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69, 
05:07, 
2009-07-02 14:58:06 Description: chines slut sucks the cock of four guys! the horny guys just wait for their turn to be sucked. the horny guys the ganged up on her, one guy fucks her while the other guy gives her .... (More) chines slut sucks the cock of four guys! the horny guys just wait for their turn to be sucked. the horny guys the ganged up on her, one guy fucks her while the other guy gives her .... (Less)
Channel: megaporn Rate it: Rate:
77, 04:06, 2009-07-04 07:49:33 Description: A cute English Teen sucks and fucks 2 guys with cumshots and 1 of them is black. Watch her swallow her drool as the black cock is put close to her face. She can't help it. Go to.... (More) A cute English Teen sucks and fucks 2 guys with cumshots and 1 of them is black. Watch her swallow her drool as the black cock is put close to her face. She can't help it. Go to.... (Less)
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16, 00:00, 2009-08-08 03:35:15 Description:
Channel: naughtymoviesTags: Anal anal blonde blowjob cumshot dp facial gangbang moviegator pussyfucking pussylicking teen young
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35, 04:00, 2009-10-30 22:41:38 Description:
Channel: xvideos Rate it: Rate:
76, 00:22, 2008-12-25 07:41:20 Description: *STORY IN HERE*
*with miley and drew before the scream*
drew: *kisses miley*
miley: *kisses her back*
drew: *pushes her down on the blanket and unbuttons her shirt and rips it off*
miley: (More) *STORY IN HERE*
*with miley and drew before the scream*
drew: *kisses miley*
miley: *kisses her back*
drew: *pushes her down on the blanket and unbuttons her shirt and rips it off*
miley: *about to scream*
drew: *covers her mouth* if you scream ill hurt you more just enjoy it and its will be over!
miley: *scared and nods slowly*
drew: okay do as told! *smiles and strips miley and only haas his boxers on* you ready babe?
miley: *scared* just fuck me and get it over with!
drew: honey im experianced! I torchure girls not just fuck them *goes down to her puussy and breathes*
miley: *can feel his hot breathe and gets more scared but thinks it feels good*
drew: *plants kisses on her pussy*
miley: *moans and gets turned on but still is scared so screams*
drew: *stands up* shit miley you getting it! *picks her up and starts to run*
miley: *wants him but doesnt want him and is thinking about having sex with nick but goes back to realtiy* HELP NICK SELENA ZAC JOE DEMI SOMEINE HELP ME IM BEING RAPED! *starts kicking and screaming*
nick and selena: *see miley* OH MY GOD MILEY!
nick: SHIT! SELENA STAY BACK HERE I PROMISE IT WILL BE OKAY! *runs up to them* dude let go of her*
miley: NICK HELP ME!*freaked out*
nick: *punches drew and knocks him out and picks miley up* SELENA CALL THE POLICE NOW! *walks over to the blanket and lays miley down* are you okay miley!
miley: *smiles and nods* thanks to you! *hugs him*
nick: umm miley you might want to get some clothes on! *chuckles*
miley: *blushes* right *puts on her clothes* that was freaky *wants nick*
*the police pull up and take drew away*
selena: *walks up and hugs miley tightly* are you okay sis?
miley: *nodsY yeah but can we keep this out little secret! *still wanting nick* uh lets get home! *gets up and starts to walk away*
mileys point of veiw (p.o.v)
why do i feel like i want nick so bad i mean i just got raped and i wanna have sex with nick?!?!? my BESTFRIEND?!?! gosh this is fucked up! oh yeah and wait nick is selenas boyfriend! so i wanna fuck my bestfriend who is also my sisters boyfriend wow why nick though ive never thought sexual thoughts about a boy! this is so annoying get out of my head *starts to hit her head and yell GET OUT GET OUT GET OUT!
nick: *walks up to her* um miley why are you yelling geet out get out get out! and hitting yourself in the head?
miley: *gets all nervous* uh nothing!
*they walk insode to see demi stuffing her face and joe looking sad*
miley: okay its ussually the other way around and guys ill take my old room back!
demi: *thinking: joe i love you too i just cant say it* *blurts out* I LOVE YOU TOO JOE!
