Wayne, delivering one of his finest performances (though some believe he was better in She Wore a Yellow Ribbon). Wayne's casual charisma is infinitely more effective than the mannered method acting of Kim Darby and the floundering non-acting of poor Glen Campbell. And who could not love the climatic face-off between Duvall and company and John Wayne, whose "Fill your hand, you son of a bitch!" is not only a classic bit of dialogue, but the apotheosis of the Wayne mystique. In 1975, Wayne repeated his True Grit characterization opposite Katharine Hepburn in Rooster Cogburn, but the film failed to match its predecessor and the overall effect was blunted. John Wayne - Reuben J. "Rooster" Cogburn Glen Campbell - La Boeuf Kim Darby - Mattie Ross Jeremy Slate - Emmett Quincy Robert Duvall - Ned Pepper Dennis Hopper - Moon Alfred Ryder - Goudy Strother Martin - Col. G. Stonehill Jeff Corey - Tom Chaney Ron Soble - Capt. Boots Finch James Westerfield - Judge Isaac Parker John Doucette - Sheriff Donald Woods - Barlow Edith Atwater - Mrs. Floyd Carlos Rivas - Dirty Bob Isabel Boniface - Mrs. Bagby John M. Pickard - Frank Ross Elizabeth Harrower - Mrs. Ross Ken Renard - Yarnell Poindexter Jay Ripley - Harold Parmalee Ken Becker - Farrell Parmalee John Fiedler - Lawyer J. Noble Daggett H.W. Gim - Chen Lee Myron Healey - A Deputy Boyd "Red" Morgan - Red the Ferryman Connie Sawyer - Talkative woman at hanging Jay Silverheels - Condemned man at hanging Guy Wilkerson - The Hangman Hank Worden - R. Ryan, Undertaker (Less)

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Tags: - 1969 Grit Original Trailer True

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