*everyone gasp except for joe*
joe: demi listen love is a big word! i know i love you but you need to make sure that you love me i dont want my heart broken!
demi: *looksat im* joe i should be the one worried about YOU breaking MY heart! Your a player who fucks girls and leaves them! am i just another one of you littlle sluts? cause im WAY to good to have my heart broken bu JJOE JONAS *walks out of the house*
*everyone looks at joe who quickly wiped a tear from his cheek*
joe: im sorry you feel that way! *walks back up to his old room*
miley: poor Joe!
nick: why is demi so um protective of herself?
miley: *sighs* when we lived in tennesse she fell for this player dude, and she went to tell him that mom and dad had died and she found him rapeing her bestfriend thats why she doesnt talk to anyone and try to make new friend and why she gaurds her heart!
nick: wow!
selena: yeah okay im gonna take demi to zacs and we can spend the night there and joe can stay here go home whatever but i gotta go c ya!
*the nod as she leaves*
*in the middle of the night*
miley: *thinking about how bad she wants nick*
nick: miley do you sleep on your stomach?
miley: *giggles* no silly bear!
nick: *thinking: ussual midnight rejection from miley** well can i?
miley: YEAH!
nick: WHAT?!?!
miley: ......
DID MILEY SAY JUST SAY YES?!?! WHAT WILL NICKS REACTION BE?!?!OMG PLZ COMMENT AND TELL ME YOU FAV SONG!
mine is angles on the moon BY thriving ivory (Less)
Channel: youtube Rate it: Rate:
17, 01:30, 2009-02-01 08:14:47 Description: this was our second time watching this video. So I recorded it for you all to enjoy
=-)
Channel: youtube Rate it: Rate:
174, 00:00, 2009-08-06 22:25:49 Description: Ever wonder what's it's like to audition for a porn flick? Director Michael Lucas take you behind the scenes of the most intriguing moments in gay adult production. The forth installment of (More) Ever wonder what's it's like to audition for a porn flick? Director Michael Lucas take you behind the scenes of the most intriguing moments in gay adult production. The forth installment of Lucas' tantalizing Auditions series is exactly what is sounds like a front row look at how models get their big break. Lucas interviews these studly newcomers then strip them naked and fucks them right then and there. No scripts, no preparation, no inhibitions! Just hot guys in their natural state trying to become the next porn star. (Less)
Channel: naughtymovies Rate it: Rate:
12, 00:00, 2009-08-07 21:16:43 Description: Porn Movie: Lips Toes & Hose DVDThis is scene 4 of Lips Toes & Hose from the adult film studio No Boundaries Entertainment In this scene....If you are into a wild orgy, this vidz is perfectly (More) Porn Movie: Lips Toes & Hose DVDThis is scene 4 of Lips Toes & Hose from the adult film studio No Boundaries Entertainment In this scene....If you are into a wild orgy, this vidz is perfectly done for you. Surely you will feel the tingling sensation right down in between your legs, especially when you see these raging cocks studs this brunette slut like hell. (Less)
Channel: naughtymoviesTags: Cumshot cumshot facial lips toes & hose multiple blowjobs no boundaries entertainment threesome vidz
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12, 00:00, 2009-08-12 23:59:15 Description: Stripper needs work. So she fucks five guys.
Channel: slutload Rate it: Rate:
17, 01:00, 2007-12-09 09:59:47 Description: really i cant find it!?! oh and a couple of things....
RANT 1- FIRST OF ALL my gender is a... SO ANY DICKHEAD THAT SAYS IM A WILL GET THEIR COMMENT ERASED AND ILL BAN THEM FROM MY VIDEOS...
(More) really i cant find it!?! oh and a couple of things....
RANT 1- FIRST OF ALL my gender is a... SO ANY DICKHEAD THAT SAYS IM A WILL GET THEIR COMMENT ERASED AND ILL BAN THEM FROM MY VIDEOS...
RANT 2- THE GUYS NOT MY BITCH CAUSE HES A GUY TOO WE ARE FRIENDS FAKING A FIGHT FOR YOUTUBE AND YES HELLSPAWN IM TALKING TO YOU SPECIFICALLY.
RANT 3- DONT HAVE ANY NICE THINGS TO AY DONT SAY ANYTHING OR THT PROVES YOUR A FUCKINGG DOUCHEBAG THAT FUCKS HIS MOM IN THE DOGS HOUSE.
RANT 4- IM NOT THROUGH RANTING
OK NOW IM DONE
Which is what i would have said if I actually gave a DAMN about what you thought about me...
IDC anymore what you think about me so yea... i dont get pissed like i used to feel free to do whatever you want idgf (Less)
Channel: youtube Rate it: Rate:
15, 06:03, 2008-04-22 10:10:49 Description: Hi there! Good morning, good afternoon, good evening, and good night wherever you are! No one asked for this song, but DAMN! This song it's THE S###T!!! I never get tired of it! Why the Foos (More) Hi there! Good morning, good afternoon, good evening, and good night wherever you are! No one asked for this song, but DAMN! This song it's THE S###T!!! I never get tired of it! Why the Foos don't play it live? ¬_¬ I always wanted to upload it here, but never played it good enough for you guys... until I got my new earphones...hell yeah!!! I guess I'm in tempo pretty decently now, but I discovered that my camera fucks up some things(tempo slips; but the big ones are my fault of course) when I hit really hard the cymbals. On the nice heavy drum part I tried several times to make it sound properly, but with the stuff I have now I couldn't make it, I'm sorry :( This first five 2007 videos where done with the only upgrade of the earphones. I'm still using only the Canon Camera IXUS 800IS for recording A/V and Microsoft MovieMaker for A/V editing and song mixings. But that's not good enough anymore. Tomorrow I'll use some cool hardware (I don't want to get technical now) but I'll put some stereo track of my drum kit with a couple of pretty good microphones. Let's see what happens. Important thing: The music and the audio will be on the same track. I'll not have to spend hours mixing the camera video/audio with the audio files. I hope that would sound nicely. Will see... Some other forthcoming improvement should be some new audio/video editing software, witch will allow me to put multiple camera views of my drum kit (everyone wants to know what the hell I'm doing with my feet! :D) (Still working on it dough...) About this video...It's the first time I did multiple takes of one song (4 for A320) and tried to reproduce exactly what the drummer did on it. But I added a few things of my own...to keep you a little bit intrigued and make it a little special. (I always have doubts about doing the songs 100% original or add a several stuff of my own...what do you think guys?) Also, there's some friend I owe him a video for long time ago: This song is for you Lewis! My extra cool Australian friend!. He is the first You Tuber who contacted me on the very beginnings of all this. :D (Yes buddy, we still have pending the "other" video...;p patience my friend.) I really hope you like it Lewis! All right, I better shut up now and go to bed as a happy little drummer... ;p I hope you all enjoy this video! See you all soon, have a very good weekend! Xevi PS: Excuse the guitar joke at the beginning...I couldn't help it...:D :D :D (Less)
Channel: youtube Rate it: Rate:
15, 02:53, 2008-02-01 05:12:33 Description: The King has Questions for TNA. Who has the answers?
Script:
Questions for TNA
1. Why is Matt Morgan ready to rip Kevin Nash's head off one week, and then the next week Nash makes (More) The King has Questions for TNA. Who has the answers?
Script:
Questions for TNA
1. Why is Matt Morgan ready to rip Kevin Nash's head off one week, and then the next week Nash makes fun of Morgan, without Matt getting angry?
The breath of Matt Morgan is not what stinks here. It's your weak ass storyline.
2. Why did TNA lie to fans about Kong having her first interview on Impact?
Having some mystery bitch speak for her, does not qualify the shit as an interview.
Two Words.
False Advertising!
3. How long will Petey Williams and Scott Steiner fight over briefcases, before they finally receive their title shots?
This story is older, and dryer, than the wrinkled up skin on Vince McMahon's neck fat.
Gobble-Gobble! Put that turkey in the oven and cook it, before you give us all salmonella.
4. Why does TNA - Impact now look like a crappy episode of W C W Thunder?
You already have the squeaky mouse voice of Thunder, with Mike Tenay, now you're having the same, B show action.
5. Why are you making fun of retired legend Stone Cold Steve Austin, instead of going after the easiest mark in all of pro wrestling?
John Cena!
6. Why do you have Team 3D referring to E C W, and W W E in a positive way on Impact?
If you bend over like an UNCLE FUCKER. You're competition will fuck you up the ass!
7. Why are you building TNA's future around, 35 and older wrestlers, instead of pushing the younger guys that helped build TNA?
Losing Ron Killings, and Chris Harris, will hurt TNA in the long run. Even a stupid Gump can see that.
8. Why did your stupid ass script writer have Kurt Angle say,
"AJ Styles was world champion, when T NA didn't have a full roster?"
AJ Styles is the biggest name in the history of TNA, and you dumb fucks are killing his name by stupid ass writing.
9. Why are you having Gail Kim sit on the sidelines while ODB starts a feud with Awesome Kong?
If you Einsteins think that the ODB Kong feud, will be as big as the one with Gail Kim and Kong, you're even dumber than everyone already thinks you are.
Gail Kim should still be involved in the storyline.
10. Why did you build Kaz up to top card status, only to drop him down to the cellar in a storyline, with crazy ass Dustin, "Black Reign" Rhodes?
He proved that he is a main eventer, and you reward him by having him show up with a wig, and a powdered face, to make fun of Michael Jackson with corny jokes?
Jokes about Michael Jackson, proves that your writers are too old to connect with your target audience.
Fans old enough to understand those jokes have already heard them a million times, while those not old enough to understand will just be saying.
What the Fuck?
The King is the Truth!
Pro Wrestling Kingdom
2008
http://myspace.com/prowrestlingkingdom (Less)
Channel: youtubeTags: ChristianCageSucks JohnCenaSucks ProWrestlingKingdom TheKing TNABookingSucks WWESucks YoMommaSucks YouSuck
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767, 05:44, 2007-04-20 17:36:01 Description: http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential (More) http://www.capitalchaos.net MR BUNGLE @ Club Xtreme - Cameron Park, CA 1999 on their "California" tour, also on the bill were DILLINGER ESCAPE PLAN..Mr. Bungle was an influential avant-progressive experimental rock group formed in Northern California in 1985. Created while the members were still in high school and named after a children's educational film, they released four demo tapes in the mid to late 1980s, before being signed to Warner Bros. Records, who subsequently released three full-length studio albums between 1991 and 1999. Mr. Bungle have not been active since touring in 2000 to support their last album, and a recent media interview has confirmed the group is now disbanded.[1] While early in their career Mr. Bungle went through several line up changes, the bands most long serving members were vocalist Mike Patton, guitarist Trey Spruance, bassist Trevor Dunn, drummer Danny Heifetz, and Clinton "Bär" McKinnon on saxophone and other woodwind instruments.
Mr. Bungle were known for their distinctive musical traits, often blending and cycling through several musical genres within the course of a single song and fusing radically different musical styles together. Many of their songs had a non-conventional structure and utilized a wide array of instruments and samples. Distinguished by their live shows, which often featured members dressing up and an array of unlikely cover songs, their style has influenced many recent funk metal bands. During the course of their career the band also had an ongoing feud with Red Hot Chili Peppers frontman Anthony Kiedis, which escalated in the late 90s with Kiedis having Mr. Bungle removed from a number of large music festivals in Europe and Australasia where the Chili Peppers were headlining.
Although signed to a major record label, Mr. Bungle never had significant commercial success and only released one music video. They did, however, gain a reasonable amount of worldwide popularity due to a large cult following. Mr. Bungle formed in 1985 in Eureka, California while the members were still in high school; initially consisting of Trevor Dunn, Mike Patton, Trey Spruance, Theo Lengyel, and Jed Watts. Watts was subsequently replaced by Hans Wagner, and he by Danny Heifetz, while Clinton "Bär" McKinnon joined in 1989.[2] The band's name was taken from a children's educational film devised to teach children good manners and hygiene, which was featured in a Pee Wee Herman HBO special in the early '80s. A puppet named Mr. Bungle was the main character, used to represent the kind of person no clean, polite child would wish to be. In 1989 Faith No More bassist Billy Gould told Patton about a pornographic video called Sharon's Sex Party, which also starred a character known as Mr. Bungle.[2]
Soon after forming, the band's first demo, The Raging Wrath of the Easter Bunny, was recorded during Easter of 1986. It generally featured a fast, low-fi, death metal style, though it also utilized a trainwhistle, a saxophone, bongos, and a kazoo. The Raging Wrath of the Easter Bunny was followed by the demo Bowel of Chiley in 1987; this recording featured a completely different style incorporating the sounds of ska, swing, and funk. In 1988 Mr. Bungle released their third demo, Goddammit I Love America!, which was musically similar to Bowel of Chiley. Their final demo tape was OU818, released in 1989; this recording was the first to feature tenor sax player Clinton "Bär" McKinnon and drummer Danny Heifetz. OU818 combined songs from the earlier demos along with some new tracks having a heavier overall sound than the previous releases.[3][4] In 1989 Mike Patton landed the lead vocalist slot with San Francisco's Faith No More, getting the job after Jim Martin of Faith No More heard him on a Mr. Bungle demo.[5] Patton decided not to break up Mr. Bungle, and continued to be a member of both bands simultaneously. Having established a strong following in Northern California, Mr. Bungle was signed to Warner Bros., who released their self-titled debut in 1991. Their debut, Mr. Bungle, was recorded a year after Mike Patton was recruited into Faith No More and was produced by jazz experimentalist John Zorn. Released on August 13, 1991 the album contained several new songs but overall the sound was in a similar style as OU818. The record mixed metal, funk, ska, carnival music, and free jazz, but was normally described as "funk metal" by music critics.[3] The content is, however, very hard to pin down using specific genres, and the structure and musical style of any single track frequently changes dramatically.[6] Critic Steve Huey wrote in All Music Guide "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song."[7]
The album featured numerous samples, including Kentucky Fried Chicken commercial outtakes, items from the videogames "Super Mario Bros", "Smash TV", and "RBI Baseball", the movies Blue Velvet and Sharon's Sex Party, and the pinball games "Cyclone," "Earthshaker," and "Haunted House." Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold.[2]
The first track on the self-titled recording was originally called "Travolta"(sample (help·info)); however, the actor John Travolta took issue with this title and threatened legal action. With the encouragement of Warner Bros. the song name was changed and on later pressings of the album was called "Quote Unquote", which is also the title of an unauthorized John Travolta biography by Bob McCabe.[2] They created a video for "Travolta" and submitted it to MTV. However, the station refused to air the video because of images of bodies dangling on meat hooks.[6]
The album sold well despite MTV refusing to air their video and a lack of radio airplay. It received mostly positive reviews with Journalist Bill Pahnelas calling it "an incredible musical tour de force, and hands down the best alternative rock record of the year so far".[8] Following the release of the album the band toured North America successfully building a large and loyal cult following. Their popularity was partly due to unique stage shows where they often performed with masks to hide their identities and played unlikely covers during their set such as Billy Squier's "The Stroke," "The Star Wars Theme", and John Sebastian's "Welcome Back". Due to artwork delays and the band members' many side-projects, it was another 4 years before Disco Volante was released in October 1995.[3] This, their second major release, has a completely different tone and style to earlier Mr. Bungle recordings.[9] While the self-titled album was described as "funk metal", with Disco Volante this was replaced with the label "avant-garde" or "experimental."[6]
The music was complex and unpredictable with the band continuing with their extreme shifts of musical style during songs. Some the tracks were in foreign languages and would radically change genres mid-song, arguably making it Mr. Bungle's most difficult and inaccessible release.[6] Featuring lyrics about death, suicide, and child abuse,[ along with plodding death metal, deranged children's songs, and a Middle Eastern techno number, music critic Greg Prato described the album as having "a totally original and new musical style that sounds like nothing that currently exists". Not all critics were impressed with the album, with The Washington Post describing it as "an album of cheesy synthesizers, mangled disco beats, virtuosic playing and juvenile noises", calling it "self-indulgent" and adding that "Mr. Bungle musicians like to show off their classical, jazz and world-beat influences in fast, difficult passages which are technically impressive but never seem to go anywhere".
Disco Volante included influences from contemporary classical music, avant-garde jazz, electronic music pioneer Pierre Henry, Edgar Allan Poe, John Zorn, Frank Zappa, Penderecki, and European film music of the 1960s and 1970s such as those composed by Ennio Morricone and Peter Thomas.
The album notes also contained an invitation to participate in an "unusual scam" - if $2 was sent to the bands address, participants would receive additional artwork, lyrics to the songs "Ma Meeshka Mow Skwoz" and "Chemical Marriage", and some stickers. Mr. Bungle supported this record with extensive tours through the United States, Europe, and Australia during '95 and '96, with the tours successfully widening the groups fan base. In 1996 Theo Lengyel retired as Bungle's original sax player and keyboardist due to creative differences. After another 4 year break between albums, the band's third album, California, was released on July 13 1999.[16] California is said to be Mr. Bungles most accessible[17][18] and while the genre shifts are still present, they are less frequent, with succinct song formats giving the album a less chaotic and more stable feel.[19] This resulted in what All Music Guide described as "their most concise album to date; and while the song structures are far from traditional, they're edging more in that direction and that greatly helps the listener in making sense of the often random-sounding juxtapositions of musical genres".[20] California continues the bands musical, lyrical, and thematic experimentation, although it has a much lighter tone.[21] On the different style of this album, Mike Patton explained that to the band "the record is pop-y", before adding "but to some fucking No Doubt fan in Ohio, they're not going to swallow that."[22] The album was generally well received with music critic Robert Everett-Green stating "The band's newest and greatest album does not reveal itself quickly, but once the bug bites, there is no cure. The best disc of the year, by a length."[23]
Additionally, the recording process for California became much more complex. The group chose to record the disc on analog rather than digitally[24] and some songs required several 24-track machines while utilizing more than 50 analog tracks.[19] As a result each song contains detailed layers of original samples, keyboards, percussion, and melodies.[6]
Mr Bungle live in 1999
Mr Bungle live in 1999
The album displays numerous influences, including exotica, Burt Bacharach, and The Beach Boys, while blending lounge, pop, jazz, funk, thrash-metal, Hawaiian, Middle Eastern, kecak, and avant-garde soundscapes.[17][18][21][25][20] The band did 5 tours to support this record. For the most part, perhaps with the exception of the Sno-Core 2000 tour where they were often booed, the band did have success attracting an audience. Following the 2000 tour the band again went on hiatus. Rumors circulated that the band had dissolved, with some members stating that the band was "over" while others insisted it was just "in limbo".[3] In 2003 Patton alluded to the fact that the band would probably not record any more albums stating "I think it is over. The guys are spread all over the world and we don't talk to each other. I have not spoken to a couple of the guys since the last tour, years ago."[28] While no official break-up announcement ever materialized, a 2004 Rolling Stone interview with Patton confirmed Mr. Bungle had disbanded with him revealing "We could have probably squeezed out a couple more records but the collective personality of this group became so dysfunctional, this band was poisoned by one person's petty jealousy and insecurity, and it led us to a slow, unnatural death. And I'm at peace with that, because I know I tried all I could."[1] When asked about a possible reunion, Mike Patton said, "It could happen, but I won't be singing. Some bridges have definitely been burned. It was a fun time and sometimes you just have to move on. I've got a lot on my plate now."[29] Trevor Dunn adds, on his website, "Bungle is dead and I'm happy about it" and that "the members of Mr. Bungle will never work together as such again".[30] Spruance,[31] Heifetz, and McKinnon[32] have been more optimistic; to quote Spruance, in response to the standard 'Mr. Bungle regrouping' question: "I hope so because that band could take over the fucking world if it wanted to."[31]
After the dissolution of Mr. Bungle the members have gone on to numerous different projects. Mike Patton co-founded the record label Ipecac Recordings[33] and is involved with several other ventures, most notably the bands Fantômas,[34] Tomahawk,[35] and Peeping Tom.[36] He also acted in the motion picture Firecracker.[37] Trey Spruance is involved with various bands, including Secret Chiefs 3 and Faxed Head. Trevor Dunn joined Patton in Fantômas as well as forming his own jazz band, Trevor Dunn's Trio Convulsant; he also occasionally played bass with Secret Chiefs 3.[6][38] Danny Heifetz's projects included playing with Secret Chiefs 3 and in a country/punk band called Dieselhed;[6] he now resides in Sydney, Australia, and plays in outfits such as The Tango Saloon and The Fantastic Terrific Munkle.[39][40] Clinton McKinnon also played with Secret Chiefs 3; he now lives in Melbourne, Australia, and plays with The Ribbon Device. Mr. Bungle were generally regarded as an experimental rock or avant-progressive rock group. All Music described Mr. Bungles music as a "unique mix of the experimental, the abstract, and the absurd",[4] while The Seattle Times characterized their music as "harsh, grating, unstructured, blasting, squeaky, speedy, slow, eerie and strangely compelling".[10] Distinctive features of the music were the utilization of numerous different instruments, unique vocals, and the use of unpredictable song formats and a number of different musical genres.
Along with the normal instruments of a rock band, Mr. Bungle would also incorporate additions such as bongos, woodblocks, tenor sax, Jews harp, xylophone, glockenspeil, clarinet, piano, and organ.[14] Journalist John Serba commented that the instrumentation "sounded kind of like drunken jazz punctuated with Italian accordions and the occasional Bavarian march, giant power chord, or feedback noise thrown in"[42] Overlaying this was Mike Patton's vocals, who often used death metal growls, crooning, screeching, gurgling, or simply whispering. The arrangement of their songs was also unique, normally displaying a total lack of any structured song format and rotating through different genres ranging from slow melodies to thrash-metal.[19] Critic Patrick Macdonald commented "In the middle of hard-to-follow, indecipherable noise, a relatively normal, funky jazz organ solo will suddenly drift in, it doesn't seem to fit but you can't stop listening to it".[10] Similarly New York Times journalist Jon Pareles described it as music that "leaps from tempo to tempo, key to key, style to style, all without warning".[43] Some of the notable genres they utilized include heavy metal,[20] funk,[20] free jazz,[20] surf rock,[17] punk,[43] klezmer music,[43] ska,[6] kecak,[25] avant-jazz,[21] folk music,[44] pop,[20] doo-wop,[44] funk metal,[25] electronica,[45] swing music,[20] space age pop,[20] death metal,[20][44] rockabilly,[20][25] bossa nova,[20] progressive rock,[18] country and western,[20] circus music [20] and even video game and cartoon music.[25] Critic Greg Prato stated they "may be the most talented rock instrumentalists today, as they skip musical genres effortlessly, while Mike Patton illustrates why many consider him to be the best singer in rock".[11]
Mr. Bungle's style has influenced many recent funk and metal chart-toppers, most notably Korn, whose guitarists utilize what they've dubbed the "Mr. Bungle chord".[1] Brandon Boyd of Incubus also cited Mr. Bungle as an influence.[46] Although, Patton has stated that he considers it an insult when people cite him as a forefather of Korn and Limp Bizkit, stating "I feel no responsibility for that, it's their mothers' fault, not mine." Mr. Bungle were well-known for their stage shows, where all of the band members would dress up in outrageous costumes and masks, often wearing a uniform of mechanic's jumpsuits along with masks such as Madonna, Nixon, Darth Vader, an executioner's hood, or plastic clown or gimp masks.[13] Bassist Trevor Dunn explained that initially the reason for the masks and dressing up was to assure anonymity.[48]
The shows for the California tours, while still involving various members in costumes, were largely devoid of the trademark masks and outfits due to the increased demands of the music.[19][49] Often the theme was related to California with palm tree props and the band members wearing beach party outfits including Hawaiian shirts and khaki pants.[19][50] Occasionally, the band would simply appear in black suits with white dress shirts or dress up in chef costumes, cowboy suits, or as the Village People.[42][51]
Throughout their career Mr. Bungle also performed numerous covers in their live shows, ranging from tiny snippets to whole songs. The covers were by a wide variety of artists and genres encompassing movie scores by Ennio Morricone, Henry Mancini, and John Williams, pop songs by Elton John and Jennifer Lopez, hip hop by Public Enemy and Ol' Dirty Bastard, to punk and metal songs by the Dead Kennedys, Metallica, and Slayer.Mr. Bungle is known to have had a bad relationship with the Red Hot Chili Peppers' frontman Anthony Kiedis.[2] The feud began when Kiedis saw singer Mike Patton performing with Faith No More and accused him of imitating his style. Stating "Yeah I watch that 'Epic' video, and I see him jumping up and down, rapping, and it looked like I was looking in the mirror. The thing is, I had no problem with him personally. I mean, I love 'The Real Thing,' and I liked his vocals on that record. I mean, when I heard the record I noticed subtle similarities, but when I saw that video it was like, 'Wait a second here, what the fuck?".[2] Mike Patton and Mr. Bungle took offense to Kiedis' comment, sarcastically threatening Kiedis in the press. In the early nineties, Patton met with Kiedis; the two were polite to each other and the feud seemed to have ended.[2]
However, in 1999 Mr. Bungle's album California was scheduled to be released on June 8, but their label, Warner Bros. Records, pushed it back so as not to coincide with the Red Hot Chili Peppers similarly titled album, Californication, which was to be released on the same day. This appeared to reignite the old feud with Kiedis having Mr. Bungle removed from a series of summer festivals in Europe; as the headlining act at the festivals The Chili Peppers had final word on the bands that would appear.[2][28] Patton stated "Our agent was in the process of booking these festivals, and it was becoming apparent that we'd landed some pretty good ones—one in France, another one in Holland, some big-name festivals. Turns out someone's holding a grudge! We were booted off several bills, including a really big festival in Australia, specifically because Anthony Kiedis did not want us on the bill. He threatened to pull the Chili Peppers if Mr. Bungle was on the bill. Now, rationalize that one! That's so fucking pathetic! I mean, this guy's selling a million records! We are not even a speck of dust on this guy's ass! What's the fucking problem?"[52] Trey Spruance added "We were booked, months in advance, to do eleven festival dates in Europe. Come Summer, we get a call from the three biggest of those festivals, all of them the same day, saying that we can't play, because the headlining band retains the right to hire and fire whomever they wish. We found out it was the Red Hot Chili Peppers, so our manager called their manager to find out what the hell was going on, and their manager was very apologetic, and said, 'We're really sorry, we want you to know this doesn't reflect the management's position, or the band's for that matter, it's Anthony Kiedis who wants this.'"[53]
As a result, Mr. Bungle parodied the Red Hot Chili Peppers in Detroit, Michigan on Halloween of 1999. Patton introduced each Mr. Bungle band member with the name of one of the Red Hot Chili Peppers before covering the songs Give It Away, Around The World, Under the Bridge and Scar Tissue, with Patton deliberately using incorrect lyrics. Mr. Bungle also satirized many of the mannerisms of the band, mocking their frequent heroin injections and on-stage antics. Kiedis responded by having them removed from the 2000 Big Day Out festival in Australia and New Zealand,[2][28] stating "I would not have given two fucks if they played with us there, but after I heard about some Halloween show where they mocked us and read another interview where Patton talked shit about us, and I was like, you know what, fuck him and fuck the whole band." (Less)
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11, 02:53, 2008-04-21 17:03:19 Description: The King has Questions for TNA. Who has the answers? Script: Questions for TNA 1. Why is Matt Morgan ready to rip Kevin Nash's head off one week, and then the next week Nash makes fun of (More) The King has Questions for TNA. Who has the answers? Script: Questions for TNA 1. Why is Matt Morgan ready to rip Kevin Nash's head off one week, and then the next week Nash makes fun of Morgan, without Matt getting angry? The breath of Matt Morgan is not what stinks here. It's your weak ass storyline. 2. Why did TNA lie to fans about Kong having her first interview on Impact? Having some mystery bitch speak for her, does not qualify the shit as an interview. Two Words. False Advertising! 3. How long will Petey Williams and Scott Steiner fight over briefcases, before they finally receive their title shots? This story is older, and dryer, than the wrinkled up skin on Vince McMahon's neck fat. Gobble-Gobble! Put that turkey in the oven and cook it, before you give us all salmonella. 4. Why does TNA - Impact now look like a crappy episode of W C W Thunder? You already have the squeaky mouse voice of Thunder, with Mike Tenay, now you're having the same, B show action. 5. Why are you making fun of retired legend Stone Cold Steve Austin, instead of going after the easiest mark in all of pro wrestling? John Cena! 6. Why do you have Team 3D referring to E C W, and W W E in a positive way on Impact? If you bend over like an UNCLE FUCKER. You're competition will fuck you up the ass! 7. Why are you building TNA's future around, 35 and older wrestlers, instead of pushing the younger guys that helped build TNA? Losing Ron Killings, and Chris Harris, will hurt TNA in the long run. Even a stupid Gump can see that. 8. Why did your stupid ass script writer have Kurt Angle say, "AJ Styles was world champion, when T NA didn't have a full roster?" AJ Styles is the biggest name in the history of TNA, and you dumb fucks are killing his name by stupid ass writing. 9. Why are you having Gail Kim sit on the sidelines while ODB starts a feud with Awesome Kong? If you Einsteins think that the ODB Kong feud, will be as big as the one with Gail Kim and Kong, you're even dumber than everyone already thinks you are. Gail Kim should still be involved in the storyline. 10. Why did you build Kaz up to top card status, only to drop him down to the cellar in a storyline, with crazy ass Dustin, "Black Reign" Rhodes? He proved that he is a main eventer, and you reward him by having him show up with a wig, and a powdered face, to make fun of Michael Jackson with corny jokes? Jokes about Michael Jackson, proves that your writers are too old to connect with your target audience. Fans old enough to understand those jokes have already heard them a million times, while those not old enough to understand will just be saying. What the Fuck? The King is the Truth! Pro Wrestling Kingdom 2008 http://myspace.com/prowrestlingkingdom (Less)
